Stern Money Quotes

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Only two things kept you safe: money and power.
Leigh Bardugo (Ninth House (Alex Stern, #1))
Why are the people all so unhappy?" he asked Mister Wolf. "They have a stern and demanding God," Wolf replied. "Which God is that?" Garion asked. "Money," Wolf said.
David Eddings (Pawn of Prophecy (The Belgariad, #1))
The purest Marxists are always men. Calamity comes too easily to women. Our lives can come apart in a single gesture, a rogue wave. And money? Money is the rock we cling to when the current would seize us.
Leigh Bardugo (Ninth House (Alex Stern, #1))
once you have money, once you can stop clinging to the rock and can climb atop it, what will you build there? When you stand upon the rock, what will you preach?
Leigh Bardugo (Ninth House (Alex Stern, #1))
You mistake me Alexandra. There is no crime in wanting these things. Only people who have never lived without comfort deride it as bourgeois.“ She winked. “The purest Marxists are always men. Calamity comes too easily to women. Our lives can come apart in a single gesture, a rogue wave. And money? Money is the rock we cling to when the current would seize us.
Leigh Bardugo (Ninth House (Alex Stern, #1))
Alex didn’t have money. But she did have power. She’d been afraid of it, afraid of staring directly at that blood-soaked night. Afraid she’d feel regret or shame, of saying goodbye to Hellie all over again. But when she’d finally looked? Let herself remember? Well, maybe there was something broken and shriveled in her, because she felt only a deep calm in knowing what she was capable of.
Leigh Bardugo (Ninth House (Alex Stern, #1))
If a person who believes in the label ‘Global Warming’ hears someone else say that they don’t believe in Global Warming, they automatically think the person is for polluting the planet. What a childish mindset. It’s only powerful individuals who are for polluting the planet because they can save a lot of money when dumping their waste in nature instead of disposing of it properly, or by using dirty fossil fuels for energy instead of cleaner options. All those powerful individuals sternly agree that Global Warming is a problem when addressing the public, but behind closed doors, they count the money they’ve collected from imposing Global Warming taxes on their competitors and continue to pollute themselves. The biggest companies in the world that are pushing this agenda continue to pollute the planet and aren’t paying any taxes themselves. They’re using Global Warming as a front.
Jasun Ether (The Beasts of Success)
Friendship is a difficult thing to define. Oscar here is my oldest friend. How would you define friendship, Oscar?" Oscar grunts slightly, as though the answer is obvious. "Friendship is about choice and chemistry. It cannot be defined." "But surely there's something more to it than that." "It is a willingness to overlook faults and to accept them. I would let a friend hurt me without striking back," he says, smiling. "But only once." De Souza laughs. "Bravo, Oscar, I can always rely on you to distill an argument down to its purest form. What do you think, Dayel?" The Indian rocks his head from side to side, proud that he has been asked to speak next. "Friendship is different for each person and it changes throughout our lives. At age six it is about holding hands with your best friend. At sixteen it is about the adventure ahead. At sixty it is about reminiscing." He holds up a finger. "You cannot define it with any one word, although honesty is perhaps the closest word-" "No, not honesty," Farhad interrupts. "On the contrary, we often have to protect our friends from what we truly think. It is like an unspoken agreement. We ignore each other's faults and keep our confidences. Friendship isn't about being honest. The truth is too sharp a weapon to wield around someone we trust and respect. Friendship is about self-awareness. We see ourselves through the eyes of our friends. They are like a mirror that allows us to judge how we are traveling." De Souza clears his throat now. I wonder if he is aware of the awe that he inspires in others. I suspect he is too intelligent and too human to do otherwise. "Friendship cannot be defined," he says sternly. "The moment we begin to give reasons for being friends with someone we begin to undermine the magic of the relationship. Nobody wants to know that they are loved for their money or their generosity or their beauty or their wit. Choose one motive and it allows a person to say, 'is that the only reason?'" The others laugh. De Souza joins in with them. This is a performance. He continues: "Trying to explain why we form particular friendships is like trying to tell someone why we like a certain kind of music or a particular food. We just do.
Michael Robotham (The Night Ferry)
He bent his gaze sternly on them. "First, let no one rule your mind or body. Take special care that your thoughts remain unfettered. One may be a free man and yet be bound tighter than a slave. Give men your ear, but not your heart. Show respect for those in power, but don't follow them blindly. Judge with logic and reason, but comment not. "Consider none your superior, whatever their rank or station in life. Treat all fairly or they will seek revenge. Be careful with your money. Hold fast to your beliefs and others will listen." He continued at a slower pace, "Of the affairs of love... my only advice is to be honest. That's your most powerful took to unlock a heart or gain forgiveness. That's all I have to say." He seemed slightly self-conscious of his speech.
Christopher Paolini (Eragon (The Inheritance Cycle #1))
Peace was like any high. it couldn't last. It was an illusion, something that could be interrupted in a moment and lost forever. Only two things kept you safe: money and power.
Leigh Bardugo (Ninth House (Alex Stern, #1))
Magic was transgression, the blurring of the line between the impossible and the possible. There was something about crossing that boundary that seemed to shake loose all the morals and taboos people took for granted. When anything was within your grasp, it got harder and harder to remember why you shouldn’t take it—money, power, your dream job, your dream fuck, a life.
Leigh Bardugo (Hell Bent (Alex Stern, #2))
You mistake me, Alexandra. There is no crime in wanting these things. Only people who have never lived without comfort deride it as bourgeois.” She winked. “The purest Marxists are always men. Calamity comes too easily to women. Our lives can come apart in a single gesture, a rogue wave. And money? Money is the rock we cling to when the current would seize us.” “Yes,” said Alex, leaning forward. This was what Alex’s mother had never managed to grasp. Mira loved art and truth and freedom. She didn’t want to be a part of the machine. But the machine didn’t care. The machine went on grinding and catching her up in its gears.
Leigh Bardugo (Ninth House (Alex Stern, #1))
I wear silk -- the cover to uncover -- because silk is what I want you to think of. But I dislike the cloth. It is too stern. So tell me anything but track me like a climber for here is the eye, here is the jewel, here is the excitement the nipple learns. I am unbalanced -- but I am not mad with snow. I am mad the way young girls are mad, with an offering, an offering... I burn the way money burns.
Anne Sexton (The Complete Poems)
Peace was like any high. It couldn’t last. It was an illusion, something that could be interrupted in a moment and lost forever. Only two things kept you safe: money and power.
Leigh Bardugo (Ninth House (Alex Stern, #1))
And money? Money is the rock we cling to when the current would seize us.
Leigh Bardugo (Ninth House (Alex Stern, #1))
In the early summer of 1846 he moved his family to a cottage in Fordham, which was then far out in the country. He was ill and Virginia was dying, so that he was in no condition to do much work. As a result, their meagre income vanished; when winter game they even lacked money to buy fuel. A friend who visited the cottage wrote a description of Virginia's plight: There was no clothing on the bed... but a snow white spread and sheets. The weather was cold, and the sick lady had the dreadful chills that accompany the hectic fever of consumption. She lay on the straw bed, wrapped in her husband's great-coat, with a large tortoise-shell cat on her bosom. The wonderful cat seemed conscious of her great usefulness. The coat and the cat were the sufferer's only means of warmth... A public appeal for funds was made in the newspapers -- an act which Poe, of course, resented. But Virginia was beyond all human aid. She died on January 30, 1847, and her death marked the end of the sanest period in her husband's life. He plunged into the writing of a book-length mystical and pseudo-scientific work entitled Eureka, in which he set forth his theories of the universe. He intended it as a prose poem, and as such is should be judged, rather than as a scientific explanation of matters beyond it's author's ken.
Philip van Doren Stern (The Portable Poe)
The purest Marxists are always men. Calamity comes too easily to women. Our lives can come apart in a single gesture, a rogue wave. And money? Money is the rock we cling to when the current would seize us.” “Yes,” said
Leigh Bardugo (Ninth House (Alex Stern, #1))
Try to teach them something, but they’ll never learn. Give them a job and they’ll steal your money. Give them an apartment and they’ll trash it, though they don’t even have to pay for it themselves,” said the cat sternly. “Good God,
Pajtim Statovci (My Cat Yugoslavia)
Babe was newly divorced from a Tuxedo Park blueblood (who had hit her on occasion, but that was what makeup was for, Gogs had sternly reminded her when Babe came running home for comfort; funny, though, how vehemently her mother argued for divorce after the blueblood revealed all his money was tied up in trust).
Melanie Benjamin (The Swans of Fifth Avenue)
The Nigger was a handsome, austere woman with snow-white hair and a dark and awful dignity. Her brown eyes, brooding deep in her skull, looked out on an ugly world with philosophic sorrow. She conducted her house like a cathedral dedicated to a sad but erect Priapus. If you wanted a good laugh and a poke in the ribs, you went to Jenny’s and got your money’s worth; but if the sweet worldsadness close to tears crept out of your immutable loneliness, the Long Green was your place. When you came out of there you felt that something pretty stern and important had happened. It was no jump in the hay. The dark beautiful eyes of the Nigger stayed with you for days.
John Steinbeck (East of Eden)
You die because you think the gods are looking after you. That's ok for animals, but you should know better." "We should not trust the gods with our lives?" "Definitely not. You should trust *yourselves* with your lives. That's the human way to live." Ishmael shook his head ponderously. "This is sorry news indeed. From time out of mind we've lived in the hands of the gods, and it seemed to us we lived well. We left to the gods all the labor of sowing and growing and lived a carefree life, and it seemed there was always enough in the world for us, because--behold!--*we are here!*" "Yes," I told him sternly. "You are here, and look at you. You have nothing. You live without security, without comfort, without opportunity." "And this is because we live in the hands of the gods?" "Absolutely. In the hands of the gods you're no more important than lions or lizards or fleas--you're nothing special.... As I say, you've got to begin planting your own food.... The gods plant only what you *need*. You will plant *more* than you need." "To what end? What's the good of having more food than we need?" "That is the whole goddamned point! When you have more food than you need, then *the gods have no power over you!*" "We can thumb our noses at them." "Exactly." "All the same, what are we to *do* with this food if we don't need it?" "You *save* it! You save it to thwart the gods when they decide it's your turn to go hungry. You save it so that when they send a drought, you can say, 'Not *me* goddamn it! *I'm* not going hungry, and there's nothing you can do about it, because my life is in my own hands now!" ... "So this is what's at the root of your revolution. You wanted and still want to have your lives in your own hands." "Yes. Absolutely. To me, living any other way is almost inconceivable. I can only think that hunter-gatherers live in a state of utter and unending anxiety over what tomorrow's going to bring." "Yet they don't. Any anthropologist will tell you that. They are far less anxiety-ridden than you are. They have no jobs to lose. No one can say to them, 'Show me your money or you don't get fed, don't get clothed, don't get sheltered.' " "I believe you. Rationally speaking, I believe you. But I'm talking about my feelings, about my conditioning. My conditioning tells me -- Mother Culture tells me -- that living in the hands of the gods has got to be a never-ending nightmare of terror and anxiety.
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit (Ishmael, #1))
Kennebunkport, all the “cottages,” and Walker’s Point in particular, had to do with America’s substitute for class—that is, money and power. The stern gentlemen in their wing collars and boater hats who built these oceanfront mansions were not the idle rich of their day. They were men of big works and large affairs ... they’d catch the State o’ Maine sleeper Friday night from New York and, forty-eight hours later, they’d kiss their children goodbye again for the overnight trip back to Wall Street or midtown. Kennebunkport was their creation, for lives of the most rapacious striving.
Richard Ben Cramer (What It Takes: The Way to the White House)
Salim is upset. The fax that was waiting for him when he woke this morning was curt, and alternately chiding, stern, and disappointed: Salim was letting them down—his sister, Fuad, Fuad’s business partners, the Sultanate of Oman, the whole Arab world. Unless he was able to get the orders, Fuad would no longer consider it his obligation to employ Salim. They depended upon him. His hotel was too expensive. What was Salim doing with their money, living like a sultan in America? Salim read the fax in his room (which has always been too hot and stifling, so last night he opened a window, and was now too cold) and sat there for a time, his face frozen into an expression of complete misery.
Anonymous
The world is quite hard on artists who are good but not truly great. So. You wish what? Stability? A steady job?" "Yes," Alex said, and despite her best intentions the word emerged with a petulant edge. "You mistake me, Alexandra. There is no crime in wanting these things. Only people who have never lived without comfort deride it as bourgeois." She winked. "The purest Marxists are always men. Calamity comes too easily to women. Our lives can come apart in a single gesture, a rogue wave. And money? Money is the rock we cling to when the current would seize us." "Yes," said Alex, leaning forward. This was what Alex's mother had never managed to grasp. Mira loved art and truth and freedom. She didn't want to be a part of the machine. But the machine didn't care. The machine went on grinding and catching her up in its gears.
Leigh Bardugo (Ninth House (Alex Stern, #1))
Sometimes, in his wild way of talking, he would say, that Gravity was an errant scoundrel, and he would add,—of the most dangerous kind too,—because a sly one; and that he verily believed, more honest, well-meaning people were bubbled out of their goods and money by it in one twelve-month, than by pocket-picking and shop-lifting in seven. In the naked temper which a merry heart discovered, he would say there was no danger,—but to itself:—whereas the very essence of gravity was design, and consequently deceit;—’twas a taught trick to gain credit of the world for more sense and knowledge than a man was worth; and that, with all its pretensions,—it was no better, but often worse, than what a French wit had long ago defined it,—viz. A mysterious carriage of the body to cover the defects of the mind;—which definition of gravity, Yorick, with great imprudence, would say, deserved to be wrote in letters of gold.
Laurence Sterne (The Life and Opinions of Tristram Shandy, Gentleman)
Dad and I hadn’t spoken since he’d screamed at me about the VCR. I could tell he was trying to be supportive, but I didn’t think I could admit to him that I was failing. I wanted to tell him it was going well. So easy, I imagined myself saying. “Not great,” I said instead. “I had no idea it would be this hard.” The line was silent, and I imagined Dad’s stern face hardening. I waited for the jab I imagined he was preparing, but instead a quiet voice said, “It’ll be okay, honey.” “It won’t,” I said. “There will be no scholarship. I’m not even going to pass.” My voice was shaky now. “If there’s no scholarship, there’s no scholarship,” he said. “Maybe I can help with the money. We’ll figure it out. Just be happy, okay?” “Okay,” I said. “Come on home if you need.” I hung up, not sure what I’d just heard. I knew it wouldn’t last, that the next time we spoke everything would be different, the tenderness of this moment forgotten, the endless struggle between us again in the foreground. But tonight he wanted to help. And that was something. —
Tara Westover (Educated)
You’re having a bad day. You mess up a few lines. You’re distracted. You’ve had this look about you all afternoon, like you’re not quite there. “Christ, Cunningham, get it together,” Hastings says, running his hands down his face. “If you can’t handle being Brutus—” “Fuck you.” You cut him off. “Don’t act like you’re perfect.” “I don’t make rookie mistakes,” Hastings says. “Maybe if you weren’t so preoccupied with trying to screw the new girl, you might—” BAM. You shut him up mid-sentence with a punch to the face, your fist connecting hard, nearly knocking him off his feet. He stumbles, stunned, as you go at him again, grabbing the collar of his uniform shirt and yanking him to you. “Shut your fucking mouth.” People come between the two of you, forcing you apart. Hastings storms out, shouting, “I can’t deal with him!” Drama Club comes to a screeching halt. You stand there for a moment, fists clenched at your side, calming down. You flex your hands, loosening them as you approach the girl. She’s watching you in silence, expression guarded. You sit down near her. There’s an empty seat between you today. It’s the first time you’ve not sat right beside her in weeks. You’re giving her space. It doesn’t take long before Hastings returns, but he isn’t alone. The administrator waltzes in behind him. The man heads for you, expression stern. “Cunningham, give me one good reason why I shouldn’t expel you.” “Because my father gives you a lot of money.” “That’s what you have to say?” “Is that not a good reason?” “You punched a fellow student!” “We were just acting,” you say. “I’m Brutus. He’s Caesar. It’s to be expected.” “Brutus stabs him. He doesn’t throw punches.” “I was improvising.” The girl laughs when you say that. She tries to stop herself, but the sound comes out, and the administrator hears it, his attention shifting to her. “Look, it won’t happen again,” you say, drawing the focus back to you. “Next time, I’ll stab him and be done with it.” “You better watch yourself,” the administrator says, pointing his finger in your face. “One more incident and you’re gone for good. Understand?” “Yes, sir.” “And rest assured, your father will be hearing about this
J.M. Darhower (Ghosted)
All of our savings were consumed in the effort to bring my dog over. Steve loved Sui so much that he understood completely why it was worth it to me. The process took forever, and I spent my days tangled in red tape. I despaired. I loved my life and I loved the zoo, but there were times during that desperate first winter when it seemed we were fighting a losing battle. Then our documentaries started to air on Australian television. The first one, on the Cattle Creek croc rescue, caused a minor stir. There was more interest in the zoo, and more excitement about Steve as a personality. We hurried to do more films with John Stainton. As those hit the airwaves, it felt like a slow-motion thunderclap. Croc Hunter fever began to take hold. The shows did well in Sydney, even better in Melbourne, and absolutely fabulous in Brisbane, where they beat out a long-running number one show, the first program to do so. I believe we struck a chord among Australians because Steve wasn’t a manufactured TV personality. He actually did head out into the bush to catch crocodiles. He ran a zoo. He wore khakis. Among all the people of the world, Australians have a fine sense of the genuine. Steve was the real deal. Although the first documentary was popular and we were continuing to film more, it would be years before we would see any financial gain from our film work. But Steve sat down with me one evening to talk about what we would do if all our grand plans ever came to fruition. “When we start to make a quid out of Crocodile Hunter,” he said, “we need to have a plan.” That evening, we made an agreement that would form the foundation of our marriage in regard to our working life together. Any money we made out of Crocodile Hunter--whether it was through documentaries, toys, or T-shirts (we barely dared to imagine that our future would hold spin-offs such as books and movies)--would go right back into conservation. We would earn a wage from working at the zoo like everybody else. But everything we earned outside of it would go toward helping wildlife, 100 percent. That was our deal. As a result of the documentaries, our zoo business turned from a trickle to a steady stream. Only months earlier, a big day to us might have been $650 in total receipts. When we did $3,500 worth of business one Sunday, and then the next Sunday upped that record to bring in $4,500, we knew our little business was taking off. Things were going so well that it was a total shock when I received a stern notice from the Australian immigration authorities. Suddenly it appeared that not only was it going to be a challenge to bring Shasta and Malina to my new home of Australia, I was encountering problems with my own immigration too. Just when Steve and I had made our first tentative steps to build a wonderful life together, it looked as though it could all come tumbling down.
Terri Irwin (Steve & Me)
He could feel his heart racing in his chest. She was asking a lot of him. Queen had paid him handsomely and his brother too. Money that he would have to pay back if he abandoned the mission. This was exactly what Gunplay was trying to warn him about. Trigga knew he had to stand his ground, be stern with her.
Leo Sullivan (Keisha & Trigga 4: A Gangster Love Story (Keisha & Trigga: A Gangster Love Story))
Dewey was a stern critic of capitalism and private property rights, which he condemned as a relic of early American principles reinforced in current times by the political party structure. On March 18, 1931, in The New Republic, Dewey wrote: “I do not mean that the whole alliance of the [political] parties with organized business is consciously sinister and corrupt, though it is easily demonstrable that this is somewhat true. I mean rather that both old parties represent that stage of American life when the American people as a whole felt that society was to advance by means of industrial inventions and their application; by the development of manufacturing, of railways and commerce. It was that stage of American life when all but a few took for granted the natural control of industry and trade by the profit motive and the necessity of accumulating money capital. This idea may once have played a part in the development of the country. It has now ceased to be anything but an obstruction. . . .”47
Mark R. Levin (Rediscovering Americanism: And the Tyranny of Progressivism)
Moshe had few friends. Most of Pottstown’s Jews had left Chicken Hill by then. Nate was a friend, but he was a Negro, so there was that space between them. But with Malachi, there was no space. They were fellow escapees who, having endured the landing at Ellis Island and escaped the grinding sweatshops and vicious crime of the vermin-infested Lower East Side, had arrived by hook or crook in the land of opportunity that was Pennsylvania, home to Quakers, Mormons, and Presbyterians. Who cared that life was lonely, that jobs were thankless drudgery, that the romance of the proud American state was myth, that the rules of life were laid carefully in neat books and laws written by stern Europeans who stalked the town and state like the grim reaper, with their righteous churches spouting that Jews murdered their precious Jesus Christ? Their fellow Pennsylvanians knew nothing about the shattered shtetls and destroyed synagogues of the old country; they had not set eyes on the stunned elderly immigrants starving in tenements in New York, the old ones who came alone, who spoke Yiddish only, whose children died or left them to live in charity homes, the women frightened until the end, the men consigned to a life of selling vegetables and fruits on horse-drawn carts. They were a lost nation spread across the American countryside, bewildered, their yeshiva education useless, their proud history ignored, as the clankety-clank of American industry churned around them, their proud past as watchmakers and tailors, scholars and historians, musicians and artists, gone, wasted. Americans cared about money. And power. And government. Jews had none of those things; their job was to tread lightly in the land of milk and honey and be thankful that they were free to walk the land without getting their duffs kicked—or worse. Life in America was hard, but it was free, and if you worked hard, you might gain some opportunity, maybe even open a shop or business of some kind.
James McBride (The Heaven & Earth Grocery Store)
Amelia went to a built-in bookshelf and inspected the volumes as she asked idly, “Why is it, do you think, that Mr. Rohan was reluctant to take money from Lord Selway?” Merripen cast a sardonic glance over his shoulder. “You know how the Rom feel about material possessions.” “Yes, I know your people don’t like to be encumbered. But from what I’ve seen, Romas are hardly reluctant to accept a few coins in return for a service.” “It’s more than not wanting to be encumbered. For a chal to be in this position—” “What’s a chal?” “A son of the Rom. For a chal to wear such fine clothes, to stay under one roof so long, to reap such financial bounty … it’s shameful. Embarrassing. Contrary to his nature.” He was so stern and certain of himself, Amelia couldn’t resist teasing him a little. “And what’s your excuse, Merripen? You’ve stayed under the Hathaway roof for an awfully long time.” “That’s different. For one thing, there’s no profit in living with you.” Amelia laughed. “For another…” Merripen’s voice softened. “I owe my life to your family.” Amelia felt a surge of affection as she stared at his unyielding profile. “What a spoilsport,” she said gently. “I try to mock you, and you ruin the moment with sincerity. You know you’re not obligated to stay, dear friend. You’ve repaid your debt to us a thousand times over.” Merripen shook his head immediately. “It would be like leaving a nest of plover chicks with a fox nearby.” “We’re not as helpless as all that,” she protested. “I’m perfectly capable of taking care of the family … and so is Leo. When he’s sober.” “When would that be?” His bland tone made the question all the more sarcastic
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
I want this sweet girl to be with me for as long as I can have her…forever if it’s possible. She’s everything I am looking for, and she’s the first girl who isn’t after me for my looks, my status, or my money. She’s brought happiness back into my life and now it’s my turn to make her happy just because she deserves it.
R.C. Stern (Fate + Chance = Love (The Blake Family Series, #1))
What choice did I have?” Goldmoon cried angrily. “My father wasn’t well. I had to rule or Loreman would have taken over the tribe. Do you know what’s it like—being Chieftain’s Daughter? Wondering at every meal if this morsel is the one with the poison? Struggling every day to find the money in the treasury to pay the soldiers so that Loreman would have no excuse to take over! And all the time I must act as Chieftain’s Daughter, while my father sits and drools and mumbles.” Her voice choked with tears. Riverwind listened, his face stern and unmoving.
Margaret Weis (Dragons of Autumn Twilight (Dragonlance: Chronicles, #1))
Aaron Stern refers to the dangers of the “must-have-it-now mentality”. “To attain emotional maturity, each of us must learn to develop two critical capacities: the ability to live with uncertainty and the ability to delay immediate gratification in favour of long-range goals.
Noel Whittaker (Making Money Made Simple)
By Lawrence Van Alstyne December 24, 1863 As tomorrow is Christmas we went out and made such purchases of good things as our purses would allow, and these we turned over to George and Henry for safe keeping and for cooking on the morrow. After that we went across the street to see what was in a tent that had lately been put up there. We found it a sort of show. There was a big snake in a showcase filled with cheap looking jewelry, each piece having a number attached to it. Also, a dice cup and dice. For $1.00 one could throw once, and any number of spots that came up would entitle the thrower to the piece of jewelry with a corresponding number on it. Just as it had all been explained to us, a greenhorn-looking chap came in and, after the thing had been explained to him, said he was always unlucky with dice, but if one of us would throw for him he would risk a dollar just to see how the game worked. Gorton is such an accommodating fellow I expected he would offer to make the throw for him, but as he said nothing, I took the cup and threw seventeen. The proprietor said it was a very lucky number, and he would give the winner $12 in cash or the fine pin that had the seventeen on it. The fellow took the cash, like a sensible man. I thought there was a chance to make my fortune and was going right in to break the bank, when Gorton, who was wiser than I, took me to one side and told me not to be a fool; that the greenhorn was one of the gang, and that the money I won for him was already his own. Others had come by this time and I soon saw he was right, and I kept out. We watched the game a while, and then went back to Camp Dudley and to bed. Christmas, and I forgot to hang up my stocking. After getting something to eat, we took stock of our eatables and of our pocket books, and found we could afford a few things we lacked. Gorton said he would invite his horse jockey friend, James Buchanan, not the ex-President, but a little bit of a man who rode the races for a living. So taking Tony with me I went up to a nearby market and bought some oysters and some steak. This with what we had on hand made us a feast such as we had often wished for in vain. Buchanan came, with his saddle in his coat pocket, for he was due at the track in the afternoon. George and Henry outdid themselves in cooking, and we certainly had a feast. There was not much style about it, but it was satisfying. We had overestimated our capacity, and had enough left for the cooks and drummer boys. Buchanan went to the races, Gorton and I went to sleep, and so passed my second Christmas in Dixie. At night the regiment came back, hungry as wolves. The officers mostly went out for a supper, but Gorton and I had little use for supper. We had just begun to feel comfortable. The regiment had no adventures and saw no enemy. They stopped at Baton Rouge and gave the 128th a surprise. Found them well and hearty, and had a real good visit. I was dreadfully sorry I had missed that treat. I would rather have missed my Christmas dinner. They report that Colonel Smith and Adjutant Wilkinson have resigned to go into the cotton and sugar speculation. The 128th is having a free and easy time, and according to what I am told, discipline is rather slack. But the stuff is in them, and if called on every man will be found ready for duty. The loose discipline comes of having nothing to do. I don’t blame them for having their fun while they can, for there is no telling when they will have the other thing. From Diary of an Enlisted Man by Lawrence Van Alstyne. New Haven, Conn., 1910.
Philip van Doren Stern (The Civil War Christmas Album)
Coosawhatchie, South Carolina December 25, 1861 My Dear Daughter: Having distributed such poor Christmas gifts as I had to those around me, I have been looking for something for you. Trifles even are hard to get these war times, and you must not therefore expect more. I have sent you what I thought most useful in your separation from me and hope it will be of some service. Though stigmatized as “vile dross,” it has never been a drug with me. That you may never want for it, restrict your wants to your necessities. Yet how little will it purchase! But see how God provides for our pleasure in every way. To compensate for such “trash,” I send you some sweet violets that I gathered for you this morning while covered with dense white frost, whose crystals glittered in the bright sun like diamonds, and formed a brooch of rare beauty and sweetness which could not be fabricated by the expenditure of a world of money. May God guard and preserve you for me, my dear daughter! Among the calamities of war, the hardest to bear, perhaps, is the separation of families and friends. Yet all must be endured to accomplish our independence and maintain our self-government. In my absence from you I have thought of you very often and regretted I could do nothing for your comfort. Your old home, if not destroyed by our enemies, has been so desecrated that I cannot bear to think of it. I should have preferred it to have been wiped from the earth, its beautiful hill sunk, and its sacred trees buried rather than to have been degraded by the presence of those who revel in the ill they do for their own selfish purposes. I pray for a better spirit and that the hearts of our enemies may be changed. In your homeless condition I hope you make yourself contented and useful. Occupy yourself in aiding those more helpless than yourself. Think always of your father. R.E. Lee
Philip van Doren Stern (The Civil War Christmas Album)
In a state that continued to be saddled with a sternly limited governmental structure devised when the South was just emerging from the bruising experience of the Civil War and Reconstruction, she also had to contend with fact that national politics and changing demographics had left her swimming for her life as a liberal Democrat in an ocean of conservative Republicans. In a failed presidential campaign, Texas's Republican senator Phil Gramm once boasted that the best thing a politician can have is money. It helps, of course, and yet he was proved quite wrong: the biggest advantage a politician can have is that people like you.
Jan Reid (Let the People In: The Life and Times of Ann Richards)
raincoat. Boots cost money, and Howie’s old boots are perfectly good. The soles are scarcely worn.” “The tops aren’t shiny,” Ramona told her mother. “And they’re brown boots. Brown boots are for boys.” “They keep your feet dry,” said Mrs. Quimby, “and that is what boots are for.” Ramona realized she looked sulky, but she could not help herself. Only grown-ups would say boots were for keeping feet dry. Anyone in kindergarten knew that a girl should wear shiny red or white boots on the first rainy day, not to keep her feet dry, but to show off. That’s what boots were for—showing off, wading, splashing, stamping. “Ramona,” said Mrs. Quimby sternly. “Get that look off your face this instant. Either you wear these boots or you stay
Beverly Cleary (Ramona the Pest (Ramona, #2))
Anna didn't tend to talk much, but every so often she would become frantically loquacious. Her conversation would have something of the make-believe about it, as if she were an actress chattering away on stage but was secretly exhausted and wanted nothing more than to return to reality and be alone. If Francesco even touched on the subject of money or employment, Anna's face immediately darkened and she retreated into silence. Francesco had been forced to tell her upfront that he owned no castle or country estate. Yes, he'd stammered, he was of baronial origins, but his family had fallen into ruin and had almost nothing left. At this revelation, Anna had shown neither regret nor surprise as if this was something she'd known all along or was of little interest to her. A hard, slightly ironic expression appeared on her face. "But of course, of course," she said impatiently, and lowering her eyes, she began to fiddle with her spoon. They both were silent while the last sunlight streaming through the dirty caffè window faded and the room darkened. But the suddenly, as he turned towards Anna, Francesco noticed that her pouting mouth was trembling and that her eyes, which she raised for an instant, were moist and bright. Perhaps she really did harbor a hope that those imaginary holdings of his were real? Or perhaps she was thinking of something else entirely? Francesco was so mortified and unsure of himself that he didn't dare ask her anything. The silence between them grew longer and Anna raised her now dry, wide eyes and remained stiffly in her seat in the corner of the half-empty coffee shop without looking at her companion again. She was so stern and detached that one might have mistaken her for a foreigner passing through, seated all alone at that little table in the caffè. Sitting beside her, Francesco, deeply disappointed that he wasn't privy to her most intimate thoughts, let his gaze wander over the small iron tables, across the streaked marble countertop, to the brazier no longer stoked by the lazy shop boy, its few remaining sparks dying among the ashes. Even without catching his fiancée's eye, he could see her dark eyes glowing in the twilight like those of a visionary fixated on her inner thoughts. This was how the spent their brief and acrimonious engagement.
Elsa Morante trans. by Jenny McPhee
Anna didn't tend to talk much, but every so often she would become frantically loquacious. Her conversation would have something of the make-believe about it, as if she were an actress chattering away on stage but was secretly exhausted and wanted nothing more than to return to reality and be alone. If Francesco even touched on the subject of money or employment, Anna's face immediately darkened and she retreated into silence. Francesco had been forced to tell her upfront that he owned no castle or country estate. Yes, he'd stammered, he was of baronial origins, but his family had fallen into ruin and had almost nothing left. At this revelation, Anna had shown neither regret nor surprise as if this was something she'd known all along or was of little interest to her. A hard, slightly ironic expression appeared on her face. "But of course, of course," she said impatiently, and lowering her eyes, she began to fiddle with her spoon.They both were silent while the last sunlight streaming the dirty caffè window faded and the room darkened. But then suddenly, as he turned towards Anna, Francesco noticed that her pouting mouth was trembling and that her eyes, which she raised for an instant, were moist and bright. Perhaps she really did harbor a hope that those imaginary holdings of his were real? Or perhaps she was thinking of something else entirely? Francesco was so mortified and unsure of himself that he didn't dare ask her anything. The silence between them grew longer and Anna raised her now dry, wide eyes and remained stiffly in her seat in the corner of the half-empty coffee shop without looking at her companion again. She was so stern and detached that one might have mistaken her for a foreigner passing through, seated all alone at that little table in the caffè. Sitting beside her, Francesco, deeply disappointed that he wasn't privy to her most intimate thoughts, let his gaze wander over the small iron tables, across the streaked marble countertop, to the brazier no longer stoked by the lazy shop boy, its few remaining sparks dying among the ashes. Even without catching his fiancée's eye, he could see her dark eyes glowing in the twilight like those of a visionary fixated on her inner thoughts. This was how they spent their brief and acrimonious engagement.
Elsa Morante (Lies and Sorcery)
I REGARD,” Chopper Jim said judiciously, “all forms of organized religion as a blight, an abomination and a public nuisance. It is the fifth horseman of the Apocalypse. I’m not talking about the guy who takes a vow of silence, or poverty, or celibacy”—he shivered—“and goes and sits on top of a mountain to meditate for the rest of his life.” He fixed Kate with a stern look. “It’s the people who follow him up that mountain, and then come back down and beat His word into their fellow man who annoy me.” She didn’t reply, and he forked up a french fry. Mutt, well aware of who was the soft touch at this table, sat pressed against his side, looking yearningly up into his face. He forked up another french fry and she took it delicately between her teeth, casting him a look of adoration in the process. “Most of those people—not all, I admit—but most of the people who subscribe to organized religion are too lazy and or too frightened to answer the hard questions themselves, and so hand their souls over for safe-keeping to a bunch of thieves and charlatans who know more about separating fools from their money than they do about God. Any God.” He took a bite of cheeseburger. “Religion is a crutch. You lean on it long enough, you forget how to walk on your own two feet.
Dana Stabenow (Play With Fire (Kate Shugak, #5))
Why are the people all so unhappy?" he asked Mister Wolf. "They have a stern and demanding God," Wolf replied. "Which God is that?" Garion asked. "Money," Wolf said. "Money's a worse God than Torak himself.
David Eddings (Pawn of Prophecy (The Belgariad #1))
The tramp steamer entered my field of vision as slowly as a wounded saurian. I could not believe my eyes. With the wondrous splendor of Saint Petersburg in the background, the poor ship intruded on the scene, its sides covered with dirty streaks of rust and refuse that reached all the way to the waterline. The captain's bridge, and the row of cabins on the deck for crew members and occasional passengers, had been painted white a long time before. Now a coat of grime, oil, and urine gave them an indefinite color, the color of misery, of irreparable decadence, of desperate, incessant use. The chimerical freighter slipped through the water to the agonized gasp of its machinery and the irregular rhythm of driving rods that threatened at any moment to fall silent forever. Now it occupied the foreground of the serene, dreamlike spectacle that had held all my attention, and my astonished wonder turned into something extremely difficult to define. This nomadic piece of sea trash bore a kind of witness to our destiny on earth, a pulvis eris that seemed truer and more eloquent in these polished metal waters with the gold and white vision of the capital of the last czars behind them. The sleek outline of the buildings and wharves on the Finnish coast rose at my side. At that moment I felt the stirrings of a warm solidarity for the tramp steamer, as if it were an unfortunate brother, a victim of human neglect and greed to which it responded with a stubborn determination to keep tracing the dreary wake of its miseries on all the world's seas. I watched it move toward the interior of the bay, searching for some discreet dock where it could anchor without too many maneuvers and, perhaps, for as little money as possible. The Honduran flag hung at the stern. The final letters of the name that had almost been erased by the waves were barely visible:... cyon. In what seemed too mocking an irony, the name of this old freighter was probably the Halcyon.
Álvaro Mutis
And by his side rode loathsome Gluttony, Deformed creature, on a filthie swyne, His belly was vp-blowne with luxury, And eke with fatnesse swollen were his eyne, And like a Crane his necke was long and fyne, With which he swallowd vp excessiue feast; For want whereof poore people oft did pyne; And all the way, most like a brutish beast, He spued vp his gorge, that all did him deteast. In greene vine leaues he was right fitly clad; For other clothes he could not weare for heat, And on his head an yuie girland had, From vnder which fast trickled downe the sweat: Still as he rode, he somewhat still did eat, And in his hand did beare a bouzing can, “Of which he supt so oft, that on his seat His dronken corse he scarse vpholden can, In shape and life more like a monster, then a man. Vnfit he was for any worldly thing, And eke vnhable once to stirre or go, Not meet to be of counsell to a king, Whose mind in meat and drinke was drowned so, That from his friend he seldome knew his fo: Full of diseases was his carcas blew, And a dry dropsie through his flesh did flow And next to him rode lustfull Lechery, Vpon a bearded Goat, whose rugged haire, And whally eyes (the signe of gelosy,) Was like the person selfe, whom he did beare: Who rough, and blacke, and filthy did appeare, Vnseemely man to please faire Ladies eye; Yet he of Ladies oft was loued deare, When fairer faces were bid standen by: O who does know the bent of womens fantasy? In a greene gowne he clothed was full faire, Which vnderneath did hide his filthinesse, And in his hand a burning hart he bare, Full of vaine follies, and new fanglenesse: For he was false, and fraught with ficklenesse, And learned had to loue with secret lookes, And well could daunce, and sing with ruefulnesse, And fortunes tell, and read in louing bookes, And thousand other wayes, to bait his fleshly hookes. And greedy Auarice by him did ride, Vpon a Camell loaden all with gold; Two iron coffers hong on either side, With precious mettall full, as they might hold, And in his lap an heape of coine he told; For of his wicked pelfe his God he made, And vnto hell him selfe for money sold; Accursed vsurie was all his trade, And right and wrong ylike in equall ballaunce waide. His life was nigh vnto deaths doore yplast, And tired-bare cote, and cobled shoes he ware, Ne scarse good morsell all his life did tast, But both from backe and belly still did spare, To fill his bags, and richesse to compare; Yet chylde ne kinsman liuing had he none To leaue them to; but thorough daily care To get, and nightly feare to lose his owne, He led a wretched life vnto himselfe vnknowne. And next to him malicious Enuie rode, Vpon a rauenous wolfe, and still did chaw Betweene his cankred teeth a venemous tode, That all the poison ran about his chaw; But inwardly he chawed his owne maw At neighbours wealth, that made him euer sad For death it was, when any good he saw, And wept, that cause of weeping none he had But when he heard of harme, he wexed wondrous glad. And him beside rides fierce reuenging Wrath, Vpon a Lion, loth for to be led; And in his hand a burning brond he hath, The which he brandisheth about his hed; His eyes did hurle forth sparkles fiery red, And stared sterne on all, that him beheld, As ashes pale of hew and seeming ded; And on his dagger still his hand he held, Trembling through hasty rage, when choler in him sweld.
Edmund Spenser (The Faerie Queene)
Choice of profession also no longer guarantees a high social status. This is bound up, among other things, with fragmented processes of downward mobility within occupational groups. A senior teacher earns a relatively comfortable income and need not worry about the future; they may even be able to retire early. In the same school and in the same class, however, there is possibly also a younger teacher on a temporary contract who has to claim unemployment benefit during the summer vacation and has no prospects for permanent employment. (Many German states now rely on a growing number of flexible teachers who are no longer guaranteed permanent positions.) In the postal service, too, although there are still many permanent employees, newly hired staff generally are not offered any job security (cf. Chapter 5). Among certain occupational groups the differences can be tremendous, as with journalists, for example. Those who began working at major German publications like Stern, Spiegel or Die Zeit ten or twenty years ago could expect a secure future. In the big publishing houses today, on the other hand, not only have precarious jobs and poorly paid groups of online writers proliferated, but not even the established staff can feel secure any more. A growing share belong to the ‘media precariat’ and earn less than €30,000 per year.99 Another example is that of lawyers, formerly the very model of status and prosperity. This professional group now divides into those who continue to earn good money and enjoy a high social prestige while employed in large offices or working for corporations, and a growing flock of precarious self-employed legal professionals, who fail to gain a steady footing in an over-filled market.
Oliver Nachtwey (Germany's Hidden Crisis: Social Decline in the Heart of Europe)
Word of exactly what the L.A. authorities had on the Stalker quickly passed up the chain of command in San Francisco to Mayor Dianne Feinstein (now Senator Feinstein). She ordered a news conference at City Hall, boldly took the podium, and, tight-lipped and stern-faced, told the press about the evidence they had linking the Night Stalker to San Francisco, focusing on the Avia sneakers and ballistics. She assured the public that everything possible was being done to capture him and described the large task force which she had ordered put together. She added $10,000 to the reward money being offered, saying, “Somewhere in the Bay Area, someone is renting a room, an apartment, or a home to this vicious killer. If you know who he is or have seen him, if you know anything, please contact the task force. We’ll have him, and we’ll have him soon.
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
A psalm of David: (1) ADONAI, who can rest in your tent? Who can live on your holy mountain? 2 Those who live a blameless life, who behave uprightly, who speak truth from their hearts 3 and keep their tongues from slander; who never do harm to others or seek to discredit neighbors; 4 who look with scorn on the vile, but honor those who fear ADONAI, who hold to an oath, no matter the cost; 5 who refuse usury when they lend money and refuse a bribe to damage the innocent. Those who do these things never will be moved.
David H. Stern (Complete Jewish Bible: An English Version of the Tanakh (Old Testament) and B’rit Hadashah (New Testament))
Professor Maelstrom picked up the list. He was a stern-looking man with pale skin and a voice that could send shivers up your spine. “Amur tiger, black-footed ferret, hawksbill turtle,” he read. “My dear Coach Brunt, is this a list of animals?” “Not just any animals,” Brunt answered with a grin. “Every animal on this list is extremely rare or endangered—which means they’re worth a pile of money.
Sam Nisson (Endangered Operation)
In the last two decades, Stern and Helen had their share of friends relocate to Florida to escape state income and inheritance taxes up north. As far as Stern is concerned, no amount of money is worth the change. With swamps and alligators inland, and the gated communities and shopping malls in the traffic-clotted towns along the coasts, the state seems to Stern like a giant penal colony for America's elderly, where the residents--like characters in a famous play--have all been blinded by the sun and do not realize they are actually in hell.
Scott Turow (The Last Trial (Kindle County Legal Thriller #11))
The Interview is a 2014 American action comedy film co-produced and directed by Seth Rogen and Evan Goldberg in their second directorial work, following This Is the End (2013). The screenplay was written by Dan Sterling, based on a story he co-wrote with Rogen and Goldberg. The film stars Rogen and James Franco as journalists who set up an interview with North Korean leader Kim Jong-un (Randall Park), and are then recruited by the CIA to assassinate him. The film is heavily inspired by a 2012 Vice documentary.In June 2014, The Guardian reported that the film had "touched a nerve" within the North Korean government, as they are "notoriously paranoid about perceived threats to their safety.” The Korean Central News Agency (KCNA), the state news agency of North Korea, reported that their government promised "stern" and "merciless" retaliation if the film was released. KCNA said that the release of a film portraying the assassination of the North Korean leader would not be allowed and it would be considered the "most blatant act of terrorism and war. Wikipedia
Larry Elford (Farming Humans: Easy Money (Non Fiction Financial Murder Book 1))
Governments won’t let Facebook use its superpower — negligence — to disrupt their economy. Enabling genocide in Myanmar is one thing, but messing with our ability to buy Chick-fil-A and Land Rovers is another level. — Scott Galloway, NYU Stern
David Gerard (Libra Shrugged: How Facebook Tried to Take Over the Money)
What are you looking at?” she finally snips at him. “Take a picture, why don’t you? It lasts longer.” “Okay.” Cullen pulls out his phone and takes a picture. “You did not just do that.” Cullen shrugs his shoulders. As if to say I’ll do whatever I want. “I charge for pictures.” It’s true. She makes money off her pictures. It’s normally her with food or a knife, but still. “How about we leave these two kids alone and I’ll buy you coffee and something from the bakery?” “No.” MJ grabs her purse from the table by the front door. “I want a beer and steak.” Cullen full-on smiles at her stern look. For the first time I can really see how much he and Maddox do look alike, only Cullen’s eyes are blue. You’d think she was an adorable puppy who did something naughty but is too cute to be mad at with the way Cullen is smiling down at her. “After you, shortcake.” He doesn’t move but motions for her to pass. MJ looks to me. “He’s pushing it.” She nods to Cullen as if he can’t hear her.
Ella Goode (Captured (Castile #1))
I can buy my own car." "Maybe I want to buy you a car," I counter. "No," She orders sternly. "I don't want your money." And that just makes me want to give it to her more
Ria Wilde (Playing with Fire (Burn for Me #1))