Stretched Too Thin Quotes

I feel thin, sort of stretched, like butter scraped over too much bread.

I am old, Gandalf. I don't look it, but I am beginning to feel it in my heart of hearts. Well-preserved indeed! Why, I feel all thin, sort of stretched, if you know what I mean: like butter that has been scraped over too much bread. That can't be right. I need a change, or something.

There was too much to feel strongly about, she was stretched too thin, so she could not quite feel anything about anything.

This was a voice that drew out memories stretched thin by years of recollection, like paper unfolded and refolded too many times. A voice that brought back, like a wave, the memory of another time on this bridge, a night so long ago, everything black and silver and the river rushing away under her feet...

I feel I need a holiday, a very long holiday, as I have told you before. Probably a permanent holiday: I don't expect I shall return. in fact, I don't mean to, and I have made all arrangements.... I feel all thin, sort of stretched, if you know what I mean: like butter that has been scraped over too much bread. That can't be right. I need a change, or something.' Bilbo

The capacity for loyalty is stretched too thin when it tries to attach itself to the hypothetical solidarity of the human race.

What he wanted was to be home, and home wasn’t here. He was stretched too thin to consider what was wise or what was not. He called Blue. “Hello?” He pressed his eyes closed. Just the sound of her voice, the Henrietta lull to it, made him feel uneven and shattered.

I watched as she stretched over the board to flick off a fallen leaf. Underneath her thin cotton shell, I saw how fragile the bones in her back were, far too sliver-prone, far too light to support a pair of wings.

Can I call myself skinny if I’m stretched too thin?

Paul hated the look of his own bare wrists, with their shining blue veins and the skin stretched too thin to hold them in place. They reminded him that his body was a thing that could be taken apart.

Why, I feel all thin, sort of stretched, if you know what I mean: like butter that has been scraped over too much bread.

The capacity for loyalty is stretched too thin when it tries to attach itself to the hypothetical solidarity of the human race. It needs to attach itself to specific people and specific places, not to an abstract ideal of universal human rights. We love particular men and women, not humanity in general.

When you feel small and invisible or stretched-too-thin-and-all-used up, when life feels too hard to live and pain feels too much to bear, when guilt and shame and self-condemnation feel too heavy to carry, go outside and stand barefoot in the stardust-speckled dirt with your face tilted up to the universe and whisper to your wounded heart, 'This is not how my story ends. There is so much more to life than this moment, these hours, this day, this season of my life. It's my story. I get to choose. It doesn't end here;' And then take your pen in hand and write the rest of your gorgeous, shredded, pasted-back-together story however you choose to write it. And remember, you're not alone. We're all writing our own jacked up stories our own way, too. Welcome to our tribe of misfits and outcasts and rebels and dreamers. We are the story-weavers. And we're all on this ride through the galaxy together.

The memory of human blood manifests now as a kind of visceral reaction to seeing people's veins and their necks. The skin on a neck appears to me as different from the skin anywhere else on a body. It seems as thin and consumable as rice paper wrapped around a sweet. It is too blank compared with skin everywhere else, as though it is asking to have marks made on it, like very expensive calligraphy paper, or cold-pressed Fabriano. Often, I wonder whether the urge I have to make art is the same as the urge to consume and destroy the blankness of a human neck. While at art college, I read that the best paper used by artists in the seventeenth century was made from the skins of lamb fetuses. This skin was soft and absorbent, and had an even texture right across its surface. For a long time, the process of creating art has been linked to the killing of living things. My dad, even, used fine silk stretched across wooden frames in his own work as a painter. Once, when we still had some of his pieces, I looked at the odd geometric shapes he created on a huge sheet and thought about all the silkworms who had had their cocoons torn open before they were able to become moths.

Before us stretched a corridor of meat, great torsos of meadow animals strung in glistening flayed exhibitions, heads with limp exhausted comic-book tongues dangling at too sharp an angle, heads with dull-eyed slaughter-greeting looks, heads smiling and winking, perhaps the subtlest camouflage this severed coyness, heads piled in pyramids like park cannonballs, some of them cruelly facing a sausage display of their missing extremities, a thick and thin suspended rain of sausages, a storm of jellied blood, and further down the corridor no recognizable animal shapes but chunks of their bodies, shaped not by hide or muscle but by cleaver, knife and appetite.

Time passed in brewing tea, the odd remark, cigarettes, then dawn came up. The widening light caught the plumage of quails and partridges...and quickly I dropped this wonderful moment to the bottom of my memory, like a sheet-anchor that one day I could draw up again.You stretch, pace to and fro feeling weightless, and the word 'happiness' seems too thin and limited to describe what has happened. In the end, the bedrock of experience is not made up of the family, or work, of what others say or think of you, but of moments like this when you are exalted by a transcendent power that is more serene than love. Life dispenses them parsimoniously; our feeble hearts could not stand more.

Second hand books had so much life in them. They'd lived, sometimes in many homes, or maybe just one. They'd been on airplanes, traveled to sunny beaches, or crowded into a backpack and taken high up a mountain where the air thinned. "Some had been held aloft tepid rose-scented baths, and thickened and warped with moisture. Others had child-like scrawls on the acknowledgement page, little fingers looking for a blank space to leave their mark. Then there were the pristine novels, ones that had been read carefully, bookmarks used, almost like their owner barely pried the pages open so loathe were they to damage their treasure. I loved them all. And I found it hard to part with them. Though years of book selling had steeled me. I had to let them go, and each time made a fervent wish they'd be read well, and often. Missy, my best friend, said I was completely cuckoo, and that I spent too much time alone in my shadowy shop, because I believed my books communicated with me. A soft sigh here, as they stretched their bindings when dawn broke, or a hum, as they anticipated a customer hovering close who might run a hand along their cover, tempting them to flutter their pages hello. Books were fussy when it came to their owners, and gave off a type of sound, an almost imperceptible whirr, when the right person was near. Most people weren't aware that books chose us, at the time when we needed them.

And now you can see the relationship between pride and stress. Pride convinces us that we are stronger and more capable than we actually are. Pride convinces us that we must do and be more than we are able. And when we try, we find ourselves feeling "thin, sort of stretched . . . like butter that has been scraped over too much bread." (The Fellowship of the Ring) We begin to fall apart physically, emotionally, and spiritually for the simple reason that we are not existing as we were meant to exist.

That night she listened to the Nirvana album again. In Kurt Cobain's voice, Irene heard a perfect and beautiful misery, a voice stretched so thin with loneliness and wanting that it should break. But his voice didn't break, and there was a kind of joy in it too.

In the twentieth century, it was tempting to minimize the effects of divorce. Some adults in unhappy marriages imagined trickle-down happiness: They would be happier after divorce; therefore, so would their kids. But as these kids matured, “the unexpected legacy of divorce” was undeniable. Many children of divorce said they had not much noticed—or cared—whether their parents were happily married. What they did know was that their lives fell apart after their parents split, as resources and parents became stretched too thin.

Do you want to hold her?” Qhuinn asked. Xcor recoiled as if someone had inquired whether he’d like a hot poker in his hands. Then he recovered, shaking his head as he made a manly show of scrubbing his tears away like they were permanent marker on his cheeks. “I don’t think I’m quite ready for that. She looks…so delicate.” “She’s strong, though. She’s got her mahmen’s blood in her, too.” Qhuinn looked at Blay. “And she’s got good parents. They both do. We’re in this together, people, three fathers and one mom, two kids. Bam!” Xcor’s voice got low. “A father…?” He laughed softly. “I went from having no family, to having a mate, a brother, and now…” Qhuinn nodded. “A son and a daughter. As long as you are Layla’s hellren, you are their father, too.” Xcor’s smile was transformative, so wide that it stretched his face into something she had never seen. “A son and a daughter.” “That’s right,” Layla whispered with joy. But then instantly that expression on his face was gone, his lips thinning out and his brows dropping down like he was ready to go on the attack. “She is never dating. I don’t care who he is—” “Right!” Qhuinn put his palm out for a high five. “That’s what I’m talking about!” “Now, hold on,” Blay interjected as they clapped hands. “She has every right to live her life as she chooses.” “Yes, come on,” Layla added. “This double-standard stuff is ridiculous. She’s going to be allowed…” As the argument started up, she and Blay fell in beside each other, and Qhuinn and Xcor lined up shoulder to shoulder, their massive forearms crossed over their chests. “I’m good with a gun,” Xcor said like that was the end of things. “And I can handle the shovel,” Qhuinn tacked on. “They’ll never find the body.” The two of them pounded knuckles and looked so dead serious that Layla had to roll her eyes. But then she was smiling. “You know something?” she said to the three of them. “I really believe…that it’s all going to be okay. We’re going to work it out, together, because that’s what families do.” As she rose up on her tiptoes and kissed her male, she said, “Love has a way of fixing everything…even your daughter starting to date.” “Which is not going to happen,” Xcor countered. “Ever.” “My man,” Qhuinn said, backing him up. “I knew I liked you—” “Oh, for the love,” Layla muttered as the debate resumed, and Blay started laughing and Qhuinn and Xcor continued bonding. -Qhuinn, Xcor, Layla, & Blay

I am old, Gandalf. I don’t look it, but I am beginning to feel it in my heart of hearts. Well-preserved indeed!’ he snorted. ‘Why, I feel all thin, sort of stretched, if you know what I mean: like butter that has been scraped over too much bread. That can’t be right. I need a change, or something.’ Gandalf

There isn’t a word for walking out of the grocery store with a gallon jug of milk in a plastic sack that should have been bagged in double layers —so that before you are even out the door you feel the weight of the jug dragging the bag down, stretching the thin plastic handles longer and longer and you know it’s only a matter of time until bottom suddenly splits. There is no single, unimpeachable word for that vague sensation of something moving away from you as it exceeds its elastic capacity —which is too bad, because that is the word I would like to use to describe standing on the street chatting with an old friend as the awareness grows in me that he is no longer a friend, but only an acquaintance, a person with whom I never made the effort— until this moment, when as we say goodbye I think we share a feeling of relief, a recognition that we have reached the end of a pretense, though to tell the truth what I already am thinking about is my gratitude for language— how it will stretch just so much and no farther; how there are some holes it will not cover up; how it will move, if not inside, then around the circumference of almost anything— how, over the years, it has given me back all the hours and days, all the plodding love and faith, all the misunderstandings and secrets I have willingly poured into it.

If he stretches to care about something else – like what the Maestro thinks of him or how he fails at school or what he really wants to do with his life – he’ll be pulled too thin. His skin will part like old paper and the world will see how his skeleton is made of dark wishes and macabre dreams. They’ll know his heart thumps to the beat of the Maestro’s metronome because it’s too scared to do otherwise. But worst? They’ll see the emptiness inside him.

And we stepped onto the tipping scales of Lady Justice with her eyes blindfolded, peeking through slits because that rag is so fucking old worn-out, stretched thin, barely even there Amal Shahid to the left​Jeremy Mathis to the right perfectly imbalanced because where I come from jail or death were the two options she handed to us because where he comes from the American Dream was the one option she handed to them So here we are, blind Lady Justice I see you, too

I was thirty. Before me stretched the portentous, menacing road of a new decade. It was seven o’clock when we got into the coupe with him and started for Long Island. Tom talked incessantly, exulting and laughing, but his voice was as remote from Jordan and me as the foreign clamor on the sidewalk or the tumult of the elevated overhead. Human sympathy has its limits, and we were content to let all their tragic arguments fade with the city lights behind. Thirty—the promise of a decade of loneliness, a thinning list of single men to know, a thinning brief-case of enthusiasm, thinning hair. But there was Jordan beside me, who, unlike Daisy, was too wise ever to carry well-forgotten dreams from age to age. As we passed over the dark bridge her wan face fell lazily against my coat’s shoulder and the formidable stroke of thirty died away with the reassuring pressure of her hand. So we drove on toward death through the cooling twilight.

Boney freckled knees pressed into bits of bark and stone, refusing to feel any more pain. Her faded t-shirt hugged her protruding ribs as she held on, hunched in silence. A lone tear followed the lumpy tracks down her cheek, jumped from her quivering jaw onto a thirsty browned leaf with a thunderous plop. Then the screen door squeaked open and she took flight. Crispy twigs snapped beneath her bare feet as she ran deeper and deeper into the woods behind the house. She heard him rumbling and calling her name, his voice fueling her tired muscles to go faster, to survive. He knew her path by now. He was ready for the hunt. The clanging unbuckled belt boomed in her ears as he gained on her. The woods were thin this time of year, not much to hide behind. If she couldn’t outrun him, up she would go. Young trees teased her in this direction, so she moved east towards the evergreens. Hunger and hurt left her no choice, she had to stop running soon. She grabbed the first tree with a branch low enough to reach, and up she went. The pine trees were taller here, older, but the branches were too far apart for her to reach. She chose the wrong tree. His footsteps pounded close by. She stood as tall as her little legs could, her bloodied fingers reaching, stretching, to no avail. A cry of defeat slipped from her lips, a knowing laugh barked from his. She would pay for this dearly. She didn’t know whether the price was more than she could bear. Her eyes closed, her next breath came out as Please, and an inky hand reached down from the lush needles above, wound its many fingers around hers, and pulled her up. Another hand, then another, grabbing her arms, her legs, firmly but gently, pulling her up, up, up. The rush of green pine needles and black limbs blurred together, then a flash of cobalt blue fluttered by, heading down. She looked beyond her dangling bare feet to see a flock of peculiar birds settle on the branches below her, their glossy feathers flickered at once and changed to the same greens and grays of the tree they perched upon, camouflaging her ascension. Her father’s footsteps below came to a stomping end, and she knew he was listening for her. Tracking her, trapping her, like he did the other beasts of the forest. He called her name once, twice. The third time’s tone not quite as friendly. The familiar slide–click sound of him readying his gun made her flinch before he had his chance to shoot at the sky. A warning. He wasn’t done with her. His feet crunched in circles around the tree, eventually heading back home. Finally, she exhaled and looked up. Dozens of golden-eyed creatures surrounded her from above. Covered in indigo pelts, with long limbs tipped with mint-colored claws, they seemed to move as one, like a heartbeat. As if they shared a pulse, a train of thought, a common sense. “Thank you,” she whispered, and the beasts moved in a wave to carefully place her on a thick branch.

I went up the stairs of the little hotel, that time in Bystřice by Benešov, and at the turn of the stairs there was a bricklayer at work, in white clothes; he was chiselling channels in the wall to cement in two hooks, on which in a little while he was going to hang a Minimax fire-extinguisher; and this bricklayer was already and old man, but he had such an enormous back that he had to turn round to let me pass by, and then I heard him whistling the waltz from The Count of Luxembourg as I went into my little room. It was afternoon. I took out two razors, and one of them I scored blade-up into the top of the bathroom stool, and the other I laid beside it, and I, too, began to whistle the waltz from The Count of Luxembourg while I undressed and turned on the hot-water tap, and then I reflected, and very quietly I opened the door a crack. And the bricklayer was standing there in the corridor on the other side of the door, and it was as if he also had opened the door a crack to have a look at me and see what I was doing, just as I had wanted to have a look at him. And I slammed the door shut and crept into the bath, I had to let myself down into it gradually, the water was so hot; I gasped with the sting of it as carefully and painfully I sat down. And then I stretched out my wrist, and with my right hand I slashed my left wrist ... and then with all my strength I brought down the wrist of my right hand on the upturned blade I'd grooved into the stool for that purpose. And I plunged both hands into the hot water, and watched the blood flow slowly ouf of me, and the water grew rosy, and yet al the time the pattern of the red blood flowing remained so clearly perceptible, as though someone was drawing out from my wrists a long, feathery red bandage, a film, dancing veil ... and presently I thickened there in the bath, as that red paint thickened when we were painting the fence all round the state workshops, until we had to thin it with turpentine - and my head sagged, and into my mouth flowed pink raspberryade, except that it tasted slightly salty .. and then those concentric circles in blue and violet, trailing feathery fronds like coloured spirals in motion ... and then there was a shadow stooping over me, and my face was brushed lightly by a chin overgrown with stubble. It was that bricklayer in the white clothes. He hoisted me out and landed me like a red fish with delicate red fins sprouting from its wrists. I laid my head on his smock, and I heard the hissing of lime as my wet face slaked it, and that smell was the last thing of which I was conscious.

When you were born, you could have been anybody. So quick and malleable, your parents could look at your face and see a future president. They tried to mold you as you grew, but they could only work with what they had. And when their tools stopped working, they gradually handed them off to you, asking, “What do you want to be when you grow up?” There’s a certain art to becoming who you are. There’s no standard kit you can use to assemble yourself, swapping out parts as needed. Instead, it feels more like a kind of stretching, a teasing out at the edges, like a glassblower standing at the furnace. A teenage personality is a delicate medium, its emotions almost too heavy to handle. You had to figure out a way to keep yourself together and tease out the good parts without falling out of balance or stretching yourself too thin. You couldn’t stop everything to try to fix your flaws, but you couldn’t just ignore them either. Luckily, you were nothing if not flexible, softened by the heat of youth, which kept you warm on a dingy couch or a night in the wilderness. You knew that you weren’t just you, you were also the person you would one day become. So even when you failed, you could still be whatever you wanted to be. As long as you kept moving. Inevitably you got hit, and you got hurt. You prided yourself on how well you absorbed the blow, bouncing back as if nothing had happened. But the pain changed you, in little chips and cracks that might take you years to notice. Over time you learned how to position yourself in very specific ways, protecting the most vulnerable parts of your psyche, even as you knew they were still a crucial part of the real you. Gradually you became more and more reluctant to move from that position. Growing a little harder, a little more brittle.

That—this—is Orion’s secret. It’s not that the ship isn’t working, that we’re never going to make it. It’s that the ship has already arrived. We’re already here! There—there—is the planet that will be our home! It floats, so bright that it hurts my eyes. Giant green landmasses spread out across blue water, with swirls and wisps of clouds twirling over top. At the edge of the planet, where it turns away from the suns and starts to darken, I can see bright flashes of light—bursts of whiteness in the darkness—and I think: Is that lightning? In the center, where the light of the suns makes the planet seem to glow from within, I can see, very distinctly, a continent. A continent. On one edge, it’s cracked and broken like an egg, dark lines snaking deep into the landmass. Rivers. Lots of them. Maybe something too big to be rivers if I can see it from here. Fingers of land stretch out into the sea, and dots of islands are just out of their grasp. That area will be cool all the time, I think. Boats can go along the rivers, up and down. We can swim in the water. Because already, I can see myself living there. Being there. On a planet that looks up at a million suns every night, and at two every day. I want to scream, shout with joy. But the air is so thin now. Too thin. I’ve spent too long looking at Orion’s secret. The boop . . . boop . . . boop . . . fades away. There’s nothing to warn about now. Because there’s no air left. My sight is rimmed with black. My head pulses with my heartbeat, which sounds as loud to me as the alarm once did. I turn from the planet—my planet—and start pulling, hand over hand, against the tether, toward the hatch. The ship bobs in and out of my vision as my whole body jerks. I’m panicked now and fighting to stay awake. I try to suck in air, but there’s nothing there to suck. I’m drowning in nothing.

His was the sort of physical beauty that attracted even as any great work of art ensnared the eye. One did not have to wish to own such a creation, often it was enough just to study and appreciate it. Only a little above average height, his form was well proportioned and well muscled, with not an extra jot of flesh. He had a fencer’s easy play of movement. But it was his face that first and last attached the eye. It was a lean countenance, the ivory white skin so taut across the fine bone structure as to appear to have been stretched to fit. Feature by feature, it was not a classic visage, but the sum more than compensated for the parts. His cheekbones were high and perhaps too pronounced. The nose was straight, a trifle too long and thin, the mouth not at all the full, plump standard of Greek statuary, for while well cut it was thin as well, and bore at times a half-quirked, sensuous smile. The eyes were long and almond-shaped and pulled down slightly at the corners, rather than tilting upward in classical fashion. But despite the astonishing thick, bright-silver-tipped gilt hair and slightly darker brows, it was the eyes that one’s gaze returned to again and again. From afar, or even in shadow, Lord North’s eyes were unexceptional save for their keen expression. But in clear light and up close it could be seen that they were extraordinary. For to speak with the nobleman from his right side, one would look for answer in his grave gray eye. Yet to approach him from the left, one would seek response from his cool blue orb. His eyes were not so dissimilar as to shock, but seeing him once, the viewer would be troubled by some nagging discrepancy and turn to search his face until his varicolored eyes were at last discovered, and the viewer amazed and enchanted. To see him once was to remember him forever, to hear his name was to recall him instantly. His reputation was as varied and colorful as his strange countenance. He was said to be a libertine, he was whispered to be beyond mere libertine.

This is why our short-term solution to the witching hour—to bewitch our children with technological distraction—in the long run just makes things worse. And as with all the things we do to our children, the truth is that we are doing it to ourselves as well. I am horrified at the hours I have spent, often in the face of demanding creative work, scrolling aimlessly through social media and news updates, clicking briefly on countless vaguely titillating updates about people I barely know and situations I have no control over, feeling dim, thin versions of interest, attraction, dissatisfaction, and dislike. Those hours have been spent avoiding suffering—avoiding the suffering of our banal, boring modern world with its airport security lines and traffic jams and parking lots, but also avoiding the suffering of learning patience, wisdom, and virtue and putting them into practice. They have left me, as the ring left Bilbo, feeling “all thin, sort of stretched, if you know what I mean: like butter that has been scraped over too much bread.”4

Mathilde watched as down the street came a little girl in a red snowsuit with purple racing stripes. Mittens, a cap too big for her head. Disoriented, the girl turned around and around and around. She began to climb the snow mountain that blocked her from the street. But she was so weak. Halfway up, she’d slip back down. She’d try again, digging her feet deeper into the drift. Mathilde held her breath each time, let it out when the girl fell. She thought of a cockroach in a wineglass, trying to climb up the smooth sides. When Mathilde looked across the street at a long brick apartment complex taking up the whole block, ornate in its 1920s style, she saw, in scattered windows, three women watching the little girl’s struggles. Mathilde watched the women as they watched the girl. One was laughing over her bare shoulder at someone in the room, flushed with sex. One was elderly, drinking her tea. The third, sallow and pinched, had crossed her skinny arms and was pursing her lips. At last, the girl, exhausted, slid down and rested, her face against the snow. Mathilde was sure she was crying. When Mathilde looked up again, the woman with crossed arms was staring angrily through all the glass and cold and snow directly at her. Mathilde startled, sure she’d been invisible. The woman disappeared. She reappeared on the sidewalk in inside clothes, tweedy and thin. She chucked her body into the snowdrift in front of the apartment building, crossed the street, grabbed the girl by the mittens and swung her over the mountain. Carried her across the street and did it again. Both mother and daughter were powdered with white when they went inside. Long after they were gone, Mathilde thought of the woman. What she was imagining when she saw her little girl fall and fall and fall. She wondered at the kind of anger that would crumple your heart up so hard that you could watch a child struggle and fail and weep for so long, without moving to help. Mothers, Mathilde had always known, were people who abandoned you to struggle alone. It occurred to her then that life was conical in shape, the past broadening beyond the sharp point of the lived moment. The more life you had, the more the base expanded, so that the wounds and treasons that were nearly imperceptible when they happened stretched like tiny dots on a balloon slowly blown up. A speck on the slender child grows into a gross deformity in the adult, inescapable, ragged at the edges. A

The crust [of the earth] is very thin. Estimates of its thickness range from a minimum of about twenty to a maximum of about forty miles. The crust is made of comparatively rigid, crystalline rock, but it is fractured in many places, and does not have great strength. Immediately under the crust is a layer that is thought to be extremely weak, because it is, presumably, too hot to crystallize. Moreover, it is thought that pressure at that depth renders the rock extremely plastic, so that it will yield easily to pressures. The rock at that depth is supposed to have high viscosity; that is, it is fluid but very stiff, as tar may be. It is known that a viscous material will yield easily to a comparatively slight pressure exerted over a long period of time, even though it may act as a solid when subjected to a sudden pressure, such as an earthquake wave. If a gentle push is exerted horizontally on the earth's crust, to shove it in a given direction, and if the push is maintained steadily for a long time, it is highly probable that the crust willl be displaced over this plastic and viscous lower layer. The crust, in this case, will move as a single unit, the whole crust at the same time. This idea has nothing whatever to do with the much discussed theory of drifting continents, according to which the continents drifted separately, in different directions. [...] Let us visualize briefly the consequences of a displacement of the whole crustal shell of the earth. First, there will be the changes in latitude. Places on the earth's surface will change their distances from the equator. Some will be shifted nearer the equator, and others farther away. Points on opposite sides of the earth will move in opposite directions. For example, if New York should be moved 2,000 miles south, the Indian Ocean, diametrically opposite, would have to be shifted 2,000 miles north. [...] Naturally, climatic changes will be more or less proportionate to changes in latitude, and, because areas on opposite sides of the globe will be moving in opposite directions, some areas will be getting colder while others get hotter; some will be undergoing radical changes of climate, some mild changes of climate, and some no changes at all. Along with the climatic changes, there will be many other consequences of a displacement of the crust. Because of the slight flattening of the earth, there will be stretching and compressional effects to crack and fold the crust, possibly contributing to the formation of mountain ranges. there will be changes in sea level, and many other consequences.

All this is happening right next to you; you can almost touch it, but it's invisible ... At the big stations the loading and unloading of the dirty faces takes place far, far from the passenger platform and is seen only by switchmen and roadbed inspectors ... And you, hurrying along the platform with your children, your suitcases, and your string bags, are too busy to look closely ... The train starts - and a hundred crowded prisoner destinies, tormented hearts, are borne along the same snaky rails, behind the same smoke, past the same fields, posts, and haystacks as you ...You are dissatisfied because there are four of you in your compartment and it is crowded. And could you possibly believe ... that in the same size compartment as yours, but up ahead in that zak car, there are fourteen people? ... And if there are thirty? And ... why should a Soviet soldier have to carry water ... for enemies of the people? It isn't done especially to torture people. A sentenced prisoner is a laboring soldier of socialism, so why should he be tortured? They need him for construction work. But ... there is no reason in the world to treat him so well that people out in freedom would envy him ... Look around you ... Thin strands of human lives stretch from island to island of the Archipelago. They intertwine, touch one another for one night only in just such a clickety-clacking half-dark car as this ...

Dagon left his office and made his way down to the infirmary. Adaos looked up when he entered. Eliana lay curled on her side, covered by a sheet. Though dark wavy tresses hid much of her face, she appeared to be sleeping deeply. “She still rests,” Adaos murmured. “Her injuries?” “All damage to her skeletal system has healed completely. Some of the damage to her musculature and skin has as well. The damage to her organs is still repairing.” “Did you give her a silna to accelerate her healing?” Even with the serum, it would take Segonian warriors longer to recuperate from such wounds. Adaos shook his head. “A silna wasn’t necessary. Her ability to repair and regenerate rivals that of the Sectas with their nanodocs.” “Amazing.” Dagon crouched next to the bed. Reaching out, he gently drew the hair back from Eliana’s face and tucked it behind her ear. “She’s too thin,” he whispered, noting the prominent cheekbones. Though the burns had healed, some of the cuts and bruising remained. “Did you provide her with sustenance before she fell asleep?” “Yes. I also fed her fluids and nutrition intravenously.” “She doesn’t like needles.” “She slept through it.” Eliana’s eyelashes fluttered. Her lids rose, revealing deep brown eyes bereft of the amber glow. She studied him a moment, then offered him a sleepy smile. One small hand burrowed out from under the covers and stretched toward him. Soft fingers came to rest on his cheek and stroked the stubble there. “Dagon.” Warmth unfurled in his chest at the tender touch. His pulse picked up its pace. “Eliana.

Although leaves remained on the beeches and the sunshine was warm, there was a sense of growing emptiness over the wide space of the down. The flowers were sparser. Here and there a yellow tormentil showed in the grass, a late harebell or a few shreds of purple bloom on a brown, crisping tuft of self-heal. But most of the plants still to be seen were in seed. Along the edge of the wood a sheet of wild clematis showed like a patch of smoke, all its sweet-smelling flowers turned to old man's beard. The songs of the insects were fewer and intermittent. Great stretches of the long grass, once the teeming jungle of summer, were almost deserted, with only a hurrying beetle or a torpid spider left out of all the myriads of August. The gnats still danced in the bright air, but the swifts that had swooped for them were gone and instead of their screaming cries in the sky, the twittering of a robin sounded from the top of a spindle tree. The fields below the hill were all cleared. One had already been plowed and the polished edges of the furrows caught the light with a dull glint, conspicuous from the ridge above. The sky, too, was void, with a thin clarity like that of water. In July the still blue, thick as cream, had seemed close above the green trees, but now the blue was high and rare, the sun slipped sooner to the west and, once there, foretold a touch of frost, sinking slow and big and drowsy, crimson as the rose hips that covered the briar. As the wind freshened from the south, the red and yellow beech leaves rasped together with a brittle sound, harsher than the fluid rustle of earlier days. It was a time of quiet departures, of the sifting away of all that was not staunch against winter.

Wormtail was speaking. His voice shook; he seemed frightened beyond his wits. He raised his wand, closed his eyes, and spoke to the night. “Bone of the father, unknowingly given, you will renew your son!” The surface of the grave at Harry’s feet cracked. Horrified, Harry watched as a fine trickle of dust rose into the air at Wormtail’s command and fell softly into the cauldron. The diamond surface of the water broke and hissed; it sent sparks in all directions and turned a vivid, poisonous-looking blue. And now Wormtail was whimpering. He pulled a long, thin, shining silver dagger from inside his cloak. His voice broke into petrified sobs. “Flesh — of the servant — w-willingly given — you will — revive — your master.” He stretched his right hand out in front of him — the hand with the missing finger. He gripped the dagger very tightly in his left hand and swung it upward. Harry realized what Wormtail was about to do a second before it happened — he closed his eyes as tightly as he could, but he could not block the scream that pierced the night, that went through Harry as though he had been stabbed with the dagger too. He heard something fall to the ground, heard Wormtail’s anguished panting, then a sickening splash, as something was dropped into the cauldron. Harry couldn’t stand to look . . . but the potion had turned a burning red; the light of it shone through Harry’s closed eyelids. . . . Wormtail was gasping and moaning with agony. Not until Harry felt Wormtail’s anguished breath on his face did he realize that Wormtail was right in front of him. “B-blood of the enemy . . . forcibly taken . . . you will . . . resurrect your foe.” Harry could do nothing to prevent it, he was tied too tightly. . . . Squinting down, struggling hopelessly at the ropes binding him, he saw the shining silver dagger shaking in Wormtail’s remaining hand. He felt its point penetrate the crook of his right arm and blood seeping down the sleeve of his torn robes. Wormtail, still panting with pain, fumbled in his pocket for a glass vial and held it to Harry’s cut, so that a dribble of blood fell into it. He staggered back to the cauldron with Harry’s blood. He poured it inside. The liquid within turned, instantly, a blinding white. Wormtail, his job done, dropped to his knees beside the cauldron, then slumped sideways and lay on the ground, cradling the bleeding stump of his arm, gasping and sobbing.

For a moment, the fog remained unmoved. It sat around, swirling in place, very clearly listening but showing no sign of offering answers. Then, just as Nausicaä began to contemplate conjuring a few more fireballs, the fog began to thin. Little by little it drained from the air until, finally, all that was left was a vaguely damp, translucent haze. She could only stare at what was revealed. “Huh,” she breathed when speech at last overcame her surprise. “This is…new.” It wasn’t just the changelings that had gathered. They were present, of course—one mere step away. Nausicaä briefly took in the unmistakable pale green tint of his fawn-brown skin and the snaking twists of ivy that grew from the sharp flares of his little shoulders. But there were others. There were so many others. In all of Nausicaä’s very long life, she had never encountered so many of magic’s children in one place. The crowd of them stretched far in almost every direction, faces of all shapes and sizes peeking out of the foliage and trees. There were centaurs, goblins, brownies, imps and sprites. There were redcaps, with their crimson-stained hats and vicious scythes, which glinted in the moonlight. There were kelpies dripping sodden weeds, lilies strangled in their manes. Littered throughout the branches above were crows that weren’t really crows at all, but sluagh—wandering souls of the violent dead who preyed on those soon to die. There were larger things too. Unnameable things. Things that had undoubtedly been calling this forest their home long before Nausicaä had ever been born. She narrowed her eyes at the distance—something massive as a mobile hill stood still as silence too far away for mortal eyes to see. Their form was not unlike an overlarge, poisonous tree frog, all vibrant blues and yellows and greens, a crown of velvet antlers on their head and hundreds of glittering black eyes on their face. A freaking Forest Guardian, she would hazard a guess, not that she’d ever seen one to say for sure. “Uh…okay, well, weird time to have a company meeting, but you do you, I guess. I’m going to…go. Gar, maybe it’s best you stick with these guys until I square things up with my Reaper. Thanks for lifting the fog, forest brats! Good luck with…whatever this is. May the force be with you.” She turned back around. There weren’t any faeries in front of her, either—just trees and misty gloom and a darkness unnatural even for this time of night. And, of course, the glass-chime tinkling of magic, which now sounded to her a bit distressed.

I found myself telling her about an evening some years before, when I was alone at home with my two sons. It was winter; it had been dark since mid-afternoon and the boys were becoming restless. Their father was out, driving back from somewhere. We were waiting for him to come home. I membered the feeling of tension in the room, which seemed to be related to the provisionality of the situation, the fact that we were waiting. The boys kept asking when he would be back and I too kept looking at the clock, waiting for time to pass. Yet I knew that nothing different or particularly important would happen when he got back. It was merely that something was being stretched to breaking point by his absence, something to do with belief: it was as though our ability to believe in ourselves, in our home and our family and in who we said we were, was being worn so thin it might give way entirely. I remembered the pressing feeling of reality, just under the surface of things, like a secret I was struggling to contain. I realized that I didn’t want to be there, in that room. I wanted to go out and walk across the fields in the dark, or go to a city where there was excitement and glamour, or be anywhere where the compulsion of waiting wasn’t lying on me like lead. I wanted to be free. The boys began to argue and fight, in the way that they often did. And this too seemed all at once like a form that could be broken, could be suddenly and shockingly transgressed. We were in the kitchen and I was making something for them to eat at the long stone counter. The boys were at the other end, sitting on stools. My younger son was pestering the older one, wanting him to play with him, and the older one was becoming increasingly irritated. I stopped what I was doing, intending to intervene in their fight, when I saw my older son suddenly take his brother’s head in his hands and drive it down hard against the countertop. The younger one fell immediately to the floor, apparently unconscious, and the older one left him there and ran out of the room. This show of violence, the like of which had never happened in our house before, was not simply shocking – it also concretised something I appeared already to know, to the extent that I believed my children had merely acted in the service of this knowledge, that they had been driven to enact something that they themselves didn’t realise or understand. It was another year before their father moved out of the house, but if I had to locate the moment when the marriage had ended it would be then, on that dark evening in the kitchen, when he wasn’t even there.

When I pull my hand away, my fingertips are not stained red, but silver. I stare at my nails, trying to make sense of what I see when out of the formless gloom, a monster emerges. I do scream when a pair of blue-white eyes appear, a pinprick of black in their center. Slowly, a shape coalesces into being- a long, elegant face, whorls of inky shadows swirling over moon-pale skin, ram's horns curling around pointed, elfin ears. He is more terrifying and more real than the vision I experienced in the labyrinth. But worst of all are the hands, gnarled and curled and with one too many joints in each finger. With a silver ring around the base of one. A wolf's-head ring, with two gems of blue and green for eyes. My ring. His ring. The symbol of our promise I had returned to the Goblin King back in the Goblin Grove. Mein Herr? For a brief moment, those blue-white eyes regain some color, the only color in this gray world. Blue and green, like the gems on the ring about his finger. Mismatched eyes. Human eyes. The eyes of my immortal beloved. Elisabeth, he says, and his lips move painfully around a mouth full of sharpened teeth, like the fangs of some horrifying beast. Despite the fear knifing my veins, my heart grows soft with pity. With tenderness. I reach for my Goblin King, longing to touch him, to hold his face in my hands the way I had done when I was his bride. Mein Herr. My hands lift to stroke his cheek, but he shakes his head, batting my fingers away. I am not he, he says, and an ominous growl laces his words as his eyes return to that eerie blue-white. He that you love is gone. Then who are you? I ask. His nostrils flare and shadows deepen around us, giving shape to the world. He swirls a cloak about him as a dark forest comes into view, growing from the mist. I am the Lord of Mischief and the Ruler Underground. His lips stretch thin over that dangerous mouth in a leering smile. I am death and doom and Der Erlkönig. No! I cry, reading for him again. No, you are he that I love, a king with music in his soul and a prayer in his heart. You are a scholar, a philosopher, and my own austere young man. Is that so? The corrupted Goblin King runs a tongue over his gleaming teeth, those pale eyes devouring me as though I were a sumptuous treat to be savored. Then prove it. Call him by name. A jolt sings through me- guilt and fear and desire altogether. His name, a name, the only link my austere young man has to the world above, the one thing he could not give me. Der Erlkönig throws his head back in a laugh. You do not even know your beloved's name, maiden? How can you possibly call it love when you walked away, when you abandoned him and all that he fought for? I shall find it, I say fiercely. I shall call him by name and bring him home. Malice lights those otherworldly eyes, and despite the monstrous markings and horns and fangs and fur that claim the Goblin King's comely form, he turns seductive, sly. Come, brave maiden, he purrs. Come, join me and be my bride once more, for it was not your austere young man who showed you the dark delights of the Underground and the flesh. It was I.

Hitting Roadblocks When you hit a wall, it makes sense to stop instead of trying to push your way through it. If you have trouble or become overwhelmed, paralyzed or feel like you are running in circles, stop doing whatever it is and take a break. Learn how to operate your brain expertly. Know under which circumstances it works well and when it has to struggle too much. Get to know when it needs more stimulation, less stress, more nourishment or structure or support, and when it is stretched too thin or wound too tight. Then, give it what it needs. ~Sari Solden, Author

Jamie got back to her apartment in nineteen minutes and forty-nine seconds.  It wasn’t a personal best for a five-kilometre run, but it was still fast.  She showered and dressed, pulled on her boots, and was out the door in seventeen minutes flat. Which probably was close to a personal best.  She was wearing jeans she picked up from a supermarket. She liked them because they had a three percent lycra content woven into the denim, which stretched a little and meant that she could more easily crouch, walk, and kick someone in the side of the head if the situation called for it. It hadn’t yet, but she had a long career ahead of herself, she hoped.  She jumped into her car — a small and economical hybrid hatchback which squeezed around the city easily — and headed north towards the Lea.  It took nearly forty minutes to get there in rush hour traffic, and by the time she pulled up, Roper was leaning against the bonnet of his ten-year-old Volvo saloon, smoking a cigarette. He was tall with thinning, short hair, and a face that looked like he was always squinting into a stiff wind.  His long black coat was pinned to his right leg in the breeze and his shirt looked like it’d been pulled out of the laundry hamper rather than a clean drawer. He was perpetually single, and it showed. There was no one to hold him accountable when he decided it was okay to skip a morning shower for an extra ten minutes sleeping off his hangover. What she hated most about him, beyond the cigarette stink and the pissed-at-life attitude, was that she always had to look twice to make sure he wasn’t her father.  Her mother had dragged her away from him in Sweden, and now, she’d been thrown together with a guy who seemingly had inherited all his bad habits. Her mum said it was because all detectives were like it if they did the job long enough. They saw too much and didn’t talk about it enough. Which led inevitably to drink, and drugs, and other women. She’d spoken from experience of course. And Jamie knew she hadn’t exaggerated.  Though moving them both to Britain seemed like a bit of a dramatic reaction. But then again, her father had given her mother gonorrhoea and couldn’t say which woman he’d gotten it from. So Jamie figured it was reasonable.  He would have turned sixty-one this year. Roper pushed off the Volvo and ground out his cigarette under the heel of his battered Chelsea boot. Jamie looked at it, stopping short of his odour-radius. ‘You gonna just leave that there?’ He looked between his feet, rolling onto the outsides of them as he inspected the flattened butt. ‘It’ll wash away in the rain.’ ‘Into the ocean, yeah, where some poor fish is going to eat it,’ Jamie growled, coming to a stop in front of him.

I feel thin, sort of stretched, like butter scraped over too much bread.” ​— ​J.R.R. TOLKIEN, THE FELLOWSHIP OF THE RING

Jim, yer my best friend right now, but you gotta let me go,” said Badgelor.  “A War Badger isn’t supposed to live this long.  It wears on you.  I feel thin, sort of stretched, like your erectile dysfunction cream scraped over too much bacon.

When we use methods of behavior modification, we can—temporarily—change behavior. I won’t deny that. I also won’t deny that it can take time to do the deeper work, which is a privilege we don’t always have. There are some situations where we need to correct a child’s behavior and do it quickly, and others where we simply can’t dedicate our limited resources to doing the additional work—where we’re already stretched too thin between work and family and the many demands of being a parent and a person in the world. But without attending to what’s under the surface, we cannot change the dynamics that motivate a child’s behavior. It’s like putting duct tape on a leak in the ceiling instead of wondering about the source of the leak. When we address the behavior first, we miss the opportunity to help our children build skills, and beyond this, we miss the opportunity to see our kids as people rather than a collection of behaviors.

strange network of bridges and tunnels crisscrossing over it, like a giant spiderweb with trains and cars crawling across them. Then there are the lights. Millions of them shimmer off the water of the lagoon surrounding the city. Buildings rise for miles, stretching into the sky like giant points of a never-ending concrete and metal crown. Some are so thin and tall, I can’t understand how they’re even standing. But it’s not all metal and glass. There’s green too, so much green. Lush spaces filled with plant life are scattered amongst all the concrete. Some even burst from the buildings themselves.

My first depression actually started when I was about thirteen years old. Now when I read back what I wrote in my diary at the time, it's quite clear - one page says in giant letters: "I hate this, I hate my life!" I also complained about stomach aches a lot. When I was fifteen, I really hit a brick wall. I was exhausted from copying behaviour, from trying to fit in, from acting "normal". I wouldn't go to school for days and eventually had to transfer to a lower level high school. I had a pretty negative self-image, and I couldn't understand why nothing ever worked out quite right. I was a quiet, shy girl who always stretched herself too thin and gave too much. It felt like a war going on in my head, and it was draining. My parents are still amazed I got my high school diploma, as I never had the energy to study.

Pretend you only have ten fucks to give—” “Oh, I think I remember this math problem from second grade.” He ignores my jibe and forges ahead. “And when you run out of fucks, you’re spent. Wrung out. Stretched too thin.

A riot of transparent blue flowers grew up the side of a tree, reaching its highest branches and sending tendrils of milky blue to nearby trees. A net made of tiny lilac-hued blossoms crawled over the moss, snaking into the patterns of the bark. And overhanging the path, where two branches came close to touching each other, a canopy that looked as though it must have been made of downy feathers, if feathers could be diluted into something like a cloud. It was eerily strange, yet so beautiful. "Who made this?" she murmured, tracing a blossom of syrup gold suspended by a streamer from something not unlike a willow tree. "Did you?" "No one made it," the girl answered. "It is just--- this place. It takes what is given from your world and uses it." "The whole world---the world does this magic?" "What is magic?" The girl lifted her finger and beckoned Delphine. She pulled a thread from the red broadcloth. "Where did this come from?" "It's wool, the fibers from a sheep. It's cut off, and spun, and woven, and---" "Sheep. Where did 'sheep' come from?" Delphine paused. "I--- I suppose from some wild animal, domesticated many years ago." "Ah. A wild animal. A creature, begot from--- what? Its dam and sire?" She shook her head. "Now that is magic. And your plants--- they sprout, from seeds in the ground? That, too, is magic." She tested the thread between her fingers, rolling it--- no, Delphine saw with wonder, stretching it. It became thin under her fingers, flat like a ribbon, and lengthened, the color washing from scarlet to pink to palest apple blossom as the single thread became two yards long and the girl wrapped it around the crown of her head, binding her wheat-sheaf hair. "And that is what we call magic.

I feel I need a holiday, a very long holiday, as I have told you before. Probably a permanent holiday: I don't expect I shall return. In fact, I don't mean to..” “I am old, Gandalf. I don't look it, but I am beginning to feel it in my heart of hearts… I feel all thin, sort of stretched, if you know what I mean: like butter that has been scraped over too much bread… I need a change, or something.

Why, I feel all thin, sort of stretched, if you know what I mean: like butter that has been scraped over too much bread.

Ludwig is gossamer and glitter stretched too thin across his kingdom and country. He is fragile... and desperate not to be.

Why, I feel all thin, sort of stretched, if you know what I mean: like butter that has been scraped over too much bread.

He wrapped his grey cloak about him, hiding his mail-shirt, and stretched out his long legs. Then he lay back and sent from his lips a thin stream of smoke. ‘Look!’ said Pippin. ‘Strider the Ranger has come back!’ ‘He has never been away,’ said Aragorn. ‘I am Strider and Dúna-dan too, and I belong both to Gondor and the North.

Behind her, in her absence, the house was grinding along, its cogs turning and teeth linking, belts creaking, and there must come a moment—any moment now—when a cog would bite on nothing, and spin on air: some necessary act would go unperformed, some service would not be provided; the whole mechanism would crunch and splinter and shriek out in protest, and come to a juddering halt, because she was not there. And all the time she was pulling further and further away, like a spindle twisting out upon a thread of flax. Pull far enough, twist and stretch it too thin, and the thread would snap.

Out of luck Even this bold idea failed to work. At first the batteries were too heavy for the trio to carry. Then when they brought the radio from the crash site to the tail, they found that the electrical systems were incompatible: the plane used AC, the batteries supplied DC. Sewing for survival It was now apparent that the only way out was to climb over the mountains to the west. They also realized that unless they found a way to survive the freezing nights, they would die attempting the journey. So the survivors came up with an ingenious solution. They tore out large sections of fabric from clothing, gathered padding from the plane’s upholstery and got to work with a needle and thread from an emergency pack. Eventually they created a passable sleeping bag. It would fit three men inside, but would carry the lives of all sixteen of the remaining survivors. Hiking with hope On 12 December 1972, Parrado, Canessa and Vizintín set out to climb the mountain to the west. It was two months since the crash. As they climbed over the first peak their bodies struggled in the thinning oxygen. It was savagely cold at night, but the homemade sleeping bag kept them alive. After three days of trekking they met with a major disappointment. Cresting the shoulder of the mountain they expected to see the green countryside of Chile. Instead there was a sea of snow-bound peaks stretching out to the horizon. They were deeper in the mountains than they thought. They had tens of kilometres of high altitude hiking still to go. After the initial rush of despair the men again found hope, and through that, a positive plan of action. They had further to go, so they must be stricter with their

I’ve always passionately believed in the power of the state to improve lives. Before my career in AI, I worked in government and the nonprofit sector. I helped start a charity telephone counseling service when I was nineteen, worked for the mayor of London, and co-founded a conflict resolution firm focused on multi-stakeholder negotiation. Working with public servants—people stretched thin and bone-tired, but forever in demand and doing heroic work for those who need it—was enough to show me what a disaster it would be if the state failed. However, my experience with local government, UN negotiations, and nonprofits also gave me invaluable firsthand knowledge of their limitations. They are often chronically mismanaged, bloated, and slow to act. One project I facilitated in 2009 at the Copenhagen climate negotiations involved convening hundreds of NGOs and scientific experts to align their negotiating positions. The idea was to present a coherent position to 192 squabbling countries at the main summit. Except we couldn’t get consensus on anything. For starters, no one could agree on the science, or the reality of what was happening on the ground. Priorities were scattered. There was no consensus on what would be effective, affordable, or even practical. Could you raise $10 billion to turn the Amazon into a national park to absorb CO2? How are you going to deal with the militias and bribes? Or maybe the answer was to reforest Norway, not Brazil, or was the solution to grow giant kelp farms instead? As soon as proposals were voiced, someone spoke up to poke holes in them. Every suggestion was a problem. We ended up with maximum divergence on all possible things. It was, in other words, politics as usual. And this involved people notionally on the “same team.” We hadn’t even gotten to the main event and the real horse-trading. At the Copenhagen summit a morass of states all had their own competing positions. Now pile on the raw emotion. Negotiators were trying to make decisions with hundreds of people in the room arguing and shouting and breaking off into groups, all while the clock was ticking, on both the summit and the planet. I was there trying to help facilitate the process, perhaps the most complex, high-stakes multiparty negotiation in human history, but from the start it looked almost impossible. Observing this, I realized we weren’t going to make sufficient progress fast enough. The timeline was too tight. The issues were too complex. Our institutions for addressing massive global problems were not fit for purpose.

To my mind, the fields of learning and performance are an exploration of greyness—of the in-between. There is the careful balance of pushing yourself relentlessly, but not so hard that you melt down. Muscles and minds need to stretch to grow, but if stretched too thin, they will snap. A competitor needs to be process-oriented, always looking for stronger opponents to spur growth, but it is also important to keep on winning enough to maintain confidence. We have to release our current ideas to soak in new material, but not so much that we lose touch with our unique natural talents. Vibrant, creative idealism needs to be tempered by a practical, technical awareness.

Beer gurgled through the beard. 'You see,' the young man began, 'the desert's so big you can't be alone in it. Ever notice that? It's all empty and there's nothing in sight, but there's always something moving over there where you can't quite see it. It's something very dry and thin and brown, only when you look around it isn't there. Ever see it?' 'Optical fatigue -' Tallant began. 'Sure. I know. Every man to his own legend. There isn't a tribe of Indians hasn't got some way of accounting for it. You've heard of the Watchers? And the twentieth-century white man comes along, and it's optical fatigue. Only in the nineteenth century things weren't quite the same, and there were the Carkers.' 'You've got a special localized legend?' 'Call it that. You glimpse things out of the corner of your mind, same like you glimpse lean, dry things out of the corner of your eye. You incase 'em in solid circumstance and they're not so bad. That is known as the Growth of Legend. The Folk Mind in Action. You take the Carkers and the things you don't quite see and put 'em together. And they bite.' Tallant wondered how long that beard had been absorbing beer. 'And what were the Carkers?' he prompted politely. 'Ever hear of Sawney Bean? Scotland - reign of James the First or maybe the Sixth, though I think Roughead's wrong on that for once. Or let's be more modern - ever hear of the Benders? Kansas in the 1870's? No? Ever hear of Procrustes? Or Polyphemus? Or Fee-fi-fo-fum? 'There are ogres, you know. They're no legend. They're fact, they are. The inn where nine guests left for every ten that arrived, the mountain cabin that sheltered travelers from the snow, sheltered them all winter till the melting spring uncovered their bones, the lonely stretches of road that so many passengers traveled halfway - you'll find 'em everywhere. All over Europe and pretty much in this country too before communications became what they are. Profitable business. And it wasn't just the profit. The Benders made money, sure; but that wasn't why they killed all their victims as carefully as a kosher butcher. Sawney Bean got so he didn't give a damn about the profit; he just needed to lay in more meat for the winter. 'And think of the chances you'd have at an oasis.' 'So these Carkers of yours were, as you call them, ogres?' 'Carkers, ogres - maybe they were Benders. The Benders were never seen alive, you know, after the townspeople found those curiously butchered bodies. There's a rumor they got this far West. And the time checks pretty well. There wasn't any town here in the 80s. Just a couple of Indian families - last of a dying tribe living on at the oasis. They vanished after the Carkers moved in. That's not so surprising. The white race is a sort of super-ogre, anyway. Nobody worried about them. But they used to worry about why so many travelers never got across this stretch of desert. The travelers used to stop over at the Carkers, you see, and somehow they often never got any further. Their wagons'd be found maybe fifteen miles beyond in the desert. Sometimes they found the bones, too, parched and white. Gnawed-looking, they said sometimes.' 'And nobody ever did anything about these Carkers?' 'Oh, sure. We didn't have King James the Sixth - only I still think it was the First - to ride up on a great white horse for a gesture, but twice there were Army detachments came here and wiped them all out.' 'Twice? One wiping-out would do for most families.' Tallant smiled at the beery confusion of the young man's speech. 'Uh-huh, That was no slip. They wiped out the Carkers twice because you see once didn't do any good. They wiped 'em out and still travelers vanished and still there were white gnawed bones. So they wiped 'em out again. After that they gave up, and people detoured the oasis. ("They Bite")

Do you want to hold her?” Qhuinn asked. Xcor recoiled as if someone had inquired whether he’d like a hot poker in his hands. Then he recovered, shaking his head as he made a manly show of scrubbing his tears away like they were permanent marker on his cheeks. “I don’t think I’m quite ready for that. She looks…so delicate.” “She’s strong, though. She’s got her mahmen’s blood in her, too.” Qhuinn looked at Blay. “And she’s got good parents. They both do. We’re in this together, people, three fathers and one mom, two kids. Bam!” Xcor’s voice got low. “A father…?” He laughed softly. “I went from having no family, to having a mate, a brother, and now…” Qhuinn nodded. “A son and a daughter. As long as you are Layla’s hellren, you are their father, too.” Xcor’s smile was transformative, so wide that it stretched his face into something she had never seen. “A son and a daughter.” “That’s right,” Layla whispered with joy. But then instantly that expression on his face was gone, his lips thinning out and his brows dropping down like he was ready to go on the attack. “She is never dating. I don’t care who he is—” “Right!” Qhuinn put his palm out for a high five. “That’s what I’m talking about!” “Now, hold on,” Blay interjected as they clapped hands. “She has every right to live her life as she chooses.” “Yes, come on,” Layla added. “This double-standard stuff is ridiculous. She’s going to be allowed…” As the argument started up, she and Blay fell in beside each other, and Qhuinn and Xcor lined up shoulder to shoulder, their massive forearms crossed over their chests. “I’m good with a gun,” Xcor said like that was the end of things. “And I can handle the shovel,” Qhuinn tacked on. “They’ll never find the body.” The two of them pounded knuckles and looked so dead serious that Layla had to roll her eyes. But then she was smiling. “You know something?” she said to the three of them. “I really believe…that it’s all going to be okay. We’re going to work it out, together, because that’s what families do.” As she rose up on her tiptoes and kissed her male, she said, “Love has a way of fixing everything…even your daughter starting to date.” “Which is not going to happen,” Xcor countered. “Ever.” “My man,” Qhuinn said, backing him up. “I knew I liked you—” “Oh, for the love,” Layla muttered.

I am horrified at the hours I have spent, often in the face of demanding creative work, scrolling aimlessly through social media and news updates, clicking briefly on countless vaguely titillating updates about people I barely know and situations I have no control over, feeling dim, thin versions of interest, attraction, dissatisfaction, and dislike. Those hours have been spent avoiding suffering—avoiding the suffering of our banal, boring modern world with its airport security lines and traffic jams and parking lots, but also avoiding the suffering of learning patience, wisdom, and virtue and putting them into practice. They have left me, as the ring left Bilbo, feeling “all thin, sort of stretched, if you know what I mean: like butter that has been scraped over too much bread.”4

I don’t look it, but I am beginning to feel it in my heart of hearts. Well-preserved indeed!’ he snorted. ‘Why, I feel all thin, sort of stretched, if you know what I mean: like butter that has been scraped over too much bread. That can’t be right. I need a change, or something.

My currentshadows shot up, up, up. They spread, building from the tendrils around my fingers to a column in the sky that wrapped my entire body in shadow-dark. I couldn’t see Teka or Sifa or Yma now, but I saw the great pillar of current that passed over and through me, toward that hatch that had opened in the Othyrian ship above. I didn’t see the anticurrent weapon, whatever its container looked like, but I did see the blast. The light spreading out from one fixed point, just as the shadow stretched upward from me. And where they collided: agony. I screamed, helplessly, as I had not screamed since I was too young to remember. The pain was so intense it shattered my pride, my reason, my sense of self. I heard the screaming and felt the scraping feeling of my own voice in my throat and the inferno inside me and around me, and saw the shadow and the light and the space where they met with a sharp clap. My knees buckled, and arms wrapped around my waist, thin, bony ones. A head pressed between my shoulder blades, and I heard Teka’s voice saying, “Hold on, hold on, hold on…” I had killed her uncle, her cousin, and in some ways, her mother, and still she stood behind me, keeping me upright. Hands wrapped around my arms, warm and soft, and the smell of sendes leaf floated over to me, the scent of Sifa’s shampoo. The dark eyes of the one who had abandoned me, and now returned for me-- And last, the strict, pale fingers of Yma Zetsyvis on my wrist. The current moved through all of us at once, my friend, my enemy, my mother, and me, all wrapped together in the darkness that was life itself.

You listen to me good, girl. You done got the healin’ gift, and you got it good. It ain’t nothin’ you done. It be a gift from God. But you better not let that gift go to waste. You got to stretch it. You got to work it. Dreams are like that, too. You got to stretch ‘em. You got to work ‘em. Most of the people in this world have dreams, but they too lazy to make ‘em come true. They want it to be easy. Big dreams don’t come easy, you hear me?” Carrie nodded, listening with all her heart. She had seldom seen Sarah so intense. Sarah continued. “I don’t want to hear nothin’ ‘bout being too tired to work on your dream. You go’s ahead and do the thin’s you got to do, and then you work on that dream. God’ll give you the strength to do it when you think you don’t got none. And another thin’,” she added in a stern voice. “Make sure you ain’t fillin’ up yo’ days with dream killers.” “Dream killers?” “Dream killers,” Sarah repeated, nodding her head. “They be all those thin’s you think be so infernal important. You step back and take a look. Them thin’s may not be all that important. Not if they be robbin’ you of yo’ time to follow yo’ dream. This here plantation will suck you dry if you let it. There always be one more thin’ that need to be done. You can one-more-thin’ yo’ way right into the death of yo’ dream.” She paused again. “You got what I’m sayin’ to you, Miss Carrie?”              “I’ve got it.” Carrie nodded. “You’re right as usual. I’ve been letting other things take up my time. I’ve been waiting until I could leave, rather than making the most of my time here to prepare.” All the wasted hours raised their heads to taunt her. “I’ll start studying tonight, Miss Sarah. I’ll do all I can to make sure I’m ready for my dream,” she promised. Sarah nodded her head, obviously satisfied with what she saw and heard. “I believe you,” she said. “Just you remember one more thin’. God be the one that plants dreams in yo’ heart. Them thin’s you think be sent yo’ way to kill yo’ dream? They really be thin’s sent to make you stronger—better able to live that dream. Don’t you be runnin’ away from the hard times. Embrace them and suck all you can out of ‘em.” She

Somewhere along the way, he’d made one tough call too many, crossed a line he could never come back from. Had he known it at the time? Understood that if he pulled that trigger, took that life, or turned his back, that he’d never be the same again? That no amount of answers or justice or vengeance would ever be enough to save him? And when that line lay before her, stretched and thin and so very easy to step over, would Cooper know it for what it was? Or would she cross it without a second thought . . . and never look back at all?

The harder life got, the more pliantly Nina Alexandrovna responded to its random and weak smiles, which might not have meant anything like what she was seeing from her perspective. Even she guessed how easy it was to buy her with the mere sight of a baby in a stroller or, say, the scene of a friendly conversation, when two men who were utter strangers to Nina Alexandrovna, perfumed youth wearing expensive clothing made somewhere that had to be overseas, simply clapped each other on the shoulder—but she was willing to value herself more and more cheaply because she lacked even crumbs of kindness for her emotional moisture to soften into a warm pap. Now, too, looking at her son-in-law digging the soft, thick, whitened mass out of the bowl with increasing enthusiasm, Nina Alexandrovna believed he might find a good job soon and the family wouldn’t have to stretch itself so thin waiting for pension day.

As working moms, we are constantly making choices about how and in what to invest our time. The more we can do that’s not rooted in guilt and comparison but is instead an output of joy and love, the better life is.

Good enough is the new perfect.

You see, the benefit of forgiveness is for you, not the other person. Do not let a circumstance define you and the way you live your life. Forgiveness brings freedom and wholeness. It doesn’t erase what has happened to you, but it allows you to heal and move forward with grace and wholeness.

Why, I feel all thin, sort of stretched, if you know what I mean: like butter that has been scraped over too much bread. That can’t be right. I need a change, or something.

Snape is—all of them are—stretched thin past the breaking point this year and if Harry is starved to talk to someone about what he’s enduring, it makes sense that Snape must be, too.

I am horrified at the hours I have spent, often in the face of demanding creative work, scrolling aimlessly through social media and news updates, clicking briefly on countless vaguely titillating updates about people I barely know and situations I have no control over, feeling dim, thin versions of interest, attraction, dissatisfaction, and dislike. Those hours have been spent avoiding suffering—avoiding the suffering of our banal, boring modern world with its airport security lines and traffic jams and parking lots, but also avoiding the suffering of learning patience, wisdom, and virtue and putting them into practice. They have left me, as the ring left Bilbo, feeling “all thin, sort of stretched, if you know what I mean: like butter that has been scraped over too much bread.