Straw Movie Quotes

But performing in The Room was, by this point, like drinking the very last dregs of something through a ting straw: It took a lot of effort and you barely tasted it.

In one sense the cause of suicide is simple: overwhelming pain. This overwhelming pain, however, is the aggregate of thousands of pains. Any hurt that we have ever suffered, if it remains consciously or unconsciously lodged within us, can contribute to suicide. This may range from being an incest victim 50 years ago, to losing a job 10 years ago, to having a car battery stolen yesterday. The pains come from everywhere: ill-health, family, peers, school, work, community, caregivers. For each suicide there was a finite point at which this aggregate became too much. Although "The straw that broke the back," is frequently an accurate metaphor, no one pain is ever the cause of suicide. Suicidal pain is decomposable into thousands of pains, and nearly all of these pains are decomposable into painful constituents. Sexual abuse, job loss, and personal theft each have numerous painful constituents. The search for the single cause is a fundamentally wrongheaded approach to the understanding and prevention of suicide. It is inaccurate to say simply that pain causes suicide, since a level of pain that is lethal for one person may not be lethal for someone with greater resources. Similarly, deficiency in resources cannot be regarded as the cause of suicide, since two people may have equal resources and unequal pain. Our resources may also come from everywhere; even such trivial distractions as going to a movie can contribute to coping with suicidal pain.

You forgot the straws,” I told him. He ripped the plastic off of the Twizzler box and bit the ends off of two Twizzlers. Then he put them in the cup. He grinned broadly. He looked so proud of himself. I’d forgotten all about our Twizzler straws. We used to do it all the time. We sipped out of the straws at the same time, like in a 1950s Coke commercial—heads bent, foreheads almost touching. I wondered if people thought we were on a date. Jeremiah looked at me, and he smiled in this familiar way, and suddenly I had this crazy thought. I thought, Jeremiah Fisher wants to kiss me. Which, was crazy. This was Jeremiah. He’d never looked at me like that, and as for me, Conrad was the one I liked, even when he was moody and inaccessible the way he was now. It had always been Conrad. I’d never seriously considered Jeremiah, not with Conrad standing there. And of course Jeremiah had never looked at me that way before either. I was his pal. His movie-watching partner, the girl he shared a bathroom with, shared secrets with. I wasn’t the girl he kissed.

Yet this wasn’t like sports, let alone sports movies. The roles weren’t fixed, nor the meaning of the scaffolding. It didn’t have to be this way. They might have, for instance, all felt stronger. They might have felt stronger and come together. They might have decided that, rather than now, as they’d been mistaken before: that if their enemies cheered the same damage as they, then they weren’t their enemies after all. They might have concluded their interests were mutual, that some other force, earlier—some other enemy—had confused and divided them, and that all those who cheered were thus allies unmasked. Instead they felt bitter, tricked by each other, last-strawed underdogs, suckers on the mend. Their enmity swelled and they fought even harder.

Bianca?” Startled, I focused on Toby again. “Hmm?” “Are you all right?” he asked. My fingers had been toying with the little B charm around my neck without my realizing it. Immediately I dropped my hand to my side. “I’m fine.” “Casey warned me that you’re probably lying when you say that,” he said. I gritted my teeth and searched the dance floor for my so-called friend. She was being added to my hit list. “And I think she’s right,” Toby sighed. “What?” “Bianca, I can see what’s going on.” He glanced over his shoulder at Wesley before turning back to me with a little nod. “He’s been staring at you since he got here.” “Has he?” “I can see him in the mirrors over there. And you’ve been staring back,” Toby said. “It’s not just tonight either. I’ve seen the way he looks at you during school. In the hallways. He likes you, doesn’t he?” “I… I don’t know. I guess.” Oh God, this was uncomfortable. I just kept spinning my straw between my fingers and watching the little waves that appeared on the surface of my drink. I couldn’t meet Toby’s gaze. “I don’t have to guess,” he said. “It’s pretty obvious. And the way you look at him makes me think you’re in love with him, too.” “No!” I cried, releasing my straw and glaring up at Toby. “No, no, no. I am not in love with him, okay?” Toby gave me a small smile and said, “But you do have feelings for him.” I couldn’t see any sign of pain in his eyes, just a touch of amusement. That made it a lot easier to give him an answer. “Um,… yeah.” “Then go to him.” I rolled my eyes without meaning to. It was just so automatic. “Jesus, Toby,” I said, “that sounds like a line out of a bad movie.” Toby shrugged. “Maybe, but I’m serious, Bianca. If you feel that way about him, you should go over there.

I don’t know…is it just me, or…” He leans in closer, now he’s listening. “What?” I take a deep breath. “Is it…a little weird? I mean, first we were fake, and then we weren’t, and then we had a fight, and now here we are and you’re eating fried chicken. It’s like we did everything in the wrong order, and it’s good, but it’s…still kind of upside down.” And also were you trying to feel me up during the movie? “I guess it’s a little weird,” he admits. I sip my sweet tea, relieved that he doesn’t think I’m the weird one for bringing up all the weirdness. He grins at me. “Maybe what we need is a new contract.” I can’t tell if he’s joking or if he’s serious, so I play along. “What would go in the contract?” “Off the top of my head…I guess I’d have to call you every night before I went to bed. You’d agree to come to all my lacrosse games. Some practices, too. I’d have to come to your house for dinner. You’d have to come to parties with me.” I make a face at the parties part. “Let’s just do the things we want to do. Like before.” Suddenly I hear Margot’s voice in my head. “Let’s…let’s have fun.” He nods, and now he’s the one who looks relieved. “Yeah!” I like that he doesn’t take things too seriously. In other people that could be annoying, but not him. It’s one of his best qualities, I think. That and his face. I could stare at his face all day long. I sip sweet tea out of my straw and look at him. A contract might actually be good for us. It could help us to head problems off at the pass and keep us accountable. I think Margot would be proud of me for this.

A school bus is many things. A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.

Activity pouch on airplanes Buttons and pins Crayons and coloring place mats from restaurants Disposable sample cup from the grocery store Erasers and pencils with eraser tops Fireman hat from a visit to the fire station Goodie bags from county fairs and festivals Hair comb from picture day at school Infant goods from the maternity ward Junior ranger badge from the ranger station and Smokey the Bear Kids’ meal toys Lollipops and candy from various locations, such as the bank Medals and trophies for simply participating in (versus winning) a sporting activity Noisemakers to celebrate New Year’s Eve OTC samples from the doctor’s office Party favors and balloons from birthday parties Queen’s Jubilee freebies (for overseas travelers) Reusable plastic “souvenir” cup and straw from a diner Stickers from the doctor’s office Toothbrushes and floss from the dentist’s office United States flags on national holidays Viewing glasses for a 3-D movie (why not keep one pair and reuse them instead?) Water bottles at sporting events XYZ, etc.: The big foam hand at a football or baseball game or Band-Aids after a vaccination or various newspapers, prospectuses, and booklets from school, museums, national parks . . .

He flashed her a smile that could make panties melt, according to the reviewer who hadn't liked his movie but had started #StarringRyanKwoksAbs. And Lindsay was not immune. Her mouth opened and she released a shaky breath. He watched her breasts move up and down beneath that rather tight tank top. This was almost as bad as when she'd wrapped her lips around that thick bubble tea straw last week. An erection would be inconvenient now, but it was happening anyway.

Past an empty stretch of white wall with stone flowers inset below windows, he spied a pair of pop-eyed pimp-eyes as urgent as whore-eyes but roundly comical as the pimp twisted himself from side to side not to be sexy but to be urgent as if to say Jimmy this is your one and only chance to get the woman whose cunt will satisfy you for ever and ever, in sickness and in health, so help me God, but you have to come with me right now down this dark dark alley past the sign that says MOVIES and left by the trash cans following the luminescence of my white straw hat and white jeans and the whites of my eyes which I will continually turn back upon you to make sure that you stay with me all the way to the barred basement windows where your good fortune waits for you already saying oh Jimmy Jimmy but as soon as the man opened his mouth he became as monotonous as the intricacies of brick walls and the steel lattice-windows of bars, and Jimmy walked away.

When he came back, he had a large soda and a pack of Twizzlers. I reached for the soda to take a sip, but there were no straws. “You forgot the straws,” I told him. He ripped the plastic off of the Twizzler box and bit the ends off of two Twizzlers. Then he put them in the cup. He grinned broadly. He looked so proud of himself. I’d forgotten all about our Twizzler straws. We used to do it all the time. We sipped out of the straws at the same time, like in a 1950s Coke commercial—heads bent, foreheads almost touching. I wondered if people thought we were on a date. Jeremiah looked at me, and he smiled in this familiar way, and suddenly I had this crazy thought. I thought, Jeremiah Fisher wants to kiss me. Which, was crazy. This was Jeremiah. He’d never looked at me like that, and as for me, Conrad was the one I liked, even when he was moody and inaccessible the way he was now. It had always been Conrad. I’d never seriously considered Jeremiah, not with Conrad standing there. And of course Jeremiah had never looked at me that way before either. I was his pal. His movie-watching partner, the girl he shared a bathroom with, shared secrets with. I wasn’t the girl he kissed.

I twisted my head to look at the girl.  With one hand she held a wide straw hat to her head.  The other held an umbrella drink in a curvy glass.  She wore big movie-star sunglasses, tall, a reddish-new tan.  White bikini bottoms.  No top.  Just boobies. “Uh . . . hi.” “Hi,” she said. Then there was this shirtless fat guy at her side.  He didn’t have a top either, but his boobies were harrier.  He was hot pink with sun burn, wore a new moustache like a smear of brown crayon.  His ball cap said Kiss the Captain.

Went to a 3D movie and wore 6 pairs of 3D glasses at the same time. During the movie, a spear was thrown and killed a guy in the 3rd row.

Dean Martin, and Sammy Davis Jr. The cool kids of the 1960s invited the old man who had been cool before they knew cool was cool to join them in a musical romp that nobody took particularly seriously. Crosby enjoys himself. He has nothing at stake, since he’s not the star who has to carry the film. He’s very casual, and appears to be ad-libbing all his lines in the old Road tradition with a touch of W. C. Fields’s colorful vocabulary thrown in: “You gentlemen find my raiment repulsive?” he asks Sinatra and Martin when they object to his character’s lack of chic flash in clothing. Crosby plays a clever con man who disguises himself as square, and his outfits reflect a conservative vibe in the eyes of the cats who are looking him over. The inquiry leads into a number, “Style,” in which Sinatra and Martin put Crosby behind closet doors for a series of humorous outfit changes, to try to spruce him up. Crosby comes out in a plaid suit with knickers and then in yellow pants and an orange-striped shirt. Martin and Sinatra keep on singing—and hoping—while Crosby models a fez. He finally emerges with a straw hat, a cane, and a boutonniere in his tuxedo lapel, looking like a dude. In his own low-key way, taking his spot in the center, right between the other two, Crosby joins in the song and begins to take musical charge. Sinatra is clearly digging Crosby, the older man he always wanted to emulate.*17 Both Sinatra and Martin are perfectly willing to let Crosby be the focus. He’s earned it. He’s the original that the other two wanted to become. He was there when Sinatra and Martin were still kids. He’s Bing Crosby! The three men begin to do a kind of old man’s strut, singing and dancing perfectly together (“…his hat got a little more shiny…”). The audience is looking at the three dominant male singers of the era from 1940 to 1977. They’re having fun, showing everyone exactly not only what makes a pro, not only what makes a star, but what makes a legend. Three great talents, singing and dancing about style, which they’ve all clearly got plenty of: Frank Sinatra, Bing Crosby, and Dean Martin in Robin and the 7 Hoods

I don’t find it surprising that super-old people are so odd and grumpy. Half their friends are dead, they feel like shit most of the time, and the next major event in their lives is going to be their last. They don’t even have the salve of believing that going to the gym is going to make things better, that they’ll meet someone cute in the small hours of a Friday night or that their career is going to suddenly steer into an upturn and they’ll wind up married to a movie star. They’re out the other side of all that, onto a flat, gray plain of aches and bad eyesight, of feeling the cold in their bones and having little to do except watch their children and grandchildren go right ahead and make all the mistakes they warned them about.

Ivy had seen it in a movie. “There was this guy who made a giant robot, and then he struck it with lightning, and it sat up,” Ivy explained. “That’s what we’re going to do with Zellaphine.” Bean looked at Zellaphine’s drooly lips and imagined her alive. Yuck. “Where are we going to get the lightning?” “The guy in the movie had to use lightning because it was a long time ago and that was the only electricity he could get,” Ivy said. “But now we have plugs.” She pointed to the outlet. “We’ll plug her in and charge her up.” Bean had a feeling it wouldn’t work, but if it did, Ivy was going to be in big trouble. “You’re going to have to change her diapers, you know.” “No way,” said Ivy. “That’s a mom-thing.” “You should ask your mom first, then.” Ivy went downstairs to talk to her mom and came back a few minutes later, holding a plug. “My mom says that if I make Zellaphine come alive with electricity, she will be happy to change her diapers because she supports scientific progress. She even gave me her phone plug for the charging.” One end of Ivy’s mom’s plug was a regular plug, but the other end was shaped like a tiny straw. It was easy to jam it into the hole where Zellaphine’s bottle was supposed to go. Bean had wanted to stick it right into the top of Zellaphine’s head, but Ivy thought it would be mean to make Zellaphine come alive with a hole in the top of her head. “See? I’m getting less spoiled already!” she said. In the movie, the robot came to life on a special table, so Ivy and Bean laid Zellaphine out on the table in Ivy’s magic lab. The table was covered with tinfoil, so that it looked like a real lab table.

Okay, cool.' Kerry turns to Taylor. 'Would you like to do the honors, or shall I?' 'I think you have this handled,' Taylor says, as she chews on another sour straw. 'Please proceed.' Kerry nods and then refocuses her attention on me. Smiling, she grabs the nearest pillow and bops me on the head before I even have a chance to dodge it. 'Ow!' I say, glaring at her..