Street Fighter Quotes

We've searched our database for all the quotes and captions related to Street Fighter. Here they are! All 100 of them:

Mornings are cool like a spy, cool like a rebel, cool like a rhetorical street fighter, cool like an unfilled spot where wit and joy once stood, cool like the man who can make productive use of his demons, cool like the deciphered eccentricities of good friends, cool like the later protest-and-psychedelic era.
Brian D'Ambrosio
I've wandered through the real world, and written myself through the darkness of the streets inside me. I see people walking through the city and wonder where they've been, and what the moments of their lives have done to them. If they're anything like me, their moments have held them up and shot them down. Sometimes I just survive. But sometimes I stand on the rooftop of my existence, arms stretched out, begging for more. That's when the stories show up in me. They find me all the time. They're made of underdogs and fighters. They're made of hunger and desire and trying to live decent. The only trouble is, I don't know which of those stories comes first. Maybe they all just merge into one. We'll see, I guess. I'll let you know when I decide.
Markus Zusak (Getting the Girl (Wolfe Brothers, #3))
The story had already taken on a legendary air from the waitstaff's telling of it. According to the cooks, the street fighter had broken a bottle over Roland's head, knocking him unconscious and crushing a chair in the process. He would have taken out Gilles too, if Emilie hadn't calmed him down with one of her pretty smiles.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
This man was no pampered gentleman, born to a life of softness. No, this man was a brawler, a scrapper, a street fighter. A survivor.
V.E. Lynne (Ambition's Queen (Bridget Manning #1))
Amy turned to Nellie. "Can you create a diversion to draw the clerk outside?" The au pair was wary. "What kind of diversion?" "You could pretend to be lost," Dan proposed. "The guy comes out to give you directions, and we slip inside." "That's the most sexist idea I've ever heard," Nellie said harshly. "I'm female, so I have to be clueless. He's male, so he's got a great sense of direction." "Maybe you're from out of town," Dan suggested. "Wait–you are from out of town." Nellie stashed their bags under a bench and set Saladin on the seat with a stern "You're the watchcat. Anybody touches those bags, unleash your inner tiger." The Egyptian Mau surveyed the street uncertainly. "Mrrp." Nellie sighed. "Lucky for us there's no one around. Okay, I'm going in there. Be ready." The clerk said something to her–probably May I help you? She smiled apologetically. "I don't speak Italian." "Ah–you are American." His accent was heavy, but he seemed eager to please. "I will assist you." He took in her black nail polish and nose ring. "Punk, perhaps, is your enjoyment?" "More like a punk/reggae fusion," Nellie replied thoughtfully. "With a country feel. And operatic vocals." The clerk stared in perplexity. Nellie began to tour the aisles, pulling out CDs left and right. "Ah–Artic Monkeys–that's what I'm talking about. And some Bad Brains–from the eighties. Foo Fighters–I'll need a couple from those guys. And don't forget Linkin Park..." He watched in awe as she stacked up an enormous armload of music. "There," she finished, slapping Frank Zappa's Greatest Hits on top of the pile. "That should do for a start." "You are a music lover," said the wide-eyed cashier. "No, I'm a kleptomaniac." And she dashed out the door.
Gordon Korman (One False Note (The 39 Clues, #2))
We had a very Tom and Jerry relationship, me and my mom. She was the strict disciplinarian; I was naughty as shit. She would send me out to buy groceries, and I wouldn’t come right home because I’d be using the change from the milk and bread to play arcade games at the supermarket. I loved videogames. I was a master at Street Fighter. I could go forever on a single play. I’d drop a coin in, time would fly, and the next thing I knew there’d be a woman behind me with a belt. It was
Trevor Noah (Born A Crime: Stories from a South African Childhood)
Watching him walk over, Alex mused that Eli Cooper was the sort of man who knew how to use his physicality. Beneath his handmade shirts and tailored suits, a street fighter hummed through every loose-limbed motion. But that impression did not extend to his face, which was structurally perfect. Skyscraper-high cheekbones. Superhero jaw. A mouth that should have a government warning. There were no signs of past trouble with a jealous husband or an abandoned girlfriend. No one had ever broken his nose. No one had busted his lip. Strange, because her first instinct on seeing him was to roundhouse kick him into the next millennium.
Kate Meader (Playing with Fire (Hot in Chicago, #2))
Do you remember that street fighter who was coming into the tavern for a while?” Émilie’s expression lit up. “With the eyes?” she asked. “How could a girl forget?” Scarlet laughed. “Yeah, well. It turns out he’s Lunar.” Émilie gasped. “No.” “Also, I’m kind of dating him.” The
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Know this about yourself: there is only one reason professional salespeople lose orders-- they are outsold.
Jim Holden (Power Base Selling: Secrets of an Ivy League Street Fighter)
Since then, we’d used Street Fighter II to settle our disputes.
Ernest Cline (Ready Player One (Ready Player One, #1))
I ain’t never had me a single round in a professional, boxin’ ring. I’m whatcha call a street fighter, a knuckle brawler. Knives, beer bottles, chairs, chains, rocks, sticks, tire irons, and even teeth. Ya name it. I’ve seen ‘em all. And I tell ya what. When it comes to fightin,’ the quickest way to double your money in a fight is to fold it over. That don’t mean ya give up or quit. It means ya work with whatcha got and whatcha know.
Todd Nelsen (Appetite & Other Stories)
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With a combination of nimble counsel, exasperating ego, studied patience, and street-fighter tactics, William D. Leahy, Ernest J. King, Chester W. Nimitz, and William F. Halsey, Jr., built the modern United States Navy and won World War II on the seas. Each
Walter R. Borneman (The Admirals: Nimitz, Halsey, Leahy, and King--The Five-Star Admirals Who Won the War at Sea)
(Note from me: Scarlet is talking to this huge street fighter named Wolf who wants to help her on her farm, but she said no.) Wolf shifted toward the wall as she started the engine. "If you change your mind about needing a hand, I can be found at the abandoned Morel house most nights. I may not be great with people, but I'd do well on a farm." Amusement touched the corners of his lips. "Animals love me." "Oh, I'm she they do," Scarlet said, beaming with fake encouragement. She shut the door before muttering, "What farm animals don't love a wild?
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
Then she did something that stopped my whole fucking heart. She knelt at my feet and murmured to my groin, “Be a good boy, it’s not Kellan’s fault I can’t play with you yet.
Heather Long (Brutal Fighter (82 Street Vandals, #5))
I knelt and started to pray and prayed for everybody I thought of, Brett and Mike and Bill and Robert Cohn and myself, and all the bull-fighters, separately for the ones I liked, and lumping all the rest, then I prayed for myself again, and while I was praying for myself I found I was getting sleepy, so I prayed that the bullfights would be good, and that it would be a fine fiesta, and that we would get some fishing. I wondered if there was anything else I might pray for, and I thought I would like to have some money, so I prayed that I would make a lot of money, and then I started to think how I would make it, and thinking of making money reminded me of the count, and I started wondering about where he was, and regretting I hadn’t seen him since that night in Montmartre, and about something funny Brett told me about him, and as all the time I was kneeling with my forehead on the wood in front of me, and was thinking of myself as praying, I was a little ashamed, and regretted that I was such a rotten Catholic, but realized there was nothing I could do about it, at least for a while, and maybe never, but that anyway it was a grand religion, and I only wished I felt religious and maybe I would the next time; and then I was out in the hot sun on the steps of the cathedral, and the forefingers and the thumb of my right hand were still damp, and I felt them dry in the sun. The sunlight was hot and hard, and I crossed over beside some buildings, and walked back along side-streets to the hotel.
Ernest Hemingway (The Sun Also Rises)
With a wicked smirk, he turned his attention back to the desolate road. “I’ve always wanted to do this. Who better to have my first time out on the open road with than the only girl I’ve ever been in love with.” Staring straight ahead, he dared not look her way. It hadn’t exactly slipped, and telling her he was in love with her wasn’t on a whim. The whole time that he’d been tormented this past week, he’d considered showing up at her house and just spilling it. If there was ever anything he’d been certain of, it was this. He finally glanced at Nellie, her silence scaring the hell out of him. She was staring at him with her hand over her mouth. Her eyes completely welled again and her brows pinched. “It’s true,” he smiled, “not just in love, Nell, but hopeless, there’s-no-helping-this-guy kind of in love with you.
Elizabeth Reyes (Abel (5th Street, #4))
I ain’t never had me a single round in a professional, boxin’ ring. I’m whatcha call a street fighter, a knuckle brawler. Knives, beer bottles, chairs, chains, rocks, sticks, tire irons, and even teeth. Ya name it. I’ve seen ‘em all. And I tell ya what. When it comes to fightin,’ the quickest way to double your money in a fight is to fold it over. That don’t mean ya give up or quit. It means ya work with whatcha got and whatcha know.
Todd Nelsen (Johnny B. Good)
The Nazis, he realized, were not like the poets of the Munich Revolution. They were street fighters who had taken power without losing their sway over the streets. They managed to be both government and opposition. They thrived on the idea of enemies, including enemies within. They did not fear bad publicity—rather, they actually wanted the worst of their actions to become widely known, all the better to make everyone, even those loyal to them, afraid.
Toibin Colm (The Magician)
The Nazis, he realized, were not like the poets of the Munich Revolution. They were street fighters who had taken power without losing their sway over the streets. They managed to be both government and opposition. They thrived on the idea of enemies, including enemies within. They did not fear bad publicity—rather, they actually wanted the worst of their actions to become widely known, all the better to make everyone, even those loyal to them, afraid.
Colm Tóibín (The Magician)
The Street Epistemologist is a philosopher and a fighter. She has savvy and street smarts that come from the school of hard knocks. She relentlessly helps others by tearing down falsehoods about whatever enshrined “truths” enslave us.
Peter Boghossian (A Manual for Creating Atheists)
There’s no respect for older people at all today, and that’s saddening. Look at the way crime against older people has risen! You know, there’s no calling people ‘Mr’ or ‘Mrs’ now, they just call you, and it’s all ‘fuck off’ and the likes of.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Though I did not have the statistics, just observing the number of women on the streets during peak hours dressed for work, it was obvious that a greater percentage of women in Vanni went to work outside the home. There were also more women in civilian clothes riding motorbikes on Vanni roads compared to the rest of the island. Women, both LTTE members as well as civilians, occupied the public space in large numbers. They were very visible on the roads and in the LTTE institutions. This gave Vanni a uniquely pro-woman character, which was absent elsewhere on the island. ... It was a unique kind of feminism, created by connecting the majority of women living all over Vanni, from all walks of life, for public action regarding women and children in need of help
N. Malathy (A Fleeting Moment in My Country: The Last Years of the LTTE De-Facto State)
Imagine you are very good at a particular game. Pick anything—chess, Street Fighter, poker—doesn’t matter. You play this game with friends all the time, and you always win. You get so good at it, you start to think you could win a tournament. You get online and find where the next regional tournament is; you pay the entrance fee and get your ass handed to you in the first round. It turns out, you are not so smart. All this time, you thought you were among the best of the best, but you were really just an amateur. This is the DunningKruger effect, and it’s a basic element of human nature
Anonymous
If he had not dedicated every inch of her lush body to memory he might’ve taken them for a splattering of small moles or a birthmark. If he had not spent years getting into trouble in the streets of Edinburgh as a lad, he wouldn’t have recognized them for what they were. Those were the unmistakable black flecks of gunpowder, still inflamed and fresh.
Armada West (When the Gloves Come Off)
Another site of Leftist struggle [other than Detroit] that has parallels to New Orleans: Palestine. From the central role of displacement to the ways in which culture and community serve as tools of resistance, there are illuminating comparisons to be made between these two otherwise very different places. In the New Orleans Black community, death is commemorated as a public ritual (it's often an occasion for a street party), and the deceased are often also memorialized on t-shirts featuring their photos embellished with designs that celebrate their lives. Worn by most of the deceased's friends and family, these t-shirts remind me of the martyr posters in Palestine, which also feature a photo and design to memorialize the person who has passed on. In Palestine, the poster's subjects are anyone who has been killed by the occupation, whether a sick child who died at a checkpoint or an armed fighter killed in combat. In New Orleans, anyone with family and friends can be memorialized on a t-shift. But a sad truth of life in poor communities is that too many of those celebrate on t-shirts lost their lives to violence. For both New Orleans and Palestine, outsiders often think that people have become so accustomed to death by violence that it has become trivialized by t-shirts and posters. While it's true that these traditions wouldn't manifest in these particular ways if either population had more opportunities for long lives and death from natural causes, it's also far from trivial to find ways to celebrate a life. Outsiders tend to demonize those killed--especially the young men--in both cultures as thugs, killers, or terrorists whose lives shouldn't be memorialized in this way, or at all. But the people carrying on these traditions emphasize that every person is a son or daughter of someone, and every death should be mourned, every life celebrated.
Jordan Flaherty (Floodlines: Community and Resistance from Katrina to the Jena Six)
Another time, I was at the bar getting a drink and this geezer is stood at the bar with a ciggie in his mouth, trying his best to look rock hard. He takes a drag and points his finger in my face and drawls, ‘Don't I know you?’ He was looking snake-eyed at me like a typical big screen gangster. I stood in front of him and drawled back, ‘I don’t know, but they call me Richy Horsley,’ and then bang, I batter him with a left hook that landed with a strange dull thud. Mr Movie Gangster was stood there leaning against the bar and staring out in to space, knocked out standing up.
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
In Dream Street there are many theatrical hotels, and rooming houses, and restaurants, and speaks, including Good Time Charley's Gingham Shoppe, and in the summer time the characters I mention sit on the stoops or lean against the railings along Dream Street, and the gab you hear sometimes sounds very dreamy indeed. In fact, it sometimes sounds very pipe-dreamy. Many actors, male and female, and especially vaudeville actors, live in the hotels and rooming houses, and vaudeville actors, both male and female, are great hands for sitting around dreaming out loud about how they will practically assassinate the public in the Palace if ever they get a chance. Furthermore, in Dream Street are always many hand-bookies and horse players, who sit on the church steps on the cool side of Dream Street in the summer and dream about big killings on the races, and there are also nearly always many fight managers, and sometimes fighters, hanging out in front of the restaurants, picking their teeth and dreaming about winning championships of the world, although up to this time no champion of the world has yet come out of Dream Street. In this street you see burlesque dolls, and hoofers, and guys who write songs, and saxophone players, and newsboys, and newspaper scribes, and taxi drivers, and blind guys, and midgets, and blondes with Pomeranian pooches, or maybe French poodles, and guys with whiskers, and night-club entertainers, and I do not know what all else. And all of these characters are interesting to look at, and some of them are very interesting to talk to, although if you listen to several I know long enough, you may get the idea that they are somewhat daffy, especially the horse players.
Damon Runyon (The Short Stories of Damon Runyon - Volume I - The Bloodhounds of Broadway)
Preparation - Poem by Malay Roy Choudhury Who claims I'm ruined? Because I'm without fangs and claws? Are they necessary? How do you forget the knife plunged in abdomen up to the hilt? Green cardamom leaves for the buck, art of hatred and anger and of war, gagged and tied Santhal women, pink of lungs shattered by a restless dagger? Pride of sword pulled back from heart? I don't have songs or music. Only shrieks, when mouth is opened wordless odour of the jungle; corner of kin & sin-sanyas; Didn't pray for a tongue to take back the groans power to gnash and bear it. Fearless gunpowder bleats: stupidity is the sole faith-maimed generosity- I leap on the gambling table, knife in my teeth Encircle me rush in from tea and coffee plateaux in your gumboots of pleasant wages The way Jarasandha's genital is bisected and diamond glow Skill of beating up is the only wisdom in misery I play the burgler's stick like a flute brittle affection of thev wax-skin apple She-ants undress their wings before copulating I thump my thighs with alternate shrieks: VACATE THE UNIVERSE get out you omnicompetent conchshell in scratching monkeyhand lotus and mace and discuss-blade Let there be salt-rebellion of your own saline sweat along the gunpowder let the flint run towards explosion Marketeers of words daubed in darkness in the midnight filled with young dog's grief in the sicknoon of a grasshopper sunk in insecticide I reappear to exhibit the charm of the stiletto. (Translation of Bengali poem 'Prostuti')
মলয় রায়চৌধুরী ( Malay Roychoudhury )
You're certainly not dressed like you're running a business." Eyes blazing, she glared. "What's wrong with how I'm dressed?" "An apron and a pink tracksuit with Juicy written across the ass are hardly serious business attire and they certainly don't scream swipe right on desi Tinder." Sam didn't know if there was such a thing as Tinder for people of South Asian descent living abroad, but if it did exist, he and Layla would definitely not have been a match. Layla gave a growl of frustration. "You may be surprised to hear that I don't live my life seeking male approval. I'm just getting over a breakup so I'm a little bit fragile. Last night, I went out with Daisy and drank too much, smoked something I thought was a cigarette, danced on a speaker, and fell onto some loser named Jimbo, whose girlfriend just happened to be an MMA fighter and didn't like to see me sprawled on top of her man. We had a minor physical altercation and I was kicked out of the bar. Then I got dumped on the street by my Uber driver because I threw up in his cab. So today, I just couldn't manage office wear. It's called self-care, and we all need it sometimes. Danny certainly wouldn't mind." "Who's Danny?" The question came out before he could stop it. "Someone who appreciates all I've got going here-" she ran a hand around her generous curves- "and isn't hung up on trivial things like clothes." She tugged off the apron and dropped it on the reception desk. "I'm not hung up on clothes, either," Sam teased. "When I'm with a woman I prefer to have no clothes at all." Her nose wrinkled. "You're disgusting." "Go home, sweetheart." Sam waved a dismissive hand. "Put your feet up. Watch some rom-coms. Eat a few tubs of ice cream. Have a good cry. Some of us have real work to do.
Sara Desai (The Marriage Game (Marriage Game, #1))
The fascist leaders were outsiders of a new type. New people had forced their way into national leadership before. There had long been hard-bitten soldiers who fought better than aristocratic officers and became indispensable to kings. A later form of political recruitment came from young men of modest background who made good when electoral politics broadened in the late nineteenth century. One thinks of the aforementioned French politician Léon Gambetta, the grocer’s son, or the beer wholesaler’s son Gustav Stresemann, who became the preeminent statesman of Weimar Germany. A third kind of successful outsider in modern times has been clever mechanics in new industries (consider those entrepreneurial bicycle makers Henry Ford, William Morris, and the Wrights). But many of the fascist leaders were marginal in a new way. They did not resemble the interlopers of earlier eras: the soldiers of fortune, the first upwardly mobile parliamentary politicians, or the clever mechanics. Some were bohemians, lumpen-intellectuals, dilettantes, experts in nothing except the manipulation of crowds and the fanning of resentments: Hitler, the failed art student; Mussolini, a schoolteacher by trade but mostly a restless revolutionary, expelled for subversion from Switzerland and the Trentino; Joseph Goebbels, the jobless college graduate with literary ambitions; Hermann Goering, the drifting World War I fighter ace; Heinrich Himmler, the agronomy student who failed at selling fertilizer and raising chickens. Yet the early fascist cadres were far too diverse in social origins and education to fit the common label of marginal outsiders. Alongside street-brawlers with criminal records like Amerigo Dumini or Martin Bormann one could find a professor of philosophy like Giovanni Gentile or even, briefly, a musician like Arturo Toscanini. What united them was, after all, values rather than a social profile: scorn for tired bourgeois politics, opposition to the Left, fervent nationalism, a tolerance for violence when needed.
Robert O. Paxton (The Anatomy of Fascism)
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She said, "I wish I had been born poor." ("I wish I'd been born an Indian" - Robert Kennedy.) The ideal would have been to be born poor and black. But the counterculture was full of people in the grip of the same fantasy, with some - from street fighters to rock stars to flower children - even starting to believe they were black.
Sigrid Nunez (The Last of Her Kind)
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But a terrific gun barrage in the skies it was. Fighter planes darting in and out of the clouds like a frenzy of rabid moths around a street lamp.
susan Ornblatt
The experience of a sad and tender heart is what gives birth to fearlessness. Conventionally, being fearless means that you are not afraid or that, if someone hits you, you will hit him back. But we aren't talking about that street-fighter level of fearlessness. Real fearlessness is the product of tenderness. It comes from letting the world tickle your heart, your raw heart. You are willing to open up, without resistance or shyness, and face the world.
Chogyam Trungpa Rinpoche
Call Malcolm Price (Pricey) a ‘chancer’ and you would be wrong. Pricey has, with premeditated determination, won his battles and hung his gloves up; his story is no less dramatic or tantalising than that of his Welsh ancestors.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Barbarianism and finesse cannot be rolled into one, Pricey defeats this theory. The barbarianism born from his fight to make it in life, his finesse brought about by his sensitivity that was deprived of him when he was a child.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
The only kicks and highs people got then were the ones dished out in nightclub fights.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
The scenario where the sprawling anti-hero gets his comeuppance and the champion walks off into the sunset with his arm around the prize, usually a woman, is a pleasing one. This media personification of what a hero is all about used to be the common norm. Examining past events can confirm this convoluted outlook that sees the baddie being portrayed as some sort of evil manifestation sent to cause havoc by any means possible.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Malcolm Price embodies all that is Welsh, aside from the green valleys and male voice choirs. The will to win against insurmountable odds is a penchant of the Welsh, put this with a propensity to never say ‘die’ and that is what makes the Welsh so durable.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
My father was always suppressing the softer side of my nature; it seemed to have disappeared in the course of those boxing lessons, that’s what boxing did to me. My father took away the real me and replaced all what I could have been by imposing his brutal regime of terror upon me.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Gradually, the physical cruelty and punishment beatings started and it got worse. He’d be on his knees to try to teach me how to fight, so my father made out. Whack! His hand would slap in to my face with the full force might of a 6ft 4in 18st man!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
The anti-hero has played an important role in the history of mankind, so much so that the whole ethos of what is good and bad has become blurred.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Examining the background of anyone can bring skeletons to our attention; a blot on the landscape can mar all what pleases the eye. This is how Malcolm Price was perceived by those who would stand back in fear of what he was all about, yet nothing could be further from the truth!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
My aspirations never lay with boxing, but that’s the way I was pushed. I was still a choirboy when I started boxing because I remember I went to choir practice every Wednesday night. I missed some Wednesday nights if I was boxing and then when I missed it I’d have to tell the choirmaster why. I had a battle between the choir and boxing. When my voice inevitably broke, boxing won.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
I wanted to go in one direction, but my father forced me to follow his direction, and, somehow, he won. In one of these compelling situations, he wanted me to join the police force, but he had previously said that I didn’t have the bastard brains to pass my driving test. What a contradiction of terms?
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
I must have had that Bugsy Malone type of face that attracts every fucker to have a go at me.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Some people say you should watch a man’s feet to see if he’s ready to swing a punch, I say watch his fucking eyes!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
My time as a doorman was quite volatile and bloody, no door registration schemes or training courses could have prepared you for what it was like back then. You didn’t have vanloads of police patrolling up and down the town then, you were lucky if you even seen a couple of bobbies in a car, never mind on foot.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
I remember, I walked in to the house expecting to be consoled by my father, but he yelled, ‘What, you fucking lost!’ At this stage I was still only a kid, if I lost then I was given a good kicking by him. He would suddenly turn in to King Kong and proceeded to paint the walls seven colours of shite with me!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Like Lenny McLean said, and I agree with him totally, he told me it’s these bastards that hurt the old people and fuck up the young kids, they are the animals and they hardly get any prison sentence for it.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
If I lost a bout then I soon learned not to go home straight afterwards, I would give him time to go to the bar first. Event though I’d go to all of that trouble to escape his ranting and raving, my father would come home steaming drunk, drag me out of bed whilst I was still half asleep and beat the living shit out of me!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
To be an American once meant something,” Gray says softly. “You were part of a people and country that was respected and feared. When an American walked the street or a fighter plane took to the air, or a ship to sea, the world took notice. The world now mocks us, teases us. We’ve given up. We concern ourselves with silly things, like the style of a candidate’s hair or which bathroom people should use. That’s the way of losers. I don’t associate with losers.
James Patterson (The Witnesses)
Boxing in Hartlepool started on the beach at Seaton Carew where the fighters fought bare knuckle. In the early 1900s there was a boxing booth on the corner of Burbank Street known as the ‘Blood Tub’. The Blood Tub always drew the crowds and you were guaranteed a good punch up. Hartlepool was a booming ship port and someone would go round the docks and pick five coloured seamen for what was called an ‘All In’. One in each corner and one in the middle and when the bell rang it was every man for himself and the winner was the one left standing after some furious toe-to-toe exchanges. That was always a big crowd puller.
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
I believe in most men there is a certain amount of violence. Every man has a bit of fight in him, but some of them have to look deeper within themselves, further than most. The fight is there if you search for it; people don’t think they’ve got it at all, but they have got it, like the weakest fucking crony you could see on earth. If someone broke in to the house, I believe he’d fucking have a go rather than somebody hurt his wife and kids; it would press him to his limits. If he’s not going to defend his pitch, he’s not worth a cup of cold fucking water.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
As they carried him out, one of his mates came back in and said to me, ‘Do it too me, go on, fucking try it with me.’ I obliged and I flattened him as well and he was laid out in the ambulance next to Big John heading for the casualty department.
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
I went for a private sitting with a clairvoyant and got some really good messages off him, but one thing that did frighten me was when he said, ‘I can see a lot of fist fighting with you.
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
As they crept closer, I decided to make my move first and surprise them. I selected my prey, the biggest one! The reasoning behind this is that if you deck the largest and strongest one out of a group then it sends out a clear-cut message to the rest of them.
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
I never knew any of these people who were using my name, if I had a fiver for every time my name was used for protective purposes by these people to ward off trouble then I’d be a millionaire many times over by now.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
One lesson I learned from all of this, and that was a hard one, for all of the good I did people, it was never remembered. I was the one doing jail, not them. Apart from a small circle of close loyal friends, I was and am on my own.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
In a dancehall in Kendal, I chased the bouncers out of the fucking dancehall, they were wearing white coats and they took these coats off, put them on the floor and jacked; Ginger Harris and me, we put the white coats on and took over for the night!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
After about five minutes had passed, I went outside and they’d gone. When I checked my hand to see if my knuckles were swelling or any bruising was coming up I got a shock, there was false tan on my knuckles! I still chuckle about that to this day.
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
He was very cock sure of himself. He came at me and threw a big slow right, but he was so slow that he had telegraphed it to me and I’m ready for it and block it. I put a couple of big jabs on him and he went down like the Titanic, maybe quicker.
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
Thank God! He went down in front of the bar on the tiled floor. BANG! The fat bastard, he shattered both knees with the weight of him. My hands were in just a little bit of pain, but I was driven on to keep punching his fat head in by the gratifying squeals I was eliciting from him and, broken hands or not, with the coup de grace… I knocked him out.
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
Lee Duffy was a man apart and someone who only comes around once in a lifetime, a total one off. There have been a lot of things written about him in the press and it’s always been from the other side of the coin. There are always two sides to every story and Lee’s family have never fully told us their side. They are very distrustful of the press after Lee was made out to be some kind of monster. If Lee had been born and bred in London, he would have been an icon. He was Robin Hood, Dick Turpin and Muhammad Ali rolled into one.
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
These near death escapades didn’t put me off working in violent situations. If trouble happened then I couldn’t stop to think of what might happen. There were some good people about and my job was to protect them from trouble, I couldn’t let past experiences put me off.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Dicing with death is one man’s cup of tea, but another man’s poison. I just didn’t fear anything.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Today, these doormen, they wear body armour, armoured gloves, stab proof vests and all sorts; it’s totally changed, you get shot at the door you are paid to stand at, never mind getting stabbed. Druggies go away, get a gun, return and start shooting at you! Yeah, times are changing fast and there are some nice kids out there and some of them are fucking wild. I can’t see it getting better with these drug mugs because they get on them and they can’t get off them again.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
On this world you have the animals and they have as much right to be on this world as us; and it’s man who is the reason they are pushed to extinction. They’re killing them for their tusks and their horns, and these fucking idiots, they think claws will give them sex appeal and they get all fucking sissy on you.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Violence was second nature to the psychopathic and ultra-violent Stephen Moyle, who was already a seasoned street fighter, after having half his face torn off in a street fight with three other men.
Stephen Richards (Psycho Steve)
The difference between a heel and a coward and one who jumps in the fire and one who runs away from the fire; is up to the individual in how they manage a given situation.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Fear was keeping this loon going, as he was scrambling under the tables in this packed club, it was as if he was in a Carry On film and trying to hide from me. As the bouncers arrived, I was putting the boot in to the plonker without much success. He was like a bumblebee on speed!
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
He lost a few teeth and wet himself in to the next century. I looked up at his mates and none of them would look me in the face.
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
Most of the pubs had barred Des, but he came in to the Tiger bar and he points to me and says, ‘And you, out! I want you by the back of the car park.’ So I obliged him and proceeded to kick the poor cunt all around the car park, he ended up in hospital for a week! Eventually, when he came out of hospital he said that I was the best thing that had happened to him, I’d cured him!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
At that time, there was only one thing better that a good fight, and that was having a good fight and getting paid for it.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Obviously it’s hard for anyone to imagine, but these dance halls were powder kegs just waiting to erupt. Names were made and reputations were enhanced or blown in a flash!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
He caught me neat, right on the fucking face and I took one step back and thought, you’re not getting away with that you bastard! I was punching the piss out of him, he kept going down, but I didn’t kick him, he’d had enough. I didn’t put the boot in to a man older than myself. But this confrontation was out of the blue, out of the fucking blue. That’s what I had to face.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Everyone in the valleys knew me and because of that, so many people used my name in the valleys that there must have been at least a hundred times a night that the name ‘Malcolm Price’ was used.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
There was just one cheeky bastard in the club that night and it started World War Three. There was a bloodbath down there, they all got locked up, and the police dogs didn’t need feeding for a week after that.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
At first, we both miss a few sharp bursts of wild punches and then, BANG! I catch him with a full swing left hook and he goes down like a ferret down a hole after a rabbit. When that punch landed, I broke my hand, again, and simultaneously broke his jaw. I wonder if that is an entry into the Guinness Book of records?
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
When I got off him, I spat the blood that was swamping my mouth in to his face, I looked down at him and it really looked like he was dying… shit! The ambulance arrived in about a minute and they got an oxygen mask straight on him and I could see the life draining out of him. You see, this is the problem; we are only human and flesh and blood.
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
As one of the motorbikes came towards me, I let a big heavy right go, and knocked the rider’s head clean off his shoulders! Fucking hell, the guy’s head was still in his helmet and it was clattering all the way down the road.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
As much as Merthyr is a fighting town, these people also have hearts of gold. I worked all over Monmouth, and then the Aberfan disaster happened! That was a very emotional episode in my life. I never want to see anything like that ever again! In my opinion, the tip should have been moved well before the rain got in to it, and the old tip came rolling down the hillside on the school and the walls just caved in!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Although I had committed just about every sort of assault imaginable on people and even the odd one or two against the police, I still had and still do have respect for the old school policeman.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Remember, I was only in to fighting; I wasn’t a high-ranking underworld figure selling the Crown Jewels! I wasn’t the Merthyr Mafia and I had no connections with the goings on of petty criminal matters.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Why hang about in long drawn out fights, you want them to be over as quick as possible and I was blessed with a pitiless punch that sorted the men out from the boys. The only drawback to having such a vicious punch is that my hands have been broken so many times over the years.
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
Someone once asked me if I knew the feeling of fear. Oh, I knew fear. Well, really speaking I never feared any fucker at that time; I’ve got to be honest. But I knew fear, the fear of losing! There was never any fear of combat! My father instilled that fear in to me and that was what drove me on to win … the fear of what was to come after you went home saying you’d lost!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
People keep telling me that I’m a legend in Merthyr and a legend in many other places. Here’s my understanding on that, what’s a legend? I don’t really know what a legend is, I don’t even know the word. I’m not a King Arthur reincarnate either. I might be one of the Round Table, but I’m not King Arthur.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
You know, the Lord said to Adam: ‘Come forth, come forth,’ and he came fifth and won the fucking apple, do you know what I mean. If you can walk away, walk away but it’s hard to do
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
I’ve had guns pointed at me, and I can tell you that it’s not the right place to be standing if some is really mad at you!
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
I started to turn my life around for the better and try to instil a bit of stability and balance back in to it and take a back seat to violence. I wanted to leave that part of my life behind. The leopard wanted to ditch its spots!
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
You may be playing with talents that is capable of making you a multi-millionaire and not know it. Mike Tyson was a bully and a street fighter getting into trouble until an elderly boxing trainer helped him to harness his talent to become a boxing legend.
Ucheka Anofienem (How to Discover Your Natural Talent)
Awareness is what separates warriors from soldiers or fighters. Soldiers follow orders and fight. Warriors don’t need orders because they know what needs to be done. Nor do warriors fight for petty reasons; their job is to maintain and protect the tribe. Once you lose sight of what is going on, you slip into either soldier or fighter mode. That’s not good. A soldier blindly follows orders, even if it means getting killed. If the people giving the orders have gone bad, the amount of damage can be unbelievable (look at Nazi Germany). A fighter, on the other hand, is like a rabid dog; he’s hurt and fucked up and wants to share the wealth. Toe tags are not fashionable jewelry, but being a fighter or soldier usually leads to them. Un- fortunately, our culture generally gives you a choice only of being a fighter or a soldier. This book tells you what you need to know to be a warrior.
Marc MacYoung (Violence, Blunders, and Fractured Jaws: Advanced Awareness Techniques and Street Etiquette)
Here was the problem with Jack Reacher: he was a bad guy who sometimes did good things. Given his itinerant lifestyle, Will thought of him as an American James Bond—not the Bond from the movies but the Bond from the books who was one level up from a street fighter. There was no M to temper his feralness. Reacher did not have a legal license to kill. Or maim. Or shoot people in their knees, which was a really mean thing to do, even to a stone-cold gangster.
Karin Slaughter (Cleaning the Gold (Jack Reacher, #23.6; Will Trent, #8.5))
We must not reach for a status that is only bestowed by a white supremacist system that really despises us. We must resist. To claim not only our alignment with n****s, but our identity as N****s ourselves is the greatest act of defiance; it is our sacred duty as descendants of enslaved people, freedom fighters, street corner hustlers, and our own grandparents. Ultimately N**** theory— and praxis— is what will get us free.” - Melina Abdullah
Jody Armour (N*gga Theory: Race, Language, Unequal Justice, and the Law)
Tea helped unite opposition to British policy, for the resistance to the tax on tea dovetailed nicely with lower-class resentments. Tea was an easy target, a symbol both of Parliament’s arrogance and a crumbling social hierarchy. By identifying the British and their loyalist allies as purveyors of a decadent European culture—tea drinking theatergoers who dressed in fancy clothes and enforced oppressive laws—Whig leaders and street fighters were able to unite around a common enemy.
Ray Raphael (A People's History of the American Revolution: How Common People Shaped the Fight for Independence)
Whatever Trump’s moral failings, he’s a ruthless street fighter suited for an era of political combat. Rightly or wrongly, many conservatives—and particularly Christian conservatives—believe that they’ve been held back by their sense of righteousness, grace, and gentility, and as a result, they are on the verge of being vanquished, and America forever lost. Trump is the enemy they believe the left deserves, and perhaps the only hope Christian conservatives have.
Ezra Klein (Why We're Polarized)
With a street-fighter's unerring insticts, Comrade Pillai knew that his straitened circumstances (his small, hot house, his grunting mother, his obvious proximity to the toiling masses) gave him a power over Chacko that in those revolutionary times no amount of Oxford education could match. He held his poverty like a gun to Chacko's head.
Arundhati Roy (The God of Small Things)
some cigarettes and when I returned she sat me down to discuss the Winter Olympics. “Did you see it on the TV? That Tonya Harding? I never liked her. She’s a street fighter is what she is, a dirty snot. Nancy Kerrigan I like, but not that street fighter.” Tonya Harding really is something else. I resisted the story until I saw a picture of her. With her fierce makeup, she looks like a child’s drawing of an angry babysitter.
David Sedaris (Theft by Finding: Diaries (1977-2002))