Stroke Of Midnight Quotes

We've searched our database for all the quotes and captions related to Stroke Of Midnight. Here they are! All 100 of them:

My father had taught me to be nice first, because you can always be mean later, but once you've been mean to someone, they won't believe the nice anymore. So be nice, be nice, until it's time to stop being nice, then destroy them.
Laurell K. Hamilton (A Stroke of Midnight (Merry Gentry, #4))
Love is too precious to be ashamed of.
Laurell K. Hamilton (A Stroke of Midnight (Merry Gentry, #4))
A flower may be beautiful all on its own, but a person is never truly beautiful unless someone's eyes show him that he is beautiful.
Laurell K. Hamilton (A Stroke of Midnight (Merry Gentry, #4))
No name-calling truly bites deep unless, in some dark part of us, we believe it. If we are confident enough then it is just noise.
Laurell K. Hamilton (A Stroke of Midnight (Merry Gentry, #4))
Some wounds cut us so deep that they stop us. Stop us from letting go, from growing up, from seeing the truth.
Laurell K. Hamilton (A Stroke of Midnight (Merry Gentry, #4))
Flushed with starlight and moonlight drowned, All the dreamers are castle-bound. At midnight’s stroke, we will unwind, Revealing fantasies soft or unkind. Show me debauched nightmares or sunniest daydreams. Come not as you are but as you wish to be seen.
Erin A. Craig (House of Salt and Sorrows (Sisters of the Salt, #1))
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
I cannot do it. I cannot bear it. I cannot go back to what I was here. I cannot stand at her side and watch another take her. I am not that strong or that good.
Laurell K. Hamilton (A Stroke of Midnight (Merry Gentry, #4))
I turned down Halloween parties every year, where people wanted zombies raised at the stroke of midnight or some such nonsense. The scarier my reputation got, the more people wanted me to come be scary for them. I'd told Bert I could always go and threaten to shoot all the partygoers, that'd be scary. Bert had not been amused. But he had stopped asking me to do parties.
Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
The real magic - the magic we'd lived with all our lives, my mother's magic of charms and cantrips, of salt by the door and a red silk sachet to placate the little gods - had turned sour on us that summer, somehow, like a spider that turns from good luck to bad at the stroke of midnight, spinning its web to catch our dreams. And for every little spell of charm, for every card dealt and every rune cast and every sign scratched against a doorway to divert the path of malchance, the wind just blew a little harder, tugging at our clothes, sniffing at us like a hungry dog, moving us here and moving us there.
Joanne Harris (The Lollipop Shoes (Chocolat, #2))
All the dreamers are castle-bound. At midnight’s stroke, we will unwind, Revealing fantasies soft or unkind. Show me debauched nightmares or sunniest daydreams. Come not as you are but as you wish to be seen.
Erin A. Craig (House of Salt and Sorrows (Sisters of the Salt #1))
If they can’t survive alone for four days once a year, they deserve to die. (Acheron) That’s harsh, for you. (Dante) Harsh? Tell you what, you take my phone and skim through the three thousand phone calls I get every day and night and see how harsh I am. I truly hate modern technology and phones in particular. I haven’t had a full four hours of sleep in over fifty years. ‘Ash, I broke a toenail, help me. Ash, my head hurts, what should I do?’ (Acheron)
Sherrilyn Kenyon (Stroke of Midnight)
She doesn’t want me to own her. (Dante) Well, the Simi doesn’t understand that. Owning’s not so bad. I own akri and he kind of fun. (Simi)
Sherrilyn Kenyon (Stroke of Midnight)
The last stroke of midnight dies. All day in the one chair From dream to dream and rhyme to rhyme I have ranged In rambling talk with an image of air: Vague memories, nothing but memories.
W.B. Yeats (The Wild Swans At Coole)
I take offense to that. (Pandora) And I take offense to my sudden need for a testicle retrieval. You know, I would have liked to have fathered children one day. (Mike)
Sherrilyn Kenyon (Stroke of Midnight)
Relax, the bad guys don’t knock. (Romeo)
Sherrilyn Kenyon (Stroke of Midnight)
For twenty years it seemed to me that I had been taking part in a game, and that one day, at the stroke of midnight, I would return to the land of shadows. ...In a little while, the hands would be pointing to midnight; they would point to midnight tomorrow and the next day, and I would still be here.
Simone de Beauvoir
The police await us, our men stand in the cold, and you don't like your coat! Such delicate sensibilities for someone who just fucked a stranger on the floor in front of us all!
Laurell K. Hamilton (A Stroke of Midnight (Merry Gentry, #4))
Mostly because I’ve realized what a lame teenager I was. I was always home at the stroke of midnight; I didn’t like drinking mash; I didn’t have sex. I read books and had an inferiority complex because I was afraid to do all that other stuff. I don’t know anything about being a badass punk rocker.
Karin Tidbeck
Fleetfoot turned to look up at Celaena, her golden eyes full of question. Celaena reached down to stroke the warm head, the long ears, the slender muzzle. But the question remained. Celaena said, “She’s never coming back.” The dog kept waiting.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
You know, I’ve never understood it. They make a deal with the devil herself and then expect me to bail them out of every minor scrape. Then when I show up to help them, they cop an attitude and tell me to blow. So if I’m selfish for wanting four days a year to be left alone, then I’m just a selfish bastard. Sue me. (Acheron)
Sherrilyn Kenyon (Stroke of Midnight)
I was born in the city of Bombay ... once upon a time. No, that won't do, there's no getting away from the date: I was born in Doctor Narlikar's Nursing Home on August 15th, 1947. And the time? The time matters, too. Well then: at night. No, it's important to be more ... On the stroke of midnight, as a matter of fact. Clock-hands joined palms in respectful greeting as I came. Oh, spell it out, spell it out: at the precise instant of India's arrival at independence, I tumbled forth into the world.
Salman Rushdie (Midnight’s Children)
It’s broke again, akri. The man downstairs done said that the Simi can’t charge nothing else until I’m not over my limit no more. I don’t know what that means, but I don’t like it. Fix it, akri, or else I might eat him. The Simi gots needs and I needs my plastic to work. (Simi)
Sherrilyn Kenyon (Stroke of Midnight)
You should hit him in the face with frying pans more often," Said Rhys "he seems to like it
Laurell K. Hamilton (A Stroke of Midnight (Merry Gentry, #4))
Jenna.” Brock stroked the underside of her chin very gently, lifting her face up toward his. “Would it be all right if I kissed you?
Lara Adrian (Taken by Midnight (Midnight Breed, #8))
The important things in life always happened by accident. At fifteen she didn’t know much, in fact, with each passing year she was a lot less clear about most things. But this much she did know. You could worry yourself sick trying to be a better person, spend a thousand sleepless nights figuring out how to live clean and decent and honest, you could make a plan and bolt it in place, kneel by your bed every night and swear to God you’d stick to it, hell, you could go to church and promise properly. You could cross your heart seven times with your eyes tight shut, cut your thumb and squeeze it and pen solemn vows on a rock with your own blood then throw it in the river at the stroke of midnight. And then, out of the black beyond, like a hawk on a rat, some nameless catastrophe would swoop into your life and turn everything upside down and inside out forever.
Nicholas Evans (The Smoke Jumper)
Nikolai stroked her cheek, then wrapped her in his embrace. “You’re safe,” he said tenderly beside her ear. “I’ve got you, and I’m going to keep you safe.
Lara Adrian (Veil of Midnight (Midnight Breed, #5))
I'd like to think that we're not just sacks of biological goo careening through a random universe.
Jordan Castillo Price (The Stroke of Midnight (PsyCop, #3.1))
If you overdo it, there are consequences. What kind of consequences? Strokes, brain hemorrhages, aneurysms... How do you know when you have overdone it? When you have a stroke, brain hemorrhage or an aneurysm.
Ben Aaronovitch (Midnight Riot (Rivers of London #1))
Long years ago, we made a tryst with destiny, and now the time comes when we shall redeem our pledge, not wholly or in full measure, but very substantially. At the stroke of the midnight hour, when the world sleeps, India will awake to life and freedom. A moment comes, which comes but rarely in history, when we step out from the old to the new, when an age ends, and when the soul of a nation, long suppressed, finds utterance
Jawaharlal Nehru
Mine, I thought deliriously, as a shadow swept over us, like a cape had been thrown over the sky. Mine, as my hands stroked up that strong back, velvety and warm, where every dip and line of muscle fit sweetly into my palms. Mine, as the storm trembled in the air around us, and shook the earth beneath us. “Mine,” I murmured, as blue eyes met mine, wide and startled. And then closed again as he took my breath in a kiss so consuming that I barely noticed when the storm continued on toward the horizon, the midnight wings showing vague starlight through in patches as it passed overhead. As it missed us. “Yours,” Louis-Cesare groaned
Karen Chance (Fury's Kiss (Dorina Basarab, #3))
Goddess” he said. Her voice floated to us. Yes, Child.” Will I see you again?” Just her voice now, young and old at the same time. “In the face of every woman you meet
Laurell K. Hamilton
So wet,” he murmured. The words shocked her. She wanted to hear more. He stilled, resting his temple against hers. His breath stirred her hair as he traced her intimate flesh in slow, tantalizing strokes. “For me?” he whispered. The vulnerable rasp in his voice undid her. She kissed his jaw. “For you. Only you.
Tessa Dare (A Lady by Midnight (Spindle Cove, #3))
Then I stay beside you for as long as we have." He kept stroking my hair. Cats like to be petted. Cait Sidhe like to pet. "October, I meant it when I told you I was not leaving you. I will never leave you while both of us are living. You were not quite this human when I met you, and you were far less human when I finally allowed myself to love you. But the essential core of your being has remained the same no matter what the balance of your blood." "How is it that you always know the exact right stupid romance novel thing to say?" I asked, leaning up to kiss him. He smiled against my lips. When I pulled back, he said. "I was a student of Shakespeare before the romance novel was even dreamt. Be glad I do not leave you horrible poetry on your pillow, wrapped securely around the bodies of dead rats.
Seanan McGuire (Chimes at Midnight (October Daye, #7))
What about the pact they made with our pack? (Pandora) It’s dissolved. If they pull any more of your kin out of their time period, I’m going to send them a special welcoming committee. (Dante)
Sherrilyn Kenyon (Stroke of Midnight)
You cannot die from grief, though it feels like you can. A heart does not actually break, though sometimes you chest aches as if it is breaking. Grief dims with time. It is the way of things. There comes a day when you smile again, and you feel like a traitor. How dare I feel happy. How dare I be glad in a world my father is no more. And then you cry fresh tears, because you do not miss him so much as you once did, and giving up your grief is another kind of death.
Laurell K. Hamilton (A Stroke of Midnight (Merry Gentry, #4))
They’ve never waited for their paycheck to be directly deposited at the stroke of midnight because their wallet is empty and their credit cards are maxed and they desperately need to pay for gas. And food. And a prescription that’s gone unfilled for an entire week.
Riley Sager (Lock Every Door)
You can lay your strategies as carefully as you like, but women will undo them at a stroke.
Salman Rushdie (Midnight's Children)
you’re totally going to bang that man like a screen door in a hurricane.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
At the stroke of midnight in Washington, a drooling red-eyed beast with the legs of a man and a head of a giant hyena crawls out of its bedroom window in the South Wing of the White House and leaps fifty feet down to the lawn...pauses briefly to strangle the Chow watchdog, then races off into the darkness...towards the Watergate, snarling with lust, loping through the alleys behind Pennsylvania Avenue, and trying desperately to remember which one of those fore hundred identical balconies is the one outside of Martha Mitchell's apartment....Ah...Nightmares, nightmares. But I was only kidding. The President of the United States would never act that weird. At least not during football season.
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
Pandora, meet my brothers, Leonardo and Michelangelo." "Like the Teenage Mutant Ninja Turtles?" she couldn't resist asking. "Like the Renaissance painters," Leo snapped. He exchanged a snarl with his twin brother. "I seriously hate those damned turtles.
Sherrilyn Kenyon (Stroke of Midnight)
Greta is great, but he's a little...extremely...moody. Take my birthday last year. At the stroke of midnight, he appeared at my door. "I wrote this poem for you," he said, shoving a piece of crumpled paper into my hands. 'The world must burn. Lava exploding into faces. Their skeletons are screaming now. No survivors. - From Greta' "Oh...uh...wow..." I began. "Don't bother thanking me," he said. "I just wanted to comfort you for being one year closer to the grave. Of course, I failed miserably, because comfort doesn't exist in this universe.
Bratniss Everclean (The Hunger But Mainly Death Games: A Parody)
My father had taught me to be nice first, because you can always be mean later, but once you've been mean to someone, they won't believe the nice anymore. So be nice, be nice, until it's time to stop being nice, then destroy them!
Laurell K. Hamilton (A Stroke of Midnight (Merry Gentry, #4))
I did the right thing, right? (Dante) No. The panther woman didn’t want you to leave her and now you made her go away. That was just stupid if you ask the Simi. Not that anyone ever does, ‘cause if they did, then they would be smart. Some people are smart. But many, like you, are too stupid to ask me what I think. See? (Simi)
Sherrilyn Kenyon (Stroke of Midnight)
Such a suitable word, stroke. I'd heard it since childhood without fully understanding its meaning, but it sounded, even through a haze of sleep and dope, just like itself: abrupt and brutal and irreversible. A stroke of lightning, the stroke of midnight, the stroke of a pen.
Armistead Maupin (The Night Listener)
At the stroke of the midnight hour, when the world sleeps, India will awake to life and freedom,
Ramachandra Guha (India After Gandhi: The History of the World's Largest Democracy)
I said yo. It’s a greeting. Sort of like hello, or what’s up, asshole. But that last one is just for friends, and we’re not friends, so I figured yo was the safest bet,” she says with a shrug.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
I put on my T-shirt that says FUCK BEING A PRINCESS, I WANT TO BE A VAMPIRE, drank my weight in vodka, and made a list of all the different ways I could kill my ex and make it look like an accident.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
With the twelfth stroke of midnight, the darkness was complete. A turbulent welter of cloud covered the city. All was darkness; all was doubt; all was confusion. The eighteenth century was over; the nineteenth century had begun.
Virginia Woolf (Orlando)
I encountered a glowing green raccoon riding a neon orange motorcycle at my cabin in the woods of northern California around midnight one night in 1985. The raccoon proceeded to metamorphose into a singing dolphin at the stroke of midnight.
Kary Mullis
I believe this movement will prevail. I don’t mean it will defeat, conquer, or create harm to someone else. Quite the opposite. I don’t tender the claim in an oracular sense. I mean that the thinking that informs the movement’s goals will reign. It will soon suffuse most institutions, but before then, it will change a sufficient number of people so as to begin the reversal of centuries of frenzied self-destructive behavior. Some say it is too late, but people never change when they are comfortable. Helen Keller threw aside the gnawing fears of chronic bad news when she declared, “I rejoice to live in such a splendidly disturbing time!” In such a time, history is suspended and thus unfinished. It will be the stroke of midnight for the rest of our lives. My hopefulness about the resilience of human nature is matched by the gravity of our environmental and social condition. If we squander all our attention on what is wrong, we will miss the prize: In the chaos engulfing the world, a hopeful future resides because the past is disintegrating before us. If that is difficult to believe, take a winter off and calculate what it requires to create a single springtime. It’s not too late for the world’s largest institutions and corporations to join in saving the planet, but cooperation must be on the planet’s terms. The “Help Wanted” signs are everywhere. All people and institutions including commerce, governments, schools, churches and cities, need to learn from life and reimagine the world from the bottom up, based on the first principles if justice and ecology. Ecological restoration is extraordinarily simple: You remove whatever prevents the system from healing itself. Social restoration is no different. We have the heart, knowledge, money and sense to optimize out social and ecological fabric. It is time for all that is harmful to leave. One million escorts are here to transform the nightmares of empire and the disgrace of war on people and place. We are the transgressors and we are the forgivers. “We” means all of us, everyone. There can be no green movement unless there is also a black, brown and copper movement. What is more harmful resides within is, the accumulated wounds of the past, the sorrow, shame, deceit, and ignominy shared by every culture, passed down to every person, as surely as DNA, as history of violence and greed. There is not question that the environmental movement is most critical to our survival. Our house is literally burning, and it is only logical that environmentalists expect the social justice movement to get on the environmental bus. But is actually the other way around; the only way we are going to put out this fire is to get on the social justice bus and heal our wounds, because in the end, there is only one bus. Armed with that growing realization, we can address all that is harmful externally. What will guide us is a living intelligence that creates miracles every second, carried forth by a movement with no name.
Paul Hawken
Once every hundred years, two souls are brought together through the veil of time. They are deemed the chosen ones by the Fae. Through their acts of kindness, generosity, and love to others, they often neglect to find their one true love. Their devotion to aiding others blinds them to their own happiness, leaving them alone. Time is fleeting and only the strongest and purest of heart will be able to capture the spark of love. If the ember ceases to grow, then on the stroke of midnight on the Winter Solstice the two lovers will be returned to their own time. The doors of past and present to be closed forever. In this year, 2016, the Fae have chosen Cormac Blaine Murray and Eve Catherine Brannigan to receive this special blessing – a chance of love – everlasting. When the light of true love whispers in their hearts, Cormac and Eve must trust and believe in the magic that brought them together before the sands of time vanish into the mists of the Highlands.
Mary Morgan (A Magical Highland Solstice)
Thanks, but I don't drink," she said as she ignored his arm and breezed past him. "I'm just here to get laid.
Laurell K. Hamilton (A Stroke of Midnight (Merry Gentry, #4))
If it’s burning eternally, it’s probably chlamydia,” Ariel deadpans.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
Remind me to sneak you out of the bedroom window of your dad’s house more often. Look at Belle getting white-girl wasted,
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
Did your mother not teach you any manners?” I huff. “We’re. Fucking. Closed. You’re fucking welcome.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
Yeah, yeah, whatever. Small-business license, website design, filing tax paperwork, blah, blah, blah, Cindy’s getting a frickle shoved in her frackle,” Ariel shouts after me.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
We women need to stick together. You need to learn how to not let what people think bother you and decide what you want to do with your life,
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
That’s not why I’m doing this,” I reply indignantly, even though just the thought of finally being naked in a bed with that man makes me feel all warm and tingly. “Whatever helps you sleep at night, princess. You’re totally going to bang that man like a screen door in a hurricane. Especially when he sees you in this outfit,” Ariel states, looking me up and down. “Well,
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
Stupid rich man with too much money. Most guys buy a yacht or a fucking island. My guy buys dumb shoes to watch me walk around like a baby deer on ice. My guy? New fury courses through me.
K. Webster (Stroke of Midnight (Cinderella, #1))
The Earth is 4.54 billion years old. A span of time that big is too mind-boggling to comprehend, so let’s collapse the planet’s entire history into a single calendar year.1 Right now, as you’re reading this page, it is 31st December, just before the stroke of midnight. (Thankfully, fireworks were invented nine seconds ago.) Humans have only existed for the 30 minutes or fewer.
Ed Yong (I Contain Multitudes: The Microbes Within Us and a Grander View of Life)
Keep looking at my dick like you want to know it on a first-name basis, Cinderelliott, and I’m going to make you give it a proper greeting. One where you bow on your knees and kiss the crown
K. Webster (Stroke of Midnight (Cinderella, #1))
I tried to call your cell phone when we got in to see if you made it." Ash immediately tensed as he put his comic down and pulled out another issue. "I turned it off on the day I got here." "Really?" Dante asked, stunned by Ash's confession. It wasn't like him to be out of touch with his Dark-Hunter charges. "What if one of the Dark-Hunters needed you?" Ash shrugged. "If they can't survive alone for four days once a year, they deserve to die.
Sherrilyn Kenyon (Stroke of Midnight)
By such subtle signs, like an orchestra tuning up, the daily event that is central to life on the Coromandel Coast announces itself: the evening breeze. The Madras evening breeze has a body to it, its atomic constituents knitted together to create a thing of substance that strokes and cools the skin in the manner of a long, icy drink or a plunge into a mountain spring. It pushes through on a broad front, up and down the coast; unhurried, reliable, with no slack until after midnight, by which time it will have lulled them into beautiful sleep. It doesn’t know caste or privilege as it soothes the expatriates in their pocket mansions, the shirtless clerk sitting with his wife on the rooftop of his one-room house, and the pavement dwellers in their roadside squats. Digby has seen the cheery Muthu become distracted, his conversation clipped and morose, as he waits for the relief that comes from the direction of Sumatra and Malaya, gathering itself over the Bay of Bengal, carrying scents of orchids and salt, an airborne opiate that unclenches, unknots, and finally lets one forget the brutal heat of the day. “Yes, yes, you are having your Taj Mahal, your Golden Temple, your Eiffel Tower,” an educated Madrasi will say, “but can anything match our Madras evening breeze?
Abraham Verghese (The Covenant of Water)
I feel him tugging on the side of my lace thong. He strengthens the kiss, sweeping his tongue slow and deep through my mouth as he yanks as hard as he can on my thong. “OW! Son of a bitch!” I shout, pulling my mouth away from his as the lace digs into the side of my hip. “Sorry! Shit. I was trying to be all cool and rip these fuckers off you, but Jesus Christ what are they made out of, steel?” he mutters in annoyance, looking down between us as he continues to pull and tug at the material that refuses to tear.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
I gave her that money for purely selfish reasons. She’s a teenager, and frankly, she scares me. Jesus Christ . . . how do you even sleep at night?” he asks with a shudder. “Don’t judge me because I’m trying to buy her off in the hopes that she won’t kill me.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
At the stroke of midnight in Washington, a drooling red-eyed beast with the legs of a man and a head of a giant hyena crawls out of its bedroom window in the South Wing of the White House and leaps fifty feet down to the lawn… pauses briefly to strangle the Chow watchdog, then races off into the darkness… towards the Watergate, snarling with lust, loping through the alleys behind Pennsylvania Avenue, and trying desperately to remember which one of those four hundred identical balconies is the one outside Martha Mitchell’s apartment….
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
Cam paused, staring down at her with dilated eyes, the irises bright gold rims around circles of fathomless midnight. “Amelia, love…” His kiss tasted of salt and intimacy. “Can you take a little more of me?” She fought to think above the confusion of pleasure, and shook her head jerkily. The corners of his lips deepened with a smile. He whispered, “I think you can.” His hands played over her, solicitous fingertips sliding to the place they were joined. He pressed inside her, a low rhythmic movement, and his fingers were astonishingly gentle, almost delicate, as they stroked in time to the patient thrusts. Gasping, she arched to take him deeper, and deeper still. Every time he pushed, his body rubbed hers in exactly the right way. She began to lift eagerly, anticipating each invasion, panting for it, sensation building on sensation until it culminated in a blinding swell of delight … and another … another … she felt him begin to withdraw and she moaned and twined her legs around his hips. “Amelia,” he gasped, “no, let me … I’ve got to…” Shuddering, he spent helplessly inside her, while her body gripped and stroked the hard length of him. Still locked together, Cam rolled Amelia to her side. He muttered something in Romany. Although she didn’t understand a word, it sounded highly complimentary. Limp with pleasure and exhaustion, Amelia rested her head on the solid curve of his biceps, her breath catching as she felt the occasional twitch and pulse of him in the depths of her body.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
If he didn’t drag you into the closest dressing room and make you see God, you sucked at flirting.” Ariel points her finger at me as I swipe at my chin with the back of my hand. “Men are dumb. You need to speak in slow, short sentences and be direct. Don’t beat around the bush or he’ll never beat inside your bush.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
Mlle. Daaé's curious action in going out at that hour had worried me at first; but, as soon as I saw her go to the churchyard, I thought that she meant to fulfill some pious duty on her father's grave and I considered this so natural that I recovered all my calmness. I was only surprised that she had not heard me walking behind her, for my footsteps were quite audible on the hard snow. But she must have been taken up with her intentions and I resolved not to disturb her. She knelt down by her father's grave, made the sign of the cross and began to pray. At that moment, it struck midnight. At the last stroke, I saw Mlle. Daaé lift her eyes to the sky and stretch out her arms as though in ecstasy. I was wondering what the reason could be, when I myself raised my head and everything within me seemed drawn toward the invisible, which was playing the most perfect music! Christine and I knew that music; we had heard it as children. But it had never been executed with such divine art, even by M. Daaé. I remembered all that Christine had told me of the Angel of Music. The air was The Resurrection of Lazarus, which old Mr. Daaé used to play to us in his hours of melancholy and of faith. If Christine's Angel had existed, he could not have played better, that night, on the late musician's violin.
Gaston Leroux (The Phantom of the Opera)
That is not the purpose of this evening, and I’m not wearing this,” I tell her, throwing the dress right back at her. “I just found out you like porn. I feel closer to you than ever before. Don’t ruin this for me. Get your ass in the bathroom and put on the slutty red dress,” she orders, grabbing my hand and smacking the dress into it.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
I would pick him over anyone. He gave me everything you never could and never will because you are a pathetic excuse for a man. He gave me understanding and he gave me confidence and you know what else he gave me? ORGASMS!” I shout. “Oh, Jesus,” Ariel mutters from next to me. “You couldn’t find my clit with a flashlight and Google Maps!
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
She gave a little sob deep in her throat. 'Call it a prophecy, call it a prediction, call it fate - call it what you will. I fought against it hard enough, God knows. But the evidence of my own eyes, my own ears, my own senses, is too much for me. And the time's too short now. I'm afraid to take a chance. I haven't got the nerve to bluff it out, to sit pat. You don't gamble with a human life. Today's the 13th, isn't it? It's too close to the 14th; there isn't time-margin enough left now to be skeptical, to keep it to myself any longer. Day by day I've watched him cross off the date on his desk-calendar, drawing nearer to death. There are only two leaves left now, and I want help! Because on the 14th - at the exact stroke of midnight, as the 15th is beginning -' She covered her face with both arms and shook silently. 'Yes?' urged McManus. 'Yes?' 'He's become convinced - oh, and almost I have too - that at exactly midnight on the 14th he's to die. Not just die but meet his death in full vigor and health, a death rushing down to him from the stars he was born under - rushing down even before he existed at all. A death inexorable, inescapable. A death horrid and violent, inconceivable here in this part of the world where we live.' She took a deep, shuddering breath, whispered the rest of it. 'Death at the jaws of a lion.' ("Speak To Me Of Death")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
The moon! It smiled at her with all its might, she could see it! through the broken wood beams of a crude ceiling, nearly touch its cratered surface, stroke its circumference; oh, moon! bulbous and benevolent, guiding herds across planes on forlorn journeys; elucidating wisps of mist to lovers at midnight; absent to her for years but treasured still.
K.I. Hope (hector)
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy’s and talk about the day and type your letters and carry your boxes and laugh at your paranoia and give you tapes you don’t listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you’re sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the the programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you’re late and be amazed when you’re early and give you sunflowers and go to your party and dance till I’m black and be sorry when I’m wrong and happy when you forgive me and look at your photos and wish I’d known you forever and hear your voice in my ear and feel your skin on my skin (...) .
Sarah Kane (Crave)
Коли в землю солдаты всадили — штык, Коли красною тряпкой затмили — Лик*, Коли Бог под ударами — глух и нем, Коль на Пасху народ не пустили в Кремль — Надо бражникам старым засесть за холст, Рыбам — петь, бабам — умствовать, птицам — ползть, Конь на всаднике должен скакать верхом, Новорожденных надо поить вином**, Реки — жечь, мертвецов выносить — в окно, Солнце красное в полночь всходить должно, Имя суженой должен забыть жених… Государыням нужно любить — простых***. 3-ий день Пасхи 1918 *Красный флаг, к<отор>ым завесили лик Николая Чудотворца. Продолжение — известно (примеч. М. Цветаевой).↵ **Поили: г<оспо>жу де Жанлис. В Бургундии. Называлось «la miaulée». И жила, кажется, до 90-ста лет. Но был ужасная лицемерка (примеч. М. Цветаевой).↵ ***Любили (примеч. М. Цветаевой).↵ Now that the troops stick their bayonets - in the earth, that they wrap the Saint's Face - in a scarlet cloth, That, in face of these blows, God is - deaf and dumb, That at Easter the Kremlin admits no one - We shall soon see old revellers ply the loom, Fishes - sing, old wives - meditate, birds - creep, soon see the steed mount its rider and race away, see them start feeding wine to the new-born babe, Rivers - burn, windows - open to pass the dead, on the stroke of midnight - the sun rise, blood-red, the fiancé forget his beloved's name... and tsarinas - love commoners once again*. Third day of Easter, 1918 *They did love them (M.S.)
Marina Tsvetaeva (The Demesne of the Swans)
You must have traveled all night,” she heard herself say. “I had to come back early.” She felt his lips brush her tumbled hair. “I left some things unfinished. But I had a feeling you might need me. Tell me what’s happened, sweetheart.” Amelia opened her mouth to answer, but to her mortification, the only sound she could make was a sort of miserable croak. Her self-control shattered. She shook her head and choked on more sobs, and the more she tried to stop them, the worse they became. Cam gripped her firmly, deeply, into his embrace. The appalling storm of tears didn’t seem to bother him at all. He took one of Amelia’s hands and flattened it against his heart, until she could feel the strong, steady beat. In a world that was disintegrating around her, he was solid and real. “It’s all right,” she heard him murmur. “I’m here.” Alarmed by her own lack of self-discipline, Amelia made a wobbly attempt to stand on her own, but he only hugged her more closely. “No, don’t pull away. I’ve got you.” He cuddled her shaking form against his chest. Noticing Poppy’s awkward retreat, Cam sent her a reassuring smile. “Don’t worry, little sister.” “Amelia hardly ever cries,” Poppy said. “She’s fine.” Cam ran his hand along Amelia’s spine in soothing strokes. “She just needs…” As he paused, Poppy said, “A shoulder to lean on.” “Yes.” He drew Amelia to the stairs, and gestured for Poppy to sit beside them. Cradling Amelia on his lap, Cam found a handkerchief in his pocket and wiped her eyes and nose. When it became apparent that no sense could be made from her jumbled words, he hushed her gently and held her against his large, warm body while she sobbed and hid her face. Overwhelmed with relief, she let him rock her as if she were a child. As Amelia hiccupped and quieted in his arms, Cam asked a few questions of Poppy, who told him about Merripen’s condition and Leo’s disappearance, and even about the missing silverware. Finally getting control of herself, Amelia cleared her aching throat. She lifted her head from Cam’s shoulder and blinked. “Better?” he asked, holding the handkerchief up to her nose. Amelia nodded and blew obediently. “I’m sorry,” she said in a muffled voice. “I shouldn’t have turned into a watering pot. I’m finished now.” Cam seemed to look right inside her. His voice was very soft. “You don’t have to be sorry. You don’t have to be finished, either.” She realized that no matter what she did or said, no matter how long she wanted to cry, he would accept it. And he would comfort her.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Fine. I’m just kidding. But I’m telling you, if we can’t come up with something quick, I am not opposed to selling my body on a street corner. I haven’t gotten laid in forever, and I wouldn’t mind a little action that doesn’t include a few grunts, a few pumps, and the guy rolling over and snoring.” “My word, what kind of men have you been with?” I ask. “Your ex,” she says with a blank expression.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
It was midnight, and sultry as hell. All day not a breath had stirred. The country through which I passed was level as the sea that had once flowed above it. My heart had almost ceased to beat, and I was weary as the man who is too weary to sleep outright, and labours in his dreams. I slumbered and yet walked on. My blood flowed scarce faster than the sluggish water in the many canals I crossed on my weary way. And ever I thought to meet the shadow that was and was not death. But this was no dream. Just on the stroke of midnight, I came to the gate of a large city, and the watchers let me pass. Through many an ancient and lofty street I wandered, like a ghost in a dream, knowing no one, and caring not for myself, and at length reached an open space where stood a great church, the cross upon whose spire seemed bejewelled with the stars upon which it dwelt.
George MacDonald (Thomas Wingfold, Curate)
JOHN GABRIEL BORKMAN stands with his hands behind his back, beside the piano, listening to FRIDA FOLDAL, who is playing the last bars of the "Danse Macabre. BORKMAN. Can you guess where I first heard tones like these? FRIDA. [Looking up at him.] No, Mr. Borkman. BORKMAN. It was down in the mines. FRIDA. [Not understanding.] Indeed? Down in the mines? BORKMAN. I am a miner's son, you know. Or perhaps you did not know? FRIDA. No, Mr. Borkman. BORKMAN. A miner's son. And my father used sometimes to take me with him into the mines. The metal sings down there. FRIDA. Really? Sings? BORKMAN. [Nodding.] When it is loosened. The hammer-strokes that loosen it are the midnight bell clanging to set it free; and that is why the metal sings--in its own way--for gladness. FRIDA. Why does it do that, Mr. Borkman? BORKMAN. It wants to come up into the light of day and serve mankind.
Henrik Ibsen (John Gabriel Borkman)
He cuts me off by placing one of his fingers over my lips, and I suddenly have the urge to lick it, even though I’m pissed at him. “I already told you, I’m making a list of all the ways you can pay me back. As for Anastasia, I gave her that money for purely selfish reasons. She’s a teenager, and frankly, she scares me. Jesus Christ . . . how do you even sleep at night?” he asks with a shudder. “Don’t judge me because I’m trying to buy her off in the hopes that she won’t kill me.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
Using the dagger next to him on the nightstand, Dante scored a fresh line on his wrist. He pressed the bleeding cut to Tess’s lips, waiting to feel her respond, wanting to curse to the rafters when her mouth remained unmoving, his blood dripping down, useless, onto her chin. “Come on, angel. Drink for me.” He stroked her cool cheek, brushed a tangle of her honey-blond hair from her forehead. “Please live, Tess . . . drink, and live.” A throat cleared awkwardly from the area near the bedroom doorjamb. “I’m sorry, the uh . . . the door was open.” Chase. Just fucking great. Dante couldn’t think of anyone he’d like to see less right now. He was too entrenched in what he was doing—in what he was feeling—to deal with another interruption, particularly one coming from the Darkhaven agent. He’d hoped the bastard was already long gone from the compound, back to where he came from—preferably with one of Lucan’s size-fourteens planted all the way up his ass. Then again, maybe Lucan was saving the privilege for Dante instead. “Get out,” he growled. “Is she drinking at all?” Dante scoffed, low under his breath. “What part of ‘get out’ did you fail to understand, Harvard? I don’t need an audience right now, and I sure as hell don’t need any more of your bullshit.” He pressed his wrist to Tess’s lips again, parting them with the fingers of his blood by mild force. It wasn’t happening. Dante’s eyes stung as he stared down at her. He felt wetness streaking his cheeks. Tasted the salt of tears gathering at the corner of his mouth. “Shit,” he muttered, wiping his face into his shoulder in a strange mix of confusion and despair. He heard footsteps coming up near the bed. Felt the air around him stir as Chase reached out his hand. “It might work much better if you tilt her head, like th—” “Don’t . . . touch her.” The words came out in a voice Dante hardly recognized as his own, it was so full of venom and deadly warning. He swiveled his head around and met the agent’s eyes, his vision burning and sharp, his fangs having stretched long in an instant. The protective urge boiling through him was fierce, utterly lethal, and Chase evidently understood at once.
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
He looks like the kind of man who could go for hours, doesn’t he?” I ask with a dreamy sigh, wishing I could just keep remembering how annoying he is instead of constantly reliving every single moment of straddling his lap, moving against him, the feel of his warm breath against my neck, the curses he muttered in my ear, and how tightly he clenched my hair in his fist. Is it getting hot in here or is it just me? “Who wants a man that can go for hours? I’ve got shit to watch on my DVR, and I need my beauty sleep. Get in and get out,” Ariel replies.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
The next night was New Year’s Eve, and I made a secret plan with Shara to meet her outside the back door on the stroke of midnight. “Let’s take a walk,” I suggested. “Sure. It’s midnight, minus five degrees, and pitch black, but hey, let’s walk.” She paused. “But not up Loyal,” she added, smiling. And so we walked together along a moonlit track. Twenty yards and then I will make the move to kiss her, I told myself. But plucking up the courage with a girl this special was harder than I had thought. Twenty yards became two hundred yards. Then two thousand. Forty-five minutes later, she suggested that maybe we should turn around and head back to the house. “Yes. Good idea.” I replied. Do it, Bear, you old woman. Do it now! And so I did. A quick kiss on the lips, then a longer lingering one, and then I had to stop. It was sensory overload. Wow. That was worth the walk, I thought, smiling from ear to ear. “Let’s head back,” I confirmed, still smiling. I am not sure Shara was quite as impressed by the effort-to-reward ratio--long cold walk to short, hot kiss--but as far as I was concerned the sky and clouds had parted, and nothing would ever be the same again.
Bear Grylls (Mud, Sweat and Tears)
His words were almost soundless. "I've gotten to a really dark place, Melly. The darkest place I've ever been." "You don't have to be there anymore," she told him gently. "Don't you know what happens at the darkest point of the day?" He stroked her soft lower lip with the ball of one thumb. "What?" She rubbed her fingers soothingly along his muscled forearms. "A beautiful, brand-new day begins, and it's all fresh and full of promise." She smiled into his gaze. "That's why magic in the fairy tales happens at midnight, you know. When you reach that point, you have the power to change everything.
Thea Harrison (Midnight's Kiss (Elder Races, #8))
I don’t think this is a children’s princess party!” I shout over the noise of the rambunctious men as a shower of dollar bills land at my feet. One of the men yells “TAKE IT OFF!” “Gee, you think?!” Ariel yells back. “Some guy just unzipped his pants and pulled his dick out!” Isabelle whimpers, shoving her face harder into Ariel’s arm. “What did you do?!” “What do you think I did? I looked at it. It was a pretty good dick. Nice length, excellent girth. I give it an 8.5 on the dick scale,” she says with a shrug. “He lost a point and a half for calling his dick Sanford and informing me that Sanford spits when he’s excited. Like I haven’t heard that one before. Lame.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
Life, in short, just wants to be. But—and here’s an interesting point—for the most part it doesn’t want to be much. This is perhaps a little odd because life has had plenty of time to develop ambitions. If you imagine the 4.5 billion odd years of Earth’s history compressed into a normal earthly day, then life begins very early, about 4 A.M., with the rise of the first simple, single-celled organisms, but then advances no further for the next sixteen hours. Not until almost 8:30 in the evening, with the day five-sixths over, has Earth anything to show the universe but a restless skin of microbes. Then, finally, the first sea plants appear, followed twenty minutes later by the first jellyfish and the enigmatic Ediacaran fauna first seen by Reginald Sprigg in Australia. At 9:04 P.M. trilobites swim onto the scene, followed more or less immediately by the shapely creatures of the Burgess Shale. Just before 10 P.M. plants begin to pop up on the land. Soon after, with less than two hours left in the day, the first land creatures follow. Thanks to ten minutes or so of balmy weather, by 10:24 the Earth is covered in the great carboniferous forests whose residues give us all our coal, and the first winged insects are evident. Dinosaurs plod onto the scene just before 11 P.M. and hold sway for about three-quarters of an hour. At twenty-one minutes to midnight they vanish and the age of mammals begins. Humans emerge one minute and seventeen seconds before midnight. The whole of our recorded history, on this scale, would be no more than a few seconds, a single human lifetime barely an instant. Throughout this greatly speeded-up day continents slide about and bang together at a clip that seems positively reckless. Mountains rise and melt away, ocean basins come and go, ice sheets advance and withdraw. And throughout the whole, about three times every minute, somewhere on the planet there is a flashbulb pop of light marking the impact of a Manson-sized meteor or one even larger. It’s a wonder that anything at all can survive in such a pummeled and unsettled environment. In fact, not many things do for long. Perhaps an even more effective way of grasping our extreme recentness as a part of this 4.5-billion-year-old picture is to stretch your arms to their fullest extent and imagine that width as the entire history of the Earth. On this scale, according to John McPhee in Basin and Range, the distance from the fingertips of one hand to the wrist of the other is Precambrian. All of complex life is in one hand, “and in a single stroke with a medium-grained nail file you could eradicate human history.” Fortunately, that moment hasn’t happened, but the chances are good that it will. I don’t wish to interject a note of gloom just at this point, but the fact is that there is one other extremely pertinent quality about life on Earth: it goes extinct. Quite regularly. For all the trouble they take to assemble and preserve themselves, species crumple and die remarkably routinely. And the more complex they get, the more quickly they appear to go extinct. Which is perhaps one reason why so much of life isn’t terribly ambitious.
Bill Bryson (A Short History of Nearly Everything)
The feeling of being trapped, of being helpless against his strength, his lust, and what my body needed was almost overwhelming. My eyes shuttered closed at the effort of not struggling in his harsh grasp. He whispered against my face, and I could not focus enough to see him. “Do you want to ride the storm?” His breath was hot against my skin. His voice promised no gentleness, no compromise. I knew the kind of sex he was offering, and the thought of it tightened things low in my body, drew another small sound from my throat. “Yes,” I whispered, “yes.” The roll of thunder echoed down the hallway, shuddering between the stone walls. The sound seemed to vibrate out of his body and into mine as if my body were a tuning fork struck against the rim of some great metal cup. His voice growled against my skin, with the taste of thunder in it. “Good,” he said and forced me to my knees.
Laurell K. Hamilton (A Stroke of Midnight (Meredith Gentry, #4))
Since your asshole ex-husband took all his shit with him and we have nothing fun to burn, we’ll start with this pile of shitty clothes,” she tells me, kicking the stack with her toe. “We’re not burning my clothes. Do you have any idea how expensive those pieces were?” I argue, even though the sight of all my monotone, plain clothing makes me want to reach for the closest lighter. “Cindy, you had a breakthrough the other night. You are on the track toward recovery and the first step is admitting you have a problem. Repeat after me: I will no longer put things on my body that are golden wheat, ecru, light baby-shit tan, or anything else in the beige family unless what I’m putting on my body is an actual man with that color skin tone,” Ariel recites, putting her hands on her hips and raising one eyebrow as she waits for me to comply with her request. “And we don’t have to burn everything. Just a few pieces to make you feel better. And by you I mean me, because if I have to look at this crap any longer, I’m going to throw up in my mouth. We can sell the rest.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
scrub oak trees. Kieran was leaning against him, pinning him to the tree, and they were kissing. Cristina hesitated a moment, blood rising into her face, but it was clear Mark wasn’t being touched against his will. Mark’s hands were tangled in Kieran’s hair, and he was kissing him as fiercely as if he were starving. Their bodies were pressed together tightly; nevertheless, Kieran clutched at Mark’s waist, his hands moving restlessly, desperately, as if he could pull Mark closer still. They slid up, pushing Mark’s jacket off his shoulders, stroking the skin at the edge of his collar. He made a low keening sound, like a cry of grief, deep in his throat, and broke away. He was staring at Mark, his gaze as hungry as it was hopeless. Never had a faerie looked so human to Cristina as Kieran did then. Mark looked back at him, eyes wide, shining in the moonlight. A shared look of love and longing and terrible sadness. It was too much. It had already been too much: Cristina knew she shouldn’t have been watching them but she hadn’t been able to stop, mingled shock and fascination rooting her to the spot. And desire. There was desire, too. Whether for Mark, or for both of them, or just for the idea of wanting someone so much, she wasn’t sure. She moved back, her heart pounding, about to pull the
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
I tilted my head and kissed his cheek.  The whiskers abraded my lips, but I didn’t mind.  I moved lower, finding his lips.  He didn’t resist me, but didn’t join in as he had in the car.  I frowned slightly.  A stab of doubt pierced my heart.  This didn’t feel right, yet.  He still hid from me. Nudging his jaw with my nose, I made room to nuzzle his neck.  My lips skimmed his smooth skin.  His pulse jumped under my mouth.  Finally, he reacted.  Both his hands came up, holding my sides, kneading me, encouraging.  My breath quickened, and my heart hammered.  Yes!  This was right. Something took possession of me.  With one hand, I gripped his hair and tugged it.  He tilted his head to the side and exposed his neck, giving in willingly.  My eyes traced his neck where his pulse skipped erratically.  The beat matched my own.  I couldn’t look away from that clean-shaven spot.  I recalled when he had started shaving it.  He’d known I would need to see it.  For this.  I kissed it lightly and felt him shudder.  Before the shudder ended, I bit him hard on the same spot.  Hard enough to draw blood. The taste of his blood on my tongue broke the hold he had on me and created a new one somewhere deep inside.  I pulled back slightly to look at the small marks I’d left.  They had already begun to heal. The pull he had on me and the euphoria of the moment faded as the horror of what I’d just done washed over me. Clay stared at me in stunned silence...versus his everyday silence.  Behind me, someone moved and called attention to the fact that we still had an audience.  A Claiming typically occurred in private. A deep blush seized my cheeks, and embarrassed tears began to gather.  I wiped the blood from my mouth with a shaky hand.  I didn’t regret Claiming him, but wished we could have talked first.  I needed reassurance.  Would this mean I’d have to quit school?  Would he want me to live in the woods with him?  If he did, I owed it to him to try after everything he’d done for me. Then, a really ugly question floated to the surface.  Had I just forced him? Panic bloomed in my chest.  Before I could scramble off his lap, he reached up and gently stroked my hair.  I froze, hands braced on his chest for stability, ready to flee. “I’ve been waiting for that since the moment I saw you,” he said in a deep and husky voice.  He sounded like a midnight radio DJ. Hearing his perfect voice ignited my temper.  Now, he could talk?  I scowled at him.  The man had the audacity to laugh then scoop me up in his arms. The
Melissa Haag (Hope(less) (Judgement of the Six #1))
amidst the horrors of war, it became apparent that there was no way he could possibly survive the carnage. And if by some stroke of fate he managed to come through the conflict with his body intact, he knew that his soul would not be so lucky.
Julia Quinn (Dancing at Midnight (The Splendid Trilogy, #2))
He pulled out the length of cord holding his hair back. She stroked her fingers over his head, some of his hair spilling across the backs of her hands. "Someone should fuss over you," she murmured. His head was almost in her lap. The cool length tempted her to run her fingers through it and tug him closer.
Ainsley Wynter (Kissed at Midnight (The Lost Royals Book 1))
At the stroke of midnight as my childhood ended, I prayed and cried in a pool of moonlight to the listener who knows All, for my mission to actualise and thus, my eternal duty begins.
Cometan (The Omnidoxy)
Come back to bed,” she whispered. “I need you to warm me.” Cam stripped away his shirt, and laughed quietly as he felt her hands plucking at the buttons of his trousers. “What happened to my prudish gadji?” “I’m afraid”—she reached into his open falls and stroked his aroused flesh—“ that continued association with you has made me shameless.” “Good, I was hoping for that.” His lashes lowered, and his voice turned slightly breathless at her touch. “Amelia, if we have children … will you mind that they’re part Roma?” “Not if you don’t mind that they’re part Hathaway.” He made a sound of amusement and finished undressing. “And I thought life on the road would be a challenge. You know, it would terrify a lesser man, trying to manage your family.” “You’re right. I can’t imagine why you’re willing to take us on.” He gave her naked body a frankly lascivious glance as he joined her beneath the covers. “Believe me, the compensations are well worth it.” “What about your freedom?” Amelia asked, snuggling close as he lay beside her. “Are you sorry to have lost it?” “No, love.” Cam reached to turn down the lamp, enfolding them in velvet darkness. “I’ve finally found it. Right here, with you.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Sing to me,” Merripen whispered as the blinding darkness rolled over him. Win continued to stroke his head as she crooned a lullaby. His fingers touched her throat, seeking the precious vibration of her voice, and the sparks faded as he lost himself in her, his fate, at last.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Watching the crackling fire, relishing the trusting weight of her head on his shoulder, Cam stroked her hair as it streamed over his arm. She slept heavily, while the fire pitched shadows from her long lashes across her cheeks. Cam looked over her with a lover’s vigilance, absorbing every detail, the feathery edge of her hairline, the neat slope of her nose, the small ears. He wanted to nibble at her ears, play with her, but he would do nothing to disturb her sleep. He pulled a quilt higher over her snowy shoulder, stroked back a curl that had looped over her ear. Everything had changed, he thought. And there was no turning back.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
He ran his hands over her, discovering she was still wearing garters and silk stockings. With a smoothness that left her gasping, Cam disappeared beneath the covers, his broad shoulders tenting the layers of linen, wool and velvet. Amelia tried to struggle to a sitting position but fell back with a whimper as she felt his mouth against the soft skin inside her thigh. He untied the garter, letting it fall away, and began to roll the stocking down her leg with torturous slowness, his lips following the path of furling silk. His tongue ventured into the hollow behind her knee … glided over the clenched muscle of her calf … the delicate side of her ankle. The silk was gently tugged away from her clenched toes. It took fierce concentration not to cry out as she felt his hot, wet mouth closing over her toes, one at a time, sucking and stroking while her ticklish foot jerked in response.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Noticing Poppy’s awkward retreat, Cam sent her a reassuring smile. “Don’t worry, little sister.” “Amelia hardly ever cries,” Poppy said. “She’s fine.” Cam ran his hand along Amelia’s spine in soothing strokes. “She just needs…” As he paused, Poppy said, “A shoulder to lean on.” “Yes.” He drew Amelia to the stairs, and gestured for Poppy to sit beside them. Cradling Amelia on his lap, Cam found a handkerchief in his pocket and wiped her eyes and nose. When it became apparent that no sense could be made from her jumbled words, he hushed her gently and held her against his large, warm body while she sobbed and hid her face. Overwhelmed with relief, she let him rock her as if she were a child.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
I was born in the city of Bombay … once upon a time. No, that won’t do, there’s no getting away from the date: I was born in Doctor Narlikar’s Nursing Home on August 15th, 1947. And the time? The time matters, too. Well then: at night. No, it’s important to be more … On the stroke of midnight, as a matter of fact. Clock-hands joined palms in respectful greeting as I came.
Salman Rushdie (Midnight’s Children)