Sting Song Quotes

Kizzy wanted to be a woman who would dive off the prow of a sailboat into the sea, who would fall back in a tangle of sheets, laughing, and who could dance a tango, lazily stroke a leopard with her bare foot, freeze an enemy's blood with her eyes, make promises she couldn't possibly keep, and then shift the world to keep them. She wanted to write memoirs and autograph them at a tiny bookshop in Rome, with a line of admirers snaking down a pink-lit alley. She wanted to make love on a balcony, ruin someone, trade in esoteric knowledge, watch strangers as coolly as a cat. She wanted to be inscrutable, have a drink named after her, a love song written for her, and a handsome adventurer's small airplane, champagne-christened Kizzy, which would vanish one day in a windstorm in Arabia so that she would have to mount a rescue operation involving camels, and wear an indigo veil against the stinging sand, just like the nomads. Kizzy wanted.

Song Go, and catch a falling star, Get with child a mandrake root, Tell me, where all past years are, Or who cleft the Devil’s foot, Teach me to hear mermaids singing, Or to keep off envy’s stinging, And find What wind Serves to advance an honest mind. If thou be’est born to strange sights, Things invisible to see, Ride ten thousand days and nights, Till age snow white hairs on thee, Thou, when thou return’st, wilt tell me All strange wonders that befell thee, And swear Nowhere Lives a woman true, and fair. If thou find’st one, let me know, Such a pilgrimage were sweet, Yet do not, I would not go, Though at next door we might meet, Though she were true when you met her, And last, till you write your letter, Yet she Will be False, ere I come, to two, or three.

When the heart Is cut or cracked or broken Do not clutch it Let the wound lie open Let the wind From the good old sea blow in To bathe the wound with salt And let it sting. Let a stray dog lick it Let a bird lean in the hole and sing A simple song like a tiny bell And let it ring Let it go. Let it out. Let it all unravel. Let it free and it can be A path on which to travel.

Songs are built by whimsy, faulty memory, and free association.

Can you believe where we just were? Oh, this planet was a good one, and we too were good - as good as the burn of the sun, and the rain's sting and the smell of living soil - the all-over song of endless solutions signing the air of a changing world that by every calculation ought never to have been.

Song Go and catch a falling star, Get with child a mandrake root, Tell me where all past years are, Or who cleft the devil's foot, Teach me to hear mermaids singing, Or to keep off envy's stinging, And find What wind Serves to advance an honest mind. If thou be'st born to strange sights, Things invisible to see, Ride ten thousand days and nights, Till age snow white hairs on thee, Thou, when thou return'st, wilt tell me, All strange wonders that befell thee, And swear, No where Lives a woman true, and fair. If thou find'st one, let me know, Such a pilgrimage were sweet; Yet do not, I would not go, Though at next door we might meet; Though she were true, when you met her, And last, till you write your letter, Yet she Will be False, ere I come, to two, or three. —John Donne, 1572–1631

Fame is a bee. It has a song - It has a sting - Ah, too, it has a wing.

It wasn't like the other songs. There was no story, no conversation. This was just the feeling, without words or pictures, and it had nothing to do with Luther or his clean, stinging guitar. It was the sound of being outside, of being alien. It was the pulse that ran under everything and never let you forget that you were strange, that the world hurt just to touch.

I hurried to the southern corridor, relieved when I was safe in the blackness there. Relieved and horrified. It was really over now. I'm so afraid, I whimpered. Before Mel could respond, a heavy hand dropped on my shoulder from the darkness. "Going somewhere?" I was so tightly wound that I shrieked in terror; I was so terrified that my shriek was only a breathless little squeal. "Sorry!" Jared's arm went round my shoulders, comforting. "I'm sorry. I didn't mean to scare you." "What are you doing here?" I demanded, still breathless. "Following you. I've been following you all night." "Well, stop it now." There was a hesitation in the dark, and his arm didn't move. I shrugged out from under it, but he caught my wrist. His grip was firm; I wouldn't be able to shake free easily. "You're going to see Doc?" he asked, and there was no confusion in his question. It was obvious that he wasn't talking about a social visit. "Of course I am." I hissed the words so that he wouldn't hear the panic in my voice. "What else can I do after today?It's not going to get any better. And this isn't Jeb's decision to make." "I know. I'm on your side." It made me angry that these words still had the power to hurt me, to bring tears stinging into my eyes. I tried to hold onto the thought of Ian - he was the anchor, as Kyle somehow had been for Sunny - but it was hard with Jared's hand touching me, with the smell of him in my nose. Like trying to make out the song of one violin when the entire percussion section was bashing away... "Then let me go, Jared. Go away. I want to be alone." The words came out fierce and fast and hard. It was easy to hear that they weren't lies. "I should come with you." "You'll have Melanie back soon enough," I snapped. "I'm only asking for a few minutes, Jared. Give me that much." Another pause; his hand didn't loosen. "Wanda, I would come to be with you." The tears spilled over. I was grateful for the darkness. "It wouldn't feel that way," I whispered. "So there's no point.

When the rush of the weak sweeps over those that strive to be strong, its destruction. The commonplaces of moral judgment become fogged with the lack of perception stained with the sting of longing. The voice of reason is lost in the envious echoes of hearts torn by battle. The song of our children echo the misfortune of their parent's haze---we all started out small and had dreams to become something more than what we were.

If Ig hated Merrin now, it was only because he had discovered she was a real person, with failings and needs and desire to live in the world, not in Ig's daydreams. That she loved him enough to let him go, and he had to be willing to do the same, that if you loved someone, you could set them free, and - fuck, that was a Sting song.

Sam handed back the sword. “When I try to swat a bug, it always flies away. All I do is slap my arm. It stings.” That made Jon laugh.

Every day another miracle Only death will tear us apart To sacrifice a life for yours I'd be the blood of the Lazarus heart The blood of the Lazarus heart

Quentin Crisp, the English fop, wit, and subject of Sting’s song “Englishman in New York,” said, “Charisma is the ability to influence without logic.

I ask myself what making it really means. I know I want to make my living solely as a musician, but I also want to be recognized as someone unique, defined by my voice, by my abilities as a songwriter, to have the world know my songs and my melodies just as they had known and acknowledged the songs of the Beatles. I want to do this on my own terms, I want to be singular, and if that means being marginalized, then so be it. I will become stronger, and even if no one else knows who I am, I shall know myself.

Later, Achilles sleeps next to me. Odysseus' storm has come, and the coarse fabric of the tent wall trembles with its force. I hear the stinging slap, over and over, of waves reproaching the shore. He stirs and the air stirs with him, bearing the musk-sweet smell of his body. I think: This is what I will miss. I think: I will kill myself rather than miss it. I think: How long do we have?

The alley is a pitch for about twenty women leaning in doorways, chain-smoking. In their shiny open raincoats, short skirts, cheap boots, and high-heeled shoes they watch the street with hooded eyes, like spies in a B movie. Some are young and pretty, and some are older, and some of them are very old, with facial expressions ranging from sullen to wry. Most of the commerce is centred on the slightly older women, as if the majority of the clients prefer experience and worldliness. The younger, prettier girls seem to do the least business, apparent innocence being only a minority preference, much as it is for the aging crones in the alley who seem as if they’ve been standing there for a thousand years. In the dingy foyer of the hotel is an old poster from La Comédie Française, sadly peeling from the all behind the desk. Cyrano de Bergerac, it proclaims, a play by Edmond Rostand. I will stand for a few moments to take in its fading gaiety. It is a laughing portrait of a man with an enormous nose and a plumed hat. He is a tragic clown whose misfortune is his honour. He is a man entrusted with a secret; an eloquent and dazzling wit who, having successfully wooed a beautiful woman on behalf of a friend cannot reveal himself as the true author when his friend dies. He is a man who loves but is not loved, and the woman he loves but cannot reach is called Roxanne. That night I will go to my room and write a song about a girl. I will call her Roxanne. I will conjure her unpaid from the street below the hotel and cloak her in the romance and the sadness of Rostand’s play, and her creation will change my life.

Yes, a poem, a painting, can draw the sting of troubles from a troubled world and lay in its place a blessed realm before our grateful eyes. Music and sculpture will do likewise. Yet strictly speaking, in fact, there is no need to present this world in art. You have only to conjure the world up before you, and there you will find a living poem, a fount of song. No need to commit your thoughts to paper—the heart will already sing with a sweet inner euphony. No need to stand before your easel and limn with brush and paint—the world’s vast array of forms and colors already sparkles within the inner eye. It is enough simply to be able thus to view the place we live, and to garner with the camera of the sentient heart these pure, limpid images from the midst of our sullied world. And so even if no verse ever emerges from the mute poet, even if the painter never sets brush to canvas, he is happier than the wealthiest of men, happier than any strong-armed emperor or pampered child of this vulgar world of ours—for he can view human life with an artist’s eye; he is released from the world’s illusory sufferings; he is able to come and go at ease in a realm of transcendent purity, to construct a unique universe of art, and thereby to destroy the binding fetters of self-interest and desire.

All heroes’ news, like something from the songs, but there’s nothing like others’ successes to make your own failures sting the worse.

Proteus, the slippery old man of the sea, and she knew how to make her skin flow into a thousand different shapes of fur and feather and flesh. And though beaks and claws and teeth and coils and stinging tails would flay him,

Flying around cross the Atlantic sea, here I meet my destiny. You may all question me, but the only thing I question is bees. Sure they pollinate to help the world, but what's the stingers for? It makes me wonder oh it makes me wonder, why sting your enemy when you could sing them a song? I heard songs can make you go nuts. For the just have been called nuts and the nuts are just juts. Why is our world so weird I wonder, why was I made? And most certainly, why were mosquitoes?

Time does not heal wounds. It's a body's ritual that does. The instinctual cleansing with rain or other waters, the application of salves. Despite the sting. Even neglected, the body begins to take care. To repair itself. Blood clots, tissues regenerate, flesh scars. Soon, the thin white line is the only evidence of the pain. It is the body, not time. Time does nothing except create distance between the body and that which caused it harm. Recollection of fear can be stronger than the original fear itself. Similarly, bliss is sometimes more vivid when recollected. How else do you explain longing? Longing for what has already passed. That's the real pain. But you insisted, you pried with your fingers to see. You retuned to me after I turned away. You made me recollect for you, collect again and again for you, interrupting the healing with your curiosity. Now that I have given you the words, you may long for them. You may miss me. You may try to find the notes to the song again and again and won't be able to find them. Perhaps, the wounds I made will already have begun to scar. Maybe the body will have begun its ritual of forgetting. I told you not to ask for haunted, not to ask me to recollect. Because recollection is like tearing at closed wounds. Like pealing back the careful tissue put there by the body to make it safe. And because remembered pain is always worse than the original pain, because this time it is expected. This time you already know how much it will hurt.

necklace. The parchment curled, blackened, and took flame. Theon was aghast. “Have you gone mad?” His father laid a stinging backhand across his cheek. “Mind your tongue. You are not in Winterfell now, and I am not Robb the Boy, that you should speak to me so. I am the Greyjoy, Lord Reaper of Pyke,

Because if you picture other people like you, you will no longer be alone. And when you share, you see that your own sorrow is not so big or special. You are only another person feeling sad, and soon it will pass and you will be another person, feeling happy. It takes the sting out of life, I find, when you realise you are not alone.

The first prick stung—holy gods, with the salt and iron, it hurt. She clamped her teeth together, mastered it, welcomed it. That was what the salt was for with this manner of tattoo, Rowan had told her. To remind the bearer of the loss. Good—good, was all she could think as the pain spiderwebbed through her back. Good. And when Rowan made the next mark, she opened her mouth and began her prayers. They were prayers she should have said ten years ago: an even-keeled torrent of words in the Old Language, telling the gods of her parents’ death, her uncle’s death, Marion’s death—four lives wiped out in those two days. With each sting of Rowan’s needle, she beseeched the faceless immortals to take the souls of her loved ones into their paradise and keep them safe. She told them of their worth—told them of the good deeds and loving words and brave acts they’d performed. Never pausing for more than a breath, she chanted the prayers she owed them as daughter and friend and heir. For the hours Rowan worked, his movements falling into the rhythm of her words, she chanted and sang. He did not speak, his mallet and needles the drum to her chanting, weaving their work together. He did not disgrace her by offering water when her voice turned hoarse, her throat so ravaged she had to whisper. In Terrasen she would sing from sunrise to sunset, on her knees in gravel without food or drink or rest. Here she would sing until the markings were done, the agony in her back her offering to the gods. When it was done her back was raw and throbbing, and it took her a few attempts to rise from the table. Rowan followed her into the nearby night-dark field, kneeling with her in the grass as she tilted her face up to the moon and sang the final song, the sacred song of her household, the Fae lament she’d owed them for ten years. Rowan did not utter a word while she sang, her voice broken and raw. He remained in the field with her until dawn, as permanent as the markings on her back. Three lines of text scrolled over her three largest scars, the story of her love and loss now written on her: one line for her parents and uncle; one line for Lady Marion; and one line for her court and her people. On the smaller, shorter scars, were the stories of Nehemia and of Sam. Her beloved dead. No longer would they be locked away in her heart. No longer would she be ashamed.

O baffled, balk'd, bent to the very earth, Oppress'd with myself that I have dared to open my mouth, Aware now that amid all that blab whose echoes recoil upon me I have not once had the least idea who or what I am, But that before all my arrogant poems the real Me stands yet untouch'd, untold, altogether unreach'd, Withdrawn far, mocking me with mock-congratulatory signs and bows, With peals of distant ironical laughter at every word I have written, Pointing in silence to these songs, and then to the sand beneath. I perceive I have not really understood any thing, not a single object, and that no man ever can, Nature here in sight of the sea taking advantage of me to dart upon me and sting me, Because I have dared to open my mouth to sing at all.

YOU THINK YOU are the only person in this world who is waiting?” said Sister Mary Inconnu. She was pacing. I wished she would stop, because the light was bright at the window and it is hard sometimes to keep up with a pacing nun. I kept losing her. She said, “The world is full of people like you, waiting for change. Waiting for a job. A lover. Waiting for a bite to eat. A drink of water. Waiting for the winning lottery ticket. So don’t think about the end. Picture those people instead. Picture their waiting.” I have to admit I sighed. I shook my head. How does this help? I said with my eye. She sat. At least there was that. Then she said, “Because if you picture other people like you, you will no longer be alone. And when you share, you see that your own sorrow is not so big or special. You are only another person feeling sad, and soon it will pass and you will be another person, feeling happy. It takes the sting out of life, I find, when you realize you are not alone.

A song about my life If there were to be a song ‘bout my life It would sting like a bee It would cut like a knife If there were to be a song ‘bout my life It would dig deep Scratch old wounds and make them bleed If there were to be a song ‘bout my life It would be quite a burden to carry Painful and heavy If there were to be a song ‘bout my life It could be labelled ‘Titanic’ The unsinkable ship that sinks If there were to be a song ‘bout my life It would be an incomplete one Short of words and unsung I guess this is how it ends

Dear You, You’re so beautiful. Your smile, your eyes, your lips, your hands, everything. Did you know that you play in my mind like one of my favourite song lyrics, you sting my heart like after eating a bowl of hot soup. You know me but I don’t think you see me, I see you for one, I see you like no other, I see you so often your image never leaves the remains of my brain. I wish you see me, I wish you remembered me. I wish that you could see me the way I see you. I see you for you and that is the you that I love, but please can you see me too.

Once upon a time there was a little king, whose dreams always brought him new wings, but his fate never knew what he could bring, so carried on a life that just delivered stings. One day he met the song he wished to sing, but didnt seem to understand this one little thing, how can the wind stop at the sound of broken strings, how can he spend a childhood alone on a swing. He stands alone empty with a promise in waiting, his story has just begun tall and refusing, he knows his game well but no dream is he using, but the sleep fate has taken has his dreams aging.

Farewell, we must part; we have turned from the land Of our cold-hearted brother, with tyrannous hand, Who assumed all our rights as a favor to grant, And whose smile ever covered the sting of a taunt; Who breathed on the fame he was bound to defend— Still the craftiest foe, ’neath the guise of a friend; Who believed that our bosoms would bleed at a touch, Yet could never believe he could goad them too much; Whose conscience affects to be seared with our sin, Yet is plastic to take all its benefits in; The mote in our eye so enormous has grown, That he never perceives there’s a beam in his own.

Pop culture and love songs, in particular, can contribute to our belief that love is all about chemistry and insanity. It is when you are enduring careless, neglectful, unkind, and disconnected words and behavior from a partner, and falling back on “chemistry” as the rationale, that you need to take a long hard look at the idea of chemistry as a factor that may be imprisoning you in a one-sided, narcissistic relationship. Sometimes the good guys and gals get their opportunity once a person has already been through the wringer with a narcissist. After a person experiences the scorpion’s sting, the comfort of a kind person can become a soft and loving place to land.

With contradict’ry aim I stand, Rent in twain between two lands. One is lit with flowers bright, The other by sublime starlight. “A searing fire is one way felt. The sting of ice that does not melt Upon the other path is found. To both I am forever bound. “My mind is called to what I’ve known, And mem’ries of what once was home. Yet calls the road that leads to where I breathe now more familiar air. “In her is found the now and then, The song of hope, the sighed amen, Both fire and ice, both flow’rs and stars, The future, past, the near and far. “Where e’er the path that guides her feet, In what far clime her heart doth beat, Howe’er oft I depart or bide, Home is where my love resides.

It is finished!” What was finished? The history-long plan of redeeming man was finished. The message of God to man was finished. The works done by Jesus as a man on earth were finished. The task of selecting and training ambassadors was finished. The job was finished. The song had been sung. The blood had been poured. The sacrifice had been made. The sting of death had been removed. It was over. A cry of defeat? Hardly. Had his hands not been fastened down I dare say that a triumphant fist would have punched the dark sky. No, this is no cry of despair. It is a cry of completion. A cry of victory. A cry of fulfillment. Yes, even a cry of relief. The fighter remained. And thank God that he did.

Some had hurled spears first. Those spears thumped into our shields, making them unwieldy, but it hardly mattered. The leading Danes tripped on the hidden timbers and the men behind pushed the falling men forward. I kicked one in the face, feeling my iron-reinforced boot crush bone. Danes were sprawling at our feet while others tried to get past their fallen comrades to reach our line, and we were killing. Two men succeeded in reaching us, despite the smoking barricade, and one of those two feel to Wasp-Sting coming up from beneath his shield-rim. He had been swinging an ax that the man behind me caught on his shield and the Dane was still holding the war ax's shaft as I saw his eyes widen, saw the snarl of his mouth turn to agony as I saw his eyes widen, saw the snarl of his mouth turn to agony as I twisted the blade, ripping it upward, and as Cerdic, beside me, chopped his own ax down. The man with the crushed face was holding my ankle and I stabbed at him as the blood spray from Cerdic's ax blinded me. The whimpering man at my feet tried to crawl away, but Finan stabbed his sword into his thigh, then stabbed again. A Dane had hooked up his ax over the top rim of my shield and hauled it down to expose my body to a spear-thrust, but the ax rolled off the circular shield and the spear was deflected upward and I slammed Wasp-Sting forward again, felt her bite, twisted her, and Finan was keening his mad Irish song as he added his own blade to the slaughter. “Keep the shields touching!” I shouted at my men.

When we broke up, you said you wanted to be someone’s number one girl, but look at you. You don’t want to have a number one guy.” He gestures rudely at the cake table. “You want to have your cake and eat it too.” His words sting just the way he intends them to. “I hate that saying. What does it even mean? Of course I want to have my cake and eat it too--otherwise what’s the point of having cake?” He frowns at me. “That’s not what I’m talking about and you know it.” The song finishes then, and the kids come over to claim their cakes. Kitty and Owen, too. “Let’s go,” Owen says to Peter. He’s got my caramel cake. Peter glances down at him and then back at me, his eyes hard. “I don’t want that one.” “That’s the one you told me to get!” “Well, I don’t want it anymore. Put it back and get the Funfetti down there at the end.

Hating the Rain She hates the ever-falling winter rain, the gray and endless humidity that bites to the bone and stings even after the hot bath and stiff struggle into bed and under the quilts, but the winter ferns, and the way they wave in a slight breeze as though happy like grandmother’s lace curtains can’t be abandoned or lived without. She hates the endless dripping like a clock ticking away life and the heavy fog that swallows light as though life itself were vanishing, but the tree frogs with their songs and their clinging to matching green like family holding together stitch her thoughts back to July picnics. She hates her complaining voice that discourages her children’s calls and encourages their urgings that she move, maybe to Florida citrus sun, but gray day softness steeps her patience and quiets her fear of loss into something like gratitude clinging like green to summer moss and this she knows: she loves the rain.

So at last Ilar Sant came to this wood, which people now call St. Hilary's wood because they have forgotten all about Ilar. And he was weary with his wandering, and the day was very hot; so he stayed by this well and began to drink. And there on that great stone he saw the shining fish, and so he rested, and built an altar and a church of willow boughs, and offered the sacrifice not only for the quick and the dead, but for all the wild beasts of the woods and the streams. "And when this blessed Ilar rang his holy bell and began to offer, there came not only the Prince and his servants, but all the creatures of the wood. There, under the hazel boughs, you might see the hare, which flies so swiftly from men, come gently and fall down, weeping greatly on account of the Passion of the Son of Mary. And, beside the hare, the weasel and the pole-cat would lament grievously in the manner of penitent sinners; and wolves and lambs together adored the saint's hierurgy; and men have beheld tears streaming from the eyes of venomous serpents when Ilar Agios uttered 'Curiluson' with a loud voice—since the serpent is not ignorant that by its wickedness sorrow came to the whole world. And when, in the time of the holy ministry, it is necessary that frequent Alleluyas should be chanted and vociferated, the saint wondered what should be done, for as yet none in that place was skilled in the art of song. Then was a great miracle, since from all the boughs of the wood, from every bush and from every green tree, there resounded Alleluyas in enchanting and prolonged harmony; never did the Bishop of Rome listen to so sweet a singing in his church as was heard in this wood. For the nightingale and thrush and blackbird and blackcap, and all their companions, are gathered together and sing praises to the Lord, chanting distinct notes and yet concluding in a melody of most ravishing sweetness; such was the mass of the Fisherman. Nor was this all, for one day as the saint prayed beside the well he became aware that a bee circled round and round his head, uttering loud buzzing sounds, but not endeavouring to sting him. To be short; the bee went before Ilar, and led him to a hollow tree not far off, and straightway a swarm of bees issued forth, leaving a vast store of wax behind them. This was their oblation to the Most High, for from their wax Ilar Sant made goodly candles to burn at the Offering; and from that time the bee is holy, because his wax makes light to shine upon the Gifts.

Once upon a time I'd left Los Angeles and been swallowed down the throat of a life in which my sole loyalty was to my tongue. My belly. Myself. My mother called me selfish and so selfish I became. From nineteen to twenty-five I was a mouth, sating. For myself I made three-day braises and chose the most marbled meats, I played loose with butter and cream. My arteries were young, my life pooling before me, and I lapped, luxurious, from it. I drank, smoked, flew cheap red-eyes around Europe, I lived in thrilling shitholes, I found pills that made nights pass in a blink or expanded time to a soap bubble, floating, luminous, warm. Time seemed infinite, then. I begged famous chefs for the chance to learn from them. I entered competitions and placed in a few. I volunteered to work brunch, turn artichokes, clean the grease trap. I flung my body at all of it: the smoke and singe of the grill station, a duck's breast split open like a geode, two hundred oysters shucked in the walk-in, sex in the walk-in, drunken rides around Paris on a rickety motorcycle and no helmet, a white truffle I stole and shaved in secret over a bowl of Kraft mac n' cheese for me, just me, as my body strummed the high taut selfish song of youth. On my twenty-fifth birthday I served black-market fugu to my guests, the neurotoxin stinging sweetly on my lips as I waited to see if I would, by eating, die. At that age I believed I knew what death was: a thrill, like brushing by a friend who might become a lover.

John’s hand is pressed against my back, leading me, and I think he’s forgotten all about the game. I’ve got him in my crosshairs now. “You’re not so bad,” I tell him. Song’s halfway over. I’d better hop to the beat. I’ve got you in five, four, three, two-- “So…you and Kavinsky, huh?” He’s distracted me completely, and I’ve forgotten all about the game for a moment. “Yeah…” Clearing his throat, he says, “I was pretty surprised that you guys were together.” “Why? Because I’m not his type?” I say it casually, like it’s nothing, a fact, but it stings like a little pebble thrown directly at my heart. “No, you are.” “Then why?” I’m pretty sure John’s going to say “because I didn’t think he was your type,” just like Josh did. He doesn’t answer right away. “That day you came to Model UN, I tried to follow you out to the parking lot, but you were already gone. Then I got your letter, and I wrote you back, and you wrote me back, and then you invited me to the tree-house thing. I guess I didn’t know what to think. You know what I mean?” He looks at me expectantly, and I feel like it’s important that I say yes. All the blood rushes to my face, and I hear a pounding in my ears, which I belatedly realize is the sound of my heart beating really fast. My body is still dancing, though. He keeps talking. “Maybe it was dumb to think that, because all that stuff was such a long time ago.” All what stuff? I want to know, but it wouldn’t be right to ask. “Do you know what I remember?” I ask suddenly. “What?” “The time Trevor’s shorts split open when you guys were playing basketball. And everybody was laughing so hard that Trevor started getting mad. But not you. You got on your bike and you rode all the way home and brought Trevor a pair of shorts. I was really impressed by that.” He has a faint half smile on his face. “Thanks.

Without thinking, she delivered a stinging slap, all her hurt and disappointment behind the impact. The imprint of her hand on his cheek shocked her. And though she immediately regretted her childish action, pride forbade her to own up to it. "Mind your manners, next time, Sinclair!" Across the yard, Luter Hicks halted and burst into guffaws. "Guess she told you, lapdog! Hey, honey," he called to Willow, "if he ain't satisfying you, how 'bout lettin' me warm your bed tonight?" An angry growl rolled out of Rider's throat. He pulled Willow up on her tiptoes, mashing her breasts against his hard chest. His fingers plowed through her thick tresses, knocking her bonnet off and scattering her hair pins. Then clasping her chin between his thumb and fingers, he tipped her head back and took fierce possession of her mouth. When he finally released her lips, he set her down a little harder than necessary. "I'll kill the first man who even blinks at you," he ground out loud enough for Hicks to hear. Then in a low, no-nonsense voice,meant for her ears alone, he ordered, "Kiss me and make it look good!" Willow glanced over at Hick's eager face and cringed. Her pride be damned! Sinclair was by far the lesser evil. She swept her arms around his neck. "Whatever you say...lover," she hissed in his ear. Standing on tiptoe again, she slowly brought his head down and pasted her lips to his. But he would have none of her stiff-lipped kiss and increased the pressure on her mouth until she opened to his brazen tongue. As the kiss deepened, he spread one big hand at the base of her spine and molded her stomach against his hard, hot need. Willow's blood sang, her anger instantly gone in the heat of the moment. "Mr. Sinclair!" Miriam interrupted in a berating tone. "You degrade this young lady with your public display. Unhand her at once!" Without his supporting arms, Willow's weak knees barely held her upright. She stumbled backwards, thoroughly stunned by her backfiring emotions. A loud crash snapped her to her senses when Luther threw his plate against the house and stomped off to the bunkouse. Rider collected himself and stooped to pick up Willow's discarded bonnet. Carefully brushing the dust off, he handed it to her without a word. Willow took her hat, gave him a perfunctory nod, and ground her heel into his toe as she pivoted to enter the house. Unaware of the young man's pained expression, Miriam followed on the girl's heels. "Talk about circuses!" she exclaimed, closing the door behind them. "It was just an act for Hick's benefit," Willow defended. Feeling the need to escape Miriam's all-too-knowing glance,she headed down the hall to her room. A heavy boot kicked at the door. Miriam opened it and Rider limped in. "Where do you want these?" he growled testily from behind a tower of packages. "Put them on the settee for now, thank you," Miriam said. "I'd have you carry them back to Willow's room but it isn't a healthy place for you right now." Rider only grunted,dumped the bundles, and returned to the wagon for another armload.

preservation. The pair of Golden Scorpions jumped into action, their stings flashing as they closed the gap and cut through three of the altivorc guards before their weapons even left their sheaths. The two survivors had managed to draw their own giant broadswords, but fell before taking a swing as the Scorpions slashed through them. Black blood sprayed on the floor and walls. They closed toward their final target, but the Altivorc King did not seem the least bit concerned. He leisurely shifted on his cushions as he withdrew a grey metal wand, pointed it at one of the Scorpions, and spoke a guttural syllable. A bolt of blue lighting sizzled from the tip, hurling the man back a dozen feet through the air with a scream of agony. In that split second, the other Scorpion reached him and stabbed. Dhananad barely registered the motion, but the final result stood out clearly. The Scorpion screamed and clawed at the King’s hand, which seized his wrist in a bone-crunching grip. Rising to his feet, the altivorc drove the would-be assailant down to his knees and plucked the weapon away. He threw it at Dhananad’s feet. “I am very forgiving, and will forget this reckless transgression.” He released his hold on the Scorpion’s wrist. “Your life is spared…for now. Go ahead and meet with the princess if you are still so thick-skulled. You will see I am right.” The Scorpion gasped, clutching his hand, which bent at a strange angle. He fared better than his companion, who lay in a smoldering heap near the entrance. Dhananad cringed, deciding once and for all he would never tempt the Altivorc King again. He turned on his heel and left, his entourage scurrying after him. Ambassador Piros watched Prince Dhananad storm out of the room. Once his angry

There’s nothing that makes me cry harder than fiction. There’s nothing that makes me weep, nothing that holds my breath and brings tears stinging to my eyes more than fiction. And all those sad realities which filter through my days. They leave no lasting impression. All they serve is small reminders of my busy life. Small purposes: remember the pain of the world. Okay, alright. I remember it all. Then I go watch a movie. I listen to the classical music station in my car at five-thirty pm where they always play that same song. I watch a play, watch the performance. Watch the smoke descend upon the stage. This fiction. It’s the only thing that affects me. Funny, isn’t it?

Eventually, he felt an overwhelming urge to meld his voice with the notes, and he began to play his ballad for the wind. Jack sang his verses, his fingers strumming with confidence. He sang to the southern wind with its promise of strength in battle. He sang to the western wind with its promise of healing. He sang to the northern wind with its promise of vindication. The notes rose and fell, undulating like the hills far beneath him. But while the wind carried his music and his voice, the folk of the air didn’t answer. What if they refuse to come? Jack wondered, with a pulse of worry. From the corner of his eye, he watched as Adaira rose to her feet. The wind seemed to be waiting for her to move. To stand and meet it. She stood planted on the rock as Jack continued to play, shielded by Orenna’s essence. Twice, he had played for the spirits and had nearly forgotten he was a man, that he was not a part of them. But this time he held firmly to himself as he watched the folk answer. The southern wind manifested first. They arrived with a sigh and formed themselves from the gust, individualizing into men and women with hair like fire—red and amber with a trace of blue. Great feathered wings bloomed from their backs like those of a bird, and each beat of their pinions emitted a wash of warmth and longing. Jack could taste the nostalgia they offered; he drank it like a bittersweet wine, like the memories of a summer long ago. The east wind was the next to arrive. They manifested in a flurry of leaves, their hair like molten gold. Their wings were fashioned like those of a bat, long and pronged and the shade of dusk. They carried the fragrance of rain in their wings. The west wind spun themselves out of whispers, with hair the shade of midnight, long and jeweled with stars. Their wings were like those of a moth, patterned with moons, beating softly and evoking both beauty and dread as Jack beheld them. The air shimmered at their edges like a dream, as if they might melt at any moment, and their skin smelled of smoke and cloves as they hovered in place, unable to depart as Jack’s music captivated them. Half of the spirits watched him, entranced by his ballad. But half of them watched Adaira, their eyes wide and brimming with light. “It’s her,” some of them whispered. Jack missed a note. He quickly regained his place, pushing his concern aside. It felt like his nails were creating sparks on the brass strings. He sang the verse for the northern wind again. The sky darkened. Thunder rumbled in the distance as the north reluctantly answered Jack’s summoning. The air plunged cold and bitter as the strongest of the winds manifested from wisps of clouds and stinging gales. It answered the music, fragmenting into men and women with flaxen hair, dressed in leather and links of silver webs. Their wings were translucent and veined, reminiscent of a dragonfly’s, boasting every color found beneath the sun. They came reluctantly, defiantly. Their eyes bore into him like needles. Jack was alarmed by their reaction to him. Some of them hissed through their sharp teeth, while others cowered as if awaiting a death blow. His ballad came to its end, and the absence of his voice and music sharpened the terror of the moment. Adaira continued to stand before an audience of manifested spirits, and Jack was stunned by the sight of them. To know that they had rushed alongside him as he walked the east. That he had felt their fingers in his hair, felt them kiss his mouth and steal words from his lips, carrying his voice in their hands. And his music had just summoned them. His voice and song now held them captive, beholden to him. He studied the horde. Some of the spirits looked amused, others shocked. Some were afraid, and some were angry.

Because if you picture other people like you, you will no longer be alone. And when you share, you see that your own sorrow is not so big or special. You are only another person feeling sad, and soon it will pass and you will be another person, feeling happy. It takes the sting out of life, I find, when you realize you are not alone.

Luckily, queer ones like her don't happen, often. We know how to nip most of them in the bud, early. You can't build a house without nails and wood. If you don't want a house built, hide the nails and wood. If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the Government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of non-combustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy. Any man who can take a TV wall apart and put it back together again, and most men can nowadays, is happier than any man who tries to slide-rule, measure, and equate the universe, which just won't be measured or equated without making man feel bestial and lonely. I know, I've tried it; to hell with it. So bring on your clubs and parties, your acrobats and magicians, your dare-devils, jet cars, motor-cycle helicopters, your sex and heroin, more of everything to do with automatic reflex. If the drama is bad, if the film says nothing, if the play is hollow, sting me with the theremin, loudly. I'll think I'm responding to the play, when it's only a tactile reaction to vibration. But I don't care. I just like solid entertainment.

I reach out and palm the freezing stone. “God, I miss you. I miss you all the time. I’ll hear a song you played for me or read something good, and you’re the first person I want to tell.” Unable to handle the sting any longer, I let the tears fall at will. “Motherfucker or not, I saw you. I saw you. I knew you. And I grieve for you every damn day. You lose, Dominic, because there’s not a day that goes by that I don’t mourn you.

A shadow passed over her hand. Strange, because she hadn’t seen any large animals since she’d started welding. Every now and then, she was treated to the sight of a massive whale in the distance. And sometimes at night she listened to their haunting songs as they swam by the city. It was beautiful, and for some reason, it always made tears sting in her eyes. Mouth full, still chewing, she looked up to find the source of the shadow and froze. A monster hovered in front of the glass. His black tail, so long it tangled in the kelp, was at least ten feet long. Blue slashes of fins, so deep they blended in with the water, undulated all along the black scales. It stretched up to his waist, seamlessly turning into that pale, almost gray skin. His body was as all the rumors claimed. So handsome it was painful to look at, and eerily like the gold sculptures that surrounded her.

Sting, whose real names are Matthew Gordon Sumner, is one musician/songwriter whose lyrics stimulate the poetry in you. He diligently sculpts his words to reflect the mood of the action that surrounds his songs. There’s truth in the evidence of profound philosophy in both his person and in the work that showcases his talents in songs like EVERY BREATH YOU TAKE and FIELDS OF GOLD.

Winter Song” by Leslie Odom Jr. comes on, and I know I’m in trouble. It makes me cry on a good day, and lying here, with pine-scented candles burning, looking at our small tabletop Christmas tree and the mistletoe by the entryway, it sends me over. Tears sting the corners of my eyes, and before I know it, I’m bawling.

Nothing stings so sharply as injustice, and nothing should; so these verses are not simply vindictive, but put into words the protest of any healthy conscience at the wrongs of the present order, and the conviction that a day of judgment is a moral necessity.”20 Christians should also cry to God day and night against injustice (Luke 18:7). Prayer:

...she could smell her mother's skin, her lotion, her perfume-- her essence. She missed her so much. She clawed at her pillow, wanting to cry, but tears never came, just a swirling riptide of feeling--anger, abandonment, the fear of being alone, and the weight of the emotional millstone still tied around her neck, submerging her further into the murky depths of stinging, biting solitude. She wished she could wail all night. Instead she curled up in the darkness of her bedroom, listening to her racing heartbeat, which eventually slowed, like the ticking of a clock unwound.

while we talk about a bunch of random things, like what was Sting thinking with the rhyming on the song “Walking on the Moon,” and why killers whales have their name, and whether the animals at Sea World should be taking antidepressants anyway. And when I think we’re leaving,

Lord, admitting my accomplishments are your gift is a bittersweet thing to do. It stings at first because it humbles. But then it is so very sweet and brings such peace. It is not up to me, and it never was. Let me work hard, with this liberating insight removing the pressure I sinfully put on myself. Amen.

There’s no such thing as a timid fighter,” Henry parroted. “That’s what Tag says. And he says Amelie fights every damn day.” “Hallelujah and praise the Lord for that,” Georgia said, sounding just like my great-grandma Kathleen. They were both small-town Levan girls who had spent a good deal of their lives as neighbors. So I guess it wasn’t surprising. “Amen,” I agreed. “Muhammad Amelie,” Georgia joked. “Floats like a butterfly . . .” “Stings like a bee,” Henry and I finished.

Gasping desperately, she clenched her hands on his shoulders, fingers sinking deep. His lips firmed, he suckled gently- Patience felt the earth quake. The heat of his mouth shocked her- the wet sweep of his tongue scalded her. She gave a strangled cry. That sound, keenly feminine, acutely evocative, caught and focused Vane's attention. Focused every hunter's instinct. Desire heightened, need escalated. His demons turned frenzied- her siren's song lured them on. Urged him on. Compulsion swelled- tense, turbulent, powerful. Desire seethed hotly. He drew a ragged breath- And remembered- all he'd nearly forgotten, all her wild responses had driven from his mind. This was one seduction he had to, need to, manage perfectly- this time, there was meaning beyond the act. Seducing Patience Debbington was too important to rush- conquering her senses, her body, was only the first step. He didn't want her just once- he wanted her for a lifetime. Dragging in a shuddering breath, Vane caught hold of his reins and hauled his impulses up short. Something in him wailed with frustration. He shut his mind to the relentless pounding of his arousal. And set himself to soothe hers. He knew how. There were planes of warm desire on which women could float, neither driven, nor quiescent, but simply buoyed on a sea of pleasure. With hands and lips, mouth and tongue, he soothed her fever flesh, took the sting from her aches, the edge from her passion, and eased her into that pleasured sea. Patience was beyond understanding- all she knew was the peace, the calm, the profound pleasure that welled and washed through her. Content, she flowed with the tide, letting her senses stretch. The whirling that had disoriented her slowed; her mind steadied. Full consciousness, when it came, was no shock; the continuing touch of Vane's hands, the artful caress of his lips, his tongue, were familiar- no threat.

THE BALLAD OF NEARLY HEADLESS NICK BY J.K. ROWLING It was a mistake any wizard could make Who was tired and caught on the hop One piffling error, and then, to my terror, I found myself facing the chop. Alas for the eve when I met Lady Grieve A-strolling the park in the dusk! She was of the belief I could straighten her teeth Next moment she’d sprouted a tusk. I cried through the night that I’d soon put her right But the process of justice was lax; They’d brought out the block, though they’d mislaid the rock Where they usually sharpened the axe. Next morning at dawn, with a face most forlorn, The priest said to try not to cry, ‘You can come just like that, no, you won’t need a hat,’ And I knew that my end must be nigh. The man in the mask who would have the sad task Of cleaving my head from my neck, Said ‘Nick, if you please, will you get to your knees,’ And I turned to a gibbering wreck. ‘This may sting a bit’ said the cack-handed twit As he swung the axe up in the air, But oh the blunt blade! No difference it made, My head was still definitely there. The axeman he hacked and he whacked and he thwacked, ‘Won’t be too long’, he assured me, But quick it was not, and the bone-headed clot Took forty-five goes ’til he floored me. And so I was dead, but my faithful old head It never saw fit to desert me, It still lingers on, that’s the end of my song, And now, please applaud, or you’ll hurt me.

Oh, Wonder of Wonders Oh, wonder of wonders My God, can it be That Jesus has died For one rebel like me He lifted my bondage And soul's misery The Lord, King of glory Was wounded for me They led Him to trial They spit in His face He bore it alone Oh, amazing His grace He bowed neath his burden Was scourged in my place I'll sing it forever Amazing His grace With hands full of mercy With hearts full of good My spotless Redeemer Was nailed to the wood He suffered Hell's torment My soul to set free Deserted by God As He hung on the tree He died, but he rose He extracted death's sting He is living enthroned My savior, my king Let the earth hear His voice Men and angels proclaim 'He's coming! He's coming!' He's coming again With the saints marching in I shall be at that throne In the great 'hallelujahs' I'll join in that song With apostles and prophets My best, Lord with thee I shall live! I shall live! Eternally

At sea, sometimes, if you take a ship too far from land and the wind rises and the tide sucks with a venomous force and the waves splinter white above the shield-pegs, you have no choice but to go where the gods will. The sail must be furled before it rips and the long oars would pull to no effect and so you lash the blades and bail the ship and say your prayers and watch the darkening sky and listen to the wind howl and suffer the rain’s sting, and you hope that the tide and waves and wind will not drive you onto rocks.

AS I LAY THERE STARING AT THE CEILING, IT DAWNED ON ME THAT MAYBE MY GUITAR WAS THE LOVE OF MY LIFE AFTER ALL. Maybe I didn’t need Sandi. Maybe my Silvertone could help me heal my wounded heart. Maybe I could write my way out of this mess. I was more determined than ever to make this rock and roll dream come true. This is perhaps the impetus behind every song that I have ever written. Not to exact revenge on Sandi, of course, but to guard my most vulnerable corners by using heartbreak as fuel. What could be more inspiring than the exposed nerves of a wounded heart? In a way, I cherish my numerous heartbreaks almost more than the actual love that preceded them, because the heartbreak has always proven to me that I can feel. Trust me, the sweet sting of a love refused is powerful enough to send any scribe scrambling for pen and paper, aching to find beauty in the pain of being eighty-sixed by another. And more often than not, the result is good, because it’s real, and it fucking hurts so bad.

I don’t compete over who has lost more. There is a sting to it, whatever it is.

Come on stub-ears, you can do better than that!" Steel danced and shone before Elly as she desperately blocked strike after strike, her attacker toying with her, relentless in aggression both physical and verbal. He was taller than her, lighter than her, and he moved with true elven grace, gliding around her with his elegantly curved and vicious sword. He lashed out with a practised flick of his wrist that she struggled to read and barely caught with her blade, but he was already moving on, his sword flowing around, a killing blow coming straight for her neck if she did not move– "Sorry stub-ears, I'll try to slow down…" A feint! He could have ended it there, and yet it wasn't enough; no, he had to humiliate her. Before her cheeks could redden he was on her again, thrusting, striking at her thighs, her shoulders, the sting of the metal slowing her down and throwing her off-balance. Elly focused on protecting what she could, guarding her head and torso, anger building in her, wrestling with her for control of the light sword that was her best defence against– "Death!" The tip of his blade was under her raised arm, against the gap in her breastplate beside her triceps. And at once he sprang back, swung his nimble weapon in a lazy figure-of-eight, rolled his shoulders less from tension and more to perform his ease, his casualness, the lack of challenge in fighting her. Where the flat of his blade had stung, she throbbed. "Good showing. How about best of three?

War and ceasefire There was a war followed by a ceasefire, Land covered in ash, dead men and women, Beside the dead were unfulfilled dreams and many a desire, This is how it is now and this is how it was then, Because a country defeated in war, Enters into the state of passive spirit, To the victor, spirited men and women of the defeated country appear too few and too far, So, they rush to assume this is it, the end of it! To be followed by two immediate actions, Repatriation by the winning side, And reparation by the losing side while dealing with endless sanctions, Behind which their broken spirits hide, But as years pass by and time grows older, The defeated side realises the losses it suffered, The men it lost, and the women who fought in ways bolder, And the living ones, the paying ones, look at their spirits battered, And they hear echoes from the past, Few calling a mother, few a father, many a brother, a sister and someone a lost lover, And then the ship of agony and pain hoists its broad mast, And the left one, the still and forever paying one, is forced to become an avenger, Because he/she misses the person to whom these echoes belong, He/she struggles to deal with the past that haunts him/her in the present, And to deal with this belligerent self, he/she hums the firebird’s song, And finally with hatred and lament he/she is pregnant, Finally when the feeling is born, The defeated spirit rises from the ashes, And begins to sew together the feelings that lie scattered on the ground, mutilated and torn, With these feelings of hatred and vengeance now his/her spirit gushes, The silent ground that had been the graveyard of dreams and desires, Suddenly turns into a war zone once again, So, those who say peace can be brokered are cynical liars, Because one who is dead can never be brought back again, And thus the battle between revenge and avenging deaths enters a new phase, Where the defeated side now fearlessly marches forth, Because it has nothing to lose and it has no more ghosts to chase, And thus is born the one who loves romancing the sun, the killer moth, It stings all, and it flies freely everywhere, Until both sides accept defeat, Then they begin to dig graves to bury a hope here, a wish there, and someone’s desire somewhere, And somewhere lies the lover who his/her beloved could not meet, And then is born the curse of unfulfilled wishes, desires, hopes and life’s darling affairs, Now both sides lie in ruin because there is no ground left to bury the dead, And the sound of echoes keeps getting louder and the ground turns wet with tears, It is then the spirit forsakes them all, because genuine valour does not reside in places where courage on death is fed, And as time grows older there are no more bold men and women left, Because it is a diabolic ground where only echoes from the past haunt all, Where all are victims of a different kind of theft, That of humanity’s innocence that actually was the cause of great fall!

They're so delicate, she said. It's hard to believe the stings can be so painful.

Red everywhere. Soaking her black outfit. Puddling in her boots and squishing with each step. Running in rivers along the ground and splashing as she ran. No blonde could be seen in her hair, no part of her skin left clean. Only the scent of iron filled her nostrils, the slick and stick of blood and sweat dripping from her fingers and daggers. She didn’t know her name. Didn’t know where she had come from or who she was. Didn’t care if she ever remembered those things. All she knew was that she was a vessel for the Night Terror. Her muscles a conduit for shredding and ripping through skin and bone. The hum of that energy in her soul carried her through body after body. Power rippled off her skin, calling on the shadows as if they belonged to her. Heat cut through the air and burned her lungs, but all she felt was cold stinging through the shard in her chest. The taste of fear lingered on her tongue, screams never reaching her ears. She’d never stop slicing until there was silence in her head. Until the song was over and there was nothing left. The Night Terror unleashed itself on Calcheth, and no one walked away. No one.

War and ceasefire There was a war followed by a ceasefire, Swaths of land lay covered in ashes and dead men and women, Beside them lay still unfilled dreams and many a desire, Wherever one looked there appeared no end to them then, Because a country defeated in war, Enters into the state of passive spirit, Where to the victor, spirited men and women of the defeated country appear too few and too far, And they rush to assume this is it, their end, and the end of it! Followed by two immediate actions, Repatriation by the winning side, And reparation by the losing side while dealing with endless sanctions, And behind them their lost spirits hide, But as years pass by and time grows older, The defeated side realises the losses it suffered, The men it lost, and the women who fought in ways bolder, And the living ones, the paying ones, look at their spirits battered, And they hear echoes from the past, Few calling a mother, few a father, many a brother, a sister and a lost lover, And then the ship of agony and pain hoists its broad mast, And the left one, the still and forever paying one, is forced to become an avenger, Because he/she misses the person to whom these echoes belong, He/she struggles to deal with the past that haunts him/her in the present, And to deal with this belligerent self, he/she hums the firebird’s song, And finally with hatred and lament he/she is pregnant, And when the feeling is born, The defeated spirit rises from the ashes, And begins to sew together the feelings that lie scattered on the ground, mutilated and torn, With these feelings of hatred and vengeance now his/her spirit gushes, The silent ground that had been the graveyard of dreams and desires, Suddenly turns into a war zone once again, So those who say peace can be brokered are cynical liars, Because one who is dead can never be brought back again, And thus the battle between revenge and avenging deaths enters a new phase, Where the defeated side now fearlessly marches forth, Because it has nothing to lose now it has no more ghosts to chase, And thus is born the one who loves romancing the sun, the killer moth, And it stings all alike, and it flies freely everywhere, Until both sides accept defeat, Then they begin to dig graves to bury a hope here, a wish there, and someone’s desire somewhere, And somewhere lies the lover who his/her beloved could not meet, And then is born the curse of unfulfilled wishes, desires, hopes and life’s darling affairs, Now both sides lie in ruin because there is no ground left to bury the dead, And the sound of echoes keeps growing and the ground turns wet with tears, It is then the spirit forsakes them all, because genuine valour does not reside in places where courage on death is fed, And as time grows older there are no more bold men and women left, Because it is a diabolic ground where only echoes from the past haunt all, Where all are victims of a different kind of theft, That of humanity’s actual fall!

I nodded, a sting of prickly heat spreading across

answered, pulling on his overcoat. All the loneliness of the evening seemed to descend upon her at once then and she said with the suggestion of a whine in her voice, ‘Why don’t you take me with you some Saturday?’ ‘You?’ he said. ‘Take you? D’you think you’re fit to take anywhere? Look at yersen! An’ when I think of you as you used to be!’ She looked away. The abuse had little sting now. She could think of him too, as he used to be; but she did not do that too often now, for such memories had the power of evoking a misery which was stronger than the inertia that, over the years, had become her only defence. ‘What time will you be back?’ ‘Expect me when you see me,’ he said at the door. ‘Is’ll want a bite o’ supper, I expect.’ Expect him at whatever time his tipsy legs brought him home, she thought. If he lost he would drink to console himself. If he won he would drink to celebrate. Either way there was nothing in it for her but yet more ill temper, yet further abuse. She got up a few minutes after he had gone and went to the back door to look out. It was snowing again and the clean, gentle fall softened the stark and ugly outlines of the decaying outhouses on the patch of land behind the house and gently obliterated Scurridge’s footprints where they led away from the door, down the slope to the wood, through which ran a path to the main road, a mile distant. She shivered as the cold air touched her, and returned indoors, beginning, despite herself, to remember. Once the sheds had been sound and strong and housed poultry. The garden had flourished too, supplying them with sufficient vegetables for their own needs and some left to sell. Now it was overgrown with rampant grass and dock. And the house itself – they had bought it for a song because it was old and really too big for one woman to manage; but it too had been strong and sound and it had looked well under regular coats of paint and with the walls pointed and the windows properly hung. In the early days, seeing it all begin to slip from her grasp, she had tried to keep it going herself. But it was a thankless, hopeless struggle without support from Scurridge: a struggle which had beaten her in the end, driving her first into frustration and then finally apathy. Now everything was mouldering and dilapidated and its gradual decay was like a symbol of her own decline from the hopeful young wife and mother into the tired old woman she was now. Listlessly she washed up and put away the teapots. Then she took the coal-bucket from the hearth and went down into the dripping, dungeon-like darkness of the huge cellar. There she filled the bucket and lugged it back up the steps. Mending the fire, piling it high with the wet gleaming lumps of coal, she drew some comfort from the fact that this at least, with Scurridge’s miner’s allocation, was one thing of which they were never short. This job done, she switched on the battery-fed wireless set and stretched out her feet in their torn canvas shoes to the blaze. They were broadcasting a programme of old-time dance music: the Lancers, the Barn Dance, the Veleta. You are my honey-honey-suckle, I am the bee… Both she and

In the German and French pensions, which twenty-five years ago were crowded with American mothers and their daughters who had crossed the seas in search of culture, one often found the mother making real connection with the life about her, using her inadequate German with great fluency, gaily measuring the enormous sheets or exchanging recipes with the German Hausfrau, visiting impartially the nearest kindergarten and market, making an atmosphere of her own, hearty and genuine as far as it went, in the house and on the street. On the other hand, her daughter was critical and uncertain of her linguistic acquirements, and only at ease when in the familiar receptive attitude afforded by the art gallery and opera house. In the latter she was swayed and moved, appreciative of the power and charm of the music, intelligent as to the legend and poetry of the plot, finding use for her trained and developed powers as she sat "being cultivated" in the familiar atmosphere of the classroom which had, as it were, become sublimated and romanticized. I remember a happy busy mother who, complacent with the knowledge that her daughter daily devoted four hours to her music, looked up from her knitting to say, "If I had had your opportunities when I was young, my dear, I should have been a very happy girl. I always had musical talent, but such training as I had, foolish little songs and waltzes and not time for half an hour's practice a day." The mother did not dream of the sting her words left and that the sensitive girl appreciated only too well that her opportunities were fine and unusual, but she also knew that in spite of some facility and much good teaching she had no genuine talent and never would fulfill the expectations of her friends. She looked back upon her mother's girlhood with positive envy because it was so full of happy industry and extenuating obstacles, with undisturbed opportunity to believe that her talents were unusual. The girl looked wistfully at her mother, but had not the courage to cry out what was in her heart: "I might believe I had unusual talent if I did not know what good music was; I might enjoy half an hour's practice a day if I were busy and happy the rest of the time. You do not know what life means when all the difficulties are removed! I am simply smothered and sickened with advantages. It is like eating a sweet dessert the first thing in the morning.

Lord, I am surrounded by people whose words are either fawning and flattering or malicious and stinging. Don’t let me imitate them. Make my words honest and true, economical and few, wise and well chosen, calm and kind. Give me so much love and grace that this kind of conversation comes naturally to me. Amen.

Ali roared and his words They just set me free Rumble in the jungle little boy Go and show your teeth Tingle on your tongue, burn 'em slow Sting 'em like a bee Be humble in your core, bar the door Let the doubters be Let the doubters be Redemption for an eternity In the flesh, in the bone Sturdier than a rhino’s horn In my breath, in my tone Levitate off of an angel’s song This is the modern day halcyon Straight from the immortal champion

Time does not heal wounds. It's a body's ritual that does. The instinctual cleansing with rain or other waters, the application of salves. Despite the sting. Even neglected, the body begins to take care. To repair itself. Blood clots, tissues regenerate, flesh scars. Soon, the thin white line is the only evidence of the pain. It is the body, not time. Time does nothing except create distance between the body and that which caused it harm. Recollection of fear can be stronger than the original fear itself. Similarly, bliss is sometimes more vivid when recollected. How else do you explain longing? Longing for what has already passed. That's the real pain. But you insisted, you pried with your fingers to see. You retuned to me after I turned away. You made me recollect for you, collect again and again for you, inturrupting the healing with your curiosity. Now that I have given you the words, you may long for them. You may miss me. YOu may try to find the notes to the song again and again and won't be able to find them. Perhaps, the wounds I made will already have begun to scar. Maybe the body will have begun its ritual of forgetting. I told you not to ask for haunted, not to ask me to recollect. Because recollection is like tearing at closed wounds. Like pealing back the careful tissue put there by the body to make it safe. And because remembered pain is always worse than the original pain, because this time it is expected. This time you already know how much it will hurt.