“
The way I see it, being dead is not terribly far off from being on a cruise ship. Most of your time is spent lying on your back. The brain has shut down. The flesh begins to soften. Nothing much new happens, and nothing is expected of you.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
We are biology. We are reminded of this at the beginning and the end, at birth and at death. In between we do what we can to forget.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Life contains these things: leakage and wickage and discharge, pus and snot and slime and gleet. We are biology. We are reminded of this at the beginning and the end, at birth and at death. In between we do what we can to forget.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
You are a person and then you cease to be a person, and a cadaver takes your place.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
The human head is of the same approximate size and weight as a roaster chicken. I have never before had occasion to make the comparison, for never before today have I seen a head in a roasting pan.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Death. It doesn't have to be boring.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Many people will find this book disrespectful. There is nothing amusing about being dead, they will say. Ah, but there is.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
It's the reason we say "pork" and "beef" instead of "pig" and "cow." Dissection and surgical instruction, like meat-eating, require a carefully maintained set of illusions and denial.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
I began thinking about my skeleton, this solid, beautiful thing inside me that I would never see.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Here is the secret to surviving one of these [airplane] crashes: Be male. In a 1970 Civil Aeromedical institute study of three crashes involving emergency evacuations, the most prominent factor influencing survival was gender (followed closely by proximity to exit). Adult males were by far the most likely to get out alive. Why? Presumably because they pushed everyone else out of the way.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
You do not question an author who appears on the title page as "T.V.N. Persaud, M.D., Ph.D., D.Sc., F.R.C.Path. (Lond.), F.F.Path. (R.C.P.I.), F.A.C.O.G.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Sharing a room with a cadaver is only mildly different from being in a room alone.
They are the same sort of company as people across from you on subways or in airport lounges, there but not there. Your eyes keep going back to them, for lack of anything more interesting to look at, and then you feel bad for staring.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
There wasn't an anhydrous lacrimal gland in the house, writes the author in all seriousness describing a memorial service for a medical school's cadavers.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
The point is that no matter what you choose to do with your body when you die, it won't, ultimately, be very appealing. If you are inclined to donate yourself to science, you should not let images of dissection or dismemberment put you off. They are no more or less gruesome, in my opinion, than ordinary decay or the sewing shut of your jaws via your nostrils for a funeral viewing.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
One young woman's tribute describes unwrapping her cadaver's hands and being brought up short by the realization that the nails were painted pink. "The pictures in the anatomy atlas did not show nail polish", she wrote. "Did you choose the color? Did you think that I would see it? I wanted to tell you about the inside of your hands. I want you to know you are always there when I see patients. When I palpate an abdomen, yours are the organs I imagine. When I listen to a heart, I recall holding your heart.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
I guess I feel the same way about being a corpse. Why lie around on your back when you can do something interesting and new, something useful?
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
The human head is of the same approximate size and weight as a roaster chicken.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
I walk up and down the rows. The heads look like rubber halloween masks. They also look like human heads, but my brain has no precedent for human heads on tables or in roasting pans or anywhere other than on top of a human bodies, and so I think it has chosen to interpret the sight in a more comforting manner. - Here we are at the rubber mask factory. Look at the nice men and woman working on the masks.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Entomologists have a name for young flies, but it is an ugly name, an insult. Let's not use the word "maggot." Let's use a pretty word. Let's use "hacienda.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
It is difficult to put words to the smell of decomposing human. It is dense and cloying, sweet but not flower-sweet. Halfway between rotting fruit and rotting meat.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
If you lower your head to within a foot or two of an infested corpse (and this I truly don’t recommend), you can hear them feeding. Arpad pinpoints the sound: “Rice Krispies.” Ron frowns. Ron used to like Rice Krispies.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
There wasn't an anhydrous lacrimal gland in the room...
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Not that there's anything wrong with just lying around on your back.
In it's way, rotting is interesting too, as we will see.
It's just that there are other ways to spend your time as a cadaver.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
There, just beyond his open palm, was our mother’s face. I wasn’t expecting it. We hadn’t requested a viewing, and the memorial service was closed-coffin. We got it anyway. They’d shampooed and waved her hair and made up her face. They’d done a great job, but I felt taken, as if we’d asked for the basic carwash and they’d gone ahead and detailed her. Hey, I wanted to say, we didn’t order this. But of course I said nothing. Death makes us helplessly polite.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
I like the term "decedent". It's as though the man weren't dead but merely involved in some sort of protracted legal dispute.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
The anonymity of body parts facilitates the necessary dissociations of cadaveric research: This is not a person. This is just tissue. It has no feelings, and no one has feelings for it. It's okay to do things to it which, were it a sentient being, would constitute torture.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
It’s no coincidence that the man who contributed the most to the study of human anatomy, the Belgian Andreas Vesalius, was an avid proponent of do-it-yourself, get-your-fussy-Renaissance-shirt-dirty anatomical dissection.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
We abide the surgeon’s scalpel to save our own lives, our loved ones’ lives, but not to save a stranger’s life. H has no heart, but heartless is the last thing you’d call her.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Pearsall is not a doctor, or not, at least, one of the medical variety. He is a doctor of the variety that gets a Ph.D. and attaches it to his name on self-help book covers.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
He describes opening up an artery, flushing the blood out with water, and pumping in alcohol. I’ve been to frat parties like that.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
The researchers concluded that during intercourse in the missionary position, the penis “has the shape of a boomerang.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
The early anatomists were dealing with a chronic shortage of bodies for dissection, and consequently were motivated to come up with ways to preserve the ones they managed to obtain. Blanchard’s textbook was the first to cover arterial embalming. He describes opening up an artery, flushing the blood out with water, and pumping in alcohol. I’ve been to frat parties like that.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Ka was the essence of teh person: spirit, intelligence, feelings and passions, humor, grudges, annoying television theme songs, all the things that make a person a person and not a nematode.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
I agree with Dr. Makris. Does that mean I would let someone blow up my dead foot to help save the feet of NATO land mine clearers? It does. And would I let someone shoot my dead face with a nonlethal projectile to help prevent accidental fatalities? I suppose I would. What wouldn't I let someone do to my remains? I can think of only one experiment I know of that, were I a cadaver, I wouldn't want anything to do with. This particular experiment wasn't done in the name of science or education or safer cars or better-protected soldiers. It was done in the name of religion.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Here's the other thing I think about. It makes little sense to try to control what happens to your remains when you are no longer around to reap the joys or benefits of that control. People who make elaborate requests concerning disposition of their bodies are probably people who have trouble with the concept of not existing. [...] I imagine it is a symptom of the fear, the dread, of being gone, of the refusal to accept that you no longer control, or even participate in, anything that happens on earth. I spoke about this with funeral director Kevin McCabe, who believes that decisions concerning the disposition of a body should be mad by the survivors, not the dead. "It's non of their business what happens to them whey the die," he said to me. While I wouldn't go that far, I do understand what he was getting at: that the survivors shouldn't have to do something they're uncomfortable with or ethically opposed to. Mourning and moving on are hard enough. Why add to the burden? If someone wants to arrange a balloon launch of the deceased's ashes into inner space, that's fine. But if it is burdensome or troubling for any reason, then perhaps they shouldn't have to.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
We are all nature, all made of the same basic materials, with the same basic needs. We are no different, on a very basic level, from the ducks and the mussels and last week’s coleslaw. Thus we should respect Nature, and when we die, we should give ourselves back to the earth.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
The pay worked out to about $1,000 a year—some five to ten times the earnings of the average unskilled laborer—with summers off. The job was immoral, and ugly to be sure, but probably less unpleasant than it sounds.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
For me, hands are hard." She looks up from what she's doing. "Because you're holding this disconnected hand, and it's holding you back." Cadavers occasionally effect a sort of accidental humanness that catches the medical professional off guard. I once spoke to an anatomy student who described a moment in the lab when she realized that the cadaver's arm was around her waist. It becomes difficult, under circumstances such as these, to retain one's clinical remove.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
So animated are these freestanding hearts that surgeons have been known to drop them. “We wash them off and they do just fine,” replied New York heart transplant surgeon Mehmet Oz when I asked him about it. I imagined the heart slipping across the linoleum, the looks exchanged, the rush to retrieve it and clean it off, like a bratwurst that’s rolled off the plate in a restaurant kitchen.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
To understand the cautious respect for the dead that pervades the modern anatomy lab, it helps to understand the extreme lack of it that pervades the field’s history. Few sciences are as rooted in shame, infamy, and bad PR as human anatomy.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
This is why you don’t just stick bodies in the refrigerator before an open-casket funeral. Mack is telling me about a ninety-seven-year-old woman who looked sixty after her embalming. “We had to paint in wrinkles, or the family wouldn’t recognize her.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Whereas the larger caliber .45 Colt revolver bullets caused the cattle to drop to the ground after three or four shots, the animals shot with smaller caliber .38 bullets failed even after ten shots to drop to the ground. And ever since the U.S. Army has gone confidently into battle knowing that when cows attack, their men will be ready.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
One’s own dead are more than cadavers, they are place holders for the living. They are a focus, a receptacle, for emotions that no longer have one.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
The human liver is a boss-looking organ.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
An anatomy lab is as choosy as a pedigreed woman seeking love: You can’t be too fat or too tall or have any communicable diseases.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
And ever since, the U.S. Army has gone confidently into battle, knowing that when cows attack, their men will be ready.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
If you insist on driving around in vintage cars with no seat belt on, try to time your crashes for the systole—blood-squeezed-out—portion of your heartbeat.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
You could tell Glover was a nice guy because a To Do list on a whiteboard on his office wall said, Maria Lopez. Brain for daughter. Science fair.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Dissection and surgical instruction, like meat-eating, require a carefully maintained set of illusions and denial.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
To quantify the “benefit” side of the equation, a dollar amount is assigned to each saved human life. As calculated by the Urban Institute in 1991, you are worth $2.7 million.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Few sciences are as rooted in shame, infamy, and bad PR as human anatomy. The troubles began in Alexandrian Egypt, circa 300 B.C. King Ptolemy I was the first leader to deem it a-okay for medical types to cut open the dead for the purpose of figuring out how bodies work.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
A patient on the way to surgery travels at twice the speed of a patient on the way to the morgue. Gurneys that ferry the living through hospital corridors move forward in an aura of purpose and push, flanked by caregivers with long strides and set faces, steadying IVs, pumping ambu bags, barreling into double doors. A gurney with a cadaver commands no urgency. It is wheeled by a single person, calmly and with little notice, like a shopping cart(167).
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
To be fair, no eyewitness account or papyrus diary entries survive, and one wonders whether professional jealousy played a role. After all, no one was calling Tertullian the Father of Anatomy.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
I find the dead easier to be around than the dying. They are not in pain, not afraid of death. There are no awkward silences and conversations that dance around the obvious. They aren't scary...Cadavers, once you get used to them--and you do that quite fast--are surprisingly easy to be around.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
I like the term "decedent." It's as though the man weren't dead, but merely involved in some sort of protracted legal dispute. For evident reasons, mortuary science is awash with euphemisms. "Don't say stiff, corpse, cadaver," scolds The Principles and Practice of Embalming. "Say decedent, remains or Mr. Blank. Don't say 'keep.' Say 'maintain preservation.'…"Wrinkles are "acquired facial markings." Decomposed brain that filters down through a damaged skull and bubbles out the nose is "frothy purge.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
With the rise of classical Greece, the soul debate evolved into the more familiar heart-versus-brain, the liver having been demoted to an accessory role. We are fortunate that this is so, for we would otherwise have been faced with Celine Dion singing "My Liver Belongs to You" and movie houses playing The Liver Is a Lonely Hunter. Every Spanish love song that contains the word corazon, which is all of them, would contain the somewhat less lilting higado, and bumper stickers would proclaim, "I [liver symbol] my Pekingese.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
If there were ever a cadaver eligible for sainthood, it would not be our Spalding Gray upon the cross, it would be these guys: the brain-dead, beating-heart organ donors that come and go in our hospitals every day.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
If you lower your head to within a foot or two of an infested corpse - and this I truly don't recommend - you can hear them feeding. Arpad pinpoints the sound. "Rice Krispies." Ron frowns. Ron used to like Rice Krispies.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
There is her heart. I've never seen one beating.I had no idea they moved so much. You put your hand on your heart and you picture something pulsing slightly but basically still, like a hand on a desktop tapping Morse code. This things is going wild in there. It's a mixing-machine part, a stoat squirming in its burrow, an alien life form that's just won a Pontiac on The Price Is Right. If you were looking for the home of the human body's animating spirit, I could imagine believing it to be here, for the simple reason that it is the human body's most animated organ.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Dissection and surgical instruction, like meat-eating, require a carefully maintained set of illusions and denial. Physicians and anatomy students must learn to think of cadavers as wholly unrelated to the people they once were.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
(What she perhaps didn’t realize is that the embalming fluid pumped into the veins expands the body’s erectile tissues, with the result that male anatomy lab cadavers may be markedly better endowed in death than they were in life.)
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
They also look like human heads, but my brain has no precedent for human heads on tables or in roasting pans or anywhere other than on top of human bodies, and so I think it has chosen to interpret the sight in a more comforting manner.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Does everything have a father? Apparently so. A web search on “the father of” turned up fathers for vasectomy reversal, hillbilly jazz, lichenology, snowmobiling, modern librarianship, Japanese whiskey, hypnosis, Pakistan, natural hair care products, the lobotomy, women’s boxing, Modern Option Pricing Theory, the swamp buggy, Pennsylvania ornithology, Wisconsin bluegrass, tornado research, Fen-Phen, modern dairying, Canada’s permissive society, black power, and the yellow schoolbus.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
To gibbet is to dip a corpse in tar and suspend it in a flat iron cage (the gibbet) in plain view of townsfolk while it rots and gets pecked apart by crows. A stroll through the square must have been a whole different plate of tamales back then.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
When you get right down to it, there is no dignified way to go, be it decomposition, incineration, dissection, tissue digestion, or composting. They're all, bottom line, a little disagreeable. It takes the careful application of a well-considered euphemism—burial, cremation, anatomical gift-giving, water reduction, ecological funeral—to bring it to the point of acceptance.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Human remains dogs are distinct from the dogs that search for escaped felons and the dogs that search for whole cadavers. They are trained to alert their owners when they detect the specific scents of decomposed human tissue. They can pinpoint the location of a corpse at the bottom of a lake by sniffing the water’s surface for the gases and fats that float up from the rotting remains. They can detect the lingering scent molecules of a decomposing body up to fourteen months after the killer lugged it away.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
H appears no different from the corpses already here. But H is different. She has made three sick people well. She has brought them extra time on Earth. To be able as a dead person to make a gift of this magnitude is phenomenal. Most people don't manage this sort of thing while they're alive. Cadavers like H are the dead's heroes.
It is astounding to me and achingly sad that with 80,000 people on the waiting list for donated hearts and livers and kidneys, with sixteen a day dying there on that list, that more than half the people in the position H's family was in will say no, will choose to burn those organs or let them rot. We abide the surgeon's scalpel to save our own lives, our loved one's lives, but not to save a stranger's life. H has no heart but heartless is the last thing you'd call her.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
watch Marilena gingerly probing the woman’s exposed tissue. What she is doing, basically, is getting her bearings: learning—in a detailed, hands-on manner—what’s what and what’s where in the complicated layering of skin, fat, muscle, and fascia that makes up the human cheek.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
there is a photograph of zugibe and one of his volunteers in the aforementioned sindon article. zugibe is dressed in a knee-length white lab coat and is shown adjusting one of the vital sign leads affixed to the man's chest. the cross reaches almost to the ceiling, towering over zugibe and his bank of medical monitors. the volunteer is naked except for a pair of gym shorts and a hearty mustache. he wears the unconcerned, mildly zoned-out expression of a person waiting at a bus stop. neither man appears to have been self-conscious about being photographed this way. i think that when you get yourself down deep into a project like this, you lose sight of how odd you must appear to the rest of the world.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
You are perhaps wondering, as I did, why they don’t use crash test dummies. This is the other side of the equation. A dummy can tell you how much force a crash is unleashing on various dummy body parts, but without knowing how much of a blow a real body part can take, the information is useless.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
He'll always make time to talk to you if you call, but it becomes quickly clear in the course of the conversation that spare time is something Zugibe has very little of. He'll be halfway through an explanation of the formula used to determine the pull of the body on each of Christ's hands when his voice will wander away from the telephone for a minute and then he'll come back and say, "Excuse me. A nine year old body. Father beat her to death. Where were we?
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Edison believed that living beings were animated and controlled by “life units,” smaller-than-microscopic entities that inhabited each and every cell and, upon death, evacuated the premises, floated around awhile, and eventually reassembled to animate a new personality—possibly another man, possibly an ocelot or a sea cucumber.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
One woman confessed that her group had passed comment on the “extremely large genitalia” of their cadaver. (What she perhaps didn’t realize is that the embalming fluid pumped into the veins expands the body’s erectile tissues, with the result that male anatomy lab cadavers may be markedly better endowed in death than they were in life.)
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Another group tried putting a new type of protective boot onto the hind leg of a mule deer for testing. Given that deer lack toes and heels and people lack hooves, and that no country I know of employs mule deer in land mine clearance, it is hard—though mildly entertaining—to try to imagine what the value of such a study could have been.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
You want a vivid description of what’s going through my brain as I’m cutting through a liver and all these larvae are spilling out all over me and juice pops out of the intestines?” I kind of did, but I kept quiet. He went on: “I don’t really focus on that. I try to focus on the value of the work. It takes the edge off the grotesqueness.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Humanitarian Benefits of Cadaver Research on Injury Prevention,” Albert King calculated that vehicle safety improvements that have come about as a result of cadaver research have saved an estimated 8,500 lives each year since 1987. For every cadaver that rode the crash sleds to test three-point seat belts, 61 lives per year have been saved. For every cadaver that took an air bag in the face, 147 people per year survive otherwise fatal head-ons. For every corpse whose head has hammered a windshield, 68 lives per year are saved.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
One French clergyman recommended thrusting a red-hot poker up what Bondeson genteelly refers to as “the rear passage.” A French physician invented a set of nipple pincers specifically for the purpose of reanimation. Another invented a bagpipelike contraption for administering tobacco enemas, which he demonstrated enthusiastically on cadavers in the morgues of Paris.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Though I found this information surprising, this being the Father of Medicine we are talking about, I did not question it. You do not question an author who appears on the title page as “T.V.N. Persaud, M.D., Ph.D., D.Sc., F.R.C. Path. (Lond.), F.F. Path. (R.C.P.I.), F.A.C.O.G.” Who knows, perhaps history erred in bestowing upon Hippocrates the title Father of Medicine.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
One of the seminar organizers joins me. "Is Yvonne giving you a hard time?" Yvonne. My nemesis is none other than the cadaver beheader. As if turns out, she's also the lab manager, the person responsible when things go wrong, such as writers fainting and/or getting sick to their stomach and then going home and writing books that refer to anatomy lab managers as beheaders.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Here is the secret to surviving one of these crashes: Be male. In a 1970 Civil Aeromedical Institute study of three crashes involving emergency evacuations, the most prominent factor influencing survival was gender (followed closely by proximity to exit). Adult males were by far the most likely to get out alive. Why? Presumably because they pushed everyone else out of the way.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
The traditional gross anatomy lab represented a sort of sink-or-swim mentality about dealing with death. To cope with what was being asked of them, medical students had to find ways to desensitize themselves. They quickly learned to objectify cadavers, to think of the dead as structures and tissues, and not a former human being. Humor--at the cadaver's expense--was tolerated, condoned even.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
You don’t have to step on a body to carry the smells of death with you on your shoes. For reasons we have just seen, the soil around a corpse is sodden with the liquids of human decay. By analyzing the chemicals in this soil, people like Arpad can tell if a body has been moved from where it decayed. If the unique volatile fatty acids and compounds of human decay aren’t there, the body didn’t decompose there.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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The British investigators know what butchers have long known: If you want people to feel comfortable about dead bodies, cut them into pieces. A cow carcass is upsetting; a brisket is dinner. A human leg has no face, no eyes, no hands that once held babies or stroked a lover’s cheek. It’s difficult to associate it with the living person from which it came. The anonymity of body parts facilitates the necessary dissociations of cadaveric research: This is not a person. This is just tissue. It has no feelings, and no one has feelings for it. It’s okay to do things to it which, were it a sentient being, would constitute torture.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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Not all that surprisingly, Holmes began to go insane, spending his final years in and out of institutions. At seventy, he was placing ads in mortuary trade journals for a rubber-coated canvas body removal bag that could, he suggested, double as a sleeping bag. Shortly before he died, Holmes is said to have requested that he not be embalmed, though whether this was a function of sanity or insanity was never made clear.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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Unlike real tissue, human tissue simulant doesn’t snap back: The cavity remains, allowing ballistics types to judge, and preserve a record of, a bullet’s performance. Plus, you don’t need to autopsy a block of human tissue simulant; because it’s clear, you just walk up to it after you’ve shot it and take a look at the damage. Following which, you can take it home, eat it, and enjoy stronger, healthier nails in thirty days.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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He will be lowered into a vat of liquid nitrogen and frozen. From here he will progress to the second chamber, where either ultrasound waves or mechanical vibration will be used to break his easily shattered self* into small pieces, more or less the size of ground chuck. The pieces, still frozen, will then be freeze-dried and used as compost for a memorial tree or shrub, either in a churchyard memorial park or in the family’s yard.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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The question then becomes, was it necessary, once the likes of Vesalius had pretty much figured out the basics, for every student of anatomy to get right in there and figure them out all over again? Why couldn’t models and preserved prosections be used to teach anatomy? Do gross anatomy labs reinvent the wheel? The questions were especially relevant in Knox’s day, given the way in which bodies were procured, but they are still relevant today.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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I'd called [Stanley Garn] because he wrote an American Anthropolgist's paper on the topic of human flesh and its nutritional value. "Your cows," he said, "are much more efficient." But I am not so much interested in cultures eating the flesh of their captive enemies as I am in cultures eating their own dead, the practical "Why not?" model of cannibalism, eating the meat of fresh corpses because it's there and it's a nice change from taro root.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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There is a passage in the Buddhist Sutra on Mindfulness called the Nine Cemetery Contemplations. Apprentice monks are instructed to meditate on a series of decomposing bodies in the charnel ground, starting with a body “swollen and blue and festering,” progressing to one “being eaten by…different kinds of worms,” and moving on to a skeleton, “without flesh and blood, held together by the tendons.” The monks were told to keep meditating until they were calm and a smile appeared on their faces.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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didn’t bother them that the corpses would arrive at their doors, to quote Ruth Richardson, “compressed into boxes, packed in sawdust,…trussed up in sacks, roped up like hams…” So similar in their treatment were the dead to ordinary items of commerce that every now and then boxes would be mixed up in transit. James Moores Ball, author of The Sack-’Em-Up Men, tells the tale of the flummoxed anatomist who opened a crate delivered to his lab expecting a cadaver but found instead “a very fine ham, a large cheese, a basket of eggs, and a huge ball of yarn.” One can only imagine the surprise and very special disappointment of the party expecting very fine ham, cheese, eggs, or a huge ball of yarn, who found instead a well-packed but quite dead Englishman.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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For those who must deal with human corpses regularly, it is easier (and, I suppose, more accurate) to think of them as objects, not people. For most physicians, objectification is mastered their first year of medical school, in the gross anatomy lab, or “gross lab,” as it is casually and somewhat aptly known. To help depersonalize the human form that students will be expected to sink knives into and eviscerate, anatomy lab personnel often swathe the cadavers in gauze and encourage students to unwrap as they go, part by part.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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I'd called Stanley Garn because I was looking for anthropologists who had done a nutritional analysis of human flesh and/or organ meats. Just, you know, curious. Garn hadn't exactly done this but he had worked out the lean/fat percentage of human flesh. He estimates that humans have more or less the same body composition as veal. To arrive at the figure, Garn extrapolated from average human body fat percentages. "There's information of that sort on people in most countries now," he said. "So you can see who you want for dinner.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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In a 1995 Journal of Trauma article entitled “Humanitarian Benefits of Cadaver Research on Injury Prevention,” Albert King calculated that vehicle safety improvements that have come about as a result of cadaver research have saved an estimated 8,500 lives each year since 1987. For every cadaver that rode the crash sleds to test three-point seat belts, 61 lives per year have been saved. For every cadaver that took an air bag in the face, 147 people per year survive otherwise fatal head-ons. For every corpse whose head has hammered a windshield, 68 lives per year are saved.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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The Babylonians were the original liver guys, believing the organ to be the source of human emotion and spirit. The Mesopotamians played both sides of the argument, assigning emotion to the liver and intellect to the heart. These guys clearly marched to the beat of a freethinking drummer, for they assigned a further portion of the soul (cunning) to the stomach. Similar freethinkers throughout history have included Descartes, who wrote that the soul could be found in the walnut-sized pineal gland, and the Alexandrian anatomist Strato, who decided it lived “behind the eyebrows.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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Loden loves guns, loves to talk about them. Right now he's trying to talk about them with me, a distinctly trying experience for I keep shepherding the conversation back to dead bodies which Loden clearly doesn't enjoy very much. You would think that a man who felt comfortable extolling the virtues of hollow point bullets ("Expands to twice its size and just thumps that person.") would be okay talking about dead bodies, but apparently not. "You just cringe," he said when I mentioned the prospect of shooting into human cadaver tissue. Then he made a noise that I transcribed in my notes as olllggg.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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It’s no coincidence that the man who contributed the most to the study of human anatomy, the Belgian Andreas Vesalius, was an avid proponent of do-it-yourself, get-your-fussy-Renaissance-shirt-dirty anatomical dissection. Though human dissection was an accepted practice in the Renaissance-era anatomy class, most professors shied away from personally undertaking it, preferring to deliver their lectures while seated in raised chairs a safe and tidy remove from the corpse and pointing out structures with a wooden stick while a hired hand did the slicing. Vesalius disapproved of this practice, and wasn’t shy about his feelings. In C. D. O’Malley’s biography of the man, Vesalius likens the lecturers to “jackdaws aloft in their high chair, with egregious arrogance croaking things they have never investigated but merely committed to memory from the books of others. Thus everything is wrongly taught,…and days are wasted in ridiculous questions.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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The public filed past Elmer in his casket, looking every bit the soldier and nothing at all the decomposing body. Embalming received another boost four years later, when Abe Lincoln’s embalmed body traveled from Washington to his hometown in Illinois. The train ride amounted to a promotional tour for funerary embalming, for wherever the train stopped, people came to view him, and more than a few must have noted that he looked a whole lot better in his casket than Grandmama had looked in hers. Word spread and the practice grew, like a chicken heart, and soon the whole nation was sending their decedents in to be posed and preserved.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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Nineteenth-century operating “theaters” had more to do with medical instruction than with saving patients’ lives. If you could, you stayed out of them at all cost. For one thing, you were being operated on without anesthesia. (The first operations under ether didn’t take place until 1846.) Surgical patients in the late 1700s and early 1800s could feel every cut, stitch, and probing finger. They were often blindfolded—this may have been optional, not unlike the firing squad hood—and invariably bound to the operating table to keep them from writhing and flinching or, quite possibly, leaping from the table and fleeing into the street. (Perhaps owing to the presence of an audience, patients underwent surgery with most of their clothes on.)
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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Here’s the other thing I think about. It makes little sense to try to control what happens to your remains when you are no longer around to reap the joys or benefits of that control. People who make elaborate requests concerning disposition of their bodies are probably people who have trouble with the concept of not existing. Leaving a note requesting that your family and friends travel to the Ganges or ship your body to a plastination lab in Michigan is a way of exerting influence after you’re gone—of still being there, in a sense. I imagine it is a symptom of the fear, the dread, of being gone, of the refusal to accept that you no longer control, or even participate in, anything that happens on earth. I spoke about this with funeral director Kevin McCabe, who believes that decisions concerning the disposition of a body should be made by the survivors, not the dead. “It’s none of their business what happens to them when they die,” he said to me. While I wouldn’t go that far, I do understand what he was getting at: that the survivors shouldn’t have to do something they’re uncomfortable with or ethically opposed to. Mourning and moving on are hard enough. Why add to the burden? If someone wants to arrange a balloon launch of the deceased’s ashes into inner space, that’s fine. But if it is burdensome or troubling for any reason, then perhaps they shouldn’t have to. McCabe’s policy is to honor the wishes of the family over the wishes of the dead. Willed body program coordinators feel similarly. “I’ve had kids object to their dad’s wishes [to donate],” says Ronn Wade, director of the Anatomical Services Division of the University of Maryland School of Medicine. “I tell them, ‘Do what’s best for you. You’re the one who has to live with it.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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For the more you know about how dead bodies decay—the biological and chemical phases they go through, how long each phase lasts, how the environment affects these phases—the better equipped you are to figure out when any given body died: in other words, the day and even the approximate time of day it was murdered. The police are pretty good at pinpointing approximate time of death in recently dispatched bodies. The potassium level of the gel inside the eyes is helpful during the first twenty-four hours, as is algor mortis—the cooling of a dead body; barring temperature extremes, corpses lose about 1.5 degrees Fahrenheit per hour until they reach the temperature of the air around them. (Rigor mortis is more variable: It starts a few hours after death, usually in the head and neck, and continues, moving on down the body, finishing up and disappearing anywhere from ten to forty-eight hours after death.)
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)