Stirring Trouble Quotes

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It's not about going around trying to stir up trouble. As long as you're honest and you articulate what you believe to be true, somebody somewhere will become your enemy whether you like it or not.
Criss Jami (Killosophy)
You [demagogues] are like the fishers for eels; in still waters they catch nothing, but if they thoroughly stir up the slime, their fishing is good; in the same way it's only in troublous times that you line your pockets.
Aristophanes (The Knights)
Horror and doubt distract His troubled thoughts and from the bottom stir The Hell within him, for within him Hell He brings and round about him, nor from Hell One step no more than from himself can fly By change of place.
John Milton (Paradise Lost)
That was what they did with themselves, those two Gracelings, along with a small band of friends: They stirred up trouble on a serious scale—bribery, coercion, sabotage, organized rebellion—all directed at stopping the worst behavior of the world’s most seriously corrupt kings.
Kristin Cashore (Bitterblue (Graceling Realm, #3))
Dear future wife…” He smirked in a way that made me want to beg for mercy. “If you think you’re going to give me trouble, think again. I invented trouble. I stir it, I mix it, I fucking fix it. Don’t try my patience, because you’ll discover I have absolutely none.
L.J. Shen (Sparrow (Boston Belles #0.5))
For many of us, the hospital was as much a refuge as it was a prison. Though we were cut off from the world and all the trouble we enjoyed stirring up out there, we were also cut off from the demands and expectations that had driven us crazy. What could be expected of us now that we were stowed away in a loony bin?
Susanna Kaysen (Girl, Interrupted)
Julian, I need you. Not in ways you can see. But in ways that I feel. If I’m your life raft, we’re in trouble—because you’re mine.
Sabrina Elkins (Stir Me Up)
the fairy tale stirs and troubles him (to his life-long enrichment) with the dim sense of something beyond his reach and, far from dulling or emptying the actual world, gives it a new dimension of depth. He does not despise real woods because he has read of enchanted woods: The reading makes all real woods a little enchanted.
C.S. Lewis (Of Other Worlds: Essays and Stories)
There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain.
Oscar Wilde (The Picture of Dorian Gray)
I, too, overflow; my desires have invented new desires, my body knows unheard-of songs. Time and again I, too, have felt so full of luminous torrents that I could burst-burst with forms much more beautiful than those which are put up in frames and sold for a fortune. And I, too, said nothing, showed nothing; I didn't open my mouth, I didn't repaint my half of the world. I was ashamed. I was afraid, and I swallowed my shame and my fear. I said to myself: You are mad! What's the meaning of these waves, these floods, these outbursts? Where is the ebullient infinite woman who...hasn't been ashamed of her strength? Who, surprised and horrified by the fantastic tumult of her drives (for she was made to believe that a well-adjusted normal woman has a ...divine composure), hasn't accused herself of being a monster? Who, feeling a funny desire stirring inside her (to sing, to write, to dare to speak, in short, to bring out something new), hasn't thought that she was sick? Well, her shameful sickness is that she resists death, that she makes trouble.
Hélène Cixous
His being there was stirring up a lot of memories she'd have been happier to leave as sentimental sediment. Not that they weren't good memories. That was the trouble.
Diana Killian (Dial Om for Murder (Mantra for Murder, #2))
Our task is to make trouble, to stir up potent response to devastating events, as well as to settle troubled waters and rebuild quiet places.
Donna J. Haraway (Staying with the Trouble: Making Kin in the Chthulucene)
And don't get hurt,' [Dexter] added. 'There's no one to help you up there. And don't go stirring up a lot of trouble for us. This case isn't ripe yet. Until it is, our policy with Mr Big is 'live and let live'.' Bond looked quizzically at Captain Dexter In my job,' he said, 'when I come up against a man like this one, I have another motto. It's 'live and let die'.
Ian Fleming (Live and Let Die (James Bond, #2))
As I would soon learn myself, cleaning up what a parent leaves behind stirs up dust, both literal and metaphorical. It dredges up memories. You feel like you’re a kid again, poking around in your parents’ closet, only this time there’s no chance of getting in trouble, so you don’t have to be so sure that everything gets put back exactly where it was before you did your poking around. Still, you hope to find something, or maybe you fear finding something, that will completely change your conception of the parent you thought you knew.
Roz Chast
But first, I want the pleasure of telling you that you are fired. I fire you. I fire you and all your relatives. I fire your ancestors and your descendants. I fire the very air you breathe and the ground you walk upon.
Z.A. Maxfield (Stirring Up Trouble (The Stirring Series Book 1))
The poetic impulse is distinct from ideas about things or feelings about things, though it may use these. It's more like a desire to separate a piece of one's experience & set it up on its own, an isolated object never to trouble you again, at least not for a bit. In the absence of this impulse nothing stirs.
Philip Larkin (Philip Larkin: Letters to Monica)
We don't come to the table to fight or to defend. We don't come to prove or to conquer, to draw lines in the sand or to stir up trouble. We come to the table because our hunger brings us there. We come with a need, with fragility, with an admission of our humanity. The table is the great equalizer, the level playing field many of us have been looking everywhere for. The table is the place where the doing stops, the trying stops, the masks are removed, and we allow ourselves to be nourished, like children. We allow someone else to meet our need. In a world that prides people on not having needs, on going longer and faster, on going without, on powering through, the table is a place of safety and rest and humanity, where we are allowed to be as fragile as we feel.
Shauna Niequist (Bread and Wine: A Love Letter to Life Around the Table with Recipes)
If it is true that by death we once more become what we were before being, would it not have been better to abide by that pure possibility, not to stir from it? What use was this detour, when we might have remained forever in an unrealized plenitude?
Emil M. Cioran (The Trouble With Being Born)
Some people will still find a way to create a fire with wet logs.
Anthony Liccione
She asked God, without fear, if he really believed that people were made of iron in order to bear so many troubles and mortifications; and asking over and over she was stirring up her own confusion and she felt irrepressible desires to let herself go and scamper about like a foreigner and allow herself at last an instant of rebellion, that instant yearned for so many times and so many times postponed, putting her resignation aside and shitting on everything once and for all and drawing out of her heart the infinite stacks of bad words that she had been forced to swallow over a century of conformity.
Gabriel García Márquez (One Hundred Years of Solitude)
Each time I have a lapse of memory, I think of the anguish which must afflict those who know they no longer remember anything. But something tells me that after a certain time a secret joy possesses them, a joy they would not agree to trade for any of their memories, even the most stirring. …
Emil M. Cioran (The Trouble With Being Born)
That thou canst not stir a flower Without troubling of a star.
Francis G. Thompson
If you're not ready for the consequences, then don't stir up shit in the first place.
Wataru Watari (やはり俺の青春ラブコメはまちがっている 3)
From the beginning I've searched out those writers unafraid to stir up the emotions, who entrust me with their darkest passions, their most indestructible yearnings, and their most soul-killing doubts. I trust the great novelists to teach me how to live, how to feel, how to love and hate. I trust them to show me the dangers I will encounter on the road as I stagger on my own troubled passage through the complicated life of books that try to teach me how to die.
Pat Conroy (My Reading Life)
And Ken said I can't marry you." Jack felt his heart jump in his chest. He glanced at his sleeping brother. "Did he say why?" "Yes." She kept her voice sober. "He said you have to ask me properly." Relief made him weak. His pulse beat at his temples, throbbed in his neck. For one moment his fingers closed in her hair in a tight fist. "Properly? If I ask, you might say no, so I'm thinking we'll just start off right and I'll tell you and we'll get the thing done." "Get the thing done?" Briony echoed. Ken snorted aloud. "Jack, I'll take over watch and you get some sleep. I think you fried your brain up there on the roof." "Pipe down over there." Jack said. "You're already stirring up trouble." "Get the thing done?" Briony repeated slowly. "The thing being what exactly?" "The ceremony. The paperwork. Whatever the hell it takes to make it legal." Briony sat up and glared at him. "Take your 'it' and shove it, Jack." "There's no need ti be getting upset, Briony. We can't exactly go around with a bunch of kids and not do whatever the hell it is one does to make it legal." "Whatever the hell it takes to make what legal?" He shrugged. "How the hell would I know? I've never done this before. Sleeping together I guess." "So you are going to marry me so it's legal to sleep with me?" "This isn't coming out right." "You think?" "Don't get upset, baby,. I don't understand why you're getting upset.
Christine Feehan (Conspiracy Game (GhostWalkers, #4))
You should be out stirring up trouble with your friends, not bothering with all them books you read. You know it's them books what make you talk funny.
Lauren Myracle (Shine)
And so he would now study perfumes, and the secrets of their manufacture, distilling heavily-scented oils, and burning odorous gums from the East. He saw that there was no mood of the mind that had not its counterpart in the sensuous life, and set himself to discover their true relations, wondering what there was in frankincense that made one mystical, and in ambergris that stirred one’s passions, and in violets that woke the memory of dead romances, and in musk that troubled the brain, and in champak that stained the imagination; and seeking often to elaborate a real psychology of perfumes, and to estimate the several influences of sweet-smelling roots, and scented pollen-laden flower, of aromatic balms, and of dark and fragrant woods, of spikenard that sickens, of hovenia that makes men mad, and of aloes that are said to be able to expel melancholy from the soul.
Oscar Wilde (The Picture of Dorian Gray)
Those who shake the State are easily the first to be engulfed in its destruction. The fruits of dissension are not gathered by the one who began it: he stirs and troubles the waters for other men to fish in.
Michel de Montaigne
Music had stirred him like that. Music had troubled him many times. But music was not articulate. It was not a new world, but rather another chaos, that it created in us. Words! Mere words! How terrible they were! How clear, and vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them! They seemed to be able to give a plastic form to formless things, and to have a music of their own as sweet as that of viol or of lute. Mere words! Was there anything so real as words?
Oscar Wilde (The Picture of Dorian Gray)
The only person that should wear your ring is the one person that would never… 1. Ask you to remain silent and look the other way while they hurt another. 2. Jeopardize your future by taking risks that could potentially ruin your finances or reputation. 3. Teach your children that hurting others is okay because God loves them more. God didn’t ask you to keep your family together at the expense of doing evil to others. 4. Uses religious guilt to control you, while they are doing unreligious things. 5. Doesn't believe their actions have long lasting repercussions that could affect other people negatively. 6. Reminds you of your faults, but justifies their own. 7. Uses the kids to manipulate you into believing you are nothing. As if to suggest, you couldn’t leave the relationship and establish a better Christian marriage with someone that doesn’t do these things. Thus, making you believe God hates all the divorced people and will abandon you by not bringing someone better to your life, after you decide to leave. As if! 8. They humiliate you online and in their inner circle. They let their friends, family and world know your transgressions. 9. They tell you no marriage is perfect and you are not trying, yet they are the one that has stirred up more drama through their insecurities. 10. They say they are sorry, but they don’t show proof through restoring what they have done. 11. They don’t make you a better person because you are miserable. They have only made you a victim or a bitter survivor because of their need for control over you. 12. Their version of success comes at the cost of stepping on others. 13. They make your marriage a public event, in order for you to prove your love online for them. 14. They lie, but their lies are often justified. 15. You constantly have to start over and over and over with them, as if a connection could be grown and love restored through a honeymoon phase, or constant parental supervision of one another’s down falls. 16. They tell you that they don’t care about anyone other than who they love. However, their actions don’t show they love you, rather their love has become bitter insecurity disguised in statements such as, “Look what I did for us. This is how much I care.” 17. They tell you who you can interact with and who you can’t. 18. They believe the outside world is to blame for their unhappiness. 19. They brought you to a point of improvement, but no longer have your respect. 20. They don't make you feel anything, but regret. You know in your heart you settled.
Shannon L. Alder
Many of the people who left the South never exactly sat their children down to tell them these things, tell them what happened and why they left and how they and all this blood kin came to be in this northern city or western suburb or why they speak like melted butter and their children speak like footsteps on pavement, prim and proper or clipped and fast, like the New World itself. Some spoke of specific and certain evils. Some lived in tight-lipped and cheerful denial. Others simply had no desire to relive what they had already left. The facts of their lives unfurled over the generations like an over-wrapped present, a secret told in syllables. Sometimes the migrants dropped puzzle pieces from the past while folding the laundry or stirring the corn bread, and the children would listen between cereal commercials and not truly understand until they grew up and had children and troubles of their own. And the ones who had half-listened would scold and kick themselves that they had not paid better attention when they had the chance.
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
In the old days, trouble was kept in the family, which is still the best place for it, not that there's ever a best place for trouble. Why stir everything up again after that many years, with all concerned tucked, like tired children, so neatly into their graves?
Margaret Atwood (The Blind Assassin)
Lottie tilted her head to one side and looked Maya up and down. "You're a little bit of a thing, but I hear you're good at stirring up big trouble.
Sara Humphreys (Vampire Trouble (Dead in the City, #2))
Tad Christopher in the Tango kitchen with real whipped cream?” “Sounds like Gay Clue, doesn’t it?
Z.A. Maxfield (Stirring Up Trouble (The Stirring Series #1))
I sighed immersed in a sleeping sea. A ripple that turned into waves and then storm, stirring and blending our troubled waters
Luca Ferrarini
The sort of girl who merrily stirred up trouble for you and you still loved her.
Liane Moriarty (Big Little Lies)
Time and again I, too, have felt so full of luminous torrents that I could burst - burst with forms much more beautiful than those which are put up in frames and sold for a stinking fortune. And I, too, said nothing, showed nothing; I didn't open my mouth, I didn't repaint my half of the world. I was ashamed. I was afraid, and I swallowed my shame and my fear. I said to myself: You are mad! What's the meaning of these waves, these floods, these outbursts? Where is the ebullient, infinite woman who, immersed as she was in her naiveté, kept in the dark about herself, led into self-disdain by the great arm of parental-conjugal phallocentrism, hasn't been ashamed of her strength? Who, surprised and horrified by the fantastic tumult of her drives (for she was made to believe that a well-adjusted normal woman has a ... divine composure), hasn't accused herself of being a monster? Who, feeling a funny desire stirring inside her (to sing, to write, to dare to speak, in short, to bring out something new), hasn't thought she was sick? Well, her shameful sickness is that she resists death, that she makes trouble.
Hélène Cixous (The Laugh of the Medusa)
They’re afraid to talk about difficult feelings because they or their partner might get angry. They hide how they feel to avoid stirring up trouble. Keeping the peace often comes at the expense of honesty and understanding. And the converse is also true: Love built on honesty and understanding is deep and fulfilling, but not necessarily peaceful. Partners who avoid conflict don’t understand each other’s priorities, values, or struggles. Every couple fights—or should.
Jay Shetty (8 Rules of Love: How to Find It, Keep It, and Let It Go)
Her depressive tendency, the flip side of her manic streak, was stirring. Why were they even doing this? it wanted to know. What a waste of time, of effort. Of pencils. Plum needed to get moving, but she was having trouble attaching meanings to things; the meanings kept peeling off like old stickers.
Lev Grossman (The Magician's Land (The Magicians, #3))
The media used to investigate and uncover things. Now they simply collect ‘he said,’ ‘she said’ statements and stir up trouble. Their main activity is influence peddling, special interests, sensationalism, not fact.
Peter Arthur (The Fight for Immortality (The Fight for Immortality Series Book 1))
The desire to make art begins early. Among the very young this is encouraged (or at least indulged as harmless) but the push toward a 'serious' education soon exacts a heavy toll on dreams and fantasies....Yet for some the desire persists, and sooner or later must be addressed. And with good reason: your desire to make art -- beautiful or meaningful or emotive art -- is integral to your sense of who you are. Life and Art, once entwined, can quickly become inseparable; at age ninety Frank Lloyd Wright was still designing, Imogen Cunningham still photographing, Stravinsky still composing, Picasso still painting. But if making art gives substance to your sense of self, the corresponding fear is that you're not up to the task -- that you can't do it, or can't do it well, or can't do it again; or that you're not a real artist, or not a good artist, or have no talent, or have nothing to say. The line between the artist and his/her work is a fine one at best, and for the artist it feels (quite naturally) like there is no such line. Making art can feel dangerous and revealing. Making art is dangerous and revealing. Making art precipitates self-doubt, stirring deep waters that lay between what you know you should be, and what you fear you might be. For many people, that alone is enough to prevent their ever getting started at all -- and for those who do, trouble isn't long in coming. Doubts, in fact, soon rise in swarms: "I am not an artist -- I am a phony. I have nothing worth saying. I'm not sure what I'm doing. Other people are better than I am. I'm only a [student/physicist/mother/whatever]. I've never had a real exhibit. No one understands my work. No one likes my work. I'm no good. Yet viewed objectively, these fears obviously have less to do with art than they do with the artist. And even less to do with the individual artworks. After all, in making art you bring your highest skills to bear upon the materials and ideas you most care about. Art is a high calling -- fears are coincidental. Coincidental, sneaky and disruptive, we might add, disguising themselves variously as laziness, resistance to deadlines, irritation with materials or surroundings, distraction over the achievements of others -- indeed anything that keeps you from giving your work your best shot. What separates artists from ex-artists is that those who challenge their fears, continue; those who don't, quit. Each step in the artmaking process puts that issue to the test.
David Bayles (Art and Fear: Observations on the Perils (and Rewards) of Artmaking)
I wanted to go in and tell them that, but George thought it would just be stirring up some trouble, you know, stirring up the cow pile. A cow pile may looked dried up, but if you stir it up, it can start to stink again.
K. Martin Beckner (Chips of Red Paint)
Stir up thy mind, and recall thy wits again from thy natural dreams, and visions, and when thou art perfectly awoken, and canst perceive that they were but dreams that troubled thee, as one newly awakened out of another kind of sleep look upon these worldly things with the same mind as thou didst upon those, that thou sawest in thy sleep.
Marcus Aurelius (Meditations)
In the summer when the wind stirs the trees, there is that rushing, swelling sound of masses of heavy foliage, a sound that drowns, in its full-blossomed, undulating, ocean-like murmur, the individual sorrows of trees. But across this leafless unfrequented field these two evergreens could lift to each other their sub-human voices and cry their ancient vegetation-cry, clear and strong; that cry which always seems to come from some underworld of Being, where tragedy is mitigated by a strange undying acceptance beyond the comprehension of the troubled hearts of men and women.
John Cowper Powys (A Glastonbury Romance)
that’s the story of how Saint Patrick drove the snakes out of Ireland forever and banished the Devil to England. Some people say that explains why there has always been such trouble between England and Ireland. The Devil stirs it up.
Frank Delaney (Ireland)
To begin with, we have to be more clear about what we mean by patriotic feelings. For a time when I was in high school, I cheered for the school athletic teams. That's a form of patriotism — group loyalty. It can take pernicious forms, but in itself it can be quite harmless, maybe even positive. At the national level, what "patriotism" means depends on how we view the society. Those with deep totalitarian commitments identify the state with the society, its people, and its culture. Therefore those who criticized the policies of the Kremlin under Stalin were condemned as "anti-Soviet" or "hating Russia". For their counterparts in the West, those who criticize the policies of the US government are "anti-American" and "hate America"; those are the standard terms used by intellectual opinion, including left-liberal segments, so deeply committed to their totalitarian instincts that they cannot even recognize them, let alone understand their disgraceful history, tracing to the origins of recorded history in interesting ways. For the totalitarian, "patriotism" means support for the state and its policies, perhaps with twitters of protest on grounds that they might fail or cost us too much. For those whose instincts are democratic rather than totalitarian, "patriotism" means commitment to the welfare and improvement of the society, its people, its culture. That's a natural sentiment and one that can be quite positive. It's one all serious activists share, I presume; otherwise why take the trouble to do what we do? But the kind of "patriotism" fostered by totalitarian societies and military dictatorships, and internalized as second nature by much of intellectual opinion in more free societies, is one of the worst maladies of human history, and will probably do us all in before too long. With regard to the US, I think we find a mix. Every effort is made by power and doctrinal systems to stir up the more dangerous and destructive forms of "patriotism"; every effort is made by people committed to peace and justice to organize and encourage the beneficial kinds. It's a constant struggle. When people are frightened, the more dangerous kinds tend to emerge, and people huddle under the wings of power. Whatever the reasons may be, by comparative standards the US has been a very frightened country for a long time, on many dimensions. Quite commonly in history, such fears have been fanned by unscrupulous leaders, seeking to implement their own agendas. These are commonly harmful to the general population, which has to be disciplined in some manner: the classic device is to stimulate fear of awesome enemies concocted for the purpose, usually with some shreds of realism, required even for the most vulgar forms of propaganda. Germany was the pride of Western civilization 70 years ago, but most Germans were whipped to presumably genuine fear of the Czech dagger pointed at the heart of Germany (is that crazier than the Nicaraguan or Grenadan dagger pointed at the heart of the US, conjured up by the people now playing the same game today?), the Jewish-Bolshevik conspiracy aimed at destroying the Aryan race and the civilization that Germany had inherited from Greece, etc. That's only the beginning. A lot is at stake.
Noam Chomsky
Impatiently I waited for evening, when I might summon you to my presence. An unusual– to me– a perfectly new character, I suspected was yours; I desired to search it deeper, and know it better. You entered the room with a look and air at once shy and independent; you were quaintly dress– much as you are now. I made you talk; ere long I found you full of strange contrasts. Your garb and manner were restricted by rule; your air was often diffident, and altogether that of one refined by nature, but absolutely unused to society, and a good deal afraid of making herself disadvantageously conspicuous by some solecism or blunder; yet, when addressed, you lifted a keen, a daring, and a glowing eye to your interlocutor’s face; there was penetration and power in each glance you gave; when plied by close questions, you found ready and round answers. Very soon you seemed to get used to me – I believe you felt the existence of sympathy between you and your grim and cross master, Jane; for it was astonishing to see how quickly a certain pleasant ease tranquilized your manner; snarl as I would, you showed no surprise, fear, annoyance, or displeasure, at my moroseness; you watched me, and now and then smiled at me with a simple yet sagacious grace I cannot describe. I was at once content and stimulated with what I saw; I liked what I had seen, and wished to see more. Yet, for a long time, I treated you distantly, and sought your company rarely, I was an intellectual epicure, and wished to prolong the gratification of making this novel and piquant acquaintance; besides, I was for a while troubled with a haunting fear that if I handled the flower freely its bloom would fade – the sweet charm of freshness would leave it. I did not then know that it was no transitory blossom, but rather the radiant resemblance of one, cut in an indestructible gem. Moreover, I wished to see whether you would seek me if I shunned you – but you did not; you kept in the school-room as still as your own desk and easel; if by chance I met you, you passed me as soon, and with as little token of recognition, as was consistent with respect. Your habitual expression in those days, Jane, was a thoughtful look; not despondent, fro you were not sickly; but not buoyant, for you had little hope, and no actual pleasure. I wondered what you thought of me– or if you ever thought of me; to find this out, I resumed my notice of you. There was something glad in your glance, and genial in your manner, when you conversed; I saw you had a social heart; it was the silent school-room– it was the tedium of your life that made you mournful. I permitted myself the delight of being kind to you; kindness stirred emotion soon; your face became soft in expression, your tones gentle; I liked my name pronounced by your lips in a grateful, happy accent. I used to enjoy a chance meeting with you, Jane, at this time; there was a curious hesitation in your manner; you glanced at me with a slight trouble– a hovering doubt; you did not know what my caprice might be– whether I was going to play the master, and be stern– or the friend, and be benignant. I was now too fond of you often to stimulate the first whim; and, when I stretched my hand out cordially, such bloom, and light, and bliss, rose to your young, wistful features, I had much ado often to avoid straining you then and there to my heart.
Charlotte Brontë (Jane Eyre)
God In his malodorous brain what slugs and mire, Lanthorned in his oblique eyes, guttering burned! His body lodged a rat where men nursed souls. The world flashed grape-green eyes of a foiled cat To him. On fragments of an old shrunk power, On shy and maimed, on women wrung awry, He lay, a bullying hulk, to crush them more. But when one, fearless, turned and clawed like bronze, Cringing was easy to blunt these stern paws, And he would weigh the heavier on those after. Who rests in God's mean flattery now? Your wealth Is but his cunning to make death more hard. Your iron sinews take more pain in breaking. And he has made the market for your beauty Too poor to buy, although you die to sell. Only that he has never heard of sleep; And when the cats come out the rats are sly. Here we are safe till he slinks in at dawn But he has gnawed a fibre from strange roots, And in the morning some pale wonder ceases. Things are not strange and strange things are forgetful. Ah! if the day were arid, somehow lost Out of us, but it is as hair of us, And only in the hush no wind stirs it. And in the light vague trouble lifts and breathes, And restlessness still shadows the lost ways. The fingers shut on voices that pass through, Where blind farewells are taken easily .... Ah! this miasma of a rotting God!
Isaac Rosenberg (The Poems and Plays of Isaac Rosenberg (|c OET |t Oxford English Texts))
Thornton Wilder’s one-act play “The Angel That Troubled the Waters,” based on John 5:1-4, dramatizes the power of the pool of Bethesda to heal whenever an angel stirred its waters. A physician comes periodically to the pool hoping to be the first in line and longing to be healed of his melancholy. The angel finally appears but blocks the physician just as he is ready to step into the water. The angel tells the physician to draw back, for this moment is not for him. The physician pleads for help in a broken voice, but the angel insists that healing is not intended for him. The dialogue continues—and then comes the prophetic word from the angel: “Without your wounds where would your power be? It is your melancholy that makes your low voice tremble into the hearts of men and women. The very angels themselves cannot persuade the wretched and blundering children on earth as can one human being broken on the wheels of living. In Love’s service, only wounded soldiers can serve. Physician, draw back.” Later, the man who enters the pool first and is healed rejoices in his good fortune and turning to the physician says: “Please come with me. It is only an hour to my home. My son is lost in dark thoughts. I do not understand him and only you have ever lifted his mood. Only an hour.… There is also my daughter: since her child died, she sits in the shadow. She will not listen to us but she will listen to you.”13 Christians who remain in hiding continue to live the lie. We deny the reality of our sin. In a futile attempt to erase our past, we deprive the community of our healing gift. If we conceal our wounds out of fear and shame, our inner darkness can neither be illuminated nor become a light for others. We cling to our bad feelings and beat ourselves with the past when what we should do is let go. As Dietrich Bonhoeffer said, guilt is an idol. But when we dare to live as forgiven men and women, we join the wounded healers and draw closer to Jesus.
Brennan Manning (Abba's Child: The Cry of the Heart for Intimate Belonging with Bonus Content)
Peer of gods he seemeth to me, the blissful Man who sits and gazes at thee before him, Close beside thee sits, and in silence hears thee Silverly speaking, Laughing love’s low laughter. Oh this, this only Stirs the troubled heart in my breast to tremble! For should I but see thee a little moment, Straight is my voice hushed; Yea, my tongue is broken, and through and through me ’Neath the flesh impalpable fire runs tingling; Nothing see mine eyes, and a noise of roaring Waves in my ears sounds; Sweat runs down in rivers, a tremor seizes All my limbs, and paler than grass in autumn, Caught by pains of menacing death, I falter, Lost in the love trance.
Sappho
In the main, the trouble with American education is that we have put into practice the educational philosophy expounded by John Dewey and his disciples. In varying degrees we have adopted what has been called "progressive education." Subscribing to the egalitarian notion that every child must have the same education, we have neglected to provide an educational system which will tax the talents and stir the ambitions of our best students and which will thus insure us the kind of leaders we will need in the future. In
Barry M. Goldwater (The Conscience of a Conservative)
He obviously didn't get slapped nearly enough for the trouble he stirred up.
April White (Tempting Fate (Immortal Descendants, #2))
Except that, almost against his will, he did care about Robin. He felt familiar stirrings of a desire to make her happy that irked him . . .
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
Jumpin’, you know how it is. They’ll take his side. They’ll say I’m just stirring up trouble.
Delia Owens (Where the Crawdads Sing)
All things by immortal power, near or far, hiddenly, to each other linked are, that thou canst not stir a flower, without troubling of a star.
Francis Thompson
When revolutionaries see trouble brewing, they seize the ladle to stir the cauldron all the more furiously.
Rory Clements (Corpus (Tom Wilde, #1))
A blinding smile fills her face, and it stirs my need even more. I want her in my fucking arms. I want to kiss her so deeply that air has trouble reaching both of our lungs, gasping with wild, arresting pleasure.
Becca Ritchie (Hothouse Flower (Calloway Sisters #2))
Horror and doubt distract his troubled thoughts, and from the bottom stir the Hell within him; for within him Hell he brings, and round about him, nor from Hell one step, no more than from himself, can fly by change of place.
John Milton (Paradise Lost)
Remember your Creator in the days of your youth, before the days of trouble come and the years approach when you will say, “I find no pleasure in them”— before the sun and the light and the moon and the stars grow dark, and the clouds return after the rain; when the keepers of the house tremble, and the strong men stoop, when the grinders cease because they are few, and those looking through the windows grow dim; when the doors to the street are closed and the sound of grinding fades; when people rise up at the sound of birds, but all their songs grow faint; when people are afraid of heights and of dangers in the streets; when the almond tree blossoms and the grasshopper drags itself along and desire no longer is stirred. Then people go to their eternal home and mourners go about the streets. Remember him—before the silver cord is severed, and the golden bowl is broken; before the pitcher is shattered at the spring, and the wheel broken at the well, and the dust returns to the ground it came from, and the spirit returns to God who gave it. “Meaningless! Meaningless!” says the Teacher. “Everything is meaningless!
Anonymous
Those who shake the State are easily the first to be engulfed in its destruction. The fruits of dissension are not gathered by the one who began it: he stirs and troubles the waters for other men to fish in   – Montaigne (I: 23)  
James Edmonds (American Master: A Portrait of Gore Vidal)
What was the point, I told myself, of trying to explain to people who would never understand? Frankness just stirred up trouble amoung women who thought only of themselves, always looking for reasons to carp and complain. It was so rare to find anyone who truly understood, I had learned to keep my thoughts to myself. In fact, if I had never had the experience of knowing such a one, I might have said it was impossible. Most people judge everything by their own narrow standards. Page 357
Liza Dalby
That had been her plan, he decided. The devious witch. She’d planted the seed in his brain, stirred up his loins, as he was only a man, after all, and now she could torment him just by being in the same vicinity. Well, two could play this game. Rather than waiting for Darcy to pick up the orders, he carried them out himself. Just to show Brenna O’Toole that she didn’t trouble him in the least. The perverse creature didn’t even glance his way as he swung into the pub and wound his way through the crowd to the tables.
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
Where is the land of Luthany, Where is the tract of Elenore? I am bound therefore. 'Pierce thy heart to find the key; With thee take Only what none else would keep; Learn to dream when thou dost wake; Learn to wake when thou dost sleep. Learn to water joy with tears, Learn from fears to vanquish fears; To hope, for thou dar'st not despair; Exult, for that thou dar'st not grieve; Plough thou the rock until it bear; Know, for thou else couldst not believe; Lose, that the lost thou may'st receive; Die, for none other way canst live. 'When earth and heave lay down their veil, And that apocalypse turns thee pale; When thy seeing blindeth thee To what thy fellow-mortals see; When their sight to thee is sightless; Their living, death; their light, most lightless; Search no more-- Pass the gates of Luthany, Tread the region Elenore!' Where is the land of Luthany? And where the region Elenore? I do faint therefore. 'When to the new eyes of thee All things by immortal power, Near or far, Hiddenly To each other linked are, That thou canst not stir a flower Without troubling of a star; When thy song is shield and mirror To the fair snake curled pain, Where thou dar'st affront her terror That on her thou may'st attain Persean Conquest; seek no more, O seek no more! Pass the gates of Luthany, Tread the region Elenore!
Francis Thompson
You from?” the driver asked with a complete lack of interest. “Liverpool.” “Limey, huh? Well, you’ll be all right. It’s the goddamn New York Jews cause all the trouble.” I found myself with a British inflection and by no means one of Liverpool. “Jews—what? How do they cause trouble?” “Why, hell, mister. We know how to take care of this. Everybody’s happy and getting along fine. Why, I like niggers. And them goddamn New York Jews come in and stir the niggers up. They just stay in New York there wouldn’t be no trouble. Ought to take them out.
John Steinbeck (Travels with Charley: In Search of America)
Refreshed, delighted, invigorated, I walked along, forgetting all my cares, feeling as if I had wings to my feet, and could go at least forty miles without fatigue, and experiencing a sense of exhilaration to which I had been an entire stranger since the days of early youth. About half–past six, however, the grooms began to come down to air their masters’ horses—first one, and then another, till there were some dozen horses and five or six riders: but that need not trouble me, for they would not come as far as the low rocks which I was now approaching. When I had reached these, and walked over the moist, slippery sea–weed (at the risk of floundering into one of the numerous pools of clear, salt water that lay between them), to a little mossy promontory with the sea splashing round it, I looked back again to see who next was stirring. Still, there were only the early grooms with their horses, and one gentleman with a little dark speck of a dog running before him, and one water–cart coming out of the town to get water for the baths. In another minute or two, the distant bathing machines would begin to move, and then the elderly gentlemen of regular habits and sober quaker ladies would be coming to take their salutary morning walks. But however interesting such a scene might be, I could not wait to witness it, for the sun and the sea so dazzled my eyes in that direction, that I could but afford one glance; and then I turned again to delight myself with the sight and the sound of the sea, dashing against my promontory—with no prodigious force, for the swell was broken by the tangled sea–weed and the unseen rocks beneath; otherwise I should soon have been deluged with spray. But the tide was coming in; the water was rising; the gulfs and lakes were filling; the straits were widening: it was time to seek some safer footing; so I walked, skipped, and stumbled back to the smooth, wide sands, and resolved to proceed to a certain bold projection in the cliffs, and then return.
Anne Brontë (Agnes Grey)
As they gently lowered it into the earth, all stared silently at the coffin but one: a young woman of twenty-five who glanced absentmindedly into the distance where an unknown figure stood – watching, waiting, his face buried in the shadow of his hat. Whether by intuition or paranoia she could not tell, but the presence of the man troubled her and her eyes were fixed on his motionless body and would not stir. Tourists rarely came to a town as small and uneventful as theirs, let alone to visit a funeral where they did not introduce themselves and only beheld the spectacle from afar.
Renate Linnenkoper (Exogenesis (Celestial Mists, #1))
When people are asleep, their spirits wander off; when they are awake, their bodies are like an open door, so that everything they touch becomes an entanglement. Day after day they use their minds to stir up trouble; they become boastful, sneaky, secretive. They are consumed with anxiety over trivial matters but remain arrogantly oblivious to the things truly worth fearing. Their words fly from their mouths like crossbow bolts, so sure are they that they know right from wrong. They cling to their positions as though they had sworn an oath, so sure are they of victory. Their gradual decline is like autumn fading into winter—this is how they dwindle day by day. They drown in what they do—you cannot make them turn back. They begin to suffocate, as though sealed up in a box—this is how they decline into senility. And as their minds approach death, nothing can cause them to turn back toward the light.
Edward Slingerland (Trying Not to Try: The Ancient Art of Effortlessness and the Surprising Power of Spontaneity)
This mingling of life and death, rising and falling is so strange that we cannot even know where we truly are, for our perceptions are so sundered from each other that we can’t tell what is real. On the one hand, we live in a holy agreement with God; when we feel the Divine Presence in our lives, we set our wills, our intellects, our souls, and our strength to following God. Then we hate the arrogant stirrings in our minds, all that causes us to fall away from God, physically and spiritually. But then again, we lose sight of the Divine sweetness, and we fall once more into such darkness that we stumble into all manner of sorrows and troubles. We can only comfort ourselves that we never give our deepest permission for the trouble and sorrow to enter our lives; the strength of Christ our Protector guards our inmost beings. We revolt against the darkness, our minds filled with groaning, enduring the pain and sadness, praying for the time when the Divine Presence will once again be revealed to us. This is the medley of human life: faith and sorrow, insight and darkness, joy and agony, singing in counterpart through our days. But God wants us to know that through it all the Divine Presence is the melody that never changes.
Julian of Norwich (All Shall Be Well: A Modern-Language Version of the Revelation of Julian of Norwich)
IRELAND Spenserian Sonnet abab, bcbc, cdcd, ee What is it about the Kelly velvet hillsides and the hoary avocado sea, The vertical cliffs where the Gulf Stream commences its southern bend, Slashing like a sculptor gone mad or a rancorous God who’s angry, Heaving galaxies of lichen shrouded stones for potato farmers to tend, Where the Famine and the Troubles such haunting aspects lend, Music and verse ring with such eloquence in their whimsical way, Let all, who can hear, rejoice as singers’ intonations mend, Gaelic souls from Sligo and Trinity Green to Cork and Dingle Bay, Where fiddle, bodhran, tin whistle, and even God, indulge to play, Ould sod to Beckett, Wilde and Yeats, Heaney and James Joyce, In this verdant, welcoming land, ‘tis the poet who rules the day. Where else can one hear a republic croon in so magnificent a voice? Primal hearts of Celtic chieftains pulse, setting inspiration free, In genial confines of chic caprice, we’re stirred by synchronicity.
David B. Lentz (Sonnets from New England: Love Songs)
The fact is that very few of us know what words mean; fewer still take the trouble to enquire. We calmly, we carelessly assume that our minds are identical with that of the writer, at least on that point; and then we wonder that there should be misunderstandings! The fact is (again!) that usually we don't really want to know; it is so very much easier to drift down the river of discourse, "lazily, lazily, drowsily, drowsily, In the noonday sun." Why is this so satisfactory? Because although we may not know what a word means, most words have a pleasant or unpleasant connotation, each for himself, either because of the ideas or images thus begotten, of hopes or memories stirred up, or merely for the sound of the word itself.
Aleister Crowley (Magick Without Tears)
There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make one almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of revery. Gradually white fingers creep through the curtains, and they appear to tremble. Black fantastic shadows crawl into the corners of the room, and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills, and wandering round the silent house, as though it feared to wake the sleepers. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colors of things are restored to them, and we watch the dawn remaking the world in its antique pattern.
Oscar Wilde (Complete Works)
Yes. I’ll accept being called a snob when it comes to government. I’d like very much to be left alone to manage my own affairs in a live-and-let-live economy, I’d like for my state to be left alone to keep house without advice from the NAACP, which knows next to nothing about its business and cares less. That organization has stirred up more trouble in the past five years—
Harper Lee (Go Set a Watchman)
I love my persona because it seems like I am weak; but, stirring up within me, I can present strength within my weakness. I only know strength in my weakness. Because that is what I know throughout my life. Knowing pain daily; but, also the ability to stand on my 2 feet to say it is enough knowing I will get into more trouble. Also knowing that I can handle the pain through standing for myself.
Temitope Owosela
What’s wrong with her?” Joanna asked. “What isn’t wrong with her is probably a better question,” Amy Baxter said. “It’s just what I was afraid of. Being here has been way too hard on her. You’re looking at a textbook case. Start with a dash of incest, add in a mostly dysfunctional family, stir in some recreational drug use and a fistful of self-loathing, and you end up with a very troubled woman.
J.A. Jance (Tombstone Courage (Joanna Brady, #2))
Fairy land arouses a longing for [a child] knows not what. It stirs and troubles him (to his life-long enrichment) with the dim sense of something beyond his reach and, far from dulling or emptying the actual world, gives it a new dimension of depth. He does not despise real woods because he has read of enchanted woods: the reading makes all real woods a little enchanted. C. S. LEWIS, OF OTHER WORLDS
Sarah Clarkson (Book Girl: A Journey through the Treasures and Transforming Power of a Reading Life)
Powerful people never waste time. Outwardly they may play along with the game — pretending that power is shared among many — but inwardly they keep their eyes on the inevitable few in the group who hold the cards. These are the ones they work on. When troubles arise, they look for the underlying cause, the single strong character who started the stirring and whose isolation or banishment will settle the waters again.
Robert Greene (The 48 Laws of Power)
Why? Why does anybody want to go anywhere? Why did the bear go round the mountain? To see what he could see! I've never seen the Rings. That's reason enough to go anywhere. The race has been doing it for all time. The dull ones stay home—and the bright ones stir around and try to see what trouble they can dig up. It's the human pattern. It doesn't need a reason, any more than a flat cat needs a reason to buzz. Why anything?
Robert A. Heinlein (The Rolling Stones)
Get away from the door." she whispered. "Both of you get out of here NOW." "Miss," said Alf. "We don't mean no..." "You don't know what you're getting into." she said. "You must leave here this instant." Alf, his face worried said to Peter. "Maybe we should..." "No," sad Peter, furious. "We've come this far, and we're going to go in there, and she can't stop us." "Yes I can." said Molly, her voice dead calm. Peter and Alf both looked at her. "I can scream." she said. "You wouldn't." Peter said. "Yes I would." "You don't dare." said Peter. "You're not supposed to be here, either. You'd be in as much trouble as us." "I could say I heard a noise," she said. "I heard something fall." she pointed to the padlcok. "I came to investigate, and when I saw you I screamed." "All right miss. said Alf. "No need for that." he put a hand on Peter's shoulder. "Come on lad." "No," said Peter, shrugging off the hand, glaring at Molly. "You go if you want. She doesn't scare me." "I'm going to count," said Molly. "If you're not gone when I get to ten, I WILL scream." "You're bluffing." said Peter." said Peter. "One." said Molly. On the floor Leatherface stirred, rolling over, resumed snoring. "Little friend." whispered Alf, his tone urgent now. "I'm going." "Go then." said Peter. "Two." "Please little friend." "NO." "Three" "All right, then." said Alf, shaking his head. "Good luck, then." "Four" Alf was up the ladder and gone. "Five" "Why are you doing this?" hissed Peter. "Six. Because I have to." Her face was grim. "But why?" "Seven. I can't tell you." "Tell me WHAT? Why can't you tell me anyway? How do you know if you don't try?" "Nine. Because I... Because it... it's so..." Molly's voice broke. Peter saw she was crying. "Molly, please, whatever it is, JUST TELL ME.. Maybe...maybe I can help you." For several seconds, Molly looked at him, a look of lonely desperation, tears brimming in her luminescent green eyes. Then she made a decision- Peter saw it happen- and her expression was grim again. She's going to say ten, thought Peter. She's going to scream. Molly opened her mouth. "All right, then." she said. "I'll tell you.
Dave Barry
Indeed, techno-humanism may end up downgrading humans. The system may prefer downgraded humans not because they would possess any superhuman knacks, but because they would lack some really disturbing human qualities that hamper the system and slow it down. As any farmer knows, it’s usually the brightest goat in the flock that stirs up the most trouble, which is why the Agricultural Revolution involved downgrading animals’ mental abilities. The
Yuval Noah Harari (Homo Deus: ‘An intoxicating brew of science, philosophy and futurism’ Mail on Sunday)
You may attempt to defy me, but I assure you, it is a waste of your energy." He spoke gently, that mocking male superiority setting her teeth on edge. "I am your lifemate, cherie, and I will give any order I deem necessary for your safety." She thumped his chest hard with her clenched fist. "You make me so mad, Gregori! I'm trying very hard to get along with you and your arrogant orders. You don't even change expression! We could be discussing the weather instead of having a fight." His eyebrows shot up. "This is no fight, ma petite. A fight is where we both are angry and have a contest of wills,a battle.There cannot be such a thing between us.I do not feel anger when I look at you,only the need to care for you and protect you. I am responsible for your health and safety, Savannah. I can do no other than to protect you,even from your own folly.You cannot hope to win.I know this absolutely, so there is no reason to become agitated over the issue." She thumped him again.He looked startled, then caught her flying fist in his hand and gently pried her fingers open.Very carefully he pressed a kiss into the exact center of her palm. "Savannah? Were you trying to hit me?" "I did hit you-twice,you scum.You didn't even notice the first time." She sounded very irritated with him. For some reason it made him want to smile. "I apologize,mon amour. Next time,I promise I will notice when you strike me." The hard edge to his mouth softened into a semblance of a smile. "I will even go so far as to pretend that it hurts,if you wish it." Her blue eyes flashed at him. "Ha,ha, ha, you're so funny,Gregori. Stop being so smug." "It is not being smug to know my own power, cherie. I am trying to care for you as best I know how.YOu do not make it easy for me. I find myself making poor decisions just to see that smile on your face," he admitted reluctantly. Savannah laid her head on his chest. "I'm sorry I'm so much trouble, Gregori." She wasn't certain if that was the strict truth.She rather liked stirring him up.
Christine Feehan (Dark Magic (Dark, #4))
What fear is there that thy dogmata, or philosophical resolutions and conclusions, should become dead in thee, and lose their proper power and efficacy to make thee live happy, as long as those proper and correlative fancies, and representations of things on which they mutually depend (which continually to stir up and revive is in thy power,) are still kept fresh and alive? It is in my power concerning this thing that is happened, what soever it be, to conceit that which is right and true. If it be, why then am I troubled?
Marcus Aurelius (Meditations)
Someone once said that Stephen Austin didn't like preachers at all. He swore that "one preacher could stir up more trouble than a dozen horse thieves." Matthew's Gospel reminds us that it is the role of a disciple of Jesus to stir up trouble by playing an active, resistant role in the struggle of good and evil, by resisting the ways of the world and its power bases – economic, religious, nationalistic, politic, military – which are most often in direct opposition to the ways of the Kingdom of God and the way of discipleship.
Megan McKenna (And Morning Came: Scriptures of the Resurrection)
French said: “It’s like this with us, baby. We’re coppers and everybody hates our guts. And as if we didn’t have enough trouble, we have to have you. As if we didn’t get pushed around enough by the guys in the corner offices, the City Hall gang, the day chief, the night chief, the Chamber of Commerce, His Honor the Mayor in his paneled office four times as big as the three lousy rooms the whole homicide staff has to work out of. As if we didn’t have to handle one hundred and fourteen homicides last year out of three rooms that don’t have enough chairs for the whole duty squad to sit down in at once. We spend our lives turning over dirty underwear and sniffing rotten teeth. We go up dark stairways to get a gun punk with a skinful of hop and sometimes we don’t get all the way up, and our wives wait dinner that night and all the other nights. We don’t come home any more. And nights we do come home, we come home so goddam tired we can’t eat or sleep or even read the lies the papers print about us. So we lie awake in the dark in a cheap house on a cheap street and listen to the drunks down the block having fun. And just about the time we drop off the phone rings and we get up and start all over again. Nothing we do is right, not ever. Not once. If we get a confession, we beat it out of the guy, they say, and some shyster calls us Gestapo in court and sneers at us when we muddle our grammar. If we make a mistake they put us back in uniform on Skid Row and we spend the nice cool summer evenings picking drunks out of the gutter and being yelled at by whores and taking knives away from greaseballs in zoot suits. But all that ain’t enough to make us entirely happy. We got to have you.” He stopped and drew in his breath. His face glistened a little as if with sweat. He leaned forward from his hips. “We got to have you,” he repeated. “We got to have sharpers with private licenses hiding information and dodging around corners and stirring up dust for us to breathe in. We got to have you suppressing evidence and framing set-ups that wouldn’t fool a sick baby. You wouldn’t mind me calling you a goddam cheap double-crossing keyhole peeper, would you, baby?” “You want me to mind?” I asked him. He straightened up. “I’d love it,” he said. “In spades redoubled.
Raymond Chandler (The Little Sister (Philip Marlowe #5))
Many people have a moment, after they have kids, when they begin to understand and empathize with their own parents, when suddenly all the difficult moments make sense. The discipline was all about keeping you safe, about teaching you life lessons. I saw those terrible years that had culminated in my packing up the blue and maroon Samsonite and leaving my parents’ house as newly galling. An aberration. How could they send me out into the world? How could they have done what they did? I had spent years apologizing for my behavior to my parents. I lamented the trouble I had caused, the revolt I stirred. I had been a terrible child, I admitted. The drugs, the rebellion, the sneaking out, the violence. Over and over I had apologized and taken what I believed to be my share of the blame. But when I became a parent myself, I understood, finally, the source of my anger. They themselves had never apologized. Not really. On the few occasions over the years when I suggested that they had kicked us out, they always maintained that we had moved out of our own accord after refusing to follow the rules. I didn’t challenge this framing until I gave birth to my own daughter. There, in my hospital bed at Samitivej, holding my newborn baby with her giant blue eyes and her punk-rock hair, I thought, “No. You were the adults. I was the child. Fuck you.
Rachel Louise Snyder (Women We Buried, Women We Burned: A Memoir)
Jay came over as soon as Violet called him; she didn’t even have to give him a reason. He was there in less than ten minutes. Of course, he’d heard about what had happened to Hailey. Everyone had. Buckley was a small town, and news traveled fast . . . especially bad news. When he got there she told him what she was thinking about doing. It was nothing dangerous, at least as far as she was concerned, and she hadn’t expected Jay to disagree with her about it. So when he did, she was more than a little bit surprised by his stubborn reaction. “No way,” he insisted, and his voice left little room for argument. “There is no way you’re going to go around looking for this guy.” Violet was shocked by the tone of his voice, and by the harsh look he shot at her. She thought maybe he misunderstood her plan, so she tried to explain it to him again. “Jay, I’m only going to public places, like malls and parks, to see if I can get a feeling for who this guy is. Who knows, maybe he goes to places like that to find them, maybe he hands out there waiting to pick out a girl to . . . you know, kidnap.” She tried to make her argument sound logical, but there was a desperate edge to her voice. “I’m not going out alone . . . you can go with me. We’ll just hang out at different places to see if we can find him. And if we do, we’ll call my uncle. It’s not like we’d do anything stupid.” “’Anything stupid’ would be going out to look for a killer. I won’t let you go looking for trouble, Violet. This guy is dangerous, and you need to leave it to the cops. They know what they’re doing. And they’re armed.” He sounded like he thought she’d lost her mind, and maybe she had, but she had already made her decision. “Look, I’m doing this. I was just asking you to come along with me.” “You’re not,” he insisted. “Even if I have to tell your uncle and your parents what you’re planning. I promise you, you’re not doing it.” She could feel her temper flaring. “You can’t stop me, Jay. If you tell on me, then I’ll lie. I’ll bat my eyes innocently and promise not to go looking for this guy. But I swear to you that every chance I get, even if I have to sneak out of the house to do it, I will be trying to find him.” She stood up, meaning to glare back at him, but instead found herself craning her neck just so she could see his face. The awkward position didn’t steal nay of her thunder. She refused to back down. “I mean it, Jay. You can’t stop me.” Jay glared incredulously back at her. Emotions ranging from disbelief to frustration and back to disbelief again flashed darkly across his face. He seemed to be fighting with himself now. But when she heard him sigh, and then saw him raking his hand restlessly through his hair, she knew she’d won. His icy determination seemed to melt right before her eyes. “Damn it, Violet.” He sighed brusquely, wrapping his arms around her and holding her tightly. “What choice do I have?” he asked as he practically squeezed the life out of her. She wasn’t sure how to react to him now. It definitely wasn’t a tender hug, but the close contact made her undisclosed desires stir all the same. She couldn’t help wondering if he felt even a fraction of what she did. His arms were strong, and she felt safe in the circle of them. She’d never imaged that she could feel so comfortable and so uncomfortable at the same time. She waited within the space of his embrace to see where this was going. “So, how is this going to work?” he demanded roughly against the top of her head.
Kimberly Derting (The Body Finder (The Body Finder, #1))
PROVERBS 15      d A soft answer turns away wrath,         but  e a harsh word stirs up anger.     2 The tongue of the wise commends knowledge,         but  f the mouths of fools pour out folly.     3  g The eyes of the LORD are in every place,         keeping watch on the evil and the good.     4  h A gentle [1] tongue is  i a tree of life,         but  j perverseness in it breaks the spirit.     5  k A fool  l despises his father’s instruction,         but  m whoever heeds reproof is prudent.     6 In the house of the righteous there is much treasure,         but trouble befalls the income of the wicked.     7  n The lips of the wise spread knowledge;          n not so the hearts of fools. [2]
Anonymous (The Holy Bible: English Standard Version)
The artificial creation of civil-war conditions by which the Nazis blackmailed their way into power has more than the obvious advantage of stirring up trouble. For the movement, organized violence is the most efficient of the many protective walls which surround its fictitious world, whose “reality” is proved when a member fears leaving the movement more than he fears the consequences of his complicity in illegal actions, and feels more secure as a member than as an opponent. This feeling of security, resulting from the organized violence with which the elite formations protect the party members from the outside world, is as important to the integrity of the fictitious world of the organization as the fear of its terror.
Hannah Arendt (The Origins of Totalitarianism)
And God himself will have his servants, and his graces, tried and exercised by difficulties. He never intended us the reward for sitting still; nor the crown of victory, without a fight; nor a fight, without an enemy and opposition. Innocent Adam was unfit for his state of confirmation and reward, till he had been tried by temptation. therefore the martyrs have the most glorious crown, as having undergone the greatest trial. and shall we presume to murmur at the method of God? And Satan, having liberty to tempt and try us, will quickly raise up storms and waves before us, as soon as we are set to sea: which make young beginners often fear, that they shall never live to reach the haven. He will show thee the greatness of thy former sins, to persuade thee that they shall not be pardoned. he will show thee the strength of thy passions and corruption, to make thee think they will never be overcome. he will show thee the greatness of the opposition and suffering which thou art like to undergo, to make thee think thou shall never persevere. He will do his worst to poverty, losses , crosses, injuries, vexations, and cruelties, yea , and unkind dearest friends, as he did by Job, to ill of God, or of His service. If he can , he will make them thy enemies that are of thine own household. He will stir up thy own father, or mother, or husband, or wife, or brother, or sister, or children, against thee, to persuade or persecute thee from Christ: therefore Christ tells us, that if we hate not all these that is cannot forsake them, and use them as men do hated things; when they would turn us from him, we cannot be his disciples". Look for the worst that the devil can do against thee, if thou hast once lifted thyself against him, in the army of Christ, and resolvest, whatever it cost thee, to be saved. Read heb.xi. But How little cause you have to be discouraged, though earth and hell should do their worst , you may perceive by these few considerations. God is on your side, who hath all your enemies in his hand, and can rebuke them, or destroy them in a moment. O what is the breath or fury of dust or devils, against the Lord Almighty? "If God be for us, who can be against us?" read often that chapter, Rom. viii. In the day when thou didst enter into covenant with God, and he with thee, thou didst enter into the most impregnable rock and fortress, and house thyself in that castle of defense, where thought mayst (modestly)defy all adverse powers of earth or hell. If God cannot save thee, he is not God. And if he will not save thee, he must break his covenant. Indeed, he may resolve to save thee, not from affliction and persecution, but in it, and by it. But in all these sufferings you will "be more than conquerors, through Christ that loveth you;" that is, it is far more desirable and excellent, to conquer by patience, in suffering for Christ, than to conquer our persecutors in the field, by force arms. O think on the saints triumphant boastings in their God:" God is our refuge and strength, a very present help in trouble: therefore will not we fear, though the earth be removed, and though the mountains be carried into the midst of the sea". when his " enemies were many" and "wrested his words daily," and "fought against him, and all their thoughts were against him, " yet he saith, "What time I am afraid, I will trust in thee. in God I will praise his word; in God I have put my trust: I will not fear what flesh can do unto me". Remember Christ's charge, " Be not afraid of them that kill the body, and after that have no more that they can do. But I will forewarn you whom ye shall fear: fear him, which after he hath killed, hath power to cast into hell; yea, I say unto you , Fear him" if all the world were on they side, thou might yet have cause to fear; but to have God on thy side, is infinitely more. Practical works of Richard Baxter,Ch 2 Directions to Weak Christians for Their Establishment and Growth, page 43.
Richard Baxter
The only thing that troubled him was the reflection that this kingdom was in the land of the blacks, and that the people they would give him for vassals would be all black; but for this he soon found a remedy in his fancy, and said he to himself, "What is it to me if my vassals are blacks? What more have I to do than make a cargo of them and carry them to Spain, where I can sell them and get ready money for them, and with it buy some title or some office in which to live at ease all the days of my life? Not unless you go to sleep and haven't the wit or skill to turn things to account and sell three, six, or ten thousand vassals while you would be talking about it! By God I will stir them up, big and little, or as best I can, and let them be ever so black I'll turn them into white or yellow. Come, come, what a fool I am!
Miguel de Cervantes Saavedra (Don Quixote)
When we mix a practical ability to engineer minds with our ignorance of the mental spectrum and with the narrow interests of governments, armies and corporations, we get a recipe for trouble. We may successfully upgrade our bodies and our brains, while losing our minds in the process. Indeed, techno-humanism may end up downgrading humans. The system may prefer downgraded humans not because they would possess any superhuman knacks, but because they would lack some really disturbing human qualities that hamper the system and slow it down. As any farmer knows, it’s usually the brightest goat in the flock that stirs up the most trouble, which is why the Agricultural Revolution involved downgrading animals’ mental abilities. The second cognitive revolution, dreamed up by techno-humanists, might do the same to us, producing human cogs who communicate and process data far more effectively than ever before, but who can hardly pay attention, dream or doubt. For millions of years we were enhanced chimpanzees. In the future, we may become oversized ants.
Yuval Noah Harari (Homo Deus: ‘An intoxicating brew of science, philosophy and futurism’ Mail on Sunday)
There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamored of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those who minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black, fantastic shapes, dumb shadows crawl into the corners of the room, and crouch there. Outside, there is the stirring of the birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleeper, and yet must needs call forth Sleep from her purple cave. Veil after veil of thin, dusky gauze is lifted, and by degrees the forms and colors of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colors, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness, and the memories of pleasure their pain.
Oscar Wilde (The Picture of Dorian Gray)
Two hours later, Revere trotted into Lexington, his mount thoroughly lathered after outgalloping a pair of Gage’s equestrian sentinels near Charlestown. Veering north toward the Mystic River to avoid further trouble, Revere had alerted almost every farmstead and minute captain within shouting distance. Popular lore later credited him with a stirring battle cry—“The British are coming!”—but a witness quoted him as warning, more prosaically, “The regulars are coming out.” Now he carried the alarm to the Reverend Jonas Clarke’s parsonage, just up the road from Lexington Common. Here Clarke had written three thousand sermons in twenty years; here he called up the stairs each morning to rouse his ten children—“Polly, Betsey, Lucy, Liddy, Patty, Sally, Thomas, Jonas, William, Peter, get up!” And here he had given sanctuary, in a bedroom to the left of the front door, to the renegades Hancock and Samuel Adams. A squad of militiamen stood guard at the house as Revere dismounted, spurs clanking. Two warnings had already come from the east: as many as nine mounted British officers had been seen patrolling the Middlesex roads, perhaps “upon some evil design.” At the door, a suspicious orderly sergeant challenged Revere, and Clarke blocked his path until Hancock reportedly called out, “Come in, Revere, we’re not afraid of you.” The herald delivered his message: British regulars by the hundreds were coming out, first by boat, then on foot. There was not a moment to lose.
Rick Atkinson (The British Are Coming: The War for America, Lexington to Princeton, 1775-1777 (The Revolution Trilogy Book 1))
Another howl ruptured the quiet, still too far away to be a threat. The Beast Lord, the leader, the alpha male, had to enforce his position as much by will as by physical force. He would have to answer any challenges to his rule, so it was unlikely that he turned into a wolf. A wolf would have little chance against a cat. Wolves hunted in a pack, bleeding their victim and running them into exhaustion, while cats were solitary killing machines, designed to murder swiftly and with deadly precision. No, the Beast Lord would have to be a cat, a jaguar or a leopard. Perhaps a tiger, although all known cases of weretigers occurred in Asia and could be counted without involving toes. I had heard a rumor of the Kodiak of Atlanta, a legend of an enormous, battle-scarred bear roaming the streets in search of Pack criminals. The Pack, like any social organization, had its lawbreakers. The Kodiak was their Executioner. Perhaps his Majesty turned into a bear. Damn. I should have brought some honey. My left leg was tiring. I shifted from foot to foot . . . A low, warning growl froze me in midmove. It came from the dark gaping hole in the building across the street and rolled through the ruins, awakening ancient memories of a time when humans were pathetic, hairless creatures cowering by the weak flame of the first fire and scanning the night with frightened eyes, for it held monstrous hungry killers. My subconscious screamed in panic. I held it in check and cracked my neck, slowly, one side then another. A lean shadow flickered in the corner of my eye. On the left and above me a graceful jaguar stretched on the jutting block of concrete, an elegant statue encased in the liquid metal of moonlight. Homo Panthera onca. The killer who takes its prey in a single bound. Hello, Jim. The jaguar looked at me with amber eyes. Feline lips stretched in a startlingly human smirk. He could laugh if he wanted. He didn’t know what was at stake. Jim turned his head and began washing his paw. My saber firmly in hand, I marched across the street and stepped through the opening. The darkness swallowed me whole. The lingering musky scent of a cat hit me. So, not a bear after all. Where was he? I scanned the building, peering into the gloom. Moonlight filtered through the gaps in the walls, creating a mirage of twilight and complete darkness. I knew he was watching me. Enjoying himself. Diplomacy was never my strong suit and my patience had run dry. I crouched and called out, “Here, kitty, kitty, kitty.” Two golden eyes ignited at the opposite wall. A shape stirred within the darkness and rose, carrying the eyes up and up and up until they towered above me. A single enormous paw moved into the moonlight, disturbing the dust on the filthy floor. Wicked claws shot forth and withdrew. A massive shoulder followed, its gray fur marked by faint smoky stripes. The huge body shifted forward, coming at me, and I lost my balance and fell on my ass into the dirt. Dear God, this wasn’t just a lion. This thing had to be at least five feet at the shoulder. And why was it striped? The colossal cat circled me, half in the light, half in the shadow, the dark mane trembling as he moved. I scrambled to my feet and almost bumped into the gray muzzle. We looked at each other, the lion and I, our gazes level. Then I twisted around and began dusting off my jeans in a most undignified manner. The lion vanished into a dark corner. A whisper of power pulsed through the room, tugging at my senses. If I did not know better, I would say that he had just changed. “Kitty, kitty?” asked a level male voice. I jumped. No shapechanger went from a beast into a human without a nap. Into a midform, yes, but beast-men had trouble talking. “Yeah,” I said. “You’ve caught me unprepared. Next time I’ll bring cream and catnip toys.” “If there is a next time.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Mathematical analysis and computer modelling are revealing to us that the shapes and processes we encounter in nature -the way that plants grow, the way that mountains erode or rivers flow, the way that snowflakes or islands achieve their shapes, the way that light plays on a surface, the way the milk folds and spins into your coffee as you stir it, the way that laughter sweeps through a crowd of people — all these things in their seemingly magical complexity can be described by the interaction of mathematical processes that are, if anything, even more magical in their simplicity. Shapes that we think of as random are in fact the products of complex shifting webs of numbers obeying simple rules. The very word “natural” that we have often taken to mean ”unstructured” in fact describes shapes and processes that appear so unfathomably complex that we cannot consciously perceive the simple natural laws at work.They can all be described by numbers. We know, however, that the mind is capable of understanding these matters in all their complexity and in all their simplicity. A ball flying through the air is responding to the force and direction with which it was thrown, the action of gravity, the friction of the air which it must expend its energy on overcoming, the turbulence of the air around its surface, and the rate and direction of the ball's spin. And yet, someone who might have difficulty consciously trying to work out what 3 x 4 x 5 comes to would have no trouble in doing differential calculus and a whole host of related calculations so astoundingly fast that they can actually catch a flying ball. People who call this "instinct" are merely giving the phenomenon a name, not explaining anything. I think that the closest that human beings come to expressing our understanding of these natural complexities is in music. It is the most abstract of the arts - it has no meaning or purpose other than to be itself.
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
Be a Listener When words are many, sin is not absent, but he who holds his tongue is wise. —PROVERBS 10:19     I’ve heard it said that God gave us two ears and only one mouth because He wants us to listen twice as much as we speak. I don’t know about you, but I’ve never had to apologize for something I haven’t said. It’s much easier and really more natural for us to speak rather than listen. We have to learn to listen. It takes discipline to keep from talking. As a parent, spouse, sibling, or friend, we need to be known as good listeners. And while listening, we’d do well to remember that there are always two sides to every story. Postpone any judgment until you’ve heard all the evidence—then wait some more. Eleanor Roosevelt, in one of her many speeches, stated, “A mature person is one who does not think only in absolutes, who is able to be objective even when deeply stirred emotionally, who has learned that there is both good and bad in all people and in all things, and who walks humbly and deals charitably with the circumstances of life, knowing that in this world no one is all-knowing and therefore all of us need both love and charity.” Our Scripture verse talks to us about being more of a listener than a talker. Too many words can lead to putting one’s foot in one’s mouth. The more we speak, the greater the chance of being offensive. The wise person will restrain her speech. Listening seldom gets us into trouble, but our mouths certainly cause transgressions. When others realize that you are a true listener, they will tell you important matters. They will open up about their lives and their dreams. They will entrust you with a bit of themselves and their hearts. Never violate that trust. You have the best model possible in your relationship with God. Without fail, He listens to your every need and hope. Prayer: Father God, thank You for giving me two good ears to hear. Hold my tongue when I want to lash out. I want to be a better hearer. Amen.  
Emilie Barnes (Walk with Me Today, Lord: Inspiring Devotions for Women)
Ye are stirring up a lot of trouble, arenae ye?” “Me? I just came to explore this building. She is the one stirring up trouble. She wants Cathal, I think.” “She does, e’en though his Outsider blood sickens her. Edmee would like to be the lady of Cambrun. She has ne’er been able to convince Cathal of that, however. It doesnae help her cause that she makes her contempt of his mother so verra clear. Cathal has ne’er intended to wed with a MacNachton, either. He wants bairns.” Bridget frowned at him. “There is a wee bit more to me than a womb, ye ken.” “Och, aye, a wee bit.” He laughed when she softly hissed in annoyance, then grew serious. “O’er the last few days ’tis evident neither of ye will suffer in the making of a bairn.” He only briefly smiled at her blushes. “Tis a blessing, that. And where is the insult in a mon thinking a woman a good choice as mother to his bairns?” None, she supposed, but she was not about to admit it. “There should be more.” “Ah, poor lass, so unsure of yourself.” He nimbly danced out of her reach when she tried to hit him. “The only thing I will say is that, compared to the rest of us, Cathal is nearly a monk. He isnae one to be caught in embraces with a lass round every corner. And, aye, mayhap he thinks too much on a bairn, but ’tisnae just an heir he seeks, is it? Tis the salvation of his people. Tis no small thing that. So, do ye cease teasing the fool and say aye?” Bridget sighed. “Tisnae an easy thing to decide. Tisnae just my fate, but that of my children I must consider and ye ask me to do it in but a week.” “We are but a wee bit different.” “Och, aye, ye are that.” “But, that shouldnae trouble a Callan, I think.” He sighed when she did not respond to that remark. “We arenae what ye think we are, lass. Nay exactly. I dinnae believe the soulless dead breed bairns.” He smiled gently at the look of consternation that briefly crossed her face. “We are but different. Cursed in some ways, blessed in others, but ’tis Cathal who must tell ye the tale.
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))
...And here are trees and I know their gnarled surface, water and I feel its taste. These scents of grass and stars at night, certain evenings when the heart relaxes—how shall I negate this world whose power and strength I feel? Yet all the knowledge on earth will give me nothing to assure me that this world is mine. You describe it to me and you teach me to classify it. You enumerate its laws and in my thirst for knowledge I admit that they are true. You take apart its mechanism and my hope increases. At the final stage you teach me that this wondrous and multicolored universe can be reduced to the atom and that the atom itself can be reduced to the electron. All this is good and I wait for you to continue. But you tell me of an invisible planetary system in which electrons gravitate around a nucleus. You explain this world to me with an image. I realize then that you have been reduced to poetry: I shall never know. Have I the time to become indignant? You have already changed theories. So that science that was to teach me everything ends up in a hypothesis, that lucidity founders in metaphor, that uncertainty is resolved in a work of art. What need had I of so many efforts? The soft lines of these hills and the hand of evening on this troubled heart teach me much more. I have returned to my beginning. I realize that if through science I can seize phenomena and enumerate them, I cannot, for all that, apprehend the world. Were I to trace its entire relief with my finger, I should not know any more. And you give me the choice between a description that is sure but that teaches me nothing and hypotheses that claim to teach me but that are not sure. A stranger to myself and to the world, armed solely with a thought that negates itself as soon as it asserts, what is this condition in which I can have peace only by refusing to know and to live, in which the appetite for conquest bumps into walls that defy its assaults? To will is to stir up paradoxes. Everything is ordered in such a way as to bring into being that poisoned peace produced by thoughtlessness, lack of heart, or fatal renunciations.
Albert Camus (The Myth of Sisyphus and Other Essays)
[MINERVA appears.] MIN. Whither, whither sendest thou this troop to follow [the fugitives,] king Thoas? List to the words of me, Minerva. Cease pursuing, and stirring on the onset of your host. For by the destined oracles of Loxias Orestes came hither, fleeing the wrath of the Erinnyes, and in order to conduct his sister's person to Argos, and to bear the sacred image into my land, by way of respite from his present troubles. Thus are our words for thee, but as to him, Orestes, whom you wish to slay, having caught him in a tempest at sea, Neptune has already, for my sake, rendered the surface of the sea waveless, piloting him along in the ship. But do thou, Orestes, learning my commands, (for thou hearest the voice of a Goddess, although not present,) go, taking the image and thy sister. And when thou art come to heaven-built Athens, there is a certain sacred district in the farthest bounds of Atthis, near the Carystian rock, which my people call Alœ—here, having built a temple, do thou enshrine the image named after the Tauric land and thy toils, which thou hast labored through, wandering over Greece, under the goad of the Erinnyes. But mortals hereafter shall celebrate her as the Tauric Goddess Diana. And do thou ordain this law, that, when the people celebrate a feast in grateful commemoration of thy release from slaughter, [188] let them apply the sword to the neck of a man, and let blood flow on account of the holy Goddess, that she may have honor. But, O Iphigenia, thou must needs be guardian of the temple of this Goddess at the hallowed ascent of Brauron; [189] where also thou shalt be buried at thy death, and they shall offer to you the honor of rich woven vestments, which women, dying in childbed, may leave in their houses. But I command thee to let these Grecian women depart from the land on account of their disinterested disposition, [190] I, having saved thee also on a former occasion, by determining the equal votes in the Field of Mars, Orestes, and that, according to the same law, he should conquer, whoever receive equal suffrages. But, O son of Agamemnon, do thou remove thy sister from this land, nor be thou angered, Thoas.
Euripides (The Tragedies of Euripides, Volume I.)
The surprise and relief of being held so securely by a friend she had not expected to see overwhelmed Evie completely. She felt the pain in her eyes and throat sharpen, until she could no longer hold back her sobs. Lillian tightened her embrace. “You should have seen my reaction when Annabelle and Daisy told me what you had done,” she said, patting Evie’s back firmly. “I nearly dropped to the floor, and then I called down all sorts of curses on St. Vincent’s head for taking advantage of you. I was tempted to come here and shoot him myself. But it appears that someone else spared me the trouble.” “I love him,” Evie whispered between sobs. “You can’t,” Lillian said flatly. “Yes, I love him, and I’m going to lose him just as I did my father. I can’t bear it…I’ll go mad.” Lillian sighed and muttered, “Only you could love such a vile, selfish peacock, Evie. Oh, I’ll admit, he has his attractions…but you would do better to fix your affections on someone who could actually love you back.” “Lillian,” came Evie’s watery protest. “Oh, all right, I suppose it’s not sporting to disparage a man when he’s bedridden. I’ll hold my tongue for the time being.” She drew back and looked into Evie’s splotched face. “The others wanted to come, of course. But Daisy is unmarried and therefore can’t even sneeze without a chaperone, and Annabelle tires easily because of her condition. Westcliff and I are here, however, and we’re going to make everything all right.” “You can’t,” Evie sniffled. “His wound…he’s so ill…he’s fallen into a c-coma, I think…” Keeping her arm around Evie, Lillian turned to the earl and asked in a strong voice that was entirely inappropriate for a sickroom, “Is he in a coma, Westcliff?” The earl, who was bending over Sebastian’s prone form, threw her a wry glance. “I doubt anyone could be, with the noise the pair of you are making. No, if it were a coma, he couldn’t be roused. And he definitely stirred just now when you shouted.” “I didn’t shout, I called out,” Lillian corrected. “There is a difference.” “Is there?” Westcliff asked mildly, pulling the covers down to Sebastian’s hips. “You raise your voice so often, I can’t tell.” A laugh rustled in Lillian’s throat, and she released Evie.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
He adopted his standard mocking approach. “Having trouble getting out of the pool, Lily? There’s a ladder on the side for the old ladies who come and do aqua aerobics.” Everything inside her stilled. That condescending wretch. She felt him come closer, and was careful not to stir an inch, not even a hair. “You should get out of the pool and take a long hot shower. It’ll make you feel better,” he suggested, not ungently. His brow furrowed with worry. She ignored the thread of concern in his voice and concentrated on not moving too suddenly. Slowly, as if in unbearable agony, she lifted her head. He was dressed once more in his khakis and shirt, his sneakers were in one hand, his gear bag in the other. Good. She let her face crumble, her expression slip into wretchedness. Her lower lip trembled, a special added effect. “I—I’m not sure I can even make it to the ladder,” she confessed haltingly. “My whole body’s shot.” Damn, she must be hurting worse than he’d imagined. Trying not to stare at her lush lower lip quivering helplessly, Sean dropped his gear bag and stepped forward. “Here,” he said, leaning over, stretching out his hand. “Grab my hand. I’ll pull you out.” She’d braced her feet against the wall of the pool, knowing she’d have to strike fast. They grasped hands. The second his tightened about her forearm, she jerked backward with all her strength. Physics were on her side. Caught off balance, Sean somersaulted through the air, with only enough time to yell, “Shit!” before he landed with a cannonball-sized splash. Lily braced her arms on the pool deck. She’d intended to jump out and make a mad dash for the ladies’ locker room but her efforts were hampered by her convulsive laughter. A surprised “Oof!” flew from her lips. Sean’s arm had snaked out and wrapped around her waist, dumping her backward into the water. She pushed to the surface to find Sean glowering menacingly. He was sopping wet and just as furious. Lily’s laughter redoubled, then died away when his hands took her by the shoulders and pulled her close. Mere inches separated their bodies. “What are you doing?” Her voice came out an alarmed squeak. Her eyes flew to his. They sparkled with green and gold lights. “Payback time, Lily. You’ve pushed me once too often. I had my cell phone in my pocket. I don’t think it’s waterproof. My leather wallet is in my rear pocket, crammed with pictures of my adorable niece and nephew. Basically, Banyon, you owe me. Big time.” His tanned face, with drops of water still clinging to its chiseled planes, descended. He was going to kiss her, she realized, panic-stricken at the thought. “Don’t, Sean, don’t!” “I think I have to. It’s been a long time coming. Oh, by the way, I like lots of tongue.” Indignant, her mouth opened, ready to skewer him. But Sean was quicker. He shut Lily up the way he’d been dreaming of for so long. For years she’d driven him mad, made him crazed with desire. Now, by God, he was going to taste her. The passion and frustration inside him erupted. He seized her mouth, molding her lips to his own. Carnal fantasies gave way to a reality a thousand times sweeter. Starved for her, Sean’s lips plundered, boldly claiming her as his.
Laura Moore (Night Swimming: A Novel)