Helicopter Experience Quotes

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Trauma destroys the fabric of time. In normal time you move from one moment to the next, sunrise to sunset, birth to death. After trauma, you may move in circles, find yourself being sucked backwards into an eddy or bouncing like a rubber ball from now to then to back again. ... In the traumatic universe the basic laws of matter are suspended: ceiling fans can be helicopters, car exhaust can be mustard gas.
David J. Morris (The Evil Hours: A Biography of Post-Traumatic Stress Disorder)
You don't understand my dis-mounting. It's like climbing a mountain. Would you rather climb the mountain or have a helicopter deposit you on the top? The continual climb, the continual remounting, makes it a richer experience, and so on.
Tom Wolfe (The Electric Kool-Aid Acid Test)
The relationship between the famous and the public who sustain them is governed by a striking paradox. Infinitely remote, the great stars of politics, film and entertainment move across an electric terrain of limousines, bodygurads and private helicopters. At the same time, the zoom lens and the interview camera bring them so near to us that we know their faces and their smallest gestures more intimately than those of our friends. Somewhere in this paradoxical space our imaginations are free to range, and we find ourselves experimenting like impresarios with all the possibilities that these magnified figures seem to offer us.
J.G. Ballard
Dr. Talbon was struck by another very important thing. It all hung together. The stories Cheryl told — even though it was upsetting to think people could do stuff like that — they were not disjointed They were not repetitive in terms of "I've heard this before". It was not just she'd someone trying consciously or unconsciously to get attention. really processed them out and was done with them. She didn't come up with them again [after telling the story once and dealing with it]. Once it was done, it was done. And I think that was probably the biggest factor for me in her believability. I got no sense that she was using these stories to make herself a really interesting person to me so I'd really want to work with her, or something. Or that she was just living in this stuff like it was her life. Once she dealt with it and processed it, it was gone. We just went on to other things. 'Throughout the whole thing, emotionally Cheryl was getting her life together. Parts of her were integrating where she could say,"I have a sense that some particular alter has folded in with some basic alter", and she didn't bring it up again. She didn't say that this alter has reappeared to cause more problems. That just didn't happen. The therapist had learned from training and experience that when real integration occurs, it is permanent and the patient moves on.
Cheryl Hersha (Secret Weapons: How Two Sisters Were Brainwashed to Kill for Their Country)
They're arguing for giving homework and tests to all young children, or separating them into winners and losers, because these tykes need to get used to such things -- as if exposure itself will inoculate them against the negative effects they would otherwise experience later. If we were interested in helping children to anticipate and deal with unpleasant experiences, it might make sense to discuss the details with them and perhaps guide them through role-playing exercises. But why would we subject kids to those experiences? After all, to teach children how to handle a fire emergency, we talk to them about the dangers of smoke inhalation and advise them where to go when the alarm sounds. We don't actually set them on fire. But the key point is this: From a developmental perspective, BGUTI [Better-Get-Used-To-It worldview] is flat-out wrong. People don't get better at coping with unhappiness because they were because they were deliberately made unhappy when they were young On the contrary, what best prepares children to deal with the challenges of the real world is to experience success and joy, to feel supported and respected, to receive loving guidance and unconditional care and the chance to have some say about what happens to them.
Alfie Kohn (The Myth of the Spoiled Child: Coddled Kids, Helicopter Parents, and Other Phony Crises)
Another sister had worked at Tulane Hospital in downtown New Orleans. Tulane was also dark, hot, and surrounded by water, but officials at its parent corporation, HCA, had been proactive about arranging for private helicopters and buses to rescue patients, employees, and their families, betting correctly that government assets would prove insufficient. The process of an orderly if slow evacuation had kept panic at bay. She knew of no patients who had died at Tulane. This sister was able to laugh and joke about her experiences.
Sheri Fink (Five Days at Memorial: Life and Death in a Storm-Ravaged Hospital)
Zumwalt was frequently and widely regarded as a sailor’s admiral. Extreme loyalty to subordinates was one of the hallmarks of his career. Particularly when he commanded at sea or in combat, Zumwalt drove his people hard but also did what he could to share their experience and make life a little easier on them. As commander of all US naval forces in Vietnam, he was a frequent visitor to both frontline combat units and hospitals, and his efforts to improve life for his sailors ran the gamut from delivering cases of beer in his personal helicopter to spending real time with wounded sailors in hospitals.
James G. Stavridis (Sailing True North: Ten Admirals and the Voyage of Character)
The great German philosopher Schopenhauer, in a magnificent essay on “The Foundation of Morality,” treats of this transcendental spiritual experience. How is it, he asks, that an individual can so forget himself and his own safety that he will put himself and his life in jeopardy to save another from death or pain—as though that other’s life were his own, that other’s danger his own? Such a one is then acting, Schopenhauer answers, out of an instinctive recognition of the truth that he and that other in fact are one. He has been moved not from the lesser, secondary knowledge of himself as separate from others, but from an immediate experience of the greater, truer truth, that we are all one in the ground of our being. Schopenhauer’s name for this motivation is “compassion,” Mitleid, and he identifies it as the one and only inspiration of inherently moral action. It is founded, in his view, in a metaphysically valid insight. For a moment one is selfless, boundless, without ego.3 And I have lately had occasion to think frequently of this word of Schopenhauer as I have watched on television newscasts those heroic helicopter rescues, under fire in Vietnam, of young men wounded in enemy territory: their fellows, forgetful of their own safety, putting their young lives in peril as though the lives to be rescued were their own. There, I would say—if we are looking truly for an example in our day—is an authentic rendition of the labor of Love.
Joseph Campbell (Myths to Live By)
this act is engraved in my mind deeper than any other experience in my two tours in Vietnam. A huge black enlisted man, clad only in shorts and boots, hands bigger than dinner plates, reached into my helicopter to pick up one of the dead white soldiers. He had tears streaming down his face and he tenderly cradled that dead soldier to his chest as he walked slowly from the aircraft to the medical station.
Harold G. Moore (We Were Soldiers Once . . . and Young: Ia Drang-The Battle That Changed the War in Vietnam)
I can tell from the crack of a rifle shot the type of weapon fired and what direction the bullet is traveling. I can listen to a mortar pop and know its size, how far away it is. I know instinctively when I should prep a treeline with artillery before I move into it. I know which draws and fields should be crossed on line, which should be assaulted, and which are safe to cross in column. I know where to place my men when we stop and form a perimeter. I can shoot a rifle and throw a grenade and direct air and artillery onto any target, under any circumstances. I can dress any type of wound, I have dressed all types of wounds, watered protruding intestines with my canteen to keep them from cracking under sunbake, patched sucking chests with plastic, tied off stumps with field-expedient tourniquets. I can call in medevac helicopters, talk them, cajole them, dare them into any zone. I do these things, experience these things, repeatedly, daily. Their terrors and miseries are so compelling, and yet so regular, that I have ascended to a high emotion that is nonetheless a crusted numbness. I am an automaton, bent on survival, agent and prisoner of my misery. How terribly exciting. And how, to what purpose, will these skills serve me when this madness ends? What lies on the other side of all this? It frightens me. I haven’t thought about it. I haven’t prepared for it. I am so good, so ready for these things that were my birthright. I do not enjoy them. I know they have warped me. But it will be so hard to deal with a life empty of them. And there are the daily sufferings. You ghosts have known them, but who else? I can sleep in the rain, wrapped inside my poncho, listening to the drops beat on the rubber like small explosions, then feeling the water pour in rivulets inside my poncho, soaking me as I lie in the mud. I can live in the dirt, sit and lie and sleep in the dirt, it is my chair and my bed, my floor and my walls, this clay. And like all of you, I have endured diarrhea as only an animal should endure it, squatting a yard off a trail and relieving myself unceremoniously, naturally, animally. Deprivations of food. Festering, open sores. Worms. Heat. Aching crotch that nags for fulfillment, any emptying hole that will relieve it. Who appreciates my sufferings? Who do I suffer for?
James Webb (Fields of Fire)
We might be accustomed to thinking of our faith as a castle—where we go to be safe and protected. That’s a good place to be, and we all need that experience now and then. But what if God isn’t a helicopter parent? What if feeling safe and secure aren’t always signs of God’s presence but a pattern of fear that keeps God at a distance? And what if God wants to close that gap, for our sake, and doubt helps get us there? Doubt isn’t a sign of spiritual weakness but the first steps toward a deeper faith.
Peter Enns (The Sin of Certainty: Why God Desires Our Trust More Than Our "Correct" Beliefs)
It interests me that there is no end of fictions, and facts made over in the forms of fictions. Because we class them under so many different rubrics, and media, and means of delivery, we don't recognize the sheer proliferation and seamlessness of them. I think at some level of scale or perspective, the police drama in which a criminal is shot, the hospital in which the doctors massage a heart back to life, the news video in which jihadists behead a hostage, and the human-interest story of a child who gets his fondest wish (a tourist trip somewhere) become the same sorts of drama. They are representations of strong experience, which, as they multiply, began to dedifferentiate in our uptake of them, despite our names and categories and distinctions... I say I watch the news to "know". But I don't really know anything. Certainly I can't do anything. I know that there is a war in Iraq, but I knew that already. I know that there are fires and car accidents in my state and in my country, but that, too, I knew already. With each particular piece of footage, I know nothing more than I did before. I feel something, or I don't feel something. One way I am likely to feel is virtuous and "responsible" for knowing more of these things that I can do nothing about. Surely this feeling is wrong, even contemptible. I am not sure anymore what I feel. What is it like to watch a human being's beheading? The first showing of the video is bad. The second, fifth, tenth, hundredth are—like one's own experiences—retained, recountable, real, and yet dreamlike. Some describe the repetition as "numbing". "Numbing" is very imprecise. I think the feeling, finally, is of something like envelopment and even satisfaction at having endured the worst without quite caring or being tormented. It is the paradoxically calm satisfaction of having been enveloped in a weak or placid "real" that another person endured as the worst experience imaginable, in his personal frenzy, fear, and desperation, which we view from the outside as the simple occurrence of a death... I see: Severed heads. The Extra Value Meal. Kohl-gray eyelids. A holiday sale at Kohl's. Red seeping between the fingers of the gloved hand that presses the wound. "Doctor, can you save him?" "We'll do our best." The dining room of the newly renovated house, done in red. Often a bold color is best. The kids are grateful for their playroom. The bad guy falls down, shot. The detectives get shot. The new Lexus is now available for lease. On CNN, with a downed helicopter in the background, a peaceful field of reeds waves in the foreground. One after another the reeds are bent, broken, by boot treads advancing with the camera. The cameraman, as savior, locates the surviving American airman. He shoots him dead. It was a terrorist video. They run it again. Scenes from ads: sales, roads, ordinary calm shopping, daily life. Tarpaulined bodies in the street. The blue of the sky advertises the new car's color. Whatever you could suffer will have been recorded in the suffering of someone else. Red Lobster holds a shrimp festival. Clorox gets out blood. Advil stops pain fast. Some of us are going to need something stronger.
Mark Greif (Against Everything: Essays)
We didn’t know what to do. It was as though we were being hunted. Steve went off to the back block of the zoo to try to get his head around everything that had been happening. He built a fire and gazed into it. I didn’t have to think about it. I knew beyond certainty that the most important part of Steve’s life was his family. His children meant everything to him. All of a sudden, my wonderful, sharing, protective husband was being condemned. His crime was sharing wildlife experiences with Robert, exactly as he had done for the last five and a half years with Bindi. The media circus escalated. Helicopters hovered over the zoo, trying to snag any glimpse of the crazy Irwin family. Steve erected shade cloth around our yard for privacy. We soon realized we couldn’t go anywhere. There would be no visits to the zoo, no answering the phone, no doing croc shows. The criticism and the spin continued. I stood by Steve’s side and watched his heart break. I couldn’t believe the mean-spirited, petty, awful people in the world. Editors manipulated film footage, trying to make the croc look bigger or closer to Robert than it actually was. What possible end could that serve? I have seen Tasmanian devils battle over a carcass. I have seen lionesses crowding a kill, dingoes on the trail of a feral piglet, an adult croc thrashing its prey to pieces. But never, in all the animal world, have I witnessed anything to match the casual cruelty of the human being. It was about to get worse. We stepped off a very dark cliff indeed.
Terri Irwin (Steve & Me)
Randy Shughart and Gary Gordon, two Delta operators, won posthumous Medals of Honor for taking the initiative to secure one of the Black Hawk helicopter crash sites until Rangers could reinforce them. They knew the risk. They saw the enemy closing in before they even landed. At the White House during their Medal of Honor ceremony, the father of a Delta operator became unglued, furious that he was to receive the Medal of Honor from President Clinton, who in the father’s words was too cowardly to accept a draft to the Vietnam War at the behest of the president at the time, Lyndon Johnson. He believed President Clinton unworthy to bestow the award on his late son. His wife apologized to me and the other officers for her husband. But we felt the same way.
Gary J. Byrne (Crisis of Character: A White House Secret Service Officer Discloses His Firsthand Experience with Hillary, Bill, and How They Operate)
I’d never been winched out of the sea by a hovering helicopter before and it was a little bit of an experience.  I knew I’d be pretty heavy but the crewman made it look very easy when he spun me around and pulled me in the cabin.      Capt Birbeck and he were both talking to me at once, wanting to know if I was alright.  He and the crewman were busy examining the mark on my neck.      “Spicer, are you sure you’re all right?”      “Yeah, I got a little scrape on my throat from the helmet chin strap and a small lump on the bridge of my nose, but I’m ok; why, is there something wrong?”      “You might say that.  The pilot decided he didn’t like the way the swell was running and decided to move to a different location to put us out.  The crewman was tapping you on the shoulder to tell you to get back in because we were going someplace else.  We aren’t sure but think you may have gone out about 100 feet instead of 50 and we were pretty sure you’d be injured.  You may have accidentally broken a record.”      “NO SHIT?!!”      “They were really worried but I told them you can’t hurt one of those damn U.S. Marines!”      “Same for the Royal Marines, right!”      He broke into a big grin and gave me a light tap on the head.      He said, “Right, but I’m not jumping out of this helicopter at a hundred fucking feet just to prove it mate!!!
W.R. Spicer (Sea Stories of a U.S. Marine Book 3 ON HER MAJESTY'S SERVICE)
…my loved one was a bee and a butterfly and knew how to cut with her claws and her tongue, and I tried too … we learned from each other what was good for the other, and that made both of us stronger … running, and the earth turned beneath us, running by graves and leaping across them, avoiding the bones and glassy stares and empty eyesockets … of wolf skulls … and steering clear of traps and snares, we had experience … with falling stakes and poisoned meat … we made it without harm through the red pack's territory … and met the last of the white wolves, they were wracked with disease … and the big black wolves chased us, but we escaped … we, the gray wolves of the Carpathians, had an age-old war with them, they were surprised we fled, their jaws snapping shut on empty air, they had a hunch it was their turn next, the helicopters were on the way … we ran side by side, our bodies touching … running over the earth as it turned, with the wind whistling in our ears like a lament for every dead pack … and the clicking of our claws made the earth's motion accelerate … we ran over the earth, a mass grave, running away …
Jáchym Topol (City Sister Silver)
The woman was considered medically dead three times. Twice on the way to the hospital—once while waiting for the helicopter, once in transit—and her longest flatline took place on the operating table. The medical staff wanted to call her death, but the doctor who’d been working on her refused to stop trying to bring her back—he was thinking of her two daughters being stitched up just a few rooms away. She was considered medically dead for longer than acceptable to have a decent prognosis if revived—to ever fully function again—but the doctor tried one last time and brought her back.” The chapel fills with a misty pink hue as I relay the rest. “She had significant brain damage, had to learn to walk and talk again, read and write, but she made a full recovery.” I turn to Delphine and see she’s hanging on every word. “And do you know what her only complaint was?” She gives a subtle shake of her head. “That they brought her back.” I grin. “She’d seen what was waiting on the other side and didn’t want a damn thing to do with the world anymore.” Simmering tears fill her eyes. “She claimed that in the time she was down, she experienced enough of the afterlife that she never wanted to exist anywhere else. That for the entirety of the time she spent there, she was enveloped in a perpetual state of love—nothing like the human love we experience, but magnified by a billion and then some. That every being there reverberates that love, and the second you brush against them or pass through them, you know every single thing about them, every detail of their lives. That the first time it happens, you become part of a collective consciousness. There’s no judgment, no shame, no suffering, regret, or pain. Nothing but an inconceivable type of feeling no human mind could ever begin to comprehend. She swore that no living soul should ever worry about the question of an afterlife.
Kate Stewart (One Last Rainy Day (Ravenhood Legacy #1))
Caregiver behaviors that could lead a child to take on a deactivating attachment strategy include: Neglecting or abusing the child. Being emotionally cold or rejecting the child. Giving the child hostile, angry or threatening responses. Discouraging a child’s expression of vulnerability. Encouraging (whether explicitly or implicitly) the child to be more self-reliant and independent. Caregiver behaviors that can incite hyperactivating attachment strategies include: Being unreliable, unpredictable or intrusive, where interactions are sometimes gratifying and connected, but at other times mis-attuned and disconnected. Punishing or criticizing a child for their independence or curiosity. Conveying messages that the child is not enough, or is incapable, stupid or failing in some way. Taking on a helicopter style of parenting, which might include excessive praise but also excessive control, protectiveness or perfectionism. Experiences of abuse or traumas that occur when the child is separated from their primary attachment figure, which can reinforce the notion that it’s dangerous to be apart from them. Both of these strategies can also occur simultaneously, meaning a child may experience both hyperactivation and deactivation, or may vacillate between the two survival strategies. We’ll discuss this more in the section about fearful-avoidant attachment.
Jessica Fern (Polysecure: Attachment, Trauma and Consensual Nonmonogamy)
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I can tell from the crack of a rifle shot the type of weapon fired and what direction the bullet is traveling. I can listen to a mortar pop and know its size, how far away it is. I know instinctively when I should prep a tree line with artillery before I move into it. I know which draws and fields should be crossed on line, which should be assaulted, and which are safe to cross in column. ⁣ ⁣ I know where to place my men when we stop and form a perimeter. I can shoot a rifle and throw a grenade and direct air and artillery onto any target, under any circumstances. I can dress any type of wound, I have dressed all types of wounds, watered protruding intestines with my canteen to keep them from cracking under sun bake, patched sucking chests with plastic, tied off stumps with field expedient tourniquets. ⁣ ⁣ I can call in medevac helicopters, talk them, cajole them, dare them into any zone. I do these things, experience these things, repeatedly, daily. Their terrors and miseries are so compelling, and yet so regular, that I have ascended to a high emotion that is nonetheless a crusted numbness. I am an automaton, bent on survival, agent and prisoner of my misery. How terribly exciting. And how, to what purpose, will these skills serve me when this madness ends? ⁣ ⁣ What lies on the other side of all this? It frightens me. I haven't thought about it. I haven't prepared for it. I am so good, so ready for these things that were my birthright. I do not enjoy them. I know they have warped me. But it will be so hard to deal with a life empty of them.
James Webb (Fields of Fire)
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His first major project was to invent a new flying machine. He sent one design after another aloft, many of them blowing up, and with each experiment the team refined its ideas. He worked in a mad sprint for the glory of being the inventor of the first helicopter. But there was much more at stake. This was the late 1930s, with a looming crisis in Western civilization. Arthur Young’s research had strong competition. A group of Nazi engineers was striving toward the same goal of providing its military with the world’s most advanced aircraft.
Brian Swimme (Cosmogenesis: An Unveiling of the Expanding Universe)
From my experience, I knew that if I could make it to a flight nurse in a flight-for-life helicopter, I would have the chance. I have seen flight nurses do incredible things in really bloody, gnarly situations. That became my goal…make it to the helicopter.
Jody B. Miller (From Drift to Shift: How Change Can Bring True Meaning and Happiness to Your Work and Life)
We told them everything--well, almost everything. I was saving the stuff I’d found out at the cabin. This was enough for now. Too much actually. Despite having seen our powers in action--my near-transformation and Daniel knocking out the pilot--Corey and Hayley couldn’t seem to process it. Corey kept saying, “Are you sure?” tentatively, as if he didn’t want to insult our intelligence, but he couldn’t help thinking there had to be a logical explanation. Hayley just stared at me. When I finally stopped talking, she said, “Are you crazy?” “Hey!” Sam said. “No, seriously. You think you’re going to change into a cougar? Maybe in thirty years you’ll start thinking college boys are kinda hot, but that’s the only sort of cougar you can turn into, Maya. Anything else is nuts.” “Right,” Sam said. “So you weren’t here an hour ago? When her face started changing?” “Yes, something did happen to her face. I don’t know what it was, but I’ll bet it has to go with those vitamins and drugs they were feeding us back in Salmon Creek. That’s what all this is about. They were doing medical experiments on us. It explains what Daniel did on the helicopter and what happened with Maya’s face.” “And Rafe?” Sam said. “Does medical research explain why Rafe thought he was a skin-walker, too, when he’d never even been to the clinic?” “I…I don’t know.” Hayley squared her shoulders. “No one ever saw Rafe do anything magical. He just thought he was one of these skin-walkers. That’s from your religion or whatever, right?” “My religion?” I said. “The stuff you people believe in.” “You people?” Corey said. “Holy hell, Hayley. Did you really just say that?” She went beet red. “I--I didn’t mean--” “We know exactly what you meant,” Sam said. “Got a racist streak there, huh? Surprise, surprise.
Kelley Armstrong (The Calling (Darkness Rising, #2))
Helicopter parenting, the incessant micromanagement of a child’s activities, has created a generation of people who rarely experience conflict or traumatic situations, and as a result they are more prone to emotional overreactions.
Dan Crenshaw (Fortitude: American Resilience in the Era of Outrage)
A 2011 study by Terri LeMoyne and Tom Buchanan at the University of Tennessee at Chattanooga looking at more than three hundred students found that a student with “hovering” or “helicopter” parents is more likely to be medicated for anxiety and/or depression.7 They conducted the study because of what they were seeing in their classrooms. “We began to experience some really good students that were very capable, excellent at turning in their assignments … but when it came to independent decisions, if you didn’t give them concrete directions, it seemed they were uneasy at times.
Julie Lythcott-Haims (How to Raise an Adult: Break Free of the Overparenting Trap and Prepare Your Kid for Success)
I’ve been in helicopters and on boats of various kinds,” Greer admitted. “No submarines, though. And I’m eager for the coming adventure.” “I haven’t, either.” Henry patted the man on the back. “So it’ll be a new experience for both of us.” “The three of us, you mean?” Justin interjected. “I’ve never been on one, either. And I don’t like closed in spaces. I’m sort of…claustrophobic.
Kathryn Meyer Griffith (Dinosaur Lake)
The relationship between the famous and the public who sustain them is governed by a striking paradox. Infinitely remote, the great stars of politics, film and entertainment move across an electric terrain of limousines, bodyguards and private helicopters. At the same time, the zoom lens and the interview camera bring them so near to us that we know their faces and their smallest gestures more intimately than those of our friends. Somewhere in this paradoxical space our imaginations are free to range, and we find ourselves experimenting like impresarios with all the possibilities that these magnified figures seem to offer us. How did Garbo brush her teeth, shave her armpits, probe a worry-line? The most intimate details of their lives seem to lie beyond an already open bathroom door that our imaginations can easily push aside. Caught in the glare of our relentless fascination, they can do nothing to stop us exploring every blocked pore and hesitant glance, imagining ourselves their lovers and confidantes. In our minds we can assign them any roles we choose, submit them to any passion or humiliation. And as they age, we can remodel their features to sustain our deathless dream of them. In a TV interview a few years ago, the wife of a famous Beverly Hills plastic surgeon revealed that throughout their marriage her husband had continually re-styled her face and body, pointing a breast here, tucking in a nostril there. She seemed supremely confident of her attractions. But as she said: ‘He will never leave me, because he can always change me.’ Something of the same anatomizing fascination can be seen in the present pieces, which also show, I hope, the reductive drive of the scientific text as it moves on its collision course with the most obsessive pornography. What seems so strange is that these neutral accounts of operating procedures taken from a textbook of plastic surgery can be radically transformed by the simple substitution of the anonymous ‘patient’ with the name of a public figure, as if the literature and conduct of science constitute a vast dormant pornography waiting to be woken by the magic of fame.
J.G. Ballard (The Atrocity Exhibition)
Just as we received the radio message, a group of Sherpas came running down the valley toward us. They were dragging something, which turned out to be Makalu Gau, whose feet had been destroyed by the cold. He could not stand. Now we had a problem. We talked about it, and I told the others that I couldn’t get on the helicopter and leave Makalu. I think that was the right thing to do, but that wasn’t why I said it. I didn’t want to second-guess myself every day for the rest of my life. Then we saw the Squirrel. The shiny green machine rose directly above us, and moved up the valley, ascended toward us and then just disappeared off the face. I thought to myself, This guy is not stupid. This was a supremely dumb idea. If he puts the machine down for any reason and cannot take off, he is a dead man. He’s got to know that. He was up there in civilian clothes. He was not a climber. He did not have the clothing. He did not have the experience. He did not have the skills. He’d be trapped above the Khumbu Icefall, two thousand of the most vicious feet of real estate on earth. Altitude sickness would kill him before he could walk out of there.
Beck Weathers (Left for Dead: My Journey Home from Everest)
I was only vaguely aware of being pulled from the water, the experience a jumble of images: the sensation of being dragged back up from the darkness and emerging into the light and noise once again; the roar of helicopter blades in the distance; the feeling of being hauled, wet and cold, onto muddy ground; Erica yelling, “Fight, Ben! Fight!” and then leaning over me; a woman with a stoic gaze looming behind her; the groan of stone against stone as a passage opened in a rock; a Komodo dragon in a pink tutu, doing pirouettes atop an elephant. It’s quite possible that I dreamt the last one, as I lost consciousness more than once.
Stuart Gibbs (Evil Spy School)