“
I love you. I love you. I love you. I'll write it in waves. In skies. In my heart. You'll never see, but you will know. I'll be all the poets, I'll kill them all and take each one's place in turn, and every time love's written in all the strands it will be to you.
”
”
Amal El-Mohtar (This Is How You Lose the Time War)
“
We're all strangers connected by what we reveal, what we share, what we take away--our stories. I guess that's what I love about books--they are thin strands of humanity that tether us to one another for a small bit of time, that make us feel less alone or even more comfortable with our aloneness, if need be.
”
”
Libba Bray
“
Honestly, as much as I love my brother, I’m not sure how I feel about him hanging out in your bedroom.” He reached out with a muscular arm and used his fingers to brush a few strands of hair off my cheek, tucking them behind my ear. I shivered, and he smiled. “I feel like I need to mark my territory.” “Shut up.” “Oh, I love it when you get all bossy-pants. It’s sexy.
”
”
Jennifer L. Armentrout (Opal (Lux, #3))
“
Every heart sings a song, incomplete, until another heart whispers back."
-Plato
”
”
Jessica Clare (Stranded with a Billionaire (Billionaire Boys Club, #1))
“
And this, I think, is my ultimate fatal flaw. Missing people who don’t miss me back. Clinging on to strands of string that shouldn’t mean half as much as they do. It takes so little for me to love someone, yet so long for me to move on.
”
”
Ann Liang (This Time It's Real)
“
Tears stung her eyes. She sank her knees next to the sleeping bench and gently raked strands of golden hair from him forehead.
"Don't you die. don't you dare. I forbid it." As if Han Alister had ever listened to anything she said.
”
”
Cinda Williams Chima (The Gray Wolf Throne (Seven Realms, #3))
“
I'll be all the poets, I'll kill them all and take each one's place in turn, and every time love's written in all the strands it will be to you.
”
”
Amal El-Mohtar (This Is How You Lose the Time War)
“
It is the tenderness that breaks our hearts. The loveliness that leaves us stranded on the shore, watching the boats sail away. It is the sweetness that makes us want to reach out and touch the soft skin of another person. And it is the grace that comes to us, undeserving though we may be.
”
”
Robert Goolrick (The End of the World as We Know It: Scenes from a Life)
“
I will love you to ruination,” the Fairy King said, brushing a strand of golden hair from my cheek. “Yours or mine?” I asked. The Fairy King did not answer.
”
”
Ava Reid (A Study in Drowning (A Study in Drowning, #1))
“
Even this late it happens:
the coming of love, the coming of light.
”
”
Mark Strand (Selected poems)
“
I would not have you be alone, Lina, not in your joys or your sorrows. I would wish your strand knotted to mine, always.
”
”
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
“
Sometimes I get the feeling that I'm
stranded in the wrong time
where love is just a lyric in a children's rhyme
”
”
Bil Keane
“
He took a hairpin out of my untidy hair (by now my complicated arrangement of ringlets must have looked as if a couple of birds had been nesting there); he took a strand of it and wound it around his finger. With his other hand he began stroking my face, and then he bent down and kissed me again, this time very cautiously. I closed my eyes - and the same thing happened as before: my brain suffered that delicious break in transmission.
”
”
Kerstin Gier (Ruby Red (Precious Stone Trilogy, #1))
“
I have realized that the moon
did not have to be full for us to love it.
That we are not tragedies
stranded here beneath it.
”
”
Buddy Wakefield (Gentleman Practice)
“
Love is not control, Logan. Love is partnership. Friendship. A wise man once said, 'If you want to be loved, be lovable.
”
”
Jessica Clare (Stranded with a Billionaire (Billionaire Boys Club, #1))
“
A light which lives on what the flames devour,
a grey landscape surrounding me with scorch,
a crucifixion by a single wound,
a sky and earth that darken by each hour,
a sob of blood whose red ribbon adorns
a lyre without a pulse, and oils the torch,
a tide which stuns and strands me on the reef,
a scorpion scrambling, stinging in my chest--
this is the wreath of love, this bed of thorns
is where I dream of you stealing my rest,
haunting these sunken ribs cargoed with grief.
I sought the peak of prudence, but I found
the hemlock-brimming valley of your heart,
and my own thirst for bitter truth and art.
- Stigmata of Love
”
”
Federico García Lorca
“
Don't go near the water, love.
Stay away from strand or sea.
You cannot walk on water, love;
The lough will take you far from me.
”
”
Amy Harmon (What the Wind Knows)
“
Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?”
“Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says.
“Your father? Why?” I ask.
“He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says.
“What? You’re making that up!” I exclaim.
“No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’”
“That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father.
“So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says.
“Oh, please,” I say, laughing.
“No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.”
“Without success,” I add.
“Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death.
It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true?
“You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.”
“I am now,” I say.
“Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!”
I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Everything is connected, like a delicate web. Ever growing, ever changing. New silvery strands come together every day, and once the strand is formed, no matter what superficial circumstances may sometimes keep you apart, it is never broken. You will meet again, perhaps in another lifetime. The connection is unbreakable, lying dormant in your subconscious.
”
”
Chelsie Shakespeare (The Pull)
“
What are you doing following me around the back streets of London, you little idiot?” Will demanded, giving her arm a light shake.
Cecily’s eyes narrowed. “This morning it was cariad (note: Welsh endearment, like ‘darling’ or ‘love’), now it’s idiot.”
“Oh, you’re using a Glamour rune. There’s one thing to declare, you are not afraid of anything when you live in the country. But this is London.”
“I’m not afraid of London,” Cecily said defiantly.
Will leaned closer, almost hissing in her ear *and said something very complicated in Welsh*
She laughed. “No, it wouldn’t do you any good to tell me to go home. You are my brother, and I want to go with you.”
Will blinked at her words.
You are my brother, and I want to go with you.
It was the sort of thing he was used to hearing Jem say.
Although Cecily was unlike Jem in every other conceivable possible way, she did share one quality with him. Stubbornness. When Cecily said she wanted something, it did not express an idle desire, but an iron determination.
“Do you even care where I’m going?” he said. “What if I were going to hell?”
“I’ve always wanted to see hell,” Cecily said. “Doesn’t everyone?”
“Most of us spend our time trying to stay out of it, Cecily. I’m going to an ifrit den, if you must know, to purchase drugs from vile, dissolute criminals. They may clap eyes on you, and decide to sell you.”
“Wouldn’t you stop them?”
“I suppose it would depend on whether they cut me a part of the profit.”
She shook her head. “Jem is your parabatai,” she said. “He is your brother, given to you by the Clave, but I am your sister by blood. Why would you do anything for him, but you only want me to go home?”
“How do you know the drugs are for Jem?” Will said.
“I’m not an idiot, Will.”
“No, more’s the pity. Jem- Jem is like the better part of me. I would not expect you to understand. I owe him. I owe him this.”
“So what am I?” Cecily said.
Will exhaled, too desperate to check himself. “You are my weakness.”
“And Tessa is your heart,” she said, not angrily, but thoughtfully. “I am not fooled. As I told you, I’m not an idiot. And more’s the pity for you, although I suppose we all want things we can’t have.”
“Oh,” said Will, “and what do you want?”
“I want you to come home.” A strand of black hair was stuck to her cheek by the dampness, and Will fought the urge to pull her cloak closer about her, to make her safe as he had when she was a child.
“The Institute is my home,” Will sighed, and leaned his head against the stone wall. “I can’t stand out her arguing with you all evening, Cecily. If you’re determined to follow me into hell, I can’t stop you.”
“Finally,” she said provingly. “You’ve seen sense. I knew you would, you’re related to me.”
Will fought the urge to shake her.
“Are you ready?”
She nodded, and he raised his hand to knock on the door.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Freedom from stress, freedom from anxiety, freedom from depression; freedom is autonomy from all that stagnates growth in this ever complex and noisy world. By the fear of being in the unknown, we often overlook and forget the serene view of being on the raft: the glowing virgin stars, the gentle ways that the waves moves, and the endless possibilities that exist under the sun. The fundamental principle of freedom is to be lost and our state of mind never differs too far from this analogy of being stranded in the middle of the ocean.
”
”
Forrest Curran (Purple Buddha Project: Purple Book of Self-Love)
“
When I saw your strand of hair I knew that grief is love turned into an eternal missing.
”
”
Rosamund Lupton (Sister)
“
We can stick anything into the fog
and make it look like a ghost
but tonight
let us not become tragedies.
We are not funeral homes
with propane tanks in our windows,
lookin’ like cemeteries.
Cemeteries are just the Earth’s way of not letting go.
Let go.
Tonight
let’s turn our silly wrists so far backwards
the razor blades in our pencil tips
can’t get a good angle on all that beauty inside.
Step into this
with your airplane parts.
Move forward
and repeat after me with your heart:
“I no longer need you to fuck me as hard as I hated myself.”
Make love to me
like you know I am better
than the worst thing I ever did.
Go slow.
I’m new to this.
But I have seen nearly every city from a rooftop
without jumping.
I have realized
that the moon
did not have to be full for us to love it,
that we are not tragedies
stranded here beneath it,
that if my heart
really broke
every time I fell from love
I’d be able to offer you confetti by now.
But hearts don’t break,
y’all,
they bruise and get better.
We were never tragedies.
We were emergencies.
You call 9 – 1 – 1.
Tell them I’m having a fantastic time.
”
”
Buddy Wakefield
“
The Coming of Light
Even this late it happens:
the coming of love, the coming of light.
You wake and the candles are lit as if by themselves,
stars gather, dreams pour into your pillows,
sending up warm bouquets of air.
Even this late the bones of the body shine
and tomorrow’s dust flares into breath.
”
”
Mark Strand (The Late Hour)
“
The strands of DNA are like strings, and it’s as if I am a walking guitar, a musical being whose vibration can be heard as love.
”
”
Jarod Kintz (This Book is Not for Sale)
“
He seemed uncharacteristically nervous as he reached toward her cheek. He slowly took an errant pink strand of hair between his fingers and tucked it behind her ear. He was so careful, his fingers didn't even brush her skin, but he looked as if he wanted to.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
My life is not packaged,
Not tidy. There are leftover strands and jagged
Edges that cut even my friends.
”
”
Walter Dean Myers (Street Love)
“
I’ve already found the right person. I’m just waiting for her to be ready.
”
”
Jessica Clare (Stranded with a Billionaire (Billionaire Boys Club, #1))
“
A part of her wanted to tell him she still loved him, and that even though this love was hopeless and long over, it still consumed her year after year. It was a tangled hairball of feelings and she couldn't pull forth any one strand.
”
”
Ann Brashares (Sisterhood Everlasting (Sisterhood, #5))
“
Living in a female body, a Black body, an aging body, a fat body, a body with mental illness is to awaken daily to a planet that expects a certain set of apologies to already live on our tongues. There is a level of “not enough” or “too much” sewn into these strands of difference.
”
”
Sonya Renee Taylor (The Body Is Not an Apology: The Power of Radical Self-Love)
“
I was breathless, talking as fast as I could. I was afraid if I stopped talking, even for a second, I’d start sobbing again.
“Whoa, there.” Fang smiled and reached up, tracing a hand down the side of my face, winding strands of my hair around his fingers. “Stop talking and let me just tell you how great it is to wake up staring at your face. Okay?
”
”
James Patterson (Nevermore (Maximum Ride, #8))
“
If aught but death part thee and me, Emma,” he said, and pressed his lips to the strands. Emma closed her eyes as she whispered, “Julian. Julian. If aught but death part thee and me.
”
”
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
“
Over the lives borne from under the shadow of death there seems to fall the shadow of madness.
”
”
Joseph Conrad (Lord Jim)
“
I keep my kindness in my eyes
Gently folded around my iris
Like a velvety, brown blanket
That warms my vision
I keep my shyness in my hair
Tucked away into a ponytail
Looking for a chance to escape
On a few loose strands in the air
I keep my anger on my lips
Just waiting to unleash into the world
But trust me; it’s never in my heart
It evaporates into words
I keep my dignity upon my chin
Like a torch held up high
For those who have betrayed me
Radiating a silent, strong message
I keep my gratitude in my smile
A glistening waterfall in the sun
Gently splashing at that person
Who made me happy for some reason
I keep my sensitivity in my hands
Reaching out for your wet cheek
Holding you, with all the love
The love I want to share, and feel
I keep my passion in my writing
My words breathing like fire
Screeching against an endless road
As I continue to be inspired
I keep my simplicity in my soul
Spread over me like a clear sky
Reflecting all that I am
And all that’s ever passed me by
And I hope you will look
Beyond my ordinary face
My simple, tied hair
My ordinary tastes
And I hope you will see me
From everyone...apart
As I keep my beauty
in my heart.
”
”
Sanober Khan
“
She stood beside me for years, or was it a moment? I cannot remember. Maybe I loved her, maybe I didn't. There was a house, and then no house. There were trees, but none remain. When no one remembers, what is there? You, whose moments are gone, who drift like smoke in the afterlife, tell me something, tell me anything.
”
”
Mark Strand (Almost Invisible: Poems)
“
Her hands flew to her mouth. 'Are we even twins?'
Josh rested his hand on her shoulder and brought his forehead to rest against hers, strands of their blond hair mingling. 'I will always be your brother, Sophie. I will always look after you.
”
”
Michael Scott (The Enchantress (The Secrets of the Immortal Nicholas Flamel, #6))
“
To you who think you are lost or without hope, or who think you have done too much that was too wrong for too long, to every one of you who worry that you are stranded somewhere on the wintry plains of life and have wrecked your handcart in the process, we call out "Jehovah's unrelenting refrain, "My hand is stretched out still" (Isaiah 5:25: 9:17,21). "...His mercy endureth forever, and His hand is stretched out still. His is the pure love of Christ, the charity that never faileth, that compassion which endures even when all other strength disappears".
”
”
Jeffrey R. Holland
“
I miss you. I miss your smile. I miss your hand in mine. I miss your laugh when you're nervous. I wish to god I was hearing it right now. That hurricane was the best thing that ever happened to me because it brought you into my life.
”
”
Jessica Clare (Stranded with a Billionaire (Billionaire Boys Club, #1))
“
Shug Avery sat up in bed a little today. I wash and comb out her hair. She got the nottiest, shortest, kinkiest hair I ever saw, and I loves every strand of it.
”
”
Alice Walker (The Color Purple)
“
One day I wrote her name upon the strand,
But came the waves and washèd it away:
Again I wrote it with a second hand,
But came the tide, and made my pains his prey.
”
”
Edmund Spenser (Amoretti And Epithalamion)
“
Soldiers in the heat of battle; death-row prisoners; explorers stranded in deserts, jungles, on mountaintops; anyone sick or lost or just tired and bewildered: we all wanted our mothers.
”
”
Marisa de los Santos (Love Walked In (Love Walked In, #1))
“
His expression became serious, and his hand almost slipped from mine. "I've had a long time to think about it."
"This can't work!"
He looked down, then jerked his head up in frustration as his finger tightened on mine. "I'm not asking you to marry me, Rachel. I just ..."
My heart pounded, and he stepped closer, so close the scent of cinnamon and wine enveloped me.
"I like walking into a room and seeing your face light up when you see me," he said earnestly, the sun from the open window making his hair glow. "I like arguing with Quen over the wisdom of employing a demon to be my security."
My throat caught. This wasn't going to happen, but something in me was withering. I wanted more--and I knew I couldn't have it.
He touched my hair, and I twitched as he tucked a strand of hair behind my ear. “I want to wake up beside you, see your curls on my pillow. I want a chance at falling in love.”
My breath came fast. That was what I wanted too, and it hurt more than I thought was possible to survive.
”
”
Kim Harrison (The Undead Pool (The Hollows, #12))
“
I love that I’m the only one who sees you like this, all hot and bothered and fucking mine.” I sink my fingers in his silky strands and tug his head back so that I’m looking down on him. “You’re mine, not the other way around.
”
”
Rina Kent (God of Fury (Legacy of Gods, #5))
“
In books, I'd always felt like the Happily Ever After appeared as a new beginning, but for me, it didn't feel like that. My Happily Ever After was a strand of strung-together happy-for-nows, extending back not just to a year ago, but to thirty years before. Mine had already begun, and so this day was neither an ending nor a beginning.
It was just another good day. A perfect day. A happy-for-now, so vast and deep that I knew — or rather believed — I didn't have to worry about tomorrow.
”
”
Emily Henry (Beach Read)
“
We're on speaking terms today. I say, Maybe we should hang out with the boys, and you shake your head. I want to spend time with you, you say. If we're still good, next week maybe.
That's the most we can hope for. Nothing thrown, nothing said that we might remember for years. You watch me while you put a brush through your hair. Each strand that breaks is as long as my arm. You don't want to let go, but don't want to be hurt, either. It's not a great place to be but what can I tell you?
”
”
Junot Díaz (This Is How You Lose Her)
“
Falling in love with a place and falling in love with a person are related adventures. At first we run around street corners giggling and explore every inch of each other’s skin, over the years we get to know every cobblestone and strand of hair and snore, and the waters of time soften our passion into unfailing love, and in the end the eyes we wake up next to and the horizon outside our window are the same thing: home.
”
”
Fredrik Backman (The Winners (Beartown, #3))
“
Gossamer strands of memory flutter over her face and eyes in their furious journey back into the almost-forgotten past. Smells, feelings, images, and body sensations all coalesce into a mural of previous connections with this place.
”
”
Kathy Martone (Victorian Songlight: The Birthings of Magic & Mystery)
“
Those hours given over to basking in the glow of an imagined
future, of being carried away in streams of promise by a love or
a passion so strong that one felt altered forever and convinced
that even the smallest particle of the surrounding world was
charged with purpose of impossible grandeur; ah, yes, and
one would look up into the trees and be thrilled by the wind-
loosened river of pale, gold foliage cascading down and by the
high, melodious singing of countless birds; those moments, so
many and so long ago, still come back, but briefly, like fireflies
in the perfumed heat of summer night.
”
”
Mark Strand (Almost Invisible: Poems)
“
I was rubbing the pieces of bacon like they were strands of a lover’s hair. Of course they weren’t, because all my exes had hair like scrambled eggs.
”
”
Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
“
Love was feeling the person everywhere, under your skin, in every strand of your hair, in your heart, in your bones, in the tone of your voice when you said their name. Love wasn’t always about being with the person, it was feeling that your world was better just because they lived. Even if you weren’t ever going to be together, he was the air you breathed, invisible but everywhere.
”
”
Jacqueline Simon Gunn (Where You'll Land (Where You'll Land #1))
“
I watch her closely. The slight twitch in her nose as she laughs. The few stray strands that fly all over her face. The flushed skin due to running. The rosy lips. She’s so fucking beautiful. And she’s happy. The fact that she erased me this fast deepens the dark hole inside my chest. If she can get over me so quickly, why the fuck has she told me she loved me? Empty words. Empty promises.
”
”
Rina Kent (Twisted Kingdom (Royal Elite, #3))
“
And music, our music, will swell and then unwind like two strands of melody at last entwined. Fulfill us! Complete us! Make us whole! Seal our bond forevermore! Tonight for me, embrace your destiny! Let me hear you sing once more!
”
”
Andrew Lloyd Webber (Love Never Dies: Phantom: The story continues...)
“
Being under stress is like being stranded in a body of water. If you panic, it will cause you to flail around so that the water rushes into your lungs and creates further distress. Yet, by calmly collecting yourself and using controlled breathing you remain afloat with ease.
”
”
Alaric Hutchinson (Living Peace: Essential Teachings For Enriching Life)
“
Would you rather you were able to experience the reunion with a long-lost set of parents who had been suffering for years missing and loving you or would you rather they weren't hurting while you were raised by human parents who adore you?"
Laurel swallowed. "I hadn't thought of it that way."
Tamani smiled softly and lifted a hand to her face, tucking a strand of hair behind her ear and letting his thumb rest on her cheek. "Trust me, it's no picnic missing you. I wouldn't wish it on anyone.
”
”
Aprilynne Pike (Spells (Wings, #2))
“
Neither time nor space can sever the strands of life between those we love, not really.
”
”
Pierce Brown (Dark Age (Red Rising Saga #5))
“
I saw a pattern forming, like a series of skipping stones that sent ripples through the generations: all the granddaughters and grandmothers who loved each other, all the mothers left stranded in between.
”
”
Nadja Spiegelman (I'm Supposed to Protect You from All This)
“
Listen Morty, I hate to break it to you, but what people calls "love" is just a chemical reaction
that compels animals to breed. It hits hard, Morty, then it slowly fades, leaving you stranded in a
failing marriage. I did it. Your parents are gonna do it. Break the cycle, Morty. Rise above. Focus
on science.
”
”
Justin Roiland (The Art of Rick and Morty)
“
Bad news? The person driving said Aston Martin was the last person I wanted—or expected—to pick me up. He wasn’t an I’ll do my buddy a favor and rescue his stranded little sister kinda guy. He was a look at me wrong and I’ll destroy you and everyone you care about kinda guy, and he’d do it looking so calm and gorgeous you wouldn’t notice your world burning down around you until you were already a heap of ashes at his Tom Ford-clad feet.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
I wrote too many poems in a language I did not yet know how to speak
But I know now it doesn't matter how well I say grace
if I am sitting at a table where I am offering no bread to eat
So this is my wheat field
you can have every acre, Love
this is my garden song
this is my fist fight
with that bitter frost
tonight I begged another stage light to become that back alley street lamp that we danced beneath
the night your warm mouth fell on my timid cheek
as i sang maybe i need you
off key
but in tune
maybe i need you the way that big moon needs that open sea
maybe i didn't even know i was here til i saw you holding me
give me one room to come home to
give me the palm of your hand
every strand of my hair is a kite string
and I have been blue in the face with your sky
crying a flood over Iowa so you mother will wake to Venice
Lover, I smashed my glass slipper to build a stained glass window for every wall inside my chest
now my heart is a pressed flower and a tattered bible
it is the one verse you can trust
so I'm putting all of my words in the collection plate
I am setting the table with bread and grace
my knees are bent
like the corner of a page
I am saving your place
”
”
Andrea Gibson
“
Lines for Winter"
Tell yourself
as it gets cold and gray falls from the air
that you will go on
walking, hearing
the same tune no matter where
you find yourself—
inside the dome of dark
or under the cracking white
of the moon's gaze in a valley of snow.
Tonight as it gets cold
tell yourself
what you know which is nothing
but the tune your bones play
as you keep going. And you will be able
for once to lie down under the small fire
of winter stars.
And if it happens that you cannot
go on or turn back
and you find yourself
where you will be at the end,
tell yourself
in that final flowing of cold through your limbs
that you love what you are.
”
”
Mark Strand (Selected Poems of Mark Strand)
“
For a long while we just stood there, looking down at the profound and fleshless grin. The body had apparently once lain in the attitude of an embrace, but now the long sleep that outlasts love, that conquers even the
grimace of love, had cuckolded him. What was left of him, rotted beneath what was left of the nightshirt, had become inextricable from the bed in which he lay; and upon him and upon the pillow beside him lay that even coating of the patient and biding dust.
Then we noticed that in the second pillow was the indentation of a head. One of us lifted something from it, and leaning forward, that faint and invisible dust dry and acrid in the nostrils, we saw a long strand of iron-grey hair.
”
”
William Faulkner (A Rose for Emily and Other Stories)
“
What about your freedom?" he whispered in her ear over a minute later, bracing his hands palms down on the wall beside her head. He made no move to stop her as she stroked and petted every inch of that sinfully gorgeous chest, all hard muscle and gleaming skin overlaid with silky-rough strands of dark hair.
"Idiot." She nipped his jaw with her teeth. "The only freedom I ever wanted was the right to love you.
”
”
Nalini Singh (An Enchanted Season (Psy-Changeling, #0.5; Murphy Sisters, #1))
“
She had time to make room for him in her closet. The cat had time to get used to him. They had all the time they needed, because he'd told her he was hers, and he was a man of his word. "I've got all I need," she told him.
He leaned down and kissed her again, then stroked a finger over her temple, tucking a loose strand of hair behind her ear. "I want you to know," he said. "That you're the best choice I ever made."
"No regrets?"
"No regrets.
”
”
Jill Shalvis (Lucky in Love (Lucky Harbor, #4))
“
One Day I Wrote Her Name Upon the Strand
One day I wrote her name upon the strand,
But came the waves and washèd it away:
Again I wrote it with a second hand,
But came the tide and made my pains his prey.
Vain man (said she) that dost in vain assay
A mortal thing so to immortalise;
For I myself shall like to this decay,
And eke my name be wipèd out likewise.
Not so (quod I); let baser things devise
To die in dust, but you shall live by fame;
My verse your virtues rare shall eternise,
And in the heavens write your glorious name:
Where, when as Death shall all the world subdue,
Our love shall live, and later life renew.
”
”
Edmund Spenser (Amoretti And Epithalamion)
“
I must be drunk on moonlight to tell you this…but after I left you at Sparrow Inn, I…I couldn’t stop thinking about you. I didn’t know anything about you, and yet I had never met anyone so determined—or brazen. Not even Megari.” He laughed, then his expression turned serious once more. “Somehow, I knew I would see you again. It was as if I could feel our strands crossing. Yet when you came to Iro, you seemed different. Sadder, more withdrawn. I’d look for you in the kitchen as Pao and I walked around the castle. I wanted to make you smile.
”
”
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
“
He laughed. “Kelsey, we all have some animalistic tendencies. I loved hunting, even when I was young.”
I shuddered. “Fine. Just keep your animalistic tendencies to yourself.”
He leaned toward me again and pulled on a strand of my hair. “Now, Kells, there are some of my animalistic tendencies that you seem to like.” He started making a rumbling sound in his chest, and I realized that he was purring.
“Stop that!” I sputtered
”
”
Colleen Houck
“
THE ELFIN KNIGHT
Are you going to Scarborough Fair?
Parsley, sage, rosemary, and thyme
Remember me to one who lives there
She must be a true love of mine
Tell her she'll sleep in a goose-feather bed
Parsley, sage, rosemary, and thyme
Tell her I sear she'll have nothing to dread
She must be a true love of mine
Tell her tomorrow her answer make known
Parsley, sage, rosemary, and thyme
What e'er she may say I'll not leave her alone
She must be a true love of mine
Her answer came in a week and a day
Parsley, sage, rosemary, and thyme
I'm sorry good sir, I must answer thee nay
I'll not be a true love of thine
From the sting of my curse she can never be free
Parsley, sage, rosemary, and thyme
Unless she unravels my riddlings three
She will be a true love of mine
Tell her to make me a magical shirt
Parsley, sage, rosemary, and thyme
Without any seam or needlework
Else she'll be a true love of mine
Tell her to find me an acre of land
Parsley, sage, rosemary, and thyme
Between the salt water and the sea strand
Else she'll be a true love of mine
Tell her to plow it with just a goat's horn
Parsley, sage, rosemary, and thyme
And sow it all over with one grain of corn
Else she'll be a true love of mine
And her daughters forever possessions of mine
”
”
Nancy Werlin (Impossible (Impossible, #1))
“
Katie had soft features and a wide, honest smile that gave her a certain kind of understated grace. She’d worn her dark chocolate hair in a cute pixie cut when I’d met her, but she’d recently started to grow it out, and now fought endlessly with several unruly strands of hair that fell down over her eyes whenever she made the slightest move. She was charming and teasing and sweet and funny, and in the three months since her first visit even the most cynical of the hotel’s regular customers had fallen a little bit in love with her.
”
”
Andy Marr (Hunger for Life)
“
In many places along this narrow, curving strand of pavement, the forest threads tree limbs overhead in a latticework canopy that leads one to think of the sacredness of cathedrals. Once you enter this hallowed space, the temperature drops dramatically and a world of virtual silence wraps you in a cocoon of serenity and grace. For Kate, it is a destination in and of itself, this magnificent temple of embracing trees, limbs arching overhead with long arms of wooded skin, reaching for their beloved partners on the other side of the road, seeking communion and the joining of lovers.
”
”
Kathy Martone (Victorian Songlight: The Birthings of Magic & Mystery)
“
I see the way he looks at you, something I haven't seen in him since the day we lost Ariella. And...I know you love him in a way you can't love me.” He looked away, just for a moment, and took a deep breath. “Jealousy isn't something we deal with well,” he admitted. “But some of us have been around long enough to know when to let go, and what is most important. The happiness of my two best friends should be more important than some ancient feud.” Stepping close, he placed a palm on my cheek, brushing a strand of hair from my face. Glamour flared up around him, casting him in a halo of emerald light. In that moment, he was pure fey, unbound by shallow human fears and embarrassment, a being as natural and ancient as the forest. “I have always loved you, princess,” Robin Goodfellow promised, his green eyes shining in the darkness. “I always will. And I'll take whatever you can give me.
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
MY BETH.
Sitting patient in the shadow
Till the blessed light shall come,
A serene and saintly presence
Sanctifies our troubled home.
Earthly joys and hopes and sorrows
Break like ripples on the strand
Of the deep and solemn river
Where her willing feet now stand.
O my sister, passing from me,
Out of human care and strife,
Leave me, as a gift, those virtues
Which have beautified your life.
Dear, bequeath me that great patience
Which has power to sustain
A cheerful, uncomplaining spirit
In its prison-house of pain.
Give me, for I need it sorely,
Of that courage, wise and sweet,
Which has made the path of duty
Green beneath your willing feet.
Give me that unselfish nature,
That with charity divine
Can pardon wrong for love's dear sake—
Meek heart, forgive me mine!
Thus our parting daily loseth
Something of its bitter pain,
And while learning this hard lesson,
My great loss becomes my gain.
For the touch of grief will render
My wild nature more serene,
Give to life new aspirations,
A new trust in the unseen.
Henceforth, safe across the river,
I shall see for evermore
A beloved, household spirit
Waiting for me on the shore.
Hope and faith, born of my sorrow,
Guardian angels shall become,
And the sister gone before me
By their hands shall lead me home.
”
”
Louisa May Alcott (Good Wives)
“
Celia had loved the sea. Loved the whitecaps that foamed like milk, the waltz of sunlight atop the peaks. Kasey did not. The sea was a trillion strands of hair, infinitely tangled on the surface and infinitely dense beneath. It distorted time: Minutes passed like hours and hours passed like minutes out there. It distorted space, made the horizon seem within reach.
And it was the perfect place for hiding secrets.
”
”
Joan He (The Ones We're Meant to Find)
“
Being together isn’t about a honeymoon. It’s about the real you and me. I want to wake up with you beside me in the mornings, I want to spend my evenings looking at you across the dinner table. I want to share every mundane detail of my day with you and hear every detail of yours. I want to laugh with you and fall asleep with you in my arms. Because you aren’t just someone I loved back then. You were my best friend, my best self, and I can’t imagine giving that up again.” He hesitated, searching for the right words. “You might not understand, but I gave you the best of me, and after you left, nothing was ever the same.” Dawson could feel the dampness in his palms. “I know you’re afraid, and I’m afraid, too. But if we let this go, if we pretend none of this ever happened, then I’m not sure we’ll ever get another chance.” He reached up, brushing a strand of hair from her eyes. “We’re still young. We still have time to make this right.
”
”
Nicholas Sparks (The Best of Me)
“
You do me proud, Captain. But, dear, I want to say one thing and then I'm done; for you don't need much advice of mine after my good man has spoken. I read somewhere that every inch of rope in the British Navy has a strand of red in it, so wherever a bit of it is found it is known. That is the text of my little sermon to you. Virtue, which means honour, honesty, courage, and all that makes character, is the red thread that marks a good man wherever he is. Keep that always and everywhere, so that even if wrecked by misfortune, that sign shall still be found and recognized. Yours is a rough life, and your mates not all we could wish, but you can be a gentleman in the true sense of the word; and no matter what happens to your body, keep your soul clean, your heart true to those who love you, and do your duty to the end.
”
”
Louisa May Alcott (Jo's Boys (Little Women, #3))
“
Love is art, not truth. It's like painting a scenery.' These are the things one takes from mothers. Once they die, of course, you get the strand of pearls, the blue quilt, some of the original wedding gifts - a tray shellacked with the invitation, an old rusted toaster - but the touches and the words and the moaning the night she dies, these are what you seize, save, carry around in little invisible envelopes, opening them up quickly, like a carnival huckster, giving the world a peek. They will not stay quiet. No matter how you try.
”
”
Lorrie Moore (Self-Help)
“
Yeah, I must have been really bad in a past life or something." He smiled, his eyes still in pain. Reaching up, he touched a strand of mt hair. " Don't leave, OK?"
"Shhh. I'm not going anywhere." I kept stroking his forehead, trailing my fingers across it. His muscular shoulders gradually relaxed, his eyes closing again. His breathing slowed, became more regular.
I could hear the TV on in the other room, the sound of voices. None of it mattered to me. I stayed there until long after Alex had fallen asleep-- gently caressing the vbrow of the boy I loved, trying to keep his pain at bay.
”
”
L.A. Weatherly
“
She's watching me: strands of hair stand between me and a full view of her face. She's beautiful, but in a shameful way. One I'm not sure I'm supposed to appreciate. Everything about her is captivating, like the aftermath of a storm. People aren't supposed to get pleasure out of the destruction Mother Nature is capable of, but we want to stare anyway. Charlie is the devastation left in the wake of a tornado.
”
”
Colleen Hoover (Never Never (Never Never, #1))
“
I will tell you about the lady I loved."
The girls settled together on the entrance steps, not even breathing, for fear it would rustle the rosebushes about them and mask Mr. Keeper's words. Mr. Keeper stood unmoving on the dance floor.
"Once upon a time," he said. His voice dripped in silk strands. "There was a High King, who wanted more than anything to kill the Captain General who incited a rebellion against him. It consumed him. The desire to kill the Captain General filled him to his core, and he spent every breath, every step, thinking of ways to murder the Captain General.
"But he was old, and time passed, as it always does."
Mr. Keeper paused. Bramble cast a slightly bemused glance at Azalea, her eyebrow arched.
"So," Mr. Keeper continued, "he took an oath. He filled a wine flute to the brim with blood. And he swore, on that blood, to kill the Wentworth General, and that he would not die until he did.
"And then, he drank it.
"The end."
There was a very ugly, naked silence after that. The girls' mouths gaped in perfect Os.
"Sorry?" said Delphinium. "I missed the part about the lady?"
"Ah," said Mr. Keeper. "The blood. It was hers.
”
”
Heather Dixon Wallwork (Entwined)
“
Do the lovers know
that when they whisper these poems
they are commemorating our love?
Do they ever think of you and me
or only of themselves?
Do they know that I once found
a strand of your hair
and wore it around my neck
like a necklace?
That I kiss your hands
more than I kiss your lips?
Do they realise that our love
and their love
are drops in the universe’s ocean of love
and that without any of these drops,
the ocean would be
less?
”
”
Kamand Kojouri
“
Filled with rapture, his soul yearned for freedom, space, vastness. Over him the heavenly dome, full of quiet, shining stars, hung boundlessly. From the zenith to the horizon the still-dim Milky Way stretched its double strand. Night, fresh and quiet, almost unstirring, enveloped the earth. The white towers and golden domes of the church gleamed in the sapphire sky. The luxuriant autumn flowers in the flowerbeds near the house had fallen asleep until morning. The silence of the earth seemed to merge with the silence of the heavens, the mystery of the earth touched the mystery of the stars... Alyosha stood gazing and suddenly, as if he had been cut down, threw himself to the earth.
He did not know why he was embracing it, he did not try to understand why he longed so irresistibly to kiss it, to kiss all of it, but he was kissing it, weeping, sobbing, and watering it with his tears, and he vowed ecstatically to love it, to love it unto ages of ages. "Water the earth with the tears of your joy, and love those tears...," rang in his soul. What was he weeping for? Oh, in his rapture he wept even for the stars that shone on him from the abyss, and "he was not ashamed of this ecstasy." It was as if threads from all those innumerable worlds of God all came together in his soul, and it was trembling all over, "touching other worlds." He wanted to forgive everyone and for everything, and to ask forgiveness, oh, not for himself! but for all and for everything, "as others are asking for me," rang again in his soul. But with each moment he felt clearly and almost tangibly something as firm and immovable as this heavenly vault descend into his soul. Some sort of idea, as it were, was coming to reign in his mind-now for the whole of his life and unto ages of ages. He fell to the earth a weak youth and rose up a fighter, steadfast for the rest of his life, and he knew it and felt it suddenly, in that very moment of his ecstasy. Never, never in all his life would Alyosha forget that moment. "Someone visited my soul in that hour," he would say afterwards, with firm belief in his words...
”
”
Fyodor Dostoevsky
“
SCARBOROUGH FAIR, or, THE LOVER'S PROMISE
(Lucy:)
Are you going to Scarborough Fair?
Parsley, sage, rosemary, and thyme
Remember me to one who lives there
Always he'll be a true love of mine
Tell him I've made him a magical shirt
Parsley, sage, rosemary, and thyme
Without any seam or needlework
Always he'll be a true love of mine
(Zach:)
Tell her she's found me an acre of land
Parsley, sage, rosemary, and thyme
Between the salt water and the sea strand
That makes her a true love of mine
Tell her she's plowed it with just a goat's horn
Parsley, sage, rosemary, and thyme
She's sowed it all over with one grain of corn
Yes, she is a true love of mine
And her daughter forever a daughter of mine
(Together:)
Are you going to Scarborough Fair?
Parsley, sage, rosemary, and thyme
Remember us to all who live there
Ours will be true love for all time
”
”
Nancy Werlin (Impossible (Impossible, #1))
“
You could have ruled the world with your power,' he said carefully.
'I don't want to rule the world.' Her eyes were unguarded in a way he had never seen. Mate, she had called him.
'What do you want?' Cassian managed to ask, voice rasping.
She smiled, and damn if it wasn't the loveliest thing he'd ever seen. 'You.'
'You've had me from the moment you met me.'
She tucked a strand of hair behind an arched ear. 'I know.'
He brushed a kiss over her mouth. But Nesta said, 'I want a disgustingly ornate mating ceremony.
He laughed, pulling away. 'Really?'
'Why not?'
'Because I'll never hear the end of it from Azriel and Mor.' Or the Illyrians.
Nesta considered. Then pulled something out of her pocket. A small biscuit, swiped from a tray in the birthing room. 'Then here. Food. From me to you, my mate. That's the official ritual, isn't it? The sharing of food from one mate to the other?'
He choked. 'These are my two options? A frilly mating ceremony or a stale biscuit?'
Her face filled with such true light, it nearly stole the breath from him. 'Yes.'
So Cassian laughed again, and folded her fingers around the pathetic biscuit, leaning to whisper in her ear, 'We'll make a coronation of it, Nes.'
'I already have a crown,' she said. 'I just want you.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
Running in the rain steals my breath. Ruins it. Smashes it. Nearly eradicates it. When I arrive home, my soaked clothes are stuck to my skin. My shoes are slouching. My toes are cold and stiff. Erratic strands of my hair stick to my temples and forehead, dripping all over me. I stand in our small garden, catching my breath, and press a shaky palm to my chest. My heart’s palpitations grow uneven and out of beat as if protesting. I close my eyes and tip my head back, letting the rain beat down on me. Soak me. Rinse me. The droplets pound on my closed lids almost like a soothing caress. I’ve always loved the rain. The rain camouflaged everything. No one saw the tears. No one noticed the shame or the humiliation. It was just me, the clouds, and the pouring water. But that’s the thing about the rain, isn’t it? It’s only a camouflage, a temporary solution. It can only rinse the outside. It can’t seep under my skin and wash away my shaky insides. Wiping away my memories isn’t an option either. It’s been barely an hour since Aiden had his hands on me – all over me. I can still feel it. His breath. His nearness. His psychotic eyes.
”
”
Rina Kent (Deviant King (Royal Elite, #1))
“
Here the bonds of marriage are formed. For marriage, which is always spoken of as a bond becomes actually, in this stage, many bonds, many strands, of different texture and strength, making up a web that is taut and firm. The web is fashioned of love. Yes, but many kinds of love: romantic love first, then a slow-growing devotion and, playing through these, a constantly rippling companionship. It is made of loyalties, and interdependencies, and shared experiences. It is woven of memories of meeting and conflicts; of triumphs and disappointments. It is a web of communication, a common language, and the acceptance of lack of language, too; a knowledge of like and dislikes, of habits and reactions, both physical and mental. It is a web of instincts and intuitions, and known and unknown exchanges. The web of marriage is made by propinquity, in the day to day living side by side, looking outward and working outward in the same direction. It is woven in space and in time of the substance of life itself.
”
”
Anne Morrow Lindbergh (Gift from the Sea)
“
It’s everything, isn’t it? It’s the quiet dinners when not much gets said. It’s the sunny days at the beach. It’s hearing your laughter in my head when I see Kayla giggling. It’s seeing the love in your eyes when you watch our baby sleep. It’s watching the sun rise in your smile and set in your tears. It’s the contentment in seeing you eat and sleep and study and play. It’s the small, everyday things, like never getting tired of watching you tuck that same stubborn strand of hair behind your ear twenty times a day, and it’s the huge life-altering things like seeing your smile and my eyes on our beautiful little girl’s face. It’s knowing that even if you turn away from me forever, I’ll always be the better for having had you in my life.
”
”
Natasha Anders (A Husband's Regret (Unwanted, #2))
“
I must go now”, she said slowly and slipped her hand from his. Aarav looked at her face.. the water droplets pretended to be some shining gems embedded on a fine piece of white marble and a few strands of wet hair across, like some graceful ancient art on it. It took him a while to understand what she said. She just smiled softly with a hint of shyness. He kept looking at her.. the strands still intact, bothering him for some unknown reason. He raised his hand slowly towards her face.. her smile ceased with the movement. His dark brown eyes laid firm on her black ones, hearts pounding like door knocks.. he touched her face with his finger.. she half closed her eyes.
”
”
Syed Arshad (If It's Not Love)
“
There were just all those evenings we sat together and it doesn't seem possible that it will never be again. It was like we were the only two people in the world. No one will ever understand how happy we were...I could sit there all night watching her, just the shape of her head and the way the hair fell from it with a special curve, so graceful it was, like the shape of a swallow-tail. It was like a veil or a cloud, it would lie like silk strands all untidy and loose but lovely over her shoulders, I wish I had words to describe it like a poet would or an artist. She had a way of throwing it back when it had fallen too much forward, it was just a simple natural movement. Sometimes I wanted to say to her, please do it again, please let your hair fall forward and toss it back. Only of course it would have been stupid. Everything she did was delicate like that. Just turning a page. Standing up or sitting down, drinking, smoking, anything. Even when she did things considered ugly, like yawning or stretching, she made it seem pretty. The truth was she couldn't do ugly things. She was too beautiful.
”
”
John Fowles (The Collector)
“
So will your father object to me? Because I'm not American? I mean, not fully American? He's not one of those mad, patriotic nuts,is he?"
"No.He'll love you,because you make me happy.He's not always so bad."
St. Clair raises his dark eyebrows.
"I know! But I said not always. He still is the majority of the time.It's just...he means well. He thought he was doing good,sending me here."
"And was it? Good?"
"Look at you,fishing for compliments."
"I wouldn't object to a compliment."
I play with a strand of his hair. "I like how you pronounce 'banana.' Ba-nah-na. And sometimes you trill your r's. I love that."
"Brilliant," he whispers in my ear. "Because I've spent loads of time practicing."
My room is dark,and Etienne wraps his arms back around me.We listen to the opera singer in a peaceful silence.I'm surprised by how much I'll miss France. Atlanta was home for almost eighteen years,and though I've only know Paris for the last nine months,it's changed me.I have a new city to learn next year,but I'm not scared.
Because I was right.For the two of us, home isn't a place.It's a person.
And we're finally home.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Starkly in an instant she saw herself as she really was-alone in a wood standing among blue shadows with no sounds and the air a sort of black ice. She had no coat. All the people she’d known had forgotten her. Her mother, biting off thread between her teeth, couldn’t hear her, and her father with his eyes turned sorrowfully inward did not see her. They never had. Those she loved did not need her. Lila and Carl danced together in a bubble. Ralph Eastman picked lint from his sleeve. Buddy tucked in his shirttails, jumped in a truck and drove away. Fiona Speed showed the back of her hat, heading downtown in a cab. They all had more important concerns, they were all in their own lives, and there was no room for her. At night their doors were shut and through lit windows she could see them consulting one another, checking the baby, looking after business, licking envelopes, turning back the bedcover, shutting off the light switch, while she was left stranded out in the chill night in the true human state, lost, in the dark, alone.
”
”
Susan Minot (Evening)
“
So I pointed at the sun ascending in the horizon. Just as the darkened sky began to lighten. "Keep your eyes there."
Her green ones flickered to me before following my finger. Her pulse picked up speed. "And what happens when it disappears?"
I would've loved to tell her that it never would. That no matter where we were the sun would always be present. But it wouldn't have been true.
The only thing we could count on was that the sun would rise again.
"Wait for it to return," I told her.
She gave me the saddest smile I'd ever fucking seen. "That's an awfully long time."
For some people, I knew a minute could seem like an infinity. So maybe one night seemed like forever to Daisy.
"Hey, Calloway," I said softly, tucking a flyaway strand of hair behind her ear, one that escaped her pony.
"Hey," she whispered back.
"You ready to feel your fucking heart burst out of your chest?"
Her features illuminated tenfold. And she said quietly, "Yes.
”
”
Krista Ritchie (Long Way Down (Calloway Sisters, #4))
“
Time, in our experience, is linear, but in truth time is also looped. It is like a piece of yarn, in which each section of the strand twists and winds around every other - a complicated and complex knot, in which one part cannot be viewed out of context from the others. Everything touches everything else. Everything affects everything else. Each loop, each bend, each twist interact with each other. It is all connected, and it is all one.
But every once in a while, there are experiences that slice all the other moments apart - stark, singular things that mark the difference between Before and After. These moments are singular, separate from the knot. Separate even from the thread. They can't be tugged at or loosened. They cannot be wound into something lovely or intricate or delicate. They do not interact seamlessly with the fabric of a life. .They are of another substance entirely. Unstuck in time, and out of sync with a life's patterns and processes.
”
”
Kelly Barnhill (When Women Were Dragons)
“
I wish I could give you your due,” Rangi muttered after some time had passed. “The wisest teachers. Armies to defend you. A palace to live in.” Kyoshi raised an eyebrow. “The Avatar gets a palace?” “No, but you deserve one.” “I don’t need it,” Kyoshi said. She smiled into Rangi’s hair, the soft strands caressing her lips. “And I don’t need an army. I have you.” “Psh,” Rangi scoffed. “A lot of good I’ve been so far. If I were better at my job you would never feel scared. Only loved. Adored by all.” Kyoshi gently nudged Rangi’s chin upward. She could no more prevent herself from doing this than she could keep from breathing, living, fearing. “I do feel loved,” she declared. Rangi’s beautiful face shone in reflection. Kyoshi leaned in and kissed her. A warm glow mapped Kyoshi’s veins. Eternity distilled in a single brush of skin. She thought she would never be more alive than now. And then— The shock of hands pushing her away. Kyoshi snapped out of her trance, aghast. Rangi had flinched at the contact. Repelled her. Viscerally, reflexively. Oh no. Oh no. This couldn’t—not after everything they’d been through—this couldn’t be how it— Kyoshi shut her eyes until they hurt. She wanted to shrink until she vanished within the cracks of the earth. She wanted to become dust and blow away in the wind. But the sound of laughter pulled her back. Rangi was coughing, drowning herself with her own tears and mirth. She caught her breath and retook Kyoshi by the hips, turning to the side, offering up the smooth, unblemished skin of her throat. “That side of my face is busted up, stupid,” she whispered in the darkness. “Kiss me where I’m not hurt.
”
”
F.C. Yee (Avatar: The Rise of Kyoshi (The Kyoshi Novels, #1))
“
I stood as she straightened and snaked my arms around her, pulling her close to me, savoring the feel of every delicate curve. For three weeks, I spent my time convincing myself that our breakup was the right choice. But being this close to her, hearing her laugh, listening to her voice, I knew I had been telling myself lies.
Her eyes widened when I lowered my head to hers. “It doesn’t have to be this way. We can find a way to make us work.”
She tilted her head and licked her lips, whispering through shallow breaths, “You’re not playing fair.”
“No, I’m not.” Echo thought too much. I threaded my fingers into her hair and kissed her, leaving her no opportunity to think about what we were doing. I wanted her to feel what I felt. To revel in the pull, the attraction. Dammit, I wanted her to undeniably love me.
Her pack hit the floor with a resounding thud and her magical fingers explored my back, neck and head. Echo’s tongue danced manically with mine, hungry and excited.
Her muscles stiffened when her mind caught up. I held her tighter to me, refusing to let her leave so easily again. Echo pulled her lips away, but was unable to step back from my body. “We can’t, Noah.”
“Why not?” I shook her without meaning to, but if it snapped something into place, I’d shake her again.
“Because everything has changed. Because nothing has changed. You have a family to save. I …” She looked away, shaking her head. “I can’t live here anymore. When I leave town, I can sleep. Do you understand what I’m saying?”
I did. I understood all too well, as much as I hated it. This was why we ignored each other. When she walked away the first time, my damn heart ruptured and I swore I’d never let it happen again. Like an idiot, here I was setting off explosives.
Both of my hands wove into her hair again and clutched at the soft curls. No matter how I tightened my grip, the strands kept falling from my fingers, a shower of water from the sky. I rested my forehead against hers. “I want you to be happy.”
“You, too,” she whispered. I let go of her and left the main office. When I first connected with Echo, I’d promised her I would help her find her answers. I was a man of my word and Echo would soon know that.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
She had no need in her heart for either book or magazine. She had her own way of escape, her own passage into contentment: her rosary. That string of white beads, the tiny links worn in a dozen places and held together by strands of white thread which in turn broke regularly, was, bead for bead, her quiet flight out of the world. Hail Mary, full of grace, the Lord is with thee. And Maria began to climb. Bead for bead, life and living fell away. Hail Mary, Hail Mary. Dream without sleep encompassed her. Passion without flesh lulled her. Love without death crooned the melody of belief. She was away: she was free; she was no longer Maria, American or Italian, poor or rich, with or without electric washing machines and vacuum cleaners; here was the land of all-possessing. Hail Mary, Hail Mary, over and over, a thousand and a hundred thousand times, prayer upon prayer, the sleep of the body, the escape of the mind, the death of memory, the slipping away of pain, the deep silent reverie of belief. Hail Mary and Hail Mary. It was for this that she lived.
”
”
John Fante (Wait Until Spring, Bandini (The Saga of Arturo Bandini, #1))
“
I do not write every day. I write to the questions and issues before me. I write to deadlines. I write out of my passions. And I write to make peace with my own contradictory nature. For me, writing is a spiritual practice. A small bowl of water sits on my desk, a reminder that even if nothing is happening on the page, something is happening in the room--evaporation. And I always light a candle when I begin to write, a reminder that I have now entered another realm, call it the realm of the Spirit. I am mindful that when one writes, one leaves this world and enters another.
My books are collages made from journals, research, and personal experience. I love the images rendered in journal entries, the immediacy that is captured on the page, the handwritten notes. I love the depth of ideas and perspective that research brings to a story, be it biological or anthropological studies or the insights brought to the page by the scholarly work of art historians.
When I go into a library, I feel like I am a sleuth looking to solve a mystery. I am completely inspired by the pursuit of knowledge through various references. I read newpapers voraciously. I love what newspapers say about contemporary culture. And then you go back to your own perceptions, your own words, and weigh them against all you have brought together. I am interested in the kaleidoscope of ideas, how you bring many strands of thought into a book and weave them together as one piece of coherent fabric, while at the same time trying to create beautiful language in the service of the story. This is the blood work of the writer.
Writing is also about a life engaged. And so, for me, community work, working in the schools or with grassroots conservation organizations is another critical component of my life as a writer. I cannot separate the writing life from a spiritual life, from a life as a teacher or activist or my life intertwined with family and the responsibilities we carry within our own homes. Writing is daring to feel what nurtures and breaks our hearts. Bearing witness is its own form of advocacy. It is a dance with pain and beauty.
”
”
Terry Tempest Williams
“
To Marry One's Soul Being true to who we are means carrying our spirit like a candle in the center of our darkness. If we are to live without silencing or numbing essential parts of who we are, a vow must be invoked and upheld within oneself. The same commitments we pronounce when embarking on a marriage can be understood internally as a devotion to the care of one's soul: to have and to hold … for better or for worse … in sickness and in health … to love and to cherish, till death do us part. This means staying committed to your inner path. This means not separating from yourself when things get tough or confusing. This means accepting and embracing your faults and limitations. It means loving yourself no matter how others see you. It means cherishing the unchangeable radiance that lives within you, no matter the cuts and bruises along the way. It means binding your life with a solemn pledge to the truth of your soul. It is interesting that the nautical definition of marry is “to join two ropes end to end by interweaving their strands.” To marry one's soul suggests that we interweave the life of our spirit with the life of our psychology; the life of our heart with the life of our mind; the life of our faith and truth with the life of our doubt and anxiety. And just as two ropes that are married create a tie that is twice as strong, when we marry our humanness to our spirit, we create a life that is doubly strong in the world.
”
”
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
“
THE FORTRESS
Under the pink quilted covers
I hold the pulse that counts your blood.
I think the woods outdoors
are half asleep,
left over from summer
like a stack of books after a flood,
left over like those promises I never keep.
On the right, the scrub pine tree
waits like a fruit store
holding up bunches of tufted broccoli.
We watch the wind from our square bed.
I press down my index finger --
half in jest, half in dread --
on the brown mole
under your left eye, inherited
from my right cheek: a spot of danger
where a bewitched worm ate its way through our soul
in search of beauty. My child, since July
the leaves have been fed
secretly from a pool of beet-red dye.
And sometimes they are battle green
with trunks as wet as hunters' boots,
smacked hard by the wind, clean
as oilskins. No,
the wind's not off the ocean.
Yes, it cried in your room like a wolf
and your pony tail hurt you. That was a long time ago.
The wind rolled the tide like a dying
woman. She wouldn't sleep,
she rolled there all night, grunting and sighing.
Darling, life is not in my hands;
life with its terrible changes
will take you, bombs or glands,
your own child at
your breast, your own house on your own land.
Outside the bittersweet turns orange.
Before she died, my mother and I picked those fat
branches, finding orange nipples
on the gray wire strands.
We weeded the forest, curing trees like cripples.
Your feet thump-thump against my back
and you whisper to yourself. Child,
what are you wishing? What pact
are you making?
What mouse runs between your eyes? What ark
can I fill for you when the world goes wild?
The woods are underwater, their weeds are shaking
in the tide; birches like zebra fish
flash by in a pack.
Child, I cannot promise that you will get your wish.
I cannot promise very much.
I give you the images I know.
Lie still with me and watch.
A pheasant moves
by like a seal, pulled through the mulch
by his thick white collar. He's on show
like a clown. He drags a beige feather that he removed,
one time, from an old lady's hat.
We laugh and we touch.
I promise you love. Time will not take away that.
”
”
Anne Sexton (Selected Poems)
“
Did he say anything to you?”
“Just that I was supposed to watch you while he was gone. A hunt can take several days.”
“Really? I had no idea it would take that long.” I hestitated, “So…he doesn’t mind you staying here while he’s gone.”
“Oh, he minds,” he chuckled, “but he wants to make sure you’re safe. At least he trusts me that much.”
“Well, I think he’s mad at both of us right now.”
Kishan looked at me curiously with a raised eyebrow. “How so?”
“Um…let’s just say we had a misunderstanding.”
Kishan’s face turned hard. “Don’t worry, Kelsey. I’m sure that whatever he’s upset about is foolish. He’s very argumentative.”
I sighed and shook my head sadly. “No, it’s really all my fault. I’m difficult, a hindrance, and I’m a pain to have around sometimes. He’s probably used to being around sophisticated, more experienced women who are much more…more…well, more than I am.”
Kishan quirked an eyebrow. “Ren hasn’t been around any women as far as I know. I must confess that I’m now exceedingly curious as to what your argument was about. Whether you tell me or not, I won’t tolerate any more derogatory comments about yourself. He’s lucky to have you, and he’d better realize it.”
He grinned. “Of course, if you did have a falling out, you’re always welcome to stay with me.”
“Thanks for the offer, but I don’t really want to live in the jungle.”
He laughed. “For you, I would even consider a change of residence. You, my lovely, are a prize worth fighting for.”
I laughed and punched him lightly on the arm. “You, sir, are a major flirt. Worth fighting for? I think you two have been tigers for too long. I’m no great beauty, especially when I’m stuck out here in the jungle. I haven’t even picked a college major yet. What have I ever done that would make someone want to fight over me?”
Kishan apparently took my rhetorical questions seriously. He reflected for a moment, and then answered, “For one thing, I’ve never met a woman so dedicated to helping others. You put your own life at risk for a person you met only a few weeks ago. You are confident, feisty, intelligent, and full of empathy. I find you charming and, yes, beautiful.”
The golden-eyed prince fingered a strand of my hair. I blushed at his assessment, sipped my water, and then said softly, “I don’t like him being angry with me.”
Kishan shrugged and dropped his hand, looking slightly annoyed that I’d steered the conversation back to Ren. “Yes. I’ve been on the receiving side of his anger, and I’ve learned not to underestimate his ability to hold a grudge.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Here, Kells. I brought you something,” he said unassumingly and held out three mangos.
“Thanks. Um, dare I ask where you got them?”
“Monkeys.”
I stopped in mid-brush. “Monkeys? What do you mean monkeys?”
“Well, monkeys don’t like tigers because tigers eat monkeys. So, when a tiger comes around, they jump up in the trees and pummel the tiger with fruit or feces. Lucky for me today they threw fruit.”
I gulped. “Have you ever…eaten a monkey?”
Ren grinned at me. “Well, a tiger does have to eat.”
I dug a rubber band out of the backpack so I could braid my hair. “Ugh, that’s disgusting.”
He laughed. “I didn’t really eat a monkey, Kells. I’m just teasing you. Monkeys are repellant. They taste like meaty tennis balls and they smell like feet.” He paused. “Now a nice juicy deer, that is delectable.” He smacked his lips together in an exaggerated way.
“I don’t think I really need to hear about your hunting.”
“Really? I quite enjoy hunting.”
Ren froze into place. Then, almost imperceptibly, he lowered his body slowly to a crouch and balanced on the balls of his feet. He placed a hand in the grass in front of him and began to creep closer to me. He was tracking me, hunting me. His eyes locked on mine and pinned me to the spot where I was standing. He was preparing to spring. His lips were pulled back in a wide grin, which showed his brilliant white teeth. He looked…feral.
He spoke in a silky, mesmerizing voice. “When you’re stalking your prey, you must freeze in place and hide, remaining that way for a long time. If you fail, your prey eludes you.” He closed the distance between us in a heartbeat.
Even though I’d been watching him closely, I was startled at how fast he could move. My pulse started thumping wildly at my throat, which was where his lips now hovered as if he were going for my jugular.
He brushed my hair back and moved up to my ear, whispering, “And you will go…hungry.” His words were hushed. His warm breath tickled my ear and made goose bumps fan out over my body.
I turned my head slightly to look at him. His eyes had changed. They were a brighter blue than normal and were studying my face. His hand was still in my hair, and his eyes drifted down to my mouth. I suddenly had the distinct impression that this was what it felt like to be a deer.
Ren was making my nervous. I blinked and swallowed dryly. His eyes darted back up to mine again. He must have sensed my apprehension because his expression changed. He removed his hand from my hair and relaxed his posture.
“I’m sorry if I frightened you, Kelsey. It won’t happen again.”
When he took a step back, I started breathing again. I said shakily, “Well, I don’t want to hear any more about hunting. It freaks me out. The least you could do is not tell me about it. Especially when I have to spend time with you outdoors, okay?”
He laughed. “kells, we all have some animalistic tendencies. I loved hunting, even when I was young.”
I shuddered. “Fine. Just keep your animalistic tendencies to yourself.”
He leaned toward me again and pulled on a strand of my hair. “Now, Kells, there are some of my animalistic tendencies that you seem to like.” He started making a rumbling sound in his chest, and I realized that he was purring.
“Stop that!” I sputtered.
He laughed, walked over to the backpack, and picked up the fruit. “So, do you want any of this mango or not? I’ll wash it for you.”
“Well, considering you carried it in your mouth all that way just for me. And taking into account the source of said fruit. Not really.”
His shoulders fell, and I hurried to add, “But I guess I could eat some of the inside.”
He looked up at me and smiled. “It’s not freeze-dried.”
“Okay. I’ll try some.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Do you get it now,Becks?" Jack wrapped a finger around a long strand of my hair, and we were quiet as it slipped through his grip.
"You haven't moved on?"
He chuckled. "I have a lifetime of memories made up of chestnut wars and poker games and midnight excursions and Christmas Dances...It's all you. It's only ever been you.I love you." The last part seemed to escape his lips unintentionally, and afterward he closed his eyes and put his head in his hands,as if he had a sudden headache. "I've gotta not say that out loud."
The sight of how messed up he was made me want to wrap my arms around him and fold him into me and cushion him from everything that lay ahead.
Instead,I reached for his hand. Brought it to my lips. Kissed it.
He raised his head and winced. "You shouldn't do that," he said, even though he didn't pull his hand away.
"Why?"
"Because...it'll make everything worse...If you don't feel-"
His voice cut off as I kissed his hand again, pausing with his fingers at my lips. He let out a shaky sigh and his hair flopped forward. Then he looked at my lips for a long moment. "What if...?"
I bit my lower lip. "What?"
"What if we could be like this again?" He leaned in closer with a smile, and as he did,he said, "Are you going to steal my soul?"
"Um...it's not technically your soul that..."
I couldn't finish my sentence. His lips brushed mine, and I felt the whoosh of transferring emotions,but it wasn't as strong as the last time. The space inside me was practically full again. The Shades were right. Six months was just long enough to recover.
He kept his lips touching mine when he asked, "Is it okay?"
Okay in that I wasn't going to suck him dry anymore. Not okay in that my own emotions were in hyperdrive. Only our lips touched.Thankfully there was space between us everywhere else.
He took my silence to mean it was safe. We held our lips together, tentative and still.
But he didn't let it stay that casual for long.He pressed his lips closer, parting his mouth against mine. I shivered,and he put his arms around me and pulled me closer so that our bodies were touching in so many places.
He pulled back a little.His breath was on my lips.
"What is it?" I asked.
"I dreamed of you every night." He briefly touched his lips to mine again. "It felt so real.And when I'd wake up the next morning,it was like your disappearance was fresh. Like you'd left me all over again."
I lowered my chin and tucked my head into his chest. "I'm sorry."
He sighed and tightened his grip around me. "It never got easier.But the dreams themselves." I felt him shake his head. "It's like I had a physical connection to you. They were so real. Every night,you were in my room with me. It was so real."
I tilted my head back so I could face him again, realizing for the first time how difficult it must've been for Jack. I kissed his chin, his cheek, and then his lips. "I'm sorry," I said again.
He shook his head. "It's not your fault I dreamed of you, Becks.I just want to know if it was as real as it felt."
"I don't know," I said. But I told him about the book I'd read on Orpheus and Eurydice, and my theory that it was her connection to Orpheus that saved her.
”
”
Brodi Ashton (Everneath (Everneath, #1))