Street Vendors Quotes

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Frida Kahlo to Marty McConnell leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.
Marty McConnell
Karou was mysterious. She had no apparent family, she never talked about herself, and she was expert at evading questions--for all that her friends knew of her background, she might have sprung whole from the head of Zeus. And she was endlessly surprising. Her pockets were always spilling out curious things: ancient bronze coins, teeth, tiny jade tigers no bigger than her thumbnail. She might reveal, while haggling for sunglasses with an African street vendor, that she spoke fluent Yoruba. Once, Kaz had undressed her to discover a knife hidden in her boot. There was the matter of her being impossible to scare and, of course, there were the scars on her abdomen: three shiny divots that could only have been made by bullets.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
Ish #303 "It's a street food vendor! Stop asking for the health score rating.
Regina Griffin
He went among vendors and beggars and wild street preachers haranguing a lost world with vigor unknown to the sane. Suttree admired them with their hot eyes and dogeared bibles, God's barkers gone forth into the world like the prophets of old.
Cormac McCarthy (Suttree)
Behind the desk was nothing but view-the whole city flung out in front of us the way street vendors fling out their towels packed with cheap, glittery watches and belts. That's how New York looked: like gorgeous, easy thing to have, even for me.
Jennifer Egan (A Visit from the Goon Squad)
Witnessing all of those hardworking female street vendors in Vietnam also made me understand why my mom felt so passionate about me and my sisters working. While we were in Vietnam together, she explained that the country had a history of always being in wartime, so women were expected to rise to the occasion of making money for the family. Vietnamese women were always ready to take over roles traditionally filled by men, Like A League of Their Own (but where everyone is Marla Hooch). I also understood why my mom wasn't into processing her feelings, and how she was taught to just get over tragedy. To survive, she had to believe things like depression and allergies were a choice. In a culture entrenched in wartime, those who chose to be unhappy or to refuse gluten didn't last long.
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets, & Advice for Living Your Best Life)
Tragedy happens - "tragic mistakes" happen - when men act according to their flawed natures, in fulfillment of their preordained destinies. The tragedy of the four killers of Amadou Diallo is that their deeds were made possible by their general preconceptions about black people and poor neighborhoods; by a theory of policing that encourages them to be rigid and punitive toward petty offenders; and by a social context in which the possession and use of firearms is so normative as to be almost beyond discussion. The tragedy of the street vendor Amadou Diallo is that he came as an innocent to the slaughter, made vulnerable by poverty and by the color of his skin. And the tragedy of America is that a nation which sees itself as leading the world toward a global future in which the American values of freedom and justice will be available for everyone fails so frequently and so badly to guarantee that freedom and that justice for so many people within its own frontiers.
Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)
FRIDA KAHLO TO MARTY MCCONNELL leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.
Marty McConnell
It is necessary for the oppressors to approach the people in order, via subjugation, to keep them passive. This approximation, however, does not involve being with the people, or require true communication. It is accomplished by the oppressors' depositing myths indispensable to the preservation of the status quo: for example, the myth that the oppressive order is a "free society"; the myth that all persons are free to work where they wish, that if they don't like their boss they can leave him and look for another job; the myth that this order respects human rights and is therefore worthy of esteem; the myth that anyone who is industrious can become an entrepreneur--worse yet, the myth that the street vendor is as much an entrepreneur as the owner of a large factory; the myth of the universal right of education, when of all the Brazilian children who enter primary schools only a tiny fraction ever reach the university; the myth of the equality of all individuals, when the question: "Do you know who you're talking to?" is still current among us; the myth of the heroism of the oppressor classes as defenders of "Western Christian civilization" against "materialist barbarism"; the myth of the charity and generosity of the elites, when what they really do as a class is to foster selective "good deeds" (subsequently elaborated into the myth of "disinterested aid," which on the international level was severely criticized by Pope John XXIII); the myth that the dominant elites, "recognizing their duties," promote the advancement of the people, so that the people, in a gesture of gratitude, should accept the words of the elites and be conformed to them; the myth of private property as fundamental to personal human development (so long as oppressors are the only true human beings); the myth of the industriousness of the oppressors and the laziness and dishonesty of the oppressed as well as the myth of the natural inferiority of the latter and the superiority of the former.
Paulo Freire (Pedagogy of the Oppressed)
On the day I lose my phone, I decide to live à la Ladakh: write a letter on paper, go to the post office, wait for his reply for a long time, appreciate a meal a day and a few clothes, be grateful for having been born as a human, read the Tibetan Book of the Dead, buy vegetables from an old street vendor, and save a bee’s life. On the day I lose my wallet, I decide to live à la Ladakh: plant a seed, wait for a long time, and share the fruit with a worm.
Alexandria Ryu (Ink Garden: Poems)
The city was a real city, shifty and sexual. I was lightly jostled by small herds of flushed young sailors looking for action on Forty-Second Street, with it rows of x-rated movie houses, brassy women, glittering souvenir shops, and hot-dog vendors. I wandered through Kino parlors and peered through the windows of the magnificent sprawling Grant’s Raw Bar filled with men in black coats scooping up piles of fresh oysters. The skyscrapers were beautiful. They did not seem like mere corporate shells. They were monuments to the arrogant yet philanthropic spirit of America. The character of each quadrant was invigorating and one felt the flux of its history. The old world and the emerging one served up in the brick and mortar of the artisan and the architects. I walked for hours from park to park. In Washington Square, one could still feel the characters of Henry James and the presence of the author himself … This open atmosphere was something I had not experienced, simple freedom that did not seem oppressive to anyone.
Patti Smith (Just Kids)
leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.
Marty McConnell
It was autumn, the season of pomegranate and quince. The scent of roasted nuts and barbecued corn from the street vendors, of mud-packed alleyways, gasoline fumes, and concrete roads—I hadn’t known, until I encountered them again, how much I’d missed the city.
Jasmin Darznik (Song of a Captive Bird)
He listened to the hooting of many metal horns, squealing of brakes, the calls of vendors selling red-purple bananas and jungle oranges in their stalls. Colonel Freeleigh's feet began to move, hanging from the edge of his wheel chair, making the motions of a man walking. His eyes squeezed tight. He gave a series of immense sniffs, as if to gain the odors of meats hung on iron hooks in sunshine, cloaked with flies like a mantle of raisins; the smell of stone alleys wet with morning rain. He could feel the sun bum his spiny-bearded cheek, and he was twenty-five years old again, walking, walking, looking, smiling, happy to be alive, very much alert, drinking in colors and smells.
Ray Bradbury (Dandelion Wine)
The president, the secretary of state, the businessman, the preacher, the vendor, the spies, the clients and managers—all walking around Wall Street like chickens with their heads cut off—rushing to escape bankruptcy—plotting to melt down the Statue of Liberty—to press more copper pennies—to breed more headless chickens—to put more feathers in their caps—medals, diplomas, stock certificates, honorary doctorates—eggs and eggs of headless chickens—multitaskers—system hackers—who never know where they’re heading--northward, backward, eastward, forward, and never homeward—(where is home)—home is in the head—(but the head is cut off)—and the nest is full of banking forms and Easter eggs with coins inside. Beheaded chickens, how do you breed chickens with their heads cut off? By teaching them how to bankrupt creativity.
Giannina Braschi
You could always tell when a storm was coming, because the street vendors would start selling their overpriced umbrellas and shout at pedestrians to buy them. It was an aggressive tactic, preying on a customer’s immediate need for shelter. If that wasn’t a metaphor for the human condition, then I didn’t know what was.
Coralee June (Lies and Other Drugs (Lies Trilogy Book 1))
Look closer at this street corner: The sun is setting. The vendor at the newspaper stand packs up the dailies and puts away the cartons of eggs. Students with laptops in their arms shuffle out of the cha chaan teng. Elderly couples and their poodles take a stroll by the pier. You can still hear the uproar of the crowds that once gathered on the steep slopes for film screenings, festivals, protests. The florists at the wet market put away the last lilies. The last tram slots itself into the station. And then the scene dissolves again. Maybe you can’t save this place; maybe it isn’t even worth saving. But for a moment, there was a sliver of what this city could have become. And that is why we’re still here.
Karen Cheung (The Impossible City: A Hong Kong Memoir)
I like to sell this stuff when the rest of the vendors have long since gone home, when the streets are deserted and a cold rind of moon floats over the canyons of the city.
Stephen King (The Bazaar of Bad Dreams)
Should a woman keep her pants on in the streets or not? Shall she remove them, say, at the moment of going to church, for a more intimate reminder of her sexuality in relation to God? What difference does it make if that woman is a lemon vendor and sells you lemons in the streets without using underwear? Moreover, what difference would it make if she sits down to write theology without underwear? The Argentinian woman theologian and the lemon vendors may have some things in common and others not. In common, they have centuries of patriarchal oppression, in the Latin American mixture of clericalism, militarism and the authoritarianism of decency, that is, the sexual organisation of the public and private spaces of society. However,
Marcella Althaus-Reid (Indecent Theology)
As he met now with each sales director, J.T. would begin by grilling him with a standard set of questions: You losing any of your regulars? (In other words, customers.) Anybody complaining? (About the quality of the crack.) You heard of people leaving you for others? (Customers buying crack from other dealers.) Anybody watching you? (The police or tenant leaders.) Any new hustlers been hanging around? (Homeless people or street vendors.) You seen any niggers come around? (Enemy gangs.)
Sudhir Venkatesh (Gang Leader for a Day: A Rogue Sociologist Takes to the Streets)
In Whitman’s writings in and about New Orleans, the kind of man Whitman was attracted to can be found scattered over almost every page, be they oyster vendors, omnibus drivers, or street toughs. Their type struck Whitman's fancy — personally and politically.
Walt Whitman (Walt Whitman's New Orleans: Sidewalk Sketches and Newspaper Rambles)
In the end, all I remember is that while my lawyer went on talking, I could hear through the expanse of chambers and courtrooms an ice cream vendor blowing his tin trumpet out in the street. I was assailed by memories of a life that wasn’t mine anymore, but one in which I’d found the simplest and most lasting joys: the smells of summer, the part of town I loved, a certain evening sky, Marie’s dresses and the way she laughed. The utter pointlessness of whatever I was doing there seized me by the throat, and all I wanted was to get it over with and get back to my cell and sleep.
Albert Camus (The Stranger)
There are colors of beauty in Madrid, but also colors of hardship. Ghosts of war walk the streets in Spain. Daniel passes blind lottery vendors, citizens missing limbs, young people using canes. Should he look directly at them and acknowledge their sacrifice or look away and honor their dignity?
Ruta Sepetys (The Fountains of Silence)
and Anna could smell sushi, baked bread, and frying hot dogs. She could even catch the faint tang of Indian spices- not the kinds of spices she was used to, of course, the very specific kind in pandhi curry or masala crab, but then she had never come across those flavors outside the small, beautiful corner of India that her mother had once called home. That said, this place did smell yummy. There was food everywhere she looked: street vendors, bakeries, cafés, take-out places, you name it. Hungry Heart Row, that's what this neighborhood was called, and it seemed its residents had taken that very seriously.
Sangu Mandanna (Hungry Hearts: 13 Tales of Food & Love)
Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.
Gerald Durrell
My main concern while in New York wasn't becoming a hot shot. I was more concerned with staying alive, and that took all the pleasure out of the experience. I didn't know where to find a grocery store so I subsisted on hot dogs, peanuts and whatever else I could buy from a street vendor. I didn't know how to hail a cab (apparently there's an art to it). I stood on the edge of the sidewalk and waved my arms around but no one stopped, so I limited my entire universe to however far I could walk and I never walked too far because I was afraid I'd get lost and never find my way back home again. Perhaps that's why there are so many homeless people in New York; maybe they're not really lost, maybe some of them have homes but they just don't know how to get there.
Marlin Bressi (Blow Me: Hairy Adventures in the Salon Industry)
Small white clouds floated in the blue sky above, and on the street a flute vendor was playing the flute - a sharp, soft, sinuous, Oriental tune that twisted and turned in the ear like embroidery, like a picture of a dream in a novel, a trail of white mist coming out from under the bed curtain and unfurling all sorts of images, slowly uncoiling like a lazy snake, till finally the drowsiness is just too great, and even the dream falls asleep.
Eileen Chang
The heat of the day had long since retreated into the desert, and the city, which had drowsed through the hot afternoon, was finally coming alive. The streets filled with people drinking tea and gossiping, laughing, and visiting friends. Old men played chatrang on boards set up outside cafes; children stayed up long past their bedtimes playing their own games on the sidewalks. Men and women bought rose-flavored ices and trinkets from nighttime vendors.
Liz Braswell (A Whole New World)
The markets of my memory were city markets, London markets, crammed into narrow streets or cobbled squares, with hoarse-voiced vendors hawking their wares and all around me the relentless press of people, people everywhere. It was a pleasant change to see the bright-striped awnings gaily ringing around the weathered market cross, and the sunlight beating cheerfully down upon the market square. There were crowds here too, to be sure, but these were friendly country folk, their voices clear and plain, with honest faces scrubbed red by the wind and weather. "What do you think?" Rachel asked me. I could only gape, wide-eyed, like an entranced child, and she laughed her lovely musical laugh, grabbing my hand to lead me down into the thick of the crowd. We were jostled and bumped, but I found I did not mind it, and to my amazement I heard myself laughing as the final shreds of oppression fell away from me. The breeze lifted my hair and the sun warmed my face, and I felt suddenly, gloriously alive.
Susanna Kearsley (Mariana)
A living metaphor for God, sexuality and the struggle in the streets of Buenos Aires comes from the images of lemons vendors. A materialist-based theology finds in them a starting point from which ideology, theology and sexuality can be rewritten from the margins of society, the church and systematic theologies. Our point of departure is the understanding that every theology implies a conscious or unconscious sexual and political praxis, based on reflections and actions developed from certain accepted codifications. These
Marcella Althaus-Reid (Indecent Theology)
OK, there’s a guy in a suit standing at the window. This is the fourth time I’ve seen him in three days. And I will promise you one thing. If you look now, he won’t be there.” I turned around. A man in a suit disappeared down the sidewalk. “What did I say?” she said. “Are you telling me you’re being followed?” “It’s unclear.” Fishing vests, sleeping in public, antipsychotic medication, and now men following her? When Bee was two, she developed a strange attachment to a novelty book Bernadette and I had bought years ago from a street vendor in Rome. ROME Past and Present A Guide To the Monumental Centre of Ancient Rome With Reconstructions of the Monuments It has photographs of present-day ruins, with overlays of how they looked in their heyday. Bee would sit in her hospital bed, hooked up to her monitors, and flip back and forth among the images. The book had a puffy red plastic cover that she’d chew on. I realized I was now looking at Bernadette Past and Present. There was a terrifying chasm between the woman I fell in love with and the ungovernable one sitting across from me.
Maria Semple (Where'd You Go, Bernadette)
Clark Air base in Angeles City is a hub of commerce. The streets teem with industrious Filipinos hustling to make a living. Rusty cars and trucks clog narrow streets and honk their horns with abandon. Jeepneys ferry passengers around town for only a few pesos and serve as public transportation. The jeepney is the official vehicle of the Philippines. Jeepneys are long, open-sided jeeps and have bench seats for passengers. The best jeepneys are very ornate, their hoods festooned with a multitude of fancy chrome horses and ornaments, multihued streamers, and hand-operated rubber-bulb horns. Safety standards are third-world-relaxed in the PI, and jeepney drivers casually smoke cigarettes while they sit with plastic containers of gasoline nestled between their feet. The clear plastic jugs have a tube that connects to the engine and serves as the jeepney’s improvised gas tank, making it easier for the driver to monitor and conserve fuel. Jeepneys are not the only transportation available. Small, sidecar-equipped motorcycles called tricycles, also serve as cheap taxis, crowding the streets near popular establishments. The alleys are lined with side-by-side food stalls, and street vendors occupy every corner.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
After Mrs. Ma hurried off, Charlie tested the shaved ice and glanced at the spirits drifting into Hungry Heart Row. They'd been pouring in since dawn, wandering through the stalls that each participating restaurant had set up, clustering around a fragrant Crock-Pot of ash-e-reshte and platters full of pumpkin tamales. Across the street, Lila from the local pastelería was unboxing dozens of conchas and novias, each one more brightly colored than the last. Charlie got to work setting out the fixings. Assembling a bowl of shaved ice was a lot like making an ice cream sundae. Just replace the ice cream with slivers of ice and cover them with toppings that take on a special Asian flair- grass jelly, chunks of mango or sliced strawberries, and Waipo's mung beans in syrup.
Caroline Tung Richmond (Hungry Hearts: 13 Tales of Food & Love)
The day was sunny, fine for walking, brisk, and getting brisker—and in fact, as I cut a diagonal through a little plaza somewhere above Fortieth Street, the last autumn leaves leapt up from the pavement and swirled around our heads, and a sudden misty quality in the atmosphere above seemed to solidify into a ceiling both dark and luminous, and the passersby hunched into their collars, and two minutes later the gusts had settled into a wind, not hard, but steady and cold, and my hands dove into my coat pockets. A bit of rain speckled the pavement. Random snowflakes spiraled in the air. All around me, people seemed to be evacuating the scene, while across the square a vendor shouted that he was closing his cart and you could have his wares for practically nothing, and for no reason I could have named I bought two of his rat-dogs with everything and a cup of doubtful coffee and then learned the reason—they were wonderful. I nearly ate the napkin. New York!
Denis Johnson (The Largesse of the Sea Maiden)
Unlike the rain-slicked streets of Oblakgrad, Dírorth was a stir of activity. The streets were lined with vendors selling greasy meat pies to passersby. The clogging crowd of Humans cramped together as they pushed past one another, rushing from one errand to the next. The shouting of a thousand voices melted together into a perpetual buzz, like a great swarm of bees hovering over the street. And yet a strange silence hung over the city. It filled in the background, inhabiting dark corners where the din of the crowd could not squelch it. It had a strange omnipresence, like something that you are subconsciously aware of, but do not consciously see with your eyes. It was a silence ignored, hidden by the façade of hectic traffic. You wouldn’t really notice it, not unless you were looking for it. Not unless you actually stopped to listen. If the city folk had stopped, frozen, if they had stilled themselves for a moment, the silence would have gaped wide open like a dark, hungry maw. But they ignored it. For the past century, they had covered that silence with the commotion of everyday life, refusing to let it control them. To define them. They did not hear it. They would not hear it. I myself did not hear it for years and years, not until the day that I actually stopped to listen. Can you hear it, now? Can you hear it in the words your reading, the words I say to you? Listen. Hear its empty resonance across the cobbles. Feel it in the dust beneath Notak’s boot, damp with last night’s rain. Smell it on the ragged clothes of the peasants, hidden in the folds of dirty fabric. See it in their eyes, latent beneath the gloss of the everyday. Taste it in the clamor of the streets, clamor born out of a unconscious urge to fill the quiet with something, anything to drive it away, anything to stave off the silence that reeked with defeat. It was the echo of a hundred years of slavery. It was the song of a people, waiting for God.
S.G. Night (Attrition: the First Act of Penance (Three Acts of Penance, #1))
How did you convince her to remarry you?” Tomas asked curiously, drawing Radcliffe from his thoughts. Making a face, he admitted, “I had to draw up a contract stating that I would never again condescend to her. That I would discuss business with her on a daily basis were she interested, and…” “And?” He sighed unhappily. “And that I would take her to my club dressed as a man.” Tomas gave a start. “What?” “Shh,” Radcliffe cautioned, glancing nervously around to be sure that they had not been overheard. No one seemed to be paying attention to them. Most of the guests were casting expectant glances toward the back of the church, hoping to spot the brides who should have been there by now. Glancing back to Tomas, he nodded. “She was quite adamant about seeing the club. It seems she was jealous of Beth’s getting with those ‘hallowed halls’-her words, not mine-and she was determined to see inside for herself.” “Have you taken her there yet?” “Nay, nay. I managed to put her off for quite some time, and then by the time she lost her patience with my stalling, she was with child and did not think the smoky atmosphere would be good for the baby. I am hoping by the time it is born and she is up and about again, she will have forgotten-“ A faint shriek from outside the church made him pause and stiffen in alarm. “That sounded like Charlie.” Turning, he hurried toward the back of the church with Tomas on his heel. Crashing through the church doors, they both froze at the top of the steps and gaped at the spectacle taking place on the street below. Charlie and Beth, in all their wedding finery, were in the midst of attacking what appeared to be a street vendor. Flowers were flying through the air as they both pummeled the man with their bouquets and shouted at him furiously. “Have I mentioned, Radcliffe, how little I appreciate the effect your wife has had on mine?” Tomas murmured suddenly, and Radcliffe glanced at him with amazement. “My wife? Good Lord, Tomas, you cannot blame Beth’s sudden change on Charlie. They grew up together, for God’s sake. After twenty years of influence, she was not like this.” Tomas frowned. “I had not thought of that. What do you suppose did it, then?” Radcliffe grinned slightly. “The only new thing in her life is you.” Tomas was gaping over that truth when Stokes slipped out of the church to join them. “Oh, dear. Lady Charlie and Lady Beth are hardly in the condition for that sort of behavior.
Lynsay Sands (The Switch)
I want more, I said, putting a hand to my stomach, which rides higher than most know. Closer to the heart. I want the jiang bing that vendor will make when she runs out of nut butter. I don't think she's arrogant. I think she's right. I want to sample jian bing from every cart in Beijing, and I want to taste what those kids are eating at home, what they don't teach in cookbooks at Le Cordon Bleu. There's so much out there--- Helplessly, I said, I haven't even told you how much I love foods wrapped in other foods. Then tell me. I tried. I tried. Banh xeo in Hanoi, I said, and duck folded in the translucent bing of northern China. I spoke of tacos in Mexico City: suadero, al pastor, gringas. South Indian dosas as long as my arm, thinner than a rib of a feather. Oh, Aida, I said when I fumbled the names of the chutneys. How can I know all I've ever want? Something will get left out. I was wrong about cilantro. Tlayudas, she said stubbornly, as if she hadn't heard. Blini. Crêpes. They're basically French jian bing, I said with a strangled laugh. Pita sandwiches. Pickle roll-ups. Calzone. Bossam! I yelled, and the dogs barked and the children cheered and the streets of old Milan rang with the imported memory of pork kissed by brine, earthy with Korean bean paste, safe in its bed of red leaf lettuce.
C Pam Zhang (Land of Milk and Honey)
We've been here three days already, and I've yet to cook a single meal. The night we arrived, my dad ordered Chinese takeout from the old Cantonese restaurant around the corner, where they still serve the best egg foo yung, light and fluffy and swimming in rich, brown gravy. Then there had been Mineo's pizza and corned beef sandwiches from the kosher deli on Murray, all my childhood favorites. But last night I'd fallen asleep reading Arthur Schwartz's Naples at Table and had dreamed of pizza rustica, so when I awoke early on Saturday morning with a powerful craving for Italian peasant food, I decided to go shopping. Besides, I don't ever really feel at home anywhere until I've cooked a meal. The Strip is down by the Allegheny River, a five- or six-block stretch filled with produce markets, old-fashioned butcher shops, fishmongers, cheese shops, flower stalls, and a shop that sells coffee that's been roasted on the premises. It used to be, and perhaps still is, where chefs pick up their produce and order cheeses, meats, and fish. The side streets and alleys are littered with moldering vegetables, fruits, and discarded lettuce leaves, and the smell in places is vaguely unpleasant. There are lots of beautiful, old warehouse buildings, brick with lovely arched windows, some of which are now, to my surprise, being converted into trendy loft apartments. If you're a restaurateur you get here early, four or five in the morning. Around seven or eight o'clock, home cooks, tourists, and various passers-through begin to clog the Strip, aggressively vying for the precious few available parking spaces, not to mention tables at Pamela's, a retro diner that serves the best hotcakes in Pittsburgh. On weekends, street vendors crowd the sidewalks, selling beaded necklaces, used CDs, bandanas in exotic colors, cheap, plastic running shoes, and Steelers paraphernalia by the ton. It's a loud, jostling, carnivalesque experience and one of the best things about Pittsburgh. There's even a bakery called Bruno's that sells only biscotti- at least fifteen different varieties daily. Bruno used to be an accountant until he retired from Mellon Bank at the age of sixty-five to bake biscotti full-time. There's a little hand-scrawled sign in the front of window that says, GET IN HERE! You can't pass it without smiling. It's a little after eight when Chloe and I finish up at the Pennsylvania Macaroni Company where, in addition to the prosciutto, soppressata, both hot and sweet sausages, fresh ricotta, mozzarella, and imported Parmigiano Reggiano, all essential ingredients for pizza rustica, I've also picked up a couple of cans of San Marzano tomatoes, which I happily note are thirty-nine cents cheaper here than in New York.
Meredith Mileti (Aftertaste: A Novel in Five Courses)
Show me." He looks at her, his eyes darker than the air. "If you draw me a map I think I'll understand better." "Do you have paper?" She looks over the empty sweep of the car's interior. "I don't have anything to write with." He holds up his hands, side to side as if they were hinged. "That's okay. You can just use my hands." She smiles, a little confused. He leans forward and the streetlight gives him yellow-brown cat eyes. A car rolling down the street toward them fills the interior with light, then an aftermath of prickling black waves. "All right." She takes his hands, runs her finger along one edge. "Is this what you mean? Like, if the ocean was here on the side and these knuckles are mountains and here on the back it's Santa Monica, Beverly Hills, West L.A., West Hollywood, and X marks the spot." She traces her fingertips over the backs of his hands, her other hand pressing into the soft pads of his palm. "This is where we are- X." "Right now? In this car?" He leans back; his eyes are black marble, dark lamps. She holds his gaze a moment, hears a rush of pulse in her ears like ocean surf. Her breath goes high and tight and shallow; she hopes he can't see her clearly in the car- her translucent skin so vulnerable to the slightest emotion. He turns her hands over, palms up, and says, "Now you." He draws one finger down one side of her palm and says, "This is the Tigris River Valley. In this section there's the desert, and in this point it's plains. The Euphrates runs along there. This is Baghdad here. And here is Tahrir Square." He touches the center of her palm. "At the foot of the Jumhurriya Bridge. The center of everything. All the main streets run out from this spot. In this direction and that direction, there are wide busy sidewalks and apartments piled up on top of shops, men in business suits, women with strollers, street vendors selling kabobs, eggs, fruit drinks. There's the man with his cart who sold me rolls sprinkled with thyme and sesame every morning and then saluted me like a soldier. And there's this one street...." He holds her palm cradled in one hand and traces his finger up along the inside of her arm to the inner crease of her elbow, then up to her shoulder. Everywhere he touches her it feels like it must be glowing, as if he were drawing warm butter all over her skin. "It just goes and goes, all the way from Baghdad to Paris." He circles her shoulder. "And here"- he touches the inner crease of her elbow-"is the home of the Nile crocodile with the beautiful speaking voice. And here"- his fingers return to her shoulder, dip along their clavicle-"is the dangerous singing forest." "The dangerous singing forest?" she whispers. He frowns and looks thoughtful. "Or is that in Madagascar?" His hand slips behind her neck and he inches toward her on the seat. "There's a savanna. Chameleons like emeralds and limes and saffron and rubies. Red cinnamon trees filled with lemurs." "I've always wanted to see Madagascar," she murmurs: his breath is on her face. Their foreheads touch. His hand rises to her face and she can feel that he's trembling and she realizes that she's trembling too. "I'll take you," he whispers.
Diana Abu-Jaber (Crescent)
I also gained a deeper appreciation of what it must have been like for my mother to be in a foreign country unable to speak the language (in her case, unable to read or write any language). As I walked around by myself, however, it was obvious that based on my body language people perceived me as American but at the same time different enough from other Americans that they felt free to come up and ask me all kinds of personal questions about where I came from, what kind of work I did, whether I was married, how many people there were in my family. Back in the 1930s when I asked personal questions like these of a Chinese student at Bryn Mawr, she reprimanded me for being too personal. I’m not sure whether that was because she came from a higher social class or because the revolution has opened things up. I answered their questions as best as I could in my limited Chinese. The ingenuity and energy of the Chinese reminded me of my father, for example, the way that they used bicycles, often transformed into tricycles, for transporting all kinds of things: little children (sometimes in a sidecar), bricks and concrete, beds and furniture. I was amazed at the number of entrepreneurs lining the sidewalks with little sewing machines ready to alter or make a garment, barbers with stools and scissors, knife sharpeners, shoe repairmen, vendors selling food and other kinds of merchandise from carts. Everywhere I went I saw women knitting, as they waited for a bus or walked along the street, as if they couldn’t waste a minute. I had never seen such an industrious people. It was unlike anything that I had witnessed in England, France, the West Indies, Africa, or the United States.
Grace Lee Boggs (Living for Change: An Autobiography)
He received in essence the same answer from every other shop he tried. No one recognized his description of Hester, and none of them had sold digitalis to any member of the Farraline household, or indeed to anyone not known to them personally. He pursued the other sources of information, the public house, the street peddlers and crossing sweepers, the errand and delivery boys and the news vendors, but all he learned was very general gossip that seemed to serve no purpose.
Anne Perry (The Sins of the Wolf (William Monk, #5))
TINY CRAB CAKES 1 egg 1½ cups fresh breadcrumbs (see Note) ¼ cup finely chopped scallions (2–3 scallions) 1 tablespoon mayonnaise 1 teaspoon lemon juice (juice of about ⅙ medium lemon) ½ teaspoon Worcestershire sauce ¼ teaspoon seafood seasoning mix, such as Old Bay 8 ounces fresh lump-style crabmeat, picked over 2–3 tablespoons vegetable oil Scallion brushes for garnish (optional; see page 19) MAKES ABOUT 24 MINI CAKES (4–6 SERVINGS) 1. To make the Curry-Orange Mayo, whisk together the mayonnaise, curry powder, orange zest, orange juice, and Tabasco in a small bowl. Refrigerate for at least 2 hours or up to 3 days. When ready to serve, transfer to a pretty bowl and sprinkle with the scallions. 2. To make the crab cakes, lightly beat the egg in a large bowl. Add ¾ cup of the breadcrumbs, the scallions, mayonnaise, lemon juice, Worcestershire sauce, and seasoning mix. Stir well to blend. Add the crabmeat and mix gently, being careful not to shred the crabmeat entirely. 3. Spread the remaining ¾ cup of breadcrumbs onto a plate. Form the crab mixture into 24 cakes, using a scant tablespoon for each one, and dredge lightly in the crumbs. Arrange on a wax paper-lined baking sheet. 4. Heat 2 tablespoons of the oil in one or two large skillets over medium heat. Cook the cakes until golden brown and crisp on one side, about 2 to 2½ minutes. Flip and repeat. The cakes should be hot inside. Repeat with any remaining cakes, adding more oil as necessary. Serve immediately, or place on a foil-lined baking sheet, wrap well, and refrigerate for up to 24 hours, or freeze for up to 2 weeks. 5. If you make the cakes ahead, remove from the refrigerator or freezer 30 minutes prior to reheating. Preheat the oven to 375°F. Bake the cakes until hot and crisp, 10 to 15 minutes. 6. Arrange on a platter with the sauce for dipping, and garnish with the scallion brushes, if desired. Note: Tear 3 slices of good-quality bread into pieces and whir in a food processor to make breadcrumbs. Portland Public Market The Portland Public Market, which opened in 1998, continues Maine’s long tradition of downtown public markets, dating back to the 19th century. Housed in an award-winning brick, glass, and wood structure, the market, which was the brainchild of Maine philanthropist Elizabeth Noyce, is a food-lover’s heaven. Vendors include organic produce farms; butchers selling locally raised meat; purveyors of Maine-made cheeses, sausages, and smoked seafood; artisan bakers; and flower sellers. Prepared take-away food includes Mexican delicacies, pizza, soups, smoothies, and sandwiches, and such well-known Portland culinary stars as Sam Hayward (see page 127) and Dana Street (see page 129) have opened casual dining concessions.
Brooke Dojny (Dishing Up® Maine: 165 Recipes That Capture Authentic Down East Flavors)
Libya. A Tunisian street vendor setting himself aflame to protest police brutality in December 2010 ushered in what has become known as the Arab Spring. Mass demonstrations protesting longstanding authoritarian rule in Egypt, Tunisia, Egypt, Bahrain, Yemen, Syria, Jordan, and Libya in 2011 stirred national and international debates.
Karen A. Mingst (The United Nations in the 21st Century (Dilemmas in World Politics))
I was also feeding off a more general depression that sometimes settled over Kampala evenings. You had a sense of people not having gotten what they wanted during the day. The street vendors, for instance,
Giles Foden (The Last King of Scotland (Vintage International))
well as street vendors crying their wares. The mob had
Ashley Gardner (The Hanover Square Affair (Captain Lacey, #1))
In America, my father began working as a clerk for a government agency. He rented an apartment in a place called Queens, New York. A year after he left us, he sent airplane tickets. The Delhi of the seventies is hard to imagine: the quietness, the streets empty of traffic, children playing cricket in the middle of the street and rarely having to move out of the way to let cars by, the vegetable vendors who came pushing their carts down the streets in the late afternoon, crying out their wares in tight, high-pitched voices. There weren't VCRs back then, let alone cable channels. A movie would play for twenty-five or fifty weeks in huge auditorium theaters, and then once the movie was gone, it was gone forever. I remembered feeling grief when the enormous billboards for Sholay at the end of our street were taken down. It was like somebody had died. It is also hard to remember how frugal we were. We saved the cotton that comes inside pill bottles. Our mothers used it to make wicks. This frugality meant that we were sensitive to the physical reality of the world in a way most people no longer are. When my mother bought a box of matches, she had my brother sit at a table and use a razor to split the matches in half. When we had to light several things, we would use the match to set a twist of paper on fire and then walk around the apartment lighting the stove, the incense stick, the mosquito coil. This close engagement with things meant that we were conscious that the wood of a match is soft, that a bit of spit on paper split on paper slows down how it burns. By the time our airplane tickets arrived, not every family hired a band to play outside their house on the day of the departure to a foreign country. Still, many families did.
Akhil Sharma
You of all boys should know that Man is the Storytelling Animal, and that in stories are his identity, his meaning and his lifeblood. Do rats tell tales? Do porpoises have narrative purposes? Do elephants ele-phantasise? You know as well as I do that they do not. Man alone burns with books.’ ‘But still, the Fire of Life … it is just a fairy tale,’ insisted Dog the bear and Bear the dog, together. Nobodaddy drew himself up indignantly. ‘Do I look,’ he demanded, ‘like a fairy to you? Do I resemble, perhaps, an elf? Do gossamer wings sprout from my shoulders? Do you see even a trace of pixie dust? I tell you now that the Fire of Life is as real as I am, and that only that Unquenchable Blaze will do what you all wish done. It will turn bear into Man and dog into Dog-Man, and it will also be the End of Me. Luka! You little murderer! Your eyes light up at the very thought! How thrilling! I am amongst assassins! What are we waiting for, then? Are we starting now? Let’s be off! Tick, tock! There is no time to lose!’ At this point Luka’s feet began to feel as if somebody was gently tickling their soles. Then the silver sun rose above the horizon, and something quite unprecedented began to happen to the neighbourhood, the neighbourhood that wasn’t Luka’s real neighbourhood, or not quite. Why was the sun silver, for one thing? And why was everything too brightly coloured, too smelly, too noisy? The sweetmeats on the street vendor’s barrow at the corner looked like they might taste odd, too. The fact that Luka was able to look at the street vendor’s barrow at all was a part of the strange situation, because the barrow was always positioned at the crossroads, just out of sight of his house, and yet here it was, right in front of him, with those oddly coloured, oddly tasting sweetmeats all over it, and those oddly coloured, oddly buzzing flies buzzing oddly all around it. How was this possible? Luka wondered. After all, he hadn’t moved a step, and there was the street vendor asleep under the barrow, so the barrow obviously hadn’t moved either; and how did the crossroads arrive as well, um, that was to say, how had he arrived at the crossroads?
Anonymous
Along the streets thats lead away from the apartment he can never see anything through the concrete and the brick and neon but he knows that buried within it are grotesque, twisted souls forever trying the manners that will convince themselves the possess Quality, learning strange poses of style and glamour vended by dream magazines and other mass media, and paid for by the vendors of substance. He thinks of them at night alone with their advertised glamorous shoes and stockings and underclothes off, staring through the sooty windows at the grotesque shells revealed beyond them, when the poses weaken and the truth creeps in, the only truth that exists here, crying to heaven, God, there is nothing here but dead neon and cement and brick.
Robert Prisig
Consumerism promises happiness, as if the acquisition of novel technologies, exciting vehicles, and spacious homes were capable of satisfying all the wants of the human heart. Many people today have traded out church attendance on Sundays for shopping in malls. Name brands become patron saints, and vendors become idolized; greed is sated, and mammon is worshipped, while the poor are left to starve and die in the streets.
Wyatt North (Saint Francis of Assisi: A Life Inspired)
Peñalosa learned when he was a boy that the redistribution of privilege always meets with resistance. But he was not one for compromise. He ordered the removal of thousands of cluttering commercial billboards, and he tore down the fences residents had erected around neighborhood parks. He went to war not just with cars but with anyone who appropriated public space in Bogotá, even if they were poor—in one case forcing thousands of struggling street vendors to remove stalls that had choked off public plazas. The city’s amenities were for everyone. Peñalosa campaigned to turn the city’s grand country club into a public park. Even the dead were targeted: while Mockus had the words “Life Is Sacred” painted on the walls of a cemetery in the central city, Peñalosa attempted to remove the graves so that the living could have more park space. (Both the country club and cemetery initiatives failed.) This aggressive plan created plenty of enemies for him at first. Private bus operators and drivers who were pushed from TransMilenio routes were furious. So were the vendors and hawkers who were swept from popular plazas. But none were as vociferous as the business lobby, who were outraged by the bollards that went up along city sidewalks, effectively killing their free parking. They could not imagine customers arriving by foot, bike, or bus. “He was trying to Satanize cars,” Guillermo Botero, the president of FENALCO, Colombia’s national federation of retailers, told me. “The car is a means of subsistence. It is an indispensable means for people to develop their own lives. If we keep squeezing roads, the city will eventually collapse.” FENALCO
Charles Montgomery (Happy City: Transforming Our Lives Through Urban Design)
consider a young Tunisian man pushing a wooden handcart loaded with fruits and vegetables down a dusty road to a market in the Tunisian town of Sidi Bouzid. When the man was three, his father died. He supports his family by borrowing money to fill his cart, hoping to earn enough selling the produce to pay off the debt and have a little left over. It’s the same grind every day. But this morning, the police approach the man and say they’re going to take his scales because he has violated some regulation. He knows it’s a lie. They’re shaking him down. But he has no money. A policewoman slaps him and insults his dead father. They take his scales and his cart. The man goes to a town office to complain. He is told the official is busy in a meeting. Humiliated, furious, powerless, the man leaves. He returns with fuel. Outside the town office he douses himself, lights a match, and burns. Only the conclusion of this story is unusual. There are countless poor street vendors in Tunisia and across the Arab world. Police corruption is rife, and humiliations like those inflicted on this man are a daily occurrence. They matter to no one aside from the police and their victims. But this particular humiliation, on December 17, 2010, caused Mohamed Bouazizi, aged twenty-six, to set himself on fire, and Bouazizi’s self-immolation sparked protests. The police responded with typical brutality. The protests spread. Hoping to assuage the public, the dictator of Tunisia, President Zine el-Abidine Ben Ali, visited Bouazizi in the hospital. Bouazizi died on January 4, 2011. The unrest grew. On January 14, Ben Ali fled to a cushy exile in Saudi Arabia, ending his twenty-three-year kleptocracy. The Arab world watched, stunned. Then protests erupted in Egypt, Libya, Syria, Jordan, Kuwait, and Bahrain. After three decades in power, the Egyptian dictator Hosni Mubarak was driven from office. Elsewhere, protests swelled into rebellions, rebellions into civil wars. This was the Arab Spring—and it started with one poor man, no different from countless others, being harassed by police, as so many have been, before and since, with no apparent ripple effects. It is one thing to look backward and sketch a narrative arc, as I did here, connecting Mohamed Bouazizi to all the events that flowed out of his lonely protest. Tom Friedman, like many elite pundits, is skilled at that sort of reconstruction, particularly in the Middle East, which he knows so well, having made his name in journalism as a New York Times correspondent in Lebanon. But could even Tom Friedman, if he had been present that fatal morning, have peered into the future and foreseen the self-immolation, the unrest, the toppling of the Tunisian dictator, and all that followed? Of course not. No one could. Maybe, given how much Friedman knew about the region, he would have mused that poverty and unemployment were high, the number of desperate young people was growing, corruption was rampant, repression was relentless, and therefore Tunisia and other Arab countries were powder kegs waiting to blow. But an observer could have drawn exactly the same conclusion the year before. And the year before that. Indeed, you could have said that about Tunisia, Egypt, and several other countries for decades. They may have been powder kegs but they never blew—until December 17, 2010, when the police pushed that one poor man too far.
Philip E. Tetlock (Superforecasting: The Art and Science of Prediction)
They came to a tall juniper hedge beyond which extended a flagstoned walkway that bordered the side of the manor. As they made their way to an opening of the hedge, they heard a pair of masculine voices engaged in conversation. The voices were not loud. In fact, the strictly moderated volume of the conversation betrayed that something secret— and therefore intriguing— was being discussed. Pausing behind the hedge, Daisy motioned for Evie to be still and quiet. “… doesn’t promise to be much of a breeder…” one of them was saying. The comment was met with a low but indignant objection. “Timid? Holy hell, the woman has enough spirit to climb Mont-Blanc with a pen-knife and a ball of twine. Her children will be perfect hellions.” Daisy and Evie stared at each other with mutual astonishment. Both voices were easily recognizable as those belonging to Lord Llandrindon and Matthew Swift. “Really,” Llandrindon said skeptically. “My impression is that she is a literary-minded girl. Rather a bluestocking.” “Yes, she loves books. She also happens to love adventure. She has a remarkable imagination accompanied by a passionate enthusiasm for life and an iron constitution. You’re not going to find a girl her equal on your side of the Atlantic or mine.” “I had no intention of looking on your side,” Llandrindon said dryly. “English girls possess all the traits I would desire in a wife.” They were talking about her, Daisy realized, her mouth dropping open. She was torn between delight at Matthew Swift’s description of her, and indignation that he was trying to sell her to Llandrindon as if she were a bottle of patent medicine from a street vendor’s cart. “I require a wife who is poised,” Llandrindon continued, “sheltered, restful…” “Restful? What about natural and intelligent? What about a girl with the confidence to be herself rather than trying to imitate some pallid ideal of subservient womanhood?” “I have a question,” Llandrindon said. “Yes?” “If she’s so bloody remarkable, why don’t you marry her?” Daisy held her breath, straining to hear Swift’s reply. To her supreme frustration his voice was muffled by the filter of the hedges. “Drat,” she muttered and made to follow them. Evie yanked her back behind the hedge. “No,” she whispered sharply. “Don’t test our luck, Daisy. It was a miracle they didn’t realize we were here.” “But I wanted to hear the rest of it!” “So did I.” They stared at each other with round eyes. “Daisy…” Evie said in wonder, “… I think Matthew Swift is in love with you.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
A new day. She will face it tomorrow, for Maya’s sake. Along with the awakening sea, along with the rest of Bombay—the street urchins and the stray dogs, the impoverished nut vendors and the woman selling six cauliflowers a day, the hollow-eyed slum dwellers and the chubby-cheeked residents of nearby skyscrapers, the office workers spilling out of the trains at Churchgate and the young children boarding creaky school buses, the old men groaning on their deathbeds and the babies tumbling forth from the dark wombs of their mothers—along with the entire gigantic metropolis, with all its residents crawling along their individual destinies like an army of ants pretending to be an army of giants—along with Banubai in her damp bed, and Serabai in her shattered world, and Viraf baba with his choking guilt, and Maya with her tentative, hesitant dreams, and yes, along with Gopal and Amit waking up in a distant land to the smell of loamy earth, like all of them, the millions of people she has not met and the few she has—she, too, will face a new day tomorrow. Tomorrow. The word hangs in the air for a moment, both a promise and a threat. Then it floats away like a paper boat, taken from her by the water licking her ankles. It is dark, but inside Bhima’s heart it is dawn.
Thrity Umrigar (The Space Between Us)
DENGUE FEVER (BREAKBONE FEVER) Dengue fever is a viral infection found throughout Central America. In Costa Rica outbreaks involving thousands of people occur every year. Dengue is transmitted by aedes mosquitoes, which often bite during the daytime and are usually found close to human habitations, often indoors. They breed primarily in artificial water containers such as jars, barrels, cans, plastic containers and discarded tires. Dengue is especially common in densely populated, urban environments. Dengue usually causes flulike symptoms including fever, muscle aches, joint pains, headaches, nausea and vomiting, often followed by a rash. Most cases resolve uneventfully in a few days. Severe cases usually occur in children under the age of 15 who are experiencing their second dengue infection. There is no treatment for dengue fever except taking analgesics such as acetaminophen/paracetamol (Tylenol) and drinking plenty of fluids. Severe cases may require hospitalization for intravenous fluids and supportive care. There is no vaccine. The key to prevention is taking insect-protection measures. HEPATITIS A Hepatitis A is the second-most-common travel-related infection (after traveler’s diarrhea). It’s a viral infection of the liver that is usually acquired by ingestion of contaminated water, food or ice, though it may also be acquired by direct contact with infected persons. Symptoms may include fever, malaise, jaundice, nausea, vomiting and abdominal pain. Most cases resolve without complications, though hepatitis A occasionally causes severe liver damage. There is no treatment. The vaccine for hepatitis A is extremely safe and highly effective. You should get vaccinated before you go to Costa Rica. Because the safety of hepatitis A vaccine has not been established for pregnant women or children under the age of two, they should instead be given a gammaglobulin injection. LEISHMANIASIS Leishmaniasis occurs in the mountains and jungles of all Central American countries. The infection is transmitted by sand flies, which are about one-third the size of mosquitoes. Most cases occur in newly cleared forest or areas of secondary growth. The highest incidence is in Puerto Viejo de Talamanca. It causes slow-growing ulcers over exposed parts of the body There is no vaccine. RABIES Rabies is a viral infection of the brain and spinal cord that is almost always fatal. The rabies virus is carried in the saliva of infected animals and is typically transmitted through an animal bite, though contamination of any break in the skin with infected saliva may result in rabies. Rabies occurs in all Central American countries. However, in Costa Rica only two cases have been reported over the last 30 years. TYPHOID Typhoid fever is caused by ingestion of food or water contaminated by a species of salmonella known as Salmonella typhi . Fever occurs in virtually all cases. Other symptoms may include headache, malaise, muscle aches, dizziness, loss of appetite, nausea and abdominal pain. A pretrip vaccination for typoid is recommended, but not required. It’s usually given orally, and is also available as an injection. TRAVELER’S DIARRHEA Tap water is safe and of a high quality in Costa Rica, but when you’re far off the beaten path it’s best to avoid tap water unless it has been boiled, filtered or chemically disinfected (iodine tablets). To prevent diarrhea, be wary of dairy products that might contain unpasteurized milk; and be highly selective when eating food from street vendors.
Lonely Planet (Discover Costa Rica (Lonely Planet Discover))
Do you know what strength is - forgetting sleep, romance, money I keep working without rest to unite the humans, that's my strength - a single mother working day and night so her child can have a bright future, that's her strength - a street vendor working hard since dawn for his family, that's his strength. Do you have such a strength of your own? Your ancestry, your family money, your material possessions - putting aside all these, what is your own true strength?
Abhijit Naskar (Ain't Enough to Look Human)
Street vendors are the songbirds of the streets, they are the life and soul of Istanbul, he said.
Orhan Pamuk (A Strangeness in My Mind)
Even Miss Blackburn was heartily sick of the road by the time the muddied carriage at last drew up outside Lady Bridlington’s house in Park Street. She was sufficiently well acquainted with the metropolis to feel no interest in the various sounds and sights which had made Arabella forget her boredom and her fidgets from the moment that the carriage reached Islington. These, to a young lady who had never seen a larger town than York in her life, were at once enthralling and bewildering. The traffic made her feel giddy, and the noise of post-bells, of wheels on the cobbled streets, and the shrill cries of itinerant vendors of coals, brick-dust, door-mats, and rat-traps quite deafened her.
Georgette Heyer (Arabella)
I stopped worrying about the precise amounts of tiny caviar pearls that went atop each pillow of cheese, and started looking around me to see what the other chefs were doing. As I knew, Vanilla Joe on my left was handing out his homemade pigs in a blanket, his hand-ground sausages wrapped in what looked like hand-rolled pastry, all served with a variety of dipping sauces he must also have made himself (including vanilla aioli, obviously). The judges were at his station now. From the big, cheesy grin on Vanilla Joe's mustached mouth and the rhapsodizing tones of Charles Weston's and Maz's voices that floated my way, they loved it. I scowled. On my other side, Kaitlyn looked to be handing out arancini balls atop a bed of crisp greens and pickled vegetables. Probably tasty, but hard to eat in one bite---the judges always took that into account. She was laughing and talking with each guest, assembling her dishes in a way that looked totally effortless; was she even sweating at all? Guests wandered by with charred meat on a skewer, alternating with ripe chunks of watermelon and tomato. In the distance I could see Kel cooking up spoon bread with what looked like mushrooms. Megan was frying dumplings, which made my mouth water thinking about the inner mixture of pork and cabbage and water chestnuts. When I saw somebody eating takoyaki balls, I assumed that was Bald Joe's work----after all, the tender balls of fried dough and octopus were a traditional Japanese street food. Somebody else had soup shooters.
Amanda Elliot (Sadie on a Plate)
was finding my soul in México, and my soul’s color was turquoise, a healing color, as I found out from a street vendor. This was why people wore turquoise jewelry around their necks and wrists and ears, to bring in the healing spirits of the sea and the sky.
Victor Villaseñor (Crazy Loco Love: A Memoir)
Text WITCHYBOOKS to 24587 for news and updates. Dear Reader, Reviews are always appreciated. Did you love this book? Please take a moment to let others know in the form of a review on your favorite vendor. XOXO, Deanna
Deanna Chase (Incubus of Bourbon Street (Jade Calhoun, #6))
As companies move toward distributed systems, Sybase and competing vendors—such as The ASK Group Inc., Informix Software Inc., and Oracle Corp.—are all offering products similar to System 10 . . . . Here we are in the “safe as milk” category, somewhat ironic in light of subsequent revelations about the limitations of Server 10. The innovations presented here are all continuous—performance, functionality, and capacity—and a number of other mainstream vendors are “all offering products similar” to it. Note the emphasis on company and market issues as opposed to product and technology. All of this speaks to mainstream positioning, either tornado or post-tornado. Since there is not a lot of emphasis on cutthroat competition, which one always expects with tornado products, the conclusion one would draw here is that Sybase 10 is on Main Street. Additional Indicators Beyond press coverage, a second source of clues to market status comes from the behavior of other companies in the infrastructure. Lew Platt at HP, for example, realized that their commercial Unix server business was in the tornado when software vendors were calling him rather than the other way around. Going further, when a tornado is under way, the easiest way to spot the gorilla is to look for the
Geoffrey A. Moore (Inside the Tornado: Strategies for Developing, Leveraging, and Surviving Hypergrowth Markets (Collins Business Essentials))
Whatever fear he’d instilled in people on the streets was of no consequence inside the market, packed with ramshackle stalls and vendors and food stands, smoke drifting throughout, the tang of blood and spark of magic acrid in his nostrils. And above it all, against the far wall of the enormous space, was a towering mosaic, the tiles taken from an ancient temple in Pangera, restored and re-created here in loving detail, despite its gruesome depiction: cloaked and hooded death, the skeleton’s face grinning out from the cowl, a scythe in one hand and an hourglass in the other. Above its head, words had been crafted in the Republic’s most ancient language: Memento Mori.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Inside an H Mart complex, there will be some kind of food court, an appliance shop, and a pharmacy. Usually, there's a beauty counter where you can buy Korean makeup and skin-care products with snail mucin or caviar oil, or a face mask that vaguely boasts "placenta." (Whose placenta? Who knows?) There will usually be a pseudo-French bakery with weak coffee, bubble tea, and an array of glowing pastries that always look much better than they taste. My local H Mart these days is in Elkins Park, a town northeast of Philadelphia. My routine is to drive in for lunch on the weekends, stock up on groceries for the week, and cook something for dinner with whatever fresh bounty inspires me. The H Mart in Elkins Park has two stories; the grocery is on the first floor and the food court is above it. Upstairs, there is an array of stalls serving different kinds of food. One is dedicated to sushi, one is strictly Chinese. Another is for traditional Korean jjigaes, bubbling soups served in traditional earthenware pots called ttukbaegis, which act as mini cauldrons to ensure that your soup is still bubbling a good ten minutes past arrival. There's a stall for Korean street food that serves up Korean ramen (basically just Shin Cup noodles with an egg cracked in); giant steamed dumplings full of pork and glass noodles housed in a thick, cakelike dough; and tteokbokki, chewy, bite-sized cylindrical rice cakes boiled in a stock with fish cakes, red pepper, and gochujang, a sweet-and-spicy paste that's one of the three mother sauces used in pretty much all Korean dishes. Last, there's my personal favorite: Korean-Chinese fusion, which serves tangsuyuk---a glossy, sweet-and-sour orange pork---seafood noodle soup, fried rice, and black bean noodles.
Michelle Zauner (Crying in H Mart)
He scoffed at the pictures of fruit vendors on city streets; they were selling apples at five cents apiece, he said, because it was more profitable than working a regular job. The Republicans had been routed in the 1930 midterm elections, losing seventeen seats in the Senate and control of the House.
Timothy Egan (The Worst Hard Time: The Untold Story of Those Who Survived the Great American Dust Bowl)
The casinos introduced technology to stop the counters. Cameras and observers followed the action through one-way mirrors above the tables. Currently, this is automated, incorporating face-recognition software. RFID chips keep track of a player’s bets, and machines can track the cards and check the play of the hands, searching for patterns characteristic of counters. Machines that continually reshuffle the cards proved to be a perfect defense without slowing the game down, but the casinos pay fees to the vendors of the machines. Meanwhile the card counters were developing more techniques for winning.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
Vendors cursed as their baskets of fruit and vegetables toppled. A bamboo birdcage fell and burst open, scattering a flock of tiny white birds into the dusty air. Barrels rolled wildly through the streets, gushing wine as red as blood.
Lauren Tarshis (The Destruction of Pompeii, AD 79 (I Survived, #10))
all around me early evening fog crawled across St. Giles, shrouding the crowded tenements, the garish advertisements plastered on the sides of buildings, the vendors’ carts, and the barefoot children playing in the street.
Anna Elliott (Death at the Diogenes Club (Sherlock Holmes and Lucy James Mystery #5))
As soon as we emerge from the tube and walk through the limestone archway on Borough High Street, we are bombarded by purveyors of everything from fresh vegetables and buttery pastries to goat's milk ice cream and soft, eggy strands of pasta. Hugh lets me wander up and down the aisles, and I stop to watch one vendor stir a three-foot-wide paella pan, offering up piping hot bowls of tender prawns and rice to a throng of hungry customers.
Dana Bate (Too Many Cooks)
In late 2004, countering the conventional wisdom that the outsourcing boom meant Western companies' outsourcing to Eastern resources, Bharti made front‐page headlines in the Wall Street Journal for “reverse outsourcing”—that is, by reaching agreements with IBM and three network equipment vendors, Ericsson, Nokia, and Siemens—to carry out Gupta's plan.7 Under the network equipment deals, Bharti would pay for capacity only once it had been used by customers. IBM committed to certain IT service levels and would get a percentage of revenue.
John Mullins (Break the Rules!: The Six Counter-Conventional Mindsets of Entrepreneurs That Can Help Anyone Change the World)
Witnessing all of those hardworking female street vendors in Vietnam also made me understand why my mom felt so passionate about me and my sisters working. While we were in Vietnam together, she explained that the country had a history of always being in wartime, so women were expected to rise to the occasion of making money for the family. Vietnamese women were always ready to take over roles traditionally filled by men, like A League of Their Own (but where everyone is Marla Hooch).
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets, and Advice for Living Your Best Life)
The narrow streets are lined with food stalls and vendor carts and plain, identical buildings—with one notable exception: Slurps and Burps (the Dizznee family’s tremendously popular apothecary), which adds a bold splash of color and a topsy-turvy style of architecture, along with a door that belches when anyone enters or exits.
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
There was a bottleneck up ahead at the boulangerie. A wrought-iron cart, a more elegant version of the pretzel vendors' on the streets of New York, was posted outside. In addition to croissants and pains au chocolat, it was loaded with flattish ovals of yeasted bread. Some were covered with grated Gruyère cheese and bacon, some with a tangle of caramelized onions and anchovies. The script on the chalkboard sign said Fougasse, which I took to be a type of local focaccia. I leaned toward one topped with toasted walnuts, pungent with the smell of recently melted Roquefort cheese.
Elizabeth Bard (Picnic in Provence: A Memoir with Recipes)
The next time you glimpse what looks like lunch from a Mexican street vendor being windblown toward you on the waves, swim the hell out of there—fast.
Sol Luckman
Even, sometimes, top-down fiat: see the strange case of pad Thai, a Chinese-origin noodle dish (like ramen) that got “Thaified” with tamarind and palm sugar and decreed the national street food by the 1930s dictator Phibun—part of his campaign that included renaming Siam as Thailand, banning minority languages, and pushing Chinese vendors off the streets.
Anya von Bremzen (National Dish: Around the World in Search of Food, History, and the Meaning of Home)
where he landed after being released from Ellis Island with six cents, a tiny mezuzah his mother gave him, and a grapefruit that was handed to him by a kind Negro fruit vendor who saw him crying on Delancey Street and felt sorry for him. Yakov had never seen a grapefruit before. The Negro had to show him how to peel it, and when he bit into it, it was so sour and tangy his eyes filled with even more tears and he realized he must give his life to spreading the Jewish Word lest he end up like this odd American, consigned to doling out fruit that caused weeping. He
James McBride (The Heaven & Earth Grocery Store)
Bangkok between the hours of five and six in the morning was a marvel to behold. Golden spires and glass skyscrapers appeared as if by magic as the city shed its cloak of darkness, rising like stalagmites from a cave floor. Signs of life slowly materialized across the city as the last of the stars phased out of the sky. Industrious vendors hauled a dizzying array of food and wares in preparation for the day ahead, while Buddhist monks in saffron robes processed through the streets dispensing blessings in exchange for alms. The sight was captivating enough to move even the most jaded observer.
Mailan Doquang (Blood Rubies)
Kat headed out into the fresh air. She loved New York. Friends tried to get her to see the joys of the woods or the beach and yeah, sure, maybe for a few days, but hiking bored her. Plants, trees, greens, fauna could be interesting, but what was more interesting than faces, outfits, headwear, shoes, storefronts, street vendors, whatever?
Harlan Coben (Missing You)
To experience Mexico City is to be absorbed into its history. Every street and plaza pulsates with vestiges of the past – palaces, cathedrals, and the ruins of unearthed temples stand alongside bustling markets, informal vendors and food stands.
Aleph Molinari
In walking the streets of Mexico City you are immersed in a symphony of sounds. From the recordings of the tamale vendors to the whistles of knife sharpeners, the camote vendor with his oven that sounds like a train, the melodies of organilleros, the sounds of birds and church bells that fill the morning air – each note adds to the beautiful chaos of the city.
Aleph Molinari
Zack hadn’t expected to like much about China, but as they passed a street vendor plopping batter onto a sizzling grill behind the greasy glass of her cart, his stomach grumbled with a certainty that whatever it was would be delicious to try. And the general atmosphere of the street . . . it was undeniably chaotic, yet there was something comforting about the hustle and bustle, like it was proof of how vibrant life can be.
Xiran Jay Zhao (Zachary Ying and the Dragon Emperor)
Absent was the persistent cacophony of traffic, street vendors, pedestrians, construction, and the buzz of streetlights that filled every space of our tight living quarters both in Kuwait and in Amman. Instead, I awoke to the songs of birds and wind chimes, and I was lulled at night by the orchestras of crickets and the calls of jackals and wolves.
Susan Abulhawa (Against the Loveless World)
In 1947 Levitt & Sons, led by Bill, gambled on 1,200 flat, less-than-verdant acres of farmland set in the center of the island. Set about thirty miles from the Empire State Building, beyond the dense boroughs of Brooklyn and Queens, stood this parcel of land, seemingly a world apart from the vibrant, dense urban street life filled with trolleys, vendors, and pedestrians. Levitt viewed this prospective transition in evangelical terms: “You marvel at the rebirth of man, man with his own piece of the good earth, his own share of light and air and sunshine.” To this reborn man, Levitt planned to sell single-family, detached houses in the suburbs.
Bhu Srinivasan (Americana: A 400-Year History of American Capitalism)
She gave a sudden, luminous grin. 'Typical chrysalis,' she said. 'Pretty as peaches. Thick as mince.' Then she turned and made for the door, looking almost insubstantial in the shadows. Tom watched as she vanished down the steps. And looking down on to the street, he saw her hesitate, and then, finding the street deserted, spread out the skirts of the garment that he'd assumed was a long brown coat... Except that it wasn't a coat. It was wings-- wings the color of cobweb, and dappled sunlight on water, and rain... I've seen this before, said a voice in his mind. It came with a fleeting memory-- a voice in the moonlight, the touch of a hand, a scent of smoke and roses. I've seen this before, thought Tom once again, as Charissa flew into the night. His hand crept into his pocket, where something-- a dead leaf? No, a flower-- seemed to be caught in the lining. With the thought came a memory: of a moon like a Christmas bauble; a kiss as light as a moth's wing; a long-necked guitar that fell from a bridge into the moonlit water. I must have dreamed that, Tom thought, and yet it didn't feel like a dream. And it came with the sound of voices of vendors selling flowers and fruit, and the scent of marchpane and gingerbread, burnt sugar, and smoke, and spices. The Market!
Joanne Harris (The Moonlight Market)
Cars with Florida license plates, originally thought to belong to tourists, were in fact driven by Batista’s secret police. The thinly veiled ploy was revealed when you saw that the cars were filled with ominous looking men brandishing automatic weapons. Sometimes the secret police disguised themselves as street vendors. Their informers or stoolpigeons were known as chivatos. Batista also maintained a paramilitary force that was made up of street gangs that acted more like professional political thugs.” page 301, “The Exciting Story of Cuba” by Captain Hank Bracker
Hank Bracker (The Exciting Story of Cuba: Understanding Cuba's Present by Knowing Its Past)
She prays here, intercedes there, and brings hope, comfort, and a zest for life with her wherever she goes. And when, exhausted, she is all alone again in the evening, the only purpose of her tiny television is to link her up once more with the other children for whom she had no time that day. The clichés that politicians spout remind her how political prisoners are forced to endure the despotism of these men, and how the populace is turned into beasts of burden. Perversely violent movies make her ponder the people upon whom these crimes are inflicted, and in her nightly prayers she has a word or two for God about perversion, violence, and their innumerable victims—prostitutes and delinquents, her other brood, who have been dumped into the street and for whom her heart bleeds in compassion. Even in her delayed and furtive sleep, Auntie Roz is never cut off from her thousands of children: In her dreams she fights the crooked cops who, on every corner and for all to see, rip off her poor little public transportation drivers and street vendors and get away with it! She fights and fights, surrounded by angels with swords of light, striking the evildoers and liberating the virtuous, healing some and feeding others, until she wakes up, always with a start. And once she’s up, the first prayer is a new surge of inspiration to serve her youthful thousands. For them, Auntie Roz imagines a better world made up of small certainties, a world just livable enough for all of them as they wait for the Eden that’s far too long in coming and impossible to foresee honestly, at the center of a world that’s worse than hell and not even truthful enough to call itself by that name. With
Werewere Liking (The Amputated Memory: A Novel (Women Writing Africa))
I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.
Anne Sexton
Are you seeing Jesus yet? Eric the ayahuasca virgin asks me this morning over a late brunch at the Yellow Rose... We're trading visions like trading card stats, comparing our different curanderos and gossiping like schoolgirls while the street vendors and fabric hustlers stand around by the dozen... 'Am I becoming like Jesus would probably be a better way to explain it,' I respond, and it's true. I feel like I'm walking on water. The aftermath of the ayahuasca experience is glorious: I feel lighter, clearner, like a hard drive that's been defragged and all my pathways are re-linked up to each other, whole, and able to express joy once again. This is what it fees like to be healed, my whole body radiates from the inside-out.
Rak Razam (Aya: a shamanic odyssey)
I was walking along briskly, dodging bootblacks, pen pushers returning from their midmorning coffee, lottery vendors, and a whole ballet of street sweepers who seemed to be polishing the streets with paintbrushes, unhurriedly and with a pointillist’s strokes.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
he lay propped against the sill enjoying his pipe and the theater of Chancery Lane. Couples passed by on their way to the restaurants further down the street, vendors closed their shops for the night, neighborhood children played along the sidewalks before mum’s last call.
R.S. Rowland (Portrait of a Bitter Spy)
To quantify the power of peer-group pressure, economists studied a group of Chilean street vendors, seamstresses, and other low-income “microentrepreneurs” who had received loans from a nonprofit group. These people, mostly women, met in groups every week or two to receive training and to monitor the repayment of their loans. The economists Felipe Kast, Stephan Meier, and Dina Pomeranz randomly assigned these people to different savings programs. Some were simply given a no-fee savings account; others received the account plus the opportunity at their regular meetings to announce their savings goals and then have their progress discussed. The women subject to peer scrutiny saved nearly twice as much money as the others. The result seemed to confirm the power of the group, but where did the power come from? Could these effects be achieved with a “virtual peer group”? In a follow-up experiment, instead of discussing their savings out loud at a meeting, the Chilean women regularly received text messages noting their weekly progress (or lack thereof) along with information on how the rest of the savers in their group were doing. Surprisingly, these text messages seemed to be about as effective as the meetings, apparently because the messages provided the women with a virtual version of the same key benefits: regular monitoring and the chance to compare themselves with their peers.
Roy F. Baumeister (Willpower: Rediscovering the Greatest Human Strength)
Martoglio was much loved in his adoptive city. The people of Catania identified with Martoglio’s characters in one way or another, they recognized their own weaknesses and ignorance in the people he created. In his poems they heard every day voices; they saw neighborhood women gossiping at their windows; they heard echoes of the street vendors’ voices, mothers calling children for supper, a lover urging his beloved to come out on her balcony. Martoglio is an embodiment of Sicily and Sicilian sensibilities. Pirandello was right when he said that Martoglio was, after Giovanni Meli, the most expressive poet of Sicily.
Nino Martoglio (The Poetry of Nino Martoglio (Pueti d'Arba Sicula/Poets of Arba Sicula Book 3))
SOMEWHERE ELSE. NO COUNTRYSIDE. NO beach. No pastures or barbed wire or crepe myrtles. A concrete world where he walked down a city street on a normal day with normal people up and down the sidewalks and in and out of the stores. Looking at the street signs but in a language that he didn’t understand and there was nothing distinct about this place. He walked on, looking into store windows, stepping into bars and looking around the tables, stopping at a pay phone and dialing and then ringing and ringing and no answer and hanging up and walking on. Newspaper stands and vendors selling hot dogs and a woman in a tight silver dress smoking a cigarette in front of a dress shop. A dog without a collar sniffing at a garbage can. The random honk of a car horn and he walked on, looking in the windows, looking at himself in the reflection
Michael Farris Smith (Rivers)
If you need to buy a cell and you have a thousand dollars for it, then instead of wasting the entire thousand dollars on one phone, use three hundred dollars for it, and with the rest buy some food and clothes from street vendors and distribute them among the homeless people in the block. This way you are not only buying a cellphone, but also empowering small businesses as well as helping the poor. And that’s the way to end economic disparities.
Abhijit Naskar (Ain't Enough to Look Human)
9- I watch the kids shooting marbles on sidewalks that melt into muddy gutters, the old women sitting in doorways, the street vendors in dhotis squatting on their mats, scrapping coconuts, hawking marigold garlands.
Khaled Hosseini (And the Mountains Echoed)
During the Batista Regime the Secret police was everywhere. They attended every political and social function, watched who went to church and were even at the beach. Cars with Florida license plates, originally thought to belong to tourists, were in fact driven by Batista’s secret police. The thinly veiled ploy was revealed when you saw that the cars were filled with ominous looking men brandishing automatic weapons. Sometimes the secret police disguised themselves as street vendors. Their informers or stoolpigeons were known as chivatos. Batista also maintained a paramilitary force that was made up of street gangs that acted more like professional political thugs.
Hank Bracker
The city is tricky. The highs are so much higher, but in the lows you drop straight down again to bedrock. It helps that streets are snapped to a grid. There are also psychic boutiques and sidewalk prophets, but until you contrive your own love story set in that city, even one as warped as mine, you remain outside it, looking for signals in the white smoke that rises from under, in the sudden hot laundry smells and the LED typos of street vendors donuteasily becomes dount, ominously like don't, to my mind. There was a DOUNT sign on Second Avenue which more than once redirected my superstitious footsteps.
Olivia Sudjic (Sympathy)
everyone called “little potato.” She had such a sweet smile. Every night there would be a brawl between sailors and Marines. It was great fun to run from the shore patrol and hop a speeding “jeepney” decorated with silver bangles that cruised the main drag. One had to be careful to pay and leap off in time; otherwise they often would drive you beyond the town limits where muggers would wait to roll you. On the street we would eat strips of grilled meat, purported to be monkey, that were made by grungy street vendors. Every morning I would drag my sorry ass back to the Quonset hut in time for reveille. After several visits I became braver and ventured off the main street. I ran into some Americans who lived there. I was deeply intrigued with the possibility
Daryl J. Eigen (A Hellish Place of Angels: Con Thien: One Man’s Journey)
January 2013 Continuation of Andy’s Message (part one)   Young,               You must be eager to find out what transpired after my exhibitionistic shower episode at that homey eatery.☺               As our group browsed one of Princesa City’s outdoor markets, I was stalked by the two forest boys. They trailed us at a distance, only making appearances when they thought I wasn’t looking. LOL!               Before long, those two had edged up next to me as I was looking at souvenirs for friends. Since I towered over them in height and build, they gawked at me as if at an alien. Their petite stature measured to my waist when they stood next to me.               As it was customary for street vendors to haggle over prices with their clients, I asked the boys if they would bargain on my behalf. They agreed. Although Taer, the older of the two, had a knack for bargaining, his chum Anak was a master of haggling. The both of them would drag me away from the stall in question, if the vendor did not agree to their offer. By harrying away, the stall keeper would often beckon our return, thus sealing the deal we offered.               Even though the duo could only communicate in broken English, it did not deter my rowing pals from soliciting their bargaining services. We treated the boys to a scrumptious dinner at an outdoor eatery they recommended towards the end of our shopping spree. Throughout our excursion, they seized every opportunity to brush against me – a trait I found adorable.☺               I invited them for a nightcap at my lodging after a jovial dinner. Quick to jump at that suggestion, they headed back to my hut with me. Before I knew it, we were frolicking naked in the ocean below my chamber. You guessed it, one thing led to another…               To be continued. LOL!
Young (Turpitude (A Harem Boy's Saga Book 4))
Hunger was by now as natural as walking, and we walked out of the yard and into the streets of the old city, scruffy, and beautiful, and grimy at the same time, lit up by the fires of food vendors with their clouds of sweet smoke hawking the flavors louder than the blaring brassy women tending their flames and selling the foods.
Milan Sime Martinic, Ironway: Watching Over Benjamin Hill -