Streak Short Quotes

We've searched our database for all the quotes and captions related to Streak Short. Here they are! All 57 of them:

And I’ve been trying everything I can think of since to make up for it—short of tattooing her name on my ass and streaking across Yankee Stadium.” I was saving that for next week.
Emma Chase (Tangled (Tangled, #1))
Because what I did with my one short beautiful life— was lose it on a winning streak.
Ocean Vuong (Time is a Mother)
The demon kept pulling him unconscious, and in those short bursts of blackness, the dreamer snatched at light, and when he swam back to consciousness, he thrust the dream into reality. He shaped them into flapping creatures and earthbound stars and flaming crowns and golden notes that sang by themselves and mint leaves scattered across the blood-streaked pavement and scraps of paper with jagged handwriting on them: Unguibus et rostro. But he was dying.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Gavroche had fallen only to rise again; he remained in a sitting posture, a long thread of blood streaked his face, he raised both arms in the air, glanced in the direction whence the shot had come, and began to sing: "Je suis tombe par terre, "I have fallen to the earth, C'est la faute a Voltaire; 'Tis the fault of Voltaire; Le nez dans le ruisseau, With my nose in the gutter, C'est la faute a . . . " 'Tis the fault of . . . " He did not finish. A second bullet from the same marksman stopped him short. This time he fell face downward on the pavement, and moved no more. This grand little soul had taken its flight.
Victor Hugo (Les Misérables)
It is my streak of craziness that has saved me from extinction
Tina Sequeira (Bhumi: A Collection of Short Stories)
Her mascara ran in streaks down her face lipstick smeared across her alabaster cheeks like a porcelain doll that had been flung around before the paint had dried. ... barely blinking eyes like content little suns poking through dark mascara clouds she is broken yet whole at the same time and she belongs to him (excerpt from "Content" in Make Me Take It From You by HL37)
HL37 (Make Me Take It from You: Erotic Poetry and Short Stories)
Every second a hundred bolts of lightning streak to Earth across the globe as the electric charges that build up within storm clouds are attracted by the positively charged ground. Earth experiences about 40,000 thunderstorms a day.
Bill Bryson (A Short History of Nearly Everything)
The echoes of my knock were still ringing when the door swung open, revealing a short, cheerfully curvy woman with spiky brown hair streaked with bleach-white lines that looked more accidental than anything else. She was wearing an electric orange T-shirt that read DO NOT TAUNT THE OCTOPUS, jeans, and a lab coat, and was pointing a hunting rifle at the middle of my chest.
Mira Grant (Deadline (Newsflesh, #2))
Bullets chew up the earth on either side of the PJs sending gouts of dirt into the air. Rounds thwack into the wreckage behind them sounding like dull, muted bells. As bullets streak past them the PJs’ conversation mostly consists of short, disjointed exclamations like, “Holy Shit!” and “Can you fucking believe this?” Their situation is very unnerving and they squish against the rock, trying to get small.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
The short day of that high northern latitude was already drawing to a close, and the sun was throwing his parting rays obliquely across the waters, touching the gloomy waves here and there with streaks of pale light.
Walter Scott (The Greatest Sea Novels and Tales of All Time)
Dragon watched the heavens turn. He saw his namesake, Draco, the dragon, arc across the sky. There were men who said the brightest star in Draco had once been the constant star by which men measured the way north. It was no longer, but the heavens changed in their own slow time, far beyond the brief ages of man, so perhaps it once had been so. He drank more wine. A star streaked across the sky, burning brightly in its swift flight. Then it was gone, extinguished as though it had never been. Life was too damn short.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building. Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked. “Have you seen Aiden?” “Aiden?” Were there really that many Aidens? “Graves.” “Can I ask what you need him for?” I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.” It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal. Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did. I couldn’t help but crack a little smile at his grumpiness. “Ready?” He did his form of a nod, a tip of his chin. I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably. He glared down at me. “What are you smiling at?” I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.” He mouthed ‘sunshine’ as his gaze strayed to the ceiling. We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked. He eyed me as he buckled in, and I slanted him a look. “What?” With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out. All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me. When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned. “For me?” I asked like an idiot. He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.” Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
Mariana Zapata (The Wall of Winnipeg and Me)
I have been fascinated by some of the research I've done around relationships between abductors and abductees, sadly in some cases over many years, which has raised many questions: Is it always nature versus nurture? Is there an evil streak in some people and not others? Could it be a sequence of events over a short period that makes someone crack, or a whole life of bad things happening to them? And how would we ever know after the event anyway? That's what makes it so interesting to write crime fiction
Mel Sherratt
It so happened I was barefoot, as was often the case, and had pants on which had grown too short over time. Suddenly he looked up at me from his work and said: "Would you like to have your feet greased?" I had always held the man to be a great marvel and felt honoured by his familiarity and so stretched both my feet out to him. He dipped his spoon into the bung-hole, brought it over and drew a long streak down each of my feet. The liquid spread out nicely over the skin, had an exceptionally clear, golden brown colour and wafted its pleasent resinous odour up to me. It gradually spread across and down the curves of my feet.
Adalbert Stifter (Tales of Old Vienna and Other Prose (Studies in Austrian Literature, Culture and Thought: Translation Series))
When he is sitting quiet, thinking about his sins, or is absent-minded or unapprehensive of danger, his majestic ears project above him conspicuously; but the breaking of a twig will scare him nearly to death, and then he tilts his ears back gently and starts for home. All you can see, then, for the next minute, is his long gray form stretched out straight and "streaking it" through the low sage-brush, head erect, eyes right, and ears just canted a little to the rear, but showing you where the animal is, all the time, the same as if he carried a jib. Now and then he makes a marvelous spring with his long legs, high over the stunted sage-brush, and scores a leap that would make a horse envious. Presently he comes down to a long, graceful "lope," and shortly he mysteriously disappears. He has crouched behind a sage-bush, and will sit there and listen and tremble until you get within six feet of him, when he will get under way again. But one must shoot at this creature once, if he wishes to see him throw his heart into his heels, and do the best he knows how. He is frightened clear through, now, and he lays his long ears down on his back, straightens himself out like a yard-stick every spring he makes, and scatters miles behind him with an easy indifference that is enchanting.
Mark Twain (Roughing It)
Miriam gave her hair a preliminary drying, gathered her dressing-gown together and went upstairs. From the schoolroom came unmistakable sounds. They were evidently at dinner. She hurried to her attic. What was she to do with her hair? She rubbed it desperately—fancy being landed with hair like that, in the middle of the day! She could not possibly go down.... She must. Fraulein Pfaff would expect her to—and would be disgusted if she were not quick—she towelled frantically at the short strands round her forehead, despairingly screwed them into Hinde's and towelled at the rest. What had the other girls done? If only she could look into the schoolroom before going down—it was awful—what should she do?... She caught sight of a sodden-looking brush on Mademoiselle's bed. Mademoiselle had put hers up—she had seen her... of course... easy enough for her little fluffy clouds—she could do nothing with her straight, wet lumps—she began to brush it out—it separated into thin tails which flipped tiny drops of moisture against her hands as she brushed. Her arms ached; her face flared with her exertions. She was ravenous—she must manage somehow and go down. She braided the long strands and fastened their cold mass with extra hairpins. Then she unfastened the Hinde's—two tendrils flopped limply against her forehead. She combed them out. They fell in a curtain of streaks to her nose. Feverishly she divided them, draped them somehow back into the rest of her hair and fastened them.
Dorothy M. Richardson
He let go of her hands and cut her off, placing a finger over her lips as he rubbed her arm. “The only thing I want tonight is you. The only thing you need to know tonight is I’m going to have you...as I wish...for as long as I wish.” He rolled his head in a circle to stretch before looking directly back into her eyes, and added as an afterthought, “Hmm... Hurt you? Your arousal will likely hurt you excruciatingly until I allow your release.” And as his sensual voice streaked through her, Kate’s mind shorted out like a tripped wire snapping, completely blank. Her whole body betrayed her yet again by flushing with unrestrainable heat. “Stay as you are, Kate.” He pushed the bunched-up nightgown at her waist, down to the floor to pool at her feet. Shivering hard, she moved her hands to cover her nakedness, dropping her head to her chest, avoiding his steady gaze. Grabbing her hands, he moved them back to her sides. He lifted her chin high to face him and said, “I told you to stay as you were, Kate. You will do good to listen to me.” His fingers pressed into her hair, curling a bit of it around her ear as he leaned in to the side of her head. His voice lowered seductively until it was a purr in her ear. “I know how to please a woman to the point her voice is hoarse from her screams of desire, her bed linens soaked, and her legs quivering for hours after I’m done.” His lips scantly apart from her ear, his voice dropping lower, he continued, “In the matter of choices, I know which sounds best to me. Do you, beautiful girl? I’ll prove I was worth the trouble of opening your door. Can you allow yourself this indulgence? It’s just one night.
Elaine Barris (Master for Tonight (Master for Tonight, #1))
participated in the grueling competition, which was broken up into stages and went on for days. But in the spring of 1940, Germany invaded France, and shortly after that, the German army marched into Paris. The Tours de France had been canceled indefinitely. Now it was 1942, and the Occupation had dragged on for two long years. Who knew how long it would last or when the race would start up again? The bumpy cobblestones made the bike shake. But Marcel wouldn’t let that stop him. He knew that in 1939, the spring classic Paris-Roubaix bicycle race included fifteen or more cobbled sections as part of the grueling 200-plus kilometer course. Some were even steep hills. He had just rounded the corner of the street where Madame Trottier lived when suddenly a streak of orange flashed across the road. Zut alors! He jammed his feet on the brakes hard and
Yona Zeldis McDonough (The Bicycle Spy)
You’re going to get an F.” Spencer shifted the papers on his school desk and looked for a hundredth time at the graffiti in the corner. Last year’s occupant of the desk must have spent hours etching the message into the wooden surface. Dummy, Spencer thought. Couldn’t even spell cabbage. Truth be told, Mrs. Natcher did smell a little like cabbage sometimes, but she was still tolerable. Today, however, a strong Bath and Body Works fragrance filled the sixth-grade classroom and Mrs. Natcher was nowhere to be seen. In her place was a thin, younger woman who had short, stylish hair streaked with pink highlights. She wore high-heeled red shoes and a skirt so short that Mrs. Natcher would have croaked. Turned out that Mrs. Natcher had croaked—well, almost—which was why Miss Leslie Sharmelle had been called to Welcher Elementary that morning. Spencer glanced at the clock on the wall.
Tyler Whitesides (Janitors (Janitors, #1))
Elizabeth snapped awake in a terrified instant as the door to her bed chamber was flung open near dawn, and Ian stalked into the darkened room. “Do you want to go first, or shall I?” he said tightly, coming to stand at the side of her bed. “What do you mean?” she asked in a trembling voice. “I mean,” he said, “that either you go first and tell me why in hell you suddenly find my company repugnant, or I’ll go first and tell you how I feel when I don’t know where you are or why you want to be there!” “I’ve sent word to you both nights.” “You sent a damned note that arrived long after nightfall both times, informing me that you intended to sleep somewhere else. I want to know why!” He has men beaten like animals, she reminded herself. “Stop shouting at me,” Elizabeth said shakily, getting out of bed and dragging the covers with her to hide herself from him. His brows snapped together in an ominous frown. “Elizabeth?” he asked, reaching for her. “Don’t touch me!” she cried. Bentner’s voice came from the doorway. “Is aught amiss, my lady?” he asked, glaring bravely at Ian. “Get out of here and close that damned door behind you!” Ian snapped furiously. “Leave it open,” Elizabeth said nervously, and the brave butler did exactly as she said. In six long strides Ian was at the door, shoving it closed with a force that sent it crashing into its frame, and Elizabeth began to vibrate with terror. When he turned around and started toward her Elizabeth tried to back away, but she tripped on the coverlet and had to stay where she was. Ian saw the fear in her eyes and stopped short only inches in front of her. His hand lifted, and she winced, but it came to rest on her cheek. “Darling, what is it?” he asked. It was his voice that made her want to weep at his feet, that beautiful baritone voice; and his face-that harsh, handsome face she’d adored. She wanted to beg him to tell her what Robert and Wordsworth had said were lies-all lies. “My life depends on this, Elizabeth. So does yours. Don’t fail us,” Robert had pleaded. Yet, in that moment of weakness she actually considered telling Ian everything she knew and letting him kill her if he wanted to; she would have preferred death to the torment of living with the memory of the lie that had been their lives-to the torment of living without him. “Are you ill?” he asked, frowning and minutely studying her face. Snatching at the excuse he’d offered, she nodded hastily. “Yes. I haven’t been feeling well.” “Is that why you went to London? To see a physician?” She nodded a little wildly, and to her bewildered horror he started to smile-that lazy, tender smile that always made her senses leap. “Are you with child, darling? Is that why you’re acting so strangely?” Elizabeth was silent, trying to debate the wisdom of saying yes or no-she should say no, she realized. He’d hunt her to the ends of the earth if he believed she was carrying his babe. “No! He-the doctor said it is just-just-nerves.” “You’ve been working and playing too hard,” Ian said, looking like the picture of a worried, devoted husband. “You need more rest.” Elizabeth couldn’t bear any more of this-not his feigned tenderness or his concern or the memory of Robert’s battered back. “I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him. During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face. “Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?
Judith McNaught (Almost Heaven (Sequels, #3))
Gargantuan figure. Almost seven feet tall, he had great physical strength and remarkable manual dexterity, and his interests were astonishingly broad. He claimed to have mastered fourteen trades as well as surgery and dentistry. When courtiers and servants took sick they tried to conceal it from Peter, for if he thought that medical attention was needed he would gather his instruments and offer his services. Among his personal belongings Peter left a sackful of teeth, testimony to his thriving dental practice. Peter was also a man with a strong sadistic streak. He delighted, for example, in forcing all his guests, including the ladies, to drink vodka straight – the way he liked it – and in large quantities. Johann Korb, the secretary of the Austrian embassy in Moscow from 1698 to 1699, described a particularly gruesome incident at one of these festive occasions: ‘Boyar Golowin has, from his cradle, a natural horror of salad and vinegar; so the Czar directing Colonel Chambers to hold him tight, forced salad and vinegar into his mouth and nostrils, until the blood flowing from his nose succeeded his violent coughing.
Abraham Ascher (Russia: A Short History (Short Histories))
During the course of these chats, Raymond asked again about Mummy—why I hadn’t told her I’d been unwell, why she never visited me, or I her, until finally I gave in and provided him with a potted biography. He already knew about the fire, of course, and that I’d been brought up in care afterward. That, I told him, was because it wasn’t possible for me to live with Mummy afterward, not where she was. It was, I’d hoped, enough to keep him quiet, but no. “Where is she, then? Hospital, nursing home?” he guessed. I shook my head. “It’s a bad place, for bad people,” I said. He thought for a moment. “Not prison?” He looked shocked. I held his gaze but said nothing. After another short pause he asked, not unreasonably, what crime she had committed. “I can’t remember,” I said. He stared at me, then snorted. “Bullshit,” he said. “Come on, Eleanor. You can tell me. It won’t change anything between us, I promise. It’s not like you did it, whatever it was.” I felt a hot flush streak right up the front of my body and then down my back, a sensation I can only liken to being given a sedative prior to a general anesthetic. My pulse was pounding. “It’s true,” I said. “I honestly don’t know. I think I must have been told at the time, but I can’t remember. I was only ten. Everyone was really careful never to mention it around me . . .
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
The girls seemed unconcerned and went about their days, each as lovely in their own way as the flowers they tended. Sorrel's black hair became streaked with premature white, which gave her an exotic air, although the elegance was somewhat ruined by the muddy jeans and shorts she practically lived in. Nettie, on the other hand, had a head of baby-fine blonde hair that she wore short, thinking, wrongly, that it would look less childlike. Nettie wouldn't dream of being caught in dirty jeans and was always crisply turned out in khaki capris or a skirt and a white shirt. She considered her legs to be her finest feature. She was not wrong. Patience was the sole Sparrow redhead, although her hair had deepened from its childhood ginger and was now closer to the color of a chestnut. It was heavy and glossy as a horse's mane, and she paid absolutely no attention to it or to much else about her appearance, nor did she have to. In the summer her wide-legged linen trousers and cut-off shorts were speckled with dirt and greenery, her camisoles tatty and damp. The broad-brimmed hat she wore to pick was most often dangling from a cord down her back. As a result, the freckles that feathered across her shoulders and chest were the color of caramel and resistant to her own buttermilk lotion (Nettie smoothed it on Patience whenever she could make her stand still). When it was terribly hot, Patience wore the sundresses she'd found packed away in the attic. She knew they were her mother's, and she liked to imagine how happy Honor had been in them.
Ellen Herrick (The Sparrow Sisters)
in Howard was in one of those moods during which crazy ideas sound perfectly sensible. A bullish, handsome man with decisive eyebrows and more hair than he could find use for, Lin had a great deal of money and a habit of having things go his way. So many things in his life had gone his way that it no longer occurred to him not to be in a festive mood, and he spent much of his time celebrating the general goodness of things and sitting with old friends telling fat happy lies. But things had not gone Lin’s way lately, and he was not accustomed to the feeling. Lin wanted in the worst way to whip his father at racing, to knock his Seabiscuit down a peg or two, and he believed he had the horse to do it in Ligaroti.1 He was sure enough about it to have made some account-closing bets on the horse, at least one as a side wager with his father, and he was a great deal poorer for it. The last race really ate at him. Ligaroti had been at Seabiscuit’s throat in the Hollywood Gold Cup when another horse had bumped him right out of his game. He had streaked down the stretch to finish fourth and had come back a week later to score a smashing victory over Whichcee in a Hollywood stakes race, firmly establishing himself as the second-best horse in the West. Bing Crosby and Lin were certain that with a weight break and a clean trip, Ligaroti had Seabiscuit’s measure. Charles Howard didn’t see it that way. Since the race, he had been going around with pockets full of clippings about Seabiscuit. Anytime anyone came near him, he would wave the articles around and start gushing, like a new father. The senior Howard probably didn’t hold back when Lin was around. He was immensely proud of Lin’s success with Ligaroti, but he enjoyed tweaking his son, and he was good at it. He had once given Lin a book for Christmas entitled What You Know About Horses. The pages were blank. One night shortly after the Hollywood Gold Cup, Lin was sitting at a restaurant table across from his father and Bing Crosby. They were apparently talking about the Gold Cup, and Lin was sitting there looking at his father and doing a slow burn.
Laura Hillenbrand (Seabiscuit: An American Legend)
Another general would have let them go and been glad of it. But he saw that if they secured that high ground they might regroup and come at us again, this time with their archers positioned to advantage. So he called us to ranks with a curdling cry. I glimpsed his face through the crowd of men. It was bloodied, dirt-streaked, avid. Then he turned, fist to the sky, and sprinted. He set the pace for the fleetest of his runners, youths who could give him a decade. Even uphill, he seemed to fly over the loose stones that slid out from underfoot and left me skidding and swearing. I fell behind, and lost sight of him. Others—younger men, better fighters—overtook me, swarming to him, compelled by his courage. When I finally glimpsed him again, he was above me on a long, slender ridge, in the thick of fierce fighting. Trying to narrow the distance between us, I lost my footing entirely on the uncertain ground. I slipped. Metal, leather and flesh scraped against rough limestone that bit like snaggleteeth. I could not control my fall until I planted my foot into something that gave softly under my weight. The man had been attempting to crawl away, dragging himself with his remaining hand while a slime of blood pulsed from the stump of his sword arm. My boot, mashing his neck flat into stone, had put an end to that. When I lifted my foot, the man gave a wet gargle, and was still. I scraped the mess off my boot onto the nearest rock and went on. When I reached the ridge, the king was making an end of another fighter. He was up close, eye to eye. His sword had entered just above the man’s groin. He drew it upward, in a long, slow, arcing slash. As he pulled the blade back—slick, dripping—long tubes of bowel came tumbling after. I could see the dying man’s eyes, wide with horror, his hands gripping for his guts, trying to push them back into the gaping hole in his belly. The king’s own eyes were blank—all the warmth swallowed by the black stain of widening pupils. David reached out an arm and pushed the man hard in the chest. He fell backward off the narrow ledge and rolled down the slope, his entrails unfurling after him like a glossy ribband. I was engaged myself then, by a bullnecked spearman who required all my flagging strength. He was bigger than me, but clumsy, and I used his size against him, so that as I feinted one way, he lunged with his spear, overbalanced and fell right onto the dagger that I held close and short at my side. I felt the metal grating against the bone of his rib, and then I mustered enough force to thrust the tip sharply upward, the blade’s full length inside him, in the direction of his heart. I felt the warm wetness of his insides closing about my fist. It was intimate as a rape.
Geraldine Brooks (The Secret Chord)
A sudden streak of light made me blink, as if someone had flashed a mirror in my face. I looked around and I saw a brown delivery truck parked in the middle of the Great Lawn where no cars were allowed. Lettered on the side were the words: HERNIAS ARE US Wait…sorry. I’m dyslexic. I squinted and decided it probably read: HERMES EXPRESS “Oh, good,” I muttered. “We’ve got mail.” “What?” Annabeth asked. I pointed at the truck. The driver was climbing out. He wore a brown uniform shirt and knee-length shorts along with stylish black socks and cleats. His curly salt-and-pepper hair stuck out around the edges of his brown cap. He looked like a guy in his mid-thirties, but I knew from experience he was actually in his mid-five-thousands. Hermes. Messenger of the gods. Personal friend, dispenser of heroic quests, and frequent cause of migraine headaches. He looked upset. He kept patting his pockets and wringing his hands. Either he’d lost something important or he’d had too many espressos at the Mount Olympus Starbucks. Finally he spotted me and beckoned, Get over here! That could’ve meant several things. If he was delivering a message in person from the gods, it was bad news. If he wanted something from me, it was also bad news. But seeing as he’d just saved me from explaining myself to Annabeth, I was too relieved to care. “Bummer.” I tried to sound regretful, as if my rump hadn’t just been pulled from the barbecue. “We’d better see what he wants.
Rick Riordan (The Heroes of Olympus: The Demigod Diaries)
Also, he had short black sideburns with streaks of gray in them, a boxer’s build, a Ph.D. in English literature from Harvard, and no wife or girlfriend. These qualities made Douglas a font of intrigue for the all-female population of St. Agnes—both the lay faculty and the students—but in truth Douglas led a sedentary life. He loved books, he was a passionate, solitary filmgoer, and he got his hair cut every four weeks by Chiapas, whose father ran a barbershop down the block.
The New Yorker (The Big New Yorker Book of Cats)
A weathered black and silver Dodge pickup towing a small motorboat pulled up behind us, and Alex circled back to greet the driver. I couldn’t see who sat behind the crusted and dirty windshield, but Alex stood at the driver’s window and pointed down the block where the boulevard disappeared into floodwater. The truck pulled ahead, maneuvered a deft U-turn, and backed toward the water. Alex motioned for me to follow. By the time I lurched my way to the truck, he and the pickup driver were sliding the boat down the trailer ramp. Sweat trickled down my neck, and if I hadn’t been afraid of being poisoned by toxic sludge, I’d have made like a pig and wallowed in the mud to cool off. I kicked at a fire hydrant, trying to jolt some of the heaviest sludge off my boots, and heard a soft laugh behind me. With a final kick that sent a spray of brown gunk flying, I turned to see what was so funny. I needed a laugh. A man leaned against the side of the pickup with his arms crossed. He was a few inches shorter than Alex, maybe just shy of six feet, with sun-streaked blond hair that reached his collar and a sleeveless blue T-shirt and khaki shorts. His tanned legs between the bottom of the shorts and the top of sturdy black shrimp boots were scored with scars, bad ones, as if whatever made them meant to do serious damage. He’d been grinning when I turned around, flashing a heart-stopping set of dimples, but when he saw my eyes linger on his legs, the grin eased into something more wary.
Suzanne Johnson (Royal Street (Sentinels of New Orleans, #1))
He had a taste for asking complicated questions, and for tracking the answers into whatever rabbit hole they might lead him. He had, in short, an obsessive streak. It wasn’t until after he’d hired Schwall away from Bank of America to work for RBC that Brad noticed this side of Schwall. He should have seen it before, simply from Schwall’s chosen role on Wall Street: product manager. A product manager, to be any good, had to be obsessive.
Michael Lewis (Flash Boys: A Wall Street Revolt)
be her friend, if she would let him. He gulped in a deep breath of the evening air and flopped into Pop’s wooden rocking chair. It smelled as if rain was coming, and with the oppressing heat they’d been having lately, the land could surely use a good dousing. A short time later, a streak of lightning shot across the sky, followed by a thunderous roar that shook the whole house. “Jah, a summer storm’s definitely coming,” he murmured. “Guess I’d best be getting to bed, or I’ll be tempted to sit out here and watch it all night.” Noah had enjoyed watching thunderstorms ever since he was a boy. Something fascinated him about the way lightning zigzagged across the sky as the rain pelted the earth. It made Noah realize the awesomeness of God’s power. Everything on earth was under the Master’s hand, and Noah never ceased to marvel at the majesty of it all. He rose from his chair just as the rain started to fall. It fell lightly at first but soon began to pummel the ground. He gazed up at the dismal, gray sky. “Keep us all safe this night, Lord.” Faith shuddered and pulled the sides of her pillow around her ears as she tried to drown out the sound of the storm brewing outside her bedroom window. She’d been afraid of storms since
Wanda E. Brunstetter (Going Home (Brides of Webster County #1))
She crosses the grass to the tall, muscular man with streaks of flaxen gold in his short black hair.
B.C. Powell (Krymzyn (The Journals of Krymzyn, #1))
sedimentary time. The lowest stratum, or the layer immediately above the Deterrence Center, had probably been deposited four billion years ago. The Earth had been born only five hundred million years before that. The turbid ocean was in its infancy, and nonstop flashes of lightning struck its surface; the Sun was a fuzzy ball of light in a haze-veiled sky, casting a crimson reflection over the sea. At short intervals, other bright balls of light streaked across the sky, crashing into the sea and trailing long tails of fire; these meteor strikes caused tsunamis that propelled gigantic waves to smash onto continents still laced with rivers of lava, raising clouds of vapor generated by fire and water that dimmed the Sun.… In contrast to this hellish but magnificent sight, the turbid water brewed a microscopic tale. Here, organic molecules were born from lightning flashes and cosmic rays, and they collided, fused, broke apart again—a long-lasting game played with building blocks for five hundred million years. Finally, a chain of organic molecules, trembling, split into two strands. The strands attracted other molecules around them until two identical copies of the original were made, and these split apart again and replicated themselves.… In this game of building blocks, the probability of producing such a self-replicating chain of organic molecules was so minuscule that it was as if a tornado had picked up a pile of metallic trash and deposited it as a fully-assembled Mercedes-Benz. But it happened, and so, a breathtaking history of 3.5 billion years had begun.
Liu Cixin (Remembrance of Earth's Past: The Three-Body Trilogy (Remembrance of Earth's Past #1-3))
On the 23rd of September 2013, I decided to write every day. Since that time, this discipline has resulted in publishing a couple of books, about 50 blog posts, and a dozen chapters of a novel. Writing itself is rarely fun. There are days (like today) when I need to force myself to sit down and glue myself to the keyboard. I have some quirks that seem to help, like writing on the train while commuting, but generally, it’s tedious work. I put my thoughts on the screen one keystroke after another, minute after minute. I’ve been doing it for about an hour a day for the last fifteen months. And I’m also in the top 25% for income earned by all authors on this planet. Which is not saying much, by the way; the top 5% are the ones making real money. But ask the 75% earning less than me about their writing habits. In most cases, you’ll find that they are less consistent. Ask those who are more successful than me, and you will discover that those earners would consider an hour a day a ridiculously short amount of time to be writing. Knowledge items: • The word consistency means something firm, inflexible, and adamant • Inconsistency is irrational, and it’s a question of attitude • Intention, attitude, and commitment determine your consistency • Your habits define your constitution • The key to personal change is a habit’s streak • Huge steps require huge labor input and are very hard to continue consistently
Michal Stawicki (The Art of Persistence: Stop Quitting, Ignore Shiny Objects and Climb Your Way to Success)
tamed his blond hair by cropping it short, but a rebellious sun-streaked strand curls over one
Magda Alexander (Storm Damages (Storm Damages, #1))
What the f**k is this?” Trevor didn’t rise to the bait, as he hadn’t for the last several days. Calmly, he asked, “What?” “This.” Edgard threw the pristine, custom-made saddle on the ground within Trevor’s peripheral view. Shit. How had Edgard found it? And why in the hell had that bastard gone snooping around instead of figuring out what was wrong with Meridian like he’d promised? “Trev? I asked you a question.” “You know damn good and well what it is, Ed.” “I figured you would’ve gotten rid of it by now.” “Well, I didn’t.” Edgard practically growled, “That don’t tell me why you still have it. That don’t tell me nothin’.” Trevor turned his face toward the opposite fence to gaze across to the mountains. His reasons for keeping the saddle seemed sentimental, sloppy and stupid now, but he’d be damned if he’d share those reasons with anyone, least of all Edgard, the man responsible for those feelings. Bootsteps made a sucking sound in the muck of the corral as Edgard closed the short distance between them. “I ain’t gonna drop it. Answer me.” “Fine. You said I could do whatever I wanted with it. So I kept it.” “You didn’t use it at all, did you?” Trevor shook his head, keeping his eyes averted. “Why not?” “I have plenty of other saddles, saddles I like better.” “That’s a piss-poor excuse. Try again.” He stayed mum, wishing the damn mud would open up and swallow him like a sinkhole. “Were you hoping if you kept it I’d come back?” Trevor’s heart said yes but his mouth stayed tight as a rusty hinge. “Answer the f**king question, Trevor.” Edgard’s arrogant streak snapped Trevor’s forced patience. “What do you want me to say? It’s obvious I saved the goddamn saddle.” “Why?” “Because it reminded me of you, all right?” He kicked a chunk of mud and stalked away. “Fuck this and f**k you.” Edgard rattled off something in Portuguese, something Trevor vaguely remembered as being a plea. Or was it a threat? Dammit. His feet stopped. Trevor’s gaze zeroed in on Edgard, who’d circled him until they were standing less than a foot apart. “Tell me why.” Be cruel, that’ll nip this in the bud once and for all. “I didn’t keep the f**kin’ thing because I had some girlish goddamn hope you’d come back lookin’ for it like Cinderella’s lost glass slipper, and we’d pick up where we left off after you left me.” He locked his eyes to the liquid heat in Edgard’s, not allowing the man to look away. “Especially after you made it crystal clear you weren’t ever comin’ back.” Angry puffs of breath distorted the air between them. Several beats passed before Edgard retorted, “But I am here now, aren’t I?” “What? Am I supposed to be flippin’ cartwheels about that fact? I don’t know what you want from me, Ed. Take the saddle back if that’ll make you happy. I’ve got no use for it. I never did.” Angry, disgusted with himself, Edgard, and the whole uncomfortable situation, Trevor spun and walked toward the barn. Edgard laughed—the taunting, soft laughter that was guaranteed to raise Trevor’s hackles and his ire. “It’s that easy for you? To get pissed off and walk away?” “Yep. You’ve got no right to act so goddamned surprised since it’s a trick I learned from you, amigo.” Not two seconds later, the air left Trevor’s lungs as Edgard tackled him to the ground. Trevor rolled to dislodge the man from his back; Edgard countered, took a swing and missed. Trevor bucked and twisted his shoulders, but Edgard anticipated the move and used the momentum against Trevor to try and shove Trevor’s face against the fence. Before Edgard cornered him and held him down completely to land a punch, Trevor rolled again and pushed to his feet. A noise echoed behind him, but he ignored it as he fisted his hands in Edgard’s shearling coat, dragging him upright until they were nose to nose.
Lorelei James (Rough, Raw and Ready (Rough Riders, #5))
When you reach your middle age, you see a train far away and shortly after you watch that train passing rapidly in front of you and finally the train disappears in the horizon like a streak of lightning! And that train, my dear friend, is your life!
Mehmet Murat ildan
She couldn’t help it; she looked hungrily at his dessert-covered chest and abs. Like a woman starved and stranded at sea. Her gaze rose slowly to meet his. But before she could reply, or attack and devour him, a boat horn sounded, making them both start. An amused voice carried the short distance across the water. “He surrenders, Kerry! Don’t make him walk the plank!” Kerry pulled back as if she’d been physically poked, swinging her gaze across the water to where another sailboat was passing by, getting ready to leave the harbor for the bay, sails fully unfurled. It was Jim Stein, with his wife, Carol, an older couple who were long-time friends of Fergus’s but well known to the whole McCrae clan. She felt her cheeks flaming in embarrassment and was grateful they were far enough away not to see the particulars of what was going on. Of course they could plainly see Cooper was shirtless, but she still had on the hoodie and fishing hat, so how inappropriately could they be behaving, right? If only they knew. Five more minutes and her old friends might have gotten a completely different eyeful. Hell, five more seconds. She waved, flashed a thumbs-up, then waved again as they sailed on, leaving laughter in their wake. With her teeth still gritted in a smile, she said, “This will be all over the Cove five seconds after they get back. Sooner if they have radio signal.” She turned back to Cooper, who was grinning shamelessly, hands linked behind his head now, as if preparing for his plank walk. “Very funny,” she said, trying to ignore how the posture made his biceps flex and showed off the definition in his six-pack. She couldn’t help but note that some of the blueberries had slid all the way down to the waistband of his cargo shorts, leaving streaks of blue on his skin, like arrows pointing to where she should go to resume their little game. She realized she was staring when her eyes slid a little lower still and--she jerked her gaze back to his, realizing he’d made her blush again. She typically wasn’t much of a blusher either. But she didn’t usually find herself playing food Twister with a half-naked man. Rather than finding a mocking smile waiting for her, the curve of his lips was amused, maybe even a little affectionate. Like she was being cute or something. She’d show him cute. Then she met his eyes and saw there was nothing amused or even borderline condescending to be found there. Incendiary was the word that came to mind.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
The driver watched the young female figure approach within his rearview mirror, unable to discern more than superficial characteristics. As she grew closer, he saw the mud streaks and torn clothing, and within her eyes, he saw an emptiness where something beautiful might once have dwelled. A thing not lost, but taken, abruptly and without warning, using method so thorough as to alter a soul.
R.J. Lawrence (The Fortunate Only)
Bloody hell,” Hanson said, but McGarvey jammed the muzzle of the big silencer hard against the base of the man’s head, and they headed slowly to where the corridor turned right. At the corner, McGarvey suddenly shoved Hanson away and stepped to one side as Sandberger’s other bodyguard stationed at the elevator realized that something unexpected was happening, and he grabbed for his pistol. McGarvey fired two shots, both hitting Alphonse in the head, knocking him backward against the wall where he collapsed to the floor, leaving a bloody streak as he fell. Hanson spun on his heel and started to charge, when McGarvey turned and pointed the gun at the man’s head, and the contractor pulled up short. “Lie to me again and you’re dead.” “You’re going to kill me anyway,” Hanson said
David Hagberg (The Cabal (Kirk McGarvey, #14))
To see why temporarily high returns don’t prove anything, imagine that two places are 130 miles apart. If I observed the 65 mph speed limit, I can drive that distance in two hours. But if I drive 130 mph, I can get there in one hour. If I try this and survive, am I “right”? Should you be tempted to try it, too, because you hear me bragging that it “worked?” Flashy gimmicks for beating the market are much the same: in short streaks, so as long as your luck holds out, they work. Over time, they will get you killed.
Benjamin Graham (The Intelligent Investor)
A loud knock shook her door. Emma damn near jumped off the sofa. Her neck popped as she jerked her head around to stare at the door with wide eyes. Her heart began to slam against her ribs as fear trickled through her. Who the hell would be knocking on her door this late at night? Who the hell would be knocking on her door at any time of day or night? No one she knew would do so without calling first. And deliverymen and women didn’t drop off packages at freaking midnight. As quickly and quietly as a mouse, she darted into her bedroom and grabbed the 9mm her father had bought her and trained her to use. Flicking off the safety, she returned to the living room and swung by the coffee table to tuck her phone in her pajama pants pocket in case she needed to call 911. Only then did she cautiously approach the door. Another knock thundered through the house. Adrenaline spiking, she peered through the door’s peephole. Shock rippled through her. “Oh shit,” she whispered. Setting the gun on the coatrack bench beside her, she hastily unlocked the dead bolt, then the knob, and flung open the door. Cliff stood before her, his big body blocking her view of the yard. Emma gaped up at him. He wore the standard blacks of network guards covered with a long black coat similar to that of an Immortal Guardian. His face, neck, and hands were streaked with blood. His clothing glistened with wet patches. And his eyes shone bright amber. She had never seen them so bright and knew it meant that whatever emotion roiled inside him was intense. Panic consumed her. “Cliff,” she breathed. Stepping onto the porch, she swiftly glanced around, terrified she might see soldiers in black approaching with weapons raised. When none materialized, she grabbed his wrist and yanked him inside. Her hands shook as she closed and bolted the door, her fingers leaving little streaks of blood on the white surface. Spinning around, she stared up at him. “What happened? Are you hurt?” Her gaze swept over him, noting every wet patch on his clothing, every ruby-red splotch on his skin. Was that his blood or someone else’s? “How did you get here? Are you hurt?” Closing the distance between them, she began to run her hands over his chest in search of wounds. Cliff grabbed her wrists to halt her frantic movements. His glowing eyes dropped to the points at which they touched. He drew his thumbs over her skin as if to confirm she was real. Then he met her gaze. “I need your shower,” he said, voice gruff. Heart pounding, she nodded. As soon as he released her, she pointed. “It’s through there.” Without another word, he strode toward it. His heavy boots thudded loudly in the quiet as he entered the short hallway, then turned in to the bathroom. The door closed. Water began to pound tile. Emma didn’t move. Cliff was here. In her home. What the hell had happened?
Dianne Duvall (Cliff's Descent (Immortal Guardians, #11))
Evening, Galen.” Holt’s lips quirked. “Gotta say, your patrol officer there looks somewhat the worse for wear.” The short brunette wore an over-sized, long-sleeved uniform shirt. One of the Doms had pulled her sleeve cuffs past her hands and knotted a rope around the wristbands, effectively restraining her. Tears had streaked dark mascara down her cheeks, and she had the unmistakable glassy-eyed appearance of someone who’d enjoyed a long, painful—and pleasurable—session. “Ah, well, she’s new to law enforcement and didn’t check she had backup before chasing a suspect.” Galen shot Vance a look.
Cherise Sinclair (Beneath the Scars (Masters of the Shadowlands, #13))
turns out Jason’s mother is a knock-out. “Hello,” she says in a voice like a songbird. “You must be Murray McBride.” She puts her drink down, stands, and puts her hand out real polite-like. I take it and kiss the soft skin on top. Then I think of Jenny. I’m sure she’s having a good chuckle right about now, watching me flirt with a woman sixty years my junior. So’s the woman next to Jason’s mother, judging by the smile on her face. She stands to greet me too and her hair—with bright purple and blonde streaks—is cut short and spiky. But she’s got a nice smile, too, so I nod to her polite-like. “Ma’am,” I say to Jason’s mother. “You’ve got a wonderful boy here. I’m grateful to have a chance to spend some time with him.” “Well!” she says, and I wonder if she’s ever heard such things about Jason.
Joe Siple (The Five Wishes of Mr. Murray McBride)
she was going straight into Hollywood Station. 9 Ballard kept all her work suits in her locker at the station and dressed for her shifts after arriving each night. She had four different suits that followed the same cut and style but differed in color and pattern. She dry-cleaned them two at a time so that she always had a suit and a backup available. After arriving nearly eight hours early for her shift, Ballard changed into the gray suit that was her favorite. She accompanied it with a white blouse. She kept four white blouses and one navy in her locker as well. It was Friday and that meant Ballard was scheduled to work solo. She and Jenkins had to cover seven shifts a week, so Ballard took Tuesday to Saturday and Jenkins covered Sunday to Thursday, giving them three overlap days. When they took vacation time, their slots usually went unfilled. If a detective in the division was needed during the early-morning hours, then someone had to be called in from home. Working solo suited Ballard because she didn’t have to run decisions by her partner. On this day, if he had known what Ballard’s plan was, Jenkins would have put the kibosh on it. But because it was Friday, they would not be working together again until the following Tuesday, and she was clear to make her own moves. After suiting up, Ballard checked herself in the mirror over the locker room sinks. She combed her sun-streaked hair with her fingers. That was all she usually had to do. Constant immersion in salt water and exposure to the sun over years had left her with broken, flyaway hair that she kept no longer than chin length out of necessity. It went well with her tan and gave off a slightly butch look that reduced advances from other officers. Olivas had been an exception. Ballard squeezed some Visine drops into her eyes, which were red from the salt water. After that she was good to go. She went into the break room to brew a double-shot espresso on the Keurig. She would be operating now and through the night on less than three hours of sleep. She needed to start stacking caffeine. She kept her eye on the wall clock because she wanted to time her arrival in the detective bureau at shortly before four p.m., when she knew the lead detective in the CAPs unit would also be watching the clock, getting ready to split for the weekend. She had at least fifteen minutes to kill, so she went upstairs to the offices of the buy-bust team next to the vice unit. Major Narcotics was located downtown but each division operated
Michael Connelly (The Late Show (Renée Ballard, #1; Harry Bosch Universe, #30))
One of them hides his face beneath a black hoodie like he doesn’t want to be spotted, dark streaks of wavy hair peeking out, and both hands stuck in pockets of his track pants. Tattoos can be seen under his sleeves. Another one with light blond hair and a side sweep, along with sharp, piercing blue eyes, has his hand tightly tucked into his expensive jeans like he’s clutching a knife. A bunch of tattoos peeks out from underneath the white shirt covered by a leather jacket. The third is tall and thin but muscular looking in a lean way, with short red-dyed hair in a side part. He’s wearing an actual white button-up shirt and tie. How odd.
Clarissa Wild (Evil Boys (Spine Ridge University))
Her hair was short and dyed black with blond streaks, a hairdo that all the girls were wearing but which made no sense to men who dodged skunks with their pickups nearly every time they drove.
David Joy (The Weight of This World)
Amara and Silver Streak gallop toward the jump—Amara in a two-point position, hovering just above his back. She gathers her reins and leans into his neck, the thoroughbred gracefully lifts his legs in the air, and she sinks closer to him as they float . . . majestically . . . magically . . . effortlessly . . . through the air. Everyone in the stable stares, spellbound. I hold my breath. The world seems to slow down as I, too, lean forward and shift in my own saddle—soaring vicariously with them. Except I am now moving. And it is not vicarious. “Aaaaaahhhhhh!” Clyde takes off, bounding after Silver Streak. Apparently energized by a serious case of FOMO, Clyde decides he won’t be left behind at the boring ground poles. He strides closer and closer to the oxer as I jostle in my seat, barely clinging to the reins as one of my clumsy feet slips out of its stirrup. I slide off-kilter, slithering down the saddle leather. Suddenly the arena is zipping past me sideways as Clyde’s medium-pizza hooves gallop away. Galumph-galumph-galumph! “Whoa!” I yell, tightening my abs and attempting to grip the reins from my diagonal, half-upside-down position. And just as he’s beginning to stretch his neck into a gigantic leap, snatching us both into the Air o’ Doom, Clyde—for once—listens to me. Swooosh! He slams on the brakes, stopping short and veering left. My body, still screaming along at full speed, misses the memo, flipping above the saddle and then—wheeeeeeeee!—straight over the top rail of the oxer. And into the dirt. Thud. . . . My first jump!
Carrie Seim (Horse Girl)
You Are Most Likely to Do What You Just Did (Short-Term Momentum)
Stephen Guise (The Magic of Momentum: Escape Any Rut. Build Winning Streaks. Use Forward Motion to Change the Trajectory of Your Life.)
The segregation of the girls would have served to localize the psychic infection, and the girls themselves, exposed to the wayward streak of poetry in Mather's composition, would almost certainly have found their fantasies deflected to the more normal preoccupations of adolescence. They would, in short, like a large proportion of the female members of his congregation at at given time, have fallen in love with him. Infatuation is not any guarantee against hysteria; quite the contrary. But in this case such a development might have diverted the antics of the girls to less malignant forms.
Marion L. Starkey (The Devil in Massachusetts: A Modern Enquiry Into the Salem Witch Trials)
Frank gained a couple of yards on the next play on a smash-through tackle. Then, on the following play, Joe faded back and tossed a short pass to the left end, Tony Prito. The dark-haired, wiry youth, a close friend of the Hardys, took the ball for a first down on the Hopkinsville thirty-five. A couple of line bucks by Biff Hooper, another of their special friends, gained a few yards, and finally on the fourth down Joe faded back for a long pass. Frank shot down the field like a streak of lightning, the ball sailing straight toward him. But just as he was reaching for it, a Hopkinsville player batted it down, and the opponents took over.
Franklin W. Dixon (Hardy Boys 32: The Crisscross Shadow (The Hardy Boys))
tamed his blond hair by cropping it short, but a rebellious sun-streaked strand curls over one tawny brow. Tall, broad-shouldered,
Magda Alexander (Storm Damages (Storm Damages, #1))
As Lara stared in the square Queen Anne mirror poised on the chest of drawers in her room, it seemed that the atmosphere changed, the air suddenly heavy and pressing. It was so quiet in the cottage that she could hear her own mad heartbeat. She caught sight of something in the mirror, a deliberate movement that paralyzed her. Someone had entered the cottage. Skin prickling, Lara stood in frozen silence and stared into the mirror as another reflection joined her own. A man's bronzed face... short, sun-streaked brown hair... dark brown eyes... the hard, wide mouth she remembered so well. Tall... massive chest and shoulders... a physical power and assurance that made the room seem to shrink around him. Lara's breath stopped. She wanted to run, to cry out, faint, but it seemed that she had been turned to stone. He stood just behind her, his head and shoulders looming far above hers. His gaze held hers in the mirror... The eyes were the same color, yet... he had never looked at her like this, with an intensity that made every inch of her skin burn. His was the hard gaze of a predator. She shook in fright as his hands moved gently to her hair. One by one he slipped the confining pins from the shining sable mass, and set them on the dresser before her. Lara watched him, quivering with each light tug on her hair. "It's not true," she whispered. He spoke in Hunter's voice, deep and slightly raspy. "I'm not a ghost, Lara." She tore her gaze from the mirror and stumbled around to face him. He was so much thinner, his body lean, almost rawboned, his heavy muscles thrown into stark prominence. His skin was tanned to a copper blaze that was far too exotic for an Englishman. And his hair had lightened to the mixed gold and brown of a griffin's feathers.
Lisa Kleypas (Stranger in My Arms)
Heart Disease Starts in Childhood In 1953, a study published in the Journal of the American Medical Association radically changed our understanding of the development of heart disease. Researchers conducted a series of three hundred autopsies on American casualties of the Korean War, with an average age of around twenty-two. Shockingly, 77 percent of soldiers already had visible evidence of coronary atherosclerosis. Some even had arteries that were blocked off 90 percent or more.20 The study “dramatically showed that atherosclerotic changes appear in the coronary arteries years and decades before the age at which coronary heart disease (CHD) becomes a clinically recognized problem.”21 Later studies of accidental death victims between the ages of three and twenty-six found that fatty streaks—the first stage of atherosclerosis—were found in nearly all American children by age ten.22 By the time we reach our twenties and thirties, these fatty streaks can turn into full-blown plaques like those seen in the young American GIs of the Korean War. And by the time we’re forty or fifty, they can start killing us off. If there’s anyone reading this over the age of ten, the question isn’t whether or not you want to eat healthier to prevent heart disease but whether or not you want to reverse the heart disease you very likely already have. Just how early do these fatty streaks start to appear? Atherosclerosis may start even before birth. Italian researchers looked inside arteries taken from miscarriages and premature newborns who died shortly after birth. It turns out that the arteries of fetuses whose mothers had high LDL cholesterol levels were more likely to contain arterial lesions.23 This finding suggests that atherosclerosis may not just start as a nutritional disease of childhood but one during pregnancy. It’s become commonplace for pregnant women to avoid smoking and drinking alcohol. It’s also never too early to start eating healthier for the next generation.
Michael Greger (How Not to Die: Discover the Foods Scientifically Proven to Prevent and Reverse Disease)
2001 when they published a scientific paper that modelled the future collapse of the Cumbre Vieja and the passage of the resulting tsunamis across the Atlantic. Within two minutes of the landslide entering the sea, Ward and Day show that –for a worst case scenario involving the collapse of 500 cubic kilometres of rock –an initial dome of water an almost unbelievable 900 metres high will be generated, although its height will rapidly diminish. Over the next 45 minutes a series of gigantic waves up to 100 metres high will pound the shores of the Canary Islands, obliterating the densely inhabited coastal strips, before crashing onto the African mainland. As the waves head further north they will start to break down, but Spain and the UK will still be battered by tsunamis up to 7 metres high. Meanwhile, to the west of La Palma, a great train of prodigious waves will streak towards the Americas. Barely six hours after the landslide, waves tens of metres high will inundate the north coast of Brazil, and a few hours later pour across the low-lying islands of the Caribbean and impact all down the east coast of the United States. Focusing effects in bays, estuaries, and harbours may increase wave heights to 50 metres or more as Boston, New York, Baltimore, Washington, and Miami bear the full brunt of Vulcan and Neptune’s combined assault. The destructive power of these skyscraper-high waves cannot be underestimated. Unlike the wind-driven waves that crash every day onto beaches around the world, and which have wavelengths (wave crest to wave crest) of a few tens of metres, tsunamis have wavelengths that are typically hundreds of kilometres long. This means that once a tsunami hits the coast as a towering, solid wall of water, it just keeps coming –perhaps for ten or fifteen minutes or more –before taking the same length of time to withdraw. Under such a terrible onslaught all life and all but the most sturdily built structures are obliterated.
Bill McGuire (Global Catastrophes: A Very Short Introduction (Very Short Introductions;Very Short Introductions;Very Short Introductions))
I reach for her, pull her closer to me, wanting, no needing to hold her. “Yes, I do. I love you, Chloe Jane Morris. I think I always have and I just didn’t know what it was.” She crawls closer to me, climbing into my lap. Tears are streaking down her cheeks unchecked. Her smile could light up the whole town in a blackout. “I love you, Raif Montgomery,” she says, and the tension leaves my body. Finally. I don’t know how long I’ve been longing to hear those words from her, but it feels like an age. Her mouth is mere inches from mine as she murmurs, “I’ve loved you forever. I don’t know how to stop.” I pull her even closer. “Don’t ever stop, darlin’.” I plead with her as she closes the short gap between us and sears my mouth with her kiss.
Lissa Lynn Thomas (Renegade Heart (Renegades, #1))
Bakushan had only been open for a couple of months, but expectations were already sky-high. Still, few people had mentioned the food. Instead, everyone was writing about the up-and-coming chef, Pascal Fox. According to nearly every article, he'd dropped out of college and worked at top French restaurants around the world. Then, at twenty-five and on every "30 under 30" list in existence, he had received an offer to take over L'Escalier, a cathedral-ceilinged white-tablecloth institution in Midtown. But just as New York was ready to inaugurate him into a realm of Immortal Chefs synonymous with a certain level of luxurious precision, Pascal had said he would open a place on his own. He didn't have a location or a concept- or so he'd said in his interviews- just a conviction that he didn't want to fall into the trap of being yet another French chef at another fancy restaurant. So there we were, in front of his brand-new place. It was hard to label it. I had read neo-modernist and Asian-American eclectic. The food was hard to pin down, but the inside was just cool, at least from my sidewalk vantage point. It was 5:45 and already there was a forty-five-minute wait for a spot at one of the communal, no-reservation tables. I looked at the crowd while we waited and saw a couple of girls dressed in tight, short dresses. One of them held a food magazine with Pascal Fox's face on the cover against a blurred kitchen background. I stole a peek at the photo. His eyes were a deep black-brown with a streak of gold. His hair was charmingly messed up, longish bits going every which way, casting shadows on his sculpted cheekbones. That was the other thing. Pascal was exceedingly good-looking. I hadn't paid attention to the hype around his looks, but seeing these girls swoon over his photo made his handsomeness hard to ignore. And... the pictures. I'm only human.
Jessica Tom (Food Whore)
In short, it's like Walt Whitman said: we contain multitudes. We can be silly and serious, responsible and rebellious, mature and childlike - and in fact, the more we harness the positive powers of rebellion and allow our playful streaks to shine, the more energy we'll have for everything else.
Catherine Price (The Power of Fun: How to Feel Alive Again)