Sophisticated Girl Quotes

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Boys and girls in America have such a sad time together; sophistication demands that they submit to sex immediately without proper preliminary talk. Not courting talk — real straight talk about souls, for life is holy and every moment is precious.
Jack Kerouac (On the Road)
She is often the broken-winged one, who does everything all wrong until people realize she's been doing it... pretty right all along. She's the poor girl who never dressed right, who had torn hose, and they were all baggy around her ankles. She's the Raggedy Ann of the sophisticated world, who pulls it out at the last minute, flies by the seat of her pants, cackling all the way home. She is the late bloomer, the late start, the autumn bush, the winter holly. She is Baubo, all the classical Greek goddesses. She is the old girl who still blushes, and laughs, and dances. She's the truth teller, maybe that people hate to hear, but they learn to listen to. She is not dumb and in some ways is not shrewd. She works on passion, and the doll in her pocket, and the intuition that leads her into and through all the world.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
your culture has become sophisticated, like a computer, or a drug that you take for a headache. You can use it, but you cannot explain how it works. Certainly not to girls who stack up their firewood against the side of the house.
Chris Cleave
Boys and girls in America have such a sad time together; sophistication demands that they submit to sex immediately without proper preliminary talk. Not courting talk—real straight talk about souls, for life is holy and every moment is precious.
Jack Kerouac (On the Road)
Voices of village idiots roiled in a jester's stew of odds-making tomfoolery. Occasionally, a monkey screamed in the heat of competition, and crude words were freely spoken. The more sophisticated were forced to tolerate such low-minded displays.
Michael Ben Zehabe (Persianality)
Daemon pulled the bright, deep-red sweater over his head and adjusted the collar of the gold-and-white-checked shirt. Satisfied, he studied his reflection. His eyes were butter melted by humor and good spirits, his face subtly altered by the relaxed, boyish grin. The change in his appearance startled him, but after a moment he just shook his head and brushed his hair. The difference was Jaenelle and the incalculable ways she worried, intrigued, fascinated, incensed, and delighted him. More than that, now, when he was so long past it, she was giving him—the bored, jaded Sadist—a childhood. She colored the days with magic and wonder, and all the things he’d ceased to pay attention to he saw again new. He grinned at his reflection. He felt like a twelve-year-old. No, not twelve. He was at least a sophisticated fourteen. Still young enough to play with a girl as a friend, yet old enough to contemplate the day he might sneak his first kiss. Daemon shrugged into his coat, went into the kitchen, pinched a couple of apples from the basket, sent Cook a broad wink, and gave himself up to a morning with Jaenelle.
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
With a room of his own, a room at the top, he could proffer a temporary refuge to some lovely, fatigued, world-weary, sophisticated, black-turtlenecked, heavily-eyelinered girl he might lure up the stairs into his newspaper-strewn boudoir and onto his Indian-bedspreaded bed with the promise of artistic talk about the craft of writing, and the throes and torments of creation, and the need for integrity, and the temptations of selling out, and the nobility of resisting such temptations, and so forth. A promise offered with a hint of self-mockery in case such a girl might think he was pompous and cocksure and full of himself. Which he was, because at that age you have to be that way in order to crawl out of bed in the morning and sustain your faith in your own illusory potential for the next twelve hours of being awake.
Margaret Atwood (Stone Mattress)
He stopped and looked at her. “Your laughter is the same,” he said. “I used to think you all sophisticated and worldly, until you laughed. You still laugh like a little girl getting tickled, all hiccupy and breathless.
Sherry Thomas (Private Arrangements)
That summer I also discovered the first alcoholic drink I actually liked the taste of, a drink that was very hip and happening at the time, and is still a sign of intellect and sophistication. I’m talking, of course, about the Fuzzy Navel.
Lauren Graham (Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls, and Everything in Between)
For this lowlife to remain at the Academy while I was expelled is simply...oh dear, how shall we put it?" "A crime," murmured Sara. "That's kind, dear Sara, but crime can be fun and sophisticated." Katerina gave a thin-lipped smile as the other three girls chuckled. "There must be another word." "A disgrace," suggested the brunette at Sara's side.
Gabriella Poole (Blood Ties (Darke Academy, #2))
Well?" she teased in turn. "What do you think?" The gray eyes that finally lifted to hers were flaming, but instead of answering, he flicked his burning gaze down her length again. He hesitated, and then said abruptly, "I think that the dress fits you perfectly." Lauren burst out laughing. "Don't ever let anyone tell you that you have a way with flattery, because you don't." "Is that right?" he mocked, his eyes challenging. "In that case, I'll you exactly what I think: I think that you're exquisitely lovely, and that you have the fascinating ability to look like an extremely sexy, sophisticated young woman and an utterly angelic girl at one and the same time. And I wish to hell that we weren't trapped here with a hundred other people for the next few hours, because whenever I look at you I become...uncomfortably eager...to find out how you're going to feel in my arms tonight.
Judith McNaught (Double Standards)
Perhaps my philosophy is not so sophisticated. It goes: Come inside. I love you. A Whelk's love will grow as big as it's allowed.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
Bees chase flowers.
Tracy L. Shreve (Ms. Matched: The Sophisticated Girls’ Guide to Dating in the Digital Age)
Let's be honest, the ladies love yellow and green. It's mostly all girls favorite color and I've got the goggles just to add a bit of sophistication
Calum Thomas Hood
The girl may have been tiny, but everything about her said, I'm not scared of you, so piss off.
Christine Manzari (Deviation (The Sophisticates, #1))
I wanted to go and get Rita again and tell her a lot more things, and really make love to her this time, and calm her fears about men. Boys and girls in America have such a sad time together; sophistication demands that they submit to sex immediately without proper preliminary talk. Not courting talk - real straight talk about souls, for life is holy and every moment is precious.
Jack Kerouac (On the Road)
Note to self: Try to extend positive feelings associated with Scratch-Off win into all areas of life. Be bigger presence at work. Race up ladder (joyfully, w/smile on face), get raise. Get in best shape of life, start dressing nicer. Learn guitar? Make point of noticing beauty of world? Why not educate self re. birds, flowers, trees, constellations, become true citizen of natural world, walk around neighborhood w/kids, patiently teaching kids names of birds, flowers, etc. etc.? Why not take kids to Europe? Kids have never been. Have never, in Alps, had hot chocolate in mountain café, served by kindly white-haired innkeeper, who finds them so sophisticated/friendly relative to usual snotty/rich American kids (who always ignore his pretty but crippled daughter w/braids) that he shows them secret hiking path to incredible glade, kids frolic in glade, sit with crippled pretty girl on grass, later say it was most beautiful day of their lives, keep in touch with crippled girl via email, we arrange surgery here for her, surgeon so touched he agrees to do surgery for free, she is on front page of our paper, we are on front page of their paper in Alps? Ha ha. Just happy.
George Saunders (Tenth of December)
I had before me an object lesson, I thought: two ways to face the world. One way as embodied by this old woman—simple, unassuming, a kind of peasant dignity, a naturalness inherent in her every move. The other, exemplified by the girl—smartness, sophistication, veneer without substance. I was conscious that I have now opted for the old woman’s way, have thrown in my lot with a creature I would have jeered at a year ago. My present trip to the mountains is indeed a trip to that wellspring of naturalness she symbolized. And I admired my choice: the correct choice, the only choice for a sensitive and moral man in my dilemma.
Lee Smith (Oral History)
How else could we identify another weirdo or outlier? These symbols intimated a belief system, a way of thinking not just about music but about school and friends and politics and society. It was also a way to separate yourself, to feel bold or try on boldness without yet possessing it. A little inkling of the nonconformist person you could be—you wanted to be—but weren’t quite ready to commit to. I papered my walls with band posters and what little I could find in mainstream magazines about alternative and punk, maybe a picture of Babes in Toyland from Spin or Fugazi from Option. The iconoclast images and iconography covered my room, a jarring contrast to the preppy blue-and-white-striped wallpaper I’d insisted on in elementary school. I resented the parts of myself that were late to adopt coolness, late to learn—I wanted to have always possessed a savviness and sophistication, even though I clearly had neither.
Carrie Brownstein (Hunger Makes Me a Modern Girl: A Memoir)
Girls also use online environments to try on personas that don’t really match their actual personalities. By posting risqué comments or images that suggest sophistication, girls sometimes conduct digital experiments in parting with childhood.
Lisa Damour (Untangled: Guiding Teenage Girls Through the Seven Transitions into Adulthood)
Really, Nan could be very odious when she liked. Yet somehow she [Gay] didn't hate her as before. She felt very indifferent to her. She found herself looking at her with cool, appraising eyes, seeing her as she had never seen her before. An empty, selfish little creature, who had always to be amused like a child. ...A girl who posed as a sophisticate before her country cousins but who was really more provincial than they were, knowing nothing of real life or real love or real emotion of any kind. Gay wondered, as she looked, how she could ever have hated this girl—ever been jealous of her. She was not worth hating. Gay spoke at last. She stood up and looked levelly at Nan. There was contempt in her quiet voice. "I suppose you came here to hurt me, Nan. You haven't—you can never hurt me again. You've lost the power. I think I even feel a little sorry for you. You've always been a taker, Nan. All through your life you've taken whatever you wanted. But you've never been a giver—you couldn't be because you've nothing to give. Neither love nor truth nor understanding nor kindness nor loyalty. Just taking all the time and giving nothing—oh, it has made you very poor. So poor that nobody need envy you.
L.M. Montgomery (A Tangled Web)
Talk about corporate greed and everything is really crucially beside the point, in my view, and really should be recognized as a very big regression from what working people, and a lot of others, understood very well a century ago. Talk about corporate greed is nonsense. Corporations are greedy by their nature. They’re nothing else – they are instruments for interfering with markets to maximize profit, and wealth and market control. You can’t make them more or less greedy; I mean maybe you can sort of force them, but it’s like taking a totalitarian state and saying “Be less brutal!” Well yeah, maybe you can get a totalitarian state to be less brutal, but that’s not the point – the point is not to get a tyranny to be less brutal, but to get rid of it. Now 150 years ago, that was understood. If you read the labour press – there was a very lively labour press, right around here [Massachusetts] ; Lowell and Lawrence and places like that, around the mid nineteenth century, run by artisans and what they called factory girls; young women from the farms who were working there – they weren’t asking the autocracy to be less brutal, they were saying get rid of it. And in fact that makes perfect sense; these are human institutions, there’s nothing graven in stone about them. They [corporations] were created early in this century with their present powers, they come from the same intellectual roots as the other modern forms of totalitarianism – namely Stalinism and Fascism – and they have no more legitimacy than they do. I mean yeah, let’s try and make the autocracy less brutal if that’s the short term possibility – but we should have the sophistication of, say, factory girls in Lowell 150 years ago and recognize that this is just degrading and intolerable and that, as they put it “those who work in the mills should own them ” And on to everything else, and that’s democracy – if you don’t have that, you don’t have democracy.
Noam Chomsky (Free Market Fantasies: Capitalism in the Real World)
Boys and girls in America have such a sad time together; sophistication demands that they submit to sex immediately without proper preliminary talk. Not courting talk-real straight talk about souls, for life is holy and every moment is precious.
Jack Kerouac (On the Road)
In the East, he then believed, a man went to college not for vocational training but in disciplined search for wisdom and beauty, and nobody over the age of twelve believed that those words were for sissies. In the East, wearing rumpled tweeds and flannels, he could have strolled for hours among ancient elms and clock towers, talking with his friends, and his friends would have been the cream of their generation. The girls of the East were marvelously slim and graceful; they moved with the authority of places like Bennington and Holyoke; they spoke intelligently in low, subtle voices, and they never giggled. On sharp winter evenings you could meet them for cocktails at the Biltmore and take them to the theater, and afterwards, warmed with brandy, they would come with you for a drive to a snowbound New England inn, where they’d slip happily into bed with you under an eiderdown quilt. In the East, when college was over, you could put off going seriously to work until you’d spent a few years in a book-lined bachelor flat, with intervals of European travel, and when you found your true vocation at last it was through a process of informed and unhurried selection; just as when you married at last it was to solemnize the last and best of your many long, sophisticated affairs.
Richard Yates (Revolutionary Road)
Anthropologie is not butch, phantom or otherwise. It is Disney with a slightly more sophisticated but no less carefully engineered aesthetic. It is to adult women what princesses are to little girls. It is a twirling motion in the form of an international brand.
Meghan Daum (The Unspeakable: And Other Subjects of Discussion)
It was not as if he did not know what living in Lagos could do to a woman married to a young and wealthy man, how easy it was to slip into paranoid about 'Lagos girls,' those sophisticated monsters of glamour who swallowed husbands whole, slithering them down their throats.
Chimamanda Ngozi Adichie (Americanah)
Kristy, can’t you wear something different once in a while?” Sam asked me, eyeing my jeans and sweater. “Why do you care what I wear?” I replied, but I knew perfectly well why he cared. He cared because he was 15 and girls were practically the only thing on his mind. He thought he was the girl expert of the world, and he was disappointed in my lack of fashion sense. Plus, he was interested in this très sophisticated girl down the street (one of the private-school girls) and he wanted everything about our family to be up to Monique’s standards, which were sky-high.
Ann M. Martin (Kristy and the Snobs (The Baby-Sitters Club, #11))
All the Chinese people Richard had ever met had been sophisticated urbanites, so he had been half expecting that he would end up carrying the girl Yuxia on his back. But it became clear almost immediately that she was half mountain goat, or whatever the Chinese equivalent of a mountain goat was.
Neal Stephenson (Reamde)
ready for whatever scooted out from under. The water was so deep I had my shortsleeve shirt rolled all the way up to my shoulders. I was aware of how long and skinny my arms must look to her. I know they looked that way to me. I felt pretty strange beside her, actually. Uncomfortable but excited. She was different from the other girls I knew, from Denise or Cheryl on the block or even the girls at school. For one thing she was maybe a hundred times prettier. As far as I was concerned she was prettier than Natalie Wood. Probably she was smarter than the girls I knew too, more sophisticated. She lived in New York City after all and had eaten lobsters. And she moved just like a boy. She had this strong hard body and easy grace about her. All that made me nervous and I missed the first one. Not an enormous crayfish but bigger than what we had. It scudded backward beneath the Rock. She asked if she could try. I gave her the
Jack Ketchum (The Girl Next Door)
At first glance, the stewardess appears to have been a reflection of conservative postwar gender roles—an impeccable airborne incarnation of the mythical homemaker of the 1950s who would happily abandon work to settle down with Mr. Right. A high-flying expert at applying lipstick, warming baby bottles, and mixing a martini, the stewardess was popularly imagined as the quintessential wife to be. Dubbed the “typical American girl,” this masterful charmer—known for pampering her mostly male passengers while maintaining perfect poise (and straight stocking seams) thirty thousand feet above sea level—became an esteemed national heroine for her womanly perfection. But while the the stewardess appears to have been an airborne Donna Reed, a closer look reveals that she was also popularly represented as a sophisticated, independent, ambitious career woman employed on the cutting edge of technology. This iconic woman in the workforce was in a unique position to bring acceptance and respect to working women by bridging the gap between the postwar domestic ideal and wage work for women. As both the apotheosis of feminine charm and American careerism, the stewardess deftly straddled the domestic ideal and a career that took her far from home. Ultimately, she became a crucial figure in paving the way for feminism in America.
Victoria Vantoch (The Jet Sex: Airline Stewardesses and the Making of an American Icon)
He said that a killer comes to hunting humans gradually. The appetite builds from a young boy’s undifferentiated anger and morbidity of mind to a search for ever more violent pornography, the visual and written material that Ted believed had shaped and focused his fantasy world. Then comes the window peeping, followed eventually by crudely conceived and unsuccessful assaults. In Ted’s case, these gave way, over time, to a sophisticated taste for the chase and its aftermath: the selection of what he called “worthy” victims, pretty and intelligent young daughters and sisters of the middle class, nice girls whom Ted desired to possess, he said, “as one would possess a potted plant, or a Porsche.
Stephen G. Michaud (The Evil That Men Do: FBI Profiler Roy Hazelwood's Journey into the Minds of Sexual Predators)
Be bigger presence at work. Race up ladder (joyfully, w/smile on face), get raise. Get in best shape of life, start dressing nicer. Learn guitar? Make point of noticing beauty of world? Why not educate self re. birds, flowers, trees, constellations, become true citizen of natural world, walk around neighborhood w/kids, patiently teaching kids names of birds, flowers, etc. etc.? Why not take kids to Europe? Kids have never been. Have never, in Alps, had hot chocolate in mountain café, served by kindly white- haired innkeeper, who finds them so sophisticated/friendly relative to usual snotty/rich American kids (who always ignore his pretty but crippled daughter w/braids) that he shows them secret hiking path to incredible glade, kids frolic in glade, sit with crippled pretty girl on grass, later say it was most beautiful day of their lives, keep in touch with crippled girl via email, we arrange surgery here for her, surgeon so touched he agrees to do surgery for free, she is on front page of our paper, we are on front page of their paper in Alps? Ha ha.
George Saunders
What kind of kids live in Mulhoney, Wisconsin? Would they like me? Would I like them? Have they ever eaten sushi? That's usually how I determine food sophistication. Maybe a personal ad would get the ball rolling: Insightful, hardworking, 16-year-old girl, emotionally generous and witty, seeks friend/pal/chum to while away meaningful hours. Picky eaters need not reply.
Joan Bauer
I wanted to go and get Ruth again and tell her a lot more things, and really make love to her this time, and calm her fears about men. Boys and girls in America have such a sad time together; sophistication that they submit to sex immediately without proper preliminary talk. Not courting talk - real straight talk about souls, for life is holy and every moment is precious.
Jack Kerouac (On the Road)
She took a deep breath and it was her eighteenth birthday; it was Jess’s wedding and a summer evening at the pool; it was all those hundreds of times he’d been propped against her dorm building. And it was now, and she wanted to be this sophisticated, Audrey Hepburn-esque girl who gave him a coy smile and sauntered toward him, hips swinging. But this was Tam, and she wasn’t sophisticated for crap.
Lauren Gilley (Keep You (Walker Family, #1))
The noise of the town some floors below was greatly muted. In a state of complete mental detachment, he went over the events, the circumstances and the stages of destruction in their lives. Seen in the frozen light of a restrictive past, everything seemed clear, conclusive and indisputable. Now it seemed unthinkable that a girl of seventeen shoudl be so naive; it was particularly unbelieveable that a girl of seventeen should set so much store by love. If the surveys in the magazines were to be believed, things had changed a great deal in the twenty-five years since Annabelle was a teenager. Young girls today were more sensible, more sophisticated. Nowadays they worried more about their exam results and did their best to ensure they would have a decent career. For them, going out with boys was simply a game, a distraction motivated as much by narcissism as by sexual pleasure. They later would try to make a good marriage, basing their decision on a range of social and professional criteria, as well as on shared interests and tastes. Of course, in doing this they cut themselves off from any possibility of happiness--a condition indissociable from the outdated, intensely close bonds so incompatible with the exercise of reason--but this was their attempt to escape the moral and emotional suffering which had so tortured their forebears. This hope was, unfortunately, rapidly disappointed; the passing of love's torments simply left the field clear for boredom, emptiness and an anguished wait for old age and death. The second part of Annabelle's life therefore had been much more dismal and sad than the first, of which, in the end, she had no memory at all.
Michel Houellebecq
No?” This was a matter of some interest to Lily; when she and Harold had broken up, they had solemnly vowed to stay friends. And why wouldn’t they? They were both young and resilient and had had their hearts broken two or three times already. But soon he’d taken up with a new girl—an accounting major, please!—who’d forbidden him ever to speak to Lily again. This she found crushing; she had very much wanted to stay friends with him, partly because being friends with ex-lovers seemed sophisticated and mature and continental, and partly because it seemed humane, and partly because she harbored a catastrophic fear of losing touch with anyone. It reminded her of death, and she was too easily reminded of death already. Then again, she knew that she had a more acute sense of the passage of time in general—and the swiftness of life, in particular—because of her dead sister, or almost-sister, or whatever. So she’d learned to forgive people their shortsightedness, and be happy for them that they’d lived the kinds of lives that would allow it.
Jennifer duBois (Cartwheel)
When girl best friends communicate with each other, they lean in, maintain eye contact, and do a lot of talking. They use their sophisticated verbal talents to cement their relationships. Boys never do this. They rarely face each other directly, preferring either parallel or oblique angles. They make little eye contact, their gaze always casting about the room. They do not use verbal information to cement their relationships. Instead, commotion seems to be the central currency of a little boy’s social economy. Doing things physically together
John Medina (Brain Rules: 12 principles for surviving and thriving at work, home, and school)
Marjory Gengler (white American) to Mark Mathabane (black South African) in the late 1970s-- Marjory: Why don't blacks fight to change the system [apartheid] that so dehumanizes them? Mark's Response, from his memoirs: I told her [Marjory] about the sophistication of apartheid machinery, the battery of Draconian laws used to buttress it, the abject poverty in which a majority of blacks were sunk, leaving them with little energy and will to agitate for their rights. I told her about the indoctrination that took place in black schools under the guise of Bantu Education, the self-hatred that resulted from being constantly told that you are less than human and being treated that way. I told her of the anger and hatred pent-up inside millions of blacks, destroying their minds. I would have gone on to tell Marjory about the suffering of wives without husbands and children without fathers in impoverished tribal reserves, about the high infant mortality rate among blacks in a country that exported food, and which in 1987 gave the world its first heart transplant. I would have told them about the ragged black boys and girls of seven, eight and nine years who constantly left their homes because of hunger and a disintegrating family life and were making it on their own; by begging along the thoroughfares of Johannesburg; by sleeping in scrapped cars, gutters and in abandoned buildings; by bathing in the diseased Jukskei River; and by eating out of trash cans, sucking festering sores and stealing rotting produce from the Indian traders on First Avenue. I would have told her about how these orphans of the streets, some of them my friends--their physical, intellectual and emotional growth dwarfed and stunted--had grown up to become prostitutes, unwed mothers and tsotsis, littering the ghetto streets with illegitimate children and corpses. I would have told her all this, but I didn't; I feared she would not believe me; I feared upsetting her.
Mark Mathabane
Young girls today were more sensible, more sophisticated. Nowadays they worried more about their exam results and did their best to ensure they would have a decent career. For them, going out with boys was simply a game, a distraction based as much as on narcissism as on sexual pleasure. Later, they would try to make a good marriage, basing their decision on a range of social and professional criteria as well as shared interests and tastes. Of course, in doing this, they cut themselves from any possibility of happiness - a condition indissociable from traditional and transient emotions which are incompatible with the practice of reason - but in doing so they hoped to escape the moral and emotional suffering which had so tortured their forebears.
Michel Houellebecq
inhabitants. While resistance groups in other parts of Europe could count on the silent acquiescence of the rest of the population, Hitler’s regime maintained its generally accepted authority in Germany almost until the bitter end. In fact, large parts of the population supported that regime enthusiastically. Resistance was so uncommon that it could easily be nipped in the bud. Propaganda was readily believed, repression was a matter of loving one’s country, obedience was the rule, informing on neighbours a patriotic duty. In his reconstruction of the workings of Nazi terror, Eric Johnson – using recovered Gestapo dossiers – described the sophistication of the system of informing in a town like Krefeld, close to the Dutch border: a sixteen-year-old Jewish girl was turned in for having a
Geert Mak (In Europe: Travels Through the Twentieth Century)
To me, Chicago was the bar in the twelfth-floor lobby of the Ritz-Carlton, where I drank strawberry daiquiris—sophisticated!—with my visiting parents and with girls I was trying to impress. It was the elegant shops at the new, fancy Water Tower Place. My favorite Chicago spots were primarily restaurants. Dianna’s Opaa, in Greektown on South Halsted Street, with its lanky, serpent-like owner, Petros Kogiones, performing his host duties that were as important as the food—on the nights he wasn’t there, you felt cheated—sliding back his sheet of long black hair to greet his female customers with an overly familiar kiss and their dates with a disarming, arms-flung-wide cry of “cousin!” then conducting his odd 9 p.m. ceremonies, calling up all the engaged couples to be officially blessed by Famous Petros in the name of God, the Greek Orthodox Church, and Dianna’s Opaa! We’d all cheer and raise our juice glasses of Roditis high. Or
Neil Steinberg (You Were Never in Chicago (Chicago Visions and Revisions))
Paley’s book Boys and Girls is about the year she spent trying to get her pupils to behave in a more unisex way. And it is a chronicle of spectacular and amusing failure. None of Paley’s tricks or bribes or clever manipulations worked. For instance, she tried forcing the boys to play in the doll corner and the girls to play in the block corner. The boys proceeded to turn the doll corner into the cockpit of a starship, and the girls built a house out of blocks and resumed their domestic fantasies. Paley’s experiment culminated in her declaration of surrender to the deep structures of gender. She decided to let the girls be girls. She admits, with real self-reproach, that this wasn’t that hard for her: Paley always approved more of the girls’ relatively calm and prosocial play. It was harder to let the boys be boys, but she did. “Let the boys be robbers,” Paley concluded, “or tough guys in space. It is the natural, universal, and essential play of little boys.” I’ve been arguing that children’s pretend play is relentlessly focused on trouble. And it is. But as Melvin Konner demonstrates in his monumental book The Evolution of Childhood, there are reliable sex differences in how boys and girls play that have been found around the world. Dozens of studies across five decades and a multitude of cultures have found essentially what Paley found in her midwestern classroom: boys and girls spontaneously segregate themselves by sex; boys engage in much more rough-and-tumble play; fantasy play is more frequent in girls, more sophisticated, and more focused on pretend parenting; boys are generally more aggressive and less nurturing than girls, with the differences being present and measurable by the seventeenth month of life. The psychologists Dorothy and Jerome Singer sum up this research: “Most of the time we see clear-cut differences in the way children play. Generally, boys are more vigorous in their activities, choosing games of adventure, daring, and conflict, while girls tend to choose games that foster nurturance and affiliation.
Jonathan Gottschall (The Storytelling Animal: How Stories Make Us Human)
From age thirteen, American girls were under pressure to maintain a façade of sexual experience and sophistication. Among girls, “virgin” was a term of contempt. The old term “dating”—referring to a practice in which a boy asked a girl out for the evening and took her to the movies or dinner—was now deader than “proletariat” or “pornography” or “perversion.” In junior high school, high school, and college, girls headed out in packs in the evening, and boys headed out in packs, hoping to meet each other fortuitously. If they met and some girl liked the looks of some boy, she would give him the nod, or he would give her the nod, and the two of them would retire to a halfway-private room and “hook up.” “Hooking up” was a term known in the year 2000 to almost every American child over the age of nine, but to only a relatively small percentage of their parents, who, even if they heard it, thought it was being used in the old sense of “meeting” someone. Among the children, hooking up was always a sexual experience, but the nature and extent of what they did could vary widely.
Tom Wolfe (Hooking Up (Ceramic Transactions Book 104))
You sound off,” he said. “Why are you whispering? I thought you and Ana were having dinner together.” I bit my lip. “It’s kind of a funny story, but you have to promise not to yell.” “Why would a funny story make me yell?” he asked warily. “Well,” I drawled. “I was on my way to meet up with Ana, and there was this truck parked in an alley that didn’t look right. So, I left my bike on the street and went to check it out.” “Jordan.” I didn’t need to see him to know he was pinching the bridge of his nose, something he’d been doing a lot in the last few months. “Don’t worry. They didn’t see me.” His tone sharpened. “Who didn’t see you?” “The Gulaks. They were too busy loading the girls into the back.” I paused as the truck slowed going around a curve. “I slipped on without them having a clue I was there.” He swore. “Do not tell me you climbed into a truck with a bunch of Gulak slavers.” I scoffed softly. “Of course not. Give me some credit. I’m on the roof of the truck.” He growled something, and I heard another male laughing. It sounded like Mario, one of the warriors we were working with on this job, along with his mate, Ana. We’d been in Panama for two weeks, at the request of the government, to locate and shut down a human trafficking ring. But this one was a lot more sophisticated than any other Gulak operation we’d encountered, and they’d managed to evade us completely. Until now. “This is not a funny story,” he said in an exasperated voice.
Karen Lynch (Hellion (Relentless, #7))
A long time ago Ian had told her he was half in love with her, yet now that they were betrothed he’d never spoken a word of it, had not even pretended. She wasn’t certain of his motives or his feelings; she wasn’t certain of her own, either. All she really knew was that the sight of his hard, handsome face with its chiseled features, and hold amber eyes never failed to make her entire being feel tense and alive. She knew he liked to kis her, and that she very much liked being kissed by him. Added to his other attractions was something else that drew her inexorably to him: From their very first meeting, Elizabeth had sensed that beneath his bland sophistication and rugged virility Ian Thornton had a depth that most people lacked. “It’s so hard to know,” she whispered, “how I ought to feel or what I ought to think. And I have the worst feeling it’s not going to matter what I know or what I think,” she added almost sadly, “because I am going to love him.” She opened her eyes and looked at Alex. “It’s happening, and I cannot stop it. It was happening two years ago, and I couldn’t stop it then, either. So you see,” she added with a sad little smile, “it would be so much nicer for me if you could love him just a little, too.” Alex reached across the table and took Elizabeth’s hands in hers. “If you love him, then he must be the very best of men. I shall henceforth make it a point to see all his best qualities!” Alex hesitated, and then she hazarded the question: “Elizabeth, does he love you?” Elizabeth shook her head. “He wants me, he says, and he wants children.” Alex swallowed embarrassed laughter. “He what?” “He wants me, and he wants children.” A funny, knowing smile tugged at Alexandra’s lips. “You didn’t tell me he said the first part. I am much encouraged,” she teased while a rosy blush stole over her cheeks. “I think I am, too,” Elizabeth admitted, drawing a swift, searching look from Alex. “Elizabeth, this is scarcely the time to discuss this-in fact,” Alex added, her flush deepening. “I don’t think there is a really good time to discuss it-but has Lucinda explained to you how children are conceived?” “Yes, of course,” Elizabeth said without hesitation. “Good, because I would have been the logical one otherwise, and I still remember my reaction when I found out. It was not a pretty sight,” she laughed. “On the other hand, you were always much the wiser girl than I.” “I don’t think so at all,” Elizabeth said, but she couldn’t imagine what there was, really, to blush about. Children, Lucinda had told her when she’d asked, were conceived when a husband kissed his wife in be. And it hurt the first time. Ian’s kisses were sometimes almost bruising, but they never actually hurt, and she enjoyed them terribly. As if speaking her feelings aloud to Alexandra had somehow relieved her of the burden of trying to deal with them, Elizabeth was so joyously relaxed that she suspected Ian noticed it at once when the men joined them in the drawing room. Ian did notice it; in fact, as they sat down to play a game of cards in accordance with Elizabeth’s cheery suggestion, he noticed there was a subtle but distinct softening in the attitudes of both ladies toward him.
Judith McNaught (Almost Heaven (Sequels, #3))
And, so, what was it that elevated Rubi from dictator's son-in-law to movie star's husband to the sort of man who might capture the hand of the world's wealthiest heiress? Well, there was his native charm. People who knew him, even if only casually, even if they were predisposed to be suspicious or resentful of him, came away liking him. He picked up checks; he had courtly manners; he kept the party gay and lively; he was attentive to women but made men feel at ease; he was smoothly quick to rise from his chair when introduced, to open doors, to light a lady's cigarette ("I have the fastest cigarette lighter in the house," he once boasted): the quintessential chivalrous gent of manners. The encomia, if bland, were universal. "He's a very nice guy," swore gossip columnist Earl Wilson, who stayed with Rubi in Paris. ""I'm fond of him," said John Perona, owner of New York's El Morocco. "Rubi's got a nice personality and is completely masculine," attested a New York clubgoer. "He has a lot of men friends, which, I suppose, is unusual. Aly Khan, for instance, has few male friends. But everyone I know thinks Rubi is a good guy." "He is one of the nicest guys I know," declared that famed chum of famed playboys Peter Lawford. "A really charming man- witty, fun to be with, and a he-man." There were a few tricks to his trade. A society photographer judged him with a professional eye thus: "He can meet you for a minute and a month later remember you very well." An author who played polo with him put it this way: "He had a trick that never failed. When he spoke with someone, whether man or woman, it seemed as if the rest of the world had lost all interest for him. He could hang on the words of a woman or man who spoke only banalities as if the very future of the world- and his future, especially- depended on those words." But there was something deeper to his charm, something irresistible in particular when he turned it on women. It didn't reveal itself in photos, and not every woman was susceptible to it, but it was palpable and, when it worked, unforgettable. Hollywood dirt doyenne Hedda Hoppe declared, "A friend says he has the most perfect manners she has ever encountered. He wraps his charm around your shoulders like a Russian sable coat." Gossip columnist Shelia Graham was chary when invited to bring her eleven-year-old daughter to a lunch with Rubi in London, and her wariness was transmitted to the girl, who wiped her hand off on her dress after Rubi kissed it in a formal greeting; by the end of lunch, he had won the child over with his enthusiastic, spontaneous manner, full of compliments but never cloying. "All done effortlessly," Graham marveled. "He was probably a charming baby, I am sure that women rushed to coo over him in the cradle." Elsa Maxwell, yet another gossip, but also a society gadabout and hostess who claimed a key role in at least one of Rubi's famous liaisons, put it thus: "You expect Rubi to be a very dangerous young man who personifies the wolf. Instead, you meet someone who is so unbelievably charming and thoughtful that you are put off-guard before you know it." But charm would only take a man so far. Rubi was becoming and international legend not because he could fascinate a young girl but because he could intoxicate sophisticated women. p124
Shawn Levy (The Last Playboy : the High Life of Porfirio Rubirosa)
We had a second date that night, then a third, and then a fourth. And after each date, my new romance novel protagonist called me, just to seal the date with a sweet word. For date five, he invited me to his house on the ranch. We were clearly on some kind of a roll, and now he wanted me to see where he lived. I was in no position to say no. Since I knew his ranch was somewhat remote and likely didn’t have many restaurants nearby, I offered to bring groceries and cook him dinner. I agonized for hours over what I could possibly cook for this strapping new man in my life; clearly, no mediocre cuisine would do. I reviewed all the dishes in my sophisticated, city-girl arsenal, many of which I’d picked up during my years in Los Angeles. I finally settled on a non-vegetarian winner: Linguine with Clam Sauce--a favorite from our family vacations in Hilton Head. I made the delicious, aromatic masterpiece of butter, garlic, clams, lemon, wine, and cream in Marlboro Man’s kitchen in the country, which was lined with old pine cabinetry. And as I stood there, sipping some of the leftover white wine and admiring the fruits of my culinary labor, I was utterly confident it would be a hit. I had no idea who I was dealing with. I had no idea that this fourth-generation cattle rancher doesn’t eat minced-up little clams, let alone minced-up little clams bathed in wine and cream and tossed with long, unwieldy noodles that are difficult to negotiate. Still, he ate it. And lucky for him, his phone rang when he was more than halfway through our meal together. He’d been expecting an important call, he said, and excused himself for a good ten minutes. I didn’t want him to go away hungry--big, strong rancher and all--so when I sensed he was close to getting off the phone, I took his plate to the stove and heaped another steaming pile of fishy noodles onto his plate. And when Marlboro Man returned to the table he smiled politely, sat down, and polished off over half of his second helping before finally pushing away from the table and announcing, “Boy, am I stuffed!” I didn’t realize at the time just how romantic a gesture that had been.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Perhaps it's better after all that you stop writing to him. You seem rather fixed on him. I hope you have no thought that Christopher would ever..." She paused delicately. "Never mind." "I know what you were going to say," Beatrix had said in a matter-of-fact manner. "Of course I have no illusions about that. I haven't forgotten that he once compared me to a horse." "He did not compare you to a horse," Prudence said. "He merely said you belonged in the stables. However, he is a sophisticated man, and he would never be happy with a girl who spends most of her time with animals." "I much prefer the company of animals to that of any person I know," Beatrix shot back. Instantly she regretted the tactless statement, especially as she saw that Prudence had taken it as a personal affront. "I'm sorry. I didn't mean-" "Perhaps you had better leave, then, and go to your pets," Prudence had said in a frosty tone. "You'll be happier conversing with someone who can't talk back to you." Chastened and vexed, Beatrix had left Mercer House. But not before Prudence had said, "For all our sakes, Bea, you must promise me never to tell Captain Phelan that you wrote the letters. There would be no point in it. Even if you told him, he wouldn't want you. It would only be an embarrassment, and a source of resentment. A man like that would never forgive such a deception.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
sleek Berlin Hauptbahnhof, a sophisticated marvel of
Martha Hall Kelly (Lilac Girls (Lilac Girls, #1))
I’m so sorry,” Niniane said. “Child,” Carling said. The Vampyre’s dark gaze was quizzical, somewhat bored. “I don’t care if it did happen eons ago,” Niniane told her on a flash of ferocity. “I don’t care if there’s a more sophisticated way to respond or if it doesn’t matter to you anymore. I am sorry for what that girl went through. I’m sorry for what the girl I was went through. We may not be those girls anymore, but their ghosts live on somewhere inside us, if only in the memory of what happened, and someone ought to say it: those children deserved better.
Thea Harrison (Storm's Heart (Elder Races #2))
And whose quiet static laughter is always appropriate, conscious, complicated by an automatic and sophisticated concern for the special sensitivities of everyone present. Viz. Bonnie laughs only with; Carlina was so conceived and constituted as to laugh only at.
David Foster Wallace (Girl with Curious Hair)
Sabrina looked as if she might have been born on a stage. She smiled glamorously at the audience and the judges, curtsied prettily, and shook Mrs. Peabody’s hand smoothly. Okay, I thought, after all the little girls had been introduced. So Sabrina was gracious and sophisticated. So what? She might not have any talent at all. Or maybe she’d be really, really stupid and not able to answer her question.
Ann M. Martin (Little Miss Stoneybrook... and Dawn (The Baby-Sitters Club, #15))
What likely dazzled the Ambassador even more than her sophisticated facade was his sense that she was covertly angling toward something greater. “It’s not what you are that counts,” he famously declared, “but what people think you are.
Carl Sferrazza Anthony (Camera Girl: The Coming of Age of Jackie Bouvier Kennedy)
Meanwhile George, who’d just turned twenty-one, had met a young model called Patti Boyd and fallen in love. Patti had been given a part in A Hard Day’s Night, playing a schoolgirl, because she had appeared in a successful crisps advertisement – she was known as the Smith’s Crisps Girl. She was blonde, beautiful and a sophisticated Londoner, like Jane Asher. But, like the rest of us Beatles girls, she was friendly, too, and easy to get on with.
Cynthia Lennon (John)
sophisticated-looking than the girl he used to know. People in hospitals never looked good. And yet, somehow, she did. Dianna was in the middle of saying something to a thin woman with a severe black haircut who was sitting on a chair beside the bed when she looked up and saw him. Breaking off in the middle of her sentence, she sucked in a deep breath, her face flushing beneath his scrutiny. And yet, even as he mentally dissected all the ways she’d changed, all the reasons they were more different than ever, his body was telling him to get over there, to pull her tight against him and kiss her until they were both gasping for air. What
Bella Andre (Hot as Sin (Hot Shots: Men of Fire, #2))
Christopher and Audrey glanced at each other in shared amazement, while Beatrix and Annandale launched into a rapt conversation. “Men have always adored Beatrix,” Audrey said in an undertone, turning toward Christopher. Her eyes sparkled with laughter. “Did you think your grandfather would be proof against her?” “Yes. He doesn’t like anyone.” “Apparently he makes exceptions for young women who flatter his vanity and appear to hang on to his every word.” Christopher stole a glance at Beatrix’s glowing face. Of course the earl couldn’t resist her. Beatrix had a way of looking at someone with undivided attention, making him feel as if he were the most interesting person in the room. “I’ll never understand why she hasn’t married before now,” Christopher said. Audrey kept her voice low as she replied. “Most of the peerage view the Hathaway family as a detraction. And although most gentlemen are delighted by Beatrix, they don’t want to marry an unconventional girl. As you well know.” Christopher frowned at the gibe. “As soon as I came to know her, I admitted I was in the wrong.” “That is to your credit,” Audrey said. “I didn’t think you could ever view her without prejudice. In the past, there have been more than a few men who were quite taken with Beatrix, but they did not pursue her. Mr. Chickering, for example. He absolutely begged his father to be allowed to court her, but his father threatened to cut him off. And so he has had to content himself with adoring Beatrix from afar, and flirting madly with her at every opportunity, knowing it will come to naught.” “Those days are over,” Christopher said. “If he ever comes near her again…” Audrey grinned. “Careful. Jealousy is quite unfashionable these days. One must have the sophistication to be amused by the attentions paid to one’s wife.” “I’ll take great amusement in tossing him through the window.” Christopher paused as Audrey laughed. Clearly she thought he was jesting.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
bunsen burners had been replaced by computers and sophisticated microscopes. We walked past people in white coats, poring over trays containing fine soil or sand, holding jugs and vases under special blue lights. There were tripods leaning against the wall and several hi-tech cameras nestling on the filing cabinets. ‘We’ve got various computer packages
A.J. Waines (Girl on a Train)
Would you like to talk about it?” This too was met with deafening silence. Because no matter how much Susannah might like to confide in her Aunt Julia, she just couldn’t. No one could understand how she felt, deep inside. It was too powerful, too unpronounceable, too unwieldy a thing, and if she said it out loud it would just explode like a cannon. “Well,” Julia said with a sigh. “Perhaps I can guess.” She paused to think, but only for a moment. “You are sad because Sebastian has left for his Grand Tour, and you are afraid he will go away and forget you and meet some other young woman. Perhaps she’s Parisian. Or Belgian. Those Belgian girls do have forthrightness that comes with being from such a small country. But regardless of the nationality of this young lady, she is sophisticated and fashionable and she’ll have Sebastian wrapped around her finger. And he’ll never see you as anything other than a little sister.” Susannah’s head came up. She stared at her aunt, her tear-stained cheeks flushed, but her eyes unblinking and suddenly quite dry. “By the time he comes back, your young Mr. Beckett will be married to said Belgian girl, who you will be forced to smile at and visit with at Custard House, even as your heart breaks with every love-coo she sends her henpecked Sebastian.” Susannah gaped. Her mind reeled at the exposure of her deepest, darkest fears. “That was the most terrible thing you could have possibly said,” she blurted out, slapping a hand over her mouth in horror. But Julia just smiled. “It’s also the most unlikely to happen. Good English boys don’t go on their Grand Tour and come back married.” “But… it could. Belgian girls, and all.” “True, but it doesn’t happen to good English boys who rely on their good English fathers for income, at least,” her aunt said wryly.
Anna Campbell (A Grosvenor Square Christmas)
Despite my lack of sophistication or maturity, I was headstrong. My sense of possibility and certainty made me focused. I had blinders on. I was a sprinter—there were no long-term goals, I just knew I’d run as hard as I could in any situation. I’d learned that as an adolescent, to keep moving, to not be dragged down. The best word to describe it is “scrappy.” I still feel that way today. Put me in a situation and I will find my way out of it or through it, I will hustle and scramble. I hate losing. Only later do I think about how it looks from the outside, and then I get stuck in a cycle of shame or anxiety—but in the moment, I rarely could see beyond it, I really could fight. I didn’t think much about how it looked from the outside, or how I looked.
Carrie Brownstein (Hunger Makes Me a Modern Girl: A Memoir)
While their powers might not have been as acute as mine, their future was equally as bleak. We were all in service to Nix. We were all bound to the destiny he laid out for us. And he had no interest in letting us be free. He would use us for his own twisted plots and evil gain. He would use us until he couldn’t anymore. He would use every last ounce of us until we shrivelled into nothing and disappeared without another thought. Welcome to the sophisticated sex trade. Our buyers paid more and our pimp was an international and highly respected businessman, but our tricks were the same and our bodies equally enslaved. In a world where human trafficking was at the highest numbers in all of history, combined, our branch of the insidious business seemed almost human compared to what others went through. But our freedom was still ripped from us and we were still forced to sell ourselves so that others could gratify their greed. A woman shouldn’t have to live like this. A woman should be able to decide everything that happened to her body. And not just women, but girls. Especially girls.
Rachel Higginson (The Fall (The Siren, #2))
I want to run like a girl. I want to be as unfettered and carefree as a young girl crisscrossing a field. I know now I never felt like a sophisticated adult because it just doesn't come naturally to me. Maybe it never will. Maybe I just never ripened. Maybe that's okay.
Nia Vardalos (Instant Mom)
He undoubtedly had vast experience with all sorts of sophisticated, exotic women who had rocked his world, and she was only a small-town girl who had been with a handful of men in her lifetime.
Ella Dominguez (This Love's Not for Sale)
She turned, pasting a brilliant smile on her face. She was going to charm this man until - until - well, until he was charmed. She opened her mouth to slay him with something utterly witty and sophisticated, but before she could form even a sound, he leaned in closer, his eyes warm and dangerous, and said, "I find myself unbearably curious about that smile." She blinked. If she didn't know better, she'd think that he was trying to charm her. No, she thought with a mental shake of her head. That was impossible. He barely knew her, and while she wasn't the ugliest girl in all of Surrey, she was certainly no siren.
Julia Quinn (How to Marry a Marquis (Agents of the Crown, #2))
Well, I know you don’t want to talk about it anymore, but I signed you up for that computer match thingy.” Why is it that so many people over the age of sixty refer to everything on the Internet as some sort of “computer thing”? Helen was trying to contain her laughter. “Laura, do you mean Match.com?” My father was groaning audibly now. “Yes, that’s it. Charles helped me put up her profile.” “Oh my god, Mother. Are you kidding me?” Helen jumped out of her seat and started running toward the computer in my dad’s home office, which was right off the dining room. “Get out of there, Helen,” my dad yelled, but she ignored him. I chased after her, but she stuck her arm out, blocking me from the monitor. “No, I have to see it!” she shouted. “Stop it, girls,” my mother chided. “Move, bitch.” We were very mature for our age. “This is the best day of my life. Your mommy made a Match profile for you!” “Actually, Chuck made it,” my mother yelled from across the hall. Oh shit. Helen typed my name in quickly. My prom picture from nine years ago popped up on the screen. My brother had cropped Steve Dilbeck out of the photo the best he could, but you could still see Steve’s arms wrapped around my purple chiffon–clad waist. “You’re joking. You’re fucking joking.” “Language, Charlotte!” my dad yelled. “Mom,” I cried, “he used my prom photo! What is wrong with him?” I still had braces at eighteen. I had to wear them for seven years because my orthodontist said I had the worst teeth he had ever seen. You know how sharks have rows of teeth? Yeah, that was me. I blame my mother and the extended breastfeeding for that one, too. My brother, Chuck the Fuck, used to tease me, saying it was leftovers of the dead Siamese twin I had absorbed in utero. My brother’s an ass, so it’s pretty awesome that he set up this handy dating profile for me. In case you hadn’t noticed, our names are Charlotte and Charles. Just more parental torture. Would it be dramatic to call that child abuse? Underneath my prom photo, I read the profile details while Helen laughed so hard she couldn’t breath. My name is Charlotte and I am an average twenty-seven year-old. If you looked up the word mediocre in the dictionary you would see a picture of me—more recent than this nine-year-old photo, of course, because at least back then I hadn’t inked my face like an imbecile. Did I forget to mention that I have a tiny star tattooed under my left eye? Yes, I’d been drunk at the time. It was a momentary lapse of judgment. It would actually be cute if it was a little bigger, but it’s so small that most people think it’s a piece of food or a freckle. I cover it up with makeup. I like junk food and watching reality TV. My best friend and I like to drink Champagne because it makes us feel sophisticated, then we like to have a farting contest afterward. I’ve had twelve boyfriends in the last five years so I’m looking for a lifer. It’s not a coincidence that I used the same term as the one for prisoners ineligible for parole. “Chuck the Fuck,” Helen squeaked through giggles. I turned and glared at her. “He still doesn’t know that you watched him jerk off like a pedophile when he was fourteen.” “He’s only three years younger than us.” “Four. And I will tell him. I’ll unleash Chuck the Fuck on you if you don’t quit.” My breasts are small and my butt is big and I have a moderately hairy upper lip. I also don’t floss, clean my retainer, or use mouthwash with any regularity. “God, my brother is so obsessed with oral hygiene!” “That’s what stood out to you? He said you have a mustache.” Helen grinned. “Girls, get out of there and come clear the table,” my dad yelled. “What do you think the password is?” “Try ‘Fatbutt,’ ” I said. “Yep, that worked. Okay, I’ll change your profile while you clear the table.
Renee Carlino (Wish You Were Here)
She's got a wonderful simplicity in the way she approaches her subject matter that obscures the symbolism she's embedded in deliberately awkward, naïve metrical structures and rhyme choices. By using these primitive structures she overrides the sophisticated readers' trained ears and forces them to grapple with the compelling emotional tenor of her work.
Colubrina (The Green Girl)
Her story also illustrates what doesn’t work in juvenile justice: her gateway to delinquency opened not because she was abused and began running away but because she, an abused low-risk girl, was placed in a living situation with high-risk, sophisticated criminal offenders.
John Aarons (Dispatches from Juvenile Hall: Fixing a Failing System)
Morty: Hey, gang, come on! Look it, just `cause we're losing doesn't mean it's all over. Phil: Cut the crap, Morty. I mean, the Mohawks have beaten us the last twelve years, they're gonna beat us again. Tripper: That's just the attitude we don't need. Sure, Mohawk has beaten us twelve years in a row. Sure, they're terrific athletes. They've got the best equipment that money can buy. Hell, every team they're sending over here has their own personal masseuse, not masseur, masseuse. But it doesn't matter. Do you know that every Mohawk competitor has an electrocardiogram, blood and urine tests every 48 hours to see if there's any change in his physical condition? Do you know that they use the most sophisticated training methods from the Soviet Union, East and West Germany, and the newest Olympic power Trinidad-Tobago? But it doesn't matter. It just doesn't matter. IT JUST DOESN'T MATTER. I tell you, IT JUST DOESN'T MATTER! IT JUST DOESN'T MATTER! IT JUST DOESN'T MATTER! The group: IT JUST DOESN'T MATTER! IT JUST DOESN'T MATTER... Tripper: And even, and even if we win, if we win, HAH! Even if we win! Even if we play so far over our heads that our noses bleed for a week to ten days. Even if God in Heaven above comes down and points his hand at our side of the field. Even if every man, woman and child held hands together and prayed for us to win, it just wouldn't matter, because all the really good looking girls would still go out with the guys from Mohawk cause they've got all the money! It just doesn't matter if we win or we lose. IT JUST DOESN'T MATTER!
Bill Murray
decorated with modern sculpture of naked people. If I laugh, I will demonstrate a total lack of sophistication.
Beth McMullen (Mrs. Smith's Spy School for Girls)
Lesbians were, in the public image, loathsome creatures. They were seen as hard, sophisticated females who seduced innocent girls or women into mysterious “perversions,” or as sad caricatures of men, trying to dress and act as males, and generally aping some of men’s worst characteristics. Hollywood made “butchy” women into repellent monsters, vampires, or other subhuman creatures, and the theater portrayed practitioners of the love that dares not speak its name as neurotic, tragic, or absurd. No woman in her right mind would want to be seen so negatively. No actress admitting to loving women would be a success.
Axel Madsen (The Sewing Circle: Hollywood's Greatest Secret—Female Stars Who Loved Other Women)
They were not hired for their looks or their sophistication; the most competent ones specialized in puzzles, music, and foreign languages.
Sarah Rose (D-Day Girls: The Spies Who Armed the Resistance, Sabotaged the Nazis, and Helped Win World War II)
With the cultural portrayal of the smallest details of existence, the distance between one's experience and one's perceptions of it becomes enlarged by a vast interpretive network by this ubiquitous cultural network, the experience must be denied. This process, of course, does not apply only to women. The pervasion of image has so deeply altered our very relationships to ourselves that even men have become objects - if never erotic objects. Images become extensions of oneself; it gets hard to distinguish the real person from his latest image, if indeed, the Person Underneath hasn't evaporated altogheter. [...] each image hitting new highs of sophistication until the person himself doesn't know who he is. Moreover, he deals with others through this image-extension. (Boy-Image meets Girl-Image and consumattes Image-Romance). Even if a woman could get beneath this intricate image facade - and it would take months, even years, of a painful, almost therapeutic relationship - she would be met not with gratitude that she had (painfully) loved the man for his real self, but with shocked repulsion and terror that she had found him out.
Shulamith Firestone (The Dialectic of Sex: The Case for Feminist Revolution)
that girl is beautiful, and so sophisticated. That’s a grown woman, you hear me?
Christina C. Jones (Maybe One More Time (Vegas Nights, #3))
dousing my wild mane with hairspray and more bobby pins, I sit back to take in my handiwork. “It looks pretty good,” I murmur to myself as I turn my head side to side, impressed with my own skill. It had been risky to forgo my usual ponytail and try out the deep side part weaved into an intricate French braid, but I feel… sophisticated. And even pretty. “Well, a girl should feel pretty for her own engagement party,” I declare out loud while I pull a few strands of hair out of the delicate braid to frame my face.
S.E. Law (My Fiance's Dad (Forbidden Fantasies))
Hugh Hefner described the consummate playboy as one who “likes jazz, foreign films, Ivy League clothes, gin and tonic, and pretty girls,” with an “approach to life” that is “fresh, sophisticated, and yet admittedly sentimental
William Strauss (The Fourth Turning: What the Cycles of History Tell Us About America's Next Rendezvous with Destiny)
She was too ignorant, uneducated, in that kind of physically sophisticated, lovely-assed Texan way. An American primitive.
Romain Gary (The Gasp)
he slut label is unifying. When I meet a girl who self-identifies as a slut, I immediately feel an affinity with her—like, one of us. It’s like a modern-day vagina version of the Freemasons, except without the cool secret handshake. (Unless a hand job counts?) I believe that once we accept this more contemporary, sophisticated definition of “slut,” it will be easier to accept the label as a badge of honor.
Karley Sciortino (Slutever: Dispatches from a Sexually Autonomous Woman in a Post-Shame World)
The slut label is unifying. When I meet a girl who self-identifies as a slut, I immediately feel an affinity with her—like, one of us. It’s like a modern-day vagina version of the Freemasons, except without the cool secret handshake. (Unless a hand job counts?) I believe that once we accept this more contemporary, sophisticated definition of “slut,” it will be easier to accept the label as a badge of honor.
Karley Sciortino
I'm going to do table displays for them with passion flowers," he coos. "Circlets of convolvulus for the little girls. I'll use lots of jasmine, of course. I'll have to get used to making crystallized rose petals instead of the usual sugared almonds, they're so much more refined. For big venues I'll use vines and ivy dotted with big blousy roses. Lilies are very tough, very strong. I'll mix wild flowers like cow parsley and camomile with more sophisticated things. Lots of greenery, eucalyptus, ribes...
Agnès Desarthe (Chez Moi: A Novel)
This belief in the inherent sophistication of all things British was connected to another common American misconception, the one I and every other girl who had a poster of Legolas on her bedroom wall when she was sixteen had committed: mistaking a British accent for a personality.
Mara Wilson (Where Am I Now?)
I buried my face in his couch and I realized, for the first time but certainly not the last, that apologizing could be a weapon. You can apologize until people think you’re crazy. Your whole body can become an apology. You’re not skinny enough or smart enough or pretty enough or talented enough or sexy enough or popular enough or sophisticated enough or tall enough or short enough or blond enough or like the last girl enough and you’re sorry, you’re sorry, you’re sorry.
Stacy Pershall (Loud in the House of Myself: Memoir of a Strange Girl)
Though why would this incredibly sexy, sophisticated man be interested in me? I was the girl-next-door type, a solid B student, and he was the kind of sexy academic who probably dated brilliant supermodels.
Nancy Warren (The Vampire Knitting Club (Vampire Knitting Club, #1))
You’re working with telephones, some of the most sophisticated equipment at the army’s disposal. I think you’ll manage to keep up with the times for a while yet.
Aimie K. Runyan (Girls on the Line)
Karly- I stopped wearing my glasses after that day, when Jess Smith walked up and ripped them off my face and broke them in half, and poked me in the boob hard. I miss them, what wrong with glasses, they make you look sophisticated. Why was I so quiet and laid back, and a pushover? Marcel- She runs like everything for the bathroom, like always- not making it very far. She feels like some poor little girl, with a broken nose, and I remember when that happened. That is when I felt like she was in love with me she took the balls to the face for me. ‘I thought you liked balls in your face one boy said.’ You tripped and fell to the ground, hard, and I picked you up and carried you to safety, and we fell in love, even more, kissing under the bleachers. ‘You’re a weirdo,’ and the kiss was long and – fearing H-O-T! Like, kick your tongue out smoking hot! It’s still not as bad as the time my face was smashed to a brick wall, by some back boy- and I have to have something done about it, like getting my nose redone, yet I blamed it on my dad. Jenny- Sing the same girlie crap every year, you’ll blow chunks all over the place, which never happened, that’s why she stopped singing way back when. You can see here doing it on YouTube! Like- It happened! Jenny says every time someone brings it up. Until some unicycles guy flies into the frame where nothing freaking speedo- showing his tor·pe·do with the American flag up his ass! I don’t know if that is patriotic or what the hell that is… I am not sure what to look at. What can you say other than- ‘Ew-ah- gross…? Who does that…?’ Marcel- It kind of reunions the magic does it…? I spoke. Karly- Yep! I am glad I cannot see all that anyway! I am sure yours is better anyway. (She goes underneath his underwear down for it, getting a handful, and does what she feels is right in front of them all. It was more romantic than you would think pervs.) I did it for me and him, I did not give a crap; if they liked it or not… they can all look the other way. I have- a leaning popping lag kisses, and he rubbed his nose on mine saying it- I LOVE YOU! You’ll be fine… I’ll make sure of that. Karly- Back in time: We rain from the schoolyard to my house… stole my dad’s Nash and got married. My stepmother cased us down, with a bible in her hand saying we were sinners. Both- We’re sinner okay then- we all are- yet love is love even if age is in the way. Marcel- the very next day, it was all over. Say what you want to say… I know why- how- and who.
Marcel Ray Duriez (Nevaeh They Call Out)
And this love does not limit itself to show obliquely when the child is a girl. I remember a mother who fed her daughter with so much of her milk that her breasts sagged so that those of her daughter may grow with sophistication.
Ashish Khetarpal (The Watchdog and Other Stories)
And this love does not limit itself to show obliquely when the child is a girl. I remember a mother who fed her daughter with so much of her milk that her breasts sagged so that those of her daughter may grow with sophistication.
Ashish Khetarpal (The Watchdog and Other Stories)
Here’s a quote from the musician Tracey Thorn of Everything but the Girl. I think it’s great. It really describes the problem of irony: ‘It is difficult for people in the arts to be entirely sincere about things without looking like they have not thought it out properly. The problem with irony is that it assumes the position of being the end result, from having looked at it from both sides and having a very sophisticated take on everything. So the danger of eschewing irony is that you look as though you’ve not thought hard enough about it and that you’re being a bit simplistic.
Grayson Perry (Playing to the Gallery)
someone who said she was Jim’s mother. I was dating Jim at the time. But it was actually Tim’s mother, one of my close friends. She was asking me for dinner. It wasn’t until the very end of the phone conversation that I realized who I was really talking to. I would have absolutely died had I showed up at Jim’s house for dinner!” “Not sure it was a matter of Danielle misunderstanding the girl,” Brian said. “I’m sure she’s okay. Kids love to play those kinds of tricks on adults,” Joe said. The next moment Carla showed up to take their drink order. Like she had with Adam’s table, one of her first questions was, “Have you been to the haunted house yet?” “We went Saturday night,” Kelly told her. “It was fun. Pretty sophisticated haunted house, if you ask me.” Carla looked at Brian. “How did you like it?” Brian shook his head. “I’m not going. Haunted houses really are not my thing.” “You and Adam Nichols,” Carla said with a laugh. “What do you mean?” Brian asked. “He doesn’t want to go either. But you really should. Well worth the money. I hope they do it again next year,” Carla said. “It’s a good setting for a haunted house,” Brian muttered. “It’s a natural.” Carla turned to Kelly and said, “What did you think about the dead body in the hidden staircase? Did it freak you out, or did
Bobbi Holmes (The Ghost and the Halloween Haunt (Haunting Danielle #22))
Berlin wrote songs for a number of Astaire films of the period: Top Hat, Follow the Fleet, On the Avenue, Carefree. The two men became close personal friends for the rest of their lives. But the choice of Astaire as a Hollywood leading man is, at first glance, puzzling. Certainly, he was an extraordinary dancer, and songwriters appreciated his accuracy and clarity when singing their songs, even if his voice was reedy and thin. But a leading man? Essentially, Astaire epitomized what Berlin and other Jews strove to achieve. He was debonair, polished, sophisticated. His screen persona was that of a raffish, outspoken fellow, not obviously attractive, whose audacity and romanticism and wit in the end won out. It didn’t hurt that he could dance. But even his dance—so smooth and elegant—was done mostly to jazz. Unlike a Gene Kelly, who was athletic, handsome, and sexy, Astaire got by on style. Kelly was American whereas Astaire was continental. In short, Astaire was someone the immigrant might himself become. It was almost like Astaire was himself Jewish beneath the relaxed urbanity. In a film like Top Hat he is audacious, rude, clever, funny, and articulate, relying mostly on good intentions and charm to win over the girl—and the audience. He is the antithesis of a Clark Gable or a Gary Cooper; Astaire is all clever and chatty, balding, small, and thin. No rugged individualist he. And yet his romantic nature and persistence win all. Astaire only got on his knees to execute a dazzling dance move, never as an act of submission. His characters were largely wealthy, self-assured, and worldly. He danced with sophistication and class. In his famous pairings with Ginger Rogers, the primary dance numbers had the couple dressed to the nines, swirling on equally polished floors to the strains of deeply moving romantic ballads.
Stuart J. Hecht (Transposing Broadway: Jews, Assimilation, and the American Musical (Palgrave Studies in Theatre and Performance History))
Berlin wrote songs for a number of Astaire films of the period: Top Hat, Follow the Fleet, On the Avenue, Carefree. The two men became close personal friends for the rest of their lives. But the choice of Astaire as a Hollywood leading man is, at first glance, puzzling. Certainly, he was an extraordinary dancer, and songwriters appreciated his accuracy and clarity when singing their songs, even if his voice was reedy and thin. But a leading man? Essentially, Astaire epitomized what Berlin and other Jews strove to achieve. He was debonair, polished, sophisticated. His screen persona was that of a raffish, outspoken fellow, not obviously attractive, whose audacity and romanticism and wit in the end won out. It didn’t hurt that he could dance. But even his dance—so smooth and elegant—was done mostly to jazz. Unlike a Gene Kelly, who was athletic, handsome, and sexy, Astaire got by on style. Kelly was American whereas Astaire was continental. In short, Astaire was someone the immigrant might himself become. It was almost like Astaire was himself Jewish beneath the relaxed urbanity. In a film like Top Hat he is audacious, rude, clever, funny, and articulate, relying mostly on good intentions and charm to win over the girl—and the audience. He is the antithesis of a Clark Gable or a Gary Cooper; Astaire is all clever and chatty, balding, small, and thin. No rugged individualist he. And yet his romantic nature and persistence win all.
Stuart J. Hecht (Transposing Broadway: Jews, Assimilation, and the American Musical (Palgrave Studies in Theatre and Performance History))
To my mind, Celia Ray was perfection. She was New York City’s very distillation—a glittering composite of sophistication and mystery. I would endure any filth or befouling, just to have access to her.
Elizabeth Gilbert (City of Girls)
The brownstone was full of light. The spacious living room designed in a quiet and unobtrusive Japanese style was sophisticated as well as cozy. The beige tones enhanced a peaceful, homey atmosphere.
Anna Adams (A French Girl in New York (The French Girl, #1))
I first tried a cheesesteak spring roll ten years ago at my cousin's wedding at the Four Seasons in Philadelphia, and though I wasn't as unconvinced as Shauna, I had my doubts. That Philadelphians could bastardize a menu item didn't surprise me- this is, after all, the city that invented The Schmitter, a sandwich made of sliced beef, cheese, grilled salami, more cheese, tomatoes, fried onions, more cheese, and some sort of Thousand Island sauce- but the fact that the Four Seasons found it worthy of their fancy-pants menu intrigued me. One bite and I knew I'd struck gold. The cheesy meat and onion filling oozed out of the crisp, fried wonton wrapper, enhancing the celebrated cheesesteak flavor with a sophisticated crunch. This weekend, I'm doing a similar riff, but instead of spring rolls, I'm using arancini, the Sicilian fried risotto balls that are usually stuffed with mozzarella and meat ragu. Instead, I will stuff mine with sautéed chopped beef, provolone, and fried onions and mushrooms. The crispy, saffron-scented rice balls will ooze with unctuous cheesesteak flavor, and I will secure my place among the culinary legends.
Dana Bate (The Girls' Guide to Love and Supper Clubs)
Let me amend that. Of course I’m sure it was done. Every generation likes to think that they discovered sex, but I’m sure that far more sophisticated people than me were experiencing cunnilingus in 1940, all over New York City—especially in the Village. But I’d never heard of it. God knows, I’d had everything else done to the flower of my femininity that summer, but not this. I’d been palmed and rubbed and penetrated, and certainly fingered and probed (my heavens, how the boys liked to poke about, and so vigorously, too)—but never this. His mouth had ended up between my legs so fast, and the sudden realization of his destination and his intent had shocked me to the point that I said “Oh!” and started to sit up, but he reached up one of his long arms, placed his palm on my chest, and firmly pressed me back down again, without once stopping what he was doing. “Oh!” I said again. Then I felt it. There was a sensation occurring here that I didn’t even know could occur. I took the sharpest inhale of my life, and I’m not sure I let my breath out for another ten minutes. I do feel that I lost the ability to see and hear for a while, and that something might have short-circuited in my brain—something that has probably never been fully fixed since. My whole being was astonished. I could hear myself making noises like an animal, and my legs were shaking uncontrollably (not that I was trying to control them), and my hands were gripping down so hard over my face that I left fingernail divots in my own skull. Then it became more. And after that, it became even more still. Then I screamed as though I were being run over by a train, and that long arm of his was reaching up again to palm my mouth, and I bit into his hand the way a wounded soldier bites on a bullet. And then it was the most, and I more or less died.
Elizabeth Gilbert (City of Girls)
She entered a bit timidly, dusting flour from her hands. A delicate-looking, attractive girl, tall and slim and perhaps a bit tuberculous. She had the clear, flawless pink complexion which often goes with the type, blue eyes and fair curly hair. A long white smock hid her figure, but she was well aware of her charms. There was a slightly vulgar and uncertain sophistication about her. The style of her hairdressing, the well-manicured and polished finger-nails, the lipstick, the smile, and the way she held her head all indicated the penny novelette addict, the omnivorous reader of women's weeklies and their hints and recipes for beauty and allure.
George Bellairs (The Cursing Stones Murder (Inspector Littlejohn #23))
Suave, edgy, witty, flippant, sophisticated to a ‘T’, poised, cool gaze, that purring voice, waltzing stylishly in that sharp suit and Tag Heuer watch to match, citing Plutarch like the fine man he is, Hans Gruber is every girl’s dream BadBoy (minus the sociopathic undertones) with a dark sense of humor to crown it all. Swoon.
Unknownimous
Nice Lincoln legs." "I bet you say that to all the girls." Sterling was kind of growing on me. I liked his sense of humor. "Actually, I do," he admitted. "Can't help it. All i can say is that someone needs to assassinate those socks. They do all sorts of horrible things to the female figure which, come to think of it, i might be the purpose of them all." "How so?" "Isn't it obvious? It's hard for me to find any female attractive when there are two miniature dead presidents peeking out from under her skirt at me.
Christine Manzari (Deviation (The Sophisticates, #1))
We need to give girls credit for the sophistication of their social structures. Our best politicians and diplomats can’t match a girl who understands the social intrigue and political landscape that lead to power.
Jennifer Keishin Armstrong (So Fetch: The Making of Mean Girls (And Why We're Still So Obsessed With It))
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