“
When pain brings you down, don't be silly, don't close your eyes and cry, you just might be in the best position to see the sun shine.
”
”
Alanis Morissette
“
What is it with you today?” says Christina on the way to breakfast. Her eyes are still
swollen from sleep and her tangled hair forms a fuzzy halo around her face.
“Oh, you know,” I say. “Sun shining. Birds chirping.”
She raises an eyebrow at me, as if reminding me that we are in an underground
tunnel.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
I have noticed that if you look carefully at people's eyes the first five seconds they look at you, the truth of their feelings will shine through for just an instant before it flickers away.
”
”
Sue Monk Kidd (The Secret Life of Bees)
“
Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date:
Sometimes too hot the eye of heaven shines,
And too often is his gold complexion dimm'd:
And every fair from fair sometimes declines,
By chance or natures changing course untrimm'd;
By thy eternal summer shall not fade,
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wander'st in his shade,
When in eternal lines to time thou growest:
So long as men can breathe or eyes can see,
So long lives this and this gives life to thee.
”
”
William Shakespeare (Shakespeare's Sonnets)
“
No one knows what you have been through or what your pretty little eyes have seen, but I can reassure you ~ whatever you have conquered, it shines through your mind.
”
”
Nikki Rowe
“
I have always loved you, princess" Robin Goodfellow promised, his green eyes shining in the darkness. "I always will. And I'll take whatever you can give me.
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
You threw everything away."I bring a hand up to touch her face,to wipe the rain from her eyelashes."Your entire life-your beliefs...Why would you do that for me?"
June has never looked more beautiful than she does now,unadorned and honest,vulnerable yet invincible.When lightning streaks over the sky,her dark eyes shine like gold."Because you were right,"she whispers."About all of it.
”
”
Marie Lu (Legend (Legend, #1))
“
Get Off The Scale!
You are beautiful. Your beauty, just like your capacity for life, happiness, and success, is immeasurable. Day after day, countless people across the globe get on a scale in search of validation of beauty and social acceptance.
Get off the scale! I have yet to see a scale that can tell you how enchanting your eyes are. I have yet to see a scale that can show you how wonderful your hair looks when the sun shines its glorious rays on it. I have yet to see a scale that can thank you for your compassion, sense of humor, and contagious smile. Get off the scale because I have yet to see one that can admire you for your perseverance when challenged in life.
It’s true, the scale can only give you a numerical reflection of your relationship with gravity. That’s it. It cannot measure beauty, talent, purpose, life force, possibility, strength, or love. Don’t give the scale more power than it has earned. Take note of the number, then get off the scale and live your life. You are beautiful!
”
”
Steve Maraboli (Life, the Truth, and Being Free)
“
His mouth curls into a smile. His eyes shine with wicked intent. “Look at them all, your subjects. A shame not a one knows who their true ruler is.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
I Wandered Lonely as a Cloud
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed--and gazed--but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
”
”
William Wordsworth (I Wander'd Lonely as a Cloud)
“
When God had made The Man, he made him out of stuff that sung all the time and glittered all over. Some angels got jealous and chopped him into millions of pieces, but still he glittered and hummed. So they beat him down to nothing but sparks but each little spark had a shine and a song. So they covered each one over with mud. And the lonesomeness in the sparks make them hunt for one another.
”
”
Zora Neale Hurston (Their Eyes Were Watching God)
“
In the external scheme of things, shining moments are as brief as the twinkling of an eye, yet such twinklings are what eternity is made of -- moments when we human beings can say "I love you," "I'm proud of you," "I forgive you," "I'm grateful for you." That's what eternity is made of: invisible imperishable good stuff.
”
”
Fred Rogers (The World According to Mister Rogers: Important Things to Remember)
“
Words are flowing out like endless rain into a paper cup,
They slither wildly as they slip away across the universe
Pools of sorrow, waves of joy are drifting through my open mind,
Possessing and caressing me.
Images of broken light which dance before me like a million eyes,
They call me on and on across the universe,
Thoughts meander like a restless wind inside a letter box
They tumble blindly as they make their way
Across the universe
Sounds of laughter shades of love are
Ringing through my open ears inciting and inviting me
Limitless undying love which shines around me like a
Million suns, and calls me on and on
Across the universe
”
”
John Lennon
“
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.”
She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried.
And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.”
But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it.
I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away.
You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life.
And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it.
“Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.”
Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining.
Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
”
”
Sarah Kay
“
Her eyes shining with the light of it.
Beneath, between, beyond.
Along the endless circle.
Down the ceaseless spiral.
And waiting for her on the other side?
Just like he promised.
...
“A whole sky of different stars.
”
”
Amie Kaufman (Gemina (The Illuminae Files, #2))
“
To hear never-heard sounds,
To see never-seen colors and shapes,
To try to understand the imperceptible
Power pervading the world;
To fly and find pure ethereal substances
That are not of matter
But of that invisible soul pervading reality.
To hear another soul and to whisper to another soul;
To be a lantern in the darkness
Or an umbrella in a stormy day;
To feel much more than know.
To be the eyes of an eagle, slope of a mountain;
To be a wave understanding the influence of the moon;
To be a tree and read the memory of the leaves;
To be an insignificant pedestrian on the streets
Of crazy cities watching, watching, and watching.
To be a smile on the face of a woman
And shine in her memory
As a moment saved without planning.
”
”
Dejan Stojanovic
“
Sadly, the signals that allow men and women to find the partners who most please them are scrambled by the sexual insecurity initiated by beauty thinking. A woman who is self-conscious can't relax to let her sensuality come into play. If she is hungry she will be tense. If she is "done up" she will be on the alert for her reflection in his eyes. If she is ashamed of her body, its movement will be stilled. If she does not feel entitled to claim attention, she will not demand that airspace to shine in. If his field of vision has been boxed in by "beauty"--a box continually shrinking--he simply will not see her, his real love, standing right before him.
”
”
Naomi Wolf (The Beauty Myth)
“
In the time of your life, live—so that in that good time there shall be no ugliness or death for yourself or for any life your life touches. Seek goodness everywhere, and when it is found, bring it out of its hiding place and let it be free and unashamed.
Place in matter and in flesh the least of the values, for these are the things that hold death and must pass away. Discover in all things that which shines and is beyond corruption. Encourage virtue in whatever heart it may have been driven into secrecy and sorrow by the shame and terror of the world. Ignore the obvious, for it is unworthy of the clear eye and the kindly heart.
Be the inferior of no man, or of any men be superior. Remember that every man is a variation of yourself. No man's guilt is not yours, nor is any man's innocence a thing apart. Despise evil and ungodliness, but not men of ungodliness or evil. These, understand. Have no shame in being kindly and gentle but if the time comes in the time of your life to kill, kill and have no regret.
In the time of your life, live—so that in that wondrous time you shall not add to the misery and sorrow of the world, but shall smile to the infinite delight and mystery of it.
”
”
William Saroyan (The time of your life (RSC playtext))
“
He looked right at me as he gave me a half smile. "You're the brightest thing in the room", he said. He lifted his hand from my waist, and slowly, carefully brushed a stray lock of hair from my cheek. "You shine".
My breath caught in my throat. People said those kinds of things about Sloane-not about me.
"What?" frank asked, his eyes on mine.
"Just..." I took a shaky breath. "Nobody's ever said something like that to me."
"Then they don't see what I see," he said.
”
”
Morgan Matson (Since You've Been Gone)
“
I changed it. I had to. Do you know why?" She studied him, her eyes grave. "Because that was then and this is now. Because the past is gone, even though it defines the present.
”
”
Stephen King (Doctor Sleep (The Shining, #2))
“
But please, please - won't you - can't you give me something that will cure Mother?'
Up till then he had been looking at the Lion's great feet and the huge claws on them; now, in his despair, he looked up at its face. What he saw surprised him as much as anything in his whole life. For the tawny face was bent down near his own and (wonder of wonders) great shining tears stood in the Lion's eyes. They were such big, bright tears compared with Digory's own that for a moment he felt as if the Lion must really be sorrier about his Mother than he was himself.
'My son, my son,' said Aslan. 'I know. Grief is great.
”
”
C.S. Lewis (The Magician’s Nephew (Chronicles of Narnia, #6))
“
You broke me out of the grasp of a living horror when I thought all hope was gone. You gave me the opportunity to crawl back to life when no one else could."
She glances over at me, her eyes shining in the dark. "You're a hero, Penryn, whether you like it or not.
”
”
Susan Ee (World After (Penryn & the End of Days, #2))
“
Sam glanced at her, a hint of amusement shining in his eyes.
Celaena smiled at him, and the world, for one flickering heartbeat, felt right.
”
”
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
“
I've loved you forever," I tell him.
The sun rises, rests, shines in his face and he almost smiles, almost can't meet my eyes.
”
”
Tahereh Mafi (Shatter Me (Shatter Me, #1))
“
<…>When I was done speaking I felt his body had gone still again, stone still.
And silent.
Then he asked quietly, "Nightmare?"
"Nightmare," I replied firmly.
Ty didn't move.
By a miracle, I held it together.
Then he moved but it was to rest his chin on my shoulder and I closed my eyes because I needed him to go, go, go so I could fall apart again on my own.
Then he said, "Your nightmare, mama, was my dream."
My heart clenched.
He kept going. "Never had a home until you gave me one."
My breath started sticking.
"Never had anyone give to me the way you gave to me."
My breath stopped sticking and clogged.
"Never thought of findin' a woman who I wanted to have my baby."
Oh God.
"Never had light in my life, never, not once, I lived wild but I didn't burn bright until you shined your light on me."
Oh God.
"Whacked, fuckin' insane, but, at night, you curled in front of me, didn't mind I did that time that wasn't mine 'cause it meant I walked out to you."
He had to stop. He had to.
He didn't.
"Your nightmare," he whispered, turned his head and against my neck he finished, "my dream."<…>
”
”
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
“
You shine like the sun and you move like water. Your eyes are the perfect mix of gray and brown, like fog in the woods, and you smell like lilacs in the summer. I think if you laughed, it would sound like music.
”
”
M. Leighton (For the Love of a Vampire (Blood Like Poison, #1))
“
In the depth a light will grow,
A silver shine no shadows know,
Like wings unfolding in the sky,
That circle 'round a gleaming eye,
Turning darkness all away,
Even depths will know their day,
For every shadow has its end,
In light!
Life will return again!
”
”
Robert Fanney
“
Eleanor's hair caught fire at dawn. Her eyes were dark and shining, and his arms were sure of her.
The first time he touched her hand, he'd known.
”
”
Rainbow Rowell (Eleanor & Park)
“
Yes, Harry Potter!” said Dobby at once, his great eyes shining with excitement. “And if Dobby does it wrong, Dobby will throw himself off the topmost tower, Harry Potter!”
“There won’t be any need for that,” said Harry hastily.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
People whose eyes shine are happy to be alive.
They see life and it’s glory even when things aren’t easy.
And because they see life, even through all the problems and obstacles, their eyes shine.
”
”
Jelena Pantić (Journey to the Center of the Heart)
“
If one feels the need of something grand, something infinite, something that makes one feel aware of God, one need not go far to find it. I think that I see something deeper, more infinite, more eternal than the ocean in the expression of the eyes of a little baby when it wakes in the morning and coos or laughs because it sees the sun shining on its cradle.
”
”
Vincent van Gogh
“
Mom told me that love is like a seed. You've got to plant it to grow. But that's not all. You need to water it. The sun needs to shine enough, but not too much. The roots have to take hold," he continued, narrowing his eyes in concentration. "And from there, if it pops its head above the surface, there are about a million things that could kill it, so it takes a whole lot of luck too.
”
”
Nicole Williams (Clash (Crash, #2))
“
Do you remember, the night of the battle on Valentine's ship, when I needed some of your strength?"
"Do you need it again now?" Alec said. "Because you can have it."
"I always need your strength, Alec," Magnus said, and closed his eyes as their intertwined fingers began to shine, as if between them they held the light of a star.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
I have always loved you, princess," Robin Goodfellow promised, his green eyes shining in the darkness. "I always will. And I'll take whatever you can give me."
I looked down, unable to meet his open stare, human fears and self-consciousness coming to the surface. "Even if all I can offer is friendship? Will that still be enough?"
"Well, not really." Puck dropped his hand, his voice turning light and carefree again, more like the Puck I knew. "Damn not being able to lie. Princess, if you suddenly decide ice-boy is a first-class jerk and that you can't stand him, I'll always be here. But for now, I'll settle for being the best friend.
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
Time moves on for us, for you it stands still. You will be forever ageless as we grow old, your smile will never wrinkle, nor will that shine in your eyes fade..
”
”
Kendal Rob
“
If men could learn from history, what lessons it might teach us. But passion and party blind our eyes, and the light which experience gives us is a lantern on the stern, which shines only on the waves behind us.
”
”
Samuel Taylor Coleridge
“
The weaver went on, “I have to create, or it was all for nothing. I have to create, or I will crumple up with despair and never leave my bed. I have to create because I have no other way of voicing this.” Her hand rested on her heart, and my eyes burned. “It is hard,” the weaver said, her stare never leaving mine, “and it hurts, but if I were to stop, if I were to let this loom or the spindle go silent …” She broke my gaze at last to look to her tapestry. “Then there would be no Hope shining in the Void.
”
”
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
“
True beauty is what lies inside of us, not what the world sees. A beautiful shell that houses a vile soul becomes sullied over time. But an outer shell, imperfect as it may be, that houses a beautiful, shines with that beauty, radiating it for all who have eyes to see.
”
”
Sara B. Larson (Defy (Defy, #1))
“
You're a good Irishman, right?" When Butch nodded, V said, "Irish, Irish… let me think. Yeah…" Vishous's eyes sobered, and in a voice that cracked, he said, "May the road rise to meet you. May the wind always be at your back. May the sun shine warm upon your face and the rains fall soft upon your fields. And… my dearest friend… until we meet again may the Lord hold you in the palm of His hand.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
He fell to the seat, she by his side. There were no more words. The stars were beginning to shine. How was it that the birds sing, that the snow melts, that the rose opens, that May blooms, that the dawns whitens behind the black trees on the shivering summit of the hills?
One kiss, and that was all.
Both trembled, and they looked at each other in the darkness with brilliant eyes.
They felt neither the cool night, nor the cold stone, nor the damp ground, nor the wet grass; they looked at each other, and their hearts were full of thought. They had clasped hands, without knowing it.
She did not ask him; did not even think where and how he had managed to get into the garden. It seemed so natural to her that he should be there.
From time to time Marius’ knee touched Cosette’s. A touch that thrilled.
At times, Cosette faltered out a word. Her soul trembled on her lips like a drop of dew on a flower.
Gradually, they began to talk. Overflow succeeded to silence, which is fullness. The night was serene and glorious above their heads. These two beings, pure as spirits, told each other everything, their dreams, their frenzies, their ecstasies, their chimeras, their despondencies, how they had adored each other from afar, how they had longed for each other, their despair when they had ceased to see each other. They had confided to each other in an intimacy of the ideal, which already, nothing could have increased, all that was most hidden and most mysterious in themselves. They told each other, with a candid faith in their illusions, all that love, youth and the remnant of childhood that was theirs, brought to mind. These two hearts poured themselves out to each other, so that at the end of an hour, it was the young man who had the young girl’s soul and the young girl who had the soul of the young man. They interpenetrated, they enchanted, they dazzled each other.
When they had finished, when they had told each other everything, she laid her head on his shoulder, and asked him: "What is your name?"
My name is Marius," he said. "And yours?"
My name is Cosette.
”
”
Victor Hugo (Les Misérables)
“
I love you, i love your smile your snarl your grin, your face when your sleeping.I love your hair streaming behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it, I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me.
”
”
James Patterson
“
You know, Annie, a long time ago an old man told me beauty doesn't mean much in a woman. It disappears with age. But he said some women have something better. They have a special glow that lasts all their life and just gets richer. You're like that. You really shine.
”
”
Ellen O'Connell (Eyes of Silver, Eyes of Gold)
“
Love is
The funeral pyre
Where I have laid my living body.
All the false notions of myself
That once caused fear, pain,
Have turned to ash
As I neared God.
What has risen
From the tangled web of thought and sinew
Now shines with jubilation
Through the eyes of angels
And screams from the guts of Infinite existence
Itself.
Love is the funeral pyre
Where the heart must lay
Its body.
”
”
The Gift
“
My name isn't Offred, I have another name, which nobody uses now because it's forbidden. I tell myself it doesn't matter, your name is like your telephone number, useful only to others; but what I tell myself is wrong, it does matter. I keep the knowledge of this name like something hidden, some treasure I'll come back to dig up, one day. I think of this name as buried. This name has an aura around it, like an amulet, some charm that's survived from an unimaginably distant past. I lie in my single bed at night, with my eyes closed, and the name floats there behind my eyes, not quite within reach, shining in the dark.
”
”
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
“
Mothers, lock up your daughters, then lock up your maidservants, then lock up yourselves. Lord Montgomery is on the prowl.”
… “My lord,” she said, her eyes shining. “I fear I can no longer withstand your manly charms and virile ways. Please do with me as you will.”
Simon wasn’t sure what Lord Montgomery would do, but he knew what he wanted to do.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Nesryn Sobbed, tugging and tugging.
Sartaq smiled at her ــ gently. Sweetly. In a way she had not yet seen.
"I Loved you before I ever set eyes on you," he said.
"Please," Nesryn wept.
Sartaq's hand tightened on hers. "I wish we'd had time."
A Hiss behind him, a rising bulk of shining black ــ
Then the prince was gone. Ripped from her hands.
As if he had never been.
”
”
Sarah J. Maas (Tower of Dawn (Throne of Glass, #6))
“
As she stood before Aragorn she paused suddenly and looked upon him, and her eyes were shining. And he looked down upon her fair face and smiled; but as he took the cup, his hand met hers, and he knew that she trembled at the touch.
”
”
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
“
The bar staff and croupiers all wore black with the same green triangle logo emblazoned on their shirts, and contact lenses which made their eyes shine an eerie, vibrant green. The bar optics glowed with the same green light, the intensity of which was linked to the music. As the bartender walked away to fetch the drinks, a breakdown in the techno track commenced and the bottles began to palpitate. The bartender's eyes glowed with a hallucinatory felinity that made Mangle feel nervous.
”
”
R.D. Ronald (The Zombie Room)
“
Maybe i would become a mermaid... i would live in the swirling blue-green currents, doing exotic underwater dances for the fish, kissed by sea anemones, caressed by seaweed shawls. I would have a doliphin friend. He would have merry eyes and thick flesh of a god. My fingernails would be tiny shells and my skin would be like jade with light shining through it I would never have to come back up
”
”
Francesca Lia Block
“
Party lights hang over the street, yellow and red and green. Sadie stumbles over someone’s chair, but I’m ready for this and I catch her easily by the arm.
“Sorry, clumsy,” she says.
“You always were, Sadie. One of your more endearing traits.”
Before she can ask about that I slip my arm around her waist. She slips hers around mine, still looking up at me. The lights skate across her cheeks and shine in her eyes. We clasp hands, fingers folding together naturally, and for me the years fall away like a coat that’s too heavy and too tight. In that moment, I hope on thing above all others: that she was not too busy to find at least one good man …
She speaks in a voice almost too low to be heard over the music. But I hear her – I always did. “Who are you, George?”
“Someone you knew in another life, honey.
”
”
Stephen King (11/22/63)
“
When he, whoever of the gods it was, had thus arranged in order and resolved that chaotic mass, and reduced it, thus resolved, to cosmic parts, he first moulded the Earth into the form of a mighty ball so that it might be of like form on every side … And, that no region might be without its own forms of animate life, the stars and divine forms occupied the floor of heaven, the sea fell to the shining fishes for their home, Earth received the beasts, and the mobile air the birds … Then Man was born:… though all other animals are prone, and fix their gaze upon the earth, he gave to Man an uplifted face and bade him stand erect and turn his eyes to heaven.
”
”
Ovid (Metamorphoses)
“
Gently, he pulled my hands away from my face. Gently, he took my cheeks in his hands and brushed away my tears. I didn’t care that we had an audience as I lifted my head and beheld the joy and concern and love shining in those remarkable eyes. Neither did Rhys as he murmured, “My love,” and kissed me. I
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Let's pretend for just one moment that could actually happen. You close your eyes and I'll close mine and let's dream the same dream across the Atlantic, lighting up the darkness between us. Can you see it, Stu? Can you see us up there, shining in all the black?
”
”
Annabel Pitcher (Ketchup Clouds)
“
Something like that," he said, his eyes shining, and she realized just how much there was she didn't know about him. He was like one of her novels, still unfinished and best understood in the right place and at the right time. She couldn't wait to read the rest.
”
”
Jennifer E. Smith (The Geography of You and Me)
“
EVERY DOG’S STORY
I have a bed, my very own.
It’s just my size.
And sometimes I like to sleep alone
with dreams inside my eyes.
But sometimes dreams are dark and wild and creepy
and I wake and am afraid, though I don’t know why.
But I’m no longer sleepy
and too slowly the hours go by.
So I climb on the bed where the light of the moon
is shining on your face
and I know it will be morning soon.
Everybody needs a safe place.
”
”
Mary Oliver (Dog Songs: Poems)
“
I loved you, so I drew these tides of
Men into my hands
And wrote my will across the
Sky and stars
To earn you freedom, the seven
Pillared worthy house,
That your eyes might be
Shining for me
When we came
Death seemed my servant on the
Road, 'til we were near
And saw you waiting:
When you smiled and in sorrowful
Envy he outran me
And took you apart:
Into his quietness
Love, the way-weary, groped to your body,
Our brief wage
Ours for the moment
Before Earth's soft hand explored your shape
And the blind
Worms grew fat upon
Your substance
Men prayed me that I set our work,
The inviolate house,
As a memory of you
But for fit monument I shattered it,
Unfinished: and now
The little things creep out to patch
Themselves hovels
In the marred shadow
Of your gift.
”
”
T.E. Lawrence (The Seven Pillars of Wisdom)
“
Where have you been?" she cried. "Damn you, where have you been?" She took a few steps toward Schmendrick, but she was looking beyond him, at the unicorn.
When she tried to get by, the magician stood in her way. "You don't talk like that," he told her, still uncertain that Molly had recognized the unicorn. "Don't you know how to behave, woman? You don't curtsy, either."
But Molly pushed him aside and went up to the unicorn, scolding her as though she were a strayed milk cow. "Where have you been?" Before the whiteness and the shining horn, Molly shrank to a shrilling beetle, but this time it was the unicorn's old dark eyes that looked down.
"I am here now," she said at last.
Molly laughed with her lips flat. "And what good is it to me that you're here now? Where where you twenty years ago, ten years ago? How dare you, how dare you come to me now, when I am this?" With a flap of her hand she summed herself up: barren face, desert eyes, and yellowing heart. "I wish you had never come. Why did you come now?" The tears began to slide down the sides of her nose.
The unicorn made no reply, and Schmendrick said, "She is the last. She is the last unicorn in the world."
"She would be." Molly sniffed. "It would be the last unicorn in the world to come to Molly Grue." She reached up then to lay her hand on the unicorn's cheek; but both of them flinched a little, and the touch came to rest on on the swift, shivering place under the jaw. Molly said, "It's all right. I forgive you.
”
”
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
“
As the sun shines low and red across the water, I wade into the ocean. The water is still high and brown and murky with the memory of the storm, so if there’s something below it, I won’t know it. But that’s part of this, the not knowing. The surrender to the possibilities beneath the surface. It wasn’t the ocean that killed my father, in the end. The water is so cold that my feet go numb almost at once. I stretch my arms out to either side of me and close my eyes. I listen to the sound of water hitting water. The raucous cries of the terns and the guillemots in the rocks of the shore, the piercing, hoarse questions of the gulls above me. I smell seaweed and fish and the dusky scent of the nesting birds onshore. Salt coats my lips, crusts my eyelashes. I feel the cold press against my body. The sand shifts and sucks out from under my feet in the tide. I’m perfectly still. The sun is red behind my eyelids. The ocean will not shift me and the cold will not take me.
”
”
Maggie Stiefvater (The Scorpio Races)
“
After my mom died she ate my father up completely. She would have hated it. Every minute of his life since then has been marked by her absence, every action has lacked dimension because she is not there to measure against. And when I was young I didn't understand, but now, I know, how absence can be present, like a damaged nerve, like a dark bird. If I had to live on without you I know I could not do it. But I hope, I have this vision of you walking unencumbered, with your shining hair in the sun. I have not seen this with my eyes, but only with my imagination, that makes pictures, that always wanted to paint you, shining; but I hope that this vision will be true, anyway.
”
”
Audrey Niffenegger (The Time Traveler's Wife)
“
Take a shower. Wash away every trace of yesterday. Of smells. Of weary skin. Get dressed. Make coffee, windows open, the sun shining through. Hold the cup with two hands and notice that you feel the feeling of warmth.
You still feel warmth.
Now sit down and get to work. Keep your mind sharp, head on, eyes on the page and if small thoughts of worries fight their ways into your consciousness: threw them off like fires in the night and keep your eyes on the track. Nothing but the task in front of you.
Get off your chair in the middle of the day. Put on your shoes and take a long walk on open streets around people. Notice how they’re all walking, in a hurry, or slowly. Smiling, laughing, or eyes straight forward, hurried to get to wherever they’re going. And notice how you’re just one of them. Not more, not less. Find comfort in the way you’re just one in the crowd. Your worries: no more, no less.
Go back home. Take the long way just to not pass the liquor store. Don’t buy the cigarettes. Go straight home. Take off your shoes. Wash your hands. Your face. Notice the silence. Notice your heart. It’s still beating. Still fighting. Now get back to work.
Work with your mind sharp and eyes focused and if any thoughts of worries or hate or sadness creep their ways around, shake them off like a runner in the night for you own your mind, and you need to tame it. Focus. Keep it sharp on track, nothing but the task in front of you.
Work until your eyes are tired and head is heavy, and keep working even after that.
Then take a shower, wash off the day. Drink a glass of water. Make the room dark. Lie down and close your eyes.
Notice the silence. Notice your heart. Still beating. Still fighting. You made it, after all. You made it, another day. And you can make it one more.
You’re doing just fine.
You’re doing fine.
I’m doing just fine.
”
”
Charlotte Eriksson (You're Doing Just Fine)
“
So we stand there, part of a crowd a thousand people strong, beaming up at the sky with wonder. I knew with a sudden certainty that wherever I am in the future - up in my treehouse, alone in the school cafeteria, or trying to figure out what my teachers are talking about, a part of me will always be right here, right now, wish that giant eye in the sky shining down on me, telling me it's going to be alright.
”
”
Wendy Mass (Every Soul a Star)
“
Right when my fingers started to slip inside my underwear, I opened my eyes and screamed. "HOLY SHIT!" My son stood there next to the bed just staring at me. Seriously, two inches from my face just staring at me like those creepy twins in "The Shining." I waited for him to start saying, "Come play with us" in their freaky twin voices while I tried not to have a heart attack. "Gavin, seriously. You can't just stand here and stare at mommy. It's weird," I grumbled as I put my hand to my aching head and tried to calm my pounding heart. Sweet Jesus, who kicked me in the head and shit in my mouth last night? "You said a bad word, Mommy,
”
”
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
“
Because they are the knights of summer, and winter is coming.'' ''Lady Catelyn, you are wrong.'' Brienne regarded her with eyes as blue as her armor. ''Winter will never come for the likes of us. Should we die in battle, they will surely sing of us, and it's always summer in the songs. In the songs all knights are gallant, all maids are beautiful, and the sun is always shining.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
Please bring strange things.
Please come bringing new things.
Let very old things come into your hands.
Let what you do not know come into your eyes.
Let desert sand harden your feet.
Let the arch of your feet be the mountains.
Let the paths of your fingertips be your maps
And the ways you go be the lines of your palms.
Let there be deep snow in your inbreathing
And your outbreath be the shining of ice.
May your mouth contain the shapes of strange words.
May you smell food cooking you have not eaten.
May the spring of a foreign river be your navel.
May your soul be at home where there are no houses.
Walk carefully, well-loved one,
Walk mindfully, well-loved one,
Walk fearlessly, well-loved one.
Return with us, return to us,
Be always coming home.
”
”
Ursula K. Le Guin
“
I look down at our knees, slightly touching. Jeans against jeans. Does she notice the heat transferring from her body to mine? Does she even realize what she's doing to me? I know, I know. I'm not a virgin and the slightest touch of a girl's knee is driving me insane. I don't even know what I'm feeling for Maggie, I just know that I'm feeling. It's something I've tried to avoid and deny until yesterday, when I held her in my arms while her tears spilled onto my shirt.
God, our knees touching isn't enough. I need more.
She's knotting her fingers together on her lap as if she doesn't know what to do with them. I want to touch her, but what if she pulls away like before? I've never been such a wuss with a girl in my life.
I bite my bottom lip as I slide my hand about millionth of a millimeter closer to her hand.
She doesn't seem fazed so I move closer. And closer.
When the tips of my fingers touch her wrist, she freezes. But she doesn't jerk her hand away. God, her skin is so soft, I think as my fingers trail a path from her wrist to her knuckles to her smooth, manicured nails.
I swear touching her like this is driving me nuts. It's more erotic, more intense than any other time with Kendra. I feel awkward and inexperienced as a freshman again. I look up. Everyone else is oblivious to the intensity of emotions running rampant in the back of the public bus.
When I look back down at my hand covering hers, I'm grateful she hasn't come to her senses and pulled away. As if she knows my thoughts, we both turn our hands at the same time so our hands are palm against palm...finger against finger. Her hand is dwarfed against mine. It makes her seem more delicate and petite than I'd realize. I feel a need to protect her and be her champion should she ever need one.
With a slight shift of my hand, I lace my fingers through hers.
I'm holding hands. With Maggie Armstrong.
I'm not even going to think about how wrong it is because it feels so right. She's avoided looking right at me, but now she turns her head and our eyes lock. God, how come I never noticed before how long her lashes were and how her brown eyes have specks of gold that sparkle when the sun shine on them?
The bus stops suddenly and I look out the window. It's our stop. She must have realized this because she pulls her hand away from mine and stands. I follow behind, still reeling.
”
”
Simone Elkeles (Leaving Paradise (Leaving Paradise, #1))
“
The weight of the world
is love.
Under the burden
of solitude,
under the burden
of dissatisfaction
the weight,
the weight we carry
is love.
Who can deny?
In dreams
it touches
the body,
in thought
constructs
a miracle,
in imagination
anguishes
till born
in human—
looks out of the heart
burning with purity—
for the burden of life
is love,
but we carry the weight
wearily,
and so must rest
in the arms of love
at last,
must rest in the arms
of love.
No rest
without love,
no sleep
without dreams
of love—
be mad or chill
obsessed with angels
or machines,
the final wish
is love
—cannot be bitter,
cannot deny,
cannot withhold
if denied:
the weight is too heavy
—must give
for no return
as thought
is given
in solitude
in all the excellence
of its excess.
The warm bodies
shine together
in the darkness,
the hand moves
to the center
of the flesh,
the skin trembles
in happiness
and the soul comes
joyful to the eye—
yes, yes,
that's what
I wanted,
I always wanted,
I always wanted,
to return
to the body
where I was born.
”
”
Allen Ginsberg (Howl and Other Poems)
“
I hear the question upon your lips: What is it to be a colour?
Colour is the touch of the eye, music to the deaf, a word out of the darkness. Because I’ve listened to souls whispering – like the susurrus of the wind – from book to book and object to object for tens or thousands of years, allow me to say that my touch resembles the touch of angels. Part of me, the serious half, calls out to your vision while the mirthful half sours through the air with your glances.
I’m so fortunate to be red! I’m fiery. I’m strong. I know men take notice of me and that I cannot be resisted.
I do not conceal myself: For me, delicacy manifests itself neither in weakness nor in subtlety, but through determination and will. So, I draw attention to myself. I’m not afraid of other colours, shadows, crowds or even of loneliness. How wonderful it is to cover a surface that awaits me with my own victorious being! Wherever I’m spread, I see eyes shine, passions increase, eyebrows rise and heartbeats quicken. Behold how wonderful it is to live! Behold how wonderful to see. I am everywhere. Life begins with and returns to me. Have faith in what I tell you.
”
”
Orhan Pamuk (My Name Is Red)
“
Not marble nor the gilded monuments
Of princes, shall outlive this powerful rhyme,
But you shall shine more bright in these contents
Than unswept stone, besmeared with sluttish time.
When wasteful war shall statues overturn
And broils roots out the work of masonry,
Nor mars his sword nor war's quick fire shall burn
The living record of your memory.
'Gainst death and all-oblivious enmity
Shall you pace forth; your praise shall still find room
Even in the eyes of all posterity
That wear this world out to the ending doom.
So, till judgement that yourself arise,
You in this, and dwell in lovers eyes.
”
”
William Shakespeare (Shakespeare's Sonnets)
“
One June evening, when the orchards were pink-blossomed again, when the frogs were singing silverly sweet in the marshes about the head of the Lake of Shining Waters, and the air was full of the savor of clover fields and balsamic fir woods, Anne was sitting by her gable window. She had been studying her lessons, but it had grown too dark to see the book, so she had fallen into wide-eyed reverie, looking out past the boughs of the Snow Queen, once more bestarred with its tufts of blossom.
”
”
L.M. Montgomery
“
Be generous in prosperity, and thankful in adversity. Be worthy of the trust of thy neighbor, and look upon him with a bright and friendly face. Be a treasure to the poor, an admonisher to the rich, an answerer of the cry of the needy, a preserver of the sanctity of thy pledge. Be fair in thy judgment, and guarded in thy speech. Be unjust to no man, and show all meekness to all men. Be as a lamp unto them that walk in darkness, a joy to the sorrowful, a sea for the thirsty, a haven for the distressed, an upholder and defender of the victim of oppression. Let integrity and uprightness distinguish all thine acts. Be a home for the stranger, a balm to the suffering, a tower of strength for the fugitive. Be eyes to the blind, and a guiding light unto the feet of the erring. Be an ornament to the countenance of truth, a crown to the brow of fidelity, a pillar of the temple of righteousness, a breath of life to the body of mankind, an ensign of the hosts of justice, a luminary above the horizon of virtue, a dew to the soil of the human heart, an ark on the ocean of knowledge, a sun in the heaven of bounty, a gem on the diadem of wisdom, a shining light in the firmament of thy generation, a fruit upon the tree of humility.
”
”
Bahá'u'lláh
“
You must picture me alone in that room in Magdalen, night after night, feeling, whenever my mind lifted even for a second from my work, the steady, unrelenting approach of Him whom I so earnestly desired not to meet. That which I greatly feared had at last come upon me. In the Trinity Term of 1929 I gave in, and admitted that God was God, and knelt and prayed: perhaps, that night, the most dejected and reluctant convert in all England. I did not then see what is now the most shining and obvious thing; the Divine humility which will accept a convert even on such terms. The Prodigal Son at least walked home on his own feet. But who can duly adore that Love which will open the high gates to a prodigal who is brought in kicking, struggling, resentful, and darting his eyes in every direction for a chance of escape? The words “compelle intrare,” compel them to come in, have been so abused be wicked men that we shudder at them; but, properly understood, they plumb the depth of the Divine mercy. The hardness of God is kinder than the softness of men, and His compulsion is our liberation.
”
”
C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
“
Training?'Clary echoed."But we trained yesterday."
"Some of us have to train everyday,Clary."Jace didnt sound angry,but there was a harshness to his tone,and Clary flushed."Ill see you later,"he added without looking at her,and practically flung himself toward the door.
As it shut behind him,Clary reached up and angerily yanked the pins out of her hair.It cascaded in tangles down around her shoulders.
"Clary,"Luke said gently.He stood up."What are you doing?"
"My hair."She yanked the last pin,hard.Her eyes were shining,and simon could tell she was forcibly wiling herself not to cry."I dont want to wear it like this.It looks stupid."
'No,it dosent'Luke said
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
The boy's eyes went to him, and a shock passed through Magnus. They were not Will's eyes, the eyes Magnus remembered being as blue as a night sky in Hell, eyes Magnus has seen both despairing and tender.
This boy has shining golden eyes, like crystal glass filled brimful with crisp white wine and held up to catch the light of a blazing sun. If his skin was luminous, his eyes were radiant. Magnus could not imagine these eyes as tender. The boy was very, very lovely, but his was a beauty like that of Helen of Troy might have had once, disaster written in every line. The light of his beauty made Magnus think of cities burning.
”
”
Cassandra Clare (The Midnight Heir (The Bane Chronicles, #4))
“
But it was a happy and beautiful bride who came down the old, homespun-
carpeted stairs that September noon - the first bride of Green Gables, slender and shining-eyed, in the mist of her maiden veil, with her arms full of roses. Gilbert, waiting for her in the hall below, looked up at her with adoring eyes. She was his at last, this evasive, long-sought Anne, won after years of patient waiting. It was to him she was coming in the sweet surrender of the bride. Was he worthy of her? Could he make her as happy as he hoped? If he failed her - if he could not measure up to her standard of manhood - then, as she held out her hand, their eyes met and all doubt was swept away in a glad certainty. They belonged to each other; and, no matter what life might hold for them, it could never alter that. Their happiness was in each other’s keeping and both were unafraid.
”
”
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
“
I know exactly how you feel," Schmendrick said eagerly. The unicorn looked at him out of dark, endless eyes, and he smiled nervously and looked at his hands. "It's a rare man who is taken for what he truly is," he said. "There is much misjudgment in the world. Now I knew you for a unicorn when I first saw you, and I know that I am your friend. Yet you take me for a clown, or a clod, or a betrayer, and so must I be if you see me so. The magic on you is only magic and will vanish as soon as you are free, but the enchantment of error that you put on me I must wear forever in your eyes. We are not always what we seem, and hardly ever what we dream. Still I have read, or heard it sung, that unicorns when time was young, could tell the difference 'twixt the two - the false shining and the true, the lips' laugh and the heart's rue.
”
”
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
“
Dear Max -
You looked so beautiful today. I'm going to remember what you looked like forever.
...
And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy.
But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right.
Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it.
The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray.
I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while.
...
You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet.
...
At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you.
But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock.
Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again.
Please make us only go through this once.
...
I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me.
...
You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without.
...
Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it.
Good-bye, my love.
Fang
P.S. Tell everyone I sure will miss them
”
”
James Patterson
“
Up till then he had been looking at the Lion's great front feet and the huge claws on them; now, in his despair, he looked up at its face. What he saw surprised him as much as anything in his whole life. For the tawny face was bent down near his own and (wonder of wonders) great shining tears stood in the Lion's eyes. They were such big, bright tears compared with Digory's own that for a moment he felt as if the Lion must really be sorrier about his Mother than he was himself. "My son, my son," said Aslan. "I know. Grief is great. Only you and I in this land know that yet. Let us be good to one another.
”
”
C.S. Lewis
“
Shall I compare thee to a summer's day?
E'en in Australia art thou still more hot
Rough winds do shake the darling buds of May
(Since that's your winter it don't mean a lot)
Sometimes too bright the eye of heaven shines
And bushfires start through half of New South Wales
Just so, when I do see thy bosom's lines
A fire consumes me and my breathing fails
But thine eternal summer shall not fade
This is in no way due to global warming;
Nay, from thy breasts shall verses fair be made
So damn compulsive they are habit-forming
So long as men can read and eyes can see
So long lives this, thou 34DD
(Based on an idea by William Shakespeare. I'm sure he'd agree that I've improved it)
”
”
Manny Rayner
“
It has seemed to me sometimes as though the Lord breathes on this poor gray ember of Creation and it turns to radiance - for a moment or a year or the span of a life. And then it sinks back into itself again, and to look at it no one would know it had anything to do with fire, or light .... Wherever you turn your eyes the world can shine like transfiguration. You don't have to bring a thing to it except a little willingness to see. Only, who could have the courage to see it? .... Theologians talk about a prevenient grace that precedes grace itself and allows us to accept it. I think there must also be a prevenient courage that allows us to be brave - that is, to acknowledge that there is more beauty than our eyes can bear, that precious things have been put into our hands and to do nothing to honor them is to do great harm.
”
”
Marilynne Robinson (Gilead)
“
It's that thing when you're with someone, and you love them and they know it, and they love you and you know it... but it's a party... and you're both talking to other people, and you're laughing and shining... and you look across the room and catch each other's eyes... but - but not because you're possessive, or it's precisely sexual... but because... that is your person in this life. And it's funny and sad, but only because this life will end, and it's this secret world that exists right there in public, unnoticed, that no one else knows about. It's sort of like how they say that other dimensions exist all around us, but we don't have the ability to perceive them. That's - That's what I want out of a relationship. Or just life, I guess.
”
”
Greta Gerwig (Frances Ha: A Noah Baumbach Picture)
“
In Louisville, at the corner of Fourth and Walnut, in the center of the shopping district, I was suddenly overwhelmed with the realization that I loved all these people, that they were mine and I theirs, that we could not be alien to one another even though we were total strangers. It was like waking from a dream of separateness, of spurious self-isolation in a special world. . . .
This sense of liberation from an illusory difference was such a relief and such a joy to me that I almost laughed out loud. . . . I have the immense joy of being man, a member of a race in which God Himself became incarnate. As if the sorrows and stupidities of the human condition could overwhelm me, now that I realize what we all are. And if only everybody could realize this! But it cannot be explained. There is no way of telling people that they are all walking around shining like the sun.
Then it was as if I suddenly saw the secret beauty of their hearts, the depths of their hearts where neither sin nor desire nor self-knowledge can reach, the core of their reality, the person that each one is in God’s eyes. If only they could all see themselves as they really are. If only we could see each other that way all the time. There would be no more war, no more hatred, no more cruelty, no more greed. . . . But this cannot be seen, only believed and ‘understood’ by a peculiar gift.
”
”
Thomas Merton (Conjectures of a Guilty Bystander)
“
What are the dead, anyway, but waves and energy? Light shining from a dead star?
That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star…
Which reminds me, by the way, of a dream I had a couple of weeks ago.
I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble.
I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below.
I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon.
History passing beneath my very eyes, changing every moment.
'I thought I'd find you here,' said a voice at my elbow.
It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple.
I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.'
He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.'
'What?'
He cleared his throat. 'My movements are restricted,' he said.
'I no longer have the ability to travel as freely as I would like.'
Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him.
'That information is classified, I'm afraid.'
1 looked around curiously. It seemed that I was the only visitor.
'Is it open to the public?' I said.
'Not generally, no.'
I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point.
'Are you happy here?' I said at last.
He considered this for a moment. 'Not particularly,' he said.
'But you're not very happy where you are, either.'
St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch.
'I hope you'll excuse me,' he said, 'but I'm late for an appointment.'
He turned from me and walked away. I watched his back receding down the long, gleaming hall.
”
”
Donna Tartt (The Secret History)
“
A Second Childhood.”
When all my days are ending
And I have no song to sing,
I think that I shall not be too old
To stare at everything;
As I stared once at a nursery door
Or a tall tree and a swing.
Wherein God’s ponderous mercy hangs
On all my sins and me,
Because He does not take away
The terror from the tree
And stones still shine along the road
That are and cannot be.
Men grow too old for love, my love,
Men grow too old for wine,
But I shall not grow too old to see
Unearthly daylight shine,
Changing my chamber’s dust to snow
Till I doubt if it be mine.
Behold, the crowning mercies melt,
The first surprises stay;
And in my dross is dropped a gift
For which I dare not pray:
That a man grow used to grief and joy
But not to night and day.
Men grow too old for love, my love,
Men grow too old for lies;
But I shall not grow too old to see
Enormous night arise,
A cloud that is larger than the world
And a monster made of eyes.
Nor am I worthy to unloose
The latchet of my shoe;
Or shake the dust from off my feet
Or the staff that bears me through
On ground that is too good to last,
Too solid to be true.
Men grow too old to woo, my love,
Men grow too old to wed;
But I shall not grow too old to see
Hung crazily overhead
Incredible rafters when I wake
And I find that I am not dead.
A thrill of thunder in my hair:
Though blackening clouds be plain,
Still I am stung and startled
By the first drop of the rain:
Romance and pride and passion pass
And these are what remain.
Strange crawling carpets of the grass,
Wide windows of the sky;
So in this perilous grace of God
With all my sins go I:
And things grow new though I grow old,
Though I grow old and die.
”
”
G.K. Chesterton (The Collected Poems of G. K. Chesterton)
“
Percy wakes me (fourteen)
Percy wakes me and I am not ready.
He has slept all night under the covers.
Now he’s eager for action: a walk, then breakfast.
So I hasten up. He is sitting on the kitchen counter
Where he is not supposed to be.
How wonderful you are, I say. How clever, if you
Needed me,
To wake me.
He thought he would a lecture and deeply
His eyes begin to shine.
He tumbles onto the couch for more compliments.
He squirms and squeals: he has done something
That he needed
And now he hears that it is okay.
I scratch his ears. I turn him over
And touch him everywhere. He is
Wild with the okayness of it. Then we walk, then
He has breakfast, and he is happy.
This is a poem about Percy.
This is a poem about more than Percy.
Think about it.
”
”
Mary Oliver (Swan: Poems and Prose Poems)
“
You are a Lightwood," Cecily said. "You stayed because you were loyal to your family name. It is not cowardice."
"Wasn't it? Is loyalty still a commendable quality when it is misdirected?"
Cecily opened her mouth, then closed it again. Gabriel was looking for her, his eyes shining in the moonlight. He seemed genuinely desperate to hear her answer. She wondered if he had anyone else to talk to. She could see how it might be terrifying to take one's moral qualms to Gideon; he seemed so staunch, as if he never questioned himself in his life and would not understand those who did.
"I think," she said, choosing her words with care, "that any good impulse can be twisted into something evil. Look at the Magister. He does what he does because he hates the Shadowhunters, out of loyalty to his parents, who cared for him, and who were killed. It is not beyond the realm of understanding. And yet nothing excuses the result. I think when we make choices-for each choice is individual of the choices we have made before-we must examine not only our reasons for making them but what result they will have, and whether good people will be hurt by our decisions.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
In art, in history man fights his fears, he wants to live forever, he is afraid of death, he wants to work with other men, he wants to live forever. He is like a child afraid of death. The child is afraid of death, of darkness, of solitude. Such simple fears behind all the elaborate constructions. Such simple fears as hunger for light, warmth, love. Such simple fears behind the elaborate constructions of art. Examine them all gently and quietly through the eyes of a boy. There is always a human being lonely, a human being afraid, a human being lost, a human being confused. Concealing and disguising his dependence, his needs, ashamed to say: I am a simple human being in a too vast and complex world. Because of all we have discovered about a leaf...it is still a leaf. Can we relate to a leaf, on a tree, in a park, a simple leaf: green, glistening, sun-bathed or wet, or turning white because the storm is coming. Like the savage, let us look at the leaf wet or shining with sun, or white with fear of the storm, or silvery in the fog, or listless in too great heat, or falling in autumn, dying, reborn each year anew. Learn from the leaf: simplicity. In spite of all we know about the leaf: its nerve structure phyllome cellular papilla parenchyma stomata venation. Keep a human relation -- leaf, man, woman, child. In tenderness. No matter how immense the world, how elaborate, how contradictory, there is always man, woman, child, and the leaf. Humanity makes everything warm and simple. Humanity...
”
”
Anaïs Nin (Children of the Albatross (Cities of the Interior #2))
“
She turned suddenly, and before I could react, framed my face with her hands and pressed her lips to mine.
I froze, mostly in shock, but after a moment my body uncoiled and I closed my eyes, relaxing into her. I remembered this; the feel of her lips on mine,
cool and soft, the touch of her fingers on my skin. I remembered her scent, those long nights when we would lie under the cold, frozen stars,
dreaming in each other’s arms.
For a second, my body reacted instinctively. I started to pull us closer, to wrap my arms around her and return the kiss with equal passion…but, then
I stopped.
I remembered this perfectly; every shining moment with Ariella was forever etched into my mind. What we’d had, what we’d shared, everything. I’d
built a shrine to her in my memories, carefully tended with grief and anger and regret. I knew every inch of our relationship, the passion, the feeling
of emptiness when we weren’t together, the longing and, yes, the love. I had been in love with Ariella. I remembered what she’d meant to me once,
what I’d felt for her then…
…and what I didn’t feel for her now.
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
Emma rose to her feet, facing the faerie across the fleeing crowd. Gleaming from his weathered, barklike face, his eyes were yellow as a cat's. "Shadowhunter," he hissed.
Emma reached back over her shoulder and closed her hand around the hilt of her sword, Cortana. The blade made a golden blur in the air as she drew it and pointed the tip at the fey. "No," she said. "I'm a candygram. This is my costume."
The faerie looked puzzled.
Emma sighed. "It's so hard to be sassy to the Fair Folk. You people never get jokes."
"We are well known for our jests, japes, and ballads," the faerie said, clearly offended. "Some of our ballads last for weeks."
"I don't have that kind of time," Emma said. "I'm a Shadowhunter. Quip fast, die young." She wiggled Cortana's tip impatiently. "Now turn out your pockets."
"I have done nothing to break the Cold Peace," said the fey.
"Technically true, but we do frown on stealing from mundanes," Emma said. "Turn out your pockets or I'll rip off one of your horns and shove it where the sun doesn't shine."
The fey looked puzzled. "Where does the sun not shine? Is this a riddle?"
Emma gave a martyred sigh and raised Cortana. "Turn them out, or I'll start peeling your bark off. My boyfriend and I just broke up, and I'm not in the best mood."
The faerie began slowly to empty his pockets onto the ground, glaring at her all the while. "So you're single," he said. "I never would have guessed.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
Aristotle says in the Poetics,” said Henry, “that objects such as corpses, painful to view in themselves, can become delightful to contemplate in a work of art.” “And I believe Aristotle is correct. After all, what are the scenes in poetry graven on our memories, the ones that we love the most? Precisely these. The murder of Agamemnon and the wrath of Achilles. Dido on the funeral pyre. The daggers of the traitors and Caesar’s blood—remember how Suetonius describes his body being borne away on the litter, with one arm hanging down?” “Death is the mother of beauty,” said Henry. “And what is beauty?” “Terror.” “Well said,” said Julian. “Beauty is rarely soft or consolatory. Quite the contrary. Genuine beauty is always quite alarming.” I looked at Camilla, her face bright in the sun, and thought of that line from the Iliad I love so much, about Pallas Athene and the terrible eyes shining. “And if beauty is terror,” said Julian, “then what is desire? We think we have many desires, but in fact we have only one. What is it?” “To live,” said Camilla. “To live forever,” said Bunny, chin cupped in palm. The teakettle began to whistle.
”
”
Donna Tartt (The Secret History)
“
Sir, people never wanted me to make it to squire. They won't like it any better if I become a knight. I doubt I'll ever get to command a force larger than, well, just me.'
Raoul shook his head. 'You're wrong.' As she started to protest, he raised a hand. 'Hear me out. I have some idea of what you've had to bear to get this far, and it won't get easier. But there are larger issues than your fitness for knighthood, issues that involve lives and livelihoods. Attend,' he said, so much like Yayin, one of her Mithran teachers, that Kel had to smile.
'At our level, there are four kids of warrior,' he told Kel. He raised a fist and held up one large finger. 'Heroes, like Alanna the Lioness. Warriors who find dark places and fight in them alone. This is wonderful, but we live in the real world. There aren't many places without any hope or light.'
He raised a second finger. 'We have knights- plain, everyday knights, like your brothers. They patrol their borders and protect their tenants, or they go into troubled areas at the king's command and sort them out. They fight in battles, usually against other knights. A hero will work like an everyday knight for a time- it's expected. And most knights must be clever enough to manage alone.'
Kel nodded.
'We have soldiers,' Raoul continued, raising a third finger. 'Those warriors, including knights, who can manage so long as they're told what to do. These are more common, thank Mithros, and you'll find them in charge of companies in the army, under the eye of a general. Without people who can take orders, we'd be in real trouble.
'Commanders.' He raised his little finger. 'Good ones, people with a knack for it, like, say, the queen, or Buri, or young Dom, they're as rare as heroes. Commanders have an eye not just for what they do, but for what those around them do. Commanders size up people's strengths and weaknesses. They know where someone will shine and where they will collapse. Other warriors will obey a true commander because they can tell that the commander knows what he- or she- is doing.' Raoul picked up a quill and toyed with it. 'You've shown flashes of being a commander. I've seen it. So has Qasim, your friend Neal, even Wyldon, though it would be like pulling teeth to get him to admit it. My job is to see if you will do more than flash, with the right training. The realm needs commanders. Tortall is big. We have too many still-untamed pockets, too curse many hideyholes for rogues, and plenty of hungry enemies to nibble at our borders and our seafaring trade. If you have what it takes, the Crown will use you. We're too desperate for good commanders to let one slip away, even a female one. Now, finish that'- he pointed to the slate- 'and you can stop for tonight.
”
”
Tamora Pierce (Squire (Protector of the Small, #3))
“
Warner has collapsed in the corner.
He's curled into himself, kness pulled up to his chest. arms wrapped around his legs, his head buried in this arms. And he's shaking.
Tremors are rocking his entire body.
I've never, ever seen him look like a child before. Never, not once, not in all the time I've known him. But right now, he looks just like a little boy. Scared, Vulnerable. All alone.
...
I touch his arms, so gently. I run my hand down his back, his shoulders. And then I dare to wrap myself around him until he slowly breaks apart, unfolding in front of me.
He lifts his head.
His eyes are red-rimmed and a startling, striking shade of green, shining with barely restrained emotion. His face is the picture of so much pain.
I almost can't breathe.
An earthquake hits my heart then, cracks it right down the middle. And It hink here, in him, there is more feeling then any one person should ever have to contain.
I try to hold him closer but he wraps his arms around my hips instead, his head falling into my lap. I bend over him instinctively, shielding his body with my own.
I press my cheek to his forehead. Press a kiss to his temple.
And then he breaks.
Shaking violently, shattering in my arms, a million gasping, choking pieces I'm trying so hard to hold together. And I promise myself then, in that moment that I will hold him forever, just like this, until all the pain and torture and suffering is gone, until he's given a chance to live the kind of life where no one can wound him this deeply ever again.
”
”
Tahereh Mafi
“
wandering in the summer in the woods of Neldoreth [Beren] came upon Lúthien, daughter of Thingol and Melian, at a time of evening under moonrise, as she danced upon the unfading grass in the glades beside Esgalduin. Then all memory of his pain departed from him, and he fell into an enchantment; for Lúthien was the most beautiful of all the Children of Ilúvatar. Blue was her raiment as the unclouded heaven, but her eyes were grey as the starlit evening; her mantle was sewn with golden flowers, but her hair was dark as the shadows of twilight. As the light upon the leaves of trees, as the voice of clear waters, as the stars above the mists of the world, such was her glory and her loveliness; and in her face was a shining light.
But she vanished from his sigh; and he became dumb, as one that is bound under a spell, and he strayed long in the woods, wild and wary as a beast, seeking for her. In his heart he called her Tinúviel, that signifies Nightingale, daughter of twilight, in the Grey-elven tongue, for he knew no other name for her. And he saw her afar as leaves in the winds of autumn, and in winter as a star upon a hill, but a chain was upon his limbs.
”
”
J.R.R. Tolkien (The Silmarillion)
“
What have you been doing during my absence?'
'Nothing particular; teaching Adele as usual.'
'And getting a good deal paler than you were - as I saw at first sight. What is the matter?'
'Nothing at all, sir.'
'Did you take any cold that night you half drowned me?'
'Not the least.'
'Return to the drawing-room: you are deserting too early.'
'I am tired, sir.'
He looked at me for a minute.
'And a little depressed,' he said. 'What about? Tell me.'
'Nothing - nothing, sir. I am not depressed.'
'But I affirm that you are: so much depressed that a few more words would bring tears to your eyes - indeed, they are there now, shining and swimming; and a bead has slipped from the lash and fallen on the flag. If I had time, and was not in mortal dread of some prating prig of a servant passing, I would know what all this means. Well, to-night I excuse you; but understand that so long as my visitors stay, I expect you to appear in the drawing-room every evening; it is my wish; don't neglect it. Now go, and send Sophie for Adele. Good-night, my..' He stopped, bit his lip, and abruptly left me.
(Jane and Mr Rochester)
”
”
Charlotte Brontë (Jane Eyre)
“
Elven Hymn to Elbereth
Snow-white! Snow-white! O Lady clear!
O Queen beyond the Western Seas!
O Light to us that wander here
Amid the world of woven trees!
Gilthoniel! O Elbereth!
Clear are thy eyes and bright thy breath!
Snow-white! Snow-white! We sing to thee
In a far land beyond the Sea.
O stars that in the Sunless Year
With shining hand by her were sown,
In windy fields now bright and clear
We see your silver blossom blown!
O Elbereth! Gilthoniel!
We still remember, we who dwell
In this far land beneath the trees,
Thy starlight on the Western Seas.
A Elbereth Gilthoniel,
silivren penna míriel
o menel aglar elenath!
Na-chaered palan-díriel
o galadhremmin ennorath,
Fanuilos, le linnathon
nef aear, si nef aearon!
A Elbereth Gilthoniel!
o menel palan-díriel
le nallon sí di'nguruthos!
A tiro nin, Fanuilos!
A! Elbereth Gilthoniel!
silivren penna míriel
o menel aglar elenath!
We still remember, we who dwell
In this far land beneath the trees,
Thy starlight on the Western Seas.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
First came bright Spirits, not the Spirits of men, who danced and scattered flowers. Then, on the left and right, at each side of the forest avenue, came youthful shapes, boys upon one hand, and girls upon the other. If I could remember their singing and write down the notes, no man who read that score would ever grow sick or old. Between them went musicians: and after these a lady in whose honour all this was being done.
I cannot now remember whether she was naked or clothed. If she were naked, then it must have been the almost visible penumbra of her courtesy and joy which produces in my memory the illusion of a great and shining train that followed her across the happy grass. If she were clothed, then the illusion of nakedness is doubtless due to the clarity with which her inmost spirit shone through the clothes. For clothes in that country are not a disguise: the spiritual body lives along each thread and turns them into living organs. A robe or a crown is there as much one of the wearer's features as a lip or an eye.
But I have forgotten. And only partly do I remember the unbearable beauty of her face.
“Is it?...is it?” I whispered to my guide.
“Not at all,” said he. “It's someone ye'll never have heard of. Her name on earth was Sarah Smith and she lived at Golders Green.”
“She seems to be...well, a person of particular importance?”
“Aye. She is one of the great ones. Ye have heard that fame in this country and fame on Earth are two quite different things.”
“And who are these gigantic people...look! They're like emeralds...who are dancing and throwing flowers before here?”
“Haven't ye read your Milton? A thousand liveried angels lackey her.”
“And who are all these young men and women on each side?”
“They are her sons and daughters.”
“She must have had a very large family, Sir.”
“Every young man or boy that met her became her son – even if it was only the boy that brought the meat to her back door. Every girl that met her was her daughter.”
“Isn't that a bit hard on their own parents?”
“No. There are those that steal other people's children. But her motherhood was of a different kind. Those on whom it fell went back to their natural parents loving them more. Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.”
“And how...but hullo! What are all these animals? A cat-two cats-dozens of cats. And all those dogs...why, I can't count them. And the birds. And the horses.”
“They are her beasts.”
“Did she keep a sort of zoo? I mean, this is a bit too much.”
“Every beast and bird that came near her had its place in her love. In her they became themselves. And now the abundance of life she has in Christ from the Father flows over into them.”
I looked at my Teacher in amazement.
“Yes,” he said. “It is like when you throw a stone into a pool, and the concentric waves spread out further and further. Who knows where it will end? Redeemed humanity is still young, it has hardly come to its full strength. But already there is joy enough int the little finger of a great saint such as yonder lady to waken all the dead things of the universe into life.
”
”
C.S. Lewis (The Great Divorce)
“
There must be a glowing light above such houses. The joy they contain must escape in light through the stones of the walls and shine dimly into the darkness. It is impossible that this sacred festival of destiny should not send a celestial radiation to the infinite. Love is the sublime crucible in which is consummated the fusion of man and woman; the one being, the triple being, the final being-- the human trinity springs from it. This birth of two souls into one space must be an emotion for space. The lover is priest; the apprehensive maiden submits. Something of this joy goes to God. Where there really is marriage, that is to say, where there is love, the ideal is mingled with it. A nuptial bed makes a halo in the darkness. Were it given to the eye of the flesh to perceive the fearful and enchanting sights of the superior life, it is likely that we should see the forms of night, the winged stranger, the blue travelers of the invisible, bending, a throng of shadowy heads, over the luminous house, pleased, blessing, showing to one another the sweetly startled maiden bride and wearing the reflection of the human felicity on their divine countenances. If at that supreme hour, the wedded pair, bewildered with pleasure, and believing themselves alone, were to listen, they would hear in their room a rustling of confused wings. Perfect happiness implies the solidarity of the angels. That obscure little alcove has for its ceiling the whole heavens. When two mouths, made sacred by love, draw near to each other to create, it is impossible, that above that ineffable kiss there should not be a thrill in the immense mystery of the stars.
”
”
Victor Hugo (Les Misérables)
“
Arobynn continued to pin her with that lover’s gaze. “Nothing is without a price.” He brushed a kiss against her cheekbone, his lips soft and warm. She fought the shudder that trembled through her, and made herself lean into him as he brought his mouth against her ear and whispered, “Tell me what I must do to atone; tell me to crawl over hot coals, to sleep on a bed of nails, to carve up my flesh. Say the word, and it is done. But let me care for you as I once did, before … before that madness poisoned my heart. Punish me, torture me, wreck me, but let me help you. Do this small thing for me—and let me lay the world at your feet.”
Her throat went dry, and she pulled back far enough to look into that handsome, aristocratic face, the eyes shining with a grief and a predatory intent she could almost taste. If Arobynn knew about her history with Chaol, and had summoned the captain here … Had it been for information, to test her, or some grotesque way to assure himself of his dominance? “There is nothing—”
“No—not yet,” he said, stepping away. “Don’t say it yet. Sleep on it. Though, before you do—perhaps pay a visit to the southeastern section of the tunnels tonight. You might find the person you’re looking for.” She kept her face still—bored even—as she tucked away the information. Arobynn moved toward the crowded room, where his three assassins were alert and ready, and then looked back at her. “If you are allowed to change so greatly in two years, may I not be permitted to have changed as well?
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
And therefore, all of those for whom authentic transformation has deeply unseated their souls must, I believe, wrestle with the profound moral obligation to shout form the heart—perhaps quietly and gently, with tears of reluctance; perhaps with fierce fire and angry wisdom; perhaps with slow and careful analysis; perhaps by unshakable public example—but authentically always and absolutely carries a a demand and duty: you must speak out, to the best of your ability, and shake the spiritual tree, and shine your headlights into the eyes of the complacent. You must let that radical realization rumble through your veins and rattle those around you.
Alas, if you fail to do so, you are betraying your own authenticity. You are hiding your true estate. You don’t want to upset others because you don’t want to upset your self. You are acting in bad faith, the taste of a bad infinity.
Because, you see, the alarming fact is that any realization of depth carries a terrible burden: those who are allowed to see are simultaneously saddled with the obligation to communicate that vision in no uncertain terms: that is the bargain. You were allowed to see the truth under the agreement that you would communicate it to others (that is the ultimate meaning of the bodhisattva vow). And therefore, if you have seen, you simply must speak out. Speak out with compassion, or speak out with angry wisdom, or speak out with skillful means, but speak out you must.
And this is truly a terrible burden, a horrible burden, because in any case there is no room for timidity. The fact that you might be wrong is simply no excuse: You might be right in your communication, and you might be wrong, but that doesn’t matter. What does matter, as Kierkegaard so rudely reminded us, is that only by investing and speaking your vision with passion, can the truth, one way or another, finally penetrate the reluctance of the world. If you are right, or if you are wrong, it is only your passion that will force either to be discovered. It is your duty to promote that discovery—either way—and therefore it is your duty to speak your truth with whatever passion and courage you can find in your heart. You must shout, in whatever way you can.
”
”
Ken Wilber (One Taste: Daily Reflections on Integral Spirituality)
“
What shall I give? and which are my miracles?
2. Realism is mine--my miracles--Take freely,
Take without end--I offer them to you wherever your feet can carry you or your eyes reach.
3. Why! who makes much of a miracle?
As to me, I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach, just in the edge of the water,
Or stand under trees in the woods,
Or talk by day with any one I love--or sleep in the bed at night with any
one I love,
Or sit at the table at dinner with my mother,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive, of a summer forenoon,
Or animals feeding in the fields,
Or birds--or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown--or of stars shining so quiet and bright,
Or the exquisite, delicate, thin curve of the new moon in spring;
Or whether I go among those I like best, and that like me best--mechanics, boatmen, farmers,
Or among the savans--or to the _soiree_--or to the opera.
Or stand a long while looking at the movements of machinery,
Or behold children at their sports,
Or the admirable sight of the perfect old man, or the perfect old woman,
Or the sick in hospitals, or the dead carried to burial,
Or my own eyes and figure in the glass;
These, with the rest, one and all, are to me miracles,
The whole referring--yet each distinct and in its place.
4. To me, every hour of the light and dark is a miracle,
Every inch of space is a miracle,
Every square yard of the surface of the earth is spread with the same,
Every cubic foot of the interior swarms with the same;
Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them,
All these to me are unspeakably perfect miracles.
To me the sea is a continual miracle;
The fishes that swim--the rocks--the motion of the waves--the ships, with men in them,
What stranger miracles are there?
”
”
Walt Whitman (Leaves of Grass)
“
Happy the writer who, passing by characters that are boring, disgusting, shocking in their mournful reality, approaches characters that manifest the lofty dignity of man, who from the great pool of daily whirling images has chosen only the rare exceptions, who has never once betrayed the exalted turning of his lyre, nor descended from his height to his poor, insignificant brethren, and, without touching the ground, has given the whole of himself to his elevated images so far removed from it. Twice enviable is his beautiful lot: he is among them as in his own family; and meanwhile his fame spreads loud and far. With entrancing smoke he has clouded people's eyes; he has flattered them wondrously, concealing what is mournful in life, showing them a beautiful man. Everything rushes after him, applauding, and flies off following his triumphal chariot. Great world poet they name him, soaring high above all other geniuses in the world, as the eagle soars above the other high fliers. At the mere mention of his name, young ardent hearts are filled with trembling, responsive tears shine in all eyes...No one equals him in power--he is God! But such is not the lot, and other is the destiny of the writer who has dared to call forth all that is before our eyes every moment and which our indifferent eyes do not see--all the stupendous mire of trivia in which our life in entangled, the whole depth of cold, fragmented, everyday characters that swarm over our often bitter and boring earthly path, and with the firm strength of his implacable chisel dares to present them roundly and vividly before the eyes of all people! It is not for him to win people's applause, not for him to behold the grateful tears and unanimous rapture of the souls he has stirred; no sixteen-year-old girl will come flying to meet him with her head in a whirl and heroic enthusiasm; it is not for him to forget himself in the sweet enchantment of sounds he himself has evoked; it is not for him, finally, to escape contemporary judgment, hypocritically callous contemporary judgment, which will call insignificant and mean the creations he has fostered, will allot him a contemptible corner in the ranks of writers who insult mankind, will ascribe to him the quality of the heroes he has portrayed, will deny him heart, and soul, and the divine flame of talent. For contemporary judgment does not recognize that equally wondrous are the glasses that observe the sun and those that look at the movement of inconspicuous insect; for contemporary judgment does not recognize that much depth of soul is needed to light up the picture drawn from contemptible life and elevate it into a pearl of creation; for contemporary judgment does not recognize that lofty ecstatic laughter is worthy to stand beside the lofty lyrical impulse, and that a whole abyss separates it from the antics of the street-fair clown! This contemporary judgment does not recognize; and will turn it all into a reproach and abuse of the unrecognized writer; with no sharing, no response, no sympathy, like a familyless wayfarer, he will be left alone in the middle of the road. Grim is his path, and bitterly he will feel his solitude.
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Nikolai Gogol (Dead Souls)