โ
Love is that condition in which the happiness of another person is essential to your own.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Jealousy is a disease, love is a healthy condition. The immature mind often mistakes one for the other, or assumes that the greater the love, the greater the jealousy - in fact, they are almost incompatible; one emotion hardly leaves room for the other.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
I've found out why people laugh. They laugh because it hurts so much . . . because it's the only thing that'll make it stop hurting.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
We are all strangers in a strange land, longing for home, but not quite knowing what or where home is. We glimpse it sometimes in our dreams, or as we turn a corner, and suddenly there is a strange, sweet familiarity that vanishes almost as soon as it comes.
โ
โ
Madeleine L'Engle (The Rock That Is Higher: Story as Truth)
โ
A desire not to butt into other people's business is at least eighty percent of all human wisdom.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Iยดm a stranger in a strange land.
โ
โ
Carson McCullers (The Heart Is a Lonely Hunter)
โ
Secrecy begets tyranny.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
But goodness alone is never enough. A hard, cold wisdom is required for goodness to accomplish good. Goodness without wisdom always accomplishes evil.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
If you've got the truth you can demonstrate it. Talking doesn't prove it.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
I do know that the slickest way to lie is to tell the right amount of truth--then shut up.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Thinking doesn't pay. Just makes you discontented with what you see around you.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
I never do anything I don't want to do. Nor does anyone, but in my case I am always aware of it.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
There is no safety this side of the grave
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
But a stranger in a strange land, he is no one. Men know him not, and to know not is to care not for.
โ
โ
Bram Stoker (Dracula)
โ
Most neuroses and some psychoses can be traced to the unnecessary and unhealthy habit of daily wallowing in the troubles and sins of five billion strangers.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Consider the black widow spider. It's a timid little beastie, useful and, for my taste, the prettiest of the arachnids, with its shiny, patent-leather finish and its red hourglass trademark. But the poor thing has the fatal misfortune of possessing enormously too much power for its size. So everybody kills it on sight.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
My dear, I used to think I was serving humanity . . . and I pleasured in the thought. Then I discovered that humanity does not want to be served; on the contrary it resents any attempt to serve it. So now I do what pleases myself.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Democracy is a poor system of government at best; the only thing that can honestly be said in its favor is that it is eight times as good as any other method the human race has ever tried.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Thou art god, I am god. All that groks is god.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
The slickest way in the world to lie is to tell the right amount of truth at the right time-and then shut up.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
He's an honest politician--he stays bought.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Faith strikes me as intellectual laziness.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Its very variety, subtlety, and utterly irrational, idiomatic complexity makes it possible to say things in English which simply cannot be said in any other language.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
I'm always suspicious of disinterested interest.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Government! Three fourths parasitic and the other fourth Stupid fumbling.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
traveling - it gives you home in thousand strange places, then leaves you a stranger in your own land.
โ
โ
Ibn Battuta
โ
It's up to the artist to use language that can be understood, not hide it in some private code. Most of these jokers don't even want to use language you and I know or can learn . . . they would rather sneer at us and be smug, because we 'fail' to see what they are driving at. If indeed they are driving at anything--obscurity is usually the refuge of incompetence.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
I grok in fullness.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist--a master--and that is what Auguste Rodin was--can look at an old woman, portray her exactly as she is . . . and force the viewer to see the pretty girl she used to be . . . and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Support for the arts -- merde! A government-supported artist is an incompetent whore!
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Being sorry won't get you into heaven. Get happy, son. Get that old spring into your step and stay on your toes.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
I have an idea that some men are born out of their due place. Accident has cast them amid certain surroundings, but they have always a nostalgia for a home they know not. They are strangers in their birthplace, and the leafy lanes they have known from childhood or the populous streets in which they have played, remain but a place of passage. They may spend their whole lives aliens among their kindred and remain aloof among the only scenes they have ever known. Perhaps it is this sense of strangeness that sends men far and wide in the search for something permanent, to which they may attach themselves. Perhaps some deep-rooted atavism urges the wanderer back to lands which his ancestors left in the dim beginnings of history.
โ
โ
W. Somerset Maugham (The Moon and Sixpence)
โ
In the twentieth century, nowhere on Earth was sex so vigorously suppressed as in America---and nowhere else was there such a deep interest in it.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Do-gooding is like treating hemophilia - the real cure is to let hemophiliacs bleed to death...before they breed more hemophiliacs.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Art is the process of evoking pity and terror, which is not abstract at all but very human. What the self-styled modern artists are doing is a sort of unemotional pseudointellectual masturbation . . . whereas creative art is more like intercourse, in which the artist must seduce -- render emotional -- his audience, each time.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Long human words (the longer the better) were easy, unmistakable, and rarely changed their meanings . . . but short words were slippery, unpredictable, changing their meanings without any pattern.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Random chance was not a sufficient explanation of the Universe---in fact, random chance was not sufficient to explain random chance; the pot could not hold itself.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
He's as weird as snake's suspenders but sweet as a stolen kiss, too.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Churches thrive on martyrdom and persecution.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
He said something like that:
โIn all languages in the world, there is the same proverb: โWhat the eyes donโt see, the heart doesnโt grieve over.โ Well, I say that there isnโt any ounce of truth in it. The further off they are, the closer to the heart are all those feelings that we try to repress and forget. If weโre far from exile, we want to store away every tiny memory of our roots. If weโre far from the person we love, everyone we pass in the street reminds us of them.
At the end of the service, I went up to him and thanked him: I said I was a stranger in a strange land, and I thanked him for reminding me that what the eyes donโt see, the heart does grieve over. And my heart has grieved so much, that today Iโm leaving.
โ
โ
Paulo Coelho (Eleven Minutes)
โ
The drive for power is even less logical than the sex urge . . . and stronger.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Christ was crucified for preaching without a police permit
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
His was not a small mind bothered by logic and consistency.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
If God existed (a question concerning which Jubal maintained a meticulous intellectual neutrality) and if He desired to be worshiped (a proposition which Jubal found inherently improbable but conceivably possible in the dim light of his own ignorance), then (stipulating affirmatively both the above) it nevertheless seemed wildly unlikely to Jubal to the point of reductio ad absurdum that a God potent to shape galaxies would be titillated and swayed by the whoop-te-do nonsense the Fosterites offered Him as "worship.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
The only religious opinion I feel sure of is this: self-awareness is not just a bunch of amino acids bumping together.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Have you ever known me to be rude to a lady?" "I have seen you be intentionally rude to a woman. I have never seen you be rude to a lady.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
A desire not to butt into other people's business is at least eighty percent of all human 'wisdom'...and the other twenty percent isn't very important.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Gratitude is a euphemism for resentment.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
All human behavior, all human motivations, all manโs hopes and fears, were heavily colored and largely controlled by mankindโs tragic and oddly beautiful pattern of reproduction.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Grokโ means to understand so thoroughly that the observer becomes a part of the process being observedโto merge, to blend, to intermarry, to lose personal identity in group experience.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
I happen to be of an almost extinct breed, an old-fashioned gentleman--which means I can be a real revolving son of a bitch when it suits me.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
English is the largest of human tongues, with several times the vocabulary of the second largest language -- this alone made it inevitable that English would eventually become, as it did, the lingua franca of this planet, for it is thereby the richest and most flexible -- despite its barbaric accretions . . . or, I should say, because of its barbaric accretions. English swallows up anything that comes its way, makes English out of it.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Iโve been kissed by men who did a very good job. But they donโt give kissing their whole attention. They canโt. No matter how hard they try parts of their minds are on something else. Missing the last busโor their chances of making the galโor their own techniques in kissingโor maybe worry about jobs, or money, or will husband or papa or the neighbors catch on. Mike doesnโt have technique . . . but when Mike kisses you he isnโt doing anything else. Youโre his whole universe . . . and the moment is eternal because he doesnโt have any plans and isnโt going anywhere. Just kissing you.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Two things I do value a lot, intimacy and the capacity for joy, didn't seem to be on anyone else s list. I felt like the stranger in a strange land, and decided I'd better not marry the natives.
โ
โ
Richard Bach
โ
ุงูุทูุจุฉ ูุญุฏูุง ูุง ุชููู. ูุง ุจุฏ ู
ู ุญูู
ุฉ ุจุงุฑุฏุฉ ูุงุณูุฉ ููุทูุจุฉ ูู ุชุญูู ุงูุฎูุฑ. ุงูุทูุจุฉ ุจูุง ุญูู
ุฉ ุชุคุฏู ุญุชู
ุง ุฅูู ุงูุดุฑ.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Talking with a Martian is something like talking with an echo. You don't get any argument but you don't get results either.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Audacity, always audacity - soundest principal of strategy.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Death isn't funny."
"Then why are there so many jokes about death? Jill, with us โ us humans โ death is so sad that we must laugh at it.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Oh, you have to charge 'em, Jubal. The marks won't pay attention if it's free.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
God forbid that I should ever be a good influence on anybody.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Like every living thing its prime characteristic is a blind, unreasoned instinct to survive.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Were you born stupid, Heinrich, or did you have to study?
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
The worst that can possibly have happened to him is death and that we are all in for---if not this morning, then in days, or weeks, or years at most.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
People simplify 'Apollonian' into 'mild', and 'calm', and 'cool'. But 'Apollonian' and 'Dionysian' are two sides of one coin--a nun kneeling in her cell, holding perfectly still, can be in ecstacy more frenzied than any priestess of Pan Priapus celebrating the vernal equinox.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
No matter what I said they insisted on thinking of God as something outside themselves. Something that yearns to take every indolent moron to His breast and comfort him. The notion that the effort has to be their own . . . and that the trouble they are in is all their own doing . . . is one that they can't or won't entertain.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
English is capable of defining sentiments that the human nervous system is quite incapable of experiencing.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
You have to give an editor something to change, or he gets frustrated. After he pees in it himself, he likes the flavor much better, so he buys it.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
It would take centuries and he must grow and grow and grow, but he was in no hurry--he grokked that Eternity and the ever-beautifully-changing Now were identical.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Yes, Boss?'
Dorcas, the last twenty or thirty years I've been a worthless, no-good parasite.'
She yawned again. 'Everybody knows that.'
Nevermind the flattery. There comes a time in every man's life when he has to stop being sensible--a time to stand up and be counted--strike a blow for liberty--smite the wicked.'
Ummm...'
So quit yawning, the time has come.'
She glanced down. 'Maybe I had better get dressed.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
I AM RESTLESS
AM restless. I am athirst for far-away things.
My soul goes out in a longing to touch the skirt of the dim distance.
O Great Beyond, O the keen call of thy flute!
I forget, I ever forget, that I have no wings to fly, that I am bound in this spot evermore.
I am eager and wakeful, I am a stranger in a strange land.
Thy breath comes to me whispering an impossible hope.
Thy tongue is known to my heart as its very own.
O Far-to-seek, O the keen call of thy flute!
I forget, I ever forget, that I know not the way, that I have not the winged horse.
I am listless, I am a wanderer in my heart.
In the sunny haze of the languid hours, what vast vision of thine takes shape in the blue of the sky!
O Farthest end, O the keen call of thy flute!
I forget, I ever forget, that the gates are shut everywhere in the house where I dwell alone!
โ
โ
Rabindranath Tagore
โ
Many older physicians had gone to their graves calling Pasteur a liar, a fool, or worse---and without examining evidence which their โcommon senseโ told them was impossible.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
...the word 'love' designates a subjective condition in which the welfare and happiness of another person are essential to one's own happiness.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Daughters can spend ten percent more than a man can make in any usual occupation. Thatโs a law of nature, to be known henceforth as โHarshawโs Law.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
I refuse to grow younger. I came by my decrepitude the hard way and I propose to enjoy it.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
He had learned that close-held secrets could often be cracked by going all the way to the top and there making himself unbearably unpleasant. He knew that such twisting of the tiger's tail was dangerous, for he understood the psychopathology of great power.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
The Universe was a silly place at best...but the least likely explanation for it was the no-explanation of random chance, the conceit that abstract somethings 'just happened' to be atoms that 'just happened' to get together in ways which 'just happened' to look like consistent laws and some configurations 'just happened' to possess self-awareness and that two 'just happened' to be the Man from Mars and a bald-headed old coot with Jubal inside.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Democracy is a poor system of government at best; the only thing that can honestly be said in its favor is that it is about eight times as good as any other method the human race has ever tried. Democracy's worst fault is that its leaders are likely to reflect the faults and virtues of their constituents - a depressingly low level, but what else can you expect?
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
All those religions--they contradict each other on every point but every one of them is filled with ways to help people to be brave enough to laugh even though they know they are dying.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Straining at gnats and swallowing camels is a required course in all law schools.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Iโve never understood how God could expect his creatures to pick the one true religion by faithโit strikes me as a sloppy way to run a universe.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
I've found out why people laugh. They laugh because it hurts so much... because it's the only thing that'll make it stop hurting"
...
But that's not all people laugh at."
Isn't it? Perhaps I don't grok all its fullness yet. But find me something that really makes you laugh sweetheart... a joke, or anything else- but something that gave you a a real belly laugh, not a smile. Then we'll see if there isn't a wrongness wasn't there." He thought. "I grok when apes learn to laugh, they'll be people.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Is this Paradise?'
'I can guarantee you that it isn't,' Jubal assured him. 'My taxes are due this week.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Thou art God'. It's not a message of cheer and hope. It's a defiance - and an unafraid, unabashed assumption of personal responsibility.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
With just a touch more self confidence and a liberal helping of ignorance I could have been a famous evangelist.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Sometimes without conscious realization, our thoughts, our faith, out interests are entered into the past. We talk about other times, other places, other persons, and lose our living hold on the present. Sometimes we think if we could just go back in time we would be happy. But anyone who attempts to reenter the past is sure to be disappointed. Anyone who has ever revisited the place of his birth after years of absence is shocked by the differences between the way the place actually is, and the way he has remembered it. He may walk along old familiar streets and roads, but he is a stranger in a strange land. He has thought of this place as home, but he finds he is no longer here even in spirit. He has gone onto a new and different life, and in thinking longingly of the past, he has been giving thought and interest to something that no longer really exists.
โ
โ
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
โ
Thou art God.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
But when they began handing out doctorates for comparative folk dancing and advanced fly-fishing, I became too stink inโ proud to use the title. I wonโt touch watered whiskey and I take no pride in watered-down degrees.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Government! Three-fourths parasitic and the rest stupid fumbling - oh, Harshaw concluded that man, a social animal, could not avoid government, any more than an individual could escape bondage to his bowels. But simply because an evil was inescapable was no reason to term it "good." He wished that government would wander off and get lost! (96)
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Come Judgment Day, we may find that Mumbo Jumbo the God of the Congo was the Big Boss all along.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
The simplest truth about man is that he is a very strange being; almost in the sense of being a stranger on the earth. In all sobriety, he has much more of the external appearance of one bringing alien habits from another land than of a mere growth of this one.
He cannot sleep in his own skin; he cannot trust his own instincts. He is at once a creator moving miraculous hands and fingers and a kind of cripple. He is wrapped in artificial bandages called clothes; he is propped on artificial crutches called furniture. His mind has the same doubtful liberties and the same wild limitations. Alone among the animals, he is shaken with the beautiful madness called laughter; as if he had caught sight of some secret in the very shape of the universe hidden from the universe itself. Alone among the animals he feels the need of averting his thought from the root realities of his own bodily being; of hiding them as in the presence of some higher possibility which creates the mystery of shame.
โ
โ
G.K. Chesterton (The Everlasting Man)
โ
Victory in defeat, there is none higher. She didn't give up, Ben; she's still trying to lift that stone after it has crushed her. She's a father working while cancer eats away his insides, to bring home one more pay check. She's a twelve-year-old trying to mother her brothers and sisters because mama had to go to Heaven. She's a switchboard operator sticking to her post while smoke chokes her and fire cuts off her escape. She's all the unsung heroes who couldn't make it but never quit.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
It's a long story. Want a refill?"
"No, let's start the steak. Where's the button?"
"Right here."
"Well, push it."
"Me? You offered to cook."
"Ben Caxton, I will lie here and starve before I will get up to push a button six inches from your finger"
"As you wish." He pressed the button. "But don't forget who cooked dinner.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
I see the beauty of Mike's attempt to devise an ideal ethic and applaud his recognition that such must start by junking the present sexual code and starting fresh. Most philosophers haven't the courage for this; they swallow the basics of the present code--monogamy, family pattern, continence, body taboos, conventional restrictions on intercourse, and so forth--then fiddle with details...even such piffle as discussing whether the female breast is an obscene sight! (p.365)
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
The country and culture commonly known as "America" had had a badly split personality all through its history. Its overt laws were almost always puritanical for a people whose covert behavior tended to be Rabelaisian; its major religions were all Apollonian in varying degrees---its religious revivals were often hysterical in a fashion almost Dionysian.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
I've found out why people laugh. They laugh because it hurts... because its the only thing that'll make it stop hurting.
But find me something that makes you laugh, a joke, anything--but something that gave you a belly laugh, not a smile. Then we'll see if there isn't wrongness somewhere and whether you would laugh if the wrongness wasn't there.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Most moral philosophers consciously or unconsciously assume the essential correctness of our cultural sexual code โ family, monogamy, continence, the postulate of privacy, ... restriction of intercourse to the marriage bed, etcetera. Having stipulated our cultural code as a whole, they fiddle with details - even such piffle as solemnly discussing whether or not the female breast is an "obscene" sight! But mostly they debate how the human animal can be induced or forced to obey this code, blandly ignoring the high probability that the heartaches and tragedies they see all around them originate in the code itself rather than the failure to abide by the code.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
Now let me get something straight: you are not in my debt. You can't be. Impossible - because I never do anything I don't want to do. Nor does anyone, but in my case I am always aware of it. So please don't invent a debt that does not exist, or before you know it you will be trying to feel gratitude - and that is the treacherous first step downward to complete moral degradation.
โ
โ
Robert A. Heinlein (Stranger in a Strange Land)
โ
The Universe was a damned silly place at best . . . but the least likely explanation for its existence was the no-explanation of random chance, the conceit that some abstract somethings "just happened" to be some atoms that "just happened" to get together in configurations which "just happened" to look like consistent laws and then some of these configurations "just happened" to possess self-awareness and that two such "just happened" to be the Man from Mars and the other a bald-headed old coot with Jubal himself inside.
No, Jubal would not buy the "just happened" theory, popular as it was with men who called themselves scientists. Random chance was not a sufficient explanation of the Universe--in fact, random chance was not sufficient to explain random chance; the pot could not hold itself.
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Robert A. Heinlein (Stranger in a Strange Land)
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...of all the nonsense that twists the world, the concept of 'altruism' is the worst. People do what they want to do, every time. If it sometimes pains them to make a choice - if the choice turns out to look like a 'noble sacrifice' - you can be sure that it is in no wise nobler than the discomfort caused by greediness...the unpleasant necessity of having to decide between two things both of which you would like to do when you can't do both. The ordinary bloke suffers that discomfort every day, every time he makes a choice between spending a buck on beer or tucking it away for his kids, between getting up when he's tired or spending the day in his warm bed and losing his job. No matter which he does he always chooses what seems to hurt least or pleasures most. The average chump spends his life harried by these small decisions.
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Robert A. Heinlein (Stranger in a Strange Land)
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Jubal shrugged. "Abstract design is all right-for wall paper or linoleum. But art is the process of evoking pity and terror, which is not abstract at all but very human. What the self-styled modern artists are doing is a sort of unemotional pseudo-intellectual masturbation. . . whereas creative art is more like intercourse, in which the artist must seduce- render emotional-his audience, each time. These ladies who won't deign to do that- and perhaps can't- of course lost the public. If they hadn't lobbied for endless subsidies, they would have starved or been forced to go to work long ago. Because the ordinary bloke will not voluntarily pay for 'art' that leaves him unmoved- if he does pay for it, the money has to be conned out of him, by taxes or such."
"You know, Jubal, I've always wondered why i didn't give a hoot for paintings or statues- but I thought it was something missing in me, like color blindness."
"Mmm, one does have to learn to look at art, just as you must know French to read a story printed in French. But in general terms it's up to the artist to use language that can be understood, not hide it in some private code like Pepys and his diary. Most of these jokers don't even want to use language you and I know or can learn. . . they would rather sneer at us and be smug, because we 'fail' to see what they are driving at. If indeed they are driving at anything- obscurity is usually the refuge of incompetence. Ben, would you call me an artists?โ
โHuh? Well, Iโve never thought about it. You write a pretty good stick.โ
โThank you. โArtistโ is a word I avoid for the same reasons I hate to be called โDoctor.โ But I am an artist, albeit a minor one. Admittedly most of my stuff is fit to read only onceโฆ and not even once for a busy person who already knows the little I have to say. But I am an honest artist, because what I write is consciously intended to reach the customerโฆ reach him and affect him, if possible with pity and terrorโฆ or, if not, at least to divert the tedium of his hours with a chuckle or an odd idea. But I am never trying to hide it from him in a private language, nor am I seeking the praise of other writers for โtechniqueโ or other balderdash. I want the praise of the cash customer, given in cash because Iโve reached him- or I donโt want anything. Support for the arts- merde! A government-supported artist is an incompetent whore! Damn it, you punched one of my buttons. Let me fill your glass and you tell me what is on your mind.
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Robert A. Heinlein (Stranger in a Strange Land)