Comment On Pictures Quotes

We've searched our database for all the quotes and captions related to Comment On Pictures. Here they are! All 100 of them:

No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
Adrian gave the picture a nod of approval before handing me the phone. "Okay, even I can admit that's pretty cute." I found myself overanalyzing the comment. What had he meant in saying 'even he' could admit it? That I was cute for a human? Or that I had just met some kind of Adrian hot-girl criteria?
Richelle Mead (Bloodlines (Bloodlines, #1))
I love all the girls who have my song on their myspaces. I love the people who come to my shows and put the pictures on here. I love the people at those shows who sing along with me. I love reading your stories in emails, some so touching they've given me chills. I love every single person who has wanted my autograph, because for the life of me I never really thought it would mean something to someone for me to write my name down. I love the little girls who stand in line with their mothers like I used to do. That was me. I love the couple who danced to my song at their wedding. Every comment, letter, and message. I love people who listen to the radio. I love every single person who is reading this, because you've let me into your life. I love you all so much, I just wanted you to know.
Taylor Swift
Daemon practically knocked me over to get in one last comment. “Don't forget. There are cooler things out there than fallen angels and dead guys. Just saying.” He winked. I pictured an entire legion of females swooning. Pushing him aside, I winced and clicked the off button on the webcam page. “You like seeing yourself being recorded.” He shrugged. “That was fun. When do you do another?
Jennifer L. Armentrout (Onyx (Lux, #2))
He had first been excited by Facebook, ghosts of old friends suddenly morphing to life with wives and husbands and children, and photos trailed by comments. But he began to be appalled by the air of unreality, the careful manipulation of images to create a parallel life, pictures that people had taken with Facebook in mind, placing in the background the things of which they were proud.
Chimamanda Ngozi Adichie (Americanah)
An incomplete list: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
I think you think that sitting at your desk, frowning and smiling somehow makes you think you’re actually living some fascinating life. You comment on things, and that substitutes for doing them. You look at pictures of Nepal, push a smile button, and you think that’s the same as going there. I mean, what would happen if you actually went? Your CircleJerk ratings or whatever-the-fuck would drop below an acceptable level! Mae, do you realize how incredibly boring you’ve become?
Dave Eggers (The Circle)
Picture this: possible boyfriend X takes normal girl versus freak girl, namely me, home to meet his mother. After a handshake, normal girl comments, Oh, what a pretty manicure, Mrs. X. My comment? After I wipe away the foam at my mouth, and I'm finally done convulsing, Mrs, X, you'll die in a car crash two weeks from today. You may as well take care of the arrangements because I'm never wrong. And we live happily ever after? Fat chance.
Ramona Wray (Hex: A Witch and Angel Tale)
He tried to picture her in battle, covered in gore and swinging a blade - would she be silent and barbarous or would she flit through the fray, making sarcastic comments as she casually dealt deathblows?
Bethany K. Lovell (Faetal Distraction (Blood Crown, #1))
My narrative is at an end. I have no comments to make upon the subject of Slavery. Those who read this book may form their own opinions of the "peculiar institution." What it may be in other States, I do not profess to know; what it is in the region of Red River, is truly and faithfully delineated in these pages. This is no fiction, no exaggeration. If I have failed in anything, it has been in presenting to the reader too prominently the bright side of the picture. I doubt not hundreds have been as unfortunate as myself; that hundreds of free citizens have been kidnapped and sold into slavery, and are at this moment wearing out their lives on plantations in Texas and Louisiana. But I forbear. Chastened and subdued in spirit by the sufferings I have borne, and thankful to that good Being through whose mercy I have been restored to happiness and liberty, I hope henceforward to lead an upright though lowly life, and rest at last in the church yard where my father sleeps.
Solomon Northup (Twelve Years a Slave)
No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
Do not be angry with the dormant friends you have on Facebook and on social media who do not LIKE or comment on your statuses and pictures, and do not congratulate you on your birthday. See them just as the regular passengers you meet every morning on the train and bus on your way to work, and with whom you do not exchange greetings ― the only thing you share being just passengers on board the same train and bus.
Nkwachukwu Ogbuagu
She had had such an unhappy childhood and she had only to picture some poor child suffering in a similar way for her heart to sink. Of course, she knew that she would never punish her child for poor academic performance. She would not comment on her child’s lack of good looks either. Nor would she ever tell her son or daughter as her mother had once told her that she was only staying in a bad, destructive relationship for their sake.
Lynne Graham (The Italian Boss's Mistress (Brides of L'Amour, #2))
Brody’s problem is that he has zero respect for the opposite sex. “Does he really refuse to take selfies with a girl, or was he making that up to toy with me?” Sabrina asks. “No, that’s a real thing for him. He thinks that any pictures of him with a girl pressed up to his side would drive other potential hookups away. Selfies are a sign of commitment.” He’d expounded on this topic at some length after instructing me to keep my Tinder account active and to not tell anyone I was having a kid. “Ugh. He’s so gross.” “I signed up for a fake Instagram account so I can troll him. When he posts something, I’ll wait a day or so and then pop on to comment about how cool it is that he and my grandpa are rocking the same shirt. I’ve done that twice now and each time, I’ve seen him shoving the shirt down the apartment’s trash compactor.” Sabrina throws back her head and cackles. “You do not.” “Hey, we all have to get our jollies somewhere, right? For me, it’s negging Brody on Instagram and choking my baby mama in breathing classes.
Elle Kennedy (The Goal (Off-Campus, #4))
Janco stepped between us. “Let’s see if I have this right,” he said to Cahil. “Yelena beats you, so you want a rematch, but you think she’ll use her magic instead of her fighting skills to win. That’s quite the quandary.” Janco pulled at his goatee. “Since I taught her everything she knows, and I don’t have any magic, thank fate, how about you fight me? Your long sword against my bow.” “ You taught her everything?” Ari asked. Janco waved away his comment. “Details, details. I’m thinking big picture here, Ari.
Maria V. Snyder (Magic Study (Study, #2))
The Tustin police seemed reluctant to publicise the racial implication of the crime. For instance, the Tustian Weekly omitted the words- I killed a jap- in their rendition of Lindberg's letter.' Wait, they did edit it. I don't get it. Why the hell would they do that?" "I am sorry" Junes looked up from the article. Margaret hold out a hand and placed it on top of his. He couldn't tell if it was trembling because his own hand was shaking pretty badly now. "Why are you sorry?" "Because you're Korean" "So?" "He was one of your people" Junseok snatched his hand away from her. Hequicklc shoved it under the table. "I'm Korean-American," he said. "But still" "Still what? This guy was Vietnamese. How is he one of my people?" "Well, both of you are Asians" Junseok stared back at her sincere eyes, then at his hand under the table. He wanted desperately to explain how non-sensical her comment was, but instead, he folded up the paper slowly and carefully. Tucking it under his arm, he got up , and whiteout saying anything to her, walked towards the exit. She called from behind, but he walked on, feeling the dirties expand inside him like a large flower. Each step quickened until he was running, running out the door and into the street, running past people and cars, running without the finest idea of what he was running from, to a place that he couldn't possibly picture in his mind.
Tablo (Pieces of You)
It’s kind of romantic with unrequited love. A big, strong, sexy hero. A fight to the death.” She sighed wistfully. Slowly and thoughtfully, she traced his strong jaw with her fingertip. “You’d make a good Orion,” she murmured absentmindedly. Ronin raised an eyebrow, and, realizing that she’d said that out loud, she buried her face in his shoulder. “Umm… shit…” she whispered. “It’s getting pretty late and I have to work tomorrow. I should probably, um… yeah.” Neither of them spoke after that, both lost in their own thoughts. Devin contemplated the need to work on her verbal filter, rather mortified by her offhanded Orion comment. But, honestly, Ronin was exactly how she pictured Orion when she was a little girl. Big and stoic, muscular with a strong jaw, a fierce build. A mighty Greek hero.
Sibylla Matilde (Little Conversations (Conversations, #1))
Her youthful habit of consuming a picture just inches from its aromatic surface died a long time ago. Sebastian, when they were first dating, had once called it an affectation and she could never bring herself to do it again. His offhanded comment should have been a sign of future cruelties and standards of perfection, but instead she’d quickly agreed with his assessment and was grateful for his candor. She
Dominic Smith (The Last Painting of Sara de Vos)
John Calvin, Comment on 2 Cor. 5:20 This is why Paul upholds the teaching of the gospel in such a forceful way ... Seeing such an example and such a picture of man’s great weakness and fickleness, Paul states that the truth of the gospel must supersede anything that we may devise … he is showing us that we ought to know the substance of the doctrine which is brought to us in the name of God, so that our faith can be fully grounded upon it. Then we will not be tossed about with every wind, nor will we wander about aimlessly, changing our opinions a hundred times a day; we will persist in this doctrine until the end. This, in brief, is what we must remember.
John Calvin
You don’t know,” Anthony said, his voice low and nearly shaking with rage. “You don’t know what he has done.” “No more than what you have done, I’m sure,” Violet said slyly. “Precisely!” Anthony roared. “Good God, I know exactly what is going on in his brain right now, and it has nothing to do with poetry and roses.” Simon pictured laying Daphne down on a bed of rose petals. “Well, maybe roses,” he murmured. “I’m going to kill him,” Anthony announced. “These are tulips, anyway,” Violet said primly, “from Holland. And Anthony, you really must summon control of your emotions. This is most unseemly.” “He is not fit to lick Daphne’s boots.” Simon’s head filled with more erotic images, this time of himself licking her toes. He decided not to comment. Besides, he had already decided that he wasn’t going to allow his thoughts to wander in such directions. Daphne was Anthony’s sister, for God’s sake. He couldn’t seduce her. “I refuse to listen to another disparaging word about his grace,” Violet stated emphatically, “and that is the end of the subject.” “But—” “I don’t like your tone, Anthony Bridgerton!” Simon thought he heard Daphne choke on a chuckle, and he wondered what that was all about. “If it would please Your Motherhood,” Anthony said in excruciatingly even tones, “I would like a private word with his grace.” “This time I’m really going to get that vase,” Daphne announced, and dashed from the room. Violet crossed her arms, and said to Anthony, “I will not have you mistreat a guest in my home.” “I shan’t lay so much as a hand on him,” Anthony replied. “I give you my word.” Having never had a mother, Simon was finding this exchange fascinating. Bridgerton House was, after all, technically Anthony’s house, not his mother’s, and Simon was impressed that Anthony had refrained from pointing this out. “It’s quite all right, Lady Bridgerton,” he interjected. “I’m sure Anthony and I have much to discuss.” Anthony’s eyes narrowed. “Much.
Julia Quinn (The Duke and I (Bridgertons, #1))
I shove the wooden debris out of the way until I see the smudged face of the teddy bear. “There she is.” I carefully pull out the bear and sword. I proudly flip the bridal veil skirt to show him the scabbard. Raffe stares at the disguised sword for a second before commenting. “Do you know how many kills this sword has?” “It’s a perfect disguise, Raffe.” “This sword is not just an angel sword. She’s an archangel sword. Better than an angel sword, in case that’s not clear. She intimidates the other angel swords.” “What, the other swords quake in their scabbards when they see her?” I walk over to the pile of scattered junk by Captain Jake’s boat. “Yes, if you must know,” he says following me. “She was made for ultimate respect. How is she supposed to get that disguised as a teddy bear in a bridal gown?” “It’s not a bridal gown, it’s a skirt for her scabbard. And it’s cute.” “She hates cute. She wants to maim and scar cute.” “Nobody hates cute.” “Angel swords do.” He arches his brow and stares down at me. I guess I won’t tell him how many cutesy angel figurines and pictures we used to have in the World Before.
Susan Ee (World After (Penryn & the End of Days, #2))
Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting. But we are very far from reaching that state. We remain incorrigibly verbal creatures who love to explain things, to form opinions, to argue. Put us in front of a picture and we chatter, each in our different way. Proust, when going round an art gallery, liked to comment on who the people in the pictures reminded him of in real life; which might have been a deft way of avoiding the direct aesethetic confrontation. But it is a rare picture that stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.
Julian Barnes (Keeping an Eye Open: Essays on Art)
It isn’t until an adult criticizes the picture and makes derogatory comments … that children lose their confidence and stop drawing. If young people spent as much time drawing as they do learning [the] alphabet … they would all make good pictures and maybe never even need to draw a straight line.
Alice Provensen
Anticommunist dissidents who labored hard to overthrow the GDR were soon voicing their disappointments about German reunification. One noted Lutheran clergyman commented: "We fell into the tyranny of money. The way wealth is distributed in this society [capitalist Germany] is something I find very hard to take." Another Lutheran pastor said: "We East Germans had no real picture of what life was like in the West. We had no idea how competitive it would be .... Unabashed greed and economic power are the levers that move this society. The spiritual values that are essential to human happiness are being lost or made to seem trivial. Everything is buy, earn, sell
Michael Parenti (Blackshirts and Reds: Rational Fascism and the Overthrow of Communism)
Long ago I used to mutter (as you probably do), "Very interesting," and cast a desperate glance around for the punch-bowl. This banal comment fools no one, least of all the artist, and you quickly find you have lost a friend and alienated a roomful of people, all of whom are pretending they like the pictures with a grim kind of appreciation.
Sydney J. Harris
For there is a spot the size of a shilling at the back of the head which one can never see for oneself. It is one of the good offices that sex can discharge for sex--to describe that spot the size of a shilling at the back of the head. Think how much women have profited by the comments of Juvenal; by the criticism of Strindberg. Think with what humanity and brilliancy men, from the earliest ages, have pointed out to women that dark place at the back of the head! And if Mary were very brave and very honest, she would go behind the other sex and tell us what she found there. A true picture of man as a whole can never be painted until a woman has described that spot the size of a shilling.
Virginia Woolf
Remember what the fashion big mouths were saying about Jessica Simpson? Looking at her magazine pictures, sucking their teeth, going, "Oh, look at her in her 'mom jeans.'" Know what? That is an unnecessarily cheap shot at her and kinda lousy to moms at the same time. Who the hell are they to say that? What gratification does it give them to be mean at someone's expense? People made nasty comments like that about President Obama. They made an issue of his jeans when he threw out the first ball at the All-Star game in St. Louis. Why? Who was he bothering? Come on. The tabloids, celebrity mags, and TV entertainment shows do fashion critiques all the time. But it's not about fashion, it's about trashin'. Their specialty is "Celebrity Cellulite!"--running unflattering pictures of stars at the beach and saying who should give up the bikini and go for the one-piece. And this is acceptable? This is a mark of journalism in a civil society, to take ambush pictures of people at the beach? And if the camera was turned around and pointed the other way, what would that look like?
Whoopi Goldberg (Is It Just Me?: Or Is It Nuts Out There?)
I’m still addicted to the sensation I get watching a post go crazy with comments and likes on Instagram. Casually snapping a picture and uploading it for 28 million people provides a pretty serious high. There’s a thrill in knowing that folks all over the world might be talking about what I posted. It’s quite a rush to create a tidal wave like that whenever I want.
Emily Ratajkowski (My Body)
Warren Buffett, the “Sage of Omaha” whose shrewd investments have made him one of the world’s richest men, has a stake in the marijuana industry via Cubic Designs, a company that provides mezzanine floor-space for warehouses. Cubic Designs dropped flyers off at 1,000 marijuana dispensaries, urging them to “double your growing space,” with a picture of metal flooring loaded with cannabis plants. The Sage himself made no comment.
Tom Wainwright (Narconomics: How to Run a Drug Cartel)
No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No
Emily St. John Mandel (Station Eleven)
No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
A friend of mine commented yesterday that she has experienced similar insights that I talked about that all enlightened Masters and founders of religion are actually talking about the same ocean, the same invisible life source, the same God. She also said that she worked in a Christan environment at the time that she received these insights, and when she tried to share these insights with the Christians she was accused of being "impure" and of being associated with the "Devil". Christians hold on to the idea that Jesus was the only son of God, without realizing that we are all son's and daughter's of God. By holding on to the idea that Jesus is the only son of God, they do not either to realize that all enlightened Masters are talking about the same God. Jesus did not talk about faith, he talked about trust. He talked about discovering a trust in yourself and in relationship to God. Jesus said that the kingdom of God is within you. In Christianity, the church has become the intermediate between man and God, and people who claim that they have found a direct relationship to God are accused of blasphemy. The Christan church has become a barrier between man and God, and anyone who has declared that he has found a direct relationship to God are immediately banned by the church, for example Master Eckhart and Franciskus of Assisi. I have always had a deep love for Jesus, but it is not the picture of Jesus that the Christian church presents. I was a disciple of Jesus in a former life, and was thrown to the lions in Colosseum in Rome as one of the early Christians. Jesus had many more disciples than the twelve disciples mentioned in The Bible. In this life, I resigned my automatic membership in the church as soon as I could think for myself when I was 15 years old. I was also disgusted with an organization that said that they preached love and which has murdered more people than Hitler. My experience with these rare and precious insights are that they expand our consciousness of reality. They are gradual initiations into reality. They may fade away, but we will never be the same again after receiving them. They will also come more and more, the more committment we have to our spiritual growth.
Swami Dhyan Giten
During this hour in the waking streets I felt at ease, at peace; my body, which I despised, operated like a machine. I was spaced out, the catchphrase my friends at school used to describe their first experiments with marijuana and booze. This buzzword perfectly described a picture in my mind of me, Alice, hovering just below the ceiling like a balloon and looking down at my own small bed where a big man lay heavily on a little girl I couldn’t quite see or recognize. It wasn’t me. I was spaced out on the ceiling. I had that same spacey feeling when I cooked for my father, which I still did, though less often. I made omelettes, of course. I cracked a couple of eggs into a bowl, and as I reached for the butter dish, I always had an odd sensation in my hands and arms. My fingers prickled; it didn’t feel like me but someone else cutting off a great chunk of greasy butter and putting it into the pan. I’d add a large amount of salt — I knew what it did to your blood pressure, and I mumbled curses as I whisked the brew. When I poured the slop into the hot butter and shuffled the frying pan over the burner, it didn’t look like my hand holding the frying-pan handle and I am sure it was someone else’s eyes that watched the eggs bubble and brown. As I dropped two slices of wholemeal bread in the toaster, I would observe myself as if from across the room and, with tingling hands gripping the spatula, folded the omelette so it looked like an apple envelope. My alien hands would flip the omelette on to a plate and I’d spread the remainder of the butter on the toast when the two slices of bread leapt from the toaster. ‘Delicious,’ he’d say, commenting on the food before even trying it.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
can …’ As I listened, I looked up at the white clouds drifting past. Finally, they had opened – it had started to snow – snowflakes were falling outside. I opened the window and reached out my hand. I caught a snowflake. I watched it disappear, vanish from my fingertip. I smiled. And I went to catch another one. Acknowledgements I’m hugely indebted to my agent, Sam Copeland, for making all this happen. And I’m especially grateful to my editors – Ben Willis in the United Kingdom and Ryan Doherty in the United States – for making the book so much better. I also want to thank Hal Jensen and Ivàn Fernandez Soto for their invaluable comments; Kate White for years of showing me how good therapy works; the young people and staff at Northgate and everything they taught me; Diane Medak for letting me use her house as a writing retreat; Uma Thurman and James Haslam for making me a better writer. And for all their helpful suggestions, and encouragement, Emily Holt, Victoria Holt, Vanessa Holt, Nedie Antoniades, and Joe Adams. Author Biography Alex Michaelides read English at Cambridge University and screenwriting at the American Film Institute. He wrote the film Devil You Know starring Rosamund Pike, and co-wrote The Con is On. His debut novel, The Silent Patient, is also being developed into a major motion picture, and has been sold in thirty-nine territories worldwide. Born in Cyprus to a Greek-Cypriot father and English mother, Michaelides now lives in London, England.
Alex Michaelides (The Silent Patient)
Pen, you really shouldn’t use the same password for all your accounts. I’ve headed off three hackers in the last week who would’ve gotten into your PayPal, bank, and electric company accounts.” “What?” Penelope was obviously confused at the change in subject, but Cade merely relaxed back in his seat and kept his eyes on Beth as she fidgeted uncomfortably. “Using PenisGod isn’t a good username for things like Amazon and eBay. And you really need to delete your craigslist account because calling yourself a penis god is only attracting weirdos. You probably don’t even remember you had that old ad up when you were trying to sell your bicycle. Well, it’s one of the most clicked-on ads on the site for San Antonio. I’m not exaggerating either. You had four hundred and sixty-nine messages—and I’m not even going to comment on the sixty-nine thing. But three hundred and fourteen of those contained pictures of men’s dicks. Fifty-seven contained marriage proposals, most from overseas; twenty-seven were from women who were interested in a threesome with you, fifty-five were spam, people trying to get you to click on links or buy some crap product, and the remaining sixteen emails were religious in nature, telling you to repent for your soul.” “I should probably be pissed you got into my account, but I trust you, so I’m not. But it’s not penis god!” Penelope exclaimed huffily. “It’s Pen IS God.” Cade burst out laughing. “Seriously, sis? Penis god? Just wait until the guys hear this!
Susan Stoker (Shelter for Elizabeth (Badge of Honor: Texas Heroes, #5))
AN INCOMPLETE LIST: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take photographs of concert stages. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one’s hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position—but no, this wasn’t true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
As Donald Trump was campaigning for the Republican nomination for president in 2016 he was asked, “Have you ever asked God for forgiveness?” He replied, “I’m not sure I have. I just go and try and do a better job from there. . . . If I do something wrong, I think I just try to make it right. I don’t bring God into that picture. I don’t.”1 He created quite a stir among many religious people, so he tempered the comments a few days later. But I think he was being honest, and his comments reflect the way many people feel: in theory they believe in the forgiveness of sins, but the concept doesn’t really apply to them. Standing in stark contrast to this view is one articulated by twentieth-century existentialist theologian Paul Tillich, who once said, “Forgiveness is an answer, the divine answer, to the question implied in our existence.”2
Adam Hamilton (Creed: What Christians Believe and Why)
Only those who experienced our war in the East can truly picture its scale and ferocity. There are many of us who were there; I believe that of the 20 million men who served under German arms from 1939 to 1945, 17 million served exclusively on the Russian front. Yet, the survivors are less than that number, and our experience is not readily discussed in public today. For this reason, I have written this book, which for me encapsulates the spirit of that war, with its slaughter, chaos, universal destruction and its strange bravery on all sides. I have drawn on what I experienced as a Tiger panzer crew man; nothing that I have set down here is exaggerated or confected. Some press critics have already said that this book is ‘needlessly controversial,’ ‘too provocative’ or even ‘too violent,’ comments which seem incredible when applied to a book about the East.
Wolfgang Faust (Tiger Tracks - The Classic Panzer Memoir (Wolfgang Faust's Panzer Books))
Regression effects are ubiquitous, and so are misguided causal stories to explain them. A well-known example is the “Sports Illustrated jinx,” the claim that an athlete whose picture appears on the cover of the magazine is doomed to perform poorly the following season. Overconfidence and the pressure of meeting high expectations are often offered as explanations. But there is a simpler account of the jinx: an athlete who gets to be on the cover of Sports Illustrated must have performed exceptionally well in the preceding season, probably with the assistance of a nudge from luck—and luck is fickle. I happened to watch the men’s ski jump event in the Winter Olympics while Amos and I were writing an article about intuitive prediction. Each athlete has two jumps in the event, and the results are combined for the final score. I was startled to hear the sportscaster’s comments while athletes were preparing for their second jump: “Norway had a great first jump; he will be tense, hoping to protect his lead and will probably do worse” or “Sweden had a bad first jump and now he knows he has nothing to lose and will be relaxed, which should help him do better.” The commentator had obviously detected regression to the mean and had invented a causal story for which there was no evidence. The story itself could even be true. Perhaps if we measured the athletes’ pulse before each jump we might find that they are indeed more relaxed after a bad first jump. And perhaps not. The point to remember is that the change from the first to the second jump does not need a causal explanation. It is a mathematically inevitable consequence of the fact that luck played a role in the outcome of the first jump. Not a very satisfactory story—we would all prefer a causal account—but that is all there is.
Daniel Kahneman (Thinking, Fast and Slow)
Angered by his quick recovery, commentators sought to recast the triumphant scene of his return to the White House. When Trump appeared on the White House balcony after his return from Walter Reed, NBC News’s presidential historian Michael Beschloss tweeted, “In America, our Presidents have generally avoided strongman balcony scenes—that’s for other countries with authoritarian systems.”61 While the tweet was amplified by Beschloss’s fellow Resistance members, Americans with better knowledge of presidential history responded with pictures of every other president pictured at the balcony, be it President Barack Obama (many, many times—once with communist dictator Xi Jinping, no less), President George W. Bush, President George H. W. Bush, President Ronald Reagan, President Jimmy Carter, President Richard Nixon, on back to President Dwight D. Eisenhower and President Franklin Delano Roosevelt.62
Mollie Ziegler Hemingway (Rigged: How the Media, Big Tech, and the Democrats Seized Our Elections)
COOKBOOK FOR THE MODERN HOUSEWIFE The cover was red with a subtle crosshatch pattern and distressed, the book's title stamped in black ink- all of it faded with age. Bordering the cookbook's cover were hints of what could be found inside. Alice tilted her head as she read across, down, across, and up the cover's edges. Rolls. Pies. Luncheon. Drinks. Jams. Jellies. Poultry. Soup. Pickles. 725 Tested Recipes. Resting the spine on her bent knees, the cookbook dense yet fragile in her hands, Alice opened it carefully. There was an inscription on the inside cover. Elsie Swann, 1940. Going through the first few, age-yellowed pages, Alice glanced at charts for what constituted a balanced diet in those days: milk products, citrus fruits, green and yellow vegetables, breads and cereals, meat and eggs, the addition of a fish liver oil, particularly for children. Across from it, a page of tips for housewives to avoid being overwhelmed and advice for hosting successful dinner parties. Opening to a page near the back, Alice found another chart, this one titled Standard Retail Beef Cutting Chart, a picture of a cow divided by type of meat, mini drawings of everything from a porterhouse-steak cut to the disgusting-sounding "rolled neck." Through the middle were recipes for Pork Pie, Jellied Tongue, Meat Loaf with Oatmeal, and something called Porcupines- ground beef and rice balls, simmered for an hour in tomato soup and definitely something Alice never wanted to try- and plenty of notes written in faded cursive beside some of the recipes. Comments like Eleanor's 13th birthday-delicious! and Good for digestion and Add extra butter. Whoever this Elsie Swann was, she had clearly used the cookbook regularly. The pages were polka-dotted in brown splatters and drips, evidence it had not sat forgotten on a shelf the way cookbooks would in Alice's kitchen.
Karma Brown (Recipe for a Perfect Wife)
Each and every day, as we navigate the real world, we leave a billion little fingerprints in our wake. The door handles we touch, the screens we press, and the people we interact with all capture a trace of our being there. The same is true on the Internet. We share pictures and videos on social networks, leave comments on news articles. We e-mail, text, and chat with hundreds of people throughout the day. If there is anyone who left more of those digital fingerprints lying around the Internet than most people, it was Ross Ulbricht. He spent years living on his computer and interacting with people, good and bad, through that machine. Over the course of my research for this book, I was able to gain access to more than two million words of chat logs and messages between the Dread Pirate Roberts and dozens of his employees. These logs were excruciatingly in-depth conversations about every moment and every decision that went into creating and managing the Silk Road.
Nick Bilton (American Kingpin: The Epic Hunt for the Criminal Mastermind Behind the Silk Road)
In under two weeks, and with no budget, thousands of college students protested the movie on their campuses nationwide, angry citizens vandalized our billboards in multiple neighborhoods, FoxNews.com ran a front-page story about the backlash, Page Six of the New York Post made their first of many mentions of Tucker, and the Chicago Transit Authority banned and stripped the movie’s advertisements from their buses. To cap it all off, two different editorials railing against the film ran in the Washington Post and Chicago Tribune the week it was released. The outrage about Tucker was great enough that a few years later, it was written into the popular television show Portlandia on IFC. I guess it is safe to admit now that the entire firestorm was, essentially, fake. I designed the advertisements, which I bought and placed around the country, and then promptly called and left anonymous complaints about them (and leaked copies of my complaints to blogs for support). I alerted college LGBT and women’s rights groups to screenings in their area and baited them to protest our offensive movie at the theater, knowing that the nightly news would cover it. I started a boycott group on Facebook. I orchestrated fake tweets and posted fake comments to articles online. I even won a contest for being the first one to send in a picture of a defaced ad in Chicago (thanks for the free T-shirt, Chicago RedEye. Oh, also, that photo was from New York). I manufactured preposterous stories about Tucker’s behavior on and off the movie set and reported them to gossip websites, which gleefully repeated them. I paid for anti-woman ads on feminist websites and anti-religion ads on Christian websites, knowing each would write about it. Sometimes I just Photoshopped ads onto screenshots of websites and got coverage for controversial ads that never actually ran. The loop became final when, for the first time in history, I put out a press release to answer my own manufactured criticism: TUCKER MAX RESPONDS TO CTA DECISION: “BLOW ME,” the headline read.
Ryan Holiday (Trust Me, I'm Lying: Confessions of a Media Manipulator)
I hear two female voices around the corner and creep toward the end of the hallway to hear better. “…just can’t handle her being here,” one of them sobs. Christina. “I can’t stop picturing it…what she did…I don’t understand how she could have done that!” Christina’s sobs make me feel like I am about to crack open. Cara takes her time responding. “Well, I do,” she says. “What?” Christina says with a hiccup. “You have to understand; we’re trained to see things as logically as possible,” says Cara. “So don’t think that I’m callous. But that girl was probably scared out of her mind, certainly not capable of assessing situations cleverly at the time, if she was ever able to do so.” My eyes fly open. What a--I run through a short list of insults in my mind before listening to her continue. “And the simulation made her incapable of reasoning with him, so when he threatened her life, she reacted as she had been trained by the Dauntless to react: Shoot to kill.” “So what are you saying?” says Christina bitterly. “We should just forget about it, because it makes perfect sense?” “Of course not,” says Cara. Her voice wobbles, just a little, and she repeats herself, quietly this time. “Of course not.” She clears her throat. “It’s just that you have to be around her, and I want to make it easier for you. You don’t have to forgive her. Actually, I’m not sure why you were friends with her in the first place; she always seemed a bit erratic to me.” I tense up as I wait for Christina to agree with her, but to my surprise--and relief--she doesn’t. Cara continues. “Anyway. You don’t have to forgive her, but you should try to understand that what she did was not out of malice; it was out of panic. That way, you can look at her without wanting to punch her in her exceptionally long nose.” My and moves automatically to my nose. Christina laughs a little, which feels like a hard poke to the stomach. I back up through the door to the Gathering Place. Even though Cara was rude--and the nose comment was a low blow--I am grateful for what she said.
Veronica Roth (Insurgent (Divergent, #2))
The photographer was taking pictures with a small pocket camera but the sergeant sent him back to the car for his big Bertillon camera. Grave Digger and Coffin Ed left the cellar to look around. The apartment was only one room wide but four storeys high. The front was flush with the sidewalk, and the front entrance elevated by two recessed steps. The alleyway at the side slanted down from the sidewalk sufficiently to drop the level of the door six feet below the ground-floor level. The cellar, which could only be entered by the door at the side, was directly below the ground-floor rooms. There were no apartments. Each of the four floors had three bedrooms opening on to the public hall, and to the rear was a kitchen and a bath and a separate toilet to serve each floor. There were three tenants on each floor, their doors secured by hasps and staples to be padlocked when they were absent, bolts and chains and floor locks and angle bars to protect them from intruders when they were present. The doors were pitted and scarred either because of lost keys or attempted burglary, indicating a continuous warfare between the residents and enemies from without, rapists, robbers, homicidal husbands and lovers, or the landlord after his rent. The walls were covered with obscene graffiti, mammoth sexual organs, vulgar limericks, opened legs, telephone numbers, outright boasting, insidious suggestions, and impertinent or pertinent comments about various tenants’ love habits, their mothers and fathers, the legitimacy of their children. “And people live here,” Grave Digger said, his eyes sad. “That’s what it was made for.” “Like maggots in rotten meat.” “It’s rotten enough.” Twelve mailboxes were nailed to the wall in the front hall. Narrow stairs climbed to the top floor. The ground-floor hallway ran through a small back courtyard where four overflowing garbage cans leaned against the wall. “Anybody can come in here day or night,” Grave Digger said. “Good for the whores but hard on the children.” “I wouldn’t want to live here if I had any enemies,” Coffin Ed said. “I’d be scared to go to the john.” “Yeah, but you’d have central heating.” “Personally, I’d rather live in the cellar. It’s private with its own private entrance and I could control the heat.” “But you’d have to put out the garbage cans,” Grave Digger said. “Whoever occupied that whore’s crib ain’t been putting out any garbage cans.” “Well, let’s wake up the brothers on the ground floor.” “If they ain’t already awake.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
The first movie star I met was Norma Shearer. I was eight years old at the time and going to school with Irving Thalberg Jr. His father, the longtime production chief at Metro-Goldwyn-Mayer, devoted a large part of his creative life to making Norma a star, and he succeeded splendidly. Unfortunately, Thalberg had died suddenly in 1936, and his wife's career had begun to slowly deflate. Just like kids everywhere else, Hollywood kids had playdates at each other's houses, and one day I went to the Thalberg house in Santa Monica, where Irving Sr. had died eighteen months before. Norma was in bed, where, I was given to understand, she spent quite a bit of time so that on those occasions when she worked or went out in public she would look as rested as possible. She was making Marie Antoinette at the time, and to see her in the flesh was overwhelming. She very kindly autographed a picture for me, which I still have: "To Cadet Wagner, with my very best wishes. Norma Shearer." Years later I would be with her and Martin Arrouge, her second husband, at Sun Valley. No matter who the nominal hostess was, Norma was always the queen, and no matter what time the party was to begin, Norma was always late, because she would sit for hours—hours!—to do her makeup, then make the grand entrance. She was always and forever the star. She had to be that way, really, because she became a star by force of will—hers and Thalberg's. Better-looking on the screen than in life, Norma Shearer was certainly not a beauty on the level of Paulette Goddard, who didn't need makeup, didn't need anything. Paulette could simply toss her hair and walk out the front door, and strong men grew weak in the knees. Norma found the perfect husband in Martin. He was a lovely man, a really fine athlete—Martin was a superb skier—and totally devoted to her. In the circles they moved in, there were always backbiting comments when a woman married a younger man—" the stud ski instructor," that sort of thing. But Martin, who was twelve years younger than Norma and was indeed a ski instructor, never acknowledged any of that and was a thorough gentleman all his life. He had a superficial facial resemblance to Irving Thalberg, but Thalberg had a rheumatic heart and was a thin, nonathletic kind of man—intellectually vital, but physically weak. Martin was just the opposite—strong and virile, with a high energy level. Coming after years of being married to Thalberg and having to worry about his health, Martin must have been a delicious change for Norma.
Robert J. Wagner (Pieces of My Heart: A Life)
What did Kavinsky say about it?” Chris asks me. “Nothing yet. He’s still at lacrosse practice.” My phone immediately starts to buzz, and the three of us look at each other, wide-eyed. Margot picks it up and looks at it. “It’s Peter!” She hot-potatoes the phone to me. “Let’s give them some privacy,” she says, nudging Chris. Chris shrugs her off. I ignore both of them and answer the phone. “Hello.” My voice comes out thin as a reed. Peter starts talking fast. “Okay, I’ve seen the video, and the first thing I’m going to say to you is don’t freak out.” He’s breathing hard; it sounds like he’s running. “Don’t freak out? How can I not? This is terrible. Do you know what they’re all saying about me in the comments? That I’m a slut. They think we’re having sex in that video, Peter.” “Never read the comments, Covey! That’s the first rule of--” “If you say ‘Fight Club’ to me right now, I will hang up on you.” “Sorry. Okay, I know it sucks but--” “It doesn’t ‘suck.’ It’s a literal nightmare. My most private moment, for everybody to see. I’m completely humiliated. The things people are saying--” My voice breaks. Kitty and Margot and Chris are all looking at me with sad eyes, which makes me feel even sadder. “Don’t cry, Lara Jean. Please don’t cry. I promise you I’m going to fix this. I’m going to get whoever runs Anonybitch to take it down.” “How? We don’t even know who they are! And besides, I bet our whole school’s seen it by now. Teachers, too. I know for a fact that teachers look at Anonybitch. I was in the faculty lounge once and I overheard Mr. Filipe and Ms. Ryan saying how bad it makes our school look. And what about college admission boards and our future employers?” Peter guffaws. “Future employers? Covey, I’ve seen much worse. Hell, I’ve seen worse pictures of me on here. Remember that picture of me with my head in a toilet bowl, and I’m naked?” I shudder. “I never saw that picture. Besides, that’s you; that’s not me. I don’t do that kind of stuff.” “Just trust me, okay? I promise I’ll take care of it.” I nod, even though I know he can’t see me. Peter is powerful. If anyone could fix such a thing, it would be him. “Listen, I’ve gotta go. Coach is gonna kick my ass if he sees me on the phone. I’ll call you tonight, okay? Don’t go to sleep.” I don’t want to hang up. I wish we could talk longer. “Okay,” I whisper. When I hang up, Margot, Chris, and Kitty are all three staring at me. “Well?” Chris says. “He says he’ll take care of it.” Smugly Kitty says, “I told you so.” “What does that even mean, ‘he’ll take care of it’?” Margot asks. “He hasn’t exactly proven himself to be responsible.” “It’s not his fault,” Kitty and I say at the same time.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Did It Ever Occur to You That Maybe You’re Falling in Love? BY AILISH HOPPER We buried the problem. We planted a tree over the problem. We regretted our actions toward the problem. We declined to comment on the problem. We carved a memorial to the problem, dedicated it. Forgot our handkerchief. We removed all “unnatural” ingredients, handcrafted a locally-grown tincture for the problem. But nobody bought it. We freshly-laundered, bleached, deodorized the problem. We built a wall around the problem, tagged it with pictures of children, birds in trees. We renamed the problem, and denounced those who used the old name. We wrote a law for the problem, but it died in committee. We drove the problem out with loud noises from homemade instruments. We marched, leafleted, sang hymns, linked arms with the problem, got dragged to jail, got spat on by the problem and let out. We elected an official who Finally Gets the problem. … We watched carefully for the problem, but our flashlight died. We had dreams of the problem. In which we could no longer recognize ourselves. We reformed. We transformed. Turned over a new leaf. Turned a corner, found ourselves near a scent that somehow reminded us of the problem, In ways we could never Put into words. That Little I-can’t-explain-it That makes it hard to think. That Rings like a siren inside.
Ayana Elizabeth Johnson (All We Can Save: Truth, Courage, and Solutions for the Climate Crisis)
It seems to Marithe that her life has undergone two changes: one, when her father left. And two, about a year ago, when she turned thirteen, when her life and the way she felt about it and the way she viewed it suddenly tilted; like the deck of a ship in a storm. At first it seemed to her that her house, her family, her dogs, her accordion, her books, her room with its geology samples, its display of feathers, its pictures of foxes and wolves, all took on an unreal aspect. Everything felt like a stage set: she kept viewing herself as if from the outside. Instead of just acting, just doing, just running or speaking or playing or collecting, she would feel this sense of externalisation: and so, a voice inside her head would comment, you are running. Do you need to run? Where are you going? You're picking up that rock but do you want it, do you really need it, are you going to carry it home? [...] And her body! Some mornings she woke and it was as if lead weights had been attached to her limbs by some ill-meaning fairy. Even if she had the urge to walk across the paddock to feed the neighbours' horses -- which she hardly ever did any more, she didn't know why -- she wouldn't have the energy, the sap in her to do it. She wanted it returned to her, Marithe did, that sense of security in her life, of certainty, of knowing who she was and what she was about. Would it ever come back?
Maggie O'Farrell (This Must Be the Place)
I noticed that a woman on Goodreads said something like, “I was reading along in the beginning thinking, okay, a woman wrote this, there’s her picture, she’s a white lady, the narrator’s a white lady. And then suddenly she says something and you realize she’s a he. And then a few pages later you realize he’s ‘brown.’ I think the author could have been a little more up front about this.” :) It made me happy because in fact I thought everybody would pick the book up, read the back cover, and know they were dealing with a woman writer speaking through a male narrator. Which is a drag, actually, because if you didn’t know the author was a woman, you’d probably assume that an unmarked first-person narrator was a man, but if you knew she was a woman you’d assume her narrator was too. And if you didn’t know the race of the author, you’d probably assume the narrator was white. That’s pretty insidious, of course - it’s the way sexism and racism work. I’m not saying this woman on Goodreads was racist or sexist, I’m saying the fact that we make these assumptions signals that we live in a world that presumes that an unmarked voice is white and male, and that women and people of color will generally be writing from a limited perspective. I guess that’s obvious. But what I was saying about this comment was that it made me realize something else about ebooks - because I can only assume she read it as an ebook if she didn’t get the back jacket copy that explains who’s narrating. I love books, print books, and my own optimal experience of reading this book would be in print, with short breaks to periodically check out the Internet connections that the narrator’s making. But I do think that decontextualization is an interesting side-effect of the ebook…
Barbara Browning
When Diana returned to work on Monday, September 16, she came directly to my bedroom and announced, “Mrs. Robertson, I have something important to tell you.” I could see out of the corner of my eye that she had a slight, mischievous grin on her face. “Go right ahead,” I said as I continued to blow-dry my hair in front of the mirror above the dresser. “No, Mrs. Robertson, I’d like your full attention.” I switched off my hair dryer and faced her as she stood in the doorway. “When you leave for work this morning, you’ll notice a lot of reporters and photographers at the entrance to the mews.” I wondered aloud if the press were following either Lord Vestey, a notorious international financier, or John Browne, a bright young M.P. known as one of “Maggie’s boys,” both of whom lived on our small street. “No, actually, Mrs. Robertson, they’re waiting for me,” Diana said with a great deal of blushing, staring at the floor, and throat clearing. “Good heavens, Diana, why?” “Well . . . I spent last weekend at Balmoral.” “With Prince Andrew?” I asked, remembering my friend Lee’s comment on the way to Glyndebourne. “No, actually, I was there to see Prince Charles.” More blushes and throat clearing, quickly followed by her disclaimer, “But he didn’t invite me. His mother did.” Hearing Diana speak of Her Majesty the Queen as “his mother” certainly gave me a clear picture of the circles in which Diana moved. I gasped and asked, probably rather tactlessly, “Gosh, do you think there’s any chance of a romance developing?” “Not really,” she said with noticeable regret. “After all, he’s thirty-one and I’m only nineteen. He’d never look seriously at me.” So modest, so appealing. I couldn’t imagine him not learning to love her. We certainly had. “Well, Diana, I wouldn’t be so sure,” I replied, thinking of my prediction from July.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
The morning was already setting up to be hectic, and Jon thanked his lucky stars that Jessie was so good at his job and a constant spark-plug of activity. Oh god, you did not just think Jessie was a spark-plug? You really are getting old. Next thing you know you’ll being saying whipper-snappers and break a hip getting out of bed. He shook his head. I guess I had a good run. Jessie quickly re-entered the office. “Alright. Elisabeth has her caffeine fix and said she’ll be down to say goodbye in a few. So let’s get this bad boy going for the week. Travel plans are done for next month and meetings for the week are in you planner so I’m assuming they’ll be no more complaining about flying coach class this time?” Jessie gave a sly wink and kept organizing his desk. “Yes. And for that I thank you for that my color-coding, hyper computer organized planner. We have to make sure the next presentation for Chicago is ready in three weeks; the storyboards for the new campaign ideas have to be finished by Tuesday the 16th so we can get them shipped before I head out there.” “And let’s not forget our important morning ritual.” Jon looked at Jessie with a question about to form before the realization hit him. His expression changed from confused to stern. “No cat videos Jessie. I swear. Enough of the cat videos.” “C’mon. You know you love them and they brighten your dour moods. Look at this one.” Jessie turned his screen and Jon begrudgingly looked at the cute little puppy and kitten with captions over them. “How can you not love this?” Jessie smiled. “The cute little kitty tells the playful puppy not to do it and yet the puppy bonks the little kitty on the head with his little puppy paw. “Boop Boop.” And then the cat swipes at the puppy and it falls off the bed. You know this is internet gold.” Jon smiled. “Can we get back to work?” Jessie nodded and then walked up to Jon - without hesitating, he bonked him lightly on the head. “Boop.” He paused and added, “I think this puppy is onto something.” Jessie grinned ear to ear still. “I pledge, from now on if something makes me as happy as this bonking picture I’m just going to say Boop boop.” Jon stood stone-faced but a second later, could not stop his smile. “I am not amused.” Jon shook the smile away. “Now, if you’re done boop booping me, there is something else I want to talk with you about.” Jessie looked at Jon with a quizzical smile. “Not to blow my own horn but I have a new and brilliant thought my young apprentice.” Jessie opened his mouth to comment on the blowing horn, but Jon held up his hand and cut him off. “Stop it.” Jessie closed his mouth and swallowed the sexual innuendo-laced comment he had forming on the tip of his tongue.
Matthew Alan
He was but three-and-twenty, and had only just learned what it is to love—­to love with that adoration which a young man gives to a woman whom he feels to be greater and better than himself. Love of this sort is hardly distinguishable from religious feeling. What deep and worthy love is so, whether of woman or child, or art or music. Our caresses, our tender words, our still rapture under the influence of autumn sunsets, or pillared vistas, or calm majestic statues, or Beethoven symphonies all bring with them the consciousness that they are mere waves and ripples in an unfathomable ocean of love and beauty; our emotion in its keenest moment passes from expression into silence, our love at its highest flood rushes beyond its object and loses itself in the sense of divine mystery. And this blessed gift of venerating love has been given to too many humble craftsmen since the world began for us to feel any surprise that it should have existed in the soul of a Methodist carpenter half a century ago, while there was yet a lingering after-glow from the time when Wesley and his fellow-labourer fed on the hips and haws of the Cornwall hedges, after exhausting limbs and lungs in carrying a divine message to the poor. That afterglow has long faded away; and the picture we are apt to make of Methodism in our imagination is not an amphitheatre of green hills, or the deep shade of broad-leaved sycamores, where a crowd of rough men and weary-hearted women drank in a faith which was a rudimentary culture, which linked their thoughts with the past, lifted their imagination above the sordid details of their own narrow lives, and suffused their souls with the sense of a pitying, loving, infinite Presence, sweet as summer to the houseless needy. It is too possible that to some of my readers Methodism may mean nothing more than low-pitched gables up dingy streets, sleek grocers, sponging preachers, and hypocritical jargon—­elements which are regarded as an exhaustive analysis of Methodism in many fashionable quarters. That would be a pity; for I cannot pretend that Seth and Dinah were anything else than Methodists—­not indeed of that modern type which reads quarterly reviews and attends in chapels with pillared porticoes, but of a very old-fashioned kind. They believed in present miracles, in instantaneous conversions, in revelations by dreams and visions; they drew lots, and sought for Divine guidance by opening the Bible at hazard; having a literal way of interpreting the Scriptures, which is not at all sanctioned by approved commentators; and it is impossible for me to represent their diction as correct, or their instruction as liberal. Still—­if I have read religious history aright—­faith, hope, and charity have not always been found in a direct ratio with a sensibility to the three concords, and it is possible—­thank Heaven!—­to have very erroneous theories and very sublime feelings. The raw bacon which clumsy Molly spares from her own scanty store that she may carry it to her neighbour’s child to “stop the fits,” may be a piteously inefficacious remedy; but the generous stirring of neighbourly kindness that prompted the deed has a beneficent radiation that is not lost. Considering these things, we can hardly think Dinah and Seth beneath our sympathy, accustomed as we may be to weep over the loftier sorrows of heroines in satin boots and crinoline, and of heroes riding fiery horses, themselves ridden by still more fiery passions.
George Eliot
Oh, so if we look at the picture we can tell which word makes sense.” Then, rather than praising them, she offers a comment that positions them powerfully: “Thanks for teaching us that.
Peter H. Johnston (Opening Minds: Using Language to Change Lives)
I don't understand," she said. "I have no clue what you were trying to say this morning." "Yeah. I'm sorry. I'm not firing on all eight cylinders right now." He self-consciously attempted to rub away the purpling sags beneath his eyes. After the white spots dissipated she had impossibly grown even more beautiful. She was magical like that; even if he only looked away for a moment, when he returned his gaze upon her, those cheeks, those eyes, those lips were somehow even more enticing. Somehow even more irresistible. Jesus, could she make him thump. "I didn't really sleep last night. After reading your comments and seeing your handwriting again after such a long time...my head shot into a kind of hyperdrive." "What do you mean?" Her eyes fluttered as she looked up at him. Not flirtatiously, but with inquisitiveness. Oh, the way she fluttered those lids. His chest expanded; he was beyond enamored of her intellect and the way she always needed to get the clearest picture possible. "I just couldn't stop thinking how great everything was between us, and how fantastic everything is going to be once we work out the personal shit we're both dealing with," he said. "I had goosebumps trilling up my arms and the back of my neck because I have already done three or four rewrites, and like eighty percent of the changes I made mirrored your suggestions." He took a deep breath. He would inhale her entirety if he could, make her a permanent part of himself- absorb her being. "It was kind of eerie." He placed a clumsy hand on her cheek and caressed her eyebrow with his thumb, wishing to god it were his bottom lip. "And so not surprising.
A. Moron
Publishing your writing is a bewildering mix of emotions somewhere between parental angst and walking down a public beach wearing only a thong. [scrub all you want that mental picture isn’t going anywhere] You feel all the pride and joy as well as the fear and trepidation that come with putting your child out into the world. At the same time you’ve exposed a part of yourself that is normally private and while you hope people will appreciate it, there is a very real possibility of a backlash. You’ve prepared yourself for either eventuality but a ‘no comment’ feels like crickets chirping in your soul.
Aaron Blaylock (It's Called Helping...You're Welcome)
No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Anonymous
The ‘good’, such as Augustus, Vespasian and Marcus Aurelius, are possessed of every Roman virtue; the bad – the majority, in the retelling – have a capacity for derangement exceeded only by the imagination of their biographers. Tiberius, Caligula, Nero, Vitellius and Domitian became bywords for perversion, madness, decadence, greed and sadism; one historian commented wryly that ‘history is a gallery of pictures in which there are few originals and many copies’10
Elizabeth Speller (Following Hadrian: A Second-Century Journey through the Roman Empire)
Yesterday I got a credit card application from a major bank with a variable rate of 12.99% to 20.99%. Such a deal. And what if I fall on hard times and lose my job? So, I wrote them a return letter: Dear major bank, Thank you for the opportunity to express how I really feel about your corporation. What I do appreciate, is that there is no stamp required for your return envelope. After tearing off all my personal information, so some dumpster diver doesn’t fill out your application for me, and find out he picked the wrong target; I just wanted to make one comment: Your practice of usury is despicable, along with crashing the global economy. Danny - I think I have my grandmother’s charm and wit. Too bad she’s not here to share it with. Maybe if every disgruntled person would use that free envelope and apply their creative talent, they might get the picture that we’re tired of this bullshit. Marcie, there are so many people you could visit and test your information extraction program on, so what are you people doing here? Is this just a practice run? Well, you wanted to know what I was thinking. And you wonder why I look to God for solutions. Wake me up when it’s over. Marcie - You are a crazy SOB. You want me to use my system to play Robin Hood. Danny - You’d make an excellent Robin Hood, make sure you get your merry band to sign on. Maybe that’s the reason we were connected by design. How much materialism do you really need? Some people take what they need from the orchard and other people pick the orchard clean. Marcie - You’re wondering what I’m thinking. I don’t want to mess your mind up with what I’m thinking, so let me simply say, I don’t approve of what some of these people have been doing for decades. Who do you think I am? Danny - Someone who frustrates me, don’t we have enough guessing games in life? Marcie - Marcie is a miracle worker, so what does that tell you? You do not even know what to make of me, someone who keeps coming back for you, someone who won’t let go of you. Danny - Why is it that there’s only a handful of words for truth and over 100 synonyms and derivatives for deception? Marcie - Are you surprised? Danny - It puts it in a different light when you start reading through the list. You may as well add amygdala hijacking. Marcie - Has Danny been bamboozled? Danny - You picked one with an unknown origin. Marcie - That is the best way to start a mind game. Danny - Okay, just for kicks, try saying synonym - cinnamon 10 times as fast as you can. From - "The Mind Game Company - The Players
Andrew Neff
It took you long enough to come back,” Lexy tells me bitingly. The girl is ruining my meal. Ever since the stable girls showed up, she’s been attached like glue to Vin’s side. I recognize it for what it is—infatuation. No way Vin is leading her on. He barely tolerates her, which isn’t to say he isn’t sleeping with her, but he definitely isn’t putting pretty pictures in her head. She’s doing that all on her own. “That’s what he said,” I grumble around a large bite of bread, gesturing to Vin. “We were sure you’d left us to die.” “Sorry to disappoint.” “Don’t be. We wouldn’t have been sorry to see you go.” I look up from my plate to eye her carefully. I do it for too long. She twitches under my stare, making me grin. “‘We,’ huh? You’re a ‘we’ now?” Vin looks up sharply. “What? No.” “Vin,” Lexy protests. “Are you sure?” I ask him. “Yes,” he tells me angrily. He stares Lexy down. “And, no, we’re not a ‘we.’ We’re nothing.” “I’m sure he doesn’t mean it, Lex,” I tell her consolingly. “Never give up hope.” “Kitten,” Vin growls in warning. Lexy shoots me an icy stare from across the table. It’s cute how hard she tries. “Be sure to watch your back out there, Kitten,” she spits sarcastically. “I’d hate to see you get hurt.” I put up my finger in her face, getting serious. “Watch yourself. You’re toeing a dangerous line with me right now and I don’t want to have to remind you what happened to the last girl who threatened me. Forget Vin, I’ll put you to bed with Caroline. You get me?” Lexy pales. She glances once at Vin, then Ryan and Trent. All of them keep their heads down, carefully pretending they have no idea what’s happening. Finally she stands slowly, turns, and leaves without a word. “Well, that’s handy,” I mumble, picking up my bread. “Kinda harsh,” Ryan comments. I hate that I immediately feel a twinge of guilt just from those two words from him. “I did him a favor,” I say defensively. “That girl was one kiss away from collecting his hair. I don’t have time for that kind of crazy.” “Amen to that,” Vin says heartily, raising his glass to me. “Calm down, Romeo. You’re the idiot who keeps getting us into these situations.” “‘Us’?” he asks with a sly grin. “Are we an ‘us’ now?” “No,” Ryan replies darkly.
Tracey Ward
What’s so satisfying about liking something? How could that ever fulfill you? Why scroll through posts and pictures and links? Why comment on other human beings’ updates when you’ve walked by twenty people on the street and didn’t take the time to talk to any of them?
Joshua Mohr (All This Life)
Taking my hand, she walked out of the room where we found Vaughn and Judd playing pool in the dining room. The guys were deep in silent competition, so we admired their hot bodies quietly. Our giggling finally drew their attention. “Where are we eating?” Vaughn asked, hitting a ball. “We should eat somewhere that preggos can’t enjoy,” I suggested and Tawny grinned. “I think they can’t eat deli meat, but I don’t want that crap.” Tawny searched info on her phone then smiled. “Sushi is supposed to be iffy.” “Barf,” Vaughn said and Judd grimaced. “We should go to a fish place and share a little sushi to celebrate our powerful birth control.” Judd smiled at this comment. “Poor Aaron.” “Screw Aaron,” I grunted. “Lark’s the one carrying two babies.” Vaughn and Judd looked at each other then burst out laughing. “What’s so funny?” “He hooks up with a chick whose birth control is defective and ends up with twins,” Vaughn said, walking to me. “Dumb fuck probably didn’t know what hit him.” “He gets to spend his life with an amazing person. Fuck you for laughing at his good luck.” “Don’t go big sis on me, daffodil. One day, I’m knocking you up with twins too. No harm in making double the hot kids.” “I’m still mad.” “Wanna make a baby right now?” he whispered in my ear. “Sushi first.” “Barf.” “We’ll see.” Thirty minutes later, Vaughn proved me wrong. He hated sushi and nearly threw up after trying a bite. Watching him freak-out nearly killed me. I laughed so hard I couldn’t breathe. Tawny was also in hysterics. Like any good friend would, Judd took a picture of a gagging Vaughn with his phone. “Sent it to the crew. You’re welcome.” “Jackass,” Vaughn said, wiping his tongue with a napkin. Calming my laughter, I stroked his ponytail. “Poor baby. I’ll make it up to you later.” Vaughn’s horrified expression immediately shifted into a smirk. “Yeah, you will.
Bijou Hunter (Damaged and the Outlaw (Damaged, #4))
But if the generals were not enthused by what Hitler had to say, they posed no objections. The mood was largely fatalistic, resigned. After the war, Liebmann tried to summarize the broad impact of the speech. The assembled generals, he commented, were certain that the picture was less rosy than Hitler’s description. But they took the view that it was too late for objections, and simply hoped things would turn out well.161 No one spoke out against Hitler.162 Brauchitsch, who ought to have replied if anyone were to do so, said nothing. Any objections on his part, in Liebmann’s view, could only have been made as representing all the generals. Evidently he doubted whether Brauchitsch could have spoken for all. In any case, he thought such objections would have to have been raised by spring. By August it was too late. Liebmann added one other telling point. For Hitler it was only a matter of a war against Poland. And the army felt up to that.163 The disastrous collapse in the army’s power since the first weeks of 1938 could not have been more apparent. Its still lamented former head, Werner von Fritsch, had remarked to Ulrich von Hassell some months earlier: ‘This man – Hitler – is Germany’s fate for good or evil. If it’s now into the abyss, he’ll drag us all with him. There’s nothing to be done.
Ian Kershaw (Hitler, Vol. 2: 1936-1945 Nemesis)
In the well reported Kubizek period from late 1904 through mid-1908, with its additiona data from the circumstances of failure at school, lung ailment, and tragic episode of his mother’s death, the picture remains the same. Hitler’s character is one of bold license for a youngster, but not directed toward dissolute behavior or activity that gives a hint of evil. Hitler devoured grand opera and classical music, painted, sketched, planned a great new Linz; he wrote sonnets, communed with nature, and exuded politeness and reserve. These are activities and qualities that suggest potential, although overblown, aspirations to artistic genius. What we see, like it or not, is morally laudable behavior and aspiration on the part of a young man in his teens. But is there a dark side somewhere in this picture? If there were a dark side, it probably would have been the light gray of the contempt that he had for many of his school teachers and his resistance to formal education. Hitler’s comments in Mein Kampf support such contempt and are buoyed by his indelible comment, about his tour of the customs office where his father worked, that the clerks and officials squatted about as monkeys in cages. -- Hitler: Beyond Evil and Tyranny, p. 101
Russel H.S. Stolfi (Hitler: Beyond Evil and Tyranny (German Studies))
Thank God, there is no picture presented to our imagination, of a sorrowful shepherd returning without the sheep. Here is the divine guarantee that not even one of the straying sheep and lambs of God’s fold is overlooked, and not one is left unsuccored. Every one that will submit to be ransomed, Jesus will rescue from the pit of corruption, and from the briers of sin. Let every desponding, distrustful soul take courage, even though you have done wickedly. You are not to think that perhaps God will pardon your transgressions, and permit you to approach into his presence; but you are to remember that it is God who has made the first advance, that he has come forth to seek you while still you were in rebellion against him. With the tender heart of the shepherd he has left the ninety and nine, and gone out into the wilderness to seek his wandering one. The soul, bruised and wounded and ready to perish, he encircles in his arms of love, and joyfully bears it to the haven of safety. -GCB
Ellen Gould White (Sabbath School Lesson Comments By Ellen G. White - 2nd Quarter 2015 (April, May, June 2015 Book 32))
Baby Cooper and Aaron running around causing trouble,” Dad said, setting an album on Lark’s lap. “Aaron was a very good baby. Didn’t cry at all. Not once.” When I laughed, Dad gave me a wink. “Here was our boy at three months.” Lark looked at the picture and laughed. Knowing exactly what she thought was so funny, I explained, “They thought they were adopting a girl, so I wore pink those first few months.” “Babies grow so fast at that age,” Mom said. “No reason to waste money on new clothes when he wouldn’t know the difference.” Lark laughed at this comment and kept laughing until the pictures reached when I was three. Her eyes moistened and again I was the one to explain. “Lark’s little brother died around that age.” As Mom and Dad descended on her with hugs, I never saw my girl look so startled. Life was different for her now. No longer was she struggling to survive in a dysfunctional family of revolving fathers and a cold mother. Now, she was a Barnes and we were fully functional and only slightly on the weird side. “You have curls,” she cooed, running her finger over a picture of me at five. “I loved those curls,” Mom said. “She put barrettes in those curls,” I muttered, standing behind the three of them as they looked through the album. Ignoring my parents’ laughter, I continued, “I begged to have my hair shaved short. Once it was, I never looked back.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
In a different era, Ignatius would have been terrific at the Internet. You can picture him tucked into his Constantinople Street bedroom with an empty case of root beer at his feet, crouched over a grungy, glowing laptop, posting screeds to his blog, adding pointed and overwrought comments below news articles.
Margaret Eby (South Toward Home: Travels in Southern Literature)
We are merely epigones. The events, the discoveries, the visions are those from the period between 1910 and 1940. We live on like weary commentators on that frenzied period in which the whole invention of modernity (and the lucid presentiment of its end) occurred in a language which still bore the brilliance of style. The highest level of intensity lies behind us. The lowest level of passion and intellectual illumination lies ahead of us. There is something like a general entropic movement in the century, the initial energy dissipating slowly in the sophisticated ramifications of the structural, pictural, ideological, linguistic and psychoanalytic revolutions - the final configuration, that of 'postmodernity' marking the most degraded, most factitious and most eclectic phase, the shattered fetishism of all the idols and the purer signs that have preceded it. Even the great burst of light in the years 1960-80, seen with some critical distance, will merely have been an episode in the involutive course of the century, in terms of powerful new ideas. But a portent all the same. Might a new event produce some surprise? We can say nothing of this, since archives and analysis are twilight tools.
Jean Baudrillard (Cool Memories)
Before we turn to the Tractarian treatment of logical propositions, it is worth pausing to consider what becomes in that book of the philo- sophical idea that what makes some set of statements true (be they log- ical or empirical) is that they “reflect” a structure intrinsic to a domain of things. If one misunderstands the Tractarian comparison of a picture with a proposition, then one may think its very point is to encourage such an idea. Some commentators tell us that the crucial idea here is that there are two isomorphic “structures”—there is a structure in the world and a structure in language (or thought)—and in order to say (or think) what is true, one of the two structures must “reflect” the other. This is hopeless both as a reading of the Tractatus and as a conception of truth. As a reading of the book, it is hopeless, since the Tractatus says that it is the proposition that is a logical picture—where, on the conception of the proposition here at issue, it is essential that it be true or that it be false; hence, being true cannot itself be a matter of mere depiction. As soon as we focus on the question of what it is that I am right “about” if I affirm a true negative statement (e.g., “There are no elephants in this room”), it should become clear that the proposed conception is equally hopeless as an account of truth. For if the difference between true and false propositions were simply a matter of “reflecting” or “mirroring” what is the case, then the idea of speaking truth by affirming a negative statement would seem to require something very mysterious: a peculiar “negative” region of reality to which the truth of a negative statement may correspond. It is no small part of the point of the Tractarian deployment of the elucidatory comparison of a proposition with a picture to bring out the hopelessness of any such conception of truth—any one, that is, that tries to explicate the difference between true and false thoughts by appealing to the idea that the true ones “reflect” what is the case and the false ones do not.
James Ferguson Conant (The Logical Alien: Conant and His Critics)
Comment on the picture is an expression of the heart Opinion on the writing is an evaluation of vision, Which determines and intuits the level of knowledge.
Ehsan Sehgal
I’m shocked and totally dismayed at how a picture of me is being circulated on social media. To those individuals who have interpreted and commented on what my thoughts were in that horrific and distressful moment, I would like to say not only have I been devastated by witnessing the aftermath of a shocking and numbing terror attack, I’ve also had to deal with the shock of finding my picture plastered all over social media by those who could not look beyond my attire, who draw conclusions based on hate and xenophobia.
James O'Brien (How To Be Right… in a World Gone Wrong)
Whatever you do, you need to realize that people will talk. People will complain. People will pass negative comments and criticize like anything. You can’t afford to allow these people to rule your mind. Live your life the way you want, but don’t lose sight of the bigger picture.
R.G. Knight (Jack Ma: Biography Of A Self Made Billionaire)
I felt compelled to write it because of what I heard from inside Fox—from anchors and producers and reporters who were appalled by Trump’s gradual takeover of the network. They said management encouraged pro-Trump propaganda and discouraged real reporting, and they said many staffers went right along with it. “They are lying about things we’re seeing with our own eyes,” one well-known Fox commentator said, embarrassed about their colleagues’ conduct. “We surrendered to Trump,” one anchor said to me with remorse in his voice. “We just surrendered.” “What does Trump have on Fox?” another anchor asked, convinced there was a conspiracy in play. Dirty pictures of Rupert Murdoch?
Brian Stelter (Hoax: Donald Trump, Fox News, and the Dangerous Distortion of Truth)
The parents have all been posting up a storm, of course. At one point the previous day we'd all compared embarrassing "Can you believe she's looking at colleges?/tearful emoji" posts, to which all their friends added shocked faces and commented on the passage of time, yawn. Some of them went for the comparison post (Here's a picture of little Wanda in her Dorothy costume at four, here she is at sixteen; Oh my god I feel so old because this rite of passage is about me, not the one actually passaging) ...
Abbi Waxman (I Was Told It Would Get Easier)
Dink remembered reading—back on Earth, when he could read what he wanted—the silly claim that the Great Wall of China was the only human artifact that could be seen from space. In fact the claim wasn’t even true—at least not from geosynchronous orbit or higher. The wall didn’t even cast enough of a shadow to be seen. No, the human artifact that could be seen from space, that showed up in picture after picture without exciting any comment at all, was Holland. It should have been nothing but barrier islands with wide saltwater sounds behind them. Instead, because the Dutch built their dikes and pumped out the salt water and purified the soil, it was land. Lush, green land—visible from space. But nobody recognized it as a human artifact. It was just land. It grew plants and fed dairy cattle and held houses and highways, just like any other land. But we did it. We Dutch. And when the sea levels rose, we raised our dikes higher and made them thicker and stronger, and nobody thought, Wow, look at the Dutch, they created the largest human artifact on Earth, and they’re still making it, a thousand years later.
Orson Scott Card (A War of Gifts (Ender's Saga, #5))
The truth is that in the bigger picture, beyond the limited duality/illusion of “good” and “evil,” the Old Empire Repterrans are necessary.
Judy Carroll (An Interview With an Alien: Comments by an Undercover ET (Zeta))
Then I asked him the question that would change my life. “Mr. Trump,” I said, “one of the things people love about you is you speak your mind and you don’t use a politician’s filter. However, that is not without its downsides. In particular, when it comes to women. You’ve called women you don’t like ‘fat pigs,’ ‘dogs,’ ‘slobs,’ and ‘disgusting animals.’” “Only Rosie O’Donnell,” he quipped. The crowd chuckled at his Rosie O’Donnell comment. I passed no judgment on the audience, but I was not going to join them in laughing. “For the record,” I said, “it was well beyond Rosie O’Donnell.” Trump knew it too. “I’m sure it was,” he said. We had fact-checked every word of that question. Rosie had, no question, been vicious toward Trump too, and if it had only been her, I would not have asked that question. But what I’d seen in my research binder was that he’d made a habit of attacking women regularly with these sorts of terms—mocking their looks and sexualizing them. The women he’d belittled in the terms I used in my question included, but were not limited to, Arianna Huffington, Bette Midler, New York Times columnist Gail Collins, and a lawyer requesting a prearranged break to pump breast milk for her baby (“disgusting”). There were many, many others. “Your Twitter account,” I continued, “has several disparaging comments about women’s looks. You once told a contestant on Celebrity Apprentice it would be a pretty picture to see her on her knees. Does that sound to you like the temperament of a man we should elect as president, and how will you answer the charge from Hillary Clinton, who is likely to be the Democratic nominee, that you are part of the ‘war on women’?” First Trump said that we’d gotten too politically correct in this country. And then this: “What I say is what I say. And honestly, Megyn, if you don’t like it, I’m sorry. I’ve been very nice to you, although I could probably maybe not be, based on the way you have treated me. But I wouldn’t do that.” He looked angry, I thought. After all my planning for that moment, I was relieved that he hadn’t attacked me personally in his response. Still, I felt his anger, and understood him perfectly. He was making a veiled but very clear threat. I’d known Trump for several years by this point. We’d had a mostly good—but also complicated—relationship. Seared into my mind was a threat he’d made to me by phone just four days earlier to “unleash” what he called his “beautiful Twitter account” on me. I expected I would find out what he meant by that soon, and indeed I would.
Megyn Kelly (Settle for More)
A couple of weeks after Mia’s bone graft surgery in January 2014, she received a letter from Congressman Trent Franks of Arizona on official United States congressional letterhead. Mia was so excited about the letter that she stood on the fireplace hearth (the living room stage) and proceeded to read it to the entire family. In the letter, Congressman Franks told Mia that he, too, was born with a cleft lip and palate and underwent many surgeries as a child. He told her he understood how she felt and told her not to get discouraged because he recognized how she is helping so many people. He invited her to Washington, DC, to receive an award from Congress for service to her community. As soon as she had finished reading it to us, she exclaimed, “Can we go?” Knowing how Jase puts little value on earthly awards and how he likes to travel even less, I responded with a phrase that most parents can understand and appreciate: “We’ll see.” Mia immediately ran upstairs and tacked the letter to her bulletin board, full of hope and optimism. How could Jase say no to this? Oh, she knew her daddy well. He couldn’t, and he didn’t. That summer, Mia, Jase, Reed, Cole, and I spent a few days together visiting monuments and historical sites in Washington before meeting Congressman Franks on July 8 in his office on Capitol Hill. Mia’s favorite monument was the Lincoln Memorial because she had learned about it in school, so it was cool to see it “for real.” It was really crowded there, and people were taking pictures of us while we were trying to read about the monument and take photographs ourselves. Getting Jase out of there took a while because of so many fans wanting pictures--he’s very accommodating. That’s why it surprised me that this was Mia’s favorite site. I’m glad she remembers the impact of the monument and didn’t allow the circus of activity from the fans to put a damper on her experience. Congressman Franks presented Mia with a Certificate of Special Congressional Recognition for “outstanding and invaluable service to the community” at a press conference held at the foot of the Capitol steps. Both he and Mia made speeches that day to numerous cameras and reporters. Hearing my ten-year-old daughter speak about her condition and how she hopes people will look to God to help them get through their own problems was an unbelievably proud moment for me, Jase, and her brothers. After the press conference, Congressman Franks took us into the House chamber where Congress was voting on a new bill. He took Mia down to the floor, introduced her to some of his colleagues, and let her push his voting button for him. When some of the other members of Congress saw this, they also asked her to push their voting buttons for them. Of course, Mia wasn’t going to push any buttons without quizzing these representatives about what exactly she was voting for. She needed to know what was in the bill before she pushed the buttons. Once she realized she agreed with the bill and saw that some members were voting “no,” she commented, “That’s just rude.” Mia was thrilled with the experience and told us all how she helped make history. Little does she know just how much history she has made and continues to make.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
After parking in the west lot, far from a certain gang member with a reputation that could scare off even the toughest Fairfield football players, Sierra and I walk up the front steps of Fairfield High. Unfortunately, Alex Fuentes and the rest of his gang friends are hanging by the front doors. “Walk right past them,” Sierra mutters. “Whatever you do, don’t look in their eyes.” It’s pretty hard not to when Alex Fuentes steps right in front of me and blocks my path. What’s that prayer you’re supposed to say right before you know you’re going to die? “You’re a lousy driver,” Alex says with his slight Latino accent and full-blown-I-AM-THE-MAN stance. The guy might look like an Abercrombie mode with his ripped bod and flawless face, but his picture is more likely to be taken for a mug shot. The kids from the north side don’t really mix with kids from the south side. It’s not that we think we’re better than them, we’re just different. We’ve grown up in the same town, but on totally opposite sides. We live in big houses on Lake Michigan and they live next to the train tracks. We look, talk, act, and dress different. I’m not saying it’s good or bad; it’s just the way it is in Fairfield. And, to be honest, most of the south side girls treat me like Carmen Sanchez does…they hate me because of who I am. Or, rather, who they think I am. Alex’s gaze slowly moves down my body, traveling the length of me before moving back up. It’s not the first time a guy has checked me out, it’s just that I never had a guy like Alex do it so blatantly…and so up-close. I can feel my face getting hot. “Next time, watch where you’re goin’,” he says, his voice cool and controlled. He’s trying to bully me. He’s a pro at this. I won’t let him get to me and win his little game of intimidation, even if my stomach feels like I’m doing one hundred cartwheels in a row. I square my shoulders and sneer at him, the same sneer I use to push people away. “Thanks for the tip.” “If you ever need a real man to teach you how to drive, I can give you lessons.” Catcalls and whistles from his buddies set my blood boiling. “If you were a real man, you’d open the door for me instead of blocking my way,” I say, admiring my own comeback even as my knees threaten to buckle. Alex steps back, pulls the door open, and bows like he’s my butler. He’s totally mocking me, he knows it and I know it. Everyone knows it. I catch a glimpse of Sierra, still desperately searching for nothing in her purse. She’s clueless. “Get a life,” I tell him. “Like yours? Cabróna, let me tell you somethin’,” Alex says harshly. “Your life isn’t reality, it’s fake. Just like you.” “It’s better than living my life as a loser,” I lash out, hoping my words sting as much as his words did. “Just like you.” Grabbing Sierra’s arm, I pull her toward the open door. Catcalls and comments follow us as we walk into the school. I finally let out the breath I must have been holding, then turn to Sierra. My best friend is staring at me, all bug-eyed. “Holy shit, Brit! You got a death wish or something?” “What gives Alex Fuentes the right to bully everyone in his path?” “Uh, maybe the gun he has hidden in his pants or the gang colors he wears,” Sierra says, sarcasm dripping from every word. “He’s not stupid enough to carry a gun to school,” I reason. “And I refuse to be bullied, by him or anyone else.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Why is the person coming to see you now? What does he or she want? Ask and listen. 2. What is your sense of how important the client’s goal(s) may be? 3. Be welcoming. Offer a cup of coffee. Look for what you can genuinely appreciate and comment positively about, even something simple, and for other ways to help the client feel welcome. 4. How does the person think you might be able to help? Provide the client with some sense of what to expect. 5. Offer hope. Explain what you do and how it may help. Present a positive and honest picture of changes that others have made and of the efficacy of the services you can offer.
William R. Miller (Motivational Interviewing: Helping People Change (Applications of Motivational Interviewing))
Mr. Jackson,” he said, “did you have a comment?” My face was totally red. I said, “No, sir.” Mr. Brunner pointed to one of the pictures on the stele. “Perhaps you’ll tell us what this picture represents?” I looked at the carving, and felt a flush of relief, because I actually recognized it. “That’s Kronos eating his kids, right?” “Yes,” Mr. Brunner said, obviously not satisfied. “And he did this because…” “Well…” I racked my brain to remember. “Kronos was the king god, and—” “God?” Mr. Brunner asked. “Titan,” I corrected myself. “And…he didn’t trust his kids, who were the gods. So, um, Kronos ate them, right? But his wife hid baby Zeus, and gave Kronos a rock to eat instead. And later, when Zeus grew up, he tricked his dad, Kronos, into barfing up his brothers and sisters—” “Eeew!” said one of the girls behind me. “—and so there was this big fight between the gods and the Titans,” I continued, “and the gods won.” Some snickers from the group. Behind me, Nancy Bobofit mumbled to a friend, “Like we’re going to use this in real life. Like it’s going to say on our job applications, ‘Please explain why Kronos ate his kids.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Like one to two of their pictures. - Leave one to two comments with a fun emoji on their pics. - Follow them. -          Keep in mind: the higher her follower count, the less likely she is to see your message. It’s easier to connect with a girl who has 2k followers than 200k.
Dave Perrotta (The Lifestyle Blueprint: How to Talk to Women, Build Your Social Circle, and Grow Your Wealth)
Pretty pictures were just tools on Instagram in the pursuit of being understood and validated by the rest of society, through likes, comments, and even money, giving users a small slice of power over their destiny.
Sarah Frier (No Filter: The Inside Story of Instagram)
I see why she likes you so much, Stanley,” I commented, flexing my fist and still picturing how it’d feel to punch that shit stain Leon in the face. “You’re a good listener. Nonjudgmental. I bet I could tell you all about—” A
Tate James (Dead Drop (The Guild, #2))
picture yourself saying something like this to your very best friend: “You know, I really love you … but your body sure isn’t perfect. Look at your disgusting, flabby upper arms! When’s the last time you worked out? And frankly, the way you scolded your son about forgetting to mow the lawn the other day—jeez, you’re a nasty shrew. And while we’re at it, what’s with that bare spot on the wall where your MBA degree should be? What a complete failure you are at everything.” Would you say any of these things to someone you love? Of course not. When it comes to talking to yourself, however, there’s no limit to how brutal you can be. Just look at the self-criticism contained in your comments
Mark Goulston (Just Listen: Discover the Secret to Getting Through to Absolutely Anyone)
Memories are all that I have. It is always very easy to judge from the outside. It seems to people that they understand what is happening in your inner world, and on the basis of their pseudo- psychoanalysis, they give some advice to help, but in fact, they do not even see one percent of the whole picture of what’s going on inside you. Sometimes it’s better not to ask questions at all, not to give these stupid tips, but to leave the person alone so that he can figure out his feelings. Excessive attention and uninformed guidance are sometimes annoying. People normally haven’t got a clue what they’re talking about when they’re just trying to console you. They don’t understand that their stupid comments just make things even worse, not any easier.
Ash Gabrieli (Petrichor)
Aza [Raskin] said: 'For instance, Facebook tomorrow could start batching your notifications, so you only get one push notification a day ... They could do that tomorrow.' ....So instead of getting 'this constant drip of behavioural cocaine,' telling you every few minutes that somebody liked your picture, commented on your post, has a birthday tomorrow, and on and on - you would get one daily update, like a newspaper, summarising it all. You'd be pushed to look once a day, instead of being interrupted several times an hour. 'Here's another one,' he said 'Infinite scroll. ...it's catching your impulses before your brain has a chance to really get involved and make a decision.' Facebook and Instagram and the others could simply turn off infinite scroll - so that when you get to the bottom of the screen, you have to make a conscious decision to carry on scrolling. Similarly, these sites could simply switch off the things that have been shown to most polarise people politically, stealing our ability to pay collective attention. Since there's evidence YouTube's recommendation engine is radicalising people, Tristan [Harris] told one interviewer: 'Just turn it off. They can turn it off in a heartbeat.' It's not as if, he points out, the day before recommendations were introduced, people were lost and clamouring for somebody to tell them what to watch next. Once the most obvious forms of mental pollution have been stopped, they said, we can begin to look deeper, at how these sites could be redesigned to make it easier for you to restrain yourself and think about your longer-term goals. ...there could be a button that says 'here are all your friends who are nearby and are indicating they'd like to meet up today.' You click it, you connect, you put down your phone and hang out with them. Instead of being a vacuum sucking up your attention and keeping it away from the outside world, social media would become a trampoline, sending you back into that world as efficiently as possible, matched with the people you want to see. Similarly, when you set up (say) a Facebook account, it could ask you how much time you want to spend per day or per week on the site. ...then the website could help you to achieve your goal. One way could be that when you hit that limit, the website could radically slow down. In tests, Amazon found that even 100 milliseconds of delay in the pace at which a page loads results in a substantial drop-off in people sticking around to buy the product. Aza said: 'It just gives your brain a chance to catch up to your impulse and [ask] - do I really want to be here? No.' In addition, Facebook could ask you at regular intervals - what changes do you want to make to your life? ...then match you up with other people nearby... who say they also want to make that change and have indicated they are looking for the equivalent of gym buddies. ...A battery of scientific evidence shows that if you want to succeed in changing something, you should meet up with groups of people doing the same. At the moment, they said, social media is designed to grab your attention and sell it to the highest bidder, but it could be designed to understand your intentions and to better help you achieve them. Tristan and Aza told me that it's just as easy to design and program this life-affirming Facebook as the life-draining Facebook we currently have. I think that most people, if you stopped them in the street and painted them a vision of these two Facebooks, would say they wanted the one that serves your intentions. So why isn't it happened? It comes back... to the business model.
Johann Hari (Stolen Focus: Why You Can't Pay Attention— and How to Think Deeply Again)
This blond Brett boy was very tall. And in his disposition seemed an incompleteness. People who talked to Brett usually first referenced his height. Thus, a compliment or statement regarding his figure was the first thing he heard. Andrei could imagine that the first fraction of every conversation in his life had to do with how tall he was. And since conversations did not last that long, Brett had mastered the form of receiving the compliment, but compared to folks with a shorter body, had a considerably lower percentage of conversations in his life about other things. It was merely the way it had turned out. The world acknowledged Brett’s height and Brett monopolized this attention and innocently adjusted by mentioning his height for all sorts of topics—for being the butt of jokes, for flirtation, to compete in the quiet dance of masculine dominance in rooms that men knew so well. Andrei located the offness to him—a certain naïve, boyish way Brett spoke and moved. If Andrei and Brett had been the same age, not in a hotel restroom, and most importantly, friends, Andrei would have offered him some advice: “Accept comments on your height quickly, my friend, and then never address it again. Change the topic fast and carry on. You don’t want to lose out on the higher picture.” And the same words would apply to every living thing: “Rather than be swayed, strike through everything you do. Your mighty sword is your identity, not mirrors, reflections, or other eyeballs.
Kristian Ventura (A Happy Ghost)
He lays out the methods to achieve this, which he describes as “mind manipulation.” The goal, Nir says, is to “create a craving” in human beings—and he cites B. F. Skinner as a model for how to do it. His approach can be summarized by the headline on one of his blog posts: “Want to Hook Your Users? Drive Them Crazy.” The goal of the designer is to create an “internal trigger” (remember them?) that will keep the user coming back again and again. To help the designer picture the kind of person they are targeting, he says they should imagine a user he names Julie, who “fears being out of the loop.” He comments: “Now we’ve got something! Fear is a powerful internal trigger, and we can design our solution to help calm Julie’s fear.” Once you have succeeded in playing on feelings like this, “a habit is formed, [and so] the user is automatically triggered to use the product during routine events such as wanting to kill time while waiting in line,” he writes approvingly. Designers
Johann Hari (Stolen Focus: Why You Can't Pay Attention - and How to Think Deeply Again)
My Atlas pinged behind me. And again. And again. “You’re popular this morning,” Darcy commented, eyeing it with interest. I grunted in response. “Caleb’s just trying to get into my pants again.” She snorted a laugh. “How hard are you going to make him work for it?” “He took part in the whole throwing us in a pit business. So I’m thinking I’m done with him,” I said dismissively. “Yeah, you totally should be,” she agreed. “But that look in your eye says you’re not.” “That’s just the part of my brain which is blinded by his hotness. I refuse to listen to her because she’s a slut. The sensible part of my brain says hell no and I’ll be keeping company with her and her chastity belt from now on.” “Okay,” Darcy said in a way which told me she wasn’t totally convinced but there wasn’t much I could do about that. My track record spoke for itself. The Atlas pinged again. And again. “At least let’s see how hard he’s grovelling,” she said with a wicked smile. I laughed and moved to grab my Atlas from the bed. Caleb: That’s so cold, Tory. I know you felt things too... the noises you were making in response to them are kinda hard to deny ;) Caleb: Do you want me to beg? Do you like the idea of getting me on my knees for you? Caleb: Are you ignoring me now? Can’t we just agree to disagree about the whole throne issue and take out our frustrations over the situation on each other? I promise, I’m super frustrated over it and it will take a lot of work to make me feel any better about it... Caleb: You wanna see how frustrated I am...? I really need help working through this... The last message contained a photograph which Caleb had taken of himself in a mirror after getting out of the shower. His blonde curls were damp and looked darker than usual and every inch of his exposed, muscular body glistened with fat drops of moisture. The picture cut off at his waist and his navy eyes blazed with an intensity which made me swallow a lump in my throat. Caleb: Want to come over and see the rest? Darcy released a breath of laughter. “Well he certainly knows what he wants.” My gaze raked over the picture of his tight abs glistening with water and I groaned. “Why does he have to be such an asshole?” I complained. “Well if he wasn’t, you probably wouldn’t like him at all,” she reasoned and I couldn’t help but laugh at that. “That is a tragically accurate assessment,” I agreed. I decided to leave Caleb hanging and closed down the private messages with a smile tugging at the corner of my mouth. (tory)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
to drink bourbon, wore racoon coats, travelled, or had travelled. Perhaps in this spare room of hers, another sad little story would be added to. “Well, come down when you’re ready,” she said, hesitating by the door. “Why, I’m ready now,” said Martha. “I’ve something to show you in this,” she said, taking up the smelly leather bag from Istanbul. “Something special.” They went downstairs, and Martha strolled about the sitting-room, looking at pictures, without comment. There were two of
Elizabeth Taylor (Blaming)
I’m pretty sure he plans on killing me anyway,” I said with a shrug. “At least if he kills me for this, it was for something that matters.” “I-” “Tell him I came here and spoke with you about Darius. Tell him I made some excuse to get you to leave the room and by the time you came back I’d done this. Put all the blame on me. I mean that.” “Okay…” she said hesitantly and I met her eye. “Do I need to make you swear it on the stars?” I growled. “No. I’ll tell him. Thank you, Roxanya.” “It’s Tory. Only Darius calls me Roxy and I can’t make him stop, but I don’t want anyone else making a habit of it,” I said. Although at this point if Darius started calling me Tory it would probably just be weird. Not that I’d ever admit that I was okay with the Roxy thing. “Okay. Thank you, Tory.” I smirked at her and hit post. Catalina gasped as Xavier’s secret went viral and I glanced down at my Atlas as reactions and comments began to pour in before I locked the screen. Shit, what if Daddy Acrux really does kill me for this? “Run, Tory,” Catalina breathed, real fear dancing in her eyes. “Run for the gate and get back to the academy before he comes back. If he finds you here-” “Consider me gone.” I barked a laugh as nerves made my heart flutter. Catalina smiled at me before ripping her dress off, knocking her hair free of its perfectly styled bun, flashing me those gloriously fake tits and leaping out of thewindow after her son. She transformed as she plummeted and my lips fell open as a stunning silver Dragon burst from her flesh. She beat a path up towards the clouds just as Xavier dipped beneath them with an excited whinny. I quickly raised my Atlas and snapped a picture of the two of them dancing through the sky before I took a running jump out of the window too. My wings burst to life at my back and I flew hard and fast along the drive until I soared over the gates, beyond the anti-stardust wards where I landed quickly, my boots skidding in the gravel. I grabbed the stardust from my pocket and winked at the startled guards half a second before I tossed it over my head and the stars whisked me back to the academy. I stumbled as they deposited me and suddenly strong arms locked around my chest from behind, making me scream in surprise. A hand slapped over my mouth and I stilled for a moment as the scent of smoke and cedar overwhelmed me. Darius dragged me back through the hole in the wards, pulled me through the fence and shoved me up against a huge tree at the edge of campus before he took his hand from my mouth. His hands landed either side of my head as he penned me in, glaring down at me with an angry as fuck Dragon peering out of his eyes, his pupils transformed into reptilian slits and a hint of smoke slipped between his lips. He was only wearing sweatpants and I got the impression he’d flown here to ambush me the moment I returned. I guess he didn’t like my FaeBook post. “What the fuck were you thinking?” he demanded. “Whoa, chill out dude,” I said, pressing my hands to his chest to push him back. He didn’t move a single inch and I just ended up with my hands pressed to his rock hard muscles, his heart pounding frantically beneath my right palm. “Do you know what you’ve done?” Darius snarled. “Father could kill Xavier for this! He could-” “He won’t,” I snapped angrily. “He can’t. Don’t you see that? The only power he held over Xavier was in keeping his real Order form a secret. Now everyone knows, he’s free. Killing him wouldn’t change the truth. And he can’t very well alienate every Pegasus in Solaria by making his Orderist bullshit public knowledge. He’ll have to let Xavier leave the house, join a herd, fly.” Darius was staring at me like he didn’t know whether to kill me or kiss me and as my gaze fell on his mouth, I found myself aching for the latter. Fuck the stars. (Tory POV)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
Comment on the picture is an expression of the heart Opinion on the writing is an evaluation of vision, Which determines and intuits the level of knowledge.
Ehsan Sehgal
The Oak Forest mushrooms for the langoustine didn't arrive in time, so we've substituted with enoki mushrooms from Champagne Farms. Also, we are adding an entrée to the menu tonight. It's lemon pine-nut-encrusted sea scallops with a celery mousse and my signature vinaigrette. It took three months to get it right, and the end result is phenomenal. So sell it." Alain paused while the servers took notes. "In wines, we're out of the Napa Valley El Molino, the Talenti, and the Chateau Margeaux '86." Alain paused and, while the servers wrote furiously in their pads, my thoughts wandered. I tried picturing the customers who might have opinions about Oak Forest mushrooms compared to those from Champagne Farms. Did they wear tweed and bifocals? Or were they übermodern with sculpured haircuts and electronic cigarettes? I shook my head, annoyed with myself and my train of thought. Let the mushroom people be mushroom people, I chastised myself. You signed up for this gig, Charlie, remember? You're living your dream, remember? Alain changed gears for a second and threw out a quiz question, one of his more sadistic rituals during family meal. "What are the six ingredients in the jalapeño emulsion we serve with the salmon?" Silence. A blonde in the back ventured, "Jalapeño, olive oil, shallots...?" More silence. "Fleur de sel, ground pepper, lemon juice," Alain finished for her, giving her an icy glance over his bearish nose. "Wake up, people. All right, here's an easy one. What's the difference between jamón ibérico and prosciutto?" Four hands went up, and Wade got it right. "Jamón ibérico is dry-cured from black Iberian pigs in Spain, not to be confused with jamón serrano, which comes from a less expensive white pig. Prosciutto is also dry-cured, but it is from Italy. It is the common man's gourmet ham, which is why we don't serve it." Wade finished with a cock of the head and a high-five with another server. Alain snorted. "Thank you for the editorial comment. Please keep it to yourself, however, when recommending the melon and jamón ibérico appetizer." He spent the next five minutes grilling the staff on the origin of our rice vinegar, what dessert wine paired best with Felix's raspberry brûlée, and the correct serving temperature of the parsnip purée.
Kimberly Stuart (Sugar)
And now, without the book to read, sitting there with Brandon in the middle of the night, I had nothing to do but think. I checked my watch: 2:12 a.m. I pictured Kristen, sleeping on her side under her flower bedspread. Her hand tucked under her favorite pillow—the one with the beige flannel pillowcase. Stuntman Mike curled up on top of the blanket in the tangle of her legs. The clock on her nightstand giving me just enough light to see her long lashes across her smooth cheeks. I mentally pulled the blanket up to her chin and kissed her forehead and saw her eyes flutter open as she smiled at me. Fuck, I missed her. “I wish you could talk to me,” I said to Brandon. “Tell me what to do. I need you to wake up and straighten me out. Or even better, wake up and straighten her out.” I dragged a hand down my face. When I saw her today, it just confirmed what I already knew. I wasn’t ever going to get over her. I wasn’t ever going to not miss her. She was punishing me for a crime I didn’t even know I’d committed. For things I had said and things I wanted before I knew what they’d mean later. Every comment had been a nail in the board across the door she’d closed on me. “I don’t even know how to begin to convince her,” I said. “She won’t even speak to me.” I snorted. “Leave it to me to be in love with the world’s most stubborn woman.” I tried to think about what Brandon’s response to this would be. He was always so level-headed. He would know what to do. The more I tried to sway her, the further she distanced herself. The more I told her I loved her, the more she shut down. And I didn’t know how to stop it.
Abby Jimenez
Commit to mastering three to four new words every day. People with a rich vocabulary seldom have trouble articulating their views and display greater confidence while talking to people. The difference between a functional vocabulary and extensive vocabulary can be the difference between a black and white and vivid, colorful picture. Paint a picture with your words to make the conversation more interesting and compelling. Stay away from redundant words and phrases. Avoid using conversation fillers. Keep your sentences short, crisp and to the point. Do not use the most highfalutin words to flaunt your vocabulary. Instead be an effective communicator by using words that convey your ideas and feelings most appropriately. Less is always more in a conversation. Try to say more by using less yet effective words and phrases. Think of better and more articulate ways to convey your emotions and ideas, For example, you can say “famished” in place of “very hungry” or “livid” instead of “very angry or upset.” Try to convey your ideas using more effective words. Replace redundant words and phrases in your daily conversations. For example, instead of saying, “They said xyz about my looks” say “they commented on my looks.” The idea is to make your speech crisper, more articulate and tighter by replacing ineffectual words/phrases with more meaningful expressions. Everyday words and phrases such as “big” can become “gigantic,” “massive” or “colossal.” Similarly, scared can become “petrified” and “spooked,” hungry become “famished” and so on. Consciously think of more effective ways to convey the same meaning. This practice will make you come across as a more engaging, interesting and vibrant conversationalist. A richer and more power-packed vocabulary lends more character, feelings and sensory experiences to the conversation. The way to go about it is – Use a diary or notebook for listing new words and phrases you come across each day. You can also randomly pick three new words to learn from the dictionary every day, and try to use it in your speech or conversation. Install ‘word a day’ applications on your phones to keep enriching your vocabulary. It’s a work in progress. You’ll never know everything. Even if you believe you have a limited vocabulary or aren’t able to hold a conversation because you don’t know how best to express yourself, breathe easy. There are plenty of ways to build a powerful vocabulary if you have the initiative.
Keith Coleman (Effective Communication Skills: How to Enjoy Conversations, Build Assertiveness, & Have Great Interactions for Meaningful Relationships (Speak Fearlessly Book 2))
Much less all the other things people post that they really should keep to themselves. Like when Peter Dyer commented on Teresa Green’s post of the picture of her in a bathing suit, saying she looked hot. And his wife saw it? He’s lucky he’s still alive.” “Facebook has really brought out the stupid in people. Like his wife wasn’t going to find out. And when she did, what did he think would happen?” I shook my head, thinking about his stupidity.
Laina Turner (Friends and Foes (Read Wine Bookstore #0.5))
For example, I learned that it was my right under international law to be told why I was being arrested, but the night the military took me from my home, I wasn’t told why. The International Covenant on Civil and Political Rights, which Israel also ratified in 1991, says that all persons, including children, should be given reasons for their arrest at the time of their arrest. Another violation occurred when the soldiers posed with me, a minor, while taking my picture before leading me into the police station. They had no right to humiliate me like that, nor to film my arrest and publish the video without my parents’ permission. And then there was the interrogation. Banning my parents and my lawyer from being with me and putting me in a room alone with men and no female officers were all clear violations. The way the interrogators shouted at me, threatened me, and sexually harassed me by commenting on my appearance in order to coerce a confession were all breaches of the Convention Against Torture. The fact that I was held so long in pretrial detention was another violation.
Ahed Tamimi (They Called Me a Lioness: A Palestinian Girl's Fight for Freedom)
Pictures of her, and of the raven and the quote from Lear, snapped and circulated from Twitter. Her, coming out of Park Street station with a cop on each side. Her first instinct was not to read the comments—the first rule of retaining whatever faith you had left in humanity was Never, ever read the comments—but she couldn’t help it. She read the comments. Tim Burton’s Lady Indiana Jones and the T Station of Doom #hero #fuckshitup Who is this woman??? And then—these were her people, all right: resourceful, internet-literate geeks—a link to her professional profile on LinkedIn. She inhaled. And, not for the first time, was intensely grateful no one who didn’t already work for the hospital knew the location of her little satellite office.
Kate Racculia (Tuesday Mooney Talks To Ghosts)
For weeks all opinion polls and all responsible commentators had been predicting that there was no hope of the Labour Party being elected on a programme like this. Ever since Harry Perkins had been chosen to lead Labour at a tumultuous party conference two years earlier, the popular press had been saying that this proved what they had always argued – namely that the Labour Party was in the grip of a Marxist conspiracy. Privately the rulers of the great corporations had been gleeful, for they had convinced themselves that the British people were basically moderate and that, however rough the going got, they would never elect a Labour government headed by the likes of Harry Perkins. Picture, therefore, the dismay that swept the lobby of the Athenaeum as the television showed Perkins coming to the rostrum in Sheffield town hall to acknowledge not only his own re-election with a record majority, but to claim victory on behalf of his party. “Comrades,” intoned brother Perkins. “Comrades, my foot.” Sir Arthur Furnival was apoplectic. “Told you the man’s a Communist.
Chris Mullin (A Very British Coup: The novel that foretold the rise of Corbyn)