β
What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
I spent my life folded between the pages of books.
In the absence of human relationships I formed bonds with paper characters. I lived love and loss through stories threaded in history; I experienced adolescence by association. My world is one interwoven web of words, stringing limb to limb, bone to sinew, thoughts and images all together. I am a being comprised of letters, a character created by sentences, a figment of imagination formed through fiction.
β
β
Tahereh Mafi (Shatter Me (Shatter Me, #1))
β
The most beautiful people we have known are those who have known defeat, known suffering, known struggle, known loss, and have found their way out of the depths. These persons have an appreciation, a sensitivity, and an understanding of life that fills them with compassion, gentleness, and a deep loving concern. Beautiful people do not just happen.
β
β
Elisabeth KΓΌbler-Ross
β
Despite your best efforts, people are going to be hurt when it's time for them to be hurt.
β
β
Haruki Murakami (Norwegian Wood)
β
...things get broken, and sometimes they get repaired, and in most cases, you realize that no matter what gets damaged, life rearranges itself to compensate for your loss, sometimes wonderfully.
β
β
Hanya Yanagihara (A Little Life)
β
Every one of us is losing something precious to us. Lost opportunities, lost possibilities, feelings we can never get back again. Thatβs part of what it means to be alive.
β
β
Haruki Murakami (Kafka on the Shore)
β
We are all the pieces of what we remember. We hold in ourselves the hopes and fears of those who love us. As long as there is love and memory, there is no true loss.
β
β
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
β
If you're going to try, go all the way. Otherwise, don't even start. This could mean losing girlfriends, wives, relatives and maybe even your mind. It could mean not eating for three or four days. It could mean freezing on a park bench. It could mean jail. It could mean derision. It could mean mockery--isolation. Isolation is the gift. All the others are a test of your endurance, of how much you really want to do it. And, you'll do it, despite rejection and the worst odds. And it will be better than anything else you can imagine. If you're going to try, go all the way. There is no other feeling like that. You will be alone with the gods, and the nights will flame with fire. You will ride life straight to perfect laughter. It's the only good fight there is.
β
β
Charles Bukowski (What Matters Most is How Well You Walk Through the Fire)
β
Have you ever lost someone you love and wanted one more conversation, one more chance to make up for the time when you thought they would be here forever? If so, then you know you can go your whole life collecting days, and none will outweigh the one you wish you had back.
β
β
Mitch Albom (For One More Day)
β
Life seems sometimes like nothing more than a series of losses, from beginning to end. That's the given. How you respond to those losses, what you make of what's left, that's the part you have to make up as you go.
β
β
Katharine Weber (The Music Lesson)
β
Death is not the greatest loss in life. The greatest loss is what dies inside while still alive. Never surrender.
β
β
Tupac Shakur
β
It all goes away. Eventually, everything goes away.
β
β
Elizabeth Gilbert (Eat, Pray, Love)
β
Youβll get over itβ¦β Itβs the clichΓ©s that cause the trouble. To lose someone you love is to alter your life for ever. You donβt get over it because βitβ is the person you loved. The pain stops, there are new people, but the gap never closes. How could it? The particularness of someone who mattered enough to grieve over is not made anodyne by death. This hole in my heart is in the shape of you and no-one else can fit it. Why would I want them to?
β
β
Jeanette Winterson (Written on the Body)
β
That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
When we die, we will turn into songs, and we will hear each other and remember each other.
β
β
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
β
It sucks that we miss people like that. You think you've accepted that someone is out of your life, that you've grieved and it's over, and then bam. One little thing, and you feel like you've lost that person all over again.
β
β
Rachel Hawkins (Demonglass (Hex Hall, #2))
β
But I have learned that you make your own happiness, that part of going for what you want means losing something else. And when the stakes are high, the losses can be that much greater.
β
β
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
β
My sister will die over and over again for the rest of my life. Grief is forever. It doesn't go away; it becomes a part of you, step for step, breath for breath. I will never stop grieving Bailey because I will never stop loving her. That's just how it is. Grief and love are conjoined, you don't get one without the other. All I can do is love her, and love the world, emulate her by living with daring and spirit and joy.
β
β
Jandy Nelson (The Sky Is Everywhere)
β
Power does not corrupt. Fear corrupts... perhaps the fear of a loss of power.
β
β
John Steinbeck
β
Death is not the greatest loss in life. The greatest loss is what dies inside us while we live.
β
β
Norman Cousins
β
You never knew the last time you were seeing someone. You didn't know when the last argument happened, or the last time you had sex, or the last time you looked into their eyes and thanked God they were in your life.
After they were gone?
That was all you thought about.
Day and night.
β
β
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
β
Oh, sometimes I think it is of no use to make friends. They only go out of your life after awhile and leave a hurt that is worse than the emptiness before they came.
β
β
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
β
Depression isn't a war you win. It's a battle you fight every day. You never stop, never get to rest. It's one bloody fray after another.
β
β
Shaun David Hutchinson (We Are the Ants)
β
I saw the world from the stars' point of view, and it looked unbearably lonely.
β
β
Shaun David Hutchinson (We Are the Ants)
β
If you cannot hold me in your arms, then hold my memory in high regard.
And if I cannot be in your life, then at least let me live in your heart.
β
β
Ranata Suzuki
β
Rejection, though--it could make the loss of someone you weren't even that crazy about feel gut wrenching and world ending.
β
β
Deb Caletti (The Secret Life of Prince Charming)
β
She was the kind of girlfriend God gives you young, so you'll know loss the rest of your life.
β
β
Junot DΓaz (The Brief Wondrous Life of Oscar Wao)
β
Itβs the same with people who say, βWhatever doesnβt kill you makes you stronger.β Even people who say this must realize that the exact opposite is true. What doesnβt kill you maims you, cripples you, leaves you weak, makes you whiny and full of yourself at the same time. The more pain, the more pompous you get. Whatever doesnβt kill you makes you incredibly annoying.
β
β
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
β
it is a sad truth in life that when someone has lost a loved one, friends sometimes avoid the person, just when the presence of friends is most needed.
β
β
Lemony Snicket (The Bad Beginning (A Series of Unfortunate Events, #1))
β
I just looked at her, feeling utterly empty. I didnβt know what I was supposed to say to her. My life is in that bed. Please let me stay.
β
β
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
β
Who has never killed an hour? Not casually or without thought, but carefully: a premeditated murder of minutes. The violence comes from a combination of giving up, not caring, and a resignation that getting past it is all you can hope to accomplish. So you kill the hour. You do not work, you do not read, you do not daydream. If you sleep it is not because you need to sleep. And when at last it is over, there is no evidence: no weapon, no blood, and no body. The only clue might be the shadows beneath your eyes or a terribly thin line near the corner of your mouth indicating something has been suffered, that in the privacy of your life you have lost something and the loss is too empty to share.
β
β
Mark Z. Danielewski (House of Leaves)
β
The moment a little boy is concerned with which is a jay and which is a sparrow, he can no longer see the birds or hear them sing.
β
β
Eric Berne
β
So I learned two things that night, and the next day, from him: the perfection of a moment, and the fleeting nature of it.
β
β
Margaret George (The Memoirs of Cleopatra)
β
One of the greatest tragedies in life is to lose your own sense of self and accept the version of you that is expected by everyone else.
β
β
K.L. Toth
β
Don't make your life about the loss. Make it about the love.
β
β
Tracy Deonn (Legendborn (The Legendborn Cycle, #1))
β
I had someone once who made every day mean something.
And nowβ¦. I am lostβ¦.
And nothing means anything anymore.
β
β
Ranata Suzuki
β
Life is full of grief, to exactly the degree we allow ourselves to love other people.
β
β
Orson Scott Card (Shadow of the Giant (The Shadow Series, #4))
β
He stood at the window of the empty cafe and watched the activites in the square and he said that it was good that God kept the truths of life from the young as they were starting out or else they'd have no heart to start at all.
β
β
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
β
Sadly enough, the most painful goodbyes are the ones that are left unsaid and never explained.
β
β
Jonathan Harnisch (Freak)
β
Itβs not that we have to quit
this life one day, but itβs how
many things we have to quit
all at once: music, laughter,
the physics of falling leaves,
automobiles, holding hands,
the scent of rain, the concept
of subway trains... if only one
could leave this life slowly!
β
β
Roman Payne (Rooftop Soliloquy)
β
You have to work on the business first before it works for you.
β
β
Idowu Koyenikan (Wealth for All: Living a Life of Success at the Edge of Your Ability)
β
The lotus is the most beautiful flower, whose petals open one by one. But it will only grow in the mud. In order to grow and gain wisdom, first you must have the mud --- the obstacles of life and its suffering. ... The mud speaks of the common ground that humans share, no matter what our stations in life. ... Whether we have it all or we have nothing, we are all faced with the same obstacles: sadness, loss, illness, dying and death. If we are to strive as human beings to gain more wisdom, more kindness and more compassion, we must have the intention to grow as a lotus and open each petal one by one.
β
β
Goldie Hawn
β
Letting go is the lesson. Letting go is always the lesson. Have you ever noticed how much of our agony is all tied up with craving and loss?
β
β
Susan Gordon Lydon (The Knitting Sutra: Craft as a Spiritual Practice)
β
We're not words, Henry, we're people.
Words are how others define us, but we can define ourselves any way we choose.
β
β
Shaun David Hutchinson (We Are the Ants)
β
Sometimes I think the purpose of life is to reconcile us to its eventual loss by wearing us down, by proving, however long it takes, that life isn't all it's cracked up to be.
β
β
Julian Barnes (The Sense of an Ending)
β
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise
If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the will which says to them: 'Hold on!'
If you can talk with crowds and keep your virtue,
Or walk with Kings - nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son!
β
β
Rudyard Kipling (If: A Father's Advice to His Son)
β
His talent was as natural as the pattern that was made by the dust on a butterfly's wings. At one time he understood it no more than the butterfly did and he did not know when it was brushed or marred. Later he became conscious of his damaged wings and of their construction and he learned to think and could not fly any more because the love of flight was gone and he could only remember when it had been effortless.
β
β
Ernest Hemingway
β
Everyone goes through a period of Traviamento - when we take, say, a different turn in life, the other via. Dante himself did. Some recover, some pretend to recover, some never come back, some chicken out before even starting, and some, for fear of taking any turns, find themselves leading the wrong life all life long.
β
β
AndrΓ© Aciman (Call Me by Your Name)
β
Itβs difficult for me to imagine the rest of my life without you. But I suppose I donβt have to imagine it... I just have to live it
β
β
Ranata Suzuki
β
Maybe it was the alcohol, maybe it was the truth, maybe I didn't want things to turn abstract, but I felt I should say it, because this was the moment to say it, because it suddenly dawned on me that this was why I had come, to tell him 'You are the only person I'd like to say goodbye to when I die, because only then will this thing I call my life make any sense. And if I should hear that you died, my life as I know it, the me who is speaking with you now, will cease to exist.
β
β
AndrΓ© Aciman (Call Me by Your Name)
β
Grief can destroy you --or focus you. You can decide a relationship was all for nothing if it had to end in death, and you alone. OR you can realize that every moment of it had more meaning than you dared to recognize at the time, so much meaning it scared you, so you just lived, just took for granted the love and laughter of each day, and didn't allow yourself to consider the sacredness of it. But when it's over and you're alone, you begin to see that it wasn't just a movie and a dinner together, not just watching sunsets together, not just scrubbing a floor or washing dishes together or worrying over a high electric bill. It was everything, it was the why of life, every event and precious moment of it. The answer to the mystery of existence is the love you shared sometimes so imperfectly, and when the loss wakes you to the deeper beauty of it, to the sanctity of it, you can't get off your knees for a long time, you're driven to your knees not by the weight of the loss but by gratitude for what preceded the loss. And the ache is always there, but one day not the emptiness, because to nurture the emptiness, to take solace in it, is to disrespect the gift of life.
β
β
Dean Koontz (Odd Hours (Odd Thomas, #4))
β
Only after disaster can we be resurrected.
β
β
Chuck Palahniuk (Fight Club)
β
Choosing a path meant having to miss out on others. She had a whole life to live, and she was always thinking that, in the future, she might regret the choices she made now. βIβm afraid of committing myself,β she thought to herself. She wanted to follow all possible paths and so ended up following none. Even in that most important area of her life, love, she had failed to commit herself. After her first romantic disappointment, she had never again given herself entirely. She feared pan, loss, and separation. These things were inevitable on the path to love, and the only way of avoiding them was by deciding not to take that path at all. In order not to suffer, you had to renounce love. It was like putting out your own eyes not to see the bad things in life.
β
β
Paulo Coelho (Brida)
β
The times you lived through, the people you shared those times with β nothing brings it all to life like an old mix tape. It does a better job of storing up memories than actual brain tissue can do. Every mix tape tells a story. Put them together, and they can add up to the story of a life.
β
β
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
β
Ten long trips around the sun since I last saw that smile, but only joy and thankfulness that on a tiny world in the vastness, for a couple of moments in the immensity of time, we were one.
β
β
Ann Druyan
β
Get Off The Scale!
You are beautiful. Your beauty, just like your capacity for life, happiness, and success, is immeasurable. Day after day, countless people across the globe get on a scale in search of validation of beauty and social acceptance.
Get off the scale! I have yet to see a scale that can tell you how enchanting your eyes are. I have yet to see a scale that can show you how wonderful your hair looks when the sun shines its glorious rays on it. I have yet to see a scale that can thank you for your compassion, sense of humor, and contagious smile. Get off the scale because I have yet to see one that can admire you for your perseverance when challenged in life.
Itβs true, the scale can only give you a numerical reflection of your relationship with gravity. Thatβs it. It cannot measure beauty, talent, purpose, life force, possibility, strength, or love. Donβt give the scale more power than it has earned. Take note of the number, then get off the scale and live your life. You are beautiful!
β
β
Steve Maraboli (Life, the Truth, and Being Free)
β
Itβs painful, loving someone from afar.
Watching them β from the outside.
The once familiar elements of their life reduced to nothing more than occasional mentions in conversations and faces changing in photographsβ¦..
They exist to you now as nothing more than living proof that something can still hurt you β¦ with no contact at all.
β
β
Ranata Suzuki
β
Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep, and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren's will be. But we learn to live in that love.
β
β
Jonathan Safran Foer (Everything is Illuminated)
β
I know that it's easier to look at death than it is to look at pain, because while death is irrevocable, and the grief will lessen in time, pain is too often merely relentless and irreversible.
β
β
Robert Goolrick (The End of the World as We Know It: Scenes from a Life)
β
...You should love something while you have it, love it fully and without reservation, even if you know you'll lose it someday. We lose everything. If you're trying to avoid loss, there's no point in taking another breath, or letting your heart beat one more time. It all ends." His fingers curl around mine. "That's all life is. Breathing in, breathing out. The space between two breaths.
β
β
Leah Raeder (Unteachable)
β
Our lives were just beginning, our favorite moment was right now, our favorite songs were unwritten.
β
β
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
β
One writes of scars healed, a loose parallel to the pathology of the skin, but there is no such thing in the life of an individual. There are open wounds, shrunk sometimes to the size of a pin-prick but wounds still. The marks of suffering are more comparable to the loss of a finger, or of the sight of an eye. We may not miss them, either, for one minute in a year, but if we should there is nothing to be done about it.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
But his arms are there to comfort me, and eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, "You love me. Real or not real?" I tell him "Real.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.
β
β
Joan Didion
β
There is a time in life when you expect the world to be always full of new things. And then comes a day when you realise that is not how it will be at all. You see that life will become a thing made of holes. Absences. Losses. Things that were there and are no longer. And you realise, too, that you have to grow around and between the gaps, [...]
β
β
Helen Macdonald (H is for Hawk)
β
You have people come into your life shockingly and surprisingly. You have losses that you never thought youβd experience. You have rejection and you have learn how to deal with that and how to get up the next day and go on with it.
β
β
Taylor Swift
β
I missed you, Angel. Not one day went by that I didn't feel you missing from my life. You haunted me to the point that I began to believe Hank had gone back on his oath and killed you. I couldn't escape you and I didn't want to. You tortured me, but it was better than losing you.
β
β
Becca Fitzpatrick (Silence (Hush, Hush, #3))
β
Itβs not that we have to quit this life one day, itβs how many things we have to quit all at once: holding hands, hotel rooms, music, the physics of falling leaves, vanilla and jasmine, poppies, smiling, anthills, the color of the sky, coffee and cashmere, literature, sparks and subway trains... If only one could leave this life slowly!
β
β
Roman Payne (Hope and Despair)
β
What if I'm so broken I can never do something as basic as feed myself? Do you realize how twisted that is? It amazes me sometimes that humans still exist. We're just animals, after all. And how can an animal get so removed from nature that it loses the instinct to keep itself alive?
β
β
Amy Reed (Clean)
β
Disappointments in love, even betrayals and losses, serve the soul at the very moment they seem in life to be tragedies. The soul is partly in time and partly in eternity. We might remember the part that resides in eternity when we feel despair over the part that is in life.
β
β
Thomas Moore (Care of the Soul: A Guide for Cultivating Depth and Sacredness in Everyday Life)
β
The weird, weird thing about devastating loss is that life actually goes on. When you're faced with a tragedy, a loss so huge that you have no idea how you can live through it, somehow, the world keeps turning, the seconds keep ticking.
β
β
James Patterson (Angel (Maximum Ride, #7))
β
Everyone underestimates their own life. Funny thing is, in the end, all our stories...they're the same. In fact, no matter where you go in the world, there is only one important story: of youth, loss and yearning for redemption. So we tell the same story, over and over. Only the details are different.
β
β
Rohinton Mistry (Family Matters)
β
...until that moment I had not understood that this was a story about lonely people, about absence and loss, and that that was why I had taken refuge in it until it became confused with my own life, like someone who has escaped into the pages of a novel because those whom he needs to love seem nothing more than ghosts inhabiting the mind of a stranger.
β
β
Carlos Ruiz ZafΓ³n (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
β
If I were a different kind of person, I might say that this whole incident is a metaphor for life in general: things get broken, and sometimes they get repaired, and in most cases, you realize that no matter what gets damaged, life rearranges itself to compensate for your loss, sometimes wonderfully.
β
β
Hanya Yanagihara (A Little Life)
β
To see and feel one's beloved naked for the first time is one of life's pure, irreducible epiphanies. If there is a true religion in the universe, it must include that truth of contact or be forever hollow. To make love to the one true person who deserves that love is one of the few absolute rewards of being a human being, balancing all of the pain, loss, awkwardness, loneliness, idiocy, compromise, and clumsiness that go with the human condition. To make love to the right person makes up for a lot of mistakes.
β
β
Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
β
I think anyone who opened their heart enough to love without restraint and subsequently were devastated by loss knows that in that moment you are forever changed; a apart of you is no longer whole. Some will never again love with that level of abandon where life is perceived as innocent and the threat of loss seems implausible. Love and loss, therefore, are linked.
β
β
Donna Lynn Hope
β
Being a Silent Brother is life, Clary Fray. But if you mean I remember my life before the Brotherhood, I do.
Clary took a deep breath. βWere you ever in love? Before the Brotherhood? Was there ever anyone you would have died for?β
There was a long silence. Then:
Two people, said Brother Zachariah. There are memories that time does not erase, Clarissa. Ask your friend Magnus Bane, if you do not believe me. Forever does not make loss forgettable, only bearable.
β
β
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
β
Because I donβt care what anyone says or how often or winningly they say it: no one will ever, ever be able to persuade me that life is some awesome, rewarding treat. Because, hereβs the truth: life is a catastrophe. The basic fact of existence β of walking around trying to feed ourselves and find friends and whatever else we do β is a catastrophe. Forget all this ridiculous βOur Townβ nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me β and Iβll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool. Sinkhole of hospital beds, coffins, and broken hearts. No release, no appeal, no βdo-oversβ to employ a favored phrase of Xandraβs, no way forward but age and loss, and no way out but death.
β
β
Donna Tartt (The Goldfinch)
β
Do not waste what remains of your life in speculating about your neighbors, unless with a view to some mutual benefit. To wonder what so-and-so is doing and why, or what he is saying, or thinking, or schemingβin a word, anything that distracts you from fidelity to the ruler within youβmeans a loss of opportunity for some other task.
β
β
Marcus Aurelius
β
We human beings don't realize how great God is. He has given us an extraordinary brain and a sensitive loving heart. He has blessed us with two lips to talk and express our feelings, two eyes which see a world of colours and beauty, two feet which walk on the road of life, two hands to work for us, and two ears to hear the words of love. As I found with my ear, no one knows how much power they have in their each and every organ until they lose one.
β
β
Malala Yousafzai (I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban)
β
When those you love die, the best you can do is honor their spirit for as long as you live. You make a commitment that you're going to take whatever lesson that person or animal was trying to teach you, and you make it true in your own life... it's a positive way to keep their spirit alive in the world, by keeping it alive in yourself.
β
β
Patrick Swayze (The Time of My Life)
β
I think," Tehanu said in her soft, strange voice, "that when I die, I can breathe back the breath that made me live. I can give back to the world all that I didn't do. All that I might have been and couldn't be. All the choices I didn't make. All the things I lost and spent and wasted. I can give them back to the world. To the lives that haven't been lived yet. That will be my gift back to the world that gave me the life I did live, the love I loved, the breath I breathed.
β
β
Ursula K. Le Guin (The Other Wind (Earthsea Cycle, #6))
β
Over the years I'd lodged him in the permanent past, my pluperfect lover, put him on ice, stuffed him with memories and mothballs like a hunted ornament confabulating with the ghost of all my evenings. I'd dust him off from time to time and then put him back on the mantelpiece. He no longer belonged to earth or to life. All I was likely to discover at this point wasn't just how distant were the paths we'd taken, it was the measure of loss that was going to strike me--a loss I didn't mind thinking about in abstract terms but which would hurt when stared at in the face, the way nostalgia hurts long after we've stopped thinking of things we lost and may never have cared for.
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AndrΓ© Aciman (Call Me by Your Name)
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To offer no resistance to life is to be in a state of grace, ease, and lightness. This state is then no longer dependent upon things being in a certain way, good or bad. It seems almost paradoxical, yet when your inner dependency on form is gone, the general conditions of your life, the outer forms, tend to improve greatly. Things, people, or conditions that you thought you needed for your happiness now come to you with no struggle or effort on your part, and you are free to enjoy and appreciate them - while they last. All those things, of course, will still pass away, cycles will come and go, but with dependency gone there is no fear of loss anymore. Life flows with ease.
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Eckhart Tolle
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Life will break you. Nobody can protect you from that, and being alone won't either, for solitude will also break you with its yearning. You have to love. You have to feel. It is the reason you are here on earth. You have to risk your heart. You are here to be swallowed up. And when it happens that you are broken, or betrayed, or left, or hurt, or death brushes too near, let yourself sit by an apple tree and listen to the apples falling all around you in heaps, wasting their sweetness. Tell yourself that you tasted as many as you could.
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Louise Erdrich (The Painted Drum)
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In Blackwater Woods
Look, the trees
are turning
their own bodies
into pillars
of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,
the long tapers
of cattails
are bursting and floating away over
the blue shoulders
of the ponds,
and every pond,
no matter what its
name is, is
nameless now.
Every year
everything
I have ever learned
in my lifetime
leads back to this: the fires
and the black river of loss
whose other side
is salvation,
whose meaning
none of us will ever know.
To live in this world
you must be able
to do three things:
to love what is mortal;
to hold it
against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go.
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Mary Oliver (New and Selected Poems, Volume One)
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For a moment everything was clear, and when that happens you see that the world is barely there at all. Don't we all secretly know this? It's a perfectly balanced mechanism of shouts and echoes pretending to be wheels and cogs, a dreamclock chiming beneath a mystery-glass we call life. Behind it? Below it and around it? Chaos, storms. Men with hammers, men with knives, men with guns. Women who twist what they cannot dominate and belittle what they cannot understand. A universe of horror and loss surrounding a single lighted stage where mortals dance in defiance of the dark.
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Stephen King (11/22/63)
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Sheβs kept her love for him as alive as the summer they first met. In order to do this, sheβs turned life away. Sometimes she subsists for days on water and air. Being the only known complex life-form to do this, she should have a species named after her. Once Uncle Julian told me how the sculptor and painter Alberto Giacometti said that sometimes just to paint a head you have to give up the whole figure. To paint a leaf, you have to sacrifice the whole landscape. It might seem like youβre limiting yourself at first, but after a while you realize that having a quarter-of-an-inch of something you have a better chance of holding on to a certain feeling of the universe than if you pretended to be doing the whole sky.
My mother did not choose a leaf or a head. She chose my father. And to hold on to a certain feeling, she sacrificed the world.
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Nicole Krauss (The History of Love)
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The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful only accidentally, only secondarily, in the way that any compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle. Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.
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Joan Didion (Slouching Towards Bethlehem)
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I wish you had sincerity enough to tell me whether Catherine would suffer greatly from his loss: the fear that she would restrains me. And there you see the distinction between our feelings: had he been in my place and I in his, though I hated him with a hatred that turned my life to gall, I never would have raised a hand against him. You may look incredulous, if you please! I never would have banished him from her society as long as she desired his. The moment her regard ceased, I could have torn his heart out, and drunk his blood! But, till then - if you don't believe me, you don't know me - till then, I would have died by inches before I touched a single hair of his head!
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Emily BrontΓ« (Wuthering Heights)
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I didn't get to grow up and pull away from her and bitch about her with my friends and confront her about the things I'd wished she'd done differently and then get older and understand that she had done the best she could and realize that what she had done was pretty damn good and take her fully back into my arms again. Her death had obliterated that. It had obliterated me. It had cut me short at the very heigh of my youthful arrogance. It had forced me to instantly grow up and forgive her every motherly fault at the same time that it kept me forever a child, my life both ended and begun in that premature place where we'd left off. She was my mother, but I was motherless. I was trapped by her, but utterly alone. She would always be the empty bowl that no one could full. I'd have to fill it myself again and again and again.
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Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
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A lot of things are inherent in life -change, birth, death, aging, illness, accidents, calamities, and losses of all kinds- but these events don't have to be the cause of ongoing suffering. Yes, these events cause grief and sadness, but grief and sadness pass, like everything else, and are replaced with other experiences. The ego, however, clings to negative thoughts and feelings and, as a result, magnifies, intensifies, and sustains those emotions while the ego overlooks the subtle feelings of joy, gratitude, excitement, adventure, love, and peace that come from Essence. If we dwelt on these positive states as much as we generally dwell on our negative thoughts and painful emotions, our lives would be transformed.
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Gina Lake (What About Now?: Reminders for Being in the Moment)
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Once you pass a certain age, life becomes nothing more than a process of continual loss. Things that are important to your life begin to slip out of your grasp, one after another, like a come losing teeth. And the only things that come to take their place are worthless imitations. Your physical strength, your hopes, your dreams, your ideals, your convictions, all meaning, or then again, the people you love: one by one, they fade away. Some announce their departure before they leave, while others just disappear all of a sudden without warning one day. And once you lose them you can never get them back. Your search for replacements never goes well. Itβs all very painful β as painful as actually being cut with a knife.
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Haruki Murakami (1Q84 (1Q84, #1-3))
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Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, "You love me. Real or not real?" I tell him, "Real.
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Suzanne Collins (Mockingjay (The Hunger Games, #3))
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If youβve ever studied mortal age cartoons, youβll remember this one. A coyote was always plotting the demise of a smirking long-necked bird. The coyote never succeeded; instead, his plans always backfired. He would blow up, or get shot, or splat from a ridiculous height.
And it was funny.
Because no matter how deadly his failure, he was always back in the next scene, as if there were a revival center just beyond the edge of the animation cell.
Iβve seen human foibles that have resulted in temporary maiming or momentary loss of life. People stumble into manholes, are hit by falling objects, trip into the paths of speeding vehicles.
And when it happens, people laugh, because no matter how gruesome the event, that person, just like the coyote, will be back in a day or two, as good as new, and no worseβor wiserβfor the wear.
Immortality has turned us all into cartoons.
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Neal Shusterman (Scythe (Arc of a Scythe, #1))
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She wasnβt afraid of difficulties; what frightened her was being forced to choose one particular path.
Choosing a path meant having to miss out on others. She had a whole life to live and she was always thinking that, in future, she might regret the choices she made now.
βIβm afraid of committing myself,β she thought to herself. She wanted to follow all possible paths and so ended up following none.
Even in that most important area of her life, love, she had failed to commit herself. After her first romantic dissappointment, she had never again given herself entirely. She feared pain, loss and separation. These things were inevitable on the path to love, and the only way of avoiding them was by deciding not to take that path at all. In order not to suffer, you had to renounce love. It was like putting out your own eyes in order not to see the bad things in life.
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Paulo Coelho (Brida)
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Closing The Cycle
One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished.
Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden?
You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill.
None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back.
Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place.
Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else.
Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important.
Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.
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Paulo Coelho
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The stars are brilliant at this time of night
and I wander these streets like a ritual I donβt dare to break
for darling, the times are quite glorious.
I left him by the waterβs edge,
still waving long after the ship was gone
and if someone would have screamed my name I wouldnβt have heard for Iβve said goodbye so many times in my short life that farewells are a muscular task and Iβve taught them well.
Thereβs a place by the side of the railway near the lake where I grew up and I used to go there to burry things and start anew.
I used to go there to say goodbye.
I was young and did not know many people but I had hidden things inside that I never dared to show and in silence I tried to kill them,
one way or the other,
leaving sin on my body
scrubbing tears off with salt
and I built my rituals in farewells.
Endings I still cling to.
So I go to the ocean to say goodbye.
He left that morning, the last words still echoing in my head
and though he said heβd come back one day I know a broken promise from a right one
for I have used them myself and there is no coming back.
Minds like ours are canβt be tamed and the price for freedom is the price we pay.
I turned away from the ocean
as not to fall for its plea
for it used to seduce and consume me
and there was this one night
a few years back and I was not yet accustomed to farewells
and just like now I stood waving long after the ship was gone.
But I was younger then and easily fooled
and the ocean was deep and dark and blue
and I took my shoes off to let the water freeze my bones.
I waded until I could no longer walk and it was too cold to swim but still I kept on walking at the bottom of the sea for I could not tell the difference between the ocean and the lack of someone I loved and I had not yet learned how the task of moving on is as necessary as survival.
Then days passed by and I spent them with my work
and now Iβm writing letters I will never dare to send.
But there is this one day every year or so
when the burden gets too heavy
and I collect my belongings I no longer need
and make my way to the ocean to burn and drown and start anew
and it is quite wonderful, setting fire to my chains and flames on written words
and I stand there, starring deep into the heat until theyβre all gone.
Nothing left to hold me back.
You kissed me that morning as if youβd never done it before and never would again and now I write another letter that I will never dare to send, collecting memories of loss
like chains wrapped around my veins,
and if you see a fire from the shore tonight
itβs my chains going up in flames.
The time of moon i quite glorious.
We could have been so glorious.
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Charlotte Eriksson (You're Doing Just Fine)
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The first language humans had was gestures. There was nothing primitive about this language that flowed from peopleβs hands, nothing we say now that could not be said in the endless array of movements possible with the fine bones of the fingers and wrists. The gestures were complex and subtle, involving a delicacy of motion that has since been lost completely.
During the Age of Silence, people communicated more, not less. Basic survival demanded that the hands were almost never still, and so it was only during sleep (and sometimes not even then) that people were not saying something or other. No distinction was made between the gestures of language and the gestures of life. The labor of building a house, say, or preparing a meal was no less an expression than making the sign for I love you or I feel serious. When a hand was used to shield oneβs face when frightened by a loud noise something was being said, and when fingers were used to pick up what someone else had dropped something was being said; and even when the hands were at rest, that, too, was saying something. Naturally, there were misunderstandings. There were times when a finger might have been lifted to scratch a nose, and if casual eye contact was made with oneβs lover just then, the lover might accidentally take it to be the gesture, not at all dissimilar, for Now I realize I was wrong to love you. These mistakes were heartbreaking. And yet, because people knew how easily they could happen, because they didnβt go round with the illusion that they understood perfectly the things other people said, they were used to interrupting each other to ask if theyβd understood correctly. Sometimes these misunderstandings were even desirable, since they gave people a reason to say, Forgive me, I was only scratching my nose. Of course I know Iβve always been right to love you. Because of the frequency of these mistakes, over time the gesture for asking forgiveness evolved into the simplest form. Just to open your palm was to say: Forgive me."
"If at large gatherings or parties, or around people with whom you feel distant, your hands sometimes hang awkwardly at the ends of your arms β if you find yourself at a loss for what to do with them, overcome with sadness that comes when you recognize the foreignness of your own body β itβs because your hands remember a time when the division between mind and body, brain and heart, whatβs inside and whatβs outside, was so much less. Itβs not that weβve forgotten the language of gestures entirely. The habit of moving our hands while we speak is left over from it. Clapping, pointing, giving the thumbs-up, for example, is a way to remember how it feels to say nothing together. And at night, when itβs too dark to see, we find it necessary to gesture on each otherβs bodies to make ourselves understood.
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Nicole Krauss (The History of Love)
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Before I got here, I thought for a long time that the way out of the labyrinth was to pretend that it did not exist, to build a small, self-sufficient world in a back corner of, the endless maze and to pretend that I was not lost, but home. But that only led to a lonely life accompanied only by the last words of the looking for a Great Perhaps, for real friends, and a more-than minor life.
And then i screwed up and the Colonel screwed up and Takumi screwed up and she slipped through our fingers. And there's no sugar-coating it: She deserved better friends.
When she fucked up, all those years ago, just a little girl terrified. into paralysis, she collapsed into the enigma of herself. And I could have done that, but I saw where it led for her. So I still believe in the Great Perhaps, and I can believe in it spite of having lost her.
Beacause I will forget her, yes. That which came together will fall apart imperceptibly slowly, and I will forget, but she will forgive my forgetting, just as I forgive her for forgetting me and the Colonel and everyone but herself and her mom in those last moments she spent as a person. I know that she forgives me for being dumb and sacred and doing the dumb and scared thing. I know she forgives me, just as her mother forgives her. And here's how I know:
I thought at first she was just dead. Just darkness. Just a body being eaten by bugs. I thought about her a lot like that, as something's meal. What was her-green eyes, half a smirk, the soft curves of her legs-would soon be nothing, just the bones I never saw. I thought about the slow process of becoming bone and then fossil and then coal that will, in millions of years, be mined by humans of the future, and how they would their homes with her, and then she would be smoke billowing out of a smokestack, coating the atmosphere.
I still think that, sometimes. I still think that, sometimes, think that maybe "the afterlife" is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe she was just a matter, and matter gets recycled.
But ultimately I do not believe that she was only matter. The rest of her must be recycled, too. I believe now that we are greater than the sum of our parts. If you take Alaska's genetic code and you add her life experiences and the relationships she had with people, and then you take the size and shape of her body, you do not get her. There is something else entirety. There is a part of her knowable parts. And that parts has to go somewhere, because it cannot be destroyed. Although no one will ever accuse me of being much of a science student, One thing I learned from science classes is that energy is never created and never destroyed.
And if Alaska took her own life, that is the hope I wish I could have given her. Forgetting her mother, failing her mother and her friends and herself -those are awful things, but she did not need to fold into herself and self-destruct. Those awful things are survivable because we are as indestructible as we believe ourselves to be.
When adults say "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are.
We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail.
So I know she forgives me, just as I forgive her. Thomas Eidson's last words were: "It's very beautiful over there." I don't know where there is, but I believe it's somewhere, and I hope it's beautiful.
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John Green (Looking for Alaska)