Streak Break Quotes

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Despereaux looked at his father, at his grey-streaked fur and trembling whiskers and his front paws clasped together in front of his heart, and he felt suddenly as if his own heart would break in two. His father looked so small, so sad. "Forgive me," said Lester again. Forgiveness, reader, is, I think, something very much like hope and love, a powerful, wonderful thing. And a ridiculous thing, too. Isn't it ridiculous, after all, to think that a son could forgive his father for beating the drum that sent him to his death? Isn't it ridiculous to think that a mouse ever could forgive anyone for such perfidy? But still, here are the words Despereaux Tilling spoke to his father. He said, "I forgive you, Pa." And he said those words because he sensed it was the only way to save his own heart, to stop it from breaking in two. Despereaux, reader, spoke those words to save himself.
Kate DiCamillo (The Tale of Despereaux)
Sorasa tried to remember the last time she’d said thank you to a living person and meant it. Years, if not decades, she realized, racking her brain. Well, no use in breaking the streak now.
Victoria Aveyard (Realm Breaker (Realm Breaker, #1))
Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
Gerard Nolst Trenité (Drop your Foreign Accent)
Arrogant , beautiful, domineering Lord Crane, with the caring that made Stephen’s heart break, and the vicious streak that made his knees bend, had chosen him among all the men’s men of London, and treated him with a loyalty, generosity and almost painful honesty that made Stephen’s heart hurt. And his reward was a few doled-out crumbs of Stephen’s time in a country he hated.
K.J. Charles (Flight of Magpies (A Charm of Magpies, #3))
Winter’s head snapped around, away from Scarlet. Scarlet’s pace slowed, dread pulsing through her as she, too, heard the footsteps. Pounding footsteps, like someone was running at full speed toward them. She reached for the knife Jacin had given her. A man barrelled around the corner, heading straight for the princess. Winter tensed half a second before he reached her. Grabbing Winter’s elbow, he yanked back the red hood. Scarlet gasped. Her knees weakened. The man stared at Winter with a mixture of confusion and disappointment and maybe even anger, all locked up in eyes so vividly green that Scarlet could see them glowing from here. She was the one hallucinating now. She took a stumbling, uncertain step forward. Wanting to run toward him, but terrified it was a trick. Her hand tightened around the knife handle as Wolf, ignoring how Winter was trying to pull away, grabbed her arm and smelled the filthy red sleeve of Scarlet’s hoodie, streaked with dirt and blood. He growled, ready to tear the princess apart. “Where did you get this?” So desperate, so determined, so him. The knife slipped out of Scarlet’s hand. Wolf’s attention snapped to her. “Wolf?” she whispered. His eyes brightened, wild and hopeful. Releasing Winter, he strode forward. His tumultuous eyes scooped over her. Devoured her. When he was in arm’s reach, Scarlet almost collapsed into him, but at the last moment she had the presence of mind to step back. She planted a hand on his chest. Wolf froze, hurt flickering across his face. “I’m sorry,” said Scarlet, her voice teetering with exhaustion. “It’s just…I smell so awful, I can hardly stand to be around myself right now, so I can’t even imagine what it’s like for you with your sense of sm-“ Batting her hand away, Wolf dug his fingers into Scarlet’s hair and crushed his mouth against hers. Her protests died with a muffled gasp. This time, she did collapse, her legs unable to hold her a second longer. Wolf fell with her, dropping his knees to break Scarlet’s fall and cradling her body against his. He was here. He was here.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
She sat at the window of the train....The window frame trembled with the speed of the motion, the pane hung over empty darkness, and dots of light slashed across the glass as luminous streaks, once in a while…She sat listening to the music. It was a symphony of triumph. The notes flowed up…It was a sunburst of sound, breaking out of hiding and spreading open. It had the freedom of release and the tension of purpose. It swept space clean, and left nothing but the joy of an unobstructed effort. Only a faint echo within the sounds spoke of that from which the music had escaped, but spoke in laughing astonishment at the discovery that there was no ugliness or pain, and there never had had to be. It was the song of an immense deliverance. She thought: For just a few moments -- while this lasts -- it is all right to surrender completely -- to forget everything and just permit yourself to feel. She thought: Let go -- drop the controls -- this is it.
Ayn Rand (Atlas Shrugged)
Slowly, dawn was breaking. Streaks of colour – peach bellinis, orange martinis, strawberry margaritas, frozen negronis – streamed above the horizon, east to west.
Elif Shafak (10 Minutes 38 Seconds in This Strange World)
Cradle Song for Eleanor”: Sleep, my darling, sleep; The pity of it all Is all we compass if We watch disaster fall. Put off your twenty-odd Encumbered years and creep Into the only heaven, The robbers’ cave of sleep. The wild grass will whisper, Lights of passing cars Will streak across your dreams And fumble at the stars; Life will tap the window Only too soon again, Life will have her answer – Do not ask her when. When the winsome bubble Shivers, when the bough Breaks, will be the moment But not here or now. Sleep and, asleep, forget The watchers on the wall Awake all night who know The pity of it all.
Louis MacNeice
You’re beautiful,” Archer murmured, his husky voice rolling over my skin. He reached up with his other hand to touch the blue streak in my hair. “You’re like a creature from some exotic land that no one has discovered yet.
Nina Lane (Break the Sky (Spiral of Bliss, #3.75))
We are paint streaked runners, deafened by the cries of all the sad people. It's a powerful sound that practically yanks the tears right out of you. Sometimes, you just can't help but feel like a very small clam in a very big ocean.
Taylor Rhodes (Sixteenth Notes: the breaking of the rose-colored glasses)
The sky doesn't set so much as break apart. The horizon is brick-coloured. The rest of the sky is streaked with shock-red tendrils.
Lauren Oliver (Requiem (Delirium, #3))
Oak raised his head, and wondering what he could do, listlessly surveyed the scene. By the outer margin of the Pit was an oval pond, and over it hung the attenuated skeleton of a chrome-yellow moon which had only a few days to last—the morning star dogging her on the left hand. The pool glittered like a dead man’s eye, and as the world awoke a breeze blew, shaking and elongating the reflection of the moon without breaking it, and turning the image of the star to a phosphoric streak upon the water. All this Oak saw and remembered.
Thomas Hardy (Far from the Madding Crowd)
I turn and walk back to the home shore whose tall yellow bluffs still bare of snow I can see nearly half a mile to the north. I find my way as I came, over dusty sandbars and by old channels, through shrubby stands of willows. The cold, late afternoon sun breaks through its cloud cover and streaks the grey sand mixed with snow. As it has fallen steadily in the past weeks, the river has left behind many shallow pools, and these are now roofed with ice. When I am close to the main shore I come upon one of them, not far from the wooded bank. The light snow that fell a few days ago has blown away; the ice is polished and is thick enough to stand on. I can see to the bottom without difficulty, as through heavy dark glass. I bend over, looking at the debris caught there in the clear, black depth of the ice: I see a few small sticks, and many leaves. There are alder leaves, roughly toothed and still half green; the more delicate birch leaves and aspen leaves, the big, smooth poplar leaves, and narrow leaves from the willows. They are massed or scattered, as they fell quietly or as the wind blew them into the freezing water. Some of them are still fresh in color, glowing yellow and orange; others are mottled with grey and brown. A few older leaves lie sunken and black on the silty bottom. Here and there a pebble of quartz is gleaming. But nothing moves there. It is a still, cold world, something like night, with its own fixed planets and stars.
John Meade Haines (The Stars, the Snow, the Fire: Twenty-Five Years in the Alaska Wilderness)
So she sees if she can drive him off. The MacCarrolls have that little perverse streak in them. She’d rather break her own heart than have it broken. There’s an Irish logic to it.
Niall Williams (History of the Rain)
'Give me a break. You're smart; you're capable. You even have a disturbing streak of honesty, which you occasionally acknowledge. And I suppose some people wouldn't mind looking at you.'
Tara Lain (Sinders and Ash (The Pennymaker Tales, #1))
Here is this! Here is this! Ecco Roma! Bursting out of the sun, streaking through space, skirting Venus, just over eight minutes old, but eternal, too, infinite—here comes the light, nameless and intangible, streaming 93 million unobstructed miles through the implacable black vacuum to break itself against a wall, a cornice, a column. It drenches, it crenellates, it textures.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
I liked it better when you were dying,” Allie said. “You didn’t bitch so much.” “Look sharp, Allie. I think you missed a pothole back there. You don’t want to break up your streak of dragging me over every one.” Allie
Joe Hill (The Fireman)
"Let me share a secret with you, Zach. Men have been telling women things for centuries. Then they've been breaking our hearts." ... "Only way," Mercy continued, "for you to gain her trust might be to forget the pride that seems to come embedded in the Y chromosome. You ready to wear your heart on your sleeve and hope she doesn't crush the life out of it?" He met her gaze. "You got a streak of mean in you, Mercy." "Thank you very much."
Nalini Singh (Wild Invitation (Psy-Changeling, #0.5, #3.5, #9.5, #10.5))
My mother believed in God's will for many years. It was af if she had turned on a celestial faucet and goodness kept pouring out. She said it was faith that kept all these good things coming our way, only I thought she said "fate" because she couldn't pronounce the "th" sound in "faith". And later I discovered that maybe it was fate all along, that faith was just an illusion that somehow you're in control. I found out the most I could have was hope, and with that I wasn't denying any possibility, good or bad. I was just saying, If there is a choice, dear God or whatever you are, here's where the odds should be placed. I remember the day I started thinking this, it was such a revelation to me. It was the day my mother lost her faith in God. She found that things of unquestioned certainty could never be trusted again. We had gone to the beach, to a secluded spot south of the city near Devil's Slide. My father had read in Sunset magazine that this was a good place to catch ocean perch. And although my father was not a fisherman but a pharmacist's assistant who had once been a doctor in China, he believed in his nenkan, his ability to do anything he put his mind to. My mother believed she had nenkan to cook anything my father had a mind to catch. It was this belief in their nenkan that had brought my parents to America. It had enabled them to have seven children and buy a house in Sunset district with very little money. It had given them the confidence to believe their luck would never run out, that God was on their side, that house gods had only benevolent things to report and our ancestors were pleased, that lifetime warranties meant our lucky streak would never break, that all the elements were now in balance, the right amount of wind and water.
Amy Tan (The Joy Luck Club)
Another, more fluid metaphor for the world of thought gradually suggested itself to him, derived from his former voyages at sea. A philosopher who was trying to consider human understanding in all its aspects would behold beneath him a mass molded in calculable curves, streaked by currents which could be charted, and deeply furrowed by the pressure of winds and the heavy, inert weight of water. It seemed to him that the shapes which the mind assumes are like those great forms, born of undifferentiated water, which assail or replace each other on the surface of the deep; each concept collapses, eventually, to merge with its very opposite, like two waves breaking against each other only to subside into the same single line of white foam.
Marguerite Yourcenar (L'Œuvre au noir)
Gorge after gorge, turning, turning. Caverns of sunset, falling, falling away—just a single vast gold air breathed out by beings—they must have been marvelous beings, those gold-breathers. Down. Purple-and-green islands. Cleft and groined and gigantically pocked like something left behind after all the oceans vanished one huge night: the mountains. Their hills fold and fold again, fold away, down. Folded into the dens and rocks of the hills are ghost towns. Broken streets end in them, like a sound, nowhere. Shadow is inside. We walk (oh quietly) even so—breaking lines of force, someone’s. Houses stand in their stones. Each house an empty socket. Some streaked with red inside. Words once went on in there—no. I don’t believe that. Words never went on in there.
Anne Carson (Plainwater: Essays and Poetry)
And although my father was not a fisherman but a pharmacist's assistant who had once been a doctor in China, he believed in his nengkan, his ability to do anything he put his mind to. My mother believed she had nengkan to cook anything my father had a mind to catch. It was this belief in their nengkan that had brought my parents to America. It had enabled them to have seven children and buy a house in the Sunset district with very little money. It had given them the confidence to believe their luck would never run out, that God was on their side, that the house gods had only benevolent things to report and our ancestors were pleased, that lifetime warranties meant our lucky streak would never break, that all the elements were in balance, the right amount of wind and water.
Amy Tan (The Joy Luck Club)
A scratching of melody comes from the radio, chords rising open as the land that carries us, rhythm mimicking our passage down the road, harmony making this life seem it should be only that. We sing along to what songs have always been about- beginning, going on, breaking up, forgiving, We sing in missed words and broken phrases as glints of tiger moths fly at us like snow, streaking the windshield over.
Susan Froderberg (Old Border Road)
All of a sudden, she was there, breaking away from the little group of women and running toward him. She raced across the space between them and threw her arms around his neck. The force of her body knocked him back a few steps as she wrapped around him like a trumpet vine on a cornstalk. He regained his footing and snaked his arms around her, holding her close. His exhaustion disappeared in a moment, erased by the incredible fact that Catherine was in his arms right here on the street in front of half the town, lifting her face to kiss him. He couldn’t refuse her offer and bent his head to cover her soft lips with his. The heat and pressure of her mouth took away all the residual anxiety and fear still floating in him and filled him with wild elation instead. After several long minutes of feasting on her mouth like a starving man, he pulled away and his eyes opened. Her tear-streaked face filled his vision. His stomach dropped. Why was she crying? What had happened to her? He was aware of the crowd of people around them. Glancing up, he saw many eyes focused on him and Catherine, mouths talking, expressions of surprise and shock. He let go of her and stepped back, although it was far too late to protect her reputation. Catherine cupped his face, drawing his attention back to her, and her lips were moving. “…don’t you? Never again!” She frowned and signed as she spoke. “Never! Understand? I love you.” Her graceful hands made the love sign, which looked as though she was offering her heart to him. At last Jim realized she was upset with him for putting himself in danger. If he’d doubted that she cared, those doubts evaporated under the force of her fury. He nodded and promised.
Bonnie Dee (A Hearing Heart)
She is a Weyward. And she carries another Weyward inside her. She gathers herself together, every cell blazing, and thinks: Now. The window breaks, a waterfall of sharp sounds. The room grows dark with feathered bodies, shooting through the broken window, the fireplace. Beaks, claws, and eyes flashing. Feathers brushing her skin. Simon yells, his hand loosening on her throat. She sucks in the air, falling to her knees, one hand cradling her stomach. Something touches her foot, and she sees a dark tide of spiders spreading across the floor. Birds continue to stream through the window. Insects, too: the azure flicker of damselflies, moths with orange eyes on their wings. Tiny, gossamer mayflies. Bees in a ferocious golden swarm. She feels something sharp on her shoulder, its claws digging into her flesh. She looks up at blue-black feathers, streaked with white. A crow. The same crow that has watched over her since she arrived. Tears fill her eyes, and she knows in that moment that she is not alone in the cottage. Altha is there, in the spiders that dance across the floor. Violet is there, in the mayflies that glisten and undulate like some great silver snake. And all the other Weyward women, from the first of the line, are there, too. They have always been with her, and always will be.
Emilia Hart (Weyward)
The formula was the same formula we see in every election: Republicans demonize government, sixties-style activism, and foreigners. Democrats demonize corporations, greed, and the right-wing rabble. Both candidates were selling the public a storyline that had nothing to do with the truth. Gas prices were going up for reasons completely unconnected to the causes these candidates were talking about. What really happened was that Wall Street had opened a new table in its casino. The new gaming table was called commodity index investing. And when it became the hottest new game in town, America suddenly got a very painful lesson in the glorious possibilities of taxation without representation. Wall Street turned gas prices into a gaming table, and when they hit a hot streak we ended up making exorbitant involuntary payments for a commodity that one simply cannot live without. Wall Street gambled, you paid the big number, and what they ended up doing with some of that money you lost is the most amazing thing of all. They got America—you, me, Priscilla Carillo, Robert Lukens—to pawn itself to pay for the gas they forced us to buy in the first place. Pawn its bridges, highways, and airports. Literally sell our sovereign territory. It was a scam of almost breathtaking beauty, if you’re inclined to appreciate that sort of thing.
Matt Taibbi (Griftopia: Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America)
The Lucky Looking Glass by Stewart Stafford Woken from a nightmare, He walked to his bathroom, Treading on a hand mirror, Breaking it, to his horror. Payback of a reflection dodged, With a lifespan of scars healed, Dark energies bilaterally wiped, A poisonous duo counterbalanced. From then on, Plutus's grin shone, A Midas touch with an off switch, Winning streaks of a Texan width, Cracked mirror coffin for the next life. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
A small grazing gesture ignites the need for closer, and breaks the surface of the water, never in you enough, gulping air, never contain you enough, on dry land now, never hold you enough, the desert heat, drink you, oasis lover shimmering under a palm, I will burn to ashes here then blow away until that merciful peak is discovered, and once that is discovered, the slow tumble back down the hill, buckets of water spilling in slow motion, streaking the sand along their way until again the gentle sway, the ocean floor, the grazing touch that reignites the sea.
Ann-Marie MacDonald (Fall on Your Knees)
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power. "Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call." "Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?" "I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire. The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals. The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground. Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads. Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter. Savannah. He said her name once, a soft brush in her mind. I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat. To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
Christine Feehan (Dark Magic (Dark, #4))
An aurora swirled in the night skies above Bataan, radiating around the smoke-shrouded peaks of the Mariveles Mountains. Intermittent flashes from phosphorus bombs and incendiary shells bathed the jungle in blinding bursts of white light. The rumbling, subterranean tremors had scarcely subsided when American stockpiles of TNT and ammunition dumps were detonated, causing the peninsula to convulse. Thousands of rounds of projectiles, from artillery and mortar shells to rifle bullets, streaked across the sky in arcing rainbows. "Never did a 4th of July display equal it in noise, lights, colors or cost," observed one officer.
John D. Lukacs (Escape From Davao: The Forgotten Story of the Most Daring Prison Break of the Pacific War)
When he is sitting quiet, thinking about his sins, or is absent-minded or unapprehensive of danger, his majestic ears project above him conspicuously; but the breaking of a twig will scare him nearly to death, and then he tilts his ears back gently and starts for home. All you can see, then, for the next minute, is his long gray form stretched out straight and "streaking it" through the low sage-brush, head erect, eyes right, and ears just canted a little to the rear, but showing you where the animal is, all the time, the same as if he carried a jib. Now and then he makes a marvelous spring with his long legs, high over the stunted sage-brush, and scores a leap that would make a horse envious. Presently he comes down to a long, graceful "lope," and shortly he mysteriously disappears. He has crouched behind a sage-bush, and will sit there and listen and tremble until you get within six feet of him, when he will get under way again. But one must shoot at this creature once, if he wishes to see him throw his heart into his heels, and do the best he knows how. He is frightened clear through, now, and he lays his long ears down on his back, straightens himself out like a yard-stick every spring he makes, and scatters miles behind him with an easy indifference that is enchanting.
Mark Twain (Roughing It)
The one continuous thing through Rome’s history, from the Etruscans to Pliny to Caravaggio to Pope John Paul to Henry and Owen, is the light: the light at dawn, at sunset. The light tiptoes across everything, exposing it anew, whispering, Here is this! Here is this! Ecco Roma! Bursting out of the sun, streaking through space, skirting Venus, just over eight minutes old, but eternal, too, infinite—here comes the light, nameless and intangible, streaming 93 million unobstructed miles through the implacable black vacuum to break itself against a wall, a cornice, a column. It drenches, it crenellates, it textures. It throws the city into relief.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia and the Biggest Funeral in the History of the World)
Gregori was as still as a statue, his face a blank mask, his silver eyes as empty as death, yet Shea gave him a wide berth. There was something dangerous in his utter stillness. Shea felt she had no way to sorting out the complexity of the Carpathian male’s nature. Gregori was watching Raven through narrowed, restless eyes, eyes that saw far too much. Suddenly he cursed, low and vicious, startling from someone of his stature and power. “She should not put herself at risk. She is with child.” His eyes met Jacques’, silver lightning and black ice. Total understanding between the two men. Shea merged her mind with Jacues’ quickly to try to understand the hidden currents. Raven’s pregnancy, if she was pregnant, changed everything as far as the men were concerned. Shea could see no evidence of a child—Raven appeared as slim as ever—but she couldn’t believe the healer would be wrong. He seemed so infallible, so completely invincible. The child was everything, all-important to the men. It surprised, even shocked her, the way they regarded the pregnancy. It was a miracle to both of them. The baby was more important than their lives. Shea was confused. Despite Jacques’ fractured memories, his protective streak was extremely strong. “He’s aware of his surroundings, but he can’t move. Even his mind is locked and still. He is paralyzed somehow.” Raven’s voice startled Shea, brought her back to the stormy weather and their rescue mission. Raven was clearly speaking of Byron. “He can’t move or call out, not ever mentally. It is dark and damp, and he knows he will suffer greatly before they are done with him.” Raven swayed, her hands protectively covering her stomach. The healer moved, a blur of speed, catching her arm and wrenching her out into the driving rain. Gregori snagged Mikhail’s shirt, too, and yanked him into the fury of the storm. “Break off now, Raven,” Gregori commanded. He shook her, shook Mikhail. “Let go of him now!
Christine Feehan (Dark Desire (Dark, #2))
in Howard was in one of those moods during which crazy ideas sound perfectly sensible. A bullish, handsome man with decisive eyebrows and more hair than he could find use for, Lin had a great deal of money and a habit of having things go his way. So many things in his life had gone his way that it no longer occurred to him not to be in a festive mood, and he spent much of his time celebrating the general goodness of things and sitting with old friends telling fat happy lies. But things had not gone Lin’s way lately, and he was not accustomed to the feeling. Lin wanted in the worst way to whip his father at racing, to knock his Seabiscuit down a peg or two, and he believed he had the horse to do it in Ligaroti.1 He was sure enough about it to have made some account-closing bets on the horse, at least one as a side wager with his father, and he was a great deal poorer for it. The last race really ate at him. Ligaroti had been at Seabiscuit’s throat in the Hollywood Gold Cup when another horse had bumped him right out of his game. He had streaked down the stretch to finish fourth and had come back a week later to score a smashing victory over Whichcee in a Hollywood stakes race, firmly establishing himself as the second-best horse in the West. Bing Crosby and Lin were certain that with a weight break and a clean trip, Ligaroti had Seabiscuit’s measure. Charles Howard didn’t see it that way. Since the race, he had been going around with pockets full of clippings about Seabiscuit. Anytime anyone came near him, he would wave the articles around and start gushing, like a new father. The senior Howard probably didn’t hold back when Lin was around. He was immensely proud of Lin’s success with Ligaroti, but he enjoyed tweaking his son, and he was good at it. He had once given Lin a book for Christmas entitled What You Know About Horses. The pages were blank. One night shortly after the Hollywood Gold Cup, Lin was sitting at a restaurant table across from his father and Bing Crosby. They were apparently talking about the Gold Cup, and Lin was sitting there looking at his father and doing a slow burn.
Laura Hillenbrand (Seabiscuit: An American Legend)
McCain said the lower gas prices were sitting somewhere under the Gulf of Mexico. Obama said they were sitting in the bank accounts of companies like Exxon in the form of windfall profits to be taxed. The formula was the same formula we see in every election: Republicans demonize government, sixties-style activism, and foreigners. Democrats demonize corporations, greed, and the right-wing rabble. Both candidates were selling the public a storyline that had nothing to do with the truth. Gas prices were going up for reasons completely unconnected to the causes these candidates were talking about. What really happened was that Wall Street had opened a new table in its casino. The new gaming table was called commodity index investing. And when it became the hottest new game in town, America suddenly got a very painful lesson in the glorious possibilities of taxation without representation. Wall Street turned gas prices into a gaming table, and when they hit a hot streak we ended up making exorbitant involuntary payments for a commodity that one simply cannot live without.
Matt Taibbi (Griftopia: Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America)
That stream, Arthur,’ said the elder traveller, as with one consent they stopped to gaze on such a scene as I have described, ‘resembles the life of a good and a happy man.’ ‘And the brook, which hurries itself headlong down yon distant hill, marking its course by a streak of white foam,’ answered Arthur,—‘what does that resemble?’ ‘That of a brave and unfortunate one,’ replied his father. ‘The torrent for me,’ said Arthur; ‘a headlong course which no human force can oppose, and then let it be as brief as it is glorious’.... This stream, by a devious and gentle course, which seemed to indicate a reluctance to leave this quiet region, found its way at length out of the sequestered domain, and, like a youth hurrying from the gay and tranquil sports of boyhood into the wild career of active life, finally united itself with the boisterous torrent, which, breaking down tumultuously from the mountains, shook the ancient Tower of Geierstein as it rolled down the adjacent rock, and then rushed howling through the defile in which our youthful traveller had well-nigh lost his life.
Walter Scott (Anne of Geierstein, or, The Maiden of the Mist ; Count Robert of Paris)
A yellow-and-brown streak glided from the purple rustling stems to the bank, stretched its neck to the water, drank, and lay still—a big cobra with fixed, lidless eyes. ‘I have no stick—I have no stick,’ said Kim. ‘I will get me one and break his back.’ ‘Why? He is upon the Wheel as we are—a life ascending or descending—very far from deliverance. Great evil must the soul have done that is cast into this shape.’ ‘I hate all snakes,’ said Kim. No native training can quench the white man’s horror of the Serpent. ‘Let him live out his life.’ The coiled thing hissed and half opened its hood. ‘May thy release come soon, brother!’ the lama continued placidly. ‘Hast thou knowledge, by chance, of my River?’ ‘Never have I seen such a man as thou art,’ Kim whispered, overwhelmed. ‘Do the very snakes understand thy talk?’ ‘Who knows?’ He passed within a foot of the cobra’s poised head. It flattened itself among the dusty coils. ‘Come, thou!’ he called over his shoulder. ‘Not I,’ said Kim. ‘I go round.’ ‘Come. He does no hurt.’ Kim hesitated for a moment. The lama backed his order by some droned Chinese quotation which Kim took for a charm. He obeyed and bounded across the rivulet, and the snake, indeed, made no sign.
Rudyard Kipling (Kim (with an Introduction by A. L. Rowse))
The silence was shattered as the bedroom door flew open with a wall-shaking crash. Hermione shrieked and dropped Secrets of the Darkest Art; Crookshanks streaked under the bed, hissing indignantly; Ron jumped off the bed, skidded on a discarded Chocolate Frog wrapper, and smacked his head on the opposite wall; and Harry instinctively dived for his wand before realizing that he was looking up at Mrs. Weasley, whose hair was disheveled and whose face was contorted with rage. “I’m so sorry to break up this cozy little gathering,” she said, her voice trembling. “I’m sure you all need your rest . . . but there are wedding presents stacked in my room that need sorting out and I was under the impression that you had agreed to help.” “Oh yes,” said Hermione, looking terrified as she leapt to her feet, sending books flying in every direction, “we will . . . we’re sorry . . .” With an anguished look at Harry and Ron, Hermione hurried out of the room after Mrs. Weasley. “It’s like being a house-elf,” complained Ron in an undertone, still massaging his head as he and Harry followed. “Except without the job satisfaction. The sooner this wedding’s over, the happier I’ll be.” “Yeah,” said Harry, “then we’ll have nothing to do except find Horcruxes. . . . It’ll be like a holiday, won’t it?” Ron started to laugh, but at the sight of the enormous pile of wedding presents waiting for them in Mrs. Weasley’s room, stopped quite abruptly.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
it’s one of the great sunrises in all literature. Mark Twain: from The Adventures of Huckleberry Finn . . . then we set down on the sandy bottom where the water was about knee deep, and watched the daylight come. Not a sound anywheres—perfectly still—just like the whole world was asleep, only sometimes the bull-frogs a-cluttering, maybe. The first thing to see, looking away over the water, was a kind of dull line—that was the woods on t’other side—you couldn’t make nothing else out; then a pale place in the sky; then more paleness, spreading around; then the river softened up, away off, and warn’t black any more, but gray; you could see little dark spots drifting along, ever so far away—trading scows, and such things; and long black streaks—rafts; sometimes you could hear a sweep screaking; or jumbled-up voices, it was so still, and sounds come so far; and by-and-by you could see a streak on the water which you know by the look of the streak that there’s a snag there in a swift current which breaks on it and makes that streak look that way; and you see the mist curl up off of the water, and the east reddens up, and the river, and you make out a log cabin in the edge of the woods, away on the bank on t’other side of the river, being a woodyard, likely, and piled by them cheats so you can throw a dog through it anywheres; then the nice breeze springs up, and comes fanning you from over there, so cool and fresh, and sweet to smell, on account of the woods and the flowers; but sometimes not that way, because they’ve left dead fish laying around, gars, and such, and they do get pretty rank; and next you’ve got the full day, and everything smiling in the sun, and the song-birds just going it!
Ursula K. Le Guin (Steering The Craft: A Twenty-First-Century Guide to Sailing the Sea of Story)
I am a Carpathian male, long in the world of darkness. It is true that I feel very little, that my nature revels in the hunt, in the kill. To overcome the wild beast we have to find our one mate, our other half, the light to our darkness. You are my light, Raven, my very life. That does not take away my obligations to my people. I must hunt those who prey on mortals, those who prey on our people. I cannot feel while I do so, or madness would be my fate. Kiss me and merge your mind with mine. Love me for who I am.” Raven’s body ached and burned. Needed. Hungered. His heart beat so strongly. His skin felt so temptingly hot, his muscles hard against her softness. Every touch of his lips sent a jolt of electricity sizzling through her. “I cannot lie to you,” he whispered. “You know my thoughts. You know the beast that dwells inside. I try to be gentle with you, to listen to you. Always that wildness breaks free, but you tame me. Raven, please, I need you. And you need me. Your body is weak, I can feel your hunger. Your mind is fragmented--allow me to heal you. Your body cries out for mine as mine does for yours. Kiss me, Raven. Do not give up on us.” Her blue eyes continued to search his face and then came to rest on his sensual mouth. A small sigh escaped. His lips hovered over hers, waited for her answer. It was in her eyes first, that moment of complete recognition. Tenderness rushed over her, and she caught his head in her hands. “I think I’m afraid I made you up, Mikhail. That something so much a part of me, so perfect, can’t be real. I don’t want you to be what I dreamed of and the nightmare to be real.” She brought his face the inch separating them and fastened her mouth to his. Thunder pounded in her ears, in his. White-hot heat streaked and danced, consumed her, consumed him. His hand touched hers gently, tentatively, found no resistance, and he merged them together so that his burning need became hers, so that the wild, unbridled passion in him fed hers. So that she knew he was real and would never leave her alone, could never leave her alone.
Christine Feehan (Dark Prince (Dark, #1))
CONGRUENCE Have you ever felt stuck? Maybe you haven’t recruited anyone in a while, and you just can’t seem to break the streak of no success. This causes you to not feel like picking up the phone and getting any more rejection. You don’t feel like talking about the business that day, so you don’t. Can you relate? This is critical for you to always remember. You cannot avoid rejection. Ninety percent of people are always going to tell you that your business is not for them. You have to go through the no’s to get to the yeses. There is no other way around it. You may not like making calls and accepting no’s, but you will like the results and income you will get by doing it consistently enough. Bank on it. So here’s what happens to everyone, myself included. You have a bad day, where everyone says no. You wake up the next day and you just cannot get yourself to make some calls. The whole day goes by and you did nothing to grow your business. The next day, you have a nagging little feeling of guilt about doing nothing the day before, so you start to internalize it. You question whether you know what you are doing. Does the business work? Is it worth the effort? You know the answer is yes, so you don’t quit — but you also do no activity. The next day, that little guilt feeling has mushroomed even bigger. And as time goes on, the guilt turns into self-loathing. You get down on yourself for not performing like you know you could and should. You begin to beat yourself up and even compare yourself to others. Sadly, this can become a downward spiral that is self-inflicted and hard to break out of. Without being wise enough to seek direct help from an upline expert, some people never recover. Instead of fixing their mindset and bringing their goals and the actions back into alignment — getting congruent — they quit the business. These are the blamers who walk the Earth claiming the business didn’t work. No! They stopped working! Don’t be a blamer. Be congruent. Make your activity match up with your WHY in the business. Pick up the phone and snap back into action. Don’t allow yourself to be depressed, because it is a form of depression. Your upline can help you snap out of it. How
Brian Carruthers (Building an Empire:The Most Complete Blueprint to Building a Massive Network Marketing Business)
HOW TO CREATE A GOOD HABIT The 1st Law: Make It Obvious 1.1: Fill out the Habits Scorecard. Write down your current habits to become aware of them. 1.2: Use implementation intentions: “I will [BEHAVIOR] at [TIME] in [LOCATION].” 1.3: Use habit stacking: “After I [CURRENT HABIT], I will [NEW HABIT].” 1.4: Design your environment. Make the cues of good habits obvious and visible. The 2nd Law:Make It Attractive 2.1: Use temptation bundling. Pair an action you want to do with an action you need to do. 2.2: Join a culture where your desired behavior is the normal behavior. 2.3: Create a motivation ritual. Do something you enjoy immediately before a difficult habit. The 3rd Law: Make It Easy 3.1: Reduce friction. Decrease the number of steps between you and your good habits. 3.2: Prime the environment. Prepare your environment to make future actions easier. 3.3: Master the decisive moment. Optimize the small choices that deliver outsized impact. 3.4: Use the Two-Minute Rule. Downscale your habits until they can be done in two minutes or less. 3.5: Automate your habits. Invest in technology and onetime purchases that lock in future behavior. The 4th Law: Make It Satisfying 4.1: Use reinforcement. Give yourself an immediate reward when you complete your habit. 4.2: Make “doing nothing” enjoyable. When avoiding a bad habit, design a way to see the benefits. 4.3: Use a habit tracker. Keep track of your habit streak and “don’t break the chain.” 4.4: Never miss twice. When you forget to do a habit, make sure you get back on track immediately. HOW TO BREAK A BAD HABIT Inversion of the 1st Law: Make It Invisible 1.5: Reduce exposure. Remove the cues of your bad habits from your environment. Inversion of the 2nd Law: Make It Unattractive 2.4: Reframe your mind-set. Highlight the benefits of avoiding your bad habits. Inversion of the 3rd Law: Make It Difficult 3.6: Increase friction. Increase the number of steps between you and your bad habits. 3.7: Use a commitment device. Restrict your future choices to the ones that benefit you. Inversion of the 4th Law: Make It Unsatisfying 4.5: Get an accountability partner. Ask someone to watch your behavior. 4.6: Create a habit contract. Make the costs of your bad habits public and painful.
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
Chicago, Illinois 1896 Opening Night Wearing her Brünnhilda costume, complete with padding, breastplate, helm, and false blond braids, and holding a spear as if it were a staff, Sophia Maxwell waited in the wings of the Canfield-Pendegast theatre. The bright stage lighting made it difficult to see the audience filling the seats for opening night of Die Walküre, but she could feel their anticipation build as the time drew near for the appearance of the Songbird of Chicago. She took slow deep breaths, inhaling the smell of the greasepaint she wore on her face. Part of her listened to the music for her cue, and the other part immersed herself in the role of the god Wotan’s favorite daughter. From long practice, Sophia tried to ignore quivers of nervousness. Never before had stage fright made her feel ill. Usually she couldn’t wait to make her appearance. Now, however, nausea churned in her stomach, timpani banged pain-throbs through her head, her muscles ached, and heat made beads of persperation break out on her brow. I feel more like a plucked chicken than a songbird, but I will not let my audience down. Annoyed with herself, Sophia reached for a towel held by her dresser, Nan, standing at her side. She lifted the helm and blotted her forehead, careful not to streak the greasepaint. Nan tisked and pulled out a small brush and a tin of powder from one of the caprious pockets of her apron. She dipped the brush into the powder and wisked it across Sophia’s forehead. “You’re too pale. You need more rouge.” “No time.” A rhythmic sword motif sounded the prelude to Act ll. Sophia pivoted away from Nan and moved to the edge of the wing, looking out to the scene of a rocky mountain pass. Soon the warrior-maiden Brünnhilda would make an appearance with her famous battle cry. She allowed the anticpaptory energy of the audience to fill her body. The trills of the high strings and upward rushing passes in the woodwinds introduced Brünnhilda. Right on cue, Sophia made her entrance and struck a pose. She took a deep breath, preparing to hit the opening notes of her battle call. But as she opened her mouth to sing, nothing came out. Caught off guard, Sophia cleared her throat and tried again. Nothing. Horrified, she glanced around, as if seeking help, her body hot and shaky with shame. Across the stage in the wings, Sophia could see Judith Deal, her understudy and rival, watching. The other singer was clad in a similar costume to Sophia’s for her role as the valkerie Gerhilde. A triumphant expression crossed her face. Warwick Canfield-Pendegast, owner of the theatre, stood next to Judith, his face contorted in fury. He clenched his chubby hands. A wave of dizziness swept through Sophia. The stage lights dimmed. Her knees buckled. As she crumpled to the ground, one final thought followed her into the darkness. I’ve just lost my position as prima dona of the Canfield-Pendegast Opera Company.
Debra Holland (Singing Montana Sky (Montana Sky, #7))
The madness surged around him, and Rhy tore himself away from the breaking city and turned his sights again to his quest for the captain of the Night Spire. There were only two places Alucard Emery would go: his family estate or his ship. Logic said he’d go to the house, but something in Rhy’s gut sent him in the opposite direction, toward the docks. He found the captain on his cabin floor. One of the chairs by the hearth had been toppled, a table knocked clean of glasses, their glittering shards scattered in the rug and across the wooden floor. Alucard—decisive, strong, beautiful Alucard—lay curled on his side, shivering with fever, his warm brown hair matted to his cheeks with sweat. He was clutching his head, breath escaping in ragged gasps as he spoke to ghosts. “Stop … please …” His voice—that even, clear voice, always brimming with laughter—broke. “Don’t make me …” Rhy was on his knees beside him. “Luc,” he said, touching the man’s shoulder. Alucard’s eyes flashed open, and Rhy recoiled when he saw them filled with shadows. Not the even black of Kell’s gaze, but instead menacing streaks of darkness that writhed and coiled like snakes through his vision, storm blue irises flashing and vanishing behind the fog. “Stop,” snarled the captain suddenly. He struggled up, limbs shaking, only to fall back against the floor. Rhy hovered over him, helpless, unsure whether to hold him down or try to help him up. Alucard’s eyes found his, but looked straight through him. He was somewhere else. “Please,” the captain pleaded with the ghosts. “Don’t make me go.” “I won’t,” said Rhy, wondering who Alucard saw. What he saw. How to free him. The captain’s veins stood out like ropes against his skin. “He’ll never forgive me.” “Who?” asked Rhy, and Alucard’s brow furrowed, as if he were trying to see through the fog, the fever. “Rhy—” The sickness tightened its hold, the shadows in his eyes streaking with lines of light like lightning. The captain bit back a scream. Rhy ran his fingers over Alucard’s hair, took his face in his hands. “Fight it,” he ordered. “Whatever’s holding you, fight it.” Alucard folded in on himself, shuddering. “I can’t….” “Focus on me.” “Rhy …” he sobbed. “I’m here.” Rhy Maresh lowered himself onto the glass-strewn floor, lay on his side so they were face-to-face. “I’m here.” He remembered, then. Like a dream flickering back to the surface, he remembered Alucard’s hands on his shoulders, his voice cutting through the pain, reaching out to him, even in the dark. I’m here now, he’d said, so you can’t die. “I’m here now,” echoed Rhy, twining his fingers through Alucard’s. “And I’m not letting go, so don’t you dare.” Another scream tore from Alucard’s throat, his grip tightening as the lines of black on his skin began to glow. First red, then white. Burning. He was burning from the inside out. And it hurt—hurt to watch, hurt to feel so helpless. But Rhy kept his word. He didn’t let go.
V.E. Schwab (A Conjuring of Light (Shades of Magic, #3))
It’s not that I don’t love you. It’s the sound I heard when I was 9 and my father slammed the front door so hard behind him I swear to god it shook the whole house. For the next 3 years I watched my mother break her teeth on vodka bottles. I think she stopped breathing when he left. I think part of her died. I think he took her heart with him when he walked out. Her chest is empty, just a shattered mess or cracked ribs and depression pills. It’s not that I don’t love you. It’s all the blood in the sink. It’s the night that I spent 12 hours in the emergency room waiting to see if my sister was going to be okay, after the boy she loved, told her he didn’t love her anymore. It’s the crying, and the fluorescent lights, and white sneakers and pale faces and shaky breaths and blood. So much blood. It’s not that I don’t love you. It’s the time that I had to stay up for two days straight with my best friend while she cried and shrieked and threw up on my bedroom floor because her boyfriend fucked his ex. I swear to god she still has tear streaks stained onto her cheeks. I think when you love someone, it never really goes away. It’s not that I don’t love you. It’s the six weeks we had a substitute in English because our teacher was getting divorced and couldn’t handle getting out of bed. When she came back she was smiling. But her hands shook so hard when she held her coffee, you could see that something was broken inside. And sometimes when things break, you can’t fix them. Nothing ever goes back to how it was. I got an A in English that year. I think her head was always spinning too hard to read any essays. It’s not that I don’t love you. It’s that I do.
Anonymous
Let me guess, you haven’t eaten.” “How’d you know?” She traced her fingertip over the edge of the empty shot glass. “I’m astute that way.” Tongue-tied, she picked up her water again and took a long gulp, draining it. The ice clinked as she placed it on the chipped counter. “Thirsty?” he asked, in a low voice that vibrated in her belly. She straightened and tried to look proper. “It’s important to stay hydrated when you get drunk.” He laughed. “And why the rush to get drunk, Princess?” “Stop calling me that.” The scowl she’d intended died halfway to her lips. Another meaningful glance at her attire. “If you don’t like being called a princess, maybe you shouldn’t wear such a sparkly dress.” “I suppose you have a point. I’m normally more of a jeans and T-shirt kind of girl.” The last shot of whiskey sat in front of her, and she took a little sip. A drop of alcohol clung to her lower lip, which she licked. His gaze tracked the movement, eyes darkening to burnished gold. The tip of her tongue stalled mid-swipe and retreated to press against her teeth. Was something happening here? Appreciating the view was one thing, but she needed to be good. She’d been good for a very long time and now wasn’t the time to break her streak. Maybe the alcohol was playing tricks on her, making her imagine things. She gave herself a tiny mental shake. “What’s your name?” he asked. He was a stranger. She shouldn’t tell him her name. She shot back. “What’s yours?” Again, the corners of his mouth twitched. “Mitch Riley.” She sighed. Well, now he’d been forthcoming so she had to tell him hers. “Maddie Donovan.” He held out his hand. “It’s nice to meet you, Maddie Donovan.” She slipped her palm into his. His grip was warm and sure, and a tingle raced along her arm. She snatched back her hand as though she’d been burned. “Hard day?” he asked. “You could say that.” “Wanna tell me about it?” “No thank you.” “Don’t you know you’re supposed to confess to your bartender?
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Ned was always an admirer of sunrises. From his first days in the West when he was a runaway boy, he had been gladdened by the dawn over the prairie. He loved the beauty as the day began to break, the black sky softening into gray, the faint streak of yellow light, then flash following flash of violent color - rose and purple and magenta - as far as the eye could reach. He never failed to hold his breath as the sun slid over the horizon like a giant gold watch. If he rode late at night, he waited until sunrise to bed down. And when he stayed at The Chili Queen, he sometimes rose at dawn just to watch the day begin, going back to bed only when the color in the sky faded into blue, the pale shade of a shirt that had been washed again and again. Once, when the sunrise filled the heavens with streaks of pink and orange, Ned awakened Addie to see the wonder of it, but she muttered she had never seen a sunrise that was worth missing two minutes of sleep. She'd take a sunset any day. Not Ned. Sunset was the beginning of darkness; sunrise meant a whole new, glad day ahead, filled with the gift of surprise. From the first time Ned had seen the western sunrise, with the daylight washing over the prairie, turning the brown grasses to gold, he had felt his boy's heart lift and was filled with a sense of freedom he'd never even dreamed about at his father's farm on the Mississippi.
Sandra Dallas (The Chili Queen)
You’re not fixated on getting six-pack abs, you’re just trying to keep the streak alive and become the type of person who doesn’t miss workouts.
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
She pulled out a few tortilla chips from a nearby shelf, dipping one deeply and popping it in her mouth, then holding out the jar so Daniel could do the same. She was hit with the summery peach and brown sugar that sweetened the tomatoes, and then the heat built, numbing her tongue from the back to the front. She swallowed, eyes watering, and looked at Daniel, who already had his mouth open trying to cool it off. Most Wisconsinites couldn't hold their heat, so she wouldn't be able to use it straight, but there were some nice flavors in there. "Here." She handed him a yogurt smoothie she kept in the fridge for days when she didn't have time to make a sandwich for herself. "Sorry, G. I thought it would be delicious." He had an easy manner, bordering on shy, but with a strong thoughtful streak. Gina appreciated his amiable company. "Ye of little faith. It has great flavor. It would be a shame to waste it. Have a seat and give me a few minutes." Daniel settled on the overturned five-gallon bucket she used as a chair when it was slow. "Tell me about what you were doing in Texas," she said. "My sister and her family live near Austin. I try to get down and visit her once a winter. It's a nice break from the cold." While he spoke she worked, mixing the salsa into cream cheese to cut the heat. She had some cornbread that she had made herself so it was the right texture to cut into slices- it would be the perfect accompaniment. She warmed up a little slow-cooked pork, tossing it with the peach salsa cream cheese mix, and put it between the cornbread slices with some shredded Monterey Jack, grilling it with butter to give the bread a crisp crunch.
Amy E. Reichert (The Optimist's Guide to Letting Go)
THE DREAM OF back-to-nature surfing solitude had a predictable by-product: rank nostalgia. A high percentage of the stories I wrote in my journals involved time travel, most often back to an earlier California. Imagine going back to the days of the Chumash Indians, or the Spanish missions, if you could just take a modern surfboard with you. Malibu had been breaking exactly like this, unridden, for centuries, eons. You would probably be worshipped as a god by the locals once they saw you surf, and they would feed you, and you could ride great waves with perfect concentration—uncontested ownership, accumulating mastery—for the rest of your days. There were a couple of photos in Surfing Guide to Southern California that illustrated, to my mind, just how narrow a margin in time we had all missed paradise by. One was of Rincon, taken in 1947 from the mountain behind the point on a sheet-glass, ten-foot day. The caption, unnecessarily, invited the reader to note “a tantalizing absence of people.” The other was of Malibu in 1950. It showed a lone surfer streaking across an eight-foot wall, with members of the public playing obliviously on the sand in the foreground. The surfer was Bob Simmons, a brilliant recluse who essentially invented the modern finned surfboard. He drowned while surfing alone in 1954.
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
Mother Superior of the Sisters of Mercy herself was lying in wait for Jane at the foyer. "You have to keep in mind we only can restock our supplies once a month. Frankly, it always stresses our supplies of medications when Mr. Rogers is having a streak of bad luck. With fighting breaking out right and left..." "Mother Superior, this is Nigel Reid. Nigel, Mother Superior is head of the nuns that oversee this hospital. Anyone attacked by a monster is brought here to be treated." Which of course was all that took. TV hosts were kind of like napalm. You threw them at any major infestation and they cleaned out the area of all hostiles. Nigel lit up as if introduced to Santa Claus. "Oh, how simply wonderful to meet you!" Taggart caught what she had done and his eyes glittered with his smile. "That was pure evil." "Judicial use of resources is always appropriate.
Wen Spencer (Pittsburgh Backyard and Garden (Elfhome, #1.5))
You were made to take cock. I used to sit in class and dream about stuffing you so full you couldn’t live without it. I wanted you addicted to my cock.” “I was,” Cal said with a chuckle. “Not enough, you weren’t.” Eli shifted Cal’s wrists together so that he could imprison them with one hand, freeing his right one to grab Cal by the back of the thigh and crank his legs wide open. “I used to have this fantasy that you’d come knocking on my door in the middle of the night, and when my father answered, you’d just shove past him and barge into my room and beg for my cock. Then I’d fuck you, and you’d scream my name right there where he could hear you.” “Jesus,” Cal swore, breaking out in a sweat as the fantasy streaked across his feverish brain. “Is it too late to head over there?” Eli’s chuckle was sinister. “You aren’t going to be capable of walking when I’m done with you.
Parker St. John (Down Low (Down Home #1))
The sun breaks through the clouds, streaking color across a city that struggles to find reasons to meet the day.
Gemma Liviero (Broken Angels)
On your knees, Agent Daley. I want that ass ready for fucking now.” Oh, shit. He loved when Sloane used that tone of authority on him during sex. Dex quickly turned over, his chest pressed against the couch’s armrest so he could reach into the small drawer of the coffee table next to it. Sloane snatched the small bottle of lube and condom from Dex with one hand, the other pressed to Dex’s back, holding him against the armrest. Oh, damn, Sloane was going to fuck him just like this. “Don’t move,” Sloane demanded in a low and husky voice. All Dex could do was remain perfectly still as Sloane parted his ass cheeks before a cool, lube-slicked finger pressed against his hole, causing shivers to rack Dex’s body. First one finger, then two. Dex moved his hand to his cock only to have Sloane grab a fistful of his hair and gently pull his head back. “Did I say you could touch yourself?” “No, sir.” “So move your fucking hand away from there.” “Sloane,” Dex pleaded. God, he was so hard it hurt. Sloane took his time, prepping Dex, torturing him, his finger hitting his prostate. “Oh, shit! You asshole. Fuck me already.” Sloane leaned in, whispering against his ear. “You have an insubordinate streak in you, Agent Daley. Looks like I’m going to have to break you of it.” Oh God, yes. Just when Dex thought he was going to lose it, or punch Sloane’s lights out, Sloane’s cock started stretching him. Dex shut his eyes, releasing his breath slowly as Sloane sank farther in. The mixture of pain and pleasure was almost too much, and Dex gripped the armrest so tight his fingers hurt. “That’s
Charlie Cochet (Blood & Thunder (THIRDS, #2))
Yet much as the state supplies all we need, so too does wokeness/UJP have a mystical and therapeutic streak in it. All things must be ordered according to man-centered social justice, necessitating government control. But at the same time, people (at least some people) must be free to find and publicly celebrate their true selves. When this union of statism and selfism breaks free of the traditional constraints of Judeo-Christian religion, fundamentalist creationism, free markets, democratic government, personal responsibility, and strong local church presence in communities, then the earth will be made right, rescued from global warming, intolerant dogmatism, political liberty, and communalism. We will not live forever in a world made right by God, what Christians call “escalated re-creation.” Instead, we will live in a world governed by science, technology, and justice. Wokeness does not do away with eschatology; it immanentizes it in a distinctly humanist form, but not live-and-let-live humanism—hard-edged judicial and statist humanism.
Owen Strachan (Christianity and Wokeness: How the Social Justice Movement Is Hijacking the Gospel - and the Way to Stop It)
A 2017 report found that parts of India’s Chambal River now run ‘dark black water with streaks of red and an intense smell of rotting radishes’, thanks to carbon disulphide, a chemical routinely used in the production of viscose.40 Viscose waste has been linked to the death of fish and aquatic life, as well as myriad health problems including skin burns, Parkinson’s, heart attack, stroke, cancer and birth defects.
Lauren Bravo (How To Break Up With Fast Fashion: A guilt-free guide to changing the way you shop – for good)
The sky lightens fractionally behind him, turning pink with streaks of orange. His free hand lifts and I don’t know if he’s going to hit me or strangle me or break my neck. It doesn’t matter. This is it. My last sight will be a glorious sunrise.
Brigid Kemmerer (A Curse So Dark and Lonely (Cursebreakers, #1))
Nesta gritted her teeth, trying to haul Cassian up once more. A broken sound of pain ripped from him. “Go! ” he barked at her. “I can’t,” she breathed, voice breaking. “I can’t.” The same words Rhys had given him. Cassian grunted in pain, but lifted his bloodied hands—to cup her face. “I have no regrets in my life, but this.” His voice shook with every word. “That we did not have time. That I did not have time with you, Nesta.” She didn’t stop him as he leaned up and kissed her—lightly. As much as he could manage. Cassian said softly, brushing away the tear that streaked down her face, “I will find you again in the next world—the next life. And we will have that time. I promise.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Chapter Summary One of the most satisfying feelings is the feeling of making progress. A habit tracker is a simple way to measure whether you did a habit—like marking an X on a calendar. Habit trackers and other visual forms of measurement can make your habits satisfying by providing clear evidence of your progress. Don’t break the chain. Try to keep your habit streak alive. Never miss twice. If you miss one day, try to get back on track as quickly as possible. Just because you can measure something doesn’t mean it’s the most important thing.
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
She grinned. "Do I get a lucky hat?" "Only if you treat it well," he said, his hand over his heart, "and take it off before somethin' unlucky happens, as to not break its lucky streak.
Brandon Sanderson
Unlike Rayanne, it had been years since I’d stepped inside a building of worship—unless you counted SoulCycle—and I didn’t have any plans to break my streak.
Laura Barrow (Call the Canaries Home)
Nesta surged to her feet, staggering across the clearing, blood at her mouth from where he'd hit her, and threw herself to her knees before Cassian. 'Get up,' she sobbed, hauling at his shoulder. 'Get up.' He tried- and failed. 'You're too heavy,' she pleaded, but still tried to raise him, fingers scrabbling in his black, bloodied armour. 'I can't- he's coming-' 'Go,' Cassian groaned. Her powers had stopped hurling the king across the forest. He now stalked toward them, brushing off splinters and leaves from his jacket- taking his time. Knowing she would not leave. Savouring the awaiting slaughter. Nesta gritted her teeth, trying to haul Cassian up once more. A broken sound of pain ripped from him. 'Go!' he barked at her. 'I can't,' she breathed, voice breaking. 'I can't.' The same words Rhys had given him. Cassian grunted in pain, but lifted his bloodied hands- to cup her face. 'I have no regrets in my life, but this.' HIs voice shook with every word. 'That we did not have time. That I did not have time with you, Nesta.' She didn't stop him as he leaned up and kissed her- lightly. As much as he could manage. Cassian said softly, brushing away the tear that streaked down her face. 'I will find you again in the next world- the next life. And we will have that time. I promise.' The King of Hybern stepped into that clearing, dark power wafting from his fingertips. And even the Cauldron seemed to pause in surprise- surprise or some... feeling as Nesta looked at the king with death twining around his hands, then down at Cassian. And covered Cassian's body with her own. Cassian went still- then his hand slid over her back. Together. They'd go together.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
She cut him off before he could start in on marbles. “Why would you want to stop time?” “Ah. Better question.” He sat, letting her look down on his hair, the wiry curled mop, thick as his beard and streaked with white. It looked like steel wool. “You’re growing up too fast, Little Twitch. Maybe I want to keep you with me longer.” He smiled, but it was tight, square. “What if you could stop all the wear on things like bridges? Or make food that lasts twice as long before it goes rotten? A doctor could stop joints from breaking down.” “You want to use it on your hands.” “It might eventually help someone like me. I’m looking for a contained area of effect. And I’m also looking for a patent, so everyone will know you’re the smartest daughter of the smartest man in the world.” That smile was a good one.
Erika Swyler (Light from Other Stars)
Raven stood in the comparative shelter of the porch, her face turned up toward the sky, eyes closed. Tiny beads of perspiration dotted her forehead, and her fingers twisted together compulsively over her stomach. She was not with the others, rather somewhere out of her body and concentrating on attempting to find Byron’s location. Beside her stood her dark, intimidating husband, his mind obviously locked with hers. Mikhail was so like Jacques that Shea could not tear her gaze from him. As she moved onto the porch a step behind Jacques, she could clearly see that Mikhail was furious. He was seething with anger, violence swirling very close to the surface, yet his posture was purely protective. He had placed himself between Raven and the ferocity of the storm. Gregori was as still as a statue, his face a blank mask, his silvery eyes as empty as death, yet Shea gave him a wide berth. There was something dangerous in his utter stillness. Shea felt she had no way to sorting out the complexity of the Carpathian male’s nature. Gregori was watching Raven through narrowed, restless eyes, eyes that saw far too much. Suddenly he cursed, low and vicious, startling from someone of his stature and power. “She should not put herself at risk. She is with child.” His eyes met Jacques’, silver lightning and black ice. Total understanding between the two men. Shea merged her mind with Jacques’ quickly to try to understand the hidden currents. Raven’s pregnancy, if she was pregnant, changed everything as far as the men were concerned. Shea could see no evidence of a child--Raven appeared as slim as ever--but she couldn’t believe the healer would be wrong. He seemed so infallible, so completely invincible. The child was everything, all-important to the men. It surprised, even shocked her, the way they regarded the pregnancy. It was a miracle to both of them. The baby was more important than any of their lives. Shea was confused. Despite Jacques’ fractured memories, his protective streak was extremely strong. “He’s aware of his surroundings, but he can’t move. Even his mind is locked and still. He is paralyzed somehow.” Raven’s voice startled Shea, brought her back to the stormy weather and their rescue mission. Raven was clearly speaking of Byron. “He can’t move or call out, not even mentally. It is dark and damp, and he knows he will suffer greatly before they are done with him.” Raven swayed, her hands protectively covering her stomach. The healer moved, a blur of speed, catching her arm and wrenching her out into the driving rain. Gregori snagged Mikhail’s shirt, too, and yanked him into the fury of the storm. “Break off now, Raven,” Gregori commanded. He shook her, shook Mikhail. “Let go of him now!
Christine Feehan (Dark Desire (Dark, #2))
she was going straight into Hollywood Station. 9 Ballard kept all her work suits in her locker at the station and dressed for her shifts after arriving each night. She had four different suits that followed the same cut and style but differed in color and pattern. She dry-cleaned them two at a time so that she always had a suit and a backup available. After arriving nearly eight hours early for her shift, Ballard changed into the gray suit that was her favorite. She accompanied it with a white blouse. She kept four white blouses and one navy in her locker as well. It was Friday and that meant Ballard was scheduled to work solo. She and Jenkins had to cover seven shifts a week, so Ballard took Tuesday to Saturday and Jenkins covered Sunday to Thursday, giving them three overlap days. When they took vacation time, their slots usually went unfilled. If a detective in the division was needed during the early-morning hours, then someone had to be called in from home. Working solo suited Ballard because she didn’t have to run decisions by her partner. On this day, if he had known what Ballard’s plan was, Jenkins would have put the kibosh on it. But because it was Friday, they would not be working together again until the following Tuesday, and she was clear to make her own moves. After suiting up, Ballard checked herself in the mirror over the locker room sinks. She combed her sun-streaked hair with her fingers. That was all she usually had to do. Constant immersion in salt water and exposure to the sun over years had left her with broken, flyaway hair that she kept no longer than chin length out of necessity. It went well with her tan and gave off a slightly butch look that reduced advances from other officers. Olivas had been an exception. Ballard squeezed some Visine drops into her eyes, which were red from the salt water. After that she was good to go. She went into the break room to brew a double-shot espresso on the Keurig. She would be operating now and through the night on less than three hours of sleep. She needed to start stacking caffeine. She kept her eye on the wall clock because she wanted to time her arrival in the detective bureau at shortly before four p.m., when she knew the lead detective in the CAPs unit would also be watching the clock, getting ready to split for the weekend. She had at least fifteen minutes to kill, so she went upstairs to the offices of the buy-bust team next to the vice unit. Major Narcotics was located downtown but each division operated
Michael Connelly (The Late Show (Renée Ballard, #1; Harry Bosch Universe, #30))
I do not believe that one should control either a boy or a horse with a whip, Miss Wingfield.” Jared was mildly surprised to realize he was repeating something he had overheard his father say years ago. “Such methods serve only to break the spirit or create a vicious streak in the victim.
Amanda Quick (Deception)
She was nothing like me: she was as city as I was country and we were on opposite sides of the law. And yet...the way her body fitted against mine was just perfect, like we’d been built for each other. She was the softness I needed...but she had the stubborn streak she needed to break through to me when any sane woman would have given up.
Helena Newbury (Alaska Wild)
it had been years since I’d stepped inside a building of worship—unless you counted SoulCycle—and I didn’t have any plans to break my streak.
Laura Barrow (Call the Canaries Home)
Start with one day doing whatever it is, be it managing your temper or wandering eyes or procrastination. Then do the same the following day and the day after that. Build a chain and then work not to break it. Don’t ruin your streak.
Ryan Holiday (The Daily Stoic: 366 Meditations on Wisdom, Perseverance, and the Art of Living)
Then the girl screamed—and the scream went beating against the blank walls of the street as in a chamber of torture, an animal scream of terror. She tore her arm loose and sprang back, then screamed inarticulate sounds: “No! No! Not your kind of world!” Then she ran, ran by the sudden propulsion of a burst of power, the power of a creature running for its life, she ran straight down the street that ended at the river—and in a single streak of speed, with no break, no moment of doubt, with full consciousness of acting in self-preservation, she kept running till the parapet barred her way and, not stopping, went over into space.
Ayn Rand (Atlas Shrugged)
My name is Grace,” I said, to Elián, to Talis, to Queen Agnes Little, to the listening world. Then I drew with my hand a circle across the whole of the sky, and it filled with streaking, breaking platforms. Grace, the gift unexpected, unearned. Grace in a grid of falling stars.
Erin Bow (The Swan Riders (Prisoners of Peace, #2))
By the time I get home it is late and I cannot sleep, so I walk up the hill to the pond behind my house. Here too the air is ringing with their calls. I want to light a sweetgrass smudge, to wash away the sadness in a cloud of smoke. But the fog is too heavy and the matches just bleed a red streak on the box. As it should be. There should be no washing away tonight; better to wear the grief like a sodden coat. “Weep! Weep!” calls a toad from the water’s edge. And I do. If grief can be a doorway to love, then let us all weep for the world we are breaking apart so we can love it back to wholeness again.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
A habit tracker is a simple way to measure whether you did a habit—like marking an X on a calendar. Habit trackers and other visual forms of measurement can make your habits satisfying by providing clear evidence of your progress. Don’t break the chain. Try to keep your habit streak alive. Never miss twice. If you miss one day, try to get back on track as quickly as possible. Just because you can measure something doesn’t mean it’s the most important thing.
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
Don’t break the chain. Try to keep your habit streak alive. ■ Never miss twice. If you miss one day, try to get back on track as quickly as possible.
James Clear (Atomic Habits: An Easy and Proven Way to Build Good Habits and Break Bad Ones)
Elisha’s father said, “Did I ever tell you about this urge I had as a boy to look at the Kohanim during the blessing?” “You, Tateh?” “Everyone must have that desire, though I suspect mine was stronger than most. I have this streak of curiosity, as I bet you’ve noticed.” “Did you peek?” “No, I didn’t. Perhaps if I had, other mischief might have followed. You break through one fence, why not another?” “I did peek,” Elisha said.
Joshua Halberstam (A Seat At The Table: A Novel of Forbidden Choices)
And Death it calls as the stone crow breaks. Streaks of blood malform its face. Death becomes its withered eyes and the shadows whisper, “Lies.” Excerpt from "Lies
Angela B. Chrysler
The Temple dedicated to the pantheon of gods, constructed by the magical Order of the Dawn over a thousand years ago, gleamed in the morning sunlight as Talis sauntered up the cobblestone street. Today he would study with Master Viridian, the leading wizard of the Order, for a chance at breaking his many year long failing streak, his inability at casting magic. Not that Talis was optimistic today. Especially since every time he’d tried in the past the results had proved disastrous.
John Forrester (Fire Mage (Blacklight Chronicles, #1))
On the other side of that big-ass mirror, a video camera was watching us. In about ten seconds, it was going to start spitting static at itself, and everything it saw was going to break up into a fuzzy, gray-white wash, rolling up and down, that wouldn’t be admissible as evidence on Judge Judy. Those missing frames would last a little less than a quarter of a minute, consolidate themselves back into a semblance of reality, and then I would theoretically go walking right back out of here. Between now and that moment, there stretched an infinite ocean of potential time. Time enough to walk around the world. Time enough to fall in love, get married on a white beach under purple stars, write a book of poems about truest passion, have a few good and bloody screaming matches, get divorced in a court of autumn elves and gypsy moths, then set the ink-stained, tear-streaked pages of your text ablaze.
Clinton Boomer (The Hole Behind Midnight)
Still, he pulled firmly at the door, knowing how it swelled and stuck in wet weather. He might have wished to see their faces once more. The face that met him was under a fireman’s helmet, lit by a flashlight held low and expertly angled. The light caught the silver needles of rain, in the air, off the rim of the black hat. It showed him a mouth and a chin and the broad shoulders under the wet rain gear without blinding him or turning the man himself into a grotesque. “I only wanted to warn you,” the man said. He moved the flashlight across his body, to the shrubs beside the steps and then to the grass and then to the weeping willow at the edge of the yard, beside the house. The streetlights were out. Following the moving beam of white light, John Keane saw the grass of his small lawn stir like a rising wave and the roots of the tree—thin as an arm, bent here and there like an elbow—breaking through. The fireman moved the light until it caught the base of the tree where a wider swath of dirt was opening like a mouth, an unhinged jaw filled with broken roots and dirt, and then it closed up again, as if with a breath. “We were driving by and saw it,” the fireman said. “That tree’s gonna fall. It’ll probably fall straight back, but you might want to get your family downstairs. Keep them to this side of the house.” He felt the wind and the rain on his bare ankles, against the hems of his thin pajama pants. He looked beyond the young fireman. In the street, there was no sign of the fire truck or car that had brought him. No coach, either. “Yes,” he said, thinking himself foolish, in his thin pajamas. “Thank you.” “There are trees down all over,” the man added. He raised his chin and in the darkness his eyes seemed as black and wet as his coat. He couldn’t have been more than twenty-five or thirty. “Take care of your family,” he said, and turned, using his flashlight to get himself down the three steps that led to the door. Squinting against the rain, John Keane watched him cross the path to the sidewalk, the circle of white light leading him, first to the right and then across the street where he might have disappeared altogether, leaving only the pale beam of his flashlight and a flashing reflection of two streaks of silver on his back, and then, as he apparently rounded the opposite corner, not even that.
Alice McDermott (After This)
Tell me who the guy is who did this to you.” Her head snapped up and her eyes widened before she could look away. “I don’t know what you’re talking about.” Her body started shaking again and she pulled her knees up to her chest like earlier. Oh fuck. No, Rach . . . God, no. Swallowing the lump in my throat, I kept going. “When did it happen?” “I don’t know what you’re talking about,” she repeated. “What’s his name?” “Whose?” “Do you know him, or was it a stranger?” She paused before answering. “I don’t know what you’re talking about, Kash.” “You know him. Does Candice know about this?” “Why are you doing this?” she whispered. God, baby, trust me, I don’t want to be. “When did it happen?” We continued to go in circles as I asked the same questions over and over, and then asked somewhat different variations of the same questions, every now and then throwing in an assumption, and after almost ten minutes, the tears started falling down her face. It killed me, but I couldn’t stop. I kept my voice monotone and forced myself to stay in my spot on the couch as her body tried hopelessly to curl in on itself while it vibrated almost forcefully. When I finally had her on the edge, I softened my voice and asked the question I didn’t want to know the answer to but needed to. “When were you raped, Rachel?” “I wasn’t raped!” she yelled, and her hands flew up to her face as a sob left her. Her shoulders began shaking harder with the sobs that were now coming, and I ground my jaw as I waited for her. “He didn’t—he wasn’t able to finish—Candice came back!” she cried. “He tried . . . he started to, but she came back. I tried to get him off me! He was choking me, I couldn’t breathe.” “So, Candice knows?” Her head shook furiously back and forth. “I tried—tried to tell her. She wouldn’t listen, and she won’t believe me. She . . . everyone thinks he can do no wrong. But he’s crazy, Logan.” She looked at me, her tear-streaked face breaking my heart as she willed me to understand. “He told me no one would believe me, he said I was his and he wouldn’t let anyone touch me. H-he’s crazy, I swear!” “What’s his name?” She shook her head again and I wanted to shake her. “I need to know his name, Rach. What’s his name?” “He works at the school. I have to see him every day because of my major. Candice too. But no one will believe you. Everyone loves him.” This sick fuck is a professor? “Name. What’s his name?” When she didn’t respond, I went back to my earlier questions. “Did this happen last night?” She jerked back and stared at me. “N-no! I haven’t seen him since that night. It was the week before school let out.” “This morning?” “I had another nightmare about him. He showed up at the door. This time—” She broke off on a sob. “No one was there to stop him before he finished this time.” Rachel. I wanted nothing more than to hold her, but with how she’d flinched away from us earlier, that would have been anything but helpful. My heart continued to break as she mumbled, “It felt so real,” over and over again. Giving
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
Android user can find “Habit Streak“ in the play store.
Felix Bear (Power Habit Apps: Make Changing Habits a Game you Play with yourself! (building good habits, breaking bad habits with apps Book 1))
I think he’s read my mind, because after a brief pause, he asks, “You have a nice time at the party?” There’s only one answer to this. “Lovely,” I say, and I actually toss my head as if I were a heroine in an old film, being coquettish with an admirer. “I danced and danced,” I add airily. “With lots of people. I didn’t see you at all.” “I see you,” he says, “with Sebastiano. You dance a lot with him.” I answer lightly, “Oh yes! He’s very nice. I really liked him.” Luca’s feet shift on the gravel. “He has lots of friends,” he says rather snappily. “Lots of girls.” “Like you,” I snap back. “Elisa says you have lots of girl friends too. Foreign girls.” Luca sighs heavily, and reaches up to run a hand through his hair. “Elisa--” he starts, and then halts, as if he’s choosing his words very carefully. He sighs again. “Elisa,” he finally continues, “can sometimes be not very nice. Even to her mother, she is not very nice. It is maybe better not to listen to what she tells you.” “This just in,” I mutter. “Breaking news revelation.” “Come?” Luca stares down at me, fine streaks of black hair now tumbling over his forehead. “Non capisco.” “Elisa,” I say in Italian as careful as his English, “è una stronza.” He bursts out laughing. “Brava,” he says. “Complimenti.” And he’s very clever, because he uses the laughter to carry him toward me somehow, on a quick step forward, and the next thing I know he’s taken my hands and is holding them in his. I don’t know what to do. I look at our clasped hands. It feels as if he’s cleared the ground, swept away Sebastiano and Elisa; has tried to tell me that he saw me dancing with Sebastiano and was too jealous to come over, and that he doesn’t like Elisa that way. Of course, he might just be telling me what I want to hear. “Violetta--” he starts, and I look up at him, which is a huge mistake. Because he promptly kisses me, and I’m not ready.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
A streak of silver light flashed around the room. There was a bang like a gunshot, and the floor trembled. A hand grabbed the scruff of Harry’s neck and forced him down on the floor as a second silver flash went off — several of the portraits yelled, Fawkes screeched, and a cloud of dust filled the air. Coughing in the dust, Harry saw a dark figure fall to the ground with a crash in front of him. There was a shriek and a thud and somebody cried, “No!” Then the sound of breaking glass, frantically scuffling footsteps, a groan — and silence.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
As the fight wore on, it became obvious that Streak was beating the other wolf. He wasn't as heavily built, but he was faster and sharper, and for every swipe to the head he took, he delivered two or three of his own. All of a sudden, the dark wolf stopped, lay down, and rolled over, baring his throat and belly. Streak opened his mouth and clamped his teeth around the dark wolf's throat, then let go without breaking the skin and stood back. The dark wolf got to his feet and slunk away, tail between his legs. I thought the wolf might have to leave the pack, but he didn't. Although he slept by himself that night, none of the wolves tried to chase him away, and he took his regular place in the hunting pack the next time they set out. I thought about that a lot over the next day or two, comparing the way wolves handled their losers to how vampires handled theirs. In the world of vampires, defeat was a disgrace and more often than not ended with the death of the defeated. Wolves were more understanding. Honor mattered to them, but they wouldn't kill or shun a member of their pack just because it had lost face. Young wolf cubs had to endure tests of maturity, just as I'd endured the Trials of Initiation, but they weren't killed if they failed.
Darren Shan (The Vampire Prince (Cirque Du Freak, #6))
I waited for dawn beneath the blaze, streaks so palette luminous I wanted someone next to me to watch a rage of electricity, magnetic storm, made beautiful only by collision, trapped, shuttling toward earth just to break apart.
Anne Valente (By Light We Knew Our Names)
2001 when they published a scientific paper that modelled the future collapse of the Cumbre Vieja and the passage of the resulting tsunamis across the Atlantic. Within two minutes of the landslide entering the sea, Ward and Day show that –for a worst case scenario involving the collapse of 500 cubic kilometres of rock –an initial dome of water an almost unbelievable 900 metres high will be generated, although its height will rapidly diminish. Over the next 45 minutes a series of gigantic waves up to 100 metres high will pound the shores of the Canary Islands, obliterating the densely inhabited coastal strips, before crashing onto the African mainland. As the waves head further north they will start to break down, but Spain and the UK will still be battered by tsunamis up to 7 metres high. Meanwhile, to the west of La Palma, a great train of prodigious waves will streak towards the Americas. Barely six hours after the landslide, waves tens of metres high will inundate the north coast of Brazil, and a few hours later pour across the low-lying islands of the Caribbean and impact all down the east coast of the United States. Focusing effects in bays, estuaries, and harbours may increase wave heights to 50 metres or more as Boston, New York, Baltimore, Washington, and Miami bear the full brunt of Vulcan and Neptune’s combined assault. The destructive power of these skyscraper-high waves cannot be underestimated. Unlike the wind-driven waves that crash every day onto beaches around the world, and which have wavelengths (wave crest to wave crest) of a few tens of metres, tsunamis have wavelengths that are typically hundreds of kilometres long. This means that once a tsunami hits the coast as a towering, solid wall of water, it just keeps coming –perhaps for ten or fifteen minutes or more –before taking the same length of time to withdraw. Under such a terrible onslaught all life and all but the most sturdily built structures are obliterated.
Bill McGuire (Global Catastrophes: A Very Short Introduction (Very Short Introductions;Very Short Introductions;Very Short Introductions))
Belle Isle Andy hadn’t had a drink since she’d returned home. She wasn’t sure whether or not she wanted to break the streak. Still, she took a cup and sat cross-legged on the floor so that her dad could sit in the chair
Karin Slaughter (Pieces of Her)
A few stray fingers of white could be seen interrupting the surface of the river below, the surface breaks caused by the random felled tree or rocky outcropping. Framing them were the long streaks of orange and yellow from the nearby security lamps, the occasional splash of red or blue from garish decorations filling in the remaining space.
Dustin Stevens (The Partnership (Reed & Billie #4))
With a snarl of pain, she forced herself to sit up, her head spinning with the sudden movement. One hand touched her temple, sticky with dried blood. She winced, feeling a gash along her eyebrow. It was long but shallow, and already scabbing over. She clenched her jaw, teeth grinding, as she surveyed the beach with squinting eyes. The ocean stared back at her, empty and endless, a wall of iron blue. Then she noticed shapes along the beach, some half-buried in the sand, others caught in the rhythmic pull of the tide. She narrowed her eyes and the shapes solidified. A torn length of sail floated, tangled up with rope. A shattered piece of the mast angled out of the sand like a pike. Smashed crates littered the beach, along with other debris from the ship. Bits of hull. Rigging. Oars snapped in half. The bodies moved with the waves. Her steady breathing lost its rhythm, coming in shorter and shorter gasps until she feared her throat might close. Her thoughts scattered, impossible to grasp. All thoughts but one. “DOMACRIDHAN!” Her shout echoed, desperate and ragged. “DOMACRIDHAN!” Only the waves answered, crashing endless against the shore. She forgot her training and forced herself to stand, nearly falling over with dizziness. Her limbs aches but she ignored it, lunging toward the waterline. Her lips moved, her voice shouting his name again, though she couldn’t hear it above the pummel of her own heart. Sorasa Sarn was no stranger to corpses. She splashed into the waves with abandon, even as her head spun. Sailor, sailor, sailor, she noted, her desperation rising with every Tyri uniform and head of black hair. One of them looked ripped in half, missing everything from the waist down. His entrails floated with the rear of him, like a length of bleached rope. She suspected a shark got the best of him. Then her memories returned with a crash like the waves. The Tyri ship. Nightfall. The sea serpent slithering up out of the deep. The breaking of a lantern. Fire across the deck, slick scales running over my hands. The swing of a greatsword, Elder-made. Dom silhouetted against a sky awash with lightning. And then the cold, drowning darkness of the ocean. A wave splashed up against her and Sorasa stumbled back to the shore, shivering. She had not waded more than waist deep, but her face felt wet, water she could not understand streaking her cheeks. Her knees buckled and she fell, exhausted. She heaved a breath, then two. And screamed. Somehow the pain in her head paled in comparison to the pain in her heart. It dismayed and destroyed her in equal measure. The wind blew, stirring salt-crusted hair across her face, sending a chill down to her soul. It was like the wilderness all over again, the bodies of her Amhara kin splayed around her. No, she realized, her throat raw. This is worse. There is not even a body to mourn. She contemplated the emptiness for awhile, the beach and the waves, and the bodies gently pressing into the shore. If she squinted, they could only be debris from the ship, bits of wood instead of bloated flesh and bone. The sun glimmered on the water. Sorasa hated it. Nothing but clouds since Orisi, and now you choose to shine.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))