Street Fighter Quotes

We've searched our database for all the quotes and captions related to Street Fighter. Here they are! All 100 of them:

Mornings are cool like a spy, cool like a rebel, cool like a rhetorical street fighter, cool like an unfilled spot where wit and joy once stood, cool like the man who can make productive use of his demons, cool like the deciphered eccentricities of good friends, cool like the later protest-and-psychedelic era.
Brian D'Ambrosio
I've wandered through the real world, and written myself through the darkness of the streets inside me. I see people walking through the city and wonder where they've been, and what the moments of their lives have done to them. If they're anything like me, their moments have held them up and shot them down. Sometimes I just survive. But sometimes I stand on the rooftop of my existence, arms stretched out, begging for more. That's when the stories show up in me. They find me all the time. They're made of underdogs and fighters. They're made of hunger and desire and trying to live decent. The only trouble is, I don't know which of those stories comes first. Maybe they all just merge into one. We'll see, I guess. I'll let you know when I decide.
Markus Zusak (Getting the Girl (Wolfe Brothers, #3))
The story had already taken on a legendary air from the waitstaff's telling of it. According to the cooks, the street fighter had broken a bottle over Roland's head, knocking him unconscious and crushing a chair in the process. He would have taken out Gilles too, if Emilie hadn't calmed him down with one of her pretty smiles.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
This man was no pampered gentleman, born to a life of softness. No, this man was a brawler, a scrapper, a street fighter. A survivor.
V.E. Lynne (Ambition's Queen (Bridget Manning #1))
Amy turned to Nellie. "Can you create a diversion to draw the clerk outside?" The au pair was wary. "What kind of diversion?" "You could pretend to be lost," Dan proposed. "The guy comes out to give you directions, and we slip inside." "That's the most sexist idea I've ever heard," Nellie said harshly. "I'm female, so I have to be clueless. He's male, so he's got a great sense of direction." "Maybe you're from out of town," Dan suggested. "Wait–you are from out of town." Nellie stashed their bags under a bench and set Saladin on the seat with a stern "You're the watchcat. Anybody touches those bags, unleash your inner tiger." The Egyptian Mau surveyed the street uncertainly. "Mrrp." Nellie sighed. "Lucky for us there's no one around. Okay, I'm going in there. Be ready." The clerk said something to her–probably May I help you? She smiled apologetically. "I don't speak Italian." "Ah–you are American." His accent was heavy, but he seemed eager to please. "I will assist you." He took in her black nail polish and nose ring. "Punk, perhaps, is your enjoyment?" "More like a punk/reggae fusion," Nellie replied thoughtfully. "With a country feel. And operatic vocals." The clerk stared in perplexity. Nellie began to tour the aisles, pulling out CDs left and right. "Ah–Artic Monkeys–that's what I'm talking about. And some Bad Brains–from the eighties. Foo Fighters–I'll need a couple from those guys. And don't forget Linkin Park..." He watched in awe as she stacked up an enormous armload of music. "There," she finished, slapping Frank Zappa's Greatest Hits on top of the pile. "That should do for a start." "You are a music lover," said the wide-eyed cashier. "No, I'm a kleptomaniac." And she dashed out the door.
Gordon Korman (One False Note (The 39 Clues, #2))
We had a very Tom and Jerry relationship, me and my mom. She was the strict disciplinarian; I was naughty as shit. She would send me out to buy groceries, and I wouldn’t come right home because I’d be using the change from the milk and bread to play arcade games at the supermarket. I loved videogames. I was a master at Street Fighter. I could go forever on a single play. I’d drop a coin in, time would fly, and the next thing I knew there’d be a woman behind me with a belt. It was
Trevor Noah (Born A Crime: Stories from a South African Childhood)
Watching him walk over, Alex mused that Eli Cooper was the sort of man who knew how to use his physicality. Beneath his handmade shirts and tailored suits, a street fighter hummed through every loose-limbed motion. But that impression did not extend to his face, which was structurally perfect. Skyscraper-high cheekbones. Superhero jaw. A mouth that should have a government warning. There were no signs of past trouble with a jealous husband or an abandoned girlfriend. No one had ever broken his nose. No one had busted his lip. Strange, because her first instinct on seeing him was to roundhouse kick him into the next millennium.
Kate Meader (Playing with Fire (Hot in Chicago, #2))
Do you remember that street fighter who was coming into the tavern for a while?” Émilie’s expression lit up. “With the eyes?” she asked. “How could a girl forget?” Scarlet laughed. “Yeah, well. It turns out he’s Lunar.” Émilie gasped. “No.” “Also, I’m kind of dating him.” The
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Know this about yourself: there is only one reason professional salespeople lose orders-- they are outsold.
Jim Holden (Power Base Selling: Secrets of an Ivy League Street Fighter)
Since then, we’d used Street Fighter II to settle our disputes.
Ernest Cline (Ready Player One (Ready Player One, #1))
I ain’t never had me a single round in a professional, boxin’ ring. I’m whatcha call a street fighter, a knuckle brawler. Knives, beer bottles, chairs, chains, rocks, sticks, tire irons, and even teeth. Ya name it. I’ve seen ‘em all. And I tell ya what. When it comes to fightin,’ the quickest way to double your money in a fight is to fold it over. That don’t mean ya give up or quit. It means ya work with whatcha got and whatcha know.
Todd Nelsen (Appetite & Other Stories)
With a combination of nimble counsel, exasperating ego, studied patience, and street-fighter tactics, William D. Leahy, Ernest J. King, Chester W. Nimitz, and William F. Halsey, Jr., built the modern United States Navy and won World War II on the seas. Each
Walter R. Borneman (The Admirals: Nimitz, Halsey, Leahy, and King--The Five-Star Admirals Who Won the War at Sea)
(Note from me: Scarlet is talking to this huge street fighter named Wolf who wants to help her on her farm, but she said no.) Wolf shifted toward the wall as she started the engine. "If you change your mind about needing a hand, I can be found at the abandoned Morel house most nights. I may not be great with people, but I'd do well on a farm." Amusement touched the corners of his lips. "Animals love me." "Oh, I'm she they do," Scarlet said, beaming with fake encouragement. She shut the door before muttering, "What farm animals don't love a wild?
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
Then she did something that stopped my whole fucking heart. She knelt at my feet and murmured to my groin, “Be a good boy, it’s not Kellan’s fault I can’t play with you yet.
Heather Long (Brutal Fighter (82 Street Vandals, #5))
I knelt and started to pray and prayed for everybody I thought of, Brett and Mike and Bill and Robert Cohn and myself, and all the bull-fighters, separately for the ones I liked, and lumping all the rest, then I prayed for myself again, and while I was praying for myself I found I was getting sleepy, so I prayed that the bullfights would be good, and that it would be a fine fiesta, and that we would get some fishing. I wondered if there was anything else I might pray for, and I thought I would like to have some money, so I prayed that I would make a lot of money, and then I started to think how I would make it, and thinking of making money reminded me of the count, and I started wondering about where he was, and regretting I hadn’t seen him since that night in Montmartre, and about something funny Brett told me about him, and as all the time I was kneeling with my forehead on the wood in front of me, and was thinking of myself as praying, I was a little ashamed, and regretted that I was such a rotten Catholic, but realized there was nothing I could do about it, at least for a while, and maybe never, but that anyway it was a grand religion, and I only wished I felt religious and maybe I would the next time; and then I was out in the hot sun on the steps of the cathedral, and the forefingers and the thumb of my right hand were still damp, and I felt them dry in the sun. The sunlight was hot and hard, and I crossed over beside some buildings, and walked back along side-streets to the hotel.
Ernest Hemingway (The Sun Also Rises)
With a wicked smirk, he turned his attention back to the desolate road. “I’ve always wanted to do this. Who better to have my first time out on the open road with than the only girl I’ve ever been in love with.” Staring straight ahead, he dared not look her way. It hadn’t exactly slipped, and telling her he was in love with her wasn’t on a whim. The whole time that he’d been tormented this past week, he’d considered showing up at her house and just spilling it. If there was ever anything he’d been certain of, it was this. He finally glanced at Nellie, her silence scaring the hell out of him. She was staring at him with her hand over her mouth. Her eyes completely welled again and her brows pinched. “It’s true,” he smiled, “not just in love, Nell, but hopeless, there’s-no-helping-this-guy kind of in love with you.
Elizabeth Reyes (Abel (5th Street, #4))
I ain’t never had me a single round in a professional, boxin’ ring. I’m whatcha call a street fighter, a knuckle brawler. Knives, beer bottles, chairs, chains, rocks, sticks, tire irons, and even teeth. Ya name it. I’ve seen ‘em all. And I tell ya what. When it comes to fightin,’ the quickest way to double your money in a fight is to fold it over. That don’t mean ya give up or quit. It means ya work with whatcha got and whatcha know.
Todd Nelsen (Johnny B. Good)
The Nazis, he realized, were not like the poets of the Munich Revolution. They were street fighters who had taken power without losing their sway over the streets. They managed to be both government and opposition. They thrived on the idea of enemies, including enemies within. They did not fear bad publicity—rather, they actually wanted the worst of their actions to become widely known, all the better to make everyone, even those loyal to them, afraid.
Toibin Colm (The Magician)
The Nazis, he realized, were not like the poets of the Munich Revolution. They were street fighters who had taken power without losing their sway over the streets. They managed to be both government and opposition. They thrived on the idea of enemies, including enemies within. They did not fear bad publicity—rather, they actually wanted the worst of their actions to become widely known, all the better to make everyone, even those loyal to them, afraid.
Colm Tóibín (The Magician)
The Street Epistemologist is a philosopher and a fighter. She has savvy and street smarts that come from the school of hard knocks. She relentlessly helps others by tearing down falsehoods about whatever enshrined “truths” enslave us.
Peter Boghossian (A Manual for Creating Atheists)
There’s no respect for older people at all today, and that’s saddening. Look at the way crime against older people has risen! You know, there’s no calling people ‘Mr’ or ‘Mrs’ now, they just call you, and it’s all ‘fuck off’ and the likes of.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Though I did not have the statistics, just observing the number of women on the streets during peak hours dressed for work, it was obvious that a greater percentage of women in Vanni went to work outside the home. There were also more women in civilian clothes riding motorbikes on Vanni roads compared to the rest of the island. Women, both LTTE members as well as civilians, occupied the public space in large numbers. They were very visible on the roads and in the LTTE institutions. This gave Vanni a uniquely pro-woman character, which was absent elsewhere on the island. ... It was a unique kind of feminism, created by connecting the majority of women living all over Vanni, from all walks of life, for public action regarding women and children in need of help
N. Malathy (A Fleeting Moment in My Country: The Last Years of the LTTE De-Facto State)
Imagine you are very good at a particular game. Pick anything—chess, Street Fighter, poker—doesn’t matter. You play this game with friends all the time, and you always win. You get so good at it, you start to think you could win a tournament. You get online and find where the next regional tournament is; you pay the entrance fee and get your ass handed to you in the first round. It turns out, you are not so smart. All this time, you thought you were among the best of the best, but you were really just an amateur. This is the DunningKruger effect, and it’s a basic element of human nature
Anonymous
If he had not dedicated every inch of her lush body to memory he might’ve taken them for a splattering of small moles or a birthmark. If he had not spent years getting into trouble in the streets of Edinburgh as a lad, he wouldn’t have recognized them for what they were. Those were the unmistakable black flecks of gunpowder, still inflamed and fresh.
Armada West (When the Gloves Come Off)
Another site of Leftist struggle [other than Detroit] that has parallels to New Orleans: Palestine. From the central role of displacement to the ways in which culture and community serve as tools of resistance, there are illuminating comparisons to be made between these two otherwise very different places. In the New Orleans Black community, death is commemorated as a public ritual (it's often an occasion for a street party), and the deceased are often also memorialized on t-shirts featuring their photos embellished with designs that celebrate their lives. Worn by most of the deceased's friends and family, these t-shirts remind me of the martyr posters in Palestine, which also feature a photo and design to memorialize the person who has passed on. In Palestine, the poster's subjects are anyone who has been killed by the occupation, whether a sick child who died at a checkpoint or an armed fighter killed in combat. In New Orleans, anyone with family and friends can be memorialized on a t-shift. But a sad truth of life in poor communities is that too many of those celebrate on t-shirts lost their lives to violence. For both New Orleans and Palestine, outsiders often think that people have become so accustomed to death by violence that it has become trivialized by t-shirts and posters. While it's true that these traditions wouldn't manifest in these particular ways if either population had more opportunities for long lives and death from natural causes, it's also far from trivial to find ways to celebrate a life. Outsiders tend to demonize those killed--especially the young men--in both cultures as thugs, killers, or terrorists whose lives shouldn't be memorialized in this way, or at all. But the people carrying on these traditions emphasize that every person is a son or daughter of someone, and every death should be mourned, every life celebrated.
Jordan Flaherty (Floodlines: Community and Resistance from Katrina to the Jena Six)
Another time, I was at the bar getting a drink and this geezer is stood at the bar with a ciggie in his mouth, trying his best to look rock hard. He takes a drag and points his finger in my face and drawls, ‘Don't I know you?’ He was looking snake-eyed at me like a typical big screen gangster. I stood in front of him and drawled back, ‘I don’t know, but they call me Richy Horsley,’ and then bang, I batter him with a left hook that landed with a strange dull thud. Mr Movie Gangster was stood there leaning against the bar and staring out in to space, knocked out standing up.
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
In Dream Street there are many theatrical hotels, and rooming houses, and restaurants, and speaks, including Good Time Charley's Gingham Shoppe, and in the summer time the characters I mention sit on the stoops or lean against the railings along Dream Street, and the gab you hear sometimes sounds very dreamy indeed. In fact, it sometimes sounds very pipe-dreamy. Many actors, male and female, and especially vaudeville actors, live in the hotels and rooming houses, and vaudeville actors, both male and female, are great hands for sitting around dreaming out loud about how they will practically assassinate the public in the Palace if ever they get a chance. Furthermore, in Dream Street are always many hand-bookies and horse players, who sit on the church steps on the cool side of Dream Street in the summer and dream about big killings on the races, and there are also nearly always many fight managers, and sometimes fighters, hanging out in front of the restaurants, picking their teeth and dreaming about winning championships of the world, although up to this time no champion of the world has yet come out of Dream Street. In this street you see burlesque dolls, and hoofers, and guys who write songs, and saxophone players, and newsboys, and newspaper scribes, and taxi drivers, and blind guys, and midgets, and blondes with Pomeranian pooches, or maybe French poodles, and guys with whiskers, and night-club entertainers, and I do not know what all else. And all of these characters are interesting to look at, and some of them are very interesting to talk to, although if you listen to several I know long enough, you may get the idea that they are somewhat daffy, especially the horse players.
Damon Runyon (The Short Stories of Damon Runyon - Volume I - The Bloodhounds of Broadway)
Preparation - Poem by Malay Roy Choudhury Who claims I'm ruined? Because I'm without fangs and claws? Are they necessary? How do you forget the knife plunged in abdomen up to the hilt? Green cardamom leaves for the buck, art of hatred and anger and of war, gagged and tied Santhal women, pink of lungs shattered by a restless dagger? Pride of sword pulled back from heart? I don't have songs or music. Only shrieks, when mouth is opened wordless odour of the jungle; corner of kin & sin-sanyas; Didn't pray for a tongue to take back the groans power to gnash and bear it. Fearless gunpowder bleats: stupidity is the sole faith-maimed generosity- I leap on the gambling table, knife in my teeth Encircle me rush in from tea and coffee plateaux in your gumboots of pleasant wages The way Jarasandha's genital is bisected and diamond glow Skill of beating up is the only wisdom in misery I play the burgler's stick like a flute brittle affection of thev wax-skin apple She-ants undress their wings before copulating I thump my thighs with alternate shrieks: VACATE THE UNIVERSE get out you omnicompetent conchshell in scratching monkeyhand lotus and mace and discuss-blade Let there be salt-rebellion of your own saline sweat along the gunpowder let the flint run towards explosion Marketeers of words daubed in darkness in the midnight filled with young dog's grief in the sicknoon of a grasshopper sunk in insecticide I reappear to exhibit the charm of the stiletto. (Translation of Bengali poem 'Prostuti')
মলয় রায়চৌধুরী ( Malay Roychoudhury )
You're certainly not dressed like you're running a business." Eyes blazing, she glared. "What's wrong with how I'm dressed?" "An apron and a pink tracksuit with Juicy written across the ass are hardly serious business attire and they certainly don't scream swipe right on desi Tinder." Sam didn't know if there was such a thing as Tinder for people of South Asian descent living abroad, but if it did exist, he and Layla would definitely not have been a match. Layla gave a growl of frustration. "You may be surprised to hear that I don't live my life seeking male approval. I'm just getting over a breakup so I'm a little bit fragile. Last night, I went out with Daisy and drank too much, smoked something I thought was a cigarette, danced on a speaker, and fell onto some loser named Jimbo, whose girlfriend just happened to be an MMA fighter and didn't like to see me sprawled on top of her man. We had a minor physical altercation and I was kicked out of the bar. Then I got dumped on the street by my Uber driver because I threw up in his cab. So today, I just couldn't manage office wear. It's called self-care, and we all need it sometimes. Danny certainly wouldn't mind." "Who's Danny?" The question came out before he could stop it. "Someone who appreciates all I've got going here-" she ran a hand around her generous curves- "and isn't hung up on trivial things like clothes." She tugged off the apron and dropped it on the reception desk. "I'm not hung up on clothes, either," Sam teased. "When I'm with a woman I prefer to have no clothes at all." Her nose wrinkled. "You're disgusting." "Go home, sweetheart." Sam waved a dismissive hand. "Put your feet up. Watch some rom-coms. Eat a few tubs of ice cream. Have a good cry. Some of us have real work to do.
Sara Desai (The Marriage Game (Marriage Game, #1))
The fascist leaders were outsiders of a new type. New people had forced their way into national leadership before. There had long been hard-bitten soldiers who fought better than aristocratic officers and became indispensable to kings. A later form of political recruitment came from young men of modest background who made good when electoral politics broadened in the late nineteenth century. One thinks of the aforementioned French politician Léon Gambetta, the grocer’s son, or the beer wholesaler’s son Gustav Stresemann, who became the preeminent statesman of Weimar Germany. A third kind of successful outsider in modern times has been clever mechanics in new industries (consider those entrepreneurial bicycle makers Henry Ford, William Morris, and the Wrights). But many of the fascist leaders were marginal in a new way. They did not resemble the interlopers of earlier eras: the soldiers of fortune, the first upwardly mobile parliamentary politicians, or the clever mechanics. Some were bohemians, lumpen-intellectuals, dilettantes, experts in nothing except the manipulation of crowds and the fanning of resentments: Hitler, the failed art student; Mussolini, a schoolteacher by trade but mostly a restless revolutionary, expelled for subversion from Switzerland and the Trentino; Joseph Goebbels, the jobless college graduate with literary ambitions; Hermann Goering, the drifting World War I fighter ace; Heinrich Himmler, the agronomy student who failed at selling fertilizer and raising chickens. Yet the early fascist cadres were far too diverse in social origins and education to fit the common label of marginal outsiders. Alongside street-brawlers with criminal records like Amerigo Dumini or Martin Bormann one could find a professor of philosophy like Giovanni Gentile or even, briefly, a musician like Arturo Toscanini. What united them was, after all, values rather than a social profile: scorn for tired bourgeois politics, opposition to the Left, fervent nationalism, a tolerance for violence when needed.
Robert O. Paxton (The Anatomy of Fascism)
Cantor was born to a family of Russian immigrants, Jan. 31, 1892, in New York’s Lower East Side. His mother died soon after his birth; his father died of pneumonia a year later. His given name was either Isadore Itzkowitz or Edward Israel Iskowitz (he claimed both during his life). He was raised by a grandmother who was 60 when he was born. In his autobiography he describes a childhood filled with tenement-life hardship, “poverty, misery, and disease.” At 6, when he entered public school, his Grandma Esther enrolled him under her name, Kantrowitz, which the registrar wrote down as “Kanter.” When he was older, he changed it to “Cantor.” He began calling himself “Eddie” because his girlfriend Ida Tobias, the “belle of Henry Street,” liked the way it sounded on him. In his own words, he was “truant from school, pilferer of pushcarts, hooligan, street fighter, liar.” He slept on rooftops and sang for change on street corners. For years he remembered wearing shoes “pulpy with wet cardboard” and clothes that held the damp of snow all day long.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
We’ll be fine,” I said stubbornly. “The government will sort it out. We just have to wait here and keep ourselves safe.” Matt gestured out at the city – the dead roaming the streets, the river silent and empty of evacuation boats, even the fighter jets gone from the sky now. Nothing but silence and death. “We’ll be okay,” I said. But I didn’t believe it.
Shane Carrow (Rise of the Undead (End Times, #1))
In a matter of seconds, there were more than a dozen bodies piled on the street around him.
Jason Medina (The Manhattanville Incident: An Undead Novel)
We squeezed into the back of the van; it had been a tight fit even before we were lugging a couple of duffel bags of ammo and explosives.  But, like a clown car belonging to a particularly violent circus, we packed in.  The door slammed and Yusuf was flooring the pedal, dragging the van away from the curb and trundling down the street, before more ISIS fighters could show up. I’d call it a good night’s work
Peter Nealen (Alone and Unafraid (American Praetorians, #3))
To some people fighting in itself is enjoyable, and she supposed that the fighters of this world can always get some sort of a kick out of things.
Elizabeth Goudge (Green Dolphin Street)
Shanghai, my home, my city, was no longer mine after a plague of wars; it belonged to the foreigners from many countries. The British, having defeated us a century ago, controlled the rich and prosperous Settlement with the Americans, and the French built their villas in the Concession. The Japanese, armed with terrifying fighter planes and rifles, were the newly minted victors. They had established their own domain for many years in the Hongkou district, north of the Huangpu River, where they played baseball in the park and staffed hospitals with their women and soldiers from Japan, and now they marched on our streets and slept in the homes they’d seized. We Shanghainese, the conquered, were powerless. Many lost their homes in the Old City, south of the Settlement; only a few lucky ones, like my family, got to keep their ancestral homes, and many others crowded under the shadows of the art deco buildings or scattered around the rice paddies and mosquito-infested fields in the north and west. Segregation
Weina Dai Randel (The Last Rose of Shanghai)
A forgotten hero but remembered by us few who served with him and are alive today with wives and children because of one unselfish, remarkable man. We were crazy about this calm, relentless bush-fighter who loved his job and his country; when you look at the evil in the modern world I know we need more people like him. The war is over for us but I, Sergeant Mike West of the C Squadron Rhodesian SAS, want to thank you for your outstanding leadership and devotion to duty and to us, your soldiers; for leading us into battle with the ferocity of a grizzly bear and being a dear friend when we were back in Civvy Street. I know I speak for one and all when I say you are always in our thoughts.” A
Hannes Wessels (A Handful of Hard Men: The SAS and the Battle for Rhodesia)
Why do people prioritize civility over justice? Justice does not come just because you’re begging for it. Justice does not come because you’re being nice about the other person who’s not giving you justice. So I don’t understand the insistence on this high road. When you are in a fight for your life, when you’re in a fight for the world, when you’re in a fight against something like white supremacy, how sweet your tone is won’t be a factor in getting basic rights. You don’t civil your way to justice. And when we talk about folks protesting in the streets, people get mad because “Well it’s not orderly how people protest.” When half of the country is wishing for immigrants to be separated from their family members and we’re being told to be civil about it, what is civility doing for us? What is this niceness doing? We’re prioritizing the wrong thing.
Luvvie Ajayi Jones (Professional Troublemaker: The Fear-Fighter Manual)
The Afghans, the Iraqis, the Yemenis, the Pakistanis, and the Somalis know what American military forces do. They do not need to read WikiLeaks. It is we who remain ignorant. Our terror is delivered daily to the wretched of the earth with industrial weapons. But to us, it is left behind on city and village streets by our missiles, drones, and fighter jets. We do not listen to the wails and shrieks of parents embracing the shattered bodies of their children. We do not see the survivors of air attacks bury their mothers, fathers, brothers, and sisters. We are not conscious of the long night of collective humiliation, repression, and powerlessness that characterizes existence in Israel's occupied territories, Iraq, and Afghanistan. We do not see the boiling anger that war and injustice turn into a cauldron of hate over time. We are not aware of the very natural lust for revenge against those who carry out or symbolize this oppression. We see only the final pyrotechnics of terror, the shocking moment when the rage erupts into an inchoate fury and the murder of innocents. And willfully uninformed, we do not understand our own complicity. We self-righteously condemn the killers as subhuman savages who deserve more of the violence that created them. This is a recipe for endless terror.
Chris Hedges (Wages of Rebellion: The Moral Imperative of Revolt)
What would you do if rockets barraged your home and you had nowhere to hide? What would you take if you only had ten seconds to fill a plastic bag? Where would you go if every street you turned onto was filled with fighters? Who would you save if all your children were buried beneath the rubble and crying?
Hollie McKay (Afghanistan: The End of the U.S. Footprint and the Rise of the Taliban Rule)
He’s a large man, no doubt pumped full of steroids, but I can tell just by looking at him that he doesn’t know how to handle himself in a street fight. He’s all free weights and gym muscle. That doesn’t make a man a good fighter, though. It just means he can open the jar of mayonnaise if it ever gets stuck.
Sonja Grey (Paved in Blood (Melnikov Bratva, #1))
Terrible, terrible state for a man to be in. A few things can ease The Madness—can I give you my advice?” “Please.” “Okay, first and foremost: stop wanking about her.” “How do you know I’m wanking about her?” “Just a feeling I have. But you’ve got to stop.” “Well, it’s not, like, the start of Street Fighter where you choose your fighter. It’s not like I select her as my subject. Sometimes she just pops into the room, you know? The mental room. It’s the erotic equivalent of that adrenaline jolt you feel when you realize you’re both in the same pub. Do you know what I mean?” “Yes and it’s pathetic,” he says, taking a piece of gum from the multipack in his glove compartment and shoving it in his mouth. “As long as she’s the subject of your masturbation, your body is still attached to her.” “So you’re telling me you NEVER have a nostalgiwank about your exes?” “I mean, I feel like I’ve had a wank about everything at this point,” he says. “But once a relationship is over, I don’t allow myself to think about her in that way for at least a year. It’s the only way I can move on.” “Maybe I’ll just stop wanking altogether.” “No, you mustn’t do that,” he says gravely. “Samuel Johnson said: ‘Having a penis is being imprisoned with a mad man. But you must let the mad man speak.’ 
Dolly Alderton (Good Material)
Most of the pubs had barred Des, but he came in to the Tiger bar and he points to me and says, ‘And you, out! I want you by the back of the car park.’ So I obliged him and proceeded to kick the poor cunt all around the car park, he ended up in hospital for a week! Eventually, when he came out of hospital he said that I was the best thing that had happened to him, I’d cured him!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Obviously it’s hard for anyone to imagine, but these dance halls were powder kegs just waiting to erupt. Names were made and reputations were enhanced or blown in a flash!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
These near death escapades didn’t put me off working in violent situations. If trouble happened then I couldn’t stop to think of what might happen. There were some good people about and my job was to protect them from trouble, I couldn’t let past experiences put me off.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
In a dancehall in Kendal, I chased the bouncers out of the fucking dancehall, they were wearing white coats and they took these coats off, put them on the floor and jacked; Ginger Harris and me, we put the white coats on and took over for the night!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
I’ve had guns pointed at me, and I can tell you that it’s not the right place to be standing if some is really mad at you!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Dicing with death is one man’s cup of tea, but another man’s poison. I just didn’t fear anything.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Violence was second nature to the psychopathic and ultra-violent Stephen Moyle, who was already a seasoned street fighter, after having half his face torn off in a street fight with three other men.
Stephen Richards (Psycho Steve)
Barbarianism and finesse cannot be rolled into one, Pricey defeats this theory. The barbarianism born from his fight to make it in life, his finesse brought about by his sensitivity that was deprived of him when he was a child.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
I remember, I walked in to the house expecting to be consoled by my father, but he yelled, ‘What, you fucking lost!’ At this stage I was still only a kid, if I lost then I was given a good kicking by him. He would suddenly turn in to King Kong and proceeded to paint the walls seven colours of shite with me!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Everyone in the valleys knew me and because of that, so many people used my name in the valleys that there must have been at least a hundred times a night that the name ‘Malcolm Price’ was used.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
I never knew any of these people who were using my name, if I had a fiver for every time my name was used for protective purposes by these people to ward off trouble then I’d be a millionaire many times over by now.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Someone once asked me if I knew the feeling of fear. Oh, I knew fear. Well, really speaking I never feared any fucker at that time; I’ve got to be honest. But I knew fear, the fear of losing! There was never any fear of combat! My father instilled that fear in to me and that was what drove me on to win … the fear of what was to come after you went home saying you’d lost!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
On this world you have the animals and they have as much right to be on this world as us; and it’s man who is the reason they are pushed to extinction. They’re killing them for their tusks and their horns, and these fucking idiots, they think claws will give them sex appeal and they get all fucking sissy on you.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
The scenario where the sprawling anti-hero gets his comeuppance and the champion walks off into the sunset with his arm around the prize, usually a woman, is a pleasing one. This media personification of what a hero is all about used to be the common norm. Examining past events can confirm this convoluted outlook that sees the baddie being portrayed as some sort of evil manifestation sent to cause havoc by any means possible.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Examining the background of anyone can bring skeletons to our attention; a blot on the landscape can mar all what pleases the eye. This is how Malcolm Price was perceived by those who would stand back in fear of what he was all about, yet nothing could be further from the truth!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
I wanted to go in one direction, but my father forced me to follow his direction, and, somehow, he won. In one of these compelling situations, he wanted me to join the police force, but he had previously said that I didn’t have the bastard brains to pass my driving test. What a contradiction of terms?
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Like Lenny McLean said, and I agree with him totally, he told me it’s these bastards that hurt the old people and fuck up the young kids, they are the animals and they hardly get any prison sentence for it.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Today, these doormen, they wear body armour, armoured gloves, stab proof vests and all sorts; it’s totally changed, you get shot at the door you are paid to stand at, never mind getting stabbed. Druggies go away, get a gun, return and start shooting at you! Yeah, times are changing fast and there are some nice kids out there and some of them are fucking wild. I can’t see it getting better with these drug mugs because they get on them and they can’t get off them again.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Call Malcolm Price (Pricey) a ‘chancer’ and you would be wrong. Pricey has, with premeditated determination, won his battles and hung his gloves up; his story is no less dramatic or tantalising than that of his Welsh ancestors.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Gradually, the physical cruelty and punishment beatings started and it got worse. He’d be on his knees to try to teach me how to fight, so my father made out. Whack! His hand would slap in to my face with the full force might of a 6ft 4in 18st man!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
I must have had that Bugsy Malone type of face that attracts every fucker to have a go at me.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Quem poderá nos salvar? Um ser da selva amazônica. Jovem atleta dedicado à intensa atividade esportiva, sobretudo jiu-jítsu, Street-fighter e Mortal Kombat. Campeão de salto sobre girafa, pegar jacaré, achar agulha no palheiro. Bilionário, acostumado com privada acolchoada, carros importados, iates. Um ser que furou mais de mil poços em suas terras, metade jorra água e a outra metade jorra dinheiro. Não perde seu tempo conversando besteira, de 10 coisas que diz, 11 são sobre a nova reforma que fará na casa do cachorro. Um intelectual pós-moderno que foi expulso de Oxford e Harvard aos 12 anos, acostumado aos grandes centros urbanos contemporâneos como Nova Iorque, Feira de Santana, Petrolina e Luana Piovani. Seu sobrenome é um cruzamento de lorde inglês com banqueiro suíço. Diretas Já, estava lá, passeata de 68, estava lá, guerra de Canudos, guerra do Uruguai, independência do Brasil, lá estava ele. Um artista contemporâneo, multimídia, reciclador de vanguardas, um pós-duchamp-memorialista-parnaso-punk, habitue de vernissages em brechó, que já tentou de tudo: psicanálise, acupuntura, macrobiótica, drogas, dança, natação, ecologia, ioga, socialismo, candomblé, daime, boate gay, astrologia, surf, heavy metal. Já foi big brother, calouro, jurado, apresentador, modelo, atriz. Protagonizou todas as novelas, de todos os canais, inclusive as que não fez. Um super-herói que para reerguer o país vai comprar você e vender para você mesmo pelo preço que você pensa que vale.
Gabriel Pardal (Carnavália)
At that time, there was only one thing better that a good fight, and that was having a good fight and getting paid for it.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
As one of the motorbikes came towards me, I let a big heavy right go, and knocked the rider’s head clean off his shoulders! Fucking hell, the guy’s head was still in his helmet and it was clattering all the way down the road.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
As much as Merthyr is a fighting town, these people also have hearts of gold. I worked all over Monmouth, and then the Aberfan disaster happened! That was a very emotional episode in my life. I never want to see anything like that ever again! In my opinion, the tip should have been moved well before the rain got in to it, and the old tip came rolling down the hillside on the school and the walls just caved in!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Although I had committed just about every sort of assault imaginable on people and even the odd one or two against the police, I still had and still do have respect for the old school policeman.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Remember, I was only in to fighting; I wasn’t a high-ranking underworld figure selling the Crown Jewels! I wasn’t the Merthyr Mafia and I had no connections with the goings on of petty criminal matters.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Some people say you should watch a man’s feet to see if he’s ready to swing a punch, I say watch his fucking eyes!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
He caught me neat, right on the fucking face and I took one step back and thought, you’re not getting away with that you bastard! I was punching the piss out of him, he kept going down, but I didn’t kick him, he’d had enough. I didn’t put the boot in to a man older than myself. But this confrontation was out of the blue, out of the fucking blue. That’s what I had to face.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
There was just one cheeky bastard in the club that night and it started World War Three. There was a bloodbath down there, they all got locked up, and the police dogs didn’t need feeding for a week after that.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
One lesson I learned from all of this, and that was a hard one, for all of the good I did people, it was never remembered. I was the one doing jail, not them. Apart from a small circle of close loyal friends, I was and am on my own.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
You know, the Lord said to Adam: ‘Come forth, come forth,’ and he came fifth and won the fucking apple, do you know what I mean. If you can walk away, walk away but it’s hard to do
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
I believe in most men there is a certain amount of violence. Every man has a bit of fight in him, but some of them have to look deeper within themselves, further than most. The fight is there if you search for it; people don’t think they’ve got it at all, but they have got it, like the weakest fucking crony you could see on earth. If someone broke in to the house, I believe he’d fucking have a go rather than somebody hurt his wife and kids; it would press him to his limits. If he’s not going to defend his pitch, he’s not worth a cup of cold fucking water.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Malcolm Price embodies all that is Welsh, aside from the green valleys and male voice choirs. The will to win against insurmountable odds is a penchant of the Welsh, put this with a propensity to never say ‘die’ and that is what makes the Welsh so durable.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
If I lost a bout then I soon learned not to go home straight afterwards, I would give him time to go to the bar first. Event though I’d go to all of that trouble to escape his ranting and raving, my father would come home steaming drunk, drag me out of bed whilst I was still half asleep and beat the living shit out of me!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
My father was always suppressing the softer side of my nature; it seemed to have disappeared in the course of those boxing lessons, that’s what boxing did to me. My father took away the real me and replaced all what I could have been by imposing his brutal regime of terror upon me.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
People keep telling me that I’m a legend in Merthyr and a legend in many other places. Here’s my understanding on that, what’s a legend? I don’t really know what a legend is, I don’t even know the word. I’m not a King Arthur reincarnate either. I might be one of the Round Table, but I’m not King Arthur.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
The difference between a heel and a coward and one who jumps in the fire and one who runs away from the fire; is up to the individual in how they manage a given situation.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
My time as a doorman was quite volatile and bloody, no door registration schemes or training courses could have prepared you for what it was like back then. You didn’t have vanloads of police patrolling up and down the town then, you were lucky if you even seen a couple of bobbies in a car, never mind on foot.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
The only kicks and highs people got then were the ones dished out in nightclub fights.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
The anti-hero has played an important role in the history of mankind, so much so that the whole ethos of what is good and bad has become blurred.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
My aspirations never lay with boxing, but that’s the way I was pushed. I was still a choirboy when I started boxing because I remember I went to choir practice every Wednesday night. I missed some Wednesday nights if I was boxing and then when I missed it I’d have to tell the choirmaster why. I had a battle between the choir and boxing. When my voice inevitably broke, boxing won.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
The experience of a sad and tender heart is what gives birth to fearlessness. Conventionally, being fearless means that you are not afraid or that, if someone hits you, you will hit him back. But we aren't talking about that street-fighter level of fearlessness. Real fearlessness is the product of tenderness. It comes from letting the world tickle your heart, your raw heart. You are willing to open up, without resistance or shyness, and face the world.
Chogyam Trungpa Rinpoche
some cigarettes and when I returned she sat me down to discuss the Winter Olympics. “Did you see it on the TV? That Tonya Harding? I never liked her. She’s a street fighter is what she is, a dirty snot. Nancy Kerrigan I like, but not that street fighter.” Tonya Harding really is something else. I resisted the story until I saw a picture of her. With her fierce makeup, she looks like a child’s drawing of an angry babysitter.
David Sedaris (Theft by Finding: Diaries (1977-2002))
But a terrific gun barrage in the skies it was. Fighter planes darting in and out of the clouds like a frenzy of rabid moths around a street lamp.
susan Ornblatt
Super Street Fighter Iv - Keygen And Crack.exe [46641] Follow the instructions: Step 1) Search Google.com For "special keygens and hacks" Step 2) Click the 1st or 2nd place result which is a Facebook Page or Pagebin Enjoy! :)
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She said, "I wish I had been born poor." ("I wish I'd been born an Indian" - Robert Kennedy.) The ideal would have been to be born poor and black. But the counterculture was full of people in the grip of the same fantasy, with some - from street fighters to rock stars to flower children - even starting to believe they were black.
Sigrid Nunez (The Last of Her Kind)
Super Street Fighter 4 Serial Keygen [38462] Follow the instructions: Step 1) Search Google.com For "special keygens and hacks" Step 2) Click the 1st or 2nd place result which is a Facebook Page or Pagebin Enjoy! :)
Super Street Fighter 4 Serial Keygen 38462 - DVDRip - x264 - 415 MB -AshishRocks- DAKU RG
To be an American once meant something,” Gray says softly. “You were part of a people and country that was respected and feared. When an American walked the street or a fighter plane took to the air, or a ship to sea, the world took notice. The world now mocks us, teases us. We’ve given up. We concern ourselves with silly things, like the style of a candidate’s hair or which bathroom people should use. That’s the way of losers. I don’t associate with losers.
James Patterson (The Witnesses)
A flower splatted against the chest of one of Brigan’s top swordsmen, riding to Fire’s right. When Fire laughed at him, he beamed, and handed the flower to her. On this journey through the city streets Fire was surrounded not just by her guard but by Brigan’s most proficient fighters, Brigan himself on her left. The commander wore the gray of his troops, and he’d positioned the standard-bearer some distance behind. It was all in an attempt to reduce the attention Fire drew, and Fire knew she wasn’t playing her part in the charade. She should have been sitting gravely, her face bent to her hands, catching no one’s eye. Instead she was laughing—laughing, and smiling, and numb to her aches and pains, and sparkling with the strangeness and the bustle of this place.
Kristin Cashore (Fire)
**Verse 1:** In the quiet of the empty streets, Where shadows dance and the cold wind greets. A soul wanders, lost and torn, Carrying burdens from the day they were born. **Chorus:** Broken, with no more tears to weep, Lost in a world that's too steep. Hope's a word that's hard to cope, For a heart that's given up its rope. **Verse 2:** The laughter's gone, the light's burned out, Silent screams replace the shout. A spirit crushed by life's cruel jokes, Drifting aimlessly, like smoke. **Chorus:** Broken, with no more tears to weep, Lost in a world that's too steep. Hope's a word that's hard to cope, For a heart that's given up its rope. **Bridge:** But even in the darkest night, There's a star that shines a faint light. A whisper of love, a hint of grace, A sign that time can't erase. **Chorus:** Still broken, but maybe tears will seep, Through the cracks, as they begin to creep. Hope's a word that might just slope, Back to a heart finding its rope. **Outro:** So here's to the broken, the lost, the brave, To the silent fighters, the quiet wave. May they find hope, may they elope, With a future where they can cope.
James Hilton-Cowboy
With a street-fighter's unerring insticts, Comrade Pillai knew that his straitened circumstances (his small, hot house, his grunting mother, his obvious proximity to the toiling masses) gave him a power over Chacko that in those revolutionary times no amount of Oxford education could match. He held his poverty like a gun to Chacko's head.
Arundhati Roy (The God of Small Things)
The stubbornness of an idealist; and the soul of a street fighter
John C. Bogle (Enough: True Measures of Money, Business, and Life)
Imagine that you are on the street and someone attacks you. If you feel that you must fight back to defend yourself, you might instinctively make a fist and punch at the attacker’s head. In the heat of the moment, you might try to do this over and over again, using one instrument against one target. While natural, this may not be the most effective approach, especially against a competent attacker. Rather, you want to “work the whole body.” Instead of focusing narrowly on one target, or using only one method of attack, more experienced fighters will consider all of their instruments (two hands, two feet, knees, elbows, nearby items that can be used for defense, and so on) and evaluate all potential areas that could be targeted.
Deepak Malhotra (Negotiating the impossible: how to break deadlocks and resolve ugly conflicts (without money or muscle))
I’m not going to let you die in the medieval version of Street Fighter!
Cori McCarthy & Amy Rose Capetta (Sword in the Stars (Once & Future, #2))
The Instagram versus Hipstamatic story is perhaps the canonical example of a strategy made famous by Chris Dixon’s 2015 essay “Come for the tool, stay for the network.” Chris writes: A popular strategy for bootstrapping networks is what I like to call “come for the tool, stay for the network.” The idea is to initially attract users with a single-player tool and then, over time, get them to participate in a network. The tool helps get to initial critical mass. The network creates the long term value for users, and defensibility for the company.40 There are many other examples across many sectors beyond photo apps: The Google Suite provides stand-alone tools for people to create documents, spreadsheets, and presentations, but also network features around collaborative editing, and comments. Games like Minecraft or even classics like Street Fighter can be played in single-player mode where you play against the computer, or multiplayer mode where you play with friends. Yelp started out effectively as a directory tool for people to look up local businesses, showing addresses and phone numbers, but the network eventually built out the database of photos and reviews. LinkedIn started as a tool to put your resume online, but encouraged you to build up your professional network over time. “Come for the tool, stay for the network” circumvents the Cold Start Problem and makes it easier to launch into an entire network—with PR, paid marketing, influencers, sales, or any number of tried-and-true channels. It minimizes the size requirement of an atomic network and in turn makes it easy to take on an entire network. Whether it’s photo-sharing apps or restaurant directories, in the framework of the Cold Start Theory, this strategy can be visualized. In effect, a tool can be used to “prop up” the value of the network effects curve when the network is small.
Andrew Chen (The Cold Start Problem: How to Start and Scale Network Effects)
When the novice throws punches and nothing happens, and his opponent keeps coming at him, the new fighter becomes panicky. When he gets panicky he wants to quit, but he can’t quit because his whole psychology from the time he’s first been in the streets is to condemn a person who’s yellow. So what does he do? He gets tired.” “This is what happens to fighters in the ring. They get tired. They get tired, because they’re getting afraid. Now that he gets tired, people can’t call him yellow. He’s just too “tired” to go on. But let that same fighter strike back wildly with a visible effect on the opponent and suddenly that tired, exhausted guy becomes a tiger. It’s a psychological fatigue, that’s all it is. But people in boxing don’t understand that.
Reemus Boxing (The Cus D'Amato Mind: Learn The Simple Secrets That Took Boxers Like Mike Tyson To Greatness)
Jasmine turned to see Fatimah, who was chanting something in an unfamiliar language, her eyes locked on Dahish's. Jasmine's mouth fell open as Fatimah's body jerked forward and began to spin, shedding her mortal skin... and revealing herself to be a magnificent blue genie. Dahish roared in fury, focused solely on the genie now. Fatimah extended her arm, sparks flowing from her fingertips as she fought Dahish's breaths of fire with flashes of lightning. While the genie and the ifrit battled on the landing above, and Aladdin and the street fighters defended the palace from the ghūls and monsters, Scheherazade's words echoed in Jasmine's ears. Create the ending of your story that you choose. Forget what is possible... And with the power of her conviction, Jasmine raced up the staircase two at a time to where the ifrit and the genie battled. Taking a steely breath, she leaped up onto the ifrit's fiery back, catching it by surprise--- and with Scheherazade's knife, Jasmine stabbed Dahish in the eye. Dahish flailed blindly, tumbling to the floor. Fatimah swooped down next to him and something materialized in her palm. The brass bottle. The atrium echoed with the sound of his defeated screams as Fatimah captured Dahish and forced him back into his brass bottle, throwing it into the last flames of the fire with Payam's bloodied body. As they burned, the remaining ghūls and snakes disintegrated before Jasmine's eyes, turning to ash now that the ifrit who controlled them was gone. Jasmine and Aladdin ran into each other's arms, exhausted and elated. The battle was won. Fatimah floated toward them, bowing gracefully, as if they hadn't all just been through a war. "Well done, Sultana.
Alexandra Monir (Realm of Wonders (The Queen’s Council, #3))