Tepper Quotes

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Nothing limits intelligence more than ignorance; nothing fosters ignorance more than one's own opinions; nothing strengthens opinions more than refusing to look at reality.
Sheri S. Tepper (The Visitor)
The sidesaddle was designed to protect a maiden's virginity, while risking the maiden's neck. Rather much for rather little, I thought.
Sheri S. Tepper (Beauty)
The scripture worshippers put the writings ahead of God. Instead of interpreting God's actions in nature, for example, they interpret nature in the light of the Scripture. Nature says the rock is billions of years old, but the book says different, so even though men wrote the book, and God made the rock and God gave us minds that have found ways to tell how old it is, we still choose to believe the Scripture.
Sheri S. Tepper (The Fresco)
As vocabulary is reduced , so are the number of feelings you can express, the number of events you can describe, the number of the things you can identify! Not only understanding is limited, but also experience. Man grows by language. Whenever he limits language he retrogresses!
Sheri S. Tepper (A Plague of Angels (Plague of Angels, #1))
Mankind accepts good fortune as his due, but when bad occurs, he thinks it was aimed at him, done to him, a hex, a curse, a punishment by his deity for some transgression, as though his god were a petty storekeeper, counting up the day's receipts.
Sheri S. Tepper (The Visitor)
All around the Mediterranean you'll find cultures that believe men can't control themselves and shouldn't have to try.
Sheri S. Tepper
No sentimentality, no romance, no false hope, no self-petting lies, merely that which is!
Sheri S. Tepper
Men like to think well of themselves, and poets help them do it.
Sheri S. Tepper (The Gate to Women's Country)
The practice of diplomacy, I have found, is sometimes like eating soup with a fork: much activity yielding little nourishment.
Sheri S. Tepper (The Fresco)
We live in a time like dreaming.... The edges of our lives flutter and change as we watch them. Listen to the dream.
Sheri S. Tepper (The Revenants)
Boys play with death as though it were a game, cutting their teeth on daggers.
Sheri S. Tepper (The Gate to Women's Country)
He told us that nations of men fell into disorder, so nations of law were set up instead. He told us that nations of law then forgot justice and let the law become a Game, a Game in which the moves and the winning were more important than truth. He told us to seek justice rather than the Game.
Sheri S. Tepper (Wizard's Eleven (Land of the True Game, #3))
I tell you, lad, that men will believe is one says, "The Gods say..." They will believe if one says, "I had a Vision..." They will believe if one says, "It was told me on a tablet of hidden gold..." But, if one says, "History teaches," then they will not believe.
Sheri S. Tepper (King's Blood Four (Land of the True Game, #1))
We'll tell him his mother waits for him in heaven, I suppose." "Is that a lie?" "It's what we tell fools and children." She sighed. "Postulating a heaven gives man an out for having been unable to retain the paradise he was given here on earth.
Sheri S. Tepper (A Plague of Angels (Plague of Angels, #1))
I think... girls have a hard time being interesting. It’s actually easier to be famous, or notorious, than it is to be interesting. In our world, girls climb very well until they hit puberty-sexual maturity-and then they begin to fall out of the tree. They start role-playing instead of thinking, flirting instead of learning. They start admiring how smart the boys are-or how athletic or how handsome-instead of concentrating on their own intelligence.
Sheri S. Tepper (The Family Tree)
I have always lived in a world in which I'm just a spot in history. My life is not the important point. I'm just part of the continuum, and that continuum, to me, is a marvelous thing. The history of life, and the history of the planet, should go on and on and on and on. I cannot conceive of anything in the universe that has more meaning than that." [Sheri S. Tepper: Speaking to the Universe, Locus Magazine, September 1998]
Sheri S. Tepper
A bird cried jubilation. In that moment they lived long. All minor motions were stilled and only the great ones were perceived. Beneath them the earth turned, singing.
Sheri S. Tepper (The Revenants)
preferring actual ignorance to the appearance of it, he did not ask.
Sheri S. Tepper (Grass (Arbai, #1))
No aristocrat would sit in the wild grass to dream. Aristocrats have gardens for that, if they dream at all.
Sheri S. Tepper (Grass (Arbai, #1))
It's not what your reproductive organs do that counts, it's what your mind intends before that moment.
Sheri S. Tepper (Gibbon's Decline and Fall)
I will raise up prophets to make conflicting pronouncements that inevitably will be garbled in transcription, resulting in mutually exclusive definitions of orthodoxy from which the open-minded will flee in dismay.
Sheri S. Tepper (The Visitor)
HECUBA: I had a knife in my skirt, Achilles. When Talthybius bent over me, I could have killed him. I wanted to. I had the knife just for that reason. Yet, at the last minute I thought, he's some mother's son just as Hector was, and aren't we women all sisters? If I killed him, I thought, wouldn't It be like killing family?Wouldn't it be making some other mother grieve? So I didn't kill him, but if I had, I might have saved Hector's child. Dead or damned, that's the choice we make. Either you men kill us and are honored for it, or we women kill you and are damned for it. Dead or damned. Women don't have to make choices like that in Hades. There is no love there, nothing to betray.
Sheri S. Tepper (The Gate to Women's Country)
...in that look was such love and uncritical adoration as a god might instill into a new create. "Except, how boring at last," he thought. "To have one always, always adoring one. But perhaps gods do not get bored...
Sheri S. Tepper (The True Game (Land of the True Game, #1-3))
Stavia saw herself as in a picture, from the outside, a darkly cloaked figure moving along a cobbled street, the stones sheened with a soft, early spring rain.
Sheri S. Tepper (The Gate to Women's Country)
Not many years before the Happening, one of your country's largest religious bodies officially declared that their book was holier than their God, thus simultaneously and corporately breaking several commandments of their own religion, particularly the first one. Of course they liked the book better! It was full of magic and contradictions that they could quote to reinforce their bigoted and hateful opinions, as I well know, for I chose many parts of it from among the scrolls and epistles that were lying around in caves here and there. They're correct that a god picked out the material; they just have the wrong god doing it.
Sheri S. Tepper (The Visitor)
Do you realize it’s been only a century that we’ve been able to go from house to car to office to car to wherever, with the heater on, and the defroster on, protected from the rain and the cold? It hasn’t been much longer than that we’ve had lighting for streets. Think of all that darkness, all that world out there, all that mystery that we’ve turned into well-lighted concrete bunkers, safe and warm and dull.
Sheri S. Tepper (The Family Tree)
They will set aside what they have believed about the world, divesting themselves of all preconceptions, all judgments.... They will do it, then they will send their minds out to seek the truth.
Sheri S. Tepper (The Revenants)
Nature says the rock is billions of years old, but the book says different, so even though men wrote the book, and God made the rock and God gave us minds that have found ways to tell how old it is, we still choose to believe the Scripture.
Sheri S. Tepper (The Fresco)
Perhaps it is meant to be hard. Perhaps there are some things so previous that one can only be tested when one is asked to give them up.
Sheri S. Tepper (Gibbon's Decline and Fall)
Recent history takes a while to set. People really don’t know what just happened. They only figure it out later.
Sheri S. Tepper (The Family Tree)
(ghost of)ACHILLES: How can I force obedience on this? In other times I've used the fear of death to make a woman bow herself to me. If not the fear of her own death, then fear for someone else, a husband or a child. How can I bend this woman to my will? (ghost of)POLYXENA: I think I will not bend. IPHIGENIA: You see, it's as we've tried to tell you, Great Achilles. Women are no good to you dead.
Sheri S. Tepper (The Gate to Women's Country)
We're so old that the winds of age echo along our ribs and pick at our eye sockets. We could be gone tomorrow. A chill, say, or a little slip on the cliff side. I feel as fragile as a dried flower. I rattle a little in the moving air, but I'm only coherent dust-a shape of what once was. My essence is going.
Sheri S. Tepper (The Revenants)
If the law does not do justice, the people will mock the law.
Sheri S. Tepper (The Fresco)
There is nothing so delightful, so pure, so innocent or enjoyable that some group has not forbidden it.
Sheri S. Tepper (The Waters Rising (Plague of Angels, #2))
Once we’re grown, all we can hear are what the poet described: the echoes, dying.
Sheri S. Tepper (The Family Tree)
As vocabulary is reduced, so are the number of feelings you can express, the number of events you can describe, the number of the things you can identify–Sheri S. Tepper
Kam Knight (Speed Reading: Learn to Read a 200+ Page Book in 1 Hour)
In secrecy, in silence, a whole race may be destroyed without notice. Whole cultures and species have been destroyed while men smiled and spoke of economics, of employment, of progress, of the welfare of mankind. Is a threat less deadly because it does not scream and rage and threaten force of arms?
Sheri S. Tepper (A Plague of Angels (Plague of Angels, #1))
Only fools insist upon life at any cost.... Others would say that life may be laid down when it becomes too heavy. Where does it go, after all, but into the keeping of the Powers who gave it and will give it once again?
Sheri S. Tepper (The Revenants)
If we look at Maslow's hierarchy of needs, most workers are not asking to find their true calling at their jobs, as Weber suggested, but are simply asking to get paid a living wage and have certainty they'll have a job next week.
Jonathan Tepper (The Myth of Capitalism: Monopolies and the Death of Competition)
Men are biological. Women are biological. We pretend our minds are in control, but that’s a very tenuous control at best, and a civilized society can’t be built on uncontrolled biology. I see it in my work: intelligence betrayed by lust, by jealousy, by macho ownership; otherwise trustworthy men who can’t be trusted at all around women, or vice versa. Hell, look at Congress. Well-intentioned, progressive, admired law-makers who end up losing it all because they can’t control how they react to women! And I certainly don’t trust most women around men
Sheri S. Tepper (The Family Tree)
Grass! Millions of square miles of it. . . . a hundred rippling oceans, each ripple a gleam of scarlet or amber, emerald or turquoise. . . . the colors shivering over the prairies. . . . Sapphire seas of grass with dark islands of grass bearing great plumy trees which are grass again.
Sheri S. Tepper (Grass (Arbai, #1))
Any do-gooder can save one life or a dozen by spending x dollars, but that doesn't demonstrate anything unless you've got x dollars multiplied by the total number of lives that need saving. Stopping poverty one victim at a time is like mowing a lawn one blade at a time. The problem grows faster than the cure can be applied, the only people who profit are the agencies who claim to be cutting grass while they're actually applying fertilizer.
Sheri S. Tepper
In a society as mobile as your own, many people are totally anonymous to those around them. They do not care what they do before strangers or to strangers. If one feels no shame, punishment only angers. If one feels shame, punishment is almost unnecessary. Logically, therefore, your prisons should seek to instill shame, but even if it were possible, it would offend your civil libertarians to do so. “Shaming” others is considered an affront to their dignity.
Sheri S. Tepper (The Fresco)
Going out? Are you going out? He's not going out? What do you mean he's not going out? Are you out here because you're still mad that they moved the Dodgers to L.A.? Are you going out or not? You're not going out? I guess you're not going out — huh? You mean go out parking in the evenings? Are you going out to park? Mr. Tepper, he asked at one point, did you ever — if you were in the middle of an interesting story in the paper or perhaps an interesting conversation with somebody who dropped in to talk to you while you were parking — notice that the meter had run out and therefore go out and put more money in the meter? If we're both keeping an eye out, what does it hurt?
Calvin Trillin (Tepper Isn't Going Out)
Life arises naturally; where life is, death is, joy is, pain is. Where joy and pain are, ecstacy and horror are, all part of the pattern. They occur as night and day occur on a whirling planet. They are not individually willed into being and shot at persons like arrows. Mankind accepts good fortune as his due, but when bad occurs, he thinks it was aimed at him, done to him, a hex, a curse, a punishment by his deity for some transgression, as though his god were a petty storekeeper, counting up the day’s receipts…
Sheri S. Tepper (The Visitor)
cultures define their gods when they’re young and primitive, when their main concern is survival. They endow their gods with survival characteristics like omnipotence and authoritarianism, belligerence and suspicion, and that’s what goes into all their myths or scriptures. Then, if they survive long enough, they begin to develop morality. They examine their own history, and they learn that authoritarianism doesn’t accord with free will, that belligerence and suspicion are unhealthful, but this newly moral culture is stuck with its bigoted, interfering gods, plus it’s stuck with people who prefer the old bloody gods and use them as their justification for doing all kinds of awful things.
Sheri S. Tepper (The Fresco)
Existe el jardín. Y existe la cizaña. ¡Y a menos que seas despiadado, la cizaña siempre gana!
Sheri S. Tepper (The Family Tree)
The only difference between a futile madman and an effective tyrant is power and will.
Sheri S. Tepper (A Plague of Angels (Plague of Angels, #1))
One listened and one remembered. I listened as best I could, but there were no hooks in my head to hang much of it on.
Sheri S. Tepper (Jinian Footseer (The End of the Game, #1))
Only mavericks live in accordance with their desires, and even they don’t often get away with it. They are usually labeled as troublemakers and gotten rid of.
Sheri S. Tepper (Six Moon Dance)
Humanity is meant to live as part of creation, not as the owner of it or to make war against it.
Sheri S. Tepper (Fish Tails (Plague of Angels, #3))
Much of life," he said to me, "depends on our being ignorant of reality. If we understood reality, we would never go on.
Sheri S. Tepper (Beauty)
Rich people didn't get in that kind of mess. They never had. Only the poor got trapped: by ignorance, by religion, by self-righteous laws passed by people who broke them with impunity.
Sheri S. Tepper (Grass (Arbai, #1))
along a cobbled street, the stones sheened with a soft, early spring rain. On either side the gutters ran with an infant chuckle and gurgle, baby streams being amused with themselves. The
Sheri S. Tepper (The Gate to Women's Country)
do whatever it was they expected her to do because they were always expecting her to do something more or be something more until it didn’t feel like there was enough of her left to go around.
Sheri S. Tepper (The Gate to Women's Country)
Bao is the acceptance that mankind is part of the fabric of the universe, not the purpose of it. Humanity is meant to live as part of creation, not as the owner of it or to make war against it.
Sheri S. Tepper (Fish Tails (Plague of Angels, #3))
Do you know of the uncertainty principle, Marjorie?” “I am educated,” she snorted, very much annoyed with him. “Then you know that with very small things, we cannot both know where they are and what they are doing. The act of observing them always changes what they are doing. Perhaps God does not look at us individually because to do so would interrupt our work, interfere with our free will….
Sheri S. Tepper (Grass (Arbai, #1))
When one’s world was impermanent, difficult endeavors, like procuring justice or balancing the ecology, need never be attempted. One need only make contributions to the ascendant hierarchy, cast one’s eyes heavenward with an awed and anticipatory expression, while continuing to behave as selfishly as one liked. When everything is going to go pop, one needn’t bother to provide for or preserve for the grandchildren.
Sheri S. Tepper (The Family Tree)
if a being has sufficient sense of justice and civility to know it has done wrong, knowing it has done wrong is often sufficient punishment. If the being has no remorse, punishment will only increase its anger.
Sheri S. Tepper (Six Moon Dance)
Power is power as the sun is the sun, the wind is the wind. The villager blesses the rain as it falls on his crops; the pillager uses it to cover his approach. It is the wielder who determines the good or evil.
Sheri S. Tepper (The Waters Rising (Plague of Angels, #2))
Like frogs, each thinking its own puddle was the center of the universe, we believed that God worried over us each of us. Strange that we should realize Pride is a sin yet still be willing prey to such arrogance.
Sheri S. Tepper (Grass (Arbai, #1))
—Me dijeron que las verdades eternas… —¿Cómo cuáles —Dios se rió—. ¡Si hubiera alguna verdad eterna Yo lo sabría ¡He creado todo un cosmos basado en el cambio y un ser minúsculo viene aquí para hablarme de verdades eternas —No quería ofenderte. Es sólo que… Bueno sí no hay verdades eternas ¿cómo podemos saber dónde está la verdad —No me has ofendido. Nunca creo cosas capaces de ofenderme. En cuanto a la verdad la verdad es lo que está escrito. Todas las cosas de la creación llevan mis intenciones escritas en sí mismas. Las rocas las estrellas los seres minúsculos… Para cada cosa sólo hay un camino natural el camino que Yo he concebido para ella. El problema es que los seres minúsculos escriben libros que contradicen a las rocas y luego dicen que Yo escribí los libros y que las rocas son mentiras. —Se rió. El universo tembló—. Inventan reglas de conducta que ni los ángeles pueden obedecer y dicen que Yo las he ideado. El orgullo de la autoría… —Dejó escapar una risita—. Dicen: «Oh estas palabras son eternas así que deben de haber sido escritas por Dios».
Sheri S. Tepper (Grass (Arbai, #1))
it has a quality other countries call cultural imperialism, which, we have found, means a tasty culture that other peoples readily enjoy, an infective culture, if you will, from which ideas and usages spread quickly.
Sheri S. Tepper (The Fresco)
For it would be only for a time. Until what he knew and thought became no longer relevant or necessary and was forgotten. But that was the same with all of us. We were only what we were for a time, at that time. Then our own silver began to mix with the tin of our future to change us. I knew this to be so and grieved for Windlow while I grieved for me. In time I would not be this Peter, even as I now was not the peter of two years ago.... Yet that Peter was not lost.
Sheri S. Tepper (The True Game (Land of the True Game, #1-3))
Our ancestors have much to answer for. Why? What did they do? ....Long ago, they used machines and drugs to keep the unhealthy and unfit ones of us alive. In that past time it was believed that all persons must have children. It was a right deemed so precious that it was forced upon even those who did not value it or should not have had it. If one of our people became pregnant, our people used all their knowledge to assure the young would be born, no matter how sick or disabled. Then, if the young lived, they injected them and dosed them and radiated them and transfused and transplanted them, to keep them alive, and then, when they were grown, they used all their skills in assisting them to have children of their own.
Sheri S. Tepper (The Family Tree)
Though this new forest grew mightily, elsewhere the mighty jungles fell. Elsewhere the coastal rain forests that furred the body of the world were torn and riven. Elsewhere the last of the old growth the last of the world’s own garment were ripped away. It was in this time, now, that the mother of us all was stripped naked and left to die in shame of her children, she who had been robed in glory like this, adorned like this. I bent my head upon the roots and wept, sorrowing for the trees.
Sheri S. Tepper (The Family Tree)
Man constantly prayed to God for peace, but peace never happened, so he decided that his god must really want war because the other side was sinful. Man invented and extolled virtues which could only be exemplified under conditions of war, like heroism and gallantry and honor, and he gave himself laurel wreaths or booty or medals for such things, thus rewarding himself for behaving well while sinning. He did it when he was a primitive, and he went on with it after he thought he was civilized.
Sheri S. Tepper (Raising the Stones (Arbai, #2))
Those who oppose reform will do well to remember that ruin in its worst form is inevitable if our national life brings us nothing better than swollen fortunes for the few and the triumph in both politics and business of a sordid and selfish materialism.
Jonathan Tepper (The Myth of Capitalism: Monopolies and the Death of Competition)
am saying that perhaps God has already done his intervening by creating us. Perhaps He intends us to do what we keep praying He will do. Having designed us for a particular task, he has sent us into battle. We do not particularly enjoy the battle, so we keep begging him to let us off. He pays no attention because He does not keep track of us individually. He does not know where in the body we are or how many of us there are. He does not check to see whether we despair or persevere. Only if the body of the universe is healed will he know whether we have done what we were sent to do!
Sheri S. Tepper (Grass (Arbai, #1))
This brings us to the very ugly truth about regulation: while big businesses often complain about regulation, the truth is that even though it is painful and annoying, they don't mind it and even favor it. Regulations that are burdensome enough to kill small companies but are not strong enough to kill large ones are, in fact, ideal.
Jonathan Tepper (The Myth of Capitalism: Monopolies and the Death of Competition)
It was right then that I realized truly what the theatre is all about, which is that it’s a prayer circle. It’s just a big circle: we tell stories, and maybe we heal a heart or two, and we put something positive into the world, and we just do it—you know, we just create our circle with actors and collaborators and friends who take part in this art form.
Jennifer Tepper (The Untold Stories of Broadway, Part 1)
we believed that God worried over us each of us. Strange that we should realize Pride is a sin yet still be willing prey to such arrogance. We had only to look around us to know how foolish the idea was. Where was the farmer who knew each of his seeds by name? Where was the beekeeper who labled his bees? Where was the herdsman who distinguished among individual blades of grass? Compared to the size of creation, what were we but very small beings, as bees are small, as seeds of corn are small, as blades of grass are small? And yet corn becomes bread; bees make honey; grass is turned into flesh, or into gardens. Very small beings are important, not individually but for what they become, if they become…. The
Sheri S. Tepper (Grass (Arbai, #1))
Faith healers. God-loves-you religions. State-supported lotteries. All that enormous energy expended to conquer nothing at all, stadia full of people watching no conquering going on. For every scientist or person in government who really tried to conquer, there were a thousand people buying lottery tickets, drinking beer, watching football, and growing old.” Nell objected, “We would have outgrown that…” The voice grew more conversational. “I think not. Once a race has technology, life is so much easier that conquering loses its urgency. I blame myself for leaving when I did. I could have delayed the acquisition of technology until you had killed your devils. Technology concurrent with devil worship never works out well.
Sheri S. Tepper (The Visitor)
We are made of the stuff of stars, given our lives by a living world, given our selves by time. We are brother to the trees and sister to the sun. We are of such glorious stuff we need not carry pain around like a label. Our duty, as living things, to be sure that pain is not our whole story, for we can choose to be otherwise. As Ellin says, we can choose to dance.
Sheri S. Tepper (Six Moon Dance)
With us the inner nature accords with the outer expectation. The body follows the mind, and the mind seeks the soul, which it strives toward but has not yet won. With you it is otherwise. The mind follows the body in pursuit of the soul you have been told you already have. Because you cannot find it, you assume you have lost it somewhere in your past, and this keeps you from achieving it in your future.
Sheri S. Tepper (Gibbon's Decline and Fall)
There was an expression on her face at certain times, an expression of unconscious joy which came from a part of her he had always coveted, a separate being he never saw when he was with her. He had seen that being in the arena or the hunt, skimming the green pastures towards the high fences, all there between the posts and over the water, winging on danger and delight, a bird soaring with a singing face. He wanted to hold that bird.
Sheri S. Tepper (Grass (Arbai, #1))
Our lives are made up of many things, not just one. Many answers, not just one. It's men that want one answer for everything. They're always making laws, as though they could make one law that would be just in all cases. They can't. They never have. I think men get derailed, sometime during their growing up. Instead of settling for what's honest and real and sort of thoughtful, they go off on these quests. They go strutting and crowing, waving their weapons and shouting their battle cries. They say they're seeking something higher, but it always seems to end in pain, doesn't it?
Sheri S. Tepper (Raising the Stones (Arbai, #2))
All around the world, people have an overwhelming sense that something is broken. This is leading to record levels of populism in the United States and Europe, resurgent intolerance, and a desire to upend the existing order. The left and right cannot agree on what is wrong, but they both know that something is rotten. Capitalism has been the greatest system in history to lift people out of poverty and create wealth, but the “capitalism” we see today in the United States is a far cry from competitive markets. What we have today is a grotesque, deformed version of capitalism. Economists such as Joseph Stiglitz have referred to it as “ersatz capitalism,” where the distorted representation we see is as far away from the real thing as Disney's Pirates of the Caribbean are from real pirates. If what we have is a fake version of capitalism, what does the real thing look like? What should we have? According to the dictionary, the idealized state of capitalism is “an economic system based on the private ownership of the means of production, distribution, and exchange, characterized by the freedom of capitalists to operate or manage their property for profit in competitive conditions.
Jonathan Tepper (The Myth of Capitalism: Monopolies and the Death of Competition)
Along the Oregon coast an arm of the Pacific shushes softly against rocky shores. Above the waves, dripping silver in the moonlight, old trees, giant trees, few now, thrust their heads among low clouds, the moss thick upon their boles and shadow deep around their roots. In these woods nights are quiet, save for the questing hoot of an owl, the satin stroke of fur against a twig, the tick and rasp of small claws climbing up, clambering down. In these woods, bear is the big boy, the top of the chain, but even he goes quietly and mostly by day. It is a place of mosses and liverworts and ferns, of filmy green that curtains the branches and cushions the soil, a wet place, a still place.
Sheri S. Tepper (The Fresco)
A cada paso, hemos sido frustrados por dios. No el Dios verdadero. Un dios falso creado por el hombre para contribuir a su destrucción de la Tierra. Es el dios-glotón que ve bien engullirlo todo en nombre de una humanidad completamente egoísta. Sus diez mandamientos son: yo primero (déjame vivir como quiera); los humanos primero (que todos los otros seres vivos mueran en mi beneficio); el esperma primero (nada de control de natalidad); los nacimientos primero (nada de abortos); los hombres primero (nada de derechos de la mujer); mi cultura/tribu/religión primero (separatismo/terrorismo); mi raza primero (nada de derechos humanos); mi política primero (puñeteros liberales/podridos reaccionarios); mi país primero (ondea la bandera, la bandera, la bandera); y, sobre todo, los beneficios primero.
Sheri S. Tepper (Beauty)
Man was always being jerked around between different people's ideas of god, depending on who'd won the most recent war, or palace coup, or political battle. This meant mankind was always being asked to accept deities foreign to his own nature. I mean, if your prophet was sexually insecure, or if his later interpreters were, that religion demanded celibacy or repression or hatred of women; if the prophet was a homophobe, he preached prosecution of homosexuals; and if he was both lecherous and greedy, he preached polygeny. If he was luxurious, he preached give-me-money-and-God-will-make-you-rich; if he felt put upon he preached God-of-Vengeance, let's kill the other guy; and no matter how much well-meaning ecumenicists pretended all the gods were one god under different aspects, they weren't any such thing, because every prophet created God in his own image, to confront his own nightmares.
Sheri S. Tepper (Raising the Stones (Arbai, #2))
Near the Mexican border, rocky canyons cleave the mountains, laying them aside like broken wedges of gray cheese furred with a dark mold of pinon and juniper that sheds hard shadows on moon glazed stone, etched lithographs in gray and black, taupe and silver. Beneath feathery chamisa a rattlesnake flicks his tongue, following a scent. Along a precarious rock ledge a ring-tailed cat strolls, nose snuffling the cracks. At the base of the stone a peccary trots along familiar foot trails, toward the toes of a higher cliff where a seeping spring gathers in a rocky goblet. In the desert, sounds are dry and rattling: pebbles toed into cracks, hoofs tac-tacking on stone, the serpent rattle warning the wild pig to veer away, which she does with a grunt to the tribe behind her. From the rocky scarp the ring-tailed cat hears the whole population of the desert pass about its business in the canyon below.
Sheri S. Tepper (The Fresco)
Grass! Millions of square miles of it; numberless wind-whipped tsunamis of grass, a thousand sun-lulled caribbeans of grass, a hundred rippling oceans, every ripple a gleam of scarlet or amber, emerald or turquoise, multicolored as rainbows, the colors shivering over the prairies in stripes and blotches, the grasses – some high, some low, some feathered, some straight – making their own geography as they grow. There are grass hills where the great plumes tower in masses the height of ten tall men; grass valleys where the turf is like moss, soft under the feet, where maidens pillow their heads thinking of their lovers, where husbands lie down and think of their mistresses; grass groves where old men and women sit quiet at the end of the day, dreaming of things that might have been, perhaps once were. Commoners all, of course. No aristocrat would sit in the wild grass to dream. Aristocrats have gardens for that, if they dream at all.
Sheri S. Tepper (Grass (Arbai, #1))
Decirle a la gente lo que realmente piensas es a menudo una idea malísima. Como solía decir la abuela, la gente sensata vierte aceite en aguas revueltas, no nitroglicerina.
Sheri S. Tepper (The Family Tree)
Si una cosa he aprendido, sin duda, es que la vida no es un cuento.
Sheri S. Tepper (The Family Tree)
Dzilobommo considera el efecto de su comida en los comensales como un pintor considera el efecto de su cuadro sobre un observador.
Sheri S. Tepper (The Family Tree)
Well, strangeness was hard to think about. Wonder grazes you like a bullet; it zips by and is gone, and all you really perceive is the zing as it goes past, or maybe the pain if it comes too close. It does no good to search for whatever it was, for it never lodges anywhere you can get a good look at it. The truly strange has no hooks of familiarity that one can catch hold of.
Sheri S. Tepper (The Fresco)
The ancient lizard mind lies below the mammalian mind, which lies below a primate mind, which is modified by a mind adapted to language, and since these layers have developed in response to differing evolutionary pressures, they often do not function efficiently together. Human civility tries to control ape dominance, human rationality tries to control mammalian sexuality, human social conscience tries to ameliorate reptilian greed, never with total success.
Sheri S. Tepper (Six Moon Dance)
There is no easy way out! There is no shortcut home!
Robert Tepper
Never stop learning, and always be ready to teach yourself things you don’t know. The only things you will remember are things you care about.
Jonathan Tepper
Which was, said Old Mock, one of the chief attractions of eschatological religions. When one's world was impermanent, difficult endeavors, like procuring justice or balancing the ecology, need never be attempted. One need only make contributions to the ascendant hierarchy, cast one's eyes heavenward with an awed and anticipatory expression, while continuing to behave as selfishly as one liked. When everything is going to go pop, one didn't needn't bother to provide for or preserve for the grandchildren.
Sherri S.Tepper
When a response is detected, the thing that uttered moves separately but implacably toward its responder, as by gravity. So equivalence is drawn to equivalence until they are within touching distance.
Sheri S. Tepper (The Margarets)
«Hva er det du ikke forstår, Assad?» «Det var ikke motor i husbåten.» «Nei vel. Og hva så?» «Og båten er ganske stor, med flere rom og allting, nesten som et lite hus. En stue med møbler og kjøkken og to soverom. Billige tepper og reoler og reproduksjoner på veggen.» Carl ristet på hodet, dette var jo storslagent. Hvis Assad fortsatte på den måten, endte det vel med at han avslørte at han hadde en fortid som interiørarkitekt.
Jussi Adler-Olsen (Marco Effekten (Afdeling Q, #5))
Dennis hit him with the [Sheri] Tepper. It was a hardback book, six hundred pages of wonder and adventure and a little preachiness mixed in.
Margaret Ball (Mathemagics (Chicks in Chainmail))
Bofusdiaga says past wrongs cannot be righted because past wrongs are past and time only runs one way. Bofusdiaga says all you independent creatures suffer great wrongs sometime in the past, which is normal, but you stay always living in the past so you can continue wronged forever! Forever miserable, forever tragical! Bofusdiaga says so long as you go chewing yesterday's pains, you cannot eat today's pleasures, so it is no help!
Sheri S. Tepper (Six Moon Dance)
You are holding women to a higher standard than men," he said. "Madame used to tell us that this is traditional, for men have usually been the judges, and they put women either in the gutter or on a pedestal. Men have traditionally forgiven one another, for they know and excuse their own failings, but they do not forgive women for falling off the pedestal." (p. 516)
Sheri S. Tepper (Six Moon Dance)
Lately I feel that I'm living in a badly written, badly directed foreign movie that's running on late-night TV in black-and-white with lots of static and inadequate subtitles.
Sheri S. Tepper (Gibbon's Decline and Fall)
One should not want to be anything but what one is, because it creates unhappiness.
Sheri S. Tepper (The Fresco)
The American people are sick to death of people taking advantage of laws and then playing victim. This man is not a victim. He’s a provocateur. Simple as that.
Calvin Trillin (Tepper Isn't Going Out)
Talk about burning the flag and he gets all choked up. Funny, so many of these guys think the country stands for the flag instead of the other way around.
Sheri S. Tepper (The Fresco)