Freshly Fallen Snow Quotes

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Spiritual but not religious,” Zachary clarifies. He doesn’t say what he is thinking, which is that his church is held-breath story listening and late-night-concert ear-ringing rapture and perfect-boss fight-button pressing. That his religion is buried in the silence of freshly fallen snow, in a carefully crafted cocktail, in between the pages of a book somewhere after the beginning but before the ending.
Erin Morgenstern (The Starless Sea)
So, now I shall talk every night. To myself. To the moon. I shall walk, as I did tonight, jealous of my loneliness, in the blue-silver of the cold moon, shining brilliantly on the drifts of fresh-fallen snow, with the myriad sparkles. I talk to myself and look at the dark trees, blessedly neutral. So much easier than facing people, than having to look happy, invulnerable, clever. With masks down, I walk, talking to the moon, to the neutral impersonal force that does not hear, but merely accepts my being. And does not smite me down.
Sylvia Plath (The Journals of Sylvia Plath)
his church is held-breath story listening and late-night-concert ear-ringing rapture and perfect-boss fight-button pressing. That his religion is buried in the silence of freshly fallen snow, in a carefully crafted cocktail, in between the pages of a book somewhere after the beginning but before the ending.
Erin Morgenstern (The Starless Sea)
sup white girl?” Jerod liked to think he was black. He wasn't. He was as white as freshly fallen snow. But we all had dreams.
Airicka Phoenix (Finding Kia (The Lost Girl, #1))
The bed under my back is filled with broken clouds and freshly fallen snow; it’s too soft, too comfortable.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
His religion is buried in the silence of freshly fallen snow, in a carefully crafted cocktail, in between the pages of a book somewhere after the beginning but before the ending.
Erin Morgenstern
That his religion is buried in the silence of freshly fallen snow, in a carefully crafted cocktail, in between the pages of a book somewhere after the beginning but before the ending.
Erin Morgenstern (The Starless Sea)
Now is the time of fresh starts This is the season that makes everything new. There is a longstanding rumor that Spring is the time of renewal, but that's only if you ignore the depressing clutter and din of the season. All that flowering and budding and birthing--- the messy youthfulness of Spring actually verges on squalor. Spring is too busy, too full of itself, too much like a 20-year-old to be the best time for reflection, re-grouping, and starting fresh. For that you need December. You need to have lived through the mindless biological imperatives of your life (to bud, and flower, and show off) before you can see that a landscape of new fallen snow is THE REAL YOU. December has the clarity, the simplicity, and the silence you need for the best FRESH START of your life.
Vivian Swift (When Wanderers Cease to Roam: A Traveler's Journal of Staying Put)
Oh, no, thanks, though. I’m agnostopagan.” The Keeper cocks his head questioningly. “Spiritual but not religious,” Zachary clarifies. He doesn’t say what he is thinking, which is that his church is held-breath story listening and late-night-concert ear-ringing rapture and perfect-boss fight-button pressing. That his religion is buried in the silence of freshly fallen snow, in a carefully crafted cocktail, in between the pages of a book somewhere after the beginning but before the ending.
Erin Morgenstern (The Starless Sea)
Whites were bright as fresh-fallen snow, yellow shone like gold, reds turned to flame, but the shadows were so black they looked like holes in the world.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Deer Tracks: Beautiful, sobbing high-geared fucking and then to lie silently like deer tracks in the freshly-fallen snow beside the one you love. That’s all.
Richard Brautigan
THE POEMS OF OUR CLIMATE I Clear water in a brilliant bowl, Pink and white carnations. The light In the room more like a snowy air, Reflecting snow. A newly-fallen snow At the end of winter when afternoons return. Pink and white carnations - one desires So much more than that. The day itself Is simplified: a bowl of white, Cold, a cold porcelain, low and round, With nothing more than the carnations there. II Say even that this complete simplicity Stripped one of all one's torments, concealed The evilly compounded, vital I And made it fresh in a world of white, A world of clear water, brilliant-edged, Still one would want more, one would need more, More than a world of white and snowy scents. III There would still remain the never-resting mind, So that one would want to escape, come back To what had been so long composed. The imperfect is our paradise. Note that, in this bitterness, delight, Since the imperfect is so hot in us, Lies in flawed words and stubborn sounds.
Wallace Stevens
Spiritual but not religious,” Zachary clarifies. He doesn’t say what he is thinking, which is that his church is held-breath story listening and late-night-concert ear-ringing rapture and perfect-boss fight-button pressing. That his religion is buried in the silence of freshly fallen snow, in a carefully crafted cocktail, in between the pages of a book somewhere
Erin Morgenstern (The Starless Sea)
He cleared his throat, very carefully, to bring the stillness to a more bearable level without breaking the unwritten rule that governs both churches and freshly fallen blankets of snow.
Anna Mattaar (In Memory: A Tribute to Sir Terry Pratchett)
Another step back. And another, his footsteps crunching in the freshly fallen snow. His eyes are locked on mine, daring me to say something, to stop him. Challenging me to call out to him. - Stella Grant
Rachael Lippincott (Five Feet Apart)
Spiritual but not religious,” Zachary clarifies. He doesn’t say what he is thinking, which is that his church is held-breath story listening and late-night-concert ear-ringing rapture and perfect-boss fight-button pressing. That his religion is buried in the silence of freshly fallen snow, in a carefully crafted cocktail, in between the pages of a book somewhere after the beginning but before the ending. He
Erin Morgenstern (The Starless Sea)
And now we turn to another blank page. A future standing before us like freshly fallen snow. Awaiting that first mark, that first step forward. A new journey to be started. A new promise to be fulfilled. A new page to be written. Go forth unto this waiting world with pen in hand, all you young scribes, the open book awaits. Be creative. Be adventurous. Be original. And above all else, be young. For youth is your greatest weapon, your greatest tool. Use it wisely.
William Moulton Marston
I’m agnostopagan.” The Keeper cocks his head questioningly. “Spiritual but not religious,” Zachary clarifies. He doesn’t say what he is thinking, which is that his church is held-breath story listening and late-night-concert ear-ringing rapture and perfect-boss fight-button pressing. That his religion is buried in the silence of freshly fallen snow, in a carefully crafted cocktail, in between the pages of a book somewhere after the beginning but before the ending.
Erin Morgenstern (The Starless Sea)
Never will she be mine; never. I never brought a flush to her cheek, and it is not I who now have made it so chalk-white. And never will she slip across the street in the night, with anxiety in her heart and a letter to me. Life has passed me by. [..] I have got new curtains for my study; pure white. When I awoke this morning, I first thought it had been snowing. In my room the light was exactly as it is after the first fall of snow. I even fancied I caught the scent of snow freshly fallen. And soon it will come, the snow. One feels it in the air. It will be welcome. Let it come. Let it fall.
Hjalmar Söderberg (Doctor Glas)
I turn and walk back to the home shore whose tall yellow bluffs still bare of snow I can see nearly half a mile to the north. I find my way as I came, over dusty sandbars and by old channels, through shrubby stands of willows. The cold, late afternoon sun breaks through its cloud cover and streaks the grey sand mixed with snow. As it has fallen steadily in the past weeks, the river has left behind many shallow pools, and these are now roofed with ice. When I am close to the main shore I come upon one of them, not far from the wooded bank. The light snow that fell a few days ago has blown away; the ice is polished and is thick enough to stand on. I can see to the bottom without difficulty, as through heavy dark glass. I bend over, looking at the debris caught there in the clear, black depth of the ice: I see a few small sticks, and many leaves. There are alder leaves, roughly toothed and still half green; the more delicate birch leaves and aspen leaves, the big, smooth poplar leaves, and narrow leaves from the willows. They are massed or scattered, as they fell quietly or as the wind blew them into the freezing water. Some of them are still fresh in color, glowing yellow and orange; others are mottled with grey and brown. A few older leaves lie sunken and black on the silty bottom. Here and there a pebble of quartz is gleaming. But nothing moves there. It is a still, cold world, something like night, with its own fixed planets and stars.
John Meade Haines (The Stars, the Snow, the Fire: Twenty-Five Years in the Alaska Wilderness)
He doesn't say what he is thinking, which is that his church is held-breath story listening and late-night-concert ear-ringing rapture and perfect-boss-fight-button pressing. That his religion is buried in the silence of freshly fallen snow, in a carefully crafted cocktail, in between the pages of a book somewhere after the beginning but before the ending.
Erin Morgenstern (The Starless Sea)
Spiritual but not religious," Zachary clarifies. He doesn't say what he is thinking, which is that his church is held-breath story listening and late-night-concert ear-ringing rapture and perfect-boss fight-button pressing. That his religion is buried in the silence of freshly fallen snow, in a carefully crafted cocktail, in between the pages of a book somewhere after the beginning but before the ending.
Erin Morgenstern (The Starless Sea)
The photo I'd found of the four of us would be seared into my memory forever. Our bodies all wrapped around one another's, leaning forward as if we might break into a poorly choreographed tango or waltz at any moment. In the picture, we are frozen this way together, happy, sad, and afraid all at the same time. In the grass, where I made the memory I wanted to keep, we all dance out of the prison doors together, one family, with joy in our smiles and eyes. When we step outside, it is into deep and freshly fallen snow.
Ashley C. Ford (Somebody's Daughter)
Oh, no, thanks, though. I’m agnostopagan.” The Keeper cocks his head questioningly. “Spiritual but not religious,” Zachary clarifies. He doesn’t say what he is thinking, which is that his church is held-breath story listening and late-night-concert ear-ringing rapture and perfect-boss fight-button pressing. That his religion is buried in the silence of freshly fallen snow, in a carefully crafted cocktail, in between the pages of a book somewhere after the beginning but before the ending. He wonders what, exactly, was in that thing he drank earlier.
Erin Morgenstern (The Starless Sea)
I’m not telling you that so you’ll feel bad. I just think you need to understand the whole picture. I don’t ever put myself in a situation where I might get hurt.” She kicked at something invisible, her shoe leaving an imprint in the thin layer of freshly fallen snow. “I don’t like taking risks on anyone other than myself, and only then when I’ve done so much research it doesn’t feel risky anymore. I focus on the things I can control. I date guys I have no real interest in because I know they can’t hurt me. I’m perfectly content to spend my weekends working or reading or reading about my work.
Courtney Walsh (A Cross-Country Christmas (Road Trip Romance, #1))
Will you be needing to know the location of Mecca?” the Keeper asks. “Oh, no, thanks, though. I’m agnostopagan.” The Keeper cocks his head questioningly. “Spiritual but not religious,” Zachary clarifies. He doesn’t say what he is thinking, which is that his church is held-breath story listening and late-night-concert ear-ringing rapture and perfect-boss fight-button pressing. That his religion is buried in the silence of freshly fallen snow, in a carefully crafted cocktail, in between the pages of a book somewhere after the beginning but before the ending. He wonders what, exactly, was in that thing he drank earlier.
Erin Morgenstern (The Starless Sea)
We are the New World Order. We are the dizzying, upwards spiraling trajectory of the Hegelian dialectic. We are the new, bright, glinting, gleaming, sparkling future, as dazzling as fresh crystals of newly fallen snow. We are the new dawn, the new sun in the sky. We are the higher sun and the higher sky for a higher humanity. We are those who escaped from Plato’s Cave of Ignorance and Delusion and discovered the true light.
Thomas Stark (Base Reality: Ultimate Existence (The Truth Series Book 16))
She stood to drink in the darkness and the air fallen still after a snowfall. The clouds had all blown away. Faint moonlight silvered the fresh snow. Stars shone in a black sky, like jewels on a Lady's cloak. The garden lay shrouded in silver white silence, all its roughness made smooth. Such snow, Gwyn thought, had a way of turning the world into what it was not and making it seem safe. Such snow masked the true face of the world.
Cynthia Voigt (Jackaroo (Tales of the Kingdom, #1))
From here to Jerusalem no woman has a more beautiful neck; it was smooth and soft to the touch. She had a bosom as white has the snow upon a branch, when it has just fallen. Her body as well made and svelte; you would not have had to seek anywhere on earth to find a woman with a more beautiful body. She had a pretty chaplet of gold embroidery. There was never a girl more elegant or better arrayed; nor would I have described her right. Above the chaplet of gold embroidery was one of fresh roses, and in her hand she held a mirror, and she had arranged her hair with a rich head-band.
Guillaume de Lorris (The Romance of the Rose)
As she began to peel potatoes, he stood behind her and touched the tendrils of hair that had fallen from their clips and curled at the nape of her neck. Then he reached around her waist and leaned into her. All these years and still he was drawn to the smell of her skin, of sweet soap and fresh air. He whispered against her ear, “Dance with me.” “What?” “I said, let’s dance.” “Dance? Here, in the cabin? I do believe you’re the mad one.” “Please.” “There’s no music.” “We can remember some tune, can’t we?” and he began to hum “In the Shade of the Old Apple Tree.” “Here,” he said, and swung her around to face him, an arm still at her waist, her slight hand in his. He hummed louder and began to twirl them around the plank floor. “Hmmm, hmm, with a heart that is true, I’ll be waiting for you…” “… in the shade of the old apple tree.” She kissed him on the cheek, and he swept her back on his arm. “Oh, I’ve thought of one,” she said. “Let me think…” and she began to hum tentatively. Jack didn’t know it at first, but then it came to him and he began to sing along. “When my hair has all turned gray,” a swoop and a twirl beside the kitchen table, “will you kiss me then and say, that you love me in December as you do in May?” And then they were beside the woodstove and Mabel kissed him with her mouth open and soft. Jack pulled her closer, pressed their bodies together and kissed the side of her face and down her bare neck and, as she let her head gently lean away, down to her collarbone. Then he scooped an arm beneath her knees and picked her up. “What in heaven’s—you’ll break your back,” Mabel sputtered between a fit of laughter. “We’re too old for this.” “Are we?” he asked. He rubbed his beard against her cheek. She shrieked and laughed, and he carried her into the bedroom, though they had not yet eaten dinner.
Eowyn Ivey (The Snow Child)
This dance was the dance of death, and they danced it for George Buffins, that they might be as him. They danced it for the wretched of the earth, that they might witness their own wretchedness. They danced the dance of the outcasts for the outcasts who watched them, amid the louring trees, with a blizzard coming on. And, one by one, the outcast outlaws raised their heads to watch and all indeed broke out in laughter but it was a laughter without joy. It was the bitter laugh one gives when one sees there is no triumph over fate. When we saw those cheerless arabesques as of the damned, and heard that laughter of those trapped in the circles of hell, Liz and I held hands, for comfort. They danced the night into the clearing, and the outlaws welcomed it with cheers. They danced the perturbed spirit of their master, who came with a great wind and blew cold as death into the marrow of the bones. They danced the whirling apart of everything, the end of love, the end of hope; they danced tomorrows into yesterdays; they danced the exhaustion of the implacable present; they danced the deadly dance of the past perfect which fixes everything fast so it can’t move again; they danced the dance of Old Adam who destroys the world because we believe he lives forever. The outlaws entered into the spirit of the thing with a will. With ‘huzzahs’ and ‘bravos’, all sprang up and flung themselves into the wild gavotte, firing off their guns. The snow hurled wet, white sheets in our faces, and the wind took up the ghastly music of the old clowns and amplified it fit to drive you crazy. Then the snow blinded us and Samson picked us up one by one and slung us back in that shed and leaned up hard against the door, forcing it closed against the tempest with his mighty shoulders. Though bullets crashed into the walls and the wind came whistling through the knotholes and picked up burning embers from the fire, hurling them about until we thought we might burn to death in the middle of the snow and ice, the shed held firm. It rocked this way and that way and it seemed at any moment the roof might be snatched away, but this little group of us who, however incoherently, placed our faiths in reason, were not exposed to the worst of the storm. The Escapee, however, faced with this insurrection of militant pessimism, turned pale and wan and murmured to himself comforting phrases of Kropotkin, etc., as others might, in such straits, recite the rosary. When the storm passed, as pass it did, at last, the freshly fallen snow made all as new and put the camp fire out. Here, there was a shred of scarlet satin and, there, Grik’s little violin with the strings broken but, of the tents, shacks, muskets and cuirasses of the outlaws, the clowns and the clowns themselves, not one sight, as if all together had been blown off the face of the earth.
Angela Carter (Nights at the Circus (Oberon Modern Plays))
The Psychotherapists Journey I see your white glistening valley stretched ahead of me. The shimmering snow beckons me to touch, to feel, to surrender myself to its softness. Much as I long to put my prints upon the freshly fallen beauty of it, I know deep within me that unless I am wanted, the print is a temporary mark that is gone by Spring leaving no trace. If you allow me to touch below that surface to the solid earth that is your core, the mark is eternal and we both are changed deeply by the touching. Bonnie Bull (1978)
Dr. Bonnie Bull
Exposure of either one could spell disaster. He covered the tracks of his double infidelity with precision and care. Every few days, he would send a disguised message to Leila, and commit adultery in a different Copenhagen hotel; every four weeks, he would make his way to an unremarkable flat in a boring Danish suburb, and commit treason. Over the course of a year, he established a system of evasion, eluding both Soviet surveillance and the suspicions of his wife. His relationships, with both Leila and MI6, were deepening. He felt safe. Which he was not. One winter evening, a young Danish intelligence officer was heading home to Ballerup when he spotted a car with diplomatic number plates parked in a side street, far from the diplomatic enclaves. The young man was curious. He was also trained, and mustard keen. On closer inspection, he recognized the car as belonging to the Soviet embassy. What was a Soviet diplomat doing in the suburbs, at 7 p.m. on a weekend? A dusting of snow had fallen, and fresh footprints led away from the car. The PET officer followed them for about 200 yards, to an apartment block. A Danish couple were leaving as he approached, and obligingly held the front door open for him. Wet footprints crossed the marble floor to the stairs. He followed them to the door of a flat on the second floor. From
Ben Macintyre (The Spy and the Traitor: The Greatest Espionage Story of the Cold War)
You look rather thirsty," a voice says from behind me, and I turn to face Benediction de la Lucia--the Devil himself. He is a striking man; his long, orange-red hair is as bright as a tropical sunset, and his skin is like freshly-fallen snow. His large, expressive eyes hold all colors, and I feel myself being drawn into them. "G-good evening," I stammer. "I was just looking for--" "I know whom you seek," he purrs "although I was hoping that you would agree to spend a little time with me, first." He tucks a wad of bills into my vest pocket and drapes his arm around my shoulder. "I would be happy to, Lord de la Lucia," I smile, grasping him around the waist. "Do you Hunger?" His eyes glide up and down the line of my body, and I feel a strong desire to swoon. "Always," he murmurs "and please...call me Beni'." The room is spinning, and reality is fading fast...I press my face against his chest and strive to cling to consciousness. He sweeps me up into his arms and carries me to one of the bedrooms, where he feeds from me...and all of a sudden, he is atop me, his snow-white wings outstretched. I feel as if I will die--the pleasure and pain are so intense. I can feel myself bleeding out and being reborn, over and over upon that silken bed, every nerve of my body alive with his essence. We are almost like one, body and soul...and then he pulls back and looks down into my eyes. "You want something," he leers at me "or is it someone?" He sniffs the air. "I can smell it on your sex, My Darling! Don't be afraid to ask, young one--that's why I came to you! Love falls under my realm, Dearest...the human heart is full of darkness, yes?" I curse at him in Japanese and try to push him off of me, but he holds me fast. "Don't be so rude, Darling! I only want to help you! Matthieu-Michele can't do anything for you--he's simply out of his league! He's only a young God, still finding his footing! I am older than the ages, and I know what love is! I know the agony and the ecstasy and the razor's scar that it leaves upon the heart! I know of the poison and the betrayal and the all-consuming obsession! I have ridden the crest and scrabbled in the desolate valleys! I know what you want...I know whom you love...and I can make it happen for you--for a price." "I don't make deals with the Devil," I hiss at him from between clenched teeth...
Lioness DeWinter
The advent of low temperature scanning EM led to a study by Bill Wergin and colleagues from NASA in which they collected samples from different types of snow cover found in the prairies, taiga (snow forest), and alpine environments. With snow depths up to a metre, various layers occurred in which the crystals underwent a change in their microscopic shape from the original freshly fallen crystals, to the development of flat faces and sharp edges. It is this metamorphosis of lying snow that determines the likelihood of avalanches, which can be predicted from the crystal structures at various depths. Although scanning EM (electron microscopy) is hardly available as a routine assay in distant mountain regions, this work helped in the use of microwave radiology investigation of the snow water equivalent in the snow pack, as large snow crystals scatter passive microwave more than small crystals. Smaller and more rounded crystals of snow do not interlock, and can slide more easily over each other, increasing the risk of avalanches.
Terence Allen (Microscopy: A Very Short Introduction (Very Short Introductions))
I just loved the way snow made the world look so clean. Especially when it had just fallen and nothing had corrupted it yet. Inevitably it ended up thawing and got trampled and churned up with the mud and dirt of the real world and actually looked worse than ever. But for a little while I could pretend everything was pure. A fresh start. A new beginning. A do over.
Caroline Peckham (Kings of Lockdown (Brutal Boys of Everlake Prep, #2))
Do you like this type of products? Snow Flake, a wedding dress that embodies the delicate beauty and ethereal charm of freshly fallen snow Snow Flake bridal dress by Mivinna
Sher
Raising a sleeve to his face, the Count could detect smoke from a fireplace and the hint of an oriental eau de cologne. Setting out from some elegant house on the Boulevard Ring, this young beauty presumably arrived in an automobile as black as her coat. Or perhaps she had opted to walk down Tverskaya Street, where Pushkin’s statue stood pensive but undaunted in the freshly fallen snow. Or better yet, she had come by sleigh with the hooves of the horses sounding on the cobbled streets
Amor Towles (A Gentleman in Moscow)
Perfect Woman A wonderful woman is a pristine blanket of fresh fallen snow to write your name on and watch her melt beneath your letters. A perfect woman is one you unzip your fly for a second time to dot the i's and cross the t's because perfection demands perfection.
Beryl Dov
I sat up high, oak branch ’tween my knees, and watched the tattooed man stride about in the snow. Pictures all over his face, no skin left no more, just ink and blood. Looking for me, he was. Always looking for me. He left red drops in the white, fallen from his fish knife. Not fish blood though. Man blood. Boy blood. Lad from Tucket lost his scalp to that knife. Scrap of hair and pink hung from the man’s belt. That was dripping too, hot and fresh. He’d left the body in the thicket for the wolves to find. I
Beth Lewis (The Wolf Road)
steered his four-wheel drive up the windy road leading to the Castle Mountain Lodge. His tires crunched on the freshly fallen snow. The plows couldn’t keep up with the thick white stuff covering the roads and Colin was pretty sure they’d given up on trying to keep the roads clear. He hadn’t seen one in over an hour. The weather forecast had said it would
Elena Aitken (Unexpected Gifts (Castle Mountain Lodge, #1))
In a lonely place, he stopped, struck by the sight of a long stretch of freshly fallen snow. Unscathed by animal tracks, footprints, or wheel ruts. Untouched by man. Pure white, unblemished, unspoilt, beautiful - perfectly capturing and reflecting the sunlight. What would it be like to be that new, that perfect, that pure, he wondered, when he himself felt sullied - a dark, muddy mess. And what was it about seeing such a sight that made a man want to step foot across it, to claim the virgin territory for himself and make his mark? And too often, end up ruining it? Richard shook his head. Not this time. Not him, not anymore
Julie Klassen (An Ivy Hill Christmas (Tales from Ivy Hill))
God doesn't just forget our sins or pretend they aren't there. He wipes out our sin. It's not just that everything is the same, and we're forgiven despite it. He says it's just as if we never sinned in the first place. Think of that... He says that when a person is redeemed, the truth becomes that they have no sin… which means they've actually never sinned. In salvation, God does the impossible. The guilty become actually innocent. Impure sinners become as holy as God Himself — beloved offspring of a pure God. Pure, as in: 'never sinned,' and our sinful souls as red as crimson become as white as freshly fallen snow. Utterly free of all guilt for all eternity!
D.I. Hennessey (Within and Without Time (Within & Without Time #1))
I soon graduated to Comté, a hard, fruity cheese that when aged has the sweetness and flake of Parmesan, and tête de moines (literally, "a monk's head"), made from sheep's milk. Bleu d' Auvergne, my favorite blue cheese, had nothing much in common with the crumbs I'd seen at home on a California Cobb salad. It was so dense it resembled a hunk of butter, coursing with violet veins. For the wedding, Gwendal also wanted Salers, a cheese from Cantal with an almost peppery after-bite. It is made in huge tomes that, when you cut a slice, leave crags as in the side of a cliff. Monsieur Gilot kindly suggested a milder entre-deux (literally, "in between"), but Gwendal held his ground. As a last choice, we took a tomme de chèvre frais, a round of fresh mild goat cheese the color of newly fallen snow.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
All around, the freshly fallen snow glistens and twinkles in the gaze of the morning star. It feels surreal and I stay like that for the longest time, mourning our lives and the past.
Dolly Nightmare (Whispers of Dragons (Taming Beasts #2))