Stiff Neck Quotes

We've searched our database for all the quotes and captions related to Stiff Neck. Here they are! All 191 of them:

You think my first instinct is to protect you. Because you're small, or a girl, or a Stiff. But you're wrong." He leans his face close to mine and wraps his fingers around my chin. His hand smells like metal. When was the last time he held a gun, or a knife? My skin tingles at the point of contact, like he's transmitting electricity through his skin. "My first instinct is to push you until you break, just to see how hard I have to press." he says, his fingers squeezing at the word break. My body tenses at the edge in his voice, so I am coiled as tight as a spring, and I forget to breathe. His dark eyes lifting to mine, he adds, "But I resist it." "Why..." I swallow hard. "Why is that your first instinct?" "Fear doesn't shut you down; it wakes you up. I've seen it. It's fascinating." He releases me but doesn't pull away, his hand grazing my jaw, my neck. "Sometimes I just want to see it again. Want to see you awake.
Veronica Roth (Divergent (Divergent, #1))
I cannot go to school today" Said little Peggy Ann McKay. "I have the measles and the mumps, A gash, a rash and purple bumps. My mouth is wet, my throat is dry. I'm going blind in my right eye. My tonsils are as big as rocks, I've counted sixteen chicken pox. And there's one more - that's seventeen, And don't you think my face looks green? My leg is cut, my eyes are blue, It might be the instamatic flu. I cough and sneeze and gasp and choke, I'm sure that my left leg is broke. My hip hurts when I move my chin, My belly button's caving in. My back is wrenched, my ankle's sprained, My 'pendix pains each time it rains. My toes are cold, my toes are numb, I have a sliver in my thumb. My neck is stiff, my voice is weak, I hardly whisper when I speak. My tongue is filling up my mouth, I think my hair is falling out. My elbow's bent, my spine ain't straight, My temperature is one-o-eight. My brain is shrunk, I cannot hear, There's a hole inside my ear. I have a hangnail, and my heart is ... What? What's that? What's that you say? You say today is .............. Saturday? G'bye, I'm going out to play!
Shel Silverstein
A gunslinger knows pride, that invisible bone that keeps the neck stiff.
Stephen King (The Gunslinger (The Dark Tower, #1))
Some people are so stiff-necked that they cannot think any other way than their own preconceived ideas.
Suman Pokhrel
We bow to the inevitable. We’re not wheat, we’re buckwheat! When a storm comes along it flattens ripe wheat because it’s dry and can’t bend with the wind. But ripe buckwheat’s got sap in it and it bends. And when the wind has passed, it springs up almost as straight and strong as before. We aren’t a stiff-necked tribe. We’re mighty limber when a hard wind’s blowing, because we know it pays to be limber. When trouble comes we bow to the inevitable without any mouthing, and we work and we smile and we bide our time. And we play along with lesser folks and we take what we can get from them. And when we’re strong enough, we kick the folks whose necks we’ve climbed over. That, my child, is the secret of the survival.
Margaret Mitchell (Gone with the Wind)
A Christian is not a person who believes in his head the teachings of the Bible. Satan believes in his head the teachings of the Bible! A Christian is a person who has died with Christ, whose stiff neck has been broken, whose brazen forehead has been shattered, whose stony heart has been crushed, whose pride has been slain, and whose life is now mastered by Jesus Christ.
John Piper
There are bars with women wearing shirts with stiff necks and ties and they are terribly proud to be perverts, as if that weren't something nobody can do anything about.
Irmgard Keun (The Artificial Silk Girl)
Relaxing the shoulders is vital for relaxation in general. However, owing to the effects of gravity, relaxation is problematic unless we let the shoulders remain in their natural place. Let the shoulders drop, or settle in harmony with gravity, into their most comfortable position. It isn’t too difficult to do this for a moment, but to sustain this condition unconsciously in our lives is another matter. We raise our shoulders unnaturally when we lean on a desk or hold the telephone between our shoulders and ears, when we are shocked by a loud noise, and who knows how many other times throughout the day. And the unsettling of the shoulders doesn’t have to be large to produce anxiety, stiff necks, and headaches. Just slightly raising them will create tension, and this tension throws the nervous system out of balance. When do we raise the shoulders in daily life? What are we feeling at that moment and leading up to that moment? Remembering that the body reflects the mind, and that the raising of the shoulders not only creates tension but also is a physical manifestation of psychological tension itself, what are the roots of this tension? Bringing the mind into the moment, let’s observe ourselves in a state free of preconceived ideas or beliefs. Don’t guess at these questions. Observe yourself in relationship to others and the universe
H.E. Davey (Japanese Yoga: The Way of Dynamic Meditation)
And if you must sacrifice yourself, do that by marrying me. I’m not an easy man. You’ll earn your martyr’s crown before you’re done. Don’t condemn both of us to an eternity of unhappiness just because you’re too stiff-necked to face society’s censure.
Anna Campbell (Claiming the Courtesan)
Jen watched as Sally and Jacque's eyes got wider and wider. "Damn," Jen muttered under her breath just as strong arms came around her and she felt warm breath against her neck. "I believe this is our song," Decebel purred in her ear. Jen swore at any moment she was going to be a puddle on the floor and Jacque would have to sop her up with some Bounty paper towels. Why she thought specifically of Bounty paper towels, she had no idea. She was trying really hard to focus on anything but Decebel's warmth against her. To her complete mortification he began to move…with the beat. Sally and Jacque's jaws dropped. Jen mouthed, "Save me," to her two best friends, but evil traitors that they were, they both started dancing and completely ignored her plea. Oh, those two heifers are going down, she promised herself. After a few moments, Jen decided she could either look goofy standing stiff while Decebel danced or she could throw caution to the wind and bring it.
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
The shot doesn't come. He stares at me with the same ferocity but doesn't move. Why doesn't he shoot me? His heart pounds against my palms,and my own heart lifts. He is Divergent. He can fight this simulation.Any simulation. "Tobias," I say. "It's me." I step forward and wrap my arms around him. His body is stiff. His heart beats faster. I can feel it against my cheek. A thud against my cheek. A thud as the gun hits the floor.He grabs my shoulders-too hard, his fingers digging into my skin where the bullet was. I cry out as he pulls me back. Maybe he means to kill me in some crueler way. "Tris," he says,and it's him again. His mouth collides with mine. His arm wraps around me and he lifts me up, holding me against him, his hands clutching at my back. His face and the back of his neck are slick with sweat, his body is shaking,and my shoulder blazes with pain,but I don't care,I don't care,I don't care. He sets me down and stares at me, his fingers brushing over my forehead, my eyebrows,my cheeks, my lips. Something like a sob and a sigh and a moan escapes him,and he kisses me again. His eyes are bright with tears. I never thought I would see Tobias cry. It makes me hurt. I pull myself to his chest and cry into his shirt. All the throbbing in my head comes back,and the ache in my shoulder,and I feel like my body weight doubles.I lean against him, and he supports me. "How did you do it?" I say. "I don't know," he says. "I just hear your voice.
Veronica Roth (Divergent (Divergent, #1))
The Welsh were a god-cursed, stiff-necked, and utterly vexatious people, John said bitterly, but they did have an inexplicable ability to rise phoenixlike from the ashes of defeat, to soar upwards on wings too scorched for flight.
Sharon Kay Penman (Here Be Dragons (Welsh Princes, #1))
The only other person I have fallen in love with that way is Jesus, and I hope that goes more smoothly. I hope I remember, when I'm bored with Him, and antsy, and sick of brushing my teeth next to the same god every morning, I hope I remember not to leave Him. I am not so worried that He will leave me. The Bible, after all, is full of stories about God sticking with His Bride, no matter how stiff-necked and prideful and unfaithful she may be.
Lauren F. Winner (Girl Meets God)
... He didn't know how to say good-bye. His throat ached from the strain of holding back his emotions. “I don't want to leave you,” he said humbly, reaching for her cold, stiff hands. Emma lowered her head, her tears falling freely. “I'll never see you again, will I?” He shook his head. “Not in this lifetime,” he said hoarsely. She pulled her hands away and wrapped her arms around his neck. He felt her wet lashes brush his cheek. “Then I'll wait a hundred years,” she whispered. “Or a thousand, if I must. Remember that, Nikki. I'll be waiting for you to come to me.
Lisa Kleypas (Prince of Dreams (Stokehurst, #2))
In Darcy, Elizabeth would have a husband who would adore her, but who was stubborn enough to refuse to give in to her. Elizabeth would have a husband she respected and loved, if she could ever bend her stiff neck enough to confess to it. Bennet could not have wished for anything more for his daughter.
Jann Rowland (Coincidence)
As she stared at them, Waringa noted that their skins were indeed red, like that of pigs or like the skin of a black person who has been scalded with boiling water or who has burned himself with acid creams. Even the hair in their arms and necks stood out stiff and straight like the bristle of an aging hog.
Ngũgĩ wa Thiong'o (Devil on the Cross)
To stop Maria before she ruined everything, he grabbed her about the waist, hauled her against him, and sealed his mouth to hers. At first she seemed too stunned to do anything. When after a moment, he felt her trying to draw back from him, he caught her behind the neck with an iron grip. "Oh," Gran said in a stiff voice. "Beg pardon." Dimly he heard the door close and footsteps retreating, but before he could let Maria go, a searing pain shot through his groin, making him see stars. Blast her, the woman had kneed him in the ballocks! As he doubled over, fighting to keep from passing out, she snapped, "That was for making me look like a whore, too!
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Before anything," he said as he brought her around to face him, "I want to give you this." Fumbling in his suitcoat, he produced a small package wrapped in brown paper and string, and gave it to Azalea. Curious, she tugged at the strings of the light package until they unkonotted. The paper fell away. It was a silver handkerchief. Supple and soft, just as Mother's had been. In the corner were the ambroidered initials A.K.W. Azalea laughed and cried at once. She threw her arms around Mr. Bradford's neck, wanting to embrace him so deeply she could feel his soul. "Yes," she cried, "Yes! Yes, yes, yes!" "Well-I-never even said anything," he said. Even so, he pulled her closer, wrapping his arms around her. Azalea pressed her cheek into his collar, rumpling it, and breathing into his cravat. It smelled of fresh linen. She felt Mr. Bradford's cheek pressing the top of her head. His lips touched her hair. A muffled voice startled them both. "When are you going to kiss her?" They pulled away.In the ballroom windows, noses and hands pressed against te glass, were the girls. They stood among the prickly rosebushes, beaming wicked little grins. Delphinium and Eve whispered and giggled to each other;Bramble wore a magnificent grin on her face and a spark of light in her yellow-green eyes. Another figure stood among them.This one had his arms folded across his chest, stiff and firm and formal... ...Yet he did not look displeased. "Those rotten little spies!" said Azalea.
Heather Dixon Wallwork (Entwined)
He didn't want to fall, even though there was no one to see him. It was a matter of pride. A gunslinger knows pride - that invisible bone that keeps the neck stiff.
Stephen King (The Gunslinger (The Dark Tower, #1))
The morning came, pale and clammy. Frodo woke up first, and found that a tree-root had made a hole in his back, and that his neck was stiff. "Walking for pleasure! Why didn't I drive?" he thought, as he usually did at the beginning of an expedition. "And all my beautiful feather beds are sold to the Sackville-Bagginses! These tree-roots would do them good." He stretched. "Wake up, hobbits!" he cried. "It's a beautiful morning." "What's beautiful about it?" said Pippin, peering over the edge of his blanket with one eye. "Sam! Get breakfast ready for half-past nine! Have you got the bath-water hot?" Sam jumped up, looking rather bleary. "No, sir, I haven't, sir!" he said. Frodo stripped the blankets from Pippin and rolled him over, and then walked off to the edge of the wood.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Despair … is the ultimate development of a pride so great and so stiff-necked that it selects the absolute misery of damnation rather than accept happiness from the hands of God and thereby acknowledge that He is above us and that we are not capable of fulfilling our destiny by ourselves.
Stephen Adly Guirgis (The Last Days of Judas Iscariot: A Play)
When the little mouse, which was loved as none other was in the mouse-world, got into a trap one night and with a shrill scream forfeited its life for the sight of the bacon, all the mice in the district, in their holes were overcome by trembling and shaking; with eyes blinking uncontrollably they gazed at each other one by one, while their tails scraped the ground busily and senselessly. Then they came out, hesitantly, pushing one another, all drawn towards the scene of death. There it lay, the dear little mouse, its neck caught in the deadly iron, the little pink legs drawn up, and now stiff the feeble body that would so well have deserved a scrap of bacon. The parents stood beside it and eyed their child's remains.
Franz Kafka (Blue Octavo Notebooks)
Well, this is the reason. We bow to the inevitable. We're not wheat, we're buckwheat! When a storm comes along it flattens ripe wheat because it's dry and can't bend with the wind. But ripe buckwheat's got sap in it and it bends. And when the wind has passed, it springs up almost as straight and strong as before. We aren't a stiff-necked tribe. We're mighty limber when a hard wind's blowing, because we know it pays to be limber. When trouble comes we bow to the inevitable without any mouthing, and we work and we smile and we bide our time. And we play along with lesser folks and we take what we can get from them. And when we're strong enough, we kick the folks whose necks we've climbed over. That, my child, is the secret of the survival.
Margaret Mitchell (Gone with the Wind)
Firelight gleamed golden in the stiff whiskers that framed Lord Tywin’s face. A vein pulsed in his neck, but he did not speak. And did not speak. And did not speak.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
craning his stiff neck very, very carefully—
Stephen King (The Stand)
said to the boastful, ‘Do not deal boastfully,’ And to the wicked, †‘Do not clift up the horn. 5Do not lift up your horn on high; Do not speak with da stiff neck.
Anonymous (Holy Bible, New King James Version)
No problem is ever hopeless--not even when you’re facing your enemies with a stiff neck!
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
i can still see our construction hats lying exactly where we left them pylons unsure of what to guard bulldozers gazing out for our return the planks of wood stiff in their boxes yearning to be nailed up but neither of us goes back to tell them it is over in time the bricks will grow tired of waiting and crumble the cranes will droop their necks in sorrow the shovels will rust do you think flowers will grow here when you and i are off building something new with someone else
Rupi Kaur (the sun and her flowers)
For folks who have that casual-dude energy coursing through their bloodstream, that's great. But gays should not grow up alienated just for us to alienate each other. It's too predictable, like any other cycle of abuse. Plus, the conformist, competitive notion that by "toning down" we are "growing up" ultimately blunts the radical edge of what it is to be queer; it truncates our colorful journey of identity. Said another way, it's like living in West Hollywood and working a gay job by day and working it in the gay nightlife, wearing delicate shiny shirts picked from up the gay dry cleaners, yet coquettishly left unbuttoned to reveal the pec implants purchased from a gay surgeon and shown off by prancing around the gay-owned-and-operated theater hopped up on gay health clinic steroids and wheat grass purchased from the friendly gay boy who's new to the city, and impressed by the monstrous SUV purchased from a gay car dealership with its rainbow-striped bumper sticker that says "Celebrate Diversity." Then logging on to the local Gay.com listings and describing yourself as "straight-acting." Let me make myself clear. This is not a campaign for everyone to be like me. That'd be a total yawn. Instead, this narrative is about praise for the prancy boys. Granted, there's undecided gender-fucks, dagger dykes, faux-mos, po-mos, FTMs, fisting-top daddies, and lezzie looners who also need props for broadening the sexual spectrum, but they're telling their own stories. The Cliff's Notes of me and mine are this: the only moments I feel alive are when I'm just being myself - not some stiff-necked temp masquerading as normal in the workplace, not some insecure gay boy aspiring to be an overpumped circuit queen, not some comic book version of swank WeHo living. If that's considered a political act in the homogenized world of twenty-first century homosexuals, then so be it. — excerpt of "Praise For The Prancy Boys," by Clint Catalyst appears in first edition (ISBN # 1-932360-56-5)
Mattilda Bernstein Sycamore (That's Revolting!: Queer Strategies for Resisting Assimilation)
O my God, my great mercy, my refuge (Ps. 58: 18, 143: 2) from the terrible dangers in which I was wandering. My stiff neck took me further and further away from you. I loved my own ways, not yours. The liberty I loved was merely that of a runaway.
Augustine of Hippo (Confessions)
James was stiff, and his arm was asleep, and he wasn't sure he'd ever get the kink out of his neck, but he had a baby boy sleeping like a rock on his chest and a gorgeous woman sleeping like a rock up against his side, her cheek on his chest, some of her hair clutched in the baby's fist, and a shaggy dog sleeping like a rock on his left foot. James wouldn't have moved for a million dollars.
Erin Nicholas (Getting Off Easy (Boys of the Big Easy, #4))
Every time I glanced at Ren, I saw that he was watching me. When we finally reached the end of the tunnel and saw the stone steps that led to the surface, Ren stopped. “Kelsey, I have one final request of you before we head up.” “And what would that be? Want to talk about tiger senses or monkey bites in strange places maybe?” “No. I want you to kiss me.” I sputtered, “What? Kiss you? What for? Don’t you think you got to kiss me enough on this trip?” “Humor me, Kells. This is the end of the line for me. We’re leaving the place where I get to be a man all the time, and I have only my tiger’s life to look forward to. So, yes, I want you to kiss me one more time.” I hesitated. “Well, if this works, you can go around kissing all the girls you want to. So why bother with me right now?” He ran a hand through his hair in frustration. “Because! I don’t want to run around kissing all the other girls! I want to kiss you!” “Fine! If it will shut you up!” I leaned over and pecked him on the cheek. “There!” “No. Not good enough. On the lips, my prema.” I leaned over and pecked him on the lips. “There. Can we go now?” I marched up the first two steps, and he slipped his hand under my elbow and spun me around, twisting me so that I fell forward into his arms. He caught me tightly around the waist. His smirk suddenly turned into a sober expression. “A kiss. A real one. One that I’ll remember.” I was about to say something brilliantly sarcastic, probably about him not having permission, when he captured my mouth with his. I was determined to remain stiff and unaffected, but he was extremely patient. He nibbled on the corners of my mouth and pressed soft, slow kisses against my unyielding lips. It was so hard not to respond to him. I made a valiant struggle, but sometimes the body betrays the mind. He slowly, methodically swept aside my resistance. And, feeling he was winning, he pressed ahead and began seducing me even more skillfully. He held me tightly against his body and ran a hand up to my neck where he began to massage it gently, teasing my flesh with his fingertips. I felt the little love plant inside me stretch, swell, and unfurl its leaves, like he was pouring Love Potion # 9 over the thing. I gave up at that point and decided what the heck. I could always use a rototiller on it. And I rationalized that when he breaks my heart, at least I will have been thoroughly kissed. If nothing else, I’ll have a really good memory to look back on in my multi-cat spinsterhood. Or multi-dog. I think I will have had my fill of cats. I groaned softly. Yep. Dogs for sure.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Releasing his neck, I yanked his jeans open and slid my hand down inside as he grabbed at my hand, trying to stop me, but I gripped his fucking cock, feeling it was already a little stiff. “What is she wearing?” I started, stroking him, not giving him time to think. “What is she fucking wearing for you, huh?
Penelope Douglas (Kill Switch (Devil's Night, #3))
Sick" "I cannot go to school today," Said little Peggy Ann McKay. "I have the measles and the mumps, A gash, a rash and purple bumps. My mouth is wet, my throat is dry, I'm going blind in my right eye. My tonsils are as big as rocks, I've counted sixteen chicken pox And there's one more--that's seventeen, And don't you think my face looks green? My leg is cut--my eyes are blue-- It might be instamatic flu. I cough and sneeze and gasp and choke, I'm sure that my left leg is broke-- My hip hurts when I move my chin, My belly button's caving in, My back is wrenched, my ankle's sprained, My 'pendix pains each time it rains. My nose is cold, my toes are numb. I have a sliver in my thumb. My neck is stiff, my voice is weak, I hardly whisper when I speak. My tongue is filling up my mouth, I think my hair is falling out. My elbow's bent, my spine ain't straight, My temperature is one-o-eight. My brain is shrunk, I cannot hear, There is a hole inside my ear. I have a hangnail, and my heart is--what? What's that? What's that you say? You say today is. . .Saturday? G'bye, I'm going out to play!
Shel Silverstein
A study at Cornell University found that low-level noise both lowered job motivation and increased stress levels. It appears as well that an open-office type of environment can contribute to musculoskeletal problems such as a stiff back or tense neck and even heart disease due to increased levels of epinephrine, a stress hormone.
Jeff Davidson (The Complete Idiot's Guide to Getting Things Done)
Before he could, he felt Laurent’s fingers on the back of his neck, a shock of touch that caught him in a tumult of confusion as it drew him forward, simply. It was, from Laurent, slightly awkward; sweet; rare; stiff with obvious inexperience. If he had been offered this as an adult, he couldn’t remember it. He couldn’t remember ever having needed it, except that maybe he had needed it since the bells had rung in Akielos, and never allowed himself to ask for it. Body leaned in to body and he closed his eyes. Time
C.S. Pacat (Kings Rising (Captive Prince, #3))
I adore my mother, but I fear for her. She seems helpless, caught in the vortex of my father's dark moods and unpredictable behavior. I try never to displease her. I love the scent of Juicy Fruit gum on her breath and the hint of Joy perfume on her neck, the crisp crinkle of her hair stiff with aerosol spray and the chipped pink polish on her nails.
Kristen Iversen (Full Body Burden: Growing Up in the Nuclear Shadow of Rocky Flats)
One," said the recording secretary. "Jesus wept," answered Leon promptly. There was not a sound in the church. You could almost hear the butterflies pass. Father looked down and laid his lower lip in folds with his fingers, like he did sometimes when it wouldn't behave to suit him. "Two," said the secretary after just a breath of pause. Leon looked over the congregation easily and then fastened his eyes on Abram Saunders, the father of Absalom, and said reprovingly: "Give not sleep to thine eyes nor slumber to thine eyelids." Abram straightened up suddenly and blinked in astonishment, while father held fast to his lip. "Three," called the secretary hurriedly. Leon shifted his gaze to Betsy Alton, who hadn't spoken to her next door neighbour in five years. "Hatred stirreth up strife," he told her softly, "but love covereth all sins." Things were so quiet it seemed as if the air would snap. "Four." The mild blue eyes travelled back to the men's side and settled on Isaac Thomas, a man too lazy to plow and sow land his father had left him. They were not so mild, and the voice was touched with command: "Go to the ant, thou sluggard, consider her ways and be wise." Still that silence. "Five," said the secretary hurriedly, as if he wished it were over. Back came the eyes to the women's side and past all question looked straight at Hannah Dover. "As a jewel of gold in a swine's snout, so is a fair woman without discretion." "Six," said the secretary and looked appealingly at father, whose face was filled with dismay. Again Leon's eyes crossed the aisle and he looked directly at the man whom everybody in the community called "Stiff-necked Johnny." I think he was rather proud of it, he worked so hard to keep them doing it. "Lift not up your horn on high: speak not with a stiff neck," Leon commanded him. Toward the door some one tittered. "Seven," called the secretary hastily. Leon glanced around the room. "But how good and how pleasant it is for brethren to dwell together in unity," he announced in delighted tones as if he had found it out by himself. "Eight," called the secretary with something like a breath of relief. Our angel boy never had looked so angelic, and he was beaming on the Princess. "Thou art all fair, my love; there is no spot in thee," he told her. Laddie would thrash him for that. Instantly after, "Nine," he recited straight at Laddie: "I made a covenant with mine eyes; why then should I think upon a maid?" More than one giggled that time. "Ten!" came almost sharply. Leon looked scared for the first time. He actually seemed to shiver. Maybe he realized at last that it was a pretty serious thing he was doing. When he spoke he said these words in the most surprised voice you ever heard: "I was almost in all evil in the midst of the congregation and assembly." "Eleven." Perhaps these words are in the Bible. They are not there to read the way Leon repeated them, for he put a short pause after the first name, and he glanced toward our father: "Jesus Christ, the SAME, yesterday, and to-day, and forever!" Sure as you live my mother's shoulders shook. "Twelve." Suddenly Leon seemed to be forsaken. He surely shrank in size and appeared abused. "When my father and my mother forsake me, then the Lord will take me up," he announced, and looked as happy over the ending as he had seemed forlorn at the beginning. "Thirteen." "The Lord is on my side; I will not fear; what can man do unto me?" inquired Leon of every one in the church. Then he soberly made a bow and walked to his seat.
Gene Stratton-Porter (Laddie: A True Blue Story (Library of Indiana Classics))
He enjoyed it. Pallas was a worthy opponent, and it was a pleasure to feel the strain and heave of a highly trained body against his own. The bout lasted almost two minutes, before Damen locked his arm around Pallas’s neck and held him down, absorbing every surge, every struggle, until Pallas was stiff with strain, then shaking with it, then spent, and the match was won. Gratified,
C.S. Pacat (Kings Rising (Captive Prince, #3))
I used to lie in a lover's arms getting a stiff neck, or needing to scratch my nose, or losing all sensation in my arm, unwilling to move lest the man find out I wasn't comfortable in his embrace...Would Snow White have rested all eight pounds of her head on any part of the prince? I doubt it, and I never did either. Sarah says that is why elderly women have such prominent cords in their necks.
Abigail Thomas (What Comes Next and How to Like It)
Asking forgiveness from someone is a complicated affair, a delicate balancing act between stiff-necked pride and tearful remorse, and unless you can truly open up to the other person, every apology sounds hollow and false.
Paul Auster (The Brooklyn Follies)
It is strange—no, surreal, surreal is the word—that I’m one of them, the old people, when I am still so completely myself through and through, the same person I have always been. Whether I am fifteen, thirty-five, or fifty, I am a constant, unchanged mass. Like the person I am in a dream, like a stone, like one-thousand-year-old ice. My age is disconnected from me. Only when I move does its existence become perceptible—then it makes itself known through all its pains, the aching knees, the stiff neck, the grumbling hip.
Maja Lunde (The End of the Ocean (Climate Quartet, #2))
Bradley Headstone, in his decent black coat and waistcoat, and decent white shirt, and decent formal black tie, and decent pantaloons of pepper and salt, with his decent silver watch in his pocket and its decent hair-guard round his neck, looked a thoroughly decent young man of six-and-twenty. He was never seen in any other dress, and yet there was a certain stiffness in his manner of wearing this, as if there were a want of adaptation between him and it, recalling some mechanics in their holiday clothes. He had acquired mechanically a great store of teacher's knowledge. He could do mental arithmetic mechanically, sing at sight mechanically, blow various wind instruments mechanically, even play the great church organ mechanically. From his early childhood up, his mind had been a place of mechanical stowage. The arrangement of his wholesale warehouse, so that it might be always ready to meet the demands of retail dealers history here, geography there, astronomy to the right, political economy to the left—natural history, the physical sciences, figures, music, the lower mathematics, and what not, all in their several places—this care had imparted to his countenance a look of care; while the habit of questioning and being questioned had given him a suspicious manner, or a manner that would be better described as one of lying in wait. There was a kind of settled trouble in the face. It was the face belonging to a naturally slow or inattentive intellect that had toiled hard to get what it had won, and that had to hold it now that it was gotten. He always seemed to be uneasy lest anything should be missing from his mental warehouse, and taking stock to assure himself.
Charles Dickens (Our Mutual Friend)
But stiff-necked and somber he was not, any more than were most Puritans, contrary to latter-day misconceptions. Puritans were as capable as any mortals of exuding an affable enjoyment of life, as was he. Like many a Puritan he loved good food, good wine, a good story, and good cheer.
David McCullough (The Pioneers: The Heroic Story of the Settlers Who Brought the American Ideal West)
When God is leading us to challenge another, let not fear hold us back. Let us not argue or press our point. Let us just say what God has told us to and leave it there. It is God's work, not ours, to cause the other to see it. It takes time to be willing to bend "the proud stiff-necked I." When
Roy Hession (The Calvary Road)
There was much talk of sermons, also, and I gathered from this, as well as what Yance had told me, that sermons had much to do with shaping of thinking. There were a stiff-necked, proud folk, not easily persuaded to any course not dictated by conscience, yet conscience could be a poor guide if accompanied by lack of knowledge.
Louis L'Amour (The Warrior's Path (The Sacketts, #3))
Jane! you think me, I daresay, an irreligious dog: but my heart swells with gratitude to the beneficent God of this earth just now. He sees not as man sees, but far clearer: judges not as man judges, but far more wisely. I did wrong: I would have sullied my innocent flower--breathed guilt on its purity: the Omnipotent snatched it from me. I, in my stiff-necked rebellion, almost cursed the dispensation; instead of bending to the decree, I defied it. Divine justice pursued its course; disasters came thick on me: I was forced to pass through the valley of the shadow of death. His chastisements are mighty; and one smote me which has humbled me for ever. You know I was proud of my strength: but what is it now, when I must give it over to foreign guidance, as a child does it weakness? Of late, Jane--only--only of late--I began to see and acknowledge the hand of God in my doom. I began to experience remorse, repentance; the wish for reconcilement to my Maker. I began sometimes to pray: very brief prayers they were, but very sincere.
Charlotte Brontë (Jane Eyre)
You're a natural actor when the role doesn't go against your stiff-necked, Dalnan yeoman's pride. Relax! Flow with the moment." Seregil suddenly grabbed him by the arm and whirled him into an eccentric jig around the room. Alec hadn't even heard him approach. But he recovered swiftly and took the lead. "But Sir Alec IS a stiff-necked Dalnan yeoman," he said, laughing as he clomped through the steps of a country dance Beka and Elsbet had taught him. "Wrong!" Grinning wickedly, Seregil yanked him into a formal pavan. "Sir Alec is stiff-necked Dalnan GENTRY. Besides, he should be picking up some of Lord Seregil's airs along the way." Alec leaned back in mock horror. "Maker's Mercy, anything but that!
Lynn Flewelling (Stalking Darkness (Nightrunner, #2))
is the sound of money being made, and only two things will stop them—Christmas and tragedy. He dismounts his albino steed, the horse’s pinked nostrils flaring, dirty mane matted with ice. The single-rig saddle is snow-crusted as well, its leather and cloth components—the mochila and shabrack—frozen stiff. He rubs George’s neck, speaking in soft, low tones he knows
Blake Crouch (Abandon)
I invested them with a bogus nobility. To a suburban kid they seemed so special, enduring, wild and stiff-necked, in amongst the ancient rocks and gnarled trees, and while it was true enough they carried their secret places in their bodies and in their language, many simply wore their ordinary, dreary undigested pasts like rain-sodden greatcoats and lived like cripples.
Tim Winton (Island Home)
Hallsy is only thirty-nine, and already her face is pulled tight as a pair of Lululemon yoga pants across a plus-size girl’s rear. She’s never been married, which she’ll tell you she never wants to be even though she hangs all over every remotely fuckable guy after a single drink, while they gently untangle her Marshmallow Man arms from around their stiff necks. It’s no wonder the only ring on her finger is the Cartier Trinity, what with the way she’s ruined her face and the fact that she spends more time sunning on the beach than she should running on a treadmill. But it’s not just her sunspot-speckled chest and stocky, lazy frame. Hallsy is the type of person others describe as “whacky” and “kooky,” which is just the civilized way of saying she’s a nasty cunt. Hallsy she loves me.
Jessica Knoll (Luckiest Girl Alive)
LEADING LESSONS There’s always an answer. No problem is ever hopeless--not even when you’re facing your enemies with a stiff neck! With every disappointment on the dance floor, I grew to believe this more. Now, instead of feeling overwhelmed, frazzled, or that life is conspiring against me, I hold on and tell myself the answer is just an inch away. Great leaders are great simplifiers. They can cut through the doubt and despair so the solution becomes clear. It may not be instantaneous, but it will be there. Every challenge can be faced in dozens of ways. Sometimes the situation changes, or sometimes you change the way you see the situation. Part of our human condition is that we feel that we have to suffer in order to solve a problem. It doesn’t have to be this way. Sometimes surrender is freedom.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
XII. If there pushed any ragged thistle-stalk Above its mates, the head was chopped, the bents Were jealous else. What made those holes and rents In the dock's harsh swarth leaves, bruised as to baulk All hope of greenness? Tis a brute must walk Pashing their life out, with a brute's intents. XIII. As for the grass, it grew as scant as hair In leprosy; thin dry blades pricked the mud Which underneath looked kneaded up with blood. One stiff blind horse, his every bone a-stare, Stood stupified, however he came there: Thrust out past service from the devil's stud! XIV. Alive? he might be dead for aught I knew, With that red gaunt and colloped neck a-strain. And shut eyes underneath the rusty mane; Seldom went such grotesqueness with such woe; I never saw a brute I hated so; He must be wicked to deserve such pain. XV. I shut my eyes and turned them on my heart, As a man calls for wine before he fights, I asked one draught of earlier, happier sights, Ere fitly I could hope to play my part. Think first, fight afterwards, the soldier's art: One taste of the old time sets all to rights. XVI. Not it! I fancied Cuthbert's reddening face Beneath its garniture of curly gold, Dear fellow, till I almost felt him fold An arm to mine to fix me to the place, The way he used. Alas, one night's disgrace! Out went my heart's new fire and left it cold. XVII. Giles then, the soul of honour - there he stands Frank as ten years ago when knighted first, What honest man should dare (he said) he durst. Good - but the scene shifts - faugh! what hangman hands Pin to his breast a parchment? His own bands Read it. Poor traitor, spit upon and curst! XVIII. Better this present than a past like that: Back therefore to my darkening path again! No sound, no sight as far as eye could strain. Will the night send a howlet or a bat? I asked: when something on the dismal flat Came to arrest my thoughts and change their train. XIX. A sudden little river crossed my path As unexpected as a serpent comes. No sluggish tide congenial to the glooms; This, as it frothed by, might have been a bath For the fiend's glowing hoof - to see the wrath Of its black eddy bespate with flakes and spumes. XX. So petty yet so spiteful! All along, Low scrubby alders kneeled down over it; Drenched willows flung them headlong in a fit Of mute despair, a suicidal throng: The river which had done them all the wrong, Whate'er that was, rolled by, deterred no whit. XXI. Which, while I forded - good saints, how I feared To set my foot upon a dead man's cheek, Each step, of feel the spear I thrust to seek For hollows, tangled in his hair or beard! - It may have been a water-rat I speared, But, ugh! it sounded like a baby's shriek. XXII. Glad was I when I reached the other bank. Now for a better country. Vain presage! Who were the strugglers, what war did they wage, Whose savage trample thus could pad the dank soil to a plash? Toads in a poisoned tank Or wild cats in a red-hot iron cage - XXIII. The fight must so have seemed in that fell cirque, What penned them there, with all the plain to choose? No footprint leading to that horrid mews, None out of it. Mad brewage set to work Their brains, no doubt, like galley-slaves the Turk Pits for his pastime, Christians against Jews.
Robert Browning
When she wasn’t being stiff-necked, she was the friend he most wanted to talk to, who he couldn’t wait to see each day. She came into his mind with the first ray of consciousness at daybreak. He nodded off, smiling over her with his last, heavy-eyed blink before sleep. Sweet Win. Funny Win. Clever Win. Frightened, brave, careful, meticulous Winnie, trying to avoid the bite of the world by pretending it didn’t have teeth.
Judith Ivory (The Proposition)
I’m heading out.” Her gaze searched his and, a little breathless, she asked, “Leaving?” “Yeah.” He stepped closer. Any second how Trace would intrude. “Thing is, Alani, I can’t be around you without wanting you. Bad. Really bad.” “Oh.” “If that’s crude, well, then screw it, I’m crude. I know we’d have a great time in bed, but since you aren’t ready for that yet, well . . . I promised Trace I wouldn’t pressure you.” Her neck went stiff. “Dear God. You discussed this with my brother?” “No!” He cut a hand through the air and his voice lowered. “When . . . if . . . I get you out of your panties, believe me, it’ll be a private thing between us. No way in hell would I discuss that with anyone else.” Her face went as red as Priss’s had. “Trace and I talked about you maybe decorating my house, that’s all.” “Oh.” Face still hot, she said, “I—” “Yeah, forget it. That’s off. Like I said, I’d just hanker for you, and you aren’t exactly reciprocating. So that’s that.” She blinked fast. “But if you ever change your mind, all you have to do is let me know.” He reached out and touched her cheek. Her skin was soft and warm and he wanted to feel her all over. All over him. Naked. Hungry. Wet . . . Damn, he had it bad. “I can promise you, if you do come to me, you won’t regret it.” She swallowed, licked her lips and damned if her eyes didn’t heat. She wanted him, too. He had to believe that. But Trace was starting up the hill, and the others were looking on, and the last thing he wanted was to make Alani uncomfortable. “Tell everyone I said goodbye. You make up any excuse you want.” And with that, he left Alani standing there, watching after him as he walked away. God willing, she’d contact him soon. He wasn’t sure he could stand it if she didn’t.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Turn around." "I beg your pardon." Brian merely stepped around her, laid his hands on the nape of her neck. Her already stiff shoulders jerked in protest. "Relax.I'm not after grabbing you in a fit of passion when any member of your family might come along.I'd like to put in at least one day on the job before I get the boot." As he spoke he was kneading, pressing, running those strong fingers over the knots. He hated seeing anything in pain. "Blow out a breath," he ordered when she stood rigis as stone. "Come on, maverneen, don't be so hardheaded. Blow out a nice long breath for me." Out of curiosity she obeyed and tried not to think how marvelous his hands felt on her skin. "Now another." His voice had gone to croon, lulling her.As he worked, murmured, her eyes fluttered close. Her muscles loosened, the knots untied. The threatening throbbing in her head faded away. She all but slid into a trance. She arched against his hands, just a little. Moaned in pleasure.Just a little. He kept his hands firm, professional, even as he imaged skiming them down over her, slipping them under that soft white blouse. He wanted to touch his lips to her nape, just where his thumb was pressing.To taste her there. And that,he knew, would end things before they'd begun.Wanting a woman was natural. Taking one, where the taking held such risks,was suicide.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
For the more you know about how dead bodies decay—the biological and chemical phases they go through, how long each phase lasts, how the environment affects these phases—the better equipped you are to figure out when any given body died: in other words, the day and even the approximate time of day it was murdered. The police are pretty good at pinpointing approximate time of death in recently dispatched bodies. The potassium level of the gel inside the eyes is helpful during the first twenty-four hours, as is algor mortis—the cooling of a dead body; barring temperature extremes, corpses lose about 1.5 degrees Fahrenheit per hour until they reach the temperature of the air around them. (Rigor mortis is more variable: It starts a few hours after death, usually in the head and neck, and continues, moving on down the body, finishing up and disappearing anywhere from ten to forty-eight hours after death.)
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
He beheld in swift succession the incidents in the brief tale of his experience. His wretched home, his still more wretched school-days, the years of vicious life he had led since then, one act of selfish dishonour leading to another; it was all clear and pitiless now, all its squalid folly, in the cold light of the dawn. He came to the hut, to the fight with the Porroh man, to the retreat down the river to Sulyma, to the Mendi assassin and his red parcel, to his frantic endeavours to destroy the head, to the growth of his hallucination. It was a hallucination! He knew it was. A hallucination merely. For a moment he snatched at hope. He looked away from the glass, and on the bracket, the inverted head grinned and grimaced at him... With the stiff fingers of his bandaged hand he felt at his neck for the throb of his arteries. The morning was very cold, the steel blade felt like ice. ("Pollock And The Porrah Man")
H.G. Wells (Great Tales of Horror and the Supernatural)
As I followed the chief waiter with my eyes, I could not help thinking that the garden in which he had gradually blown to be the flower he was, was an arduous place to rise in. It had such a prescriptive, stiff-necked, long-established, solemn, elderly air. I glanced about the room, which had had its sanded floor sanded, no doubt, in exactly the same manner when the chief waiter was a boy - if he ever was a boy, which appeared improbable; and at the shining tables, where I saw myself reflected, in unruffled depths of old mahogany; and at the lamps, without a flaw in their trimming or cleaning; and at the comfortable green curtains, with their pure brass rods, snugly enclosing the boxes; and at the two large coal fires, brightly burning; and at the rows of decanters, burly as if with the consciousness of pipes of expensive old port wine below; and both England and the law appeared to me to be very difficult indeed to be taken by storm.
Charles Dickens (David Copperfield)
I take a faltering step towards him, my blood pounding, my veins charged with pent-up energy begging me to run. I lace my hands around his neck and place my ear over his chest, listening to his heart. I trust him, he just needs to calm down. He's stiff at first. He sighs and his whole body deflates, melting against mine. The steady thuds in my ears slow down and he hugs me back, his mouth leaving a trail of sweet kisses on my head as his fingers softly scratch my scalp.
Tammy Faith (Broken Heart)
Roman Centurion's Song" LEGATE, I had the news last night - my cohort ordered home By ships to Portus Itius and thence by road to Rome. I've marched the companies aboard, the arms are stowed below: Now let another take my sword. Command me not to go! I've served in Britain forty years, from Vectis to the Wall, I have none other home than this, nor any life at all. Last night I did not understand, but, now the hour draws near That calls me to my native land, I feel that land is here. Here where men say my name was made, here where my work was done; Here where my dearest dead are laid - my wife - my wife and son; Here where time, custom, grief and toil, age, memory, service, love, Have rooted me in British soil. Ah, how can I remove? For me this land, that sea, these airs, those folk and fields suffice. What purple Southern pomp can match our changeful Northern skies, Black with December snows unshed or pearled with August haze - The clanging arch of steel-grey March, or June's long-lighted days? You'll follow widening Rhodanus till vine and olive lean Aslant before the sunny breeze that sweeps Nemausus clean To Arelate's triple gate; but let me linger on, Here where our stiff-necked British oaks confront Euroclydon! You'll take the old Aurelian Road through shore-descending pines Where, blue as any peacock's neck, the Tyrrhene Ocean shines. You'll go where laurel crowns are won, but -will you e'er forget The scent of hawthorn in the sun, or bracken in the wet? Let me work here for Britain's sake - at any task you will - A marsh to drain, a road to make or native troops to drill. Some Western camp (I know the Pict) or granite Border keep, Mid seas of heather derelict, where our old messmates sleep. Legate, I come to you in tears - My cohort ordered home! I've served in Britain forty years. What should I do in Rome? Here is my heart, my soul, my mind - the only life I know. I cannot leave it all behind. Command me not to go!
Rudyard Kipling
Hey,” whispered Jon, pushing back against the bigger man so that they fit together like spoons. Tom pressed his face against the back of Jon’s neck and let out a small, pleased noise from deep in his chest. Despite how tired he was, his cock had begun to get stiff at Jon’s movements, and now it was a growing, hardening ridge between them. Fuck it. “I want ye again,” he said simply, and pushed his hips forward, testing. When Jon shifted back again and nodded quickly, Tom felt nearly breathless with the lust that shook him.
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
{On the death of Hale's esteemed friend and fellow scientist, Luther Burbank. Burbank was much beloved by the population unil in an interview he revealed that he was an atheist. After this, the public turned on him and sent him thousands of letters with death threats. This upset the kind-hearted Burbank, who tried to amiably reply to each letter, so much that it ultimately led to his death} . . . he was misled into believing that logic, kindliness, and reason could convince and help the bigoted. He fell sick. The sickness was fated to be his last. What killed Luther Burbank, at just that time and in just that abrupt and tragic fashion, was his baffled, yearning, desperate effort to make people understand. His desire to help them, to clarify their minds, and to induce them to substitute fact for hysteria drove him beyond his strength. He grew suddenly old attempting to make reasonable a people which had been unreasonable through twenty stiff-necked generations. . . He died, not a martyr to truth, but a victim of the fatuity of blasting dogged falsehood.
Wilbur Hale
Kestrel was stiff, her delicate shoes planted in the walkway’s gravel. She had lifted the hem of her storm-green skirts, the gesture of a lady, but he saw how she made fists of the fabric. "I’m sorry,” he said, guessing what troubled her: the memory of the Firstwinter Rebellion. Her dead friends, Arin’s deception, the halls of the governor’s palace choked with corpses. She gave him a narrow look. “Part of you isn’t sorry.” He couldn’t deny it. But she softened and said, “I’m not innocent either. I, too, feel sorry and not sorry about things I’ve done.” She let her dress’s hem fall to the stones and touched three fingers to the back of his hand. Arin forgot, for a moment, where he was and what they were discussing. A marvel: that such a light touch could feel like a whole caress, that his body could ignite so easily. Now she looked amused. “Let’s leave.” He slid a hand beneath her loose hair and thumbed the slope of her neck, feeling the fluttery pulse there. Her expression changed, amusement melting into slow pleasure. He said, “Let’s not go in.” “Arin.” She sighed. “We must go in.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Her pretty name of Adina seemed to me to have somehow a mystic fitness to her personality. Behind a cold shyness, there seemed to lurk a tremulous promise to be franker when she knew you better. Adina is a strange child; she is fanciful without being capricious. She was stout and fresh-coloured, she laughed and talked rather loud, and generally, in galleries and temples, caused a good many stiff British necks to turn round. She had a mania for excursions, and at Frascati and Tivoli she inflicted her good-humoured ponderosity on diminutive donkeys with a relish which seemed to prove that a passion for scenery, like all our passions, is capable of making the best of us pitiless. Adina may not have the shoulders of the Venus of Milo...but I hope it will take more than a bauble like this to make her stoop. Adina espied the first violet of the year glimmering at the root of a cypress. She made haste to rise and gather it, and then wandered further, in the hope of giving it a few companions. Scrope sat and watched her as she moved slowly away, trailing her long shadow on the grass and drooping her head from side to side in her charming quest. It was not, I know, that he felt no impulse to join her; but that he was in love, for the moment, with looking at her from where he sat. Her search carried her some distance and at last she passed out of sight behind a bend in the villa wall. I don't pretend to be sure that I was particularly struck, from this time forward, with something strange in our quiet Adina. She had always seemed to me vaguely, innocently strange; it was part of her charm that in the daily noiseless movement of her life a mystic undertone seemed to murmur "You don't half know me! Perhaps we three prosaic mortals were not quite worthy to know her: yet I believe that if a practised man of the world had whispered to me, one day, over his wine, after Miss Waddington had rustled away from the table, that there was a young lady who, sooner or later, would treat her friends to a first class surprise, I should have laid my finger on his sleeve and told him with a smile that he phrased my own thought. .."That beautiful girl," I said, "seems to me agitated and preoccupied." "That beautiful girl is a puzzle. I don't know what's the matter with her; it's all very painful; she's a very strange creature. I never dreamed there was an obstacle to our happiness--to our union. She has never protested and promised; it's not her way, nor her nature; she is always humble, passive, gentle; but always extremely grateful for every sign of tenderness. Till within three or four days ago, she seemed to me more so than ever; her habitual gentleness took the form of a sort of shrinking, almost suffering, deprecation of my attentions, my petits soins, my lovers nonsense. It was as if they oppressed and mortified her--and she would have liked me to bear more lightly. I did not see directly that it was not the excess of my devotion, but my devotion itself--the very fact of my love and her engagement that pained her. When I did it was a blow in the face. I don't know what under heaven I've done! Women are fathomless creatures. And yet Adina is not capricious, in the common sense... .So these are peines d'amour?" he went on, after brooding a moment. "I didn't know how fiercely I was in love!" Scrope stood staring at her as she thrust out the crumpled note: that she meant that Adina--that Adina had left us in the night--was too large a horror for his unprepared sense...."Good-bye to everything! Think me crazy if you will. I could never explain. Only forget me and believe that I am happy, happy, happy! Adina Beati."... Love is said to be par excellence the egotistical passion; if so Adina was far gone. "I can't promise to forget you," I said; "you and my friend here deserve to be remembered!
Henry James (Adina)
Stop tormenting Derian.” “Me?” Edgar gaped at her with a clearly fake look of innocence. “Yes, you.” “And what about you? When will you stop tormenting him?” Edgar moved past the young queen to approach the unmoving captain. He circled the man as though he were checking out a statue on display “I’m not tormenting him; why would you say that?” “You have the poor guy believing you actually intend to marry him.” Edgar stopped to fix the captain’s collar, raising it up high and stiff around his neck. “I do intend to marry him.” Eena followed her immortal watchdog and folded down the captain’s collar, repositioning it as it had been. “Oh please,” Edgar groaned. “You’ve had two opportunities to do so, and on both occasions you turned him down.” Edgar elevated the captain’s elbow—adjusting him like a mannequin—leaving it in an awkward position. “The council expressed a desire for you to marry, and you nearly hyperventilated over the mere suggestion. And just recently, due to his own paranoia, Derian all but begged you to marry him. Your refusal couldn’t have been more swift or more adamant.” Eena returned the captain’s elbow to his side as she retorted, “I’m only seventeen, Edgar! I have no desire to marry anyone right now. But when I am ready, Derian will be my husband.” Edgar took hold of the captain’s outreaching arm and shoved it forcefully down. “He will not.” “He will so!” Eena raised the arm back to where it had been and warned her rival, “Don’t touch him again, Edgarmetheus!” “Fine, fine,” the immortal ceded. Then with a smug grin he added, “If this had been Ian, you would never have let me touch him in the first place.
Richelle E. Goodrich (Eena, The Two Sisters (The Harrowbethian Saga #4))
two things will stop them—Christmas and tragedy. He dismounts his albino steed, the horse’s pinked nostrils flaring, dirty mane matted with ice. The single-rig saddle is snow-crusted as well, its leather and cloth components—the mochila and shabrack—frozen stiff. He rubs George’s neck, speaking in soft, low tones he knows will calm the animal, telling him he did a good day’s work and that a warm stable awaits with feed and fresh water. The mule skinner opens his wallet, collects the pint of bust-head he bought at a bodega in Silverton, and swallows the remaining mouthful, whiskey
Blake Crouch (Abandon)
I got back from the University late in the afternoon, had a quick swim, ate my dinner, and bolted off to the Stanton house to see Adam. I saw him sitting out on the galley reading a book (Gibbon, I remember) in the long twilight. And I saw Anne. I was sitting in the swing with Adam, when she came out the door. I looked at her and knew that it had been a thousand years since I had last seen her back at Christmas when she had been back at the Landing on vacation from Miss Pound's School. She certainly was not now a little girl wearing round-toed, black patent-leather, flat-heeled slippers held on by a one-button strap and white socks held up by a dab of soap. She was wearing a white linen dress, cut very straight, and the straightness of the cut and the stiffness of the linen did nothing in the world but suggest by a kind of teasing paradox the curves and softnesses sheathed by the cloth. She had her hair in a knot on the nape of her neck, and a little white ribbon around her head, and she was smiling at me with a smile which I had known all my life but which was entirely new, and saying, 'Hello, Jack,' while I held her strong narrow hand in mine and knew that summer had come.
Robert Penn Warren
She opened the door of the room and went into the corridor, and then she began her wanderings. It was a long corridor and it branched into other corridors and it led her up short flights of steps which mounted to others again. There were doors and doors, and there were pictures on the walls. Sometimes they were pictures of dark, curious landscapes, but oftenest they were portraits of men and women in queer, grand costumes made of satin and velvet. She found herself in one long gallery whose walls were covered with these portraits. She had never thought there could be so many in any house. She walked slowly down this place and stared at the faces which also seemed to stare at her. She felt as if they were wondering what a little girl from India was doing in their house. Some were pictures of children—little girls in thick satin frocks which reached to their feet and stood out about them, and boys with puffed sleeves and lace collars and long hair, or with big ruffs around their necks. She always stopped to look at the children, and wonder what their names were, and where they had gone, and why they wore such odd clothes. There was a stiff, plain little girl rather like herself. She wore a green brocade dress and held a green parrot on her finger. Her eyes had a sharp, curious look. "Where do you live now?" said Mary aloud to her. "I wish you were here." Surely no other little girl ever spent such a queer morning. It seemed as if there was no one in all the huge rambling house but her own small self, wandering about up-stairs and down, through narrow passages and wide ones, where it seemed to her that no one but herself had ever walked. Since so many rooms had been built, people must have lived in them, but it all seemed so empty that she could not quite believe it true.
Frances Hodgson Burnett (The Secret Garden)
He is tangled in Isabelle's arms, he is curtained by Isabelle's hair, he is touching Isabelle's body, he is lost in Isabelle, in her smell and her taste and the silk of her skin. He is onstage, the music pounding, the floor shaking, the audience cheering, his heart beating beating beating in time with the drumbeat. He is laughing with Clary, dancing with Clary, eating with Clary, running through the streets of Brooklyn with Clary, they are children together, they are one half of a whole, they hold hands and squeeze tight and pledge never to let go. He is going cold, stiff, the life draining out of him, he is below, in the dark, clawing his way to the light, fingernails scraping dirt, mouth filled with dirt, eyes clogged with dirt, he is straining, reaching, dragging himself up toward the sky, and when he reaches it, he opens his mouth wide but does not breathe, for he no longer needs to breathe, only to feed. And he is so very hungry. He is sinking his teeth into the neck of an angel's child, he is drinking the light. He is bearing a Mark, and it burns. He is raising his face to meet the gaze of an angel, he is flayed by the fury of angel fire, and yet still, impudent and bloodless, he lives. He is in a cage. He is in hell. He is bent over the broken body of a beautiful girl, he is praying to whatever god that will listen, please let her live, anything to let her live. He is giving away that which is most precious to him, and he is doing so willingly, so that his friends will survive. He is, again, with Isabelle, always with Isabelle, the holy flame of their love encompassing them both, and there is pain, and there is exquisite joy, and his veins burn with angel fire and he is the Simon he once was and the Simon he now will be, he endures and he is reborn, he is blood and flesh and a spark of the divine. He is Nephilim.
Cassandra Clare (Angels Twice Descending (Tales from the Shadowhunter Academy, #10))
Elspeth reached up a tentative hand to comfort him, palming the cheek that wasn’t covered with woad. He wrapped an arm around her waist and tugged her closer. Her lips parted. His tongue swept in. Her belly clenched, and a warm glow settled between her legs. He left her lips and began kissing her chin, her cheeks, her neck. “Ach! Ye’re sweet, lass.” Pity dissipated like morning mist. Instead, little wisps of pleasure followed his mouth’s path. The stubble of his beard grazed the tops of her breasts, and her nipples tightened almost painfully. She sucked her breath over her teeth to keep from crying out in pleasure and surprise when his palm covered her breast, the pressure sweet even through the stiff boning of her pink silk bodice.
Connie Mason (Sins of the Highlander)
Being held by him, kissed and mastered, taken under and swept away, enthralled her in a way she—an independent woman if nothing else in this life—could not have understood until forced to understand. From the tips of her toes to the ends of her hair, finally, a man's strength dominated her. Suddenly, she understood why women wanted so deeply. Why they wanted him. If they sensed even one-tenth of his passion, his power, his vitality, they would break his door down to get to him. And this, she learned as quickly as any pupil could, was what had been missing before: Zachariah Garrett's full participation. In all fairness to the dare, she locked her arms around his neck and consented to a draw. He murmured something low and unintelligible, his wine glass dropping to the grass with a soft thump. The arm around her waist tightened, the other climbing, his fingers delving into her loose chignon and tilting her head as he deepened the kiss, drawing down on her bottom lip and sucking. Instinct had her following his lead, shifting to better accommodate, parrying each thrust of his tongue with her own, rising on the tips of her toes to better sink into him, to gorge herself in vast, voracious gulps. The frantic nature of their joining melted her stiff posture and her cocksure bearing, rolling through her in a languid, glorious wave of sensation and recognition. It was a peculiar time to realize she had built her sense of self around an erroneous ideal. She was no different than other women.
Tracy Sumner (Tides of Passion)
Rio lowered his head and licked Nella from her shoulder to her neck. “You feel it,” he whispered. “You feel her wanting him. I can feel you feeling it.” He chuckled. “You can feel me feeling you feel it.” His leggings stretched over his cock, huge and stiff, the length of it pressing her backside. “You want me there,” he said. “Yes.” “You don’t know why, and you are not ready to take me. I’d hurt you if I took you now.” Nella dragged in a breath. His tongue moved to her ear, tracing the shell of it, breath burning. “It would hurt,” he said. “And you’d love it. I’m Shareem. I could   make you love it.” “Yes,” she gasped. “But I won’t.” He teased the tips of her breasts with slow touches. “I’ll never hurt you. I’ll give you only the good kind of hurt.
Allyson James (Rio (Tales of the Shareem, #2))
Never again will I allow pride (Leviathan) to control my life (Job 41). Never again will I allow my heart to become hardened (Job 41:24). Never again will I allow the Holy Spirit’s power to not flow in my life. The scales of Leviathan have been ripped from my life (Job 41:15). Never again will I allow stubbornness to control my life, for stubbornness is as iniquity and idolatry, and I am not stiff-necked (1 Sam. 15:23). Never again will I walk in vanity and vain glory (Gal. 5:26, KJV). Never again will I walk in selfish ambition (James 3:14). Never again will I speak in a boastful way (James 4:16). Never again will I cause another person to stumble (Mal. 2:8). Never again will I walk in offense (Ps. 119:165, KJV). Never again will I give myself to drunkenness (Eph. 5:18).
John Eckhardt (Prayers that Activate Blessings: Experience the Protection, Power & Favor of God for You & Your Loved Ones)
. I thought that was why, as I stood before a painting of a young girl in half-light, there was something that was both guarded and vulnerable in her gaze. It was not the contradiction of a single instant, but rather it was as if the painter had caught her in two separate states of emotion, two different moods, and managed to contain them within the single image. There would have been a multitude of such instants captured in the canvas, between the time she first sat down before the painter and the time she rose, neck and upper body stiff, from the final sitting. That layering—in effect a kind of temporal blurring, or simultaneity—was perhaps ultimately what distinguished painting from photography. I wondered if that was the reason why contemporary painting seemed to me so much flatter, to lack the mysterious depth of these works, because so many painters now worked from photographs.
Katie Kitamura (Intimacies)
Officers approached the 43-year-old Garner on July 17 in a high-crime area near the Staten Island Ferry Terminal and accused him of illegally selling untaxed cigarettes—the kind of misdemeanor that Broken Windows policing aims to curb. Garner had already been arrested more than 30 times, mostly for selling loose cigarettes but also for marijuana possession and other offenses. As captured in a cell-phone video, the 350-pound man loudly objected to the charge and broke free when an officer tried to handcuff him. The officer then put his arm around Garner’s neck and pulled him to the ground. Garner repeatedly stated that he couldn’t breathe, and then went eerily stiff and quiet. After a seemingly interminable time on the ground without assistance, Garner was finally put on a stretcher to be taken to an emergency room. He died of cardiac arrest before arriving at the hospital. Garner suffered from severe asthma and diabetes, among other ailments, which contributed to his heart attack.
Heather Mac Donald (The War on Cops: How the New Attack on Law and Order Makes Everyone Less Safe)
She doesn't look half as good in her leather pants as I do, and she's only got half the ass." Liam slid one hand down and squeezed her bottom. "Damn right. You're the sexiest woman here." "You just like me in leather." "I like you out of leather more." His smile faded when she lurched to the side. "Why didn't you tell me you were so stiff? You can barely walk." "I walked over here just fine." "Because you were jealous." A slow smile spread across his face. "Of Tanya." "Don't be ridiculous." His eyes softened and he turned, pulling her against him. Leaning down to brush his lips over her mouth, he said, "You care." "Maybe I fake care because we're fake engaged." Her pulse kicked up a notch as he nuzzled her neck. "Maybe you really care even though we're fake engaged." Feeling bold and brave in her biker leather, she said, "What if I did care? What would you do about it?" "I'd take a shortcut home," Liam murmured. "And then I'd take advantage of the fact that you can't close your legs.
Sara Desai (The Dating Plan (Marriage Game, #2))
When I woke up in the morning I was in bad shape. My neck was stiff and I couldn’t turn it. We weren’t pros, so there was no such thing as a physical therapist or masseuse to fix it. The best I could do was just rub in some Bengay and hope for the best. When we got to the Czech Republic a couple of days later, my neck still had zero mobility. In order to look to the side, I had to move my entire body. As if that weren’t enough to worry about, we were competing against Rachael, who was now teamed up with the Russian guy who had beaten me as a junior. His name was Evgeni Smagin, and he wore his dark hair greased back. The guy just looked slick from head to toe. I turned to Aneta. “This is so not good,” I told her. “They are like the ultimate, ultimate couple. They’re going to beat us.” Aneta looked very upset, so I guess something inside me said, “Derek, man up!” My neck was messed up and I was about to get my ass kicked by my archnemesis and my ex. It couldn’t get much worse than that.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
Hey," she whispered to Malachi. "When are Irin considered adults?" He was following what looked to be a quiet argument between Sari and Mala. "Full adults? Around sixty to seventy-five years. When we're finished with our training. Why?" She flushed. Wow. "So, you're quite the cradle robber, aren't you?" Malachi turned to her abruptly. "What? No, I'm not." "I'm not even thirty. That's like... a teenager to you guys." She could see the flush crawl up his neck, even behind the beard. "You're human. You mature differently." "But I'm not really human." His shoulders were stiff and his posture screamed his discomfort. It was really a shame Ava found teasing him to be so amusing. "I mean, what would your mom say if she found out you were mated-and I mean well and thoroughly mated- to what she would basically consider a kid?" He wiped a hand over his forehead. "Heaven above, please stop talking." "So are we going to stop fooling around now?" He groaned. "Ava." "I'm just yanking your chain." "You're going to have to speak up, because the mental lecture my mother's memory is giving me right now is rather loud.
Elizabeth Hunter
I stare at my Erudite clothes while the others strip off their outer layers of clothing. “No time for modesty, Stiff!” Christina says, giving me a pointed look. I know she’s right, so I pull off the red shirt I was wearing and put on the blue one instead. I glance at Fernando and Marcus to make sure they aren’t watching, and change out of my pants too. I have to roll up the jeans four times, and when I belt them, they bunch at the top like the neck of a crushed paper bag. “Did she just call you “Stiff’?” Fernando says. “Yeah,” I say. “I transferred into Dauntless from Abnegation.” “Huh.” He frowns. “That’s quite a shift. That kind of leap in personality between generations is almost genetically impossible these days.” “Sometimes personality has nothing to do with a person’s choice of faction,” I say, thinking of my mother. She left Dauntless not because she was ill-suited for it but because it was safer to be Divergent in Abnegation. And then there’s Tobias, who switched to Dauntless to escape his father. “There are many factor to consider.” To escape the man I have made my ally. I feel a twinge of guilt. “Keep talking like that and they’ll never discover you’re not really Erudite,” Fernando says.
Veronica Roth (Insurgent (Divergent, #2))
Brian spared her a glance. "I'm just angry altogether." "Oh,that's right." Since violence seemed to be the mood of the day, she gave in to it and stabbed a finger into his shoulder. "You're just angry period. He's got some twisted idea that I don't think he's good enough to defend me against a drunk bully. Well, I have news for you,you hardheaded Irish horse's ass." Now that her own temper was fired, she curled her hand into a fist and used it to thump his chest. "I was defending myself just fine." "You half Irish, stiff-necked birdbrain, he's twice your size and then some." "I was handling it, but I appreciate your help." "The hell you do.It's just like with everything else.You've got to do it all yourself.No one's as smart as you, or as clever, or as capable.Oh it's fine to give me a whistle if you need a diversion." "Is that what you think?" She was so livid her voice was barely a croak. "That I make love with you for a diversion? You vile, insulting, disgusting son of a bitch." She raised her own fists, and might have used them, but Travis stepped in and gripped Brian by the shirt.His voice was quiet, almost matter-of-fact. "I ought to take you apart." "Oh,Travis." Adelia merely pressed her fingers to her eyes. "Dad,don't you dare." At wit's end, Keeley threw up her hands. "I've got an idea.Why don't we all just beat each other senseless today and be done with it?
Nora Roberts (Irish Rebel (Irish Hearts, #3))
To her astonishment, he did not bear her to the floor, but lifted her in his arms instead, so that her legs wrapped around his waist. He held her weight easily, bracing her against the wall for balance, one arm protecting her from the roughness of the plaster. Her eyes widened as she felt the hard, blunt shape of his sex nudging, probing, sliding easily inside her. She was filled, impaled, her body open and helpless against the heavy intrusion. Gasping in pleasure, she clutched at the backs of his shoulders, her fingers clinging into the soft wool of his coat. It felt strangely erotic to be clasped against his fully clothed body, her bare skin tingling from the abrasion of fabric. Hungering for a taste of his skin, she tugged at his black stock and buried her mouth against the damp side of his neck. "Do you love me?" he smattered, deliberately allowing her weight to press downward, forcing her even harder onto his stiff erection. "Yes... oh, Grant..." She arched and cried out as pleasure crested inside her, spreading through her in deep, rolling waves. "Tell me," he said harshly, moving in deeper, slower thrusts that drove straight into the core of her body. She writhed, her legs flexing as she felt the ebbing sensation build again. "I love you," she gasped. "Love you... love you..." The words sent him over the dizzying edge of rapture, and he drove inside her with a groan, all his senses dissolving in blissful release.
Lisa Kleypas (Someone to Watch Over Me (Bow Street Runners, #1))
Mrs. Harris’s coach should be here any minute. I trek toward the curb, but just as I reach it, the latch on my bag drops open again, and the contents spill into the snow. Cursing, I bend to retrieve my things, but a violent gale whips me backward into the slush, snatching petticoats, chemises, and knickers into the air. “No!” I cry, scrambling after my clothes and stuffing them one by one back into my bag, glancing over my shoulder to make sure no one has caught a glimpse of my underthings dancing across the street. A man snores on a stoop nearby, but no one else is out. Relieved, I scuttle through the snow, jamming skirts and books and socks into the bag and gritting my teeth as the wind burns my ears. A clatter of hooves breaks through the howling tempest, and I catch sight of a cab headed my way. My stomach clenches as I snap my bag closed once more. That must be Mrs. Harris’s coach. I’m really going to do this. But as I make my way toward it, a white ghost of fabric darts in front of me. My eyes widen. I missed a pair of knickers. Panic jolting through my every limb, I sprint after it, but the wind is too quick. My underclothes gust right into the carriage door, twisting against its handle as the cab eases to a stop. I’m almost to it, fingers reaching, when the door snaps open and a boy about my age steps out. “Miss Whitlock?” he asks, his voice so quiet I almost don’t hear it over the wind. Trying not to draw attention to the undergarments knotted on the door just inches from his hand, I give him a stiff nod. “Yes, sir, that’s me.” “Let me get your things,” he says, stepping into the snow and reaching for my handbag. “Uh—it’s broken, so I’d—I’d better keep it,” I mumble, praying he can’t feel the heat of my blush from where he is. “Very well, then.” He turns back toward the coach and stops. Artist, no. My heart drops to my shoes. “Oh…” He reaches toward the fabric knotted tightly in the latch. “Is…this yours?” Death would be a mercy right about now. I swallow hard. “Um, yes.” He glances at me, and blood floods my neck. “I mean, no! I’ve never seen those before in my life!” He stares at me a long moment. “I…” I lurch past him and yank at the knickers. The fabric tears, and the sound of it is so loud I’m certain everyone in the world must have heard it. “Here, why don’t I—” He reaches out to help detangle the fabric from the door. “No, no, no, I’ve got it just fine,” I say, leaping in front of him and tugging on the knot with shaking hands. Why. Why, why, why, why, why? Finally succeeding at freeing the knickers, I make to shove them back into my bag, but another gust of wind rips them from my grasp. The boy and I both stare after them as they dart into the sky, spreading out like a kite so that every damn stitch is visible. He clears his throat. “Should we—ah—go after them?” “No,” I say faintly. “I—I think I’ll manage without…
Jessica S. Olson (A Forgery of Roses)
At first it seemed to be no more than a chance ray of light beamed into the vestibule by the shifting of a tree-bough between house and street lamp, but as we kept our eyes glued to it we saw that it was a form - a tall, attenuated, skeletally-thin form moving stealthily in the shadow. Slowly the thing emerged from the gloom of the doorway, and despite the warning I had had, I felt a prickling sensation at the back of my neck just above my collar, and a feeling as of sudden chill ran through my forearms. It was tall, as we had been told, fully six feet from its bare-boned feet to hairless, parchment-covered skull; and the articulation of its skeleton could be seen plainly through the leathery skin that clung to the gaunt, staring bones. The nose was large, high-bridged and haughty, like the beak of a falcon or eagle, and the chin was prominent beneath the brownish sheath of skin that stretched drum-tight across it. The eyes were closed and showed only as twin depressions in the skull-like countenance, but the mummified lips had retracted to show a double line of teeth in a mirthless grin. Its movements were irregular and stiff, like the movements of some monstrous mechanical doll or, as Edina Laurace had expressed it, like a marionette worked by unseen wires. But once it had emerged from the doorway it moved with shocking quickness. Jerkily, and with exaggeratedly high knee-action, it crossed the lawn, came to the sidewalk, turned on its parchment-soled feet as if on a pivot, and started after de Grandin. ("The Man In Crescent Terrace")
Seabury Quinn (The Mummy Walks Among Us)
Moses Come. When? Now. This way. I will guide you. Wait! Not so fast. Hurry. You. I said you. Who am I? Certainly I will be with thee. Is nothing, then, what it is? I had rather the rod had stayed a rod and not become a serpent. Come. Quickly. While the blast of my breath opens the sea. Stop. I'm thirsty. Drink water from this rock. But the rock moves on before us. Go with it and drink. I'm tired. Can't you stop for a while? You have already tarried too long. But if I am to follow you I must know your name. I will be that I will be. You have set the mountain on fire. Come. Climb. I will be lost in the terror of your cloud. You are stiff-necked and of a stiff-necked people. YOUR poeple, Lord, Indubitably. Your wrath waxes hot. I burn. Thus to become great. Show me, then, they glory. No man may see my face and live. But I will cover you with my hand while I pass by. My people turn away and cry because the skin of my face shines Did you not expect this? I cannot enter the tent of the congregation while your cloud covers it and your glory fills the tabernacle. Look. It moves before us again. Can you not stay still? Come. Follow. But this river is death. The waters are dark and deep. Swim. Now will I see your face? Where are you taking me now? Up the mountain with me before I die. But death bursts into light. The death is what it will be. These men: they want to keep us here in three tabernacles. But the cloud moves. The water springs from a rock that journeys on. You are contained in me. But how can we contain you in ark or tabernacle or You cannot. Where, then? In your heart. Come. Still? I will be with thee. Who am I? You are that I will be. Come.
Madeleine L'Engle (The Weather of the Heart: Selected Poems)
Then something moved on the hall floor, just outside the bars. Her eyes swung there. Sunday Justice sat on his haunches staring at her dark eyes with his green ones. Her heart raced. Locked up alone all these weeks, and now this creature could step wizardlike between the bars. Be with her. Sunday Justice broke the stare and looked down the hall, toward the inmates' talk. Kya was terrified that he would leave her and walk to them. But he looked back at her, blinked in obligatory boredom, and squeezed easily between the bars. Inside. Kya breathed out. Whispered, "Please stay." Taking his time, he sniffed his way around the cell, researching the damp cement walls, the exposed pipes, and the sink, all the while compelled to ignore her. A small crack in the wall was the most interesting to him. She knew because he flicked his thoughts on his tail. He ended his tour next to the small bed. Then, just like that, he jumped onto her lap and circled, his large white paws finding soft purchase on her thighs. Kya sat frozen, her arms slightly raised, so as not to interfere with his maneuvering. Finally, he settled as though he had nested here every night of his life. He looked at her. Gently she touched his head, then scratched his neck. A loud purr erupted like a current. She closed her eyes at such easy acceptance. A deep pause in a lifetime of longing. Afraid to move, she sat stiff until her leg cramped, then shifted slightly to stretch her muscles. Sunday Justice, without opening his eyes, slid off her lap and curled up next to her side. She lay down fully clothed, and they both nestled in. She watched him sleep, then followed. Not falling toward a jolt, but a drifting, finally, into an empty calm. Once during the night, she opened her eyes and watched him sleeping on his back, forepaws stretched one way, hind paws the other.
Delia Owens (Where the Crawdads Sing)
And whatever you do, do not break the mirror.” Without looking away from Mari, Bowe asked, “Why no’?” This seemed an ideal solution to him. Jillian murmured, “The shock could . . . it could kill her.” No’ ideal. “I want to be alone with her,” Bowe said. She nodded. “We’re going to the binding ceremony. Good luck, Bowen.” After they closed the door, Bowe could still hear Mari’s father say, “Jill, why are you so confident in MacRieve?” “Because he won’t ever rest until he has her back with him,” she replied before they descended the stairs. Alone with Mari, Bowe said, “Lass, we’re about to take a break from the mirror for a bit. How am I to marry you in front of all those witches in an eerie, embarrassing ceremony if you will no’ look away?” No reaction. He put his arms around her waist and leaned down to kiss her neck, closing his eyes with pleasure just to be close to her once more. “Doona wish to turn from your glass? Verra well. Then ask it some questions while you’re here. Ask it how much your Lykae’s missed you.” Had she blinked? At her other ear, he murmured, “Ask it who Bowe loves.” Her lips parted. Her body seemed to begin thrumming, as if she was struggling with everything she had in her to be free. “Aye, that’s right. Ask it who’s the only one Bowe’s ever been in love with.” He brushed the back of his fingers down her cheek, willing her to meet his gaze in the mirror. “And the last question we’re goin’ tae have before you come away with me . . . ask it how damned good our lives are goin’ tae be together, just as soon as you turn tae kiss me.” Her brows drew together, and her stiff posture tightened, then relaxed. Her eyelids slid closed. “There now, that’s it, beautiful girl,” he asked, easing her face toward him. Behind her, he pressed the mirror until it flipped over, revealing the back of the frame. “Now, kiss me, witch.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
At the sound of the heavy knob turning, he cursed under his breath. She was coming in, damn it! To stop Maria before she ruined everything, he grabbed her about the waist, hauled her against him, and sealed his mouth to hers. At first she seemed too stunned to do anything. When after a moment, he felt her trying to draw back from him, he caught her behind the neck in an iron grip. “Oh,” Gran said in a stiff voice. “Beg pardon.” Dimly he heard the door close and footsteps retreating, but before he could let Maria go, a searing pain shot through his groin, making him see stars. Blast her, the woman had kneed him in the ballocks! As he doubled over, fighting to keep from passing out, she snapped, “That was for making me look like a whore, too!” When she turned for the door, he choked out, “Wait!” “Why should I?” she said, heading inexorably forward. “You’ve done nothing but insult and humiliate me before your family.” Still reeling, he presented his only ace in the hole, “If you return to town,” he called after her, “what will you do about your Nathan?” That halted her, thank God. He forced himself to straighten, though the room spun a little. “You still need my help, you know.” Slowly, she faced him. “So far you haven’t demonstrated any genuine intent to offer help,” she said icily. “But I will.” He gulped down air, struggling for mastery over his pain. “Tomorrow we’ll return to town and hire a runner. I know one who’s very adept. You can tell him everything you’ve learned so far about your fiancés disappearance, and I’ll make sure he pursues it.” “And in exchange, all I have to do is pretend to be a whore?” He grimaced. Christ, she felt strongly about this. He should have known that any woman who would thrust a sword at him wouldn’t be easily bullied. “No.” “No, what?” she demanded. “You needn’t pretend to be a whore. Just don’t leave. This can still work.” “I don’t see how,” she shot back. “You’ve already said we met in a brothel. Telling them we’re thieves is no better. I won’t have them thinking that we’re about to steal you blind.” “I’ll come up with some story, don’t worry,” he clipped out. “Something else to make me sound like a low, grasping schemer?” “No” She had him cornered, and she knew it. “Trust me, your background alone is enough to alarm Gran. She pretends not to mind it right now, but she won’t let it go on. Just stay. I’ll make it right, I swear.
Sabrina Jeffries
Holy gallnipper, how long till we hit the magic trail? It’s gloomier than my own funeral I here.” Camille adjusted the bag’s rope and looked at Ira. “Don’t even joke about that.” Since the moment they’d entered the forest, she’d felt like something was listening. Like they’d woken some sleeping creature, and now it followed them with silent cunning. The deafening chants had not returned to pierce her eardrums, but danger still felt close. A few paces ahead of her, Oscar peeled away another cobweb, the octagonal spinning so massive Camille didn’t even want to imagine the size of the spider that had created it. “Mate, you got a stomach made of iron,” Ira said. A flash of orange and black swept in front of Camille’s eyes and she felt an odd tug on her dress. She looked down and froze. A spider with a body the size of her first flexed its hairy legs on her skirt. It started to scuttle up. Her scream echoed through the forest as she swiped the spider off. It hit the marshy ground and scampered under a log. Oscar grabbed her arm and pulled her toward him. “Did it bite you?” She shook her head, arms and legs stiff with fear. “I’ve never seen one so bloody big,” Ira said, running past the log as though the spider would leap out at him. Oscar started walking again, his hand on the small of her back. She exhaled with more than one kind of relief. He was at least still concerned for her. As they started to pick up their pace, another black critter swung down from a nearby tree. Camille say it flying toward them, but her warning shout was too slow. The spider landed on Oscar’s shoulder, fat and furry and swift as its legs darted up his neck. Oscar shouted an obscenity as he whacked the giant from his skin. Camille heard it thud against the leafy forest floor. Unfazed, the spider quickly sprang to its finger-length legs and darted toward her boot. Her shrieks echoed again as it leaped onto her hem. With his foot, Ira knocked the spider back to the ground, and before it could bounce back up, Oscar smashed it with a stick. The squashed giant oozed yellow-and-green blood onto the marshy ground. Camille gagged and tasted her breakfast oats in the back of her mouth. “What in all wrath are those monsters?” Ira panted as he twisted around, looking for more. Camille looked up to the trees to try and spot any others that might be descending from glossy webbing. Terror paralyzed her as her eyes landed on a colony of glistening webs in the treetops. An endless number of black dots massed above their heads, dangling from tree limbs. Oscar and Ira followed her horrified stare. “Run,” Oscar whispered. Camille sprinted forward, her skin and scalp tingling with imaginary spider legs. The bag of provisions slammed against her back, tugging at her neck, but she didn’t care. They didn’t slow down until the gigantic spiderwebs grew sparse and the squawk of birds took over.
Angie Frazier (Everlasting (Everlasting, #1))
Without thinking, she delivered a stinging slap, all her hurt and disappointment behind the impact. The imprint of her hand on his cheek shocked her. And though she immediately regretted her childish action, pride forbade her to own up to it. "Mind your manners, next time, Sinclair!" Across the yard, Luter Hicks halted and burst into guffaws. "Guess she told you, lapdog! Hey, honey," he called to Willow, "if he ain't satisfying you, how 'bout lettin' me warm your bed tonight?" An angry growl rolled out of Rider's throat. He pulled Willow up on her tiptoes, mashing her breasts against his hard chest. His fingers plowed through her thick tresses, knocking her bonnet off and scattering her hair pins. Then clasping her chin between his thumb and fingers, he tipped her head back and took fierce possession of her mouth. When he finally released her lips, he set her down a little harder than necessary. "I'll kill the first man who even blinks at you," he ground out loud enough for Hicks to hear. Then in a low, no-nonsense voice,meant for her ears alone, he ordered, "Kiss me and make it look good!" Willow glanced over at Hick's eager face and cringed. Her pride be damned! Sinclair was by far the lesser evil. She swept her arms around his neck. "Whatever you say...lover," she hissed in his ear. Standing on tiptoe again, she slowly brought his head down and pasted her lips to his. But he would have none of her stiff-lipped kiss and increased the pressure on her mouth until she opened to his brazen tongue. As the kiss deepened, he spread one big hand at the base of her spine and molded her stomach against his hard, hot need. Willow's blood sang, her anger instantly gone in the heat of the moment. "Mr. Sinclair!" Miriam interrupted in a berating tone. "You degrade this young lady with your public display. Unhand her at once!" Without his supporting arms, Willow's weak knees barely held her upright. She stumbled backwards, thoroughly stunned by her backfiring emotions. A loud crash snapped her to her senses when Luther threw his plate against the house and stomped off to the bunkouse. Rider collected himself and stooped to pick up Willow's discarded bonnet. Carefully brushing the dust off, he handed it to her without a word. Willow took her hat, gave him a perfunctory nod, and ground her heel into his toe as she pivoted to enter the house. Unaware of the young man's pained expression, Miriam followed on the girl's heels. "Talk about circuses!" she exclaimed, closing the door behind them. "It was just an act for Hick's benefit," Willow defended. Feeling the need to escape Miriam's all-too-knowing glance,she headed down the hall to her room. A heavy boot kicked at the door. Miriam opened it and Rider limped in. "Where do you want these?" he growled testily from behind a tower of packages. "Put them on the settee for now, thank you," Miriam said. "I'd have you carry them back to Willow's room but it isn't a healthy place for you right now." Rider only grunted,dumped the bundles, and returned to the wagon for another armload.
Charlotte McPherren (Song of the Willow)
Archer arrived early the next morning. Grey was still asleep on the sofa in his study when he heard tapping on the window. He opened his eyes and immediately regretted it as the sharp light of day pierced his brain. Squinting, he tried to focus on his brother, since he already knew who his visitor was. Only one person ever announced himself so annoyingly. “Open the bloody window, Grey!” Grumbling, Grey slowly rose into a full sitting position. His back and neck were stiff and his head felt as though someone had kicked it repeatedly from all sides. And his mouth! Christ, he didn’t want to even think about what might have died inside it. He staggered to the window, unlatched it and swung it open. “What the hell do you want?” Wide-eyed, Archer made a tsking noise. “Is that any way to greet your favorite brother?” “You’re not my favorite,” Grey scowled. Unaffected, Archer easily adapted. “Is that any way to greet your second-favorite brother?” Grey grinned, he couldn’t help it. Archer had always had a knack for making him smile, just as he had a knack for pissing him off as well. “I’m hung over and feel like shite. What do you want?” “You look like shite. What’s this I hear about you making an appearance at Saint’s Row last night?” “Rose tell you that?” “She did. I’m surprised you took such a risk just to see her.” Grey thought of her in that teal gown, the lights illuminating the luster of her skin. “It was worth it.” “Worth it, eh? So worth it you immediately came home and got sloshed.” “Something like that. And then Rose came home and I got even more sloshed.” Archer’s expression turned to concern as he leaned against the window frame. “What happened?” Grey shrugged. He’d already revealed more than he’d wanted. “Suffice it to say she now knows what kind of man I am.” His brother snorted. “That girl has always known exactly what kind of man you are.” The words were plain enough, but there was a cryptic edge to them that had Grey puzzled. “What the hell does that mean?” Arch shook his head. “Come to the stables with me. I want to show you something.” He looked down at himself. He was wearing the same clothes he’d worn last night and he was wrinkled beyond hope. Not to mention that he smelled like a distillery-an unwashed one at that. And his mask was up in his room. What if someone happened by and saw him… He wasn’t a coward. He just didn’t wish to be seen looking less than his best. An oath punctuated the early morning air. Grey was grabbed by the front of the shirt and yanked-hard. His only course of action was to brace one booted foot on the bottom sill to keep from falling. Of course, that action only succeeded in making it easier for Archer to haul him completely out onto the lawn. He landed hard on both feet, the impact going straight to his ready-to-implode skull. “What the hell?” Fist cocked, Grey punched his brother in the shoulder. “Jesus, man! What are you about?” Archer punched him back. It hurt, and oddly enough it seemed to wake him up-clear the fog and some of the pressure surrounding his brain. “I’m trying to help you, you bugger.” “To do what?” Grey demanded. “Die?
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Hear that? Living skulls! What are we doing here? What war at Troy? Does anyone care? Gods of love and hate! Aren't they the same god? All of us, all our lives, searching for the one perfect enemy- you, me, Helen, Paris, Menelaos, all those crazy Greeks! all those hapless Trojans! my dear beloved Jack! Jack and I fought all the time. I remember almost nothing but the fights - every fight a war to end all wars, you know how it goes, a righteous war, a final war, the worst fight you've ever had, you can't do this again, this time you'll get things straight one way or the other or it's over, he'll see what you mean, see you're right, fights aren't about anything except being right, are they? once and for all. You feel old. Wrong. Clumsy. You sit in two chairs on the porch. Or the kitchen. Or the front hall. Hell arrives. It's as if the war was already there, waiting, the two of you poured into it like wet concrete. The chairs you sit in are the wrong chairs, they're the chairs you never sit in because they're so uncomfortable, you keep thinking you should move but you don't, your neck hurts, you hate your neck, evening closes in. Birds move about the yard. Hell yawns. War pours out of both of you, steaming and stinking. You rush backward from it and become children, every still sentence slamming you back into the child you still are, every sentence not what you meant to say at all but the meaning keeps flaring and contracting, as sparks drop on gasoline, Fuckshit this! Fuckshit that! no reason to live. You're getting vertigo. He's being despicable. Your mother was like this. Stop whimpering. No use asking, What is this about? Don't leave the room. I have to leave the room. Breathless, blaming, I'm not blaming! How is this not blaming! Hours pass or do they. You say the same things or are they different things? Hell smells stale. Fights aren't about anything, fights are about themselves. You're stiff. You hate these chairs. Nothing is resolved. It is too dark to see. You both go to bed and doze slightly, touching slightly. In the night a nightmare. Some giant bird, or insect, some flapping thing, trying to settle on the back of your neck, you can't see what it is or get it off. Pure fear. Scream unearthly. He jerks you awake. Oh sweetie, he says. He is using his inside voice, his most inside voice. The distance between that voice and the fight voice measures your whole world. How can a voice change so. You are saved. He has saved you. He sees you saved. An easement occurs, as night dew on leaves. And yet (you think suddenly) you yourself do not possess sort of inside voice - no wonder he's lonely. You this cannot offer this refuge, cannot save him, not ever, and, although physiological in origin, or genetic, or who knows, you understand the lack is felt by him as a turning away. No one can heal this. You both decide without words to just - skip it. You grip one another. In the night, in the silence, the grip slowly loosens and silence washes you out somewhere onto a shore of sleep. Morning arrives. Troy is still there. You hear from below the clatter of everyone putting on their armour. You go to the window.
Anne Carson (Norma Jeane Baker of Troy)
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Meds Arcade
November The month of the drowned dog. After long rain the land Was sodden as the bed of an ancient lake, Treed with iron and bridles. In the sunk lane The ditch - a seep silent all summer - Made brown foam with a big voice: that, and my boots On the lane's scrubbed stones, in the gulleyed leaves, Against the hill's hanging silence; Mist silvering the droplets on bare thorns Slower than the change of daylight. In a let of the ditch a tramp was bundled asleep; Face tucked down into beard, drawn in Under his hair like a hedgehog's. I took him for dead, But his stillness separated from the death Of the rotting grass on the ground. A wind chilled, And a fresh comfort tightened through him, Each hand stuffed deeper into the other sleeve. His ankles, bound with sacking and hairy band, Rubbed each other, resettling. The wind hardened; A puff shook a glittering from the thorns, And against the rains' dragging grey columns Smudged the farms. In a moment The fields were jumping and smoking; the thorns Quivered, riddled with the glassy verticals. I stayed on under the welding cold Watching the tramp's face glisten and the drops on his coat Flash and darken. I thought what strong trust Slept in him - as the trickling furrows slept, And the thorn-roots in their grip on darkness; And the buried stones, taking the weight of winter; The hill where the hare crouched with clenched teeth. Rain plastered the land till it was shining Like hammered lead, and I ran, and in the rushing wood Shuttered by a black oak leaned. The keeper's gibbet had owls and hawks By the neck, weasels, a gang of cats, crows: Some stiff, weightless, twirled like dry bark bits In the drilling rain. Some still had their shape, Had their pride with it; hung, chins on chests Patient to outwait these worst days that beat Their crowns bare and dripped from their feet.
Ted Hughes
November The month of the drowned dog. After long rain the land Was sodden as the bed of an ancient lake, Treed with iron and bridles. In the sunk lane The ditch - a seep silent all summer - Made brown foam with a big voice: that, and my boots On the lane's scrubbed stones, in the gulleyed leaves, Against the hill's hanging silence; Mist silvering the droplets on bare thorns Slower than the change of daylight. In a let of the ditch a tramp was bundled asleep; Face tucked down into beard, drawn in Under his hair like a hedgehog's. I took him for dead, But his stillness separated from the death Of the rotting grass on the ground. A wind chilled, And a fresh comfort tightened through him, Each hand stuffed deeper into the other sleeve. His ankles, bound with sacking and hairy band, Rubbed each other, resettling. The wind hardened; A puff shook a glittering from the thorns, And against the rains' dragging grey columns Smudged the farms. In a moment The fields were jumping and smoking; the thorns Quivered, riddled with the glassy verticals. I stayed on under the welding cold Watching the tramp's face glisten and the drops on his coat Flash and darken. I thought what strong trust Slept in him - as the trickling furrows slept, And the thorn-roots in their grip on darkness; And the buried stones, taking the weight of winter; The hill where the hare crouched with clenched teeth. Rain plastered the land till it was shining Like hammered lead, and I ran, and in the rushing wood Shuttered by a black oak leaned. The keeper's gibbet had owls and hawks By the neck, weasels, a gang of cats, crows: Some stiff, weightless, twirled like dry bark bits In the drilling rain. Some still had their shape, Had their pride with it; hung, chins on chests Patient to outwait these worst days that beat Their crowns bare and dripped from their feat.
Ted Hughes
Her stern manner and her humorless regime mask bitterness far deeper than any of her children or her husband imagine. She has never recovered from the shock of becoming a wife and then a mother. She is still dismayed every morning when she first sees her children, peaceful, sleeping, in their beds when she goes to wake them, that as often as not the feeling she has is one of resentment, of loss. These feelings frighten her so much that she has buried them under layer upon layer of domestic strictness. She has managed, in the dozen years since becoming a wife and mother, to half-convince herself that this nearly martial ordering of her household is, in fact, the love that she is so terrified that she does not have. When one of her children wakes with a fever and a painful cough early one freezing January morning, instead of kissing the child’s forehead and tucking him or her in more snugly and boiling water for a mug of honey and lemon water, she says that it is not man’s lot to be at ease in this world and that if she took a day off every time she had a sniffle or a stiff neck, the house would unravel around them all and they would be like birds with no nest, so get up and get dressed and help your brother with the wood, your sister with the water, and yanks the covers off the shivering child and throws its cold clothes at it and says, Go get dressed, unless you want a good dousing. She has convinced herself, at least in the light of day, that this is love, that this is the best way she can raise her children to be strong. She could not live with herself if she allowed herself to believe that she treated her own this way because she felt no more connected to them than she would to a collection of stones.
Paul Harding (Tinkers)
Since you’re incapable of doing your damn job, I’m gonna go get your piece-of-shit nephew for you. I know he’s the one that’s been doing all of this, and so do you,” Fox snarled. “Nod your damn head.” The sheriff shifted his eyes uneasily around the room before he gave a stiff jerk of his neck. “I got you by the balls, Thompson. So, when I pull your leash, motherfucker, you better bark.” The sheriff’s teeth were clenched when he choked out, “What does that mean?” “It means that when I call you… you better fuckin’ answer. And Newt’s arrest better be made.
A.E. Via (SWAT Ed.: Fox & Bull (Nothing Special, #8))
When Almanzo went into these great barns, he always went through the Horse-Barn’s little door. He loved horses. There they stood in their roomy box-stalls, clean and sleek and gleaming brown, with long black manes and tails. The wise, sedate work-horses placidly munched hay. The three-year-olds put their noses together across the bars, they seemed to whisper together. Then softly their nostrils whooshed along one another’s necks; one pretended to bite, and they squealed and whirled and kicked in play. The old horses turned their heads and looked like grandmothers at the young ones. But the colts ran about excited, on their gangling legs, and stared and wondered. They all knew Almanzo. Their ears pricked up and their eyes shone softly when they saw him. The three-year-olds came eagerly and thrust their heads out to nuzzle at him. Their noses, prickled with a few stiff hairs, were soft as velvet, and on their foreheads the short, fine hair was silky smooth. Their necks arched proudly, firm and round, and the black manes fell over them like a heavy fringe. You could run your hand along those firm, curved necks, in the warmth under the mane. But Almanzo hardly dared to do it. He was not allowed to touch the beautiful three-year-olds. He could not go into their stalls, not even to clean them. Father would not let him handle the young horses or the colts. Father didn’t trust him yet, because colts and young, unbroken horses are very easily spoiled.
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
Contrary to what we do when we are going to enter into samadhi, we start moving the upper body from side to side a little at first and then gradually increase the degree of movement, which becomes larger and larger with the hips as the pivot. Next move the shoulders to ease stiffness, and then massage the face, the head, and the neck with both hands. Last of all, we should unlock the crossed legs to alleviate numbness and any other discomfort. When we sit alone, it is effective to do some exercises. What is important is to “stand up calmly.
Omori Sogen (Introduction to Zen Training: A Physical Approach to Meditation and Mind-Body Training (The Classic Rinzai Zen Manual))
Know that Yahweh does not give you this good land because of your righteousness, for you are a stiff-necked, stubborn people. 9:6 Remember, and never forget, how you provoked Yahweh your God to anger in the wilderness. From the day you departed Egypt until you came to this place, you have been rebellious against Yahweh.
Bart Marshall (The Torah: The Five Books of Moses)
My visit was a melancholy one, quite apart from its mournful motive. I had expected tremendous enjoyment from seeing the city again, talking with my old friends, and taking part, if for only a moment, in the busy and complex life with which I was once so familiar. But when I got there I felt isolated, faraway, and unable to adapt myself to the places and persons I had longed to see...Part of me seemed by now foreign to their interests, ambitions, activities, and hopes; their life was no longer mine and it no longer touched me. After a few days, which passed in a flash, I set out again, with no regret...I thought of my feeling of strangeness, and of the complete lack of understanding among those of my friends who concerned themselves with political questions, of the country to which I was now hurrying back...But although they listened with apparent interest, very few of them seemed really to follow what I was saying. They were men of various temperaments and shades of opinion, from stiff-necked conservatives to fiery radicals.
Carlo Levi (Christ Stopped at Eboli: The Story of a Year (FSG Classics))
There was a boy at our school. He was the most extraordinary lad I ever came across. I believe he really liked study. He used to get into awful rows for sitting up in bed and reading Greek; and as for French irregular verbs, there was simply no keeping him away from them. He was full of weird and unnatural notions about being a credit to his parents and an honour to the school; and he yearned to win prizes, and grow up and be a clever man, and had all those sort of weak-minded ideas. I never knew such a strange creature, yet harmless, mind you, as the babe unborn. Well, that boy used to get ill about twice a week, so that he couldn’t go to school. There never was such a boy to get ill. If there was any known disease going within ten miles of him, he had it, and had it badly. He would “take bronchitis in the dog-days, and have hayfever at Christmas. After a six weeks’ period of drought, he would be stricken down with rheumatic fever; and he would go out in a November fog and come home with a sunstroke. They put him under laughing-gas one year, poor lad, and drew all his teeth, and gave him a false set, because he suffered so terribly with toothache; and then it turned to neuralgia and ear-ache. He was never without a cold, except once for nine weeks while he had scarlet fever; and he always had chilblains. He had to stop in bed when he was ill, and eat chicken and custards and hot-house grapes; and he would lie there and sob, because they wouldn’t let him do Latin exercises, and took his German grammar away from him. And we other boys, who would have sacrificed ten terms of our school life for the sake of being ill for a day, and had no desire whatever to give our parents any excuse for being stuck-up about us, couldn’t catch so much as a stiff neck. We fooled about in draughts, and it did us good, and freshened us up; and we took things to make us sick, and they made us fat, and gave us an appetite. Nothing we could think of seemed to make us ill until the holidays began. Then, on the breaking-up day, we caught colds, and whooping cough, and all kinds of disorders, which lasted till the term recommenced; when, in spite of everything we could manoeuvre to the contrary, we would get suddenly well again, and be better than ever.
Jerome K. Jerome (Three Men in a Boat)
Before I could say anything the other gagged my mouth with a stone ball. I wanted to say what fools they were, but not the first fool in Dolingo. How could I confess anything with my mouth gagged? And the boy’s smell came to my nose again, so strong, almost as if he was right outside this cell, but now moving away. The one-eyed scientist pulled a knot at his neck and removed his hood. Bad Ibeji. I heard of one found at the foot of the Hills of Enchantment, which the Sangoma burned, even though it was already dead. Even in death it shook the unshakable woman, for it was the one mingi she would kill on sight. Bad Ibeji was never to be born but is not the unborn Douada, who roams the spirit world, wiggling on air like a tadpole and sometimes slipping into this world through a newborn. Bad Ibeji was the twin that the womb squeezed and crushed, tried to melt, but could not melt away. Bad Ibeji grows on its malcontent like that devil of the body’s own flesh, that bursts through the breasts of woman, killing her by poisoning her blood and bone. Bad Ibeji knows it will never be the favored one, so it attacks the other twin in the womb. Bad Ibeji sometimes dies at birth when the mind did not grow. When the mind did grow, all it knows to do is survive. It burrows into the twin’s skin, sucking food and water from his flesh. It leaves the womb with the twin, and sticks so tight to his skin that the mother thinks this too is the baby’s flesh, unformed, ugly like a burn and not handsome, and sometimes throws away them both to the open lands to die. It is wrinkled and puffy flesh, and skin and hair, and one eye big and a mouth that drools without stop, and one hand with claws and another stuck on the belly as if sewn, and useless legs that flap like fins, a thin penis, stiff like a finger, and hole that bursts shit like lava. It hates the twin for it will never be the twin, but it needs the twin for it cannot eat food, or drink water as it has no throat, and teeth grow anywhere, even above the eye. Parasite. Fat, and lumpy, like cow entrails tied together, and leaving slime where it crawls.
Marlon James (Black Leopard, Red Wolf (The Dark Star Trilogy, #1))
Before I could say anything the other gagged my mouth with a stone ball. I wanted to say what fools they were, but not the first fool in Dolingo. How could I confess anything with my mouth gagged? And the boy’s smell came to my nose again, so strong, almost as if he was right outside this cell, but now moving away. The one-eyed scientist pulled a knot at his neck and removed his hood. Bad Ibeji. I heard of one found at the foot of the Hills of Enchantment, which the Sangoma burned, even though it was already dead. Even in death it shook the unshakable woman, for it was the one mingi she would kill on sight. Bad Ibeji was never to be born but is not the unborn Douada, who roams the spirit world, wiggling on air like a tadpole and sometimes slipping into this world through a newborn. Bad Ibeji was the twin that the womb squeezed and crushed, tried to melt, but could not melt away. Bad Ibeji grows on its malcontent like that devil of the body’s own flesh, that bursts through the breasts of woman, killing her by poisoning her blood and bone. Bad Ibeji knows it will never be the favored one, so it attacks the other twin in the womb. Bad Ibeji sometimes dies at birth when the mind did not grow. When the mind did grow, all it knows to do is survive. It burrows into the twin’s skin, sucking food and water from his flesh. It leaves the womb with the twin, and sticks so tight to his skin that the mother thinks this too is the baby’s flesh, unformed, ugly like a burn and not handsome, and sometimes throws away them both to the open lands to die. It is wrinkled and puffy flesh, and skin and hair, and one eye big and a mouth that drools without stop, and one hand with claws and another stuck on the belly as if sewn, and useless legs that flap like fins, a thin penis, stiff like a finger, and hole that bursts shit like lava. It hates the twin for it will never be the twin, but it needs the twin for it cannot eat food, or drink water as it has no throat, and teeth grow anywhere, even above the eye. Parasite. Fat, and lumpy, like cow entrails tied together, and leaving slime where it crawls. The Bad Ibeji’s one hand splayed itself on the one-eyed scientist’s neck and chest. He unhooked each claw and a little blood ran out of each hole. The second hand unwrapped itself from the scientist’s waist, leaving a welt. I shook and screamed into the gag and kicked against the shackles but the only thing free was my nose to huff. The Bad Ibeji pulled his head off the twin’s shoulder and one eye popped open. The head, a lump upon a lump, upon a lump, with warts, and veins, and huge swellings on the right cheek with a little thing flapping like a finger. His mouth, squeezed at the corners, flopped open, and his body jerked and sagged like kneaded flour being slapped. From the mouth came a gurgle like from a baby. The Bad Ibeji left the scientist’s shoulder and slithered on my belly and up to my chest, smelling of arm funk and shit of the sick. The other scientist grabbed my head with both sides and held it stiff. I struggled and struggled, shaking, trying to nod, trying to kick, trying to scream, but all I could do was blink and breathe.
Marlon James
That’s an essential requirement for receiving healing through the Word of God. By laying down our preconceptions and prejudices, bending our stiff necks and opening our ears, we become able to listen carefully to what God says and not reject it because it doesn’t agree with something we thought God ought to have said. God is a lot bigger than any denomination. He’s a lot bigger than our understanding. He’s a lot bigger than all of our prejudices. Don’t make God so small that He can’t help you. Incline your ear and let Him tell you how much He’s willing to do for you.
Derek Prince (God's Medicine Bottle)
I don’t like the sound of your stiff neck; it is always a perceptible and nagging pain although a slight one. Last year you had it too, and while answering that letter I was overcome by my own, and from that day you lost sight of my poor writing. The Queen of Hungary’s water did me a great deal of harm, so I warn you against it, not that I won’t ask you for some when you come, for it is still a craze with lots of people, including me sometimes.
Marie de Rabutin-Chantal de Sévigné (Selected Letters)
fuck” I gasped, unable to stop myself. My mouth flew forwards to meet his cock as it coiled in the air like an angry snake, my lips surrounding the head of his dick as it reached towards me. I felt his strong hand on the back of my head as I swirled my tongue around his cock, his thickness taking me by surprise as I gorged on him. I felt so aroused, so charged, so full of excitement as I sucked on him. His hands on the back of my head pushed me further onto his stiffness, as I sucked harder and stronger, tasting his masculinity, feeling myself being taken fully under his control. His slender fingers ran from my head, across my face and towards my neck where they plunged south towards my breasts, my stepbrother kneeling slightly to allow his hands to reach my nipples
Chastity Swallows (SHOWERED: Sexy Steps Home Alone)
the paintings opened up a dimension that you did not normally see in photographs, in these paintings you could feel the weight of time passing. I thought that was why, as I stood before a painting of a young girl in half-light, there was something that was both guarded and vulnerable in her gaze. It was not the contradiction of a single instant, but rather it was as if the painter had caught her in two separate states of emotion, two different moods, and managed to contain them within the single image. There would have been a multitude of such instants captured in the canvas, between the time she first sat down before the painter and the time she rose, neck and upper body stiff, from the final sitting. That layering—in effect a kind of temporal blurring, or simultaneity—was perhaps ultimately what distinguished painting from photography. I wondered if that was the reason why contemporary painting seemed to me so much flatter, to lack the mysterious depth of these works, because so many painters now worked from photographs.
Katie Kitamura (Intimacies)
Song" Listen: there was a goat’s head hanging by ropes in a tree. All night it hung there and sang. And those who heard it Felt a hurt in their hearts and thought they were hearing The song of a night bird. They sat up in their beds, and then They lay back down again. In the night wind, the goat’s head Swayed back and forth, and from far off it shone faintly The way the moonlight shone on the train track miles away Beside which the goat’s headless body lay. Some boys Had hacked its head off. It was harder work than they had imagined. The goat cried like a man and struggled hard. But they Finished the job. They hung the bleeding head by the school And then ran off into the darkness that seems to hide everything. The head hung in the tree. The body lay by the tracks. The head called to the body. The body to the head. They missed each other. The missing grew large between them, Until it pulled the heart right out of the body, until The drawn heart flew toward the head, flew as a bird flies Back to its cage and the familiar perch from which it trills. Then the heart sang in the head, softly at first and then louder, Sang long and low until the morning light came up over The school and over the tree, and then the singing stopped…. The goat had belonged to a small girl. She named The goat Broken Thorn Sweet Blackberry, named it after The night’s bush of stars, because the goat’s silky hair Was dark as well water, because it had eyes like wild fruit. The girl lived near a high railroad track. At night She heard the trains passing, the sweet sound of the train’s horn Pouring softly over her bed, and each morning she woke To give the bleating goat his pail of warm milk. She sang Him songs about girls with ropes and cooks in boats. She brushed him with a stiff brush. She dreamed daily That he grew bigger, and he did. She thought her dreaming Made it so. But one night the girl didn’t hear the train’s horn, And the next morning she woke to an empty yard. The goat Was gone. Everything looked strange. It was as if a storm Had passed through while she slept, wind and stones, rain Stripping the branches of fruit. She knew that someone Had stolen the goat and that he had come to harm. She called To him. All morning and into the afternoon, she called And called. She walked and walked. In her chest a bad feeling Like the feeling of the stones gouging the soft undersides Of her bare feet. Then somebody found the goat’s body By the high tracks, the flies already filling their soft bottles At the goat’s torn neck. Then somebody found the head Hanging in a tree by the school. They hurried to take These things away so that the girl would not see them. They hurried to raise money to buy the girl another goat. They hurried to find the boys who had done this, to hear Them say it was a joke, a joke, it was nothing but a joke…. But listen: here is the point. The boys thought to have Their fun and be done with it. It was harder work than they Had imagined, this silly sacrifice, but they finished the job, Whistling as they washed their large hands in the dark. What they didn’t know was that the goat’s head was already Singing behind them in the tree. What they didn’t know Was that the goat’s head would go on singing, just for them, Long after the ropes were down, and that they would learn to listen, Pail after pail, stroke after patient stroke. They would Wake in the night thinking they heard the wind in the trees Or a night bird, but their hearts beating harder. There Would be a whistle, a hum, a high murmur, and, at last, a song, The low song a lost boy sings remembering his mother’s call. Not a cruel song, no, no, not cruel at all. This song Is sweet. It is sweet. The heart dies of this sweetness. Brigit Pegeen Kelly, Song. (• BOA Editions; 1st edition 1995)
Brigit Pegeen Kelly (Song)
If a subject is shown a word for too short a time for him to be able to make it out, then, for example, the word 'hot' induces a sort of experience of heat that creates something like a meaningful halo around him. The word 'hard' gives rise to a sort of stiffness in the back and neck, and is only subsequently projected into the visual or auditory field and takes its shape as a sign or as a spoken word. Prior to being the indication of a concept, the word is first an event that grasps my body, and its hold upon my body circumscribes the zone of signification to which it refers...Words have a physiognomy because we have, with regard to them, just as with regard to each person, a certain behavior that suddenly appears the moment they are given...My body is...an object sensitive to all others, which resonates for sounds, vibrates for all colors, and that provides words with their primordial signification through the manner in which it receives them.
Maurice Merleau-Ponty (Phenomenology of Perception)
simple mindful meditation technique for beginners is described below: Find a quiet and well-aerated room to practice your meditation in. Sit comfortably on a chair, or you can sit on the floor. Ensure that your posture is relaxed and that your shoulder and neck muscles are not tense. Your head, neck, and spine should be aligned but not tense or stiff. Bring your mind to the present by pulling all your focus to the here and now. Concentrate on your breathing, feel the breath enter your body as you inhale, and feel the air exit your body as you exhale. Take deep breaths all the time, focusing on the sensation of the rising and falling of your diaphragm. To make it easier to focus on your breathing, you can place one hand on your upper chest and the other above your navel. This will aid you in engaging your diaphragm when breathing in and out. Breath in slowly through your nose, as you inhale, the hand on your navel area should feel your stomach rise gradually as the air enters your body. On the exhale, let the breath out through your mouth with your lips slight pursued. As you exhale, the hand on the navel area should feel the stomach relax and fall back into the starting position. As thoughts pop up in your mind, do not quash or try to suppress them; simply turn your attention back to your breathing and focus on the inhale and exhale motions of rising and falling. Stay in this state for at least 10 minutes, always pulling your focus back to the present and away from thoughts and emotions by simply focusing on your breathing. At the end of the 10 minutes, rise slowly from your position, and allow your mind to become gradually aware of your surroundings.
Robert Dickens (Vagus Nerve Secrets: Find out the secrets benefits of vagus nerve stimulation through self help exercises against trauma, anxiety and depression for better life!)
You think my first instinct is to protect you. Because you're small, or a girl, or a Stiff. But you're wrong." He leans his face close to mine and wraps his fingers around my chin. His hand smells like metal. When was the last time he held a gun, or a knife? My skin tingles at the point of contact, like he's transmitting electricity through his skin. "My first instinct is to push you until you break, just to see how hard I have to press." he says, his fingers squeezing at the word break. My body tenses at the edge in his voice, so I am coiled as tight as a spring, and I forget to breathe. His dark eyes lifting to mine, he adds, "But I resist it." "Why..." I swallow hard. "Why is that your first instinct?" "Fear doesn't shut you down; it wakes you up. I've seen it. It's fascinating." He releases me but doesn't pull away, his hand grazing my jaw, my neck. "Sometimes I just want to see it again. Want to see you awake.
Veronica Roth (Divergent (Divergent, #1))
At times we have to stand up for ourselves and put our foot down, so we put our point across with controlled and calculated anger because many people out there are stiff necked and unrelenting, it's a means to protect one's integrity and at the same time trying to edify the opposing party...but a person that snaps at a whim suffers from chronic anger, lacks self-control and is not at peace with oneself, such a person has deep unconscious issues that needs to be addressed...
James Hilton
Have you caught them before?” There was a pause then, “Yeah.” “You did?” He grunted. “Once or twice.” “Once or twice? Where? Here?” Rhodes grunted again. “They come in from time to time.” I almost passed out. “How often?” “Mostly during the summer and fall.” I didn’t mean to choke, but it happened. “Mice are the real problem during a drought year.” The hairs on the back of my neck stood up, and my whole body went stiff as I stared at him tinkering around the bed of his truck, moving things as he stood there in sleep pants and a white tank top.
Mariana Zapata (All Rhodes Lead Here)
The nose of this shuffling one is larger than the noses in the city streets. His fingers are larger, his neck is larger. There is a curious earthy look to this shuffling one seldom to be seen about men in streets. He is a huge creature with great thighs and Laocoön sinews and he towers a head above his brothers in front of the employment office. He is of a different mold from the men in the street. Strength ripples under his tattered mackinaw and his stiff looking hands could break the heads of two men against each other like eggshells while they rained puny blows on his dull face. And yet of all the men moving about on the pavement in front of the Clinton Street bulletin boards it is this shuffling one who is the most impotent seeming. His figure is the most helpless. It slouches as under a final defeat. His eyes are the dullest. He stops at the corner and stands waiting, his head lowered, his shoulders hunched in and he looks like a man weighed down by a harness.
Ben Hecht (A Thousand and One Afternoons in Chicago)
Veni, Sancte Spiritus (Come, Holy Spirit) Come, Holy Spirit, send down those beams, which sweetly flow in silent streams from Thy bright throne above. O come, Thou Father of the poor; O come, Thou source of all our store, come, fill our hearts with love. O Thou, of comforters the best, O Thou, the soul’s delightful guest, the pilgrim’s sweet relief. Rest art Thou in our toil, most sweet refreshment in the noonday heat; and solace in our grief. O blessed Light of life Thou art; fill with Thy light the inmost heart of those who hope in Thee. Without Thy Godhead nothing can, have any price or worth in man, nothing can harmless be. Lord, wash our sinful stains away, refresh from heaven our barren clay, our wounds and bruises heal. To Thy sweet yoke our stiff necks bow, warm with Thy fire our hearts of snow, our wandering feet recall. Grant to Thy faithful, dearest Lord, whose only hope is Thy sure word, the sevenfold gifts of grace. Grant us in life Thy grace that we, in peace may die and ever be, in joy before Thy face. Amen. Alleluia. Appendices APPENDIX A How to Make the 33-Day Preparation and Consecration to St.
Donald H. Calloway (Consecration to St. Joseph: The Wonders of Our Spiritual Father)
Brethren, be mindful of the truth that the deliberate act of sinning, will eventually take us to the point of no return and that is the tragedy of all. Hardened and stiff-necked in sin, we grow cold to all rebuke and discipline. The gentle whisper of the LORD will be gone. The repeated grieving of the Spirit will result in the quenching of the Spirit. Therefore, any desire to seek the Father’s Home is lost! Beware!! Watch your steps!!!
Royal Raj S
Go away! All of you! Just get the hell away from me!” I turned on my heel, the sodden folds of my nightgown clinging to my legs like wet spider webs. “Regina! Don’t be an idiot!” Konner growled, his boots and cane raggedly thumping behind me. I walked faster, lengthening my stride no matter how much my thighs screamed in protest, until a hand latched on my shoulder. “No! You don’t get to say anything!” Using my finger like a sword, I jabbed my finger in the center of his chest. Freya’s jaws snapping closed with a loud pop, barely missing my fingertip by seconds as her long neck stretched out towards my hand. “You could have avoided all this by seeing it! You have that magic, if you wouldn’t be so stupid and use it!” The seeping rain slowed, turning into a fine shower of mist straight from the heavens above, and it dripped off the tightly carved lines of his face pulled sharp with tension. He was silent, still as stone, with nothing but the slight heave of his shoulders even proof that he was alive. His eyes dropped from my face, the uneven shadow of blonde hair hiding them from my sight. Part of his neck bobbed with the effort of a heavy swallow, like he had something stuck, and the tentative flicker of something else across face made me take a step back. A flash of anger, chilled by fear, a few tiny cracks started to appear in his stoic mask. Ones that I’m not sure why, but they made a strange ache start to stab deep in my heart. “Do you love him?” So soft that it was nearly lost in the rolling thunder, I would have missed it if I hadn’t seen his lips move. “Yes. No! I don’t know!” I shook my head in disbelief. I didn’t love Ivo, not like that. But I couldn’t lose him either. “He’s my friend! My best friend! Why does it matter?” “I see. It matters more than you know.” Konner drawled slowly, the thick muscles of his shoulders rolling in a shrug that sent rivers of rainwater coursing down his chest. Mixing with the streaks of bloody red and ash grey in a ghoulish highlight to his muscles, the water slowly pooled in the ruined fabric of his shirt, further pulling it down his shoulders. He led out a heavy sigh, then suddenly straightened to the full length of his imposing height. Shoulders back and spine stiff. Then he straightened, drawing himself up to his full imposing height, and clasped his right arm across his chest. With his clenched fist resting right over his heart, he slowly lowered himself down to one knee at my feet, bowing his head over until it nearly touched my thighs. “Then I’ll get him back for you. I swear it on my life!
Clair Gardenwell (Foxgloves Are For Deception (Stand With Me #1))
Another way we can gain some knowledge of our fear and anger is by noticing our habitual holding spots, or where in our body we hold our stress. We each hold emotions in different places of our bodies. “It was like being kicked in the guts!” “It knocked the wind right out of me.” “I feel rubber kneed.” “I’m stiff as a board.” “My stomach is on fire.” “My neck is so stiff that I can’t turn my head.” All these statements are about physical symptoms of emotional states. Not too many of us take the time to make the connections and to correct the underlying causes.
Bill Pittman (Drop the Rock: Removing Character Defects - Steps Six and Seven)
How to tell if your heart chakra is blocked If your heart chakra has been blocked it will open doors to emotions like envy, rage, fear of rejection, sorrow and resentment towards others and yourself. The rising expression is by grudging against somebody or something. It nurtures their negative feelings, cutting them off from opportunities to attain inner peace and love, when one holds onto hurt. When your Heart Chakra is open you: • Are comfortable in your relationships • Give and receive love easily • Feel a sense of heartfelt gratitude for how wonderful your life is •       Appreciate others and feel compassion for yourself and others without feeling sorry for anyone. How to tell if your throat chakra is blocked  This chakra's blockage manifests in a peculiar way. Affected people will have trouble telling their facts, will find it hard to stay focused and pay attention and will often risk being judged by others. These manifestations may further impede their ability to see things clearly around them, and how they really are. Physical manifestations of the misalignment of this chakra are sore throat, thyroid gland issues, stiffness of the shoulder and neck and headaches. When your Throat Chakra is open you: • Voice the truth honestly • Imagine people listening to you • Know that you are genuinely understood and respected. How to tell if your third-eye chakra is blocked  Third-eye chakra blockage manifests through troubles to trust your inner voice and access your intuition, recall important facts or learn new skills. What is typical of this chakra-if the lower ones are misaligned-is center, sacral chakra, solar plexus, and core chakra, it is most probable that this one will also be unbalanced. Such equilibrium will lead you to behave dismissively, be more judgmental and become yourself. There is also a wide range of physical manifestations associated with blockage of the third-eye chakra, including dizziness, fatigue and brain health problems. Psychological symptoms include fear, depression and moral judgment. When your Third Eye Chakra is open you: • Trust and act with confidence •       Have a strong sense of your own inner truth and listen to it and follow it as it guides you along the path of your life.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
How can a sane man go against the LORD? whose gentleness is described like this, “I led them with cords of kindness, with the bands of love, and I became to them as one who eases the yoke on their jaws, and I bent down to them and fed them” (Hosea 11: 4, ESV). Tragically, hard-hearted, close-eared, blind-eyed, dumb-mouthed, stiff-necked people are still there acting ‘smart,’ not knowing that their end is near.
Royal Raj S
It was probably only a few intervals, though it seemed longer with Ryzven lurking and radiating impatience. At last Beryl and Kurr returned, markedly cleaner and fresher, and he heard Beryl telling the Greenspirit about the garden. His human hurried toward him, though her steps slowed when she spotted Ryzven nearby. Snaps squirmed in Zylar’s arms, so he set him down after checking the cord looped around his neck. Beryl reached for the leash as she eyed Ryzven, but she didn’t address him. Instead, she knelt and spoke nonsense words to the fur-person while rubbing him all over with her grabbers. Kurr filled the awkward silence with a stiff, formal greeting. “Honor to your kith and kin, renowned Ryzven. I am Kurr.” “A pleasure! Everyone who has been following the Choosing knows who you are, esteemed Greenspirit.” While Zylar would be pleased if Ryzven forgot his business with Beryl while dallying with Kurr, he doubted he’d be so lucky. And as Beryl rose, Ryzven turned to her, making sure she got the full impact of his rare colors. He even puffed out his thorax a little, and Beryl let out a breath, a sound Zylar identified as annoyance. She said something the translator couldn’t process. “I came to congratulate you on your—” Before Ryzven could finish his pompous sentence, Snaps ambled forward, lifted a leg, and eliminated on him. “I don’t like him,” Snaps said. “Beryl doesn’t like him. Let’s go!” “So sorry about that,” Beryl said in a flat tone. “Snaps is nervous around strangers.” Zylar had heard sincerity from her many times before, and on this occasion, she wasn’t remotely apologetic. In fact, her eyes were twinkling and she seemed to be having a hard time restraining herself from making the battle face, which she’d said indicated amusement or enjoyment. “You should clean that up,” he told Ryzven, who was sputtering incoherent outrage. Most likely, he would live to regret all of this, but it felt so good to get the best of his arrogant nest-mate for once that he didn’t even look back when Beryl grabbed his claw and led him toward the exit. It occurred to him that she was leading him like Snaps, only by the limb instead of using a cord, but it would have lessened the impact of their departure if he mentioned as much. Once they reached the public corridors, Kurr finally said, “I hope we have not given serious offense. I am…fearful.” The Greenspirit must know Ryzven’s reputation well. He wouldn’t accept such a humiliation without striking back. “Do not let it lessen your satisfaction in what you’ve achieved today. I will apologize more fully another time.” “Why would you apologize for something Snaps did?” Beryl cut in. “If anyone’s going to make amends, it should be me. Though for the record, I said ‘sorry’ already.” “It was insincere,” Kurr noted. Beryl stared for a long moment, then said, “That’s fair.” She took a step closer to the two of them and added in a whisper, “So when I apologize sincerely, I probably shouldn’t let on that I told Snaps to pee on him? I mean, theoretically.” The Greenspirit emitted a shocked rustling sound while Zylar simply could not contain his glee. He churred louder than he ever had in his life. “Truly? That’s what you said that the translator could not comprehend?” Then Beryl did show her fearsome aspect, displaying all her teeth. “I will neither confirm nor deny those allegations.” “Confirmed,” said Snaps. “I was promised extra snacks.” Still delighted with his intended, Zylar led the way to the garden, wondering how he should reward Beryl for improving his life in every conceivable way. 
Ann Aguirre (Strange Love (Galactic Love, #1))
hundred and thirty-eight scientists who ingested the ice cream was changed forever.” I risked a quick, stiff-necked glance around the room. My classmates were riveted, even though I knew they had all heard the story of Amalgam Labs before. We all had. Even the kids whose grandfathers hadn’t worked there. “So what happened to the scientists who ate the ice cream?” Dr. Dana continued. “Well, nothing at first!” The screen image now showed two men, standing side by side. They were both wearing lab coats.
Cory Putman Oakes (Dinosaur Boy)
LIES *Watch for clusters or groups of behaviors. Touching – mouth, nose, neck, eyes, ears, objects Omission – words, ideas, answers, clarifying statements Speech – stuttering, mumbling, pausing, scrambling phrases, slurring words, bad syntax, higher-pitched voice Posture – stiff, leaning away, stonewalling, turning sideways, shoulder roll, head jerks or shifts Obfuscation – fake smile, ill-timed gestures, words unlike emotions, no use of contractions Tells – mimicking, bridging, modifying, blocking, displacing, stalling, blocking, denial, inclusion
Mark Bouton (How to Spot Lies Like the FBI)
His playful mouth traced the wing of her brow. “I find you thoroughly, deeply interesting. I want to open you like a book and read every page.” A smile curled the corners of his lips as he added huskily, “Footnotes included.” Feeling the stiffness of her neck muscles, he coaxed the tension out of them, kneading lightly. “I want you. I want to lie with you beneath constellations and clouds and shade trees.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
And, oh that as Christians we might be humble! Lord take away that stiff-necked, that proud look; take away from us the spirit of “ stand by, for I am holier than Thou;” make us condescend to men of low estate; ay, and even to men of low morals, low character. May we seek them out, seek their good. Oh! give to the Church of Christ an intense love for the souls of men. May it make our hearts break to think that they will perish in their sin. May we grieve every day because of the sin of this City. Set a mark upon our forehead and let us be known to Thyself as men that sigh and cry for all the abominations that are done in the midst of the City. O God save us from a hard heart, an unkind spirit, that is insensible to the woes of others. Lord preserve Thy people also from worldliness, from rioting, from drunkenness, from chambering and wantonness, from strife and envy, from everything that would dishonour the name of Christ that we bear. Lord make us holy. Our prayer comes back to this. Make us holy; cleanse the inside and let the outside be clean too. Make us holy, O God: do this for Christ's sake. Not that we hope to be saved by our own holiness, but that holiness is salvation. Then we are saved from sin. Lord help Thy poor children to be holy. Oh! keep us so if we are so; keep us even from stumbling, and present us faultless before Thy presence at last.
Berenice Aguilera (C.H. Spurgeon's Prayers)
The king heard him. “You stiff-necked fool,” he muttered, “too proud to listen. Can you eat pride, Stark? Will honor shield your children?
George R.R. Martin (A Game of Thrones / A Clash of Kings / A Storm of Swords / A Feast for Crows (A Song of Ice and Fire #1-4))
Quite unselfconsciously she ran her hands along her neck, all along the sides and then to the back to feel the stiffnesses, and though she had not asked me I felt without the words that she wished me to massage her and I did, searching out the knots and the crick, then along the nape, under her swallow, holding the bowl of her head in my hands, entreating her to let go, to let go of all her troubles
Edna O'Brien (The Light of Evening)
Samsa looked down in dismay at his naked body. How ill-formed it was! Worse than ill-formed. It possessed no means of self-defense. Smooth white skin (covered by only a perfunctory amount of hair) with fragile blue blood vessels visible through it; a soft, unprotected belly; ludicrous, impossibly shaped genitals; gangly arms and legs (just two of each!); a scrawny, breakable neck; an enormous, misshapen head with a tangle of stiff hair on its crown; two absurd ears, jutting out like a pair of seashells. Was this thing really him? Could a body so preposterous, so easy to destroy (no shell for protection, no weapons for attack), survive in the world?
Haruki Murakami (سامسای عاشق)
She was unlike most other girls of her age, in this—that she had ideas of her own, and was stiff-necked enough to set the fashions themselves at defiance, if the fashions didn't suit her views.
Wilkie Collins
Sherry would have been attractive, but hard living was not only worn on her yellow face. It was in the wrinkled frailty of her neck, like new-born skin. It was the crooked movement of her mouth when she talked, as if she spoke to someone to the left of her. And her ashy, knobby hands that smelled of cigarette smoke, especially the right one. It was the stiff way she walked with her shoulders so high, as if she had gotten used to being rejected and run off the property. The hard living was in her movements, even in her spirit.
Holliday Vann (When Sexy Came Black to Cleveland)
Freethinking, Lady Frederick?” She hated that name. It was like a shackle around her neck, engraved with the name of her master. She took a step back, her face openly mutinous in the light of the single lamp. “I don’t like being told what to do.” Captain Reid quirked an eyebrow. “I shall remember that.” Unexpectedly, Penelope grinned. “No, I don’t expect you will. But I shall keep reminding you.” Turning her back on him quite deliberately, she scanned the books scattered across the shelves. “Do you have that Hindustani grammar for me?” “This one.” He reached from behind her to tip a book out of the row. His sleeve brushed her shoulder in passing. It was a coarser weave than Freddy favored, which must have been why it seemed to leave such a trail across her bare skin. She could smell the clean scent of shaving soap on his jaw and port on his breath, almost overwhelming the small space, as though not being able to see him somehow made him larger than he was, blowing his presence out of proportion in the brush of fabric against her back, the whisper of breath against her hair. Penelope twisted around, so that the bookshelf pressed into her back, pinning her between the writing desk on one side and Captain Reid’s extended arm on the other. She tipped her head back to look him in the eye, the ribbons in her hair snagging against the shelf. Captain Reid made no move to remove his arm. They were face-to-face, chest-to-chest, close enough to kiss. But for the fact that they weren’t on a balcony, and there was no champagne in evidence, it might have been a dozen other encounters in Penelope’s existence, a dozen dangerous preludes to a kiss. But this wasn’t a ballroom, and this man wasn’t any of the spoiled society boys she had known in London. He studied her face in the strange, shifting light, as the ship rocked back and forth and they rocked with it, pinned in place, frozen in tableau, his own face dark and unreadable in the half-light. One might, thought Penelope hazily, her eyes dropping to his lips, attempt to seduce information out of him. From what she had heard, it was a far-from-uncommon technique. One needn’t go too far, after all. A sultry glance, a subtle caress . . . a kiss. It was all for a good cause—and it could be so easy. Or maybe not. Captain Reid was no Freddy. Stepping abruptly back, he favored her with a stiff, social smile, the sort one would give a maiden aunt who was being tedious at a party, but to whom one was bound to be polite. With a brusque motion, he thrust the red-bound book into her hands, gesturing her, with unmistakable finality, towards the door. “Here is your grammar, Lady Frederick. I wish you . . . an instructive time with it.” “Oh, yes,” said Penelope, with more bravado than she felt. “It has certainly been most instructive.
Lauren Willig (The Betrayal of the Blood Lily (Pink Carnation, #6))
the long neck that extended from his stiff collar.
Lois Lowry (Number the Stars)
You know you’ve been travelling with someone for too long when you can read their “OH SHIT!” body language even though you’re sitting behind them. Gill’s head and neck went suddenly stiff, which can’t have been healthy, given the terrain we were bouncing over. “But…” her mental gears were spinning so frantically I could almost smell them burning. “But… Lauren… you’re not American, are you?” “I SURE AM!” Lauren sounded a little indignant, but that was all. “Oh!” said Gill, “Sorry! We all thought you were Canadian!” And somehow, unbelievably, she’d pulled it off.
Tony James Slater (Kamikaze Kangaroos!: A trip around Oz in a van called Rusty)
Ye understand, beloved, ye understand well the Sacred Scriptures, and ye have looked very earnestly into the oracles of God. Call then these things to your remembrance. When Moses went up into the mount, and abode there, with fasting and humiliation, forty days and forty nights, the Lord said unto him, “Moses, Moses, get thee down quickly from hence; for thy people whom thou didst bring out of the land of Egypt have committed iniquity. They have speedily departed from the way in which I commanded them to walk, and have made to themselves molten images.” And the Lord said unto him, “I have spoken to thee once and again, saying, I have seen this people, and, behold, it is a stiff-necked people: let Me destroy them, and blot out their name from under heaven; and I will make thee a great and wonderful nation, and one much more numerous than this.” But Moses said, “Far be it from Thee, Lord: pardon the sin of this people; else blot me also out of the book of the living.” O marvellous love! O insuperable perfection! The servant speaks freely to his Lord, and asks forgiveness for the people, or begs that he himself might perish along with them.
The Church Fathers (The Complete Ante-Nicene & Nicene and Post-Nicene Church Fathers Collection)
Thorn went completely stiff, while Devyl held his breath at something not even he had the bullocks to do. The use of his Leucious birthname was ballsy enough and as far as he dared take insulting the demon. After all, in life, there were some actions just not worth the gamble. Jumping from a cliff that overlooked a raging sea and sharp rocks. Eating glass. Throwing yourself into a raging inferno inside a volcano. Touching the Dark-Hunter Acheron on the back of his neck. Trespassing on the Chthonian Savitar’s island without his permission. Telling the demon Simi no when she didn’t want to hear it. And using Thorn’s summoning name. “Your lack of discretion is foolish,” Devyl warned her. “Were I you, I’d stop before I lose more ground and my head.
Sherrilyn Kenyon (Deadmen Walking (Deadman's Cross #1))
The well-meaning woman was in fact possessed by two devils--the one the stiff-necked devil of pride, the other the condescending devil of benevolence. She was kind, but she must have credit for it
George MacDonald (Mary Marston)
Humankind paid for its lofty vision and industrious hands with backaches and stiff necks. Women paid extra. An upright gait required narrower hips, constricting the birth canal – and this just when babies’ heads were getting bigger and bigger. Death in childbirth became a major hazard for human females. Women who gave birth earlier, when the infant’s brain and head were still relatively small and supple, fared better and lived to have more children. Natural selection consequently favoured earlier births. And, indeed, compared to other animals, humans are born prematurely, when many of their vital systems are still underdeveloped. A colt can trot shortly after birth; a kitten leaves its mother to forage on its own when it is just a few weeks old. Human babies are helpless, dependent for many years on their elders for sustenance, protection and education.
Yuval Noah Harari (Sapiens: THE MULTI-MILLION COPY BESTSELLER)
Rohan’s fingertips drifted with stunning delicacy over her throat, behind her ear, pushing into the satiny warmth of her hair. “You are an interesting woman, Amelia.” Gooseflesh rose wherever his breath touched. “I can’t f-fathom why you would think so.” His playful mouth traced the wing of her brow. “I find you thoroughly, deeply interesting. I want to open you like a book and read every page.” A smile curled the corners of his lips as he added huskily, “Footnotes included.” Feeling the stiffness of her neck muscles, he coaxed the tension out of them, kneading lightly. “I want you. I want to lie with you beneath constellations and clouds and shade trees.” Before she could answer, he covered her mouth with his.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
You are American,” he says, as if I’m a mythical creature. I nod. “Yes. And, uh, we have different dances where I come from.” “Can you show us one?” The second boy, a dark-haired kid, steps forward, looking intrigued. I stifle a laugh. “Oh, uh, no. I’m a horrible dancer.” “Please?” the redheaded boy asks. “I have never seen an American dance.” I just laughed at them thirty seconds ago. Wouldn’t that make me mean if I just blow them off now? “I doubt you’d want to see these dances,” I say, stalling. I feel kind of bad. But I really can’t dance. I’ll make a fool of myself. “Oh, but I do. Most certainly.” “Oh.” Well, then. I could try, right? Just some tiny little thing? But what do I share? MC Hammer? The Running Man? The Electric Slide? A little Macarena? “Uh,” I say, stepping forward. “How about, um, the Robot?” “The Robot?” the two boys ask in unison. Did the word robot even exist in 1815? “Yeah. You, uh, hold your arms out like this,” I say, demonstrating the proper way to stand like a scarecrow. I can’t believe I’m doing this. “And then relax your elbows and let your hands swing. Like this.” I’m really not doing it well, but by the way their eyes widen, you’d think I just did a full-on pop-and-lock routine with Justin Timberlake. They mimic my maneuver, making it look effortless. The drummer guy stands up and gets in on the action, swinging his arms freely. The guy’s better than me after a two-second demo. Figures. “Okay, then, uh, you sort of walk and you try to make everything look stiff and, uh, unnatural. Like this.” I show him my best robotic walk, my arms mechanical in their movements. The two boys and the drummer immediately copy me, and by the time they’ve taken four or five steps, they seriously look like robots. In no time they’re improvising, and their laughter trickles up toward the rafters of the barn. Yeah. That’s my cue to leave before inspiration strikes and I try to show them how to break-dance but only succeed in breaking my neck. I slip out of the barn unnoticed, grinning to myself as I walk the gravel path back toward the house, my skirts brushing the dirt. At least somewhere, I’m not Callie the Klutz. Even if it’s just some smelly old barn. There’s hope for me after all.
Mandy Hubbard (Prada & Prejudice)
I am a very good imitation, but I am not really a good person. I have done many very bad things, and I hope to live long enough to do many more. And to be completely objective, I almost certainly deserve all the things Hood and Doakes wanted to do to me. But while I wait for the long arm of the law to grab me by the neck, I also deserve to breathe air that is not fouled with the stench of unwashed and rotting dental apocalypse. I put a stiff index finger into Hood’s sternum and pushed him away. For a moment he thought he was going to tough it out—but I had chosen my spot well, and he had to back off. “You can arrest me,” I told Hood, “or you can follow me. Otherwise, get out of my way.” I pushed a little harder and he had to take another step back. “And for God’s sake, brush your teeth.” Hood
Jeff Lindsay (Double Dexter (Dexter #6))
Sometimes, You Just Need a Vibrator Coach Sommer introduced me to a Russian medical massage specialist who recommended I use the plug-in (not cordless) model of the Hitachi Magic Wand on its high setting. I’ve never experienced such heights of ecstasy. Thanks, Vladmir! Just kidding. In this case, it’s for relaxing hypertonic muscles (i.e., muscles that are tense even though they shouldn’t be). Just place the wand on your muscle belly (not insertion points) for 20 to 30 seconds, which is often all it takes at the proper hertz. Tension headaches or a stiff neck? It’s great for relaxing the occipitals at the base of the skull. Warning: Having Hitachi Magic Wands lying out around your house can go terribly wrong—or terribly right. Good luck explaining your “hypertonic muscles.” As one friend said to me, “I think my wife has that same problem. . . .”   Gymnast Strong Unusual and Effective Bodyweight Exercises In less than eight weeks of following Coach Sommer’s protocols, I saw unbelievable improvement in areas I’d largely given up on. Try a few of my favorite exercises, and you’ll quickly realize that gymnasts use muscles you didn’t even know you had. QL Walk—An Unusual Warmup
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
If you think rules, laws, Doctrines and ideals are Meant to order humans; The chaos they cause Shows they are nothing more Than a bunch of nuisance. Or rather, the human is So stiff-necked, he's always Kicking against the rule. Yes also, the human is So self-centred, she's always Cornering the common pool.
Godwin Inyang (Dr Fixit (Africa's Longest Poem - Volume One))
At milking-time Ma was putting on her bonnet, when suddenly all Jack’s hair stood up stiff on his neck and back, and he rushed out of the house. They heard a yell and a scramble and a shout: “Call off your dog! Call off your dog!” Mr. Edwards was on top of the woodpile, and Jack was climbing up after him. “He’s got me treed,” Mr. Edwards said, backing along the top of the woodpile. Ma could hardly make Jack come away. Jack grinned savagely and his eyes were red. He had to let Mr. Edwards come down from the woodpile, but he watched him every minute. Ma said, “I declare, he seems to know that Mr. Ingalls isn’t here.” Mr. Edwards said that dogs knew more than most folks gave them credit for.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
Cal studied Savvy as the C-130 sped down the runway. The plane held a half-dozen marines and supplies bound for Manda Bay. She'd chosen the seat across from him near the tail of the aircraft and donned protective headphones. Between the headphones and other passengers, there was no way for them to discuss the mission during the flight. He’d been released from the brig at two thirty in the morning and was told he’d be departing on the transport as scheduled. Savvy hadn't stopped by his CLU to offer an explanation, and he’d decided not to go to hers. He needed to sleep. They'd have time to sort things out before departure. But daylight brought no communication from her, and he’d been surprised to find himself alone in the vehicle that delivered him to the airstrip the US military shared with the international airport. He’d begun to wonder if the op would be canceled, when she arrived seven minutes before their scheduled takeoff. She’d dropped into the seat across from him with little more than a nod in his direction, donned the headphones, and cracked open a file. She stared at the papers on her lap as if they held the meaning of the universe. They reached cruising altitude. The interior was loud, but not so loud the headphones were necessary. Still, she kept them on. He’d been watching her for twenty minutes, noting that she had yet to turn a page. He’d been looking forward to seeing her. He’d wanted to check the bruises on her neck, make sure she was okay. But the concern had evaporated in the wake of her avoidance. Her utter lack of acknowledgment of what had transpired last night. He reminded himself she’d been assaulted. It was wrong of him to expect her to be rational, cool, and calm today. She’d said the man had assaulted her before, and Evers had indicated the same with his words and actions. She had the right to be messed up. If this were a normal situation. But nothing about this was normal. They were heading into a covert op, and he knew next to nothing of their plan. Worse, he needed to know if she was on her game. He needed Savannah James, Paramilitary Operations Officer for the Special Operations Group within SAD. He needed the covert operator who could do everything he could do, backward and in high heels. He didn’t know if that woman had boarded this turboprop. Flights always took longer on C-130s, and he estimated they’d be in the air about three and a half hours. Too long to wait to find out what was going on in that complex brain of hers. He unbuckled his harness and moved to the empty seat next to her. Her fingers tightened on the files in her lap. He reached over and extracted the papers from her grip and set them aside. He slid a hand down her arm and took her hand, interlocking his fingers with hers. Her hand was tight, stiff, then all at once, she relaxed and squeezed his hand. After a moment, she pulled off the protective headphones and leaned her head on his shoulder. Something in his chest shifted. He was holding hands with Savvy as she leaned on him, and it felt…right. Good. Like something he’d needed forever but hadn't known. Several marines sat too close for them to attempt conversation, and a guy sitting across the empty fuselage watched with unabashed curiosity. Cal didn't care. He liked the way she leaned on him. The way she was willing to accept comfort. The way her hand felt in his. And he was thankful he hadn't been cut from this mission, no matter how much he hadn't wanted it at first. The idea of her having to pretend to be a sexual plaything to anyone but him made his blood pressure spike. It was messed up, but he couldn't deny it. The fact that he didn't like the idea of any other man touching her—even if it was only an act—was a problem to deal with when they returned to Camp Citron. Right now, he was a soldier embarking on a mission, and as he would on any mission, he’d protect his teammate at all costs.
Rachel Grant (Firestorm (Flashpoint #3))
Mariners are like to a stiffe necked horse, which taking the bridle betwixt his teeth, forceth his rider to what him list, mauger his will; so they having once concluded, and resolved, are with great difficultie brought to yeelde to the raynes of reason; and to color their negligence, they add cost, trouble, and delay.
Richard Hawkins (The Observations of Sir Richard Hawkins Knight, in His Voiage Into the South Sea: Anno Domini 1593 (Classic Reprint))
liked taunting them during early morning drills. “Sleep is overrated,” he’d say. “You will learn to do without.” He’d lied. Sleep was like sex. The less you had, the more you craved it, and Tracy Crosswhite hadn’t had much of either lately. She stretched her shoulders and neck. With no time for a morning run, her body felt stiff and half-asleep, though she didn’t remember sleeping much, if at all. Too much fast food and too much caffeine, her doctor said. Good advice, but eating well and exercising took time Tracy didn’t have when investigating a homicide, and giving up caffeine would be
Robert Dugoni (My Sister's Grave (Tracy Crosswhite, #1))
certain Goth, named Galla, was of the impious sect of the Arians. This terrible Goth, during the reign of King Totila, did with monstrous cruelty persecute religious men of the Catholic Church. If any cleric or monk came into his sight, he was sure not to escape from his hands alive. This man, enraged with an insatiable desire of spoil and pillage, lighted one day upon a husbandman, whom he tormented with cruel torments. The rustic, overcome with pain, professed that he had committed his goods to the custody of the servant of God, Benedict. This he feigned that he might free himself from torments and prolong his life for some time. Then this Galla desisted from tormenting him and, tying his arms together with a strong cord, made him run before his horse to show him who this Benedict was that had received his goods. Thus the man went in front, having his arms bound, and brought him to the holy man’s monastery, whom he found sitting alone at the monastery gate, reading. Then the countryman said to Galla, who followed furiously after him, “See! This is Father Benedict whom I told you of.” The barbarous ruffian, looking upon him with enraged fury, thought to affright him with his usual threats, and began to cry out with a loud voice, saying, “Rise, rise and deliver up this rustic’s goods which thou hast received.” At whose voice the man of God suddenly lifted up his eyes from reading and saw him and also the countryman whom he kept bound; but, as he cast his eyes upon his arms, in a wonderful manner the cords fell off so quickly that no man could possibly have so soon untied them. When Galla perceived the man whom he brought bound so suddenly loosened and at liberty, struck with fear at the sight of so great power, he fell prostrate and bowed his stiff and cruel neck at the holy man’s feet, begging his prayers. But the holy man rose not from his reading, but called upon the brethren to bring him to receive his benediction. When he was brought to him, he exhorted him to leave off his barbarous and inhuman cruelty.
Pope Gregory I (Life and Miracles of St. Benedict (Book Two of the Dialogues))
The television seemed to grow quieter, and they moved closer to it, from the couch to the carpet, and sitting on the floor with her corset still stiffening her back, she had to lean against him to be comfortable. And then his arm was around her shoulder, and his smell was delicious. She felt drunk on root beer, and soothed by the twitching of the tiny television. He started to play with her fingers, and she turned her head. Their breaths touched. Then their lips. And then, they really made out. It was fun, kissing a guy she barely knew. She’d never done this before, and it made her feel rowdy and pretty and miles removed from her issues. She didn’t think or fret. She just played. “Good shot,” she said, her eyes closed, pretending to watch the game. “Watch that defense,” he whispered, kissing her neck. An evening dress allowed for a lot of neck, and somehow he got it all. “Get the rebound, you clumsy oaf.” And it was fun to stop kissing and look at each other, breathless, feeling the thrill and anticipation of the undone. “Good game,” she said. The television buzzed with static. She didn’t know how long the game had been over, but her heavy eyes and limbs told her that it was very late. She thought if she stayed longer, she would fall asleep on his chest, and because that idea pleased her, she left immediately. Her torso stiff inside her corset exoskeleton, he had to help her to her feet. With one hand, he pulled her onto her toes as though she were the weight of a pillow. He walked her to the door and swatted her on the butt. “Good game, coach. See you tomorrow.” “Um, who won?” she asked, indicating the television still droning angrily at having no picture to show. “We did.
Shannon Hale (Austenland (Austenland, #1))
A good cook almost never misses a shift. He takes ownership of his work; he takes pride in it. He understands how important he is to the team and he will avoid disappointing his coworkers at all costs. Regardless of runny noses or tummy trouble, regardless of stiff necks or swollen feet, regardless of headaches or toothaches or backaches, regardless of how little sleep he got the night before or what fresh hell his hangover is when he wakes up, a good cook will always show up for work in the morning.
Michael Gibney (Sous Chef: 24 Hours on the Line)
Never apologize for being flawlessly weird, and dear god stay that way. we already have too many stiff necks and starched collars pretending they have meaning and walking around above it all. that you, darling, are a breath of fresh air in a world that needs a little more oxygen from your forest of oddities.
Sam Rhiley
I might not need you to help me. Ever think about that?” she says. I want to laugh at the question. Of course she doesn’t need me. When was it ever about that? “I’m not weak, you know. I can do this on my own.” “You think my first instinct is to protect you.” I shift so I’m a little closer to her. “Because you’re small, or a girl, or a Stiff. But you’re wrong.” Even closer. I touch her chin, and for a moment I think about closing this gap completely. “My first instinct is to push you until you break, just to see how hard I have to press,” I say, and it’s a strange admission, and a dangerous one. I don’t mean her any harm, and never have, and I hope she knows that’s not what I mean. “But I resist it.” “Why is that your first instinct?” she says. “Fear doesn’t shut you down,” I say. “It wakes you up. I’ve seen it. It’s fascinating.” Her eyes in every fear simulation, ice and steel and blue flame. The short, slight girl with the wire-taut arms. A walking contradiction. My hand slips over her jaw, touches her neck. “Sometimes I just want to see it again. Want to see you awake.” Her hands touch my waist, and she pulls herself against me, or pulls me against her, I can’t tell which. Her hands move over my back, and I want her, in a way I haven’t felt before, not just some kind of mindless physical drive but a real, specific desire. Not for “someone,” just for her. I touch her back, her hair. It’s enough, for now.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
You think my first instinct is to protect you.” I shift so I’m a little closer to her. “Because you’re small, or a girl, or a Stiff. But you’re wrong.” Even closer. I touch her chin, and for a moment I think about closing this gap completely. “My first instinct is to push you until you break, just to see how hard I have to press,” I say, and it’s a strange admission, and a dangerous one. I don’t mean her any harm, and never have, and I hope she knows that’s not what I mean. “But I resist it.” “Why is that your first instinct?” she says. “Fear doesn’t shut you down,” I say. “It wakes you up. I’ve seen it. It’s fascinating.” Her eyes in every fear simulation, ice and steel and blue flame. The short, slight girl with the wire-taut arms. A walking contradiction. My hand slips over her jaw, touches her neck. “Sometimes I just want to see it again. Want to see you awake.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
Humankind paid for its lofty vision and industrious hands with backaches and stiff necks.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
When his mind was once more clear and calm, Mikhail trotted back to the blackened ruins, changing back into his own muscular form, complete with clothes, as he strode toward his brother. He was well aware that all of nature, everything he was so much a part of, could feel his ice-cold rage. It was buried deep, seething below the surface, disturbing the harmony in the air, in the forest. His enemies would not escape. Jacques straightened slowly, as if he had been waiting for hours. His hand went to the nape of his neck, rubbing at a kink. Mikhail and Jacques stared at one another, dark sorrow in their eyes. Jacques stepped forward and reached for Mikhail in an uncharacteristic show of affection. It was brief and hard, two stiff oak trees exchanging a hug. Mikhail knew Raven would have laughed at the two of them. Gregori remained hunkered down, low to the ground, his solid bulk rivaling the broad tree trunks. He was totally motionless, his shadowed face expressionless. His eyes were a slash of silver, of mercury forever moving restlessly in the granite mask. Gregori rose slowly, fluid power and raw danger. “Thank you for coming,” Mikhail said simply. Gregori. His oldest friend. His right hand. Their greatest healer, the relentless hunter of the undead.
Christine Feehan (Dark Prince (Dark, #1))
Jacques straightened slowly, as if he had been waiting for hours. His hand went to the nape of his neck, rubbing at a kink. Mikhail and Jacques stared at one another, dark sorrow in their eyes. Jacques stepped forward and reached for Mikhail in an uncharacteristic show of affection. It was brief and hard, two stiff oak trees exchanging a hug. Mikhail knew Raven would have laughed at the two of them.
Christine Feehan (Dark Prince (Dark, #1))
I turned my attention to three dresses that were definitely not made for dining. They were going-out things, dancing looks. One was a swingy black dress made of a wet suit-like material, with a high neck and stiff A-line skirt. Alexander McQueen. Another was a red Gucci with little loops of textured fringe. It should have looked Elmo-like, but the sophisticated shape overrode the thought. I twisted the dress on the hanger, and the skirt rose and fell like the swelling of the ocean. The last dress was surprisingly heavy even though it was the shortest, narrowest, lowest-cut garment in that day's shipment. The tag said Hervé Léger and the dress was ribbed like a mummy, a very tight, shiny, green-and-gold mummy.
Jessica Tom (Food Whore: A Novel of Dining and Deceit)
The game is Dare.” A Dauntless girl, Lauren, is holding on to the handle on the side of the train car, but she keeps swaying so she almost falls out, then giggling and pulling herself back in, like the train isn’t suspended two stories above the street, like she wouldn’t break her neck if she fell out. In her free hand is a silver flask. It explains a lot. She tilts her head. “First person picks someone and dares them to do something. Then that person has a drink, does the dare, and gets a chance to dare someone else to do something. And when everyone has done their dare--or died trying--we get a little drunk and stumble home.” “How do you win?” one of the Dauntless calls out from the other side of the train car. A boy who sits slouched against Amar like they’re old friends, or brothers. I’m not the only initiate in the train car. Sitting across from me is Zeke, the first jumper, and a girl with brown hair and bangs cut straight across her forehead, and a pierced lip. The others are older, Dauntless members all. They have a kind of ease with one another, leaning into one another, punching one another’s arms, tousling one another’s hair. It’s camaraderie and friendship and flirtation, and none of it is familiar to me. I try to relax, bending my arms around my knees. I really am a Stiff. “You win by not being a little pansycake,” Lauren says. “And, hey, new rule, you also win by not asking dumb questions.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
I try to crane my neck to see the top of the building from the ground, but all I can see is sky. “Bet you it’s one of my Dauntless-borns,” she says. “It’s always a Dauntless-born. No bet.” They have an unfair advantage, the Dauntless-born. They usually know what’s at the bottom of the jump, though we try to keep it from them as much as possible--the only time we use this entrance to headquarters is on Choosing Day, but the Dauntless are curious, they explore the compound when they think no one is watching. They also grow up cultivating in themselves the desire to make bold moves, to take drastic action, to commit themselves fully to whatever they decide to do. It would take a strange kind of transfer to know how to do that without having been taught. Then I see her. Not a black streak like I was expecting, but gray, tumbling through the air. I hear a snap of the net pulling taught around the metal supporters, and it shifts to cradle her. For a second I stare, amazed, at the familiar clothing that she wears. Then I put my hand out, into the net, so she can reach it. She wraps her fingers around mine, and I pull her across. As she tumbles over the side, I grab her arms to steady her. She’s small, and thin--fragile-looking, like the impact with the net should have shattered her. Her eyes are wide and bright blue. “Thank you,” she says. She may look fragile, but her voice is steady. “Can’t believe it,” Lauren says, with more Dauntless swagger than usual. “A Stiff, the first to jump? Unheard of.” She’s right. It is unheard of. It’s unheard of for a Stiff to join Dauntless, even. There were no Abnegation transfers last year. And before that, for a long time, there was only me.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
It is conceivable that some of those named by MacGuire as under consideration for the role of dictator or subordinate positions of leadership had no knowledge of this fact, although Van Zandt reported that he, for one, had been approached. It is unlikely that Douglas MacArthur, as Chief of Staff and a stiff-necked hero with patriotic credentials as unchallengeable as Butler’s, would have had any unsavory dealings with the plotters, however patrician his outlook.
Anne Venzon Jules Archer (The Plot to Seize the White House: The Shocking TRUE Story of the Conspiracy to Overthrow F.D.R.)
I’m not some kind of potential Job, long suffering, stiff necked, then, at last, either humble before an all-knowing almighty, or destroyed. My God doesn’t love me or hate me or watch over me or know me at all, and I feel no love for or loyalty to my God. My God just is.
Octavia E. Butler (Parable of the Sower (Earthseed, #1))
When God is leading us to challenge another, let not fear hold us back. Let us not argue or press our point. Let us just say what God has told us to and leave it there. It is God's work, not ours, to cause the other to see it. It takes time to be willing to bend "the proud, stiff-necked I." When we in turn are challenged, let us not defend ourselves and explain ourselves. Let us take it in silence, thanking the other, and then go to God about it and ask him. If the other person was right, let us be humble enough to go and tell him, and praise God together. There is no doubt that we need each other desperately. There are blind spots in all our lives that we shall never see, unless we are prepared for another to be God's channel to us.
Roy Hession
Persuading him to do so is no easy task. In this attempt, Menenius is joined by Volumnia, who shares his frustration that the stiff-necked Coriolanus could not dissemble just long enough to be elected. “Lesser had been/The taxings of your dispositions,” she tells her son, “if/You had not showed them how ye were disposed/Ere they lacked power to cross you” (3.2.20–23). Coriolanus’s response is “Let them hang,” to which his mother adds, “Ay, and burn too” (3.2.23–24). But cursing the people will not solve the problem. The only intelligent course of action, she says, is for Coriolanus to do what, in effect, the elite have always known how to do: to speak To th’ people, not by your own instruction, Nor by th’ matter which your heart prompts you, But with such words that are but roted in Your tongue, though but bastards and syllables Of no allowance to your bosom’s truth. (3.2.52–57) Just lie. Everyone shares this view, she assures him: “Your wife, your son, these senators, the nobles” (3.2.65). It is in Coriolanus’s power to solve the crisis he has provoked. The price he needs to pay is simply to behave, for once, like a politician. But for him this price is unbearably high. Everything in Coriolanus’s being—the fierce integrity and pride and spirit of command he has imbibed from his mother—rebels against playing so degrading a part. And the conflict is all the more unbearable because it is precisely his mother who now urges him to debase himself. “I prithee now, sweet son,” she tells him, as thou hast said My praises made thee first a soldier, so To have my praise for this, perform a part Thou hast not done before. (3.2.107–10) Volumnia understands perfectly well that her son’s sense of his manhood is at stake and that he has shaped his whole identity from the beginning by trying to please her. The scars that cover his body were never meant for theatrical display before the people; they were adornments offered only to her. But now, devastatingly enough, she tells him that he has been trying too hard: “You might have been enough the man you are/With striving less to be so” (3.2.19–20). Or, rather, he hears from his mother a demand for a different, even more painful form of masochism. She wants him, in his view, to be a beggar, a knave, a weeping schoolboy, or a whore. Worse still, she wants his “throat of war” to be turned “into a pipe/Small as an eunuch” (3.2.112–14). All right, he says, for her and her alone, he will in effect castrate himself: “Mother, I am going to the marketplace
Stephen Greenblatt (Tyrant: Shakespeare on Politics)
Upon those whom He governs as His subjects does God bestow this gift; but not upon those who think themselves capable of governing themselves, and who, in the stiff-necked confidence of their own will, disdain to have Him as their ruler.
Augustine of Hippo (The Complete Works of Saint Augustine: The Confessions, On Grace and Free Will, The City of God, On Christian Doctrine, Expositions on the Book Of Psalms, ... (50 Books With Active Table of Contents))
His eyes were holes I fell in. I dodged his shadow lest it cover me, and felt a fool. He’s not so old, sixty perhaps; but his eyes run, his ears ring, his teeth rot. His nose clogs. His lips pale and bleed. His knees, his hips, his neck and arms, are stiff. His feet are sore, the ankles swollen. His back, head and legs ache. His throat is raw, his chest constricted, and all his inner organs—heart, liver, kidneys, lungs, and bowels—are weak. Hands shake. His hair is falling. His flesh lies slack. His cock I vision shriveled to a string, and each breath of life he draws dies as it enters his nose and crosses his tongue.
William H. Gass (In the Heart of the Heart of the Country: And Other Stories (NYRB Classics))
Perhaps I could help,” Marcus suggested pleasantly, stopping beside her. “If you would tell me what you’re looking for.” “Something romantic. Something with a happy ending. There should always be a happy ending, shouldn’ there?” Marcus reached out to finger a trailing lock of her hair, his thumb sliding along the glowing satin filaments. He had never thought of himself as a particularly tactile man, but it seemed impossible to keep from touching her when she was near. The pleasure he derived from the simplest contact with her set all his nerves alight. “Not always,” he said in reply to her question. Lillian let out a bubbling laugh. “How very English of you. How you all love to suffer, with your stiff…stiff…” She peered at the book in her hands, distracted by the gilt on its cover. “…upper lips,” she finished absently. “We don’t like to suffer.” “Yes, you do. At the very least, you go out of your way to avoid enjoying something.” By now Marcus was becoming accustomed to the unique mixture of lust and amusement that she always managed to arouse in him. “There’s nothing wrong with keeping one’s enjoyments private.” Dropping the book in her hands, Lillian turned to face him. The abruptness of the movement resulted in a sharp wobble, and she swayed back against the shelves even as he moved to steady her with his hands at her waist. Her tip-tilted eyes sparkled like an array of diamonds scattered over brown velvet. “It has nothing to do with privacy,” she informed him. “The truth is that you don’t want to be happy, bec—” She hiccupped gently. “Because it would undermine your dignity. Poor Wes’cliff.” She regarded him compassionately. At the moment, preserving his dignity was the last thing on Marcus’s mind. He grasped the frame of the bookcase on either side of her, encompassing her in the half circle of his arms. As he caught a whiff of her breath, he shook his head and murmured, “Little one…what have you been drinking?” “Oh…” She ducked beneath his arm and careened to the sideboard a few feet away. “I’ll show you…wonderful, wonderful stuff…this.” Triumphantly she plucked a nearly empty brandy bottle from the edge of the sideboard and held it by the neck. “Look what someone did…a pear, right inside! Isn’ that clever?” Bringing the bottle close to her face, she squinted at the imprisoned fruit. “It wasn’ very good at first. But it improved after a while. I suppose it’s an ac”—another delicate hiccup— “acquired taste.” “It appears you’ve succeeded in acquiring it,” Marcus remarked, following her. “You won’ tell anyone, will you?” “No,” he promised gravely. “But I’m afraid they’re going to know regardless. Unless we can sober you in the next two or three hours before they return. Lillian, my angel…how much was in the bottle when you started?” Showing him the bottle, she put her finger a third of the way from the bottom. “It was there when I started. I think. Or maybe there.” She frowned sadly at the bottle. “Now all that’s left is the pear.” She swirled the bottle, making the plump fruit slosh juicily at the bottom. “I want to eat it,” she announced. “It’s not meant to be eaten. It’s only there to infuse the—Lillian, give the damned thing to me.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Rohan’s fingertips drifted with stunning delicacy over her throat, behind her ear, pushing into the satiny warmth of her hair. “You are an interesting woman, Amelia.” Gooseflesh rose wherever his breath touched. “I can’t f-fathom why you would think so.” His playful mouth traced the wing of her brow. “I find you thoroughly, deeply interesting. I want to open you like a book and read every page.” A smile curled the corners of his lips as he added huskily, “Footnotes included.” Feeling the stiffness of her neck muscles, he coaxed the tension out of them, kneading lightly. “I want you. I want to lie with you beneath constellations and clouds and shade trees.” Before she could answer, he covered her mouth with his.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
and when the day cometh that the Only Begotten of the Father, yea, even the Father of heaven and of earth, shall manifest himself unto them in the flesh, behold, they will reject him, because of their iniquities, and the hardness of their hearts, and the stiffness of their necks.
Joseph Smith Jr. (The Illustrated LDS Scriptures)
Saul of Tarsus was the sort of Pharisee that Ezra normally avoided. Stiff-necked and bullish in his opinions, every pronouncement was made in the stubborn certainty that he alone knew what was right. Ezra and Gamaliel had been schooled under a very different philosophy. Their rabbi had insisted that only God could say what was truly the correct viewpoint, and such edicts were delivered through his prophets. This bred a certain flexibility in scriptural study, where the rabbi would present two different views of the same passage and order his students to find the truth in both commentaries. But such recollections only brought another piercing regret over this schism between Ezra and his oldest friend.
Janette Oke (The Hidden Flame (Acts of Faith, #2))
Stephen raised his hands and shouted, “You stiff-necked and uncircumcised in heart and ears! You always resist the Holy Spirit. As your fathers did, so do you!” Ezra saw lances of genuine pain stab each of the men seated at the Council table. He felt again the power of his own guilt and regret and distress. Stephen finished with, “You now have become the betrayers and murderers, you who have received the law by the direction of angels and have not kept it!
Janette Oke (The Hidden Flame (Acts of Faith, #2))
You stiff-necked fool,” he muttered, “too proud to listen. Can you eat pride, Stark? Will honor shield your children?
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
hand. I’m real sorry she left you, Celie. I remember how I felt when she left me. Then the old devil put his arms around me and just stood there on the porch with me real quiet. Way after while I bent my stiff neck onto his shoulder. Here us is, I thought, two old fools left over from love, keeping each other company under the stars. Other times he want to know bout my children. I told him you say they both wear long robes, sort of like dresses. That was the day he come to visit me while I was sewing and ast me what was so special bout my pants. Anybody can wear them, I said. Men and women not suppose to wear the same thing, he said. Men spose to wear the pants. So I said, You ought to tell that to the mens in Africa. Say what? he ast. First time he ever thought bout what
Alice Walker (The Color Purple)
Adjusting to an upright position was quite a challenge, especially when the scaffolding had to support an extra-large cranium. Humankind paid for its lofty vision and industrious hands with backaches and stiff necks.
Yuval Noah Harari (Sapiens: THE MULTI-MILLION COPY BESTSELLER)
The tension melted from her stiff and rigid posture, and without warning, his princess sprawled against his neck. She turned her cheek to his warm scales and sighed a blissful, euphoric sound. “I wish you could take me to the stars.” Her words were barely more than a whisper against his neck, but he heard them as clearly as if they had seared through his soul. And he wanted nothing more than to give them to her.
Vivienne Savage (Beauty and the Beast (Once Upon a Spell, #1))
Despite the light tone Baltsaros was using, Jon could hear that the captain was breathing heavily, and it sharpened his arousal. When Tom’s hot mouth slid over the sensitive head of his cock, Jon let out a full-throated moan. He was so turned on that he didn’t think he would last very long. His cock slid slowly down the back of Tom’s tongue, impossibly far, the muscles of the kneeling man’s throat enveloping him as his lips tightened to reverse the thrust. With a gasp, he pushed on the back of Tom’s head, wanting to feel the long, smooth plunge again once more before he had to pull away, lest he climax. When he heard the creak of the bed, he opened his eyes and saw that Baltsaros was coming towards him. There was a familiar smell in the air, and when the captain pressed his mouth to his, Jon breathed in a lungful of the drug char. Tom had stopped moving, realizing how far Jon had already come in his pleasure. As the drug started swirling through his veins, Baltsaros nodded, and Tom resumed gorging himself on Jon’s cock. Baltsaros and Tom. Tom and Baltsaros. They worked effortlessly as a team, even in this. The drug would work to offset Jon’s climax while enhancing his pleasure; this time, however, Jon didn’t feel as dazed as the first time, and he was glad for it. Experimentally, he pushed on the back of Tom’s head when his cock was in the bigger man’s throat and held him there. Tom obediently stayed put, unable to breathe and shuddering slightly as Jon rocked his hips minutely to feel the head of his cock sliding down the back of the bigger man’s throat. He threw his head back and Baltsaros put his arms around him, pinching his nipples and slowly kissing the side of his neck. When Jon finally released Tom, the other man collapsed back on the carpet, coughing and wiping his mouth; however, there was a smile on the big man’s face, and his eyes were wide with desire as he came back up onto his knees. “You weren’t kidding,” Jon said to Baltsaros, amazed at Tom’s eagerness. The captain chuckled and slid his hands down to Jon’s stiff, wet cock to stroke him. “I don’t ‘kid’ about much, my love,” said the captain in his ear. “You know what I would really like to see? I want to watch you fuck him.
Bey Deckard (Caged: Love and Treachery on the High Seas (Baal's Heart, #1))
Kestrel…do you really want to marry the prince?” “I thought you didn’t want to talk about him.” “Want and need aren’t the same.” His mouth hovered near hers. “Tell me. Is this engagement really your choice? Because I don’t believe it. Not unless I hear you say so.” The glass against her back was a blaze of cold. She shivered. He was so close. All she had to do was uncurl her fingers from the balustrade and lean forward into him. It felt inevitable, like an overfull cup ready to spill. The rasp of his unshaved cheek brushed hers. “Do you?” he said. “Do you want him?” “Yes.” “Prove it,” Arin murmured into her ear. The heat of him settled against her. His palm squeaked against the glass by her head. “Arin.” She could barely speak. “Let me pass.” His lips caught at the base of her neck, slid upward. “Prove that you want him,” he said into her hair. His kiss traveled across her cheek. It brushed her forehead, then rested right on the golden line that marked her engagement. “I do,” she said, but her voice sounded like she was drowning. His kiss was there, waiting near her lips. “Liar,” he breathed. Her hand came between them, and pushed. She was shaken, startled by the way she had shoved him. She felt suddenly, cruelly starved--and angry at herself for this hunger of her own making. “I said, let me go. Or will you hold me here against my will?” He recoiled. His boots scraped back. She couldn’t see his expression, only the way he snatched his arms to his sides and stood stiff. He covered his face as if it weren’t already hidden by the dark. He muttered something into his palms, then they fell away. “I’m sorry,” he said. He tore open the curtain, and was gone.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
I gave the man a comely smile before inquiring, “What’s hard-a-lee?” Instead of responding, he tapped my erection, which bounced uncontrollably. His hardness had grown during our flirtatious intercourse, its bulbaceous size stirring my concupiscence to flutter as his sturdy hand stroked me into a dizzying spell. He pulled me to him, French kissing me passionately. Spellbound by his erotic expertise, I lost all sense of propriety. The feel of his bearded chin and hairy chest spawned my stiffness to drum incessantly against his furry torso. I had desired this sinewy helmsman from the moment we met. When he gave me the traditional nose-to-nose greeting, he’d stared at me unflinchingly. He had claimed my person with his assertive eyes then; now, thrills of chilling excitement coursed through my body as he cupped and squeezed my buttocks, teasing my tenderness with his manly hands. He inserted his fingers into my opening, claiming my cloven his. As we continued our alluring foreplay, the boat had drifted into an aquiline cove. It was then that I noticed my beloved Andy observing us by the doorway. My Valet gave me his approval to continue appeasing the beguiling athlete as he stared, mesmerized, at our erotic performance. He, like me, was entranced by Tad’s virility. He was witnessing a reflective manifestation of our intimate moments together in which I had surrendered myself fully to his maleness, as I did now to the helmsman. My chaperone needed no invitation. He knelt to suckle our thumping palpitations simultaneously as we jabbed into his craving throat. This hallowed ecstasy intensified my hunger for both men. Just then, I felt a pair of hairy arms pinching my bristled nipples from behind. The sheik’s sultry lips caressed my tender neck, seducing me into his web of libidinous captivity. While his jouncing member knocked at my doorway to paradise, I couldn’t help but succumb to this jubilant exultation, when another stimulation seized my searing soul, propelling me into an inferno of pleasurable jouissance.
Young (Turpitude (A Harem Boy's Saga Book 4))
I’ve dropped my drink,” she said, a barely noticeable quaver in her voice. “My apologies, my lord. If you’ll just…” “Hold still.” He hadn’t meant to be giving a command, exactly. “If you move, you might step on the glass, and it will slice your foot open.” He hoisted her easily against his chest, one arm under her knees, the other around her shoulders. “Arms around my neck,” he growled, but rather than taking her to the door, he moved across the room to sit in a large, overstuffed wing chair. “You can put me down,” she said, and in his arms, her spine was stiff, her body rigid. “Soon,” he replied, arranging her legs over the arm of the chair. “This will do for now.” “It will not do,” she protested, but she put her arms around his neck, and St. Just would have sworn he felt her nose graze his collarbone. As the rain pounded against the windows and the wind rattled the panes, the earl settled them in the chair. His hand moved in slow sweeps along her back, and his chin rested against her temple. He was stealing comfort from her under the guise of protecting her feet; he knew it; she likely knew it, as well. “It
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
Chris let go two stiff punches, connecting with Roy’s face. Roy unsuccessfully tried to cover with his arms locked in front of his face, then rolled to his stomach in an effort to hide from the onslaught. Big mistake. Chris punched him a couple more times in the back of the head. He slipped his right arm around Roy’s thick neck then quickly locked him in a half-nelson sleeper hold. After a moment of squirming, Roy went limp. Chris rolled him on his side in the recovery position. He checked his pulse and breathing to make sure he hadn’t killed the poor bastard. He was okay. Just asleep. Chris didn’t have a choice. This was serious. He couldn’t have a fool down here with him. They were potentially facing an enemy no one had ever faced. ***
O.G. Gough (Red Centre)
Making brief eye contact with Tristan, Gabriel casually marched around the gazebo and yanked the Ashman back further into the shadowy cover of the dark trees. The Ashman struggled, but Tristan came up beside Gabriel and caught the Ashman’s hands behind his back. Another Ashman appeared in the darkness beyond Tristan. “Watch your back,” Gabriel said, and Tristan whipped around. In one fluid movement, Tristan pulled a dagger from his coat—because, apparently, Tristan carted bloody weapons around in his coat—and cut through the Ashman’s skull with forceful movement. Without missing a beat, Tristan turned back around and helped Gabriel pin the Ashman that was struggling beneath Gabriel’s grasp.Gabriel punched the Ashman in the face, giving Tristan an opportunity to restrain the Ashman’s hands behind his back. Gabriel pulled Scarlet’s butcher knife from his coat—okay, so maybe they both carted weapons around in their jackets—and with silent movement, he thrust the blade directly into the Ashman’s heart and twisted. Stiffness, cracking, crumbling…then ash. Murder accomplished. Gabriel tucked the blade back into his coat and dusted off his hands as he looked at the two piles of ash on the forest floor. “See how simple that was?” He looked at Tristan. “You hold him down, I stab him, end of threat. With Nate it’s all weird battle cries and plastic hammers.” Gabriel shook his head. “Fighting with you is much less dramatic.” “Yeah, well.” Tristan stretched his neck. “We make a good killing team.” Gabriel rolled his eyes as they headed out of the trees and back to the fair. “What is with everyone wanting to be on teams?
Chelsea Fine (Awry (The Archers of Avalon, #2))
Alyssa shrugged. “I think we know the routine.” “You do, but there’s still a…stiffness because y’all aren’t completely comfortable with it, and it shows in your dancing.” Ashton held up a finger. “Everyone close your eyes, relax your shoulders, and just feel the breeze that’s blowing across the field right now.” Ashton closed her eyes and waved her arms around slowly. “You’re a tree, and the gentle wind is swaying your branches. Let it sway you.” What Ashton didn’t know was that no one did as she instructed. The girls and Patty stood there watching Ashton sway her arms. “Coach, you look like the inflatable tube man they have at the new carwash, and you’re scaring me,” Sophie said, looking disturbed. Ashton’s eyes flew open. “I better see some people doing the inflatable tube man pretty darn quick.” The girls all threw up their arms and flopped them around violently, and Ashton said, “Y’all are killing me. Show me how y’all would dance if you were at a party.” She covered her face with both hands when they all started twerking. “Okay, just stop. Gemma, run them through the moves again.” “What were you trying to accomplish with all that?” Patty asked with a grin. “I was trying to get them to loosen up,” Ashton said and glanced at her watch. “This day is creeping by.” “You should’ve dusted off your snake and showed them that. If you can do a smooth snake, you can make any dance move smooth. Check my snake.” Ashton shook her head. “That’s not a full-on snake. You have to roll your body from your head to your hips, use your neck like this.” “You were always better at this one than I was,” Patty said as she mimicked Ashton’s moves. “You couldn’t touch my Cabbage Patch though.” Ashton snorted. “That sounded so dirty. Come on, Patty, neck and shoulders, work them.” Ashton turned when the music stopped and realized the girls had stopped practicing to watch her and Patty. “What’re y’all doing?” Gemma asked with a laugh. “This is dancing,” Patty retorted. “Back in the day, we moved our entire bodies instead of rhythmically humping the air like y’all do. Tell you what, if y’all can learn to do the snake, I’ll buy y’all shakes at Molly’s.” Every girl on the team executed the dance move perfectly, and Gemma grinned. “Momma, we know old school moves.” Melody nodded. “Yeah, we know all those old-timey dances. Can we go to Molly’s now?” “What were you trying to accomplish with this plan?” Ashton asked Patty with a grin. “Apparently, bankruptcy.” ******* “How many times are you gonna change your clothes?” Jet asked that evening as she watched Shawna go back into her closet. Shawna groaned. “Everything I put on is pissing me off.” “Wear jeans and your light blue V-neck T-shirt. You’re just going to her house, you don’t have to dress up.” Jet sprawled out on Shawna’s bed and toyed with the TV remote.
Robin Alexander (Patty's Potent Potion)
You shouldn't think about the past so much...Looking back only gives you a stiff neck.
Jens Christian Grøndahl
Without allowing herself time to consider her actions, Lottie approached him, touching the fine broadcloth of his coat with her palm. Her hand smoothed over the fabric and eased inside. His waistcoat was the same inky black as his coat, but the material was silkier, slipping a little over the hard delineation of his chest muscles. She thought of how hot his skin must be, to impart such warmth to the thick garment. Nick was suddenly motionless, his breath changing to a slower, deeper rhythm. Lottie did not look at his face but concentrated instead on the knot of his gray necktie as her fingers explored the snowy, fragrant folds of his shirt. "I don't want a reprieve," she said eventually, and tugged at the knot until it slid loose. As the necktie unraveled, it seemed that his self-control became similarly undone. He breathed more heavily, and his hands clenched at his sides. Inexpertly she unfastened the stiff collar of his shirt and spread it wide to reveal the amber sheen of his throat. She glanced up at his face and saw with a quake of sudden nervousness that his fury was transforming rapidly into pure sexual need. Color crept across his cheekbones and the bridge of his nose, a burnished glow that made his eyes look like blue fire. His head lowered very slowly, as if he were giving her every opportunity to flee. She stayed where she was, her eyes closing as she felt the barely perceptible touch of his mouth on the side of her neck. His lips brushed the sensitive skin, parted, and the silken tip of his tongue stroked her in a delicate, hot circle. With a shaky sigh, Lottie leaned forward into his body as her legs wobbled beneath her. He did not touch her with his hands, only continued to explore her neck with exquisite leisure.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
If there is one thing I’ve learned in life, it’s that looking backward only gets you a stiff neck and a head contusion when you crash into the lamppost you didn’t see in front of you.
Elle Aycart (Deep Down (The OGs, #1))
Smitten I am standing there Gazing at your form I cannot help but reach out And touch your arm Stroking soft and slow Caressing back and forth   My lips kiss your nape My hands pass down your neck Your mounds promise more You shudder as I touch your nipple Between your legs I feel the heat The dampness is ready   Labial heat rising Stiffness between my legs Our breaths panting Our embraces melting We kiss deeply The rest is yet to come
Demetrios Anastasia (Winds of Passion: Passion - An inscrutable, indefinable specter of emotions (Passions Unfolding ... Book 1))
Over the years, it is the habitual repetition of these preferred fixations which creates the individualized tension patterns in our musculatures, and eventually even alters the thickness of our fascia and the shape of our bones in order to more efficiently accommodate a limited number of positions. As we select postural fixations and become more and more attached to them, their increasing familiarity begins to give us a comforting sensory and psychological stability, a constant norm to which we return as to a favorite jacket or an old friend. Indeed, my favorite fixed positions eventually cease to be something I am doing and become to a large degree what I am. The fixation becomes dominant, and the release more difficult; person, posture, and point of view become firmly welded together, unfortunately limiting all three. And what was a familiar old friend can become an increasingly tormenting millstone around the neck. I find that the position which held me up comfortably for a while cannot do so indefinitely. In fact, there simply is no single position that will support me for indefinite periods of time without producing areas of fatigue, pain, and eventual dysfunction. I need a large repertoire of fixations, so that I am not trapped in the discomforts inherent in any single position. Releasing these compelling fixations is of course one of the principal jobs of bodywork. By manipulating the body so that other positions are concretely experienced, the bodyworker can remind a stiffened back that other positions are in fact possible, that other muscles can take over for a while, that the limitations previously experienced are not anatomical ones. And it is extremely important to remember while manipulating these stiff muscles that the fixation is not in the tissues under my hands, but is deep in the unconscious processes of the mind. My physical contact with the local tissues is merely a means of generating new sensory input into the sensorimotor process; it is the mind that is coordinating this process which must release its hold upon a fixed position.
Deane Juhan (Job's Body: A Handbook for Bodywork)
I cannot go to school today" Said little Peggy Ann McKay. "I have the measles and the mumps, A gash, a rash and purple bumps. My mouth is wet, my throat is dry. I'm going blind in my right eye. My tonsils are as big as rocks, I've counted sixteen chicken pox. And there's one more - that's seventeen, And don't you think my face looks green? My leg is cut, my eyes are blue, It might be the instamatic flu. I cough and sneeze and gasp and choke, I'm sure that my left leg is broke. My hip hurts when I move my chin, My belly button's caving in. My back is wrenched, my ankle's sprained, My 'pendix pains each time it rains. My toes are cold, my toes are numb, I have a sliver in my thumb. My neck is stiff, my voice is weak, I hardly whisper when I speak. My tongue is filling up my mouth, I think my hair is falling out. My elbow's bent, my spine ain't straight, My temperature is one-o-eight. My brain is shrunk, I cannot hear, There's a hole inside my ear. I have a hangnail, and my heart is … What? What's that? What's that you say? You say today is .............. Saturday? G'bye, I'm going out to play!” Shel Silverstein
Neeraj Kumar (Funny Quotes: Learn with Fun)
He sat up suddenly, swept her into his lap so that she sat across his thighs, and breathed into her ear, touched his tongue there, traced the whorls of it. A silver-hot shiver of sensation coursed through her body. "Do you like that?" he murmured. "I don't know," she half-gasped. "It rather takes... everything over." He dragged a single finger down her throat, over the fine bones of her chest, touched it to the stiff peak of her nipple. "Proof that you most definitely like it," he confirmed in a sultry whisper. She laughed a little, then stopped abruptly, because she needed all of her faculties to enjoy what he'd begun doing to her breasts with his hands. And then they were quiet, and with a tacit sort of agreement, everything was soft as breath, delicate. With lips, and fingertips light as air, with breath itself, she caressed him, and he caressed her. She breathed into his ear, tasted the cord of his neck while his fingers gently, maddeningly, softly, played along her spine, her waist, her belly, the nest of curls between her legs, her throat, her breasts, as though he was bringing music from the most delicate of harps. Until every cell of her vibrated with desperate need. His breath was hot, then cool, in her ear. She finally gave up exploring him and submitted, hooking her arms loosely around his neck, selfishly wanting just to take the pleasure he could give.
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
St. Bernard was distressed at what he heard of these Irish Culdees, who had no Confession, never paid tithes, and lived like wild beasts, as they disdained marriage by the clergy. In his righteous anger, he stigmatized them as "beasts, absolute barbarians, a stubborn, stiff necked, and ungovernable generation, and abominable; Christian in name, but in reality pagans." This harsh language is not worse than that employed by the Pope, when he entreated our Henry II. to take over Ireland, so as to bring the Irish into the Christian Church, compel them to pay tithes, and so civilize them.
James Bonwick (Irish Druids And Old Irish Religions)
Lucien grabbed hold of her, dragged her back against the bookcase and trapped her with his body. He fisted a hand through the loose coils of her hair, dragging her head back. Her eyes rose to meet his. A hunger churned in his gaze, swirling in eddies of changing colors. “Tell me to let go of you,” he begged in a ragged whisper. “Tell me.” She stared at him, unable to voice a protest. “Christ. I’m not a saint, woman. I can’t… Oh to hell with it.” The warmth of his breath tickled her lips before he devoured her neck in a slow languid kiss. Pools of wet heat built up between her legs and his tongue flicked out against her skin as he tasted her. She moaned. Lucien slid his hand down over her bottom, catching her in his grasp, jerking her hard against his stiff shaft. Her legs shook against him, loose and unprotesting as he parted them with his thigh. He dragged her up the length of his leg so her toes barely touched the ground. The movement sent shockwaves of excitement through her and made her inhale sharply. Her hands fell to his shoulders, seeking to hold on to him. His lips found hers again and her palms skated up his neck into his hair, the strands whispering over her skin. She dug her fingers in and tugged on his hair. He growled deep in his throat and kissed her harder. -Lucien & Horatia
Lauren Smith (His Wicked Seduction (The League of Rogues, #2))
My aching, bloodied fingers dug into dented armour and clammy, stiff flesh as I heaved away the last of the High Fae corpses piled atop the fallen Illyrian soldier. The dark hair, the golden-brown skin... The same as Cassian's. But it was not Cassian's death-grey face that gaped at the sky. My breath whooshed from me, my lungs still raw from roaring, my lips dry and chapped. I needed water- badly. But nearby, another set of Illyrian wings poked up from the piled dead. I mumbled and lurched toward it, letting my mind drift someplace dark and quiet while I righted the twisted neck to peer at the face beneath the simple helm. Not him. I picked my way through the corpses to another Illyrian. Then another. And another. Some I knew. Some I didn't. Still the killing field stretched onward under the sky. Mile after mile. A kingdom of the rotting dead. And still I looked.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))