“
It is important not to suppress your feelings altogether when you are depressed. It is equally important to avoid terrible arguments or expressions of outrage. You should steer clear of emotionally damaging behavior. People forgive, but it is best not to stir things up to the point at which forgiveness is required. When you are depressed, you need the love of other people, and yet depression fosters actions that destroy that love. Depressed people often stick pins into their own life rafts. The conscious mind can intervene. One is not helpless.
”
”
Andrew Solomon (The Noonday Demon: An Atlas of Depression)
“
You know not, yet, the sort of love that strikes like a lightning bolt; that clutches hold of you by the heart, as irrevocably as death; that becomes the lodestar by which you steer the rest of your life. I would not wish such a love on anyone, man or woman, for it can make your life a paradise, or it can destroy you utterly.
”
”
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
“
She ran down the street and round the corner and up two more streets and crossed the road. ‘Will I be safe from him?’ the girl had said. And will I be safe from Samuel? She reached her car and threw her bag on the front seat and sat holding the steering wheel. Where to go, where to run to?
”
”
Elizabeth Tebby Germaine (A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness)
“
I loved fast driving.Isaiah and I had drag raced all last summer. What I didn't love was a middle-aged nut job who couldn't steer straight.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
There are lots of women who are attracted to tyrannical men. Like moths to a flame. And there are some women who do not need a hero or even a stormy lover but a friend. Just remember that when you grow up. Steer clear of the tryant lovers, and try to locate the ones who are looking for a man as a friend, not because they are feeling empty themselves but because they enjoy making you full too. And remember that friendship between a woman and a man is something much more precious and rare than love: love is actually something quite gross and even clumsy compared to friendship. Friendship includes a measure of sensitivity, attentiveness, generosity, and a finely tuned sense of moderation.
”
”
Amos Oz (A Tale of Love and Darkness)
“
But choosing to lovingly care for her was like steering a plane into a mountain as gently as possible. The crash is imminent; it's how you spend your time on the way down that counts.
”
”
Jamie Ford (Hotel on the Corner of Bitter and Sweet)
“
The heart is a compass, steers us back to the thing we loved the most.
”
”
Holly Schindler (Playing Hurt)
“
I believe in living.
I believe in birth.
I believe in the sweat of love
and in the fire of truth.
And i believe that a lost ship,
steered by tired, seasick sailors,
can still be guided him
to port.
”
”
Assata Shakur (Assata: An Autobiography)
“
We gallop through our lives like circus performers balancing on two speeding side-by-side horses--one foot is on the horse called "fate," the other on the horse called "free will." And the question you have to ask every day is--which horse is which? Which horse do I need to stop worrying about because it's not under my control, and which do I need to steer with concentrated effort?
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
I am a sailor, you're my first mate
We signed on together, we coupled our fate
Hauled up our anchor, determined not to fail
For the heart's treasure, together we set sail
With no maps to guide us, we steered our own course
Rode out the storms when the winds were gale force
Sat out the doldrums in patience and hope
Working together, we learned how to cope.
Life is an ocean and love it a boat
In troubled waters it keeps us afloat
When we started the voyage there was just me and you
Now gathered round us we have our own crew
Together we're in this relationship
We built it with care to last the whole trip
Our true destination's not marked on any chart
We're navigating the shores of the heart
”
”
John McDermott
“
beauty has been known to drive men wild, like the sirens did. Man’s challenge is to steer clear from it.” - Salvadore about temptation
”
”
Kailin Gow (The Tutor)
“
It is still news to her that passion
could steer her wrong
though she went down, a thousand times
strung out
across railroad tracks, off bridges
under cars, or stiff
glass bottle still in hand, hair soft
on greasy pillows, still it is
news she cannot follow love (his
burning footsteps in blue crystal
snow) & still
come out all right.
”
”
Diane di Prima
“
Everyone always wants to know how you can tell when it's true love, and the answer is this: when the pain doesn't fade and the scars don't heal, and it's too damned late.
The tears threaten to return, so I willfully banish all thoughts from my head and take a few more deep breaths. I'm suddenly dizzy from the panic attack I've just suffered, and I close my eyes, resting my head against the warm leather of my steering wheel. Loneliness doesn't exist on any single plane of consciousness. It's generally a low throb, barely audible, like the hum of a Mercedes engine in park, but every so often the demands of the highway call for a burst of acceleration, and the hum becomes a thunderous, elemental roar, and once again you're reminded of what this baby's carrying under the hood.
”
”
Jonathan Tropper (The Book of Joe)
“
Love could be a last hope and a star to steer by.
”
”
Cassandra Clare (The Bane Chronicles)
“
Pick a leader who will make their citizens proud. One who will stir the hearts of the people, so that the sons and daughters of a given nation strive to emulate their leader's greatness. Only then will a nation be truly great, when a leader inspires and produces citizens worthy of becoming future leaders, honorable decision makers and peacemakers. And in these times, a great leader must be extremely brave. Their leadership must be steered only by their conscience, not a bribe.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
A NATION'S GREATNESS DEPENDS ON ITS LEADER
To vastly improve your country and truly make it great again, start by choosing a better leader. Do not let the media or the establishment make you pick from the people they choose, but instead choose from those they do not pick. Pick a leader from among the people who is heart-driven, one who identifies with the common man on the street and understands what the country needs on every level. Do not pick a leader who is only money-driven and does not understand or identify with the common man, but only what corporations need on every level.
Pick a peacemaker. One who unites, not divides. A cultured leader who supports the arts and true freedom of speech, not censorship. Pick a leader who will not only bail out banks and airlines, but also families from losing their homes -- or jobs due to their companies moving to other countries. Pick a leader who will fund schools, not limit spending on education and allow libraries to close. Pick a leader who chooses diplomacy over war. An honest broker in foreign relations. A leader with integrity, one who says what they mean, keeps their word and does not lie to their people. Pick a leader who is strong and confident, yet humble. Intelligent, but not sly. A leader who encourages diversity, not racism. One who understands the needs of the farmer, the teacher, the doctor, and the environmentalist -- not only the banker, the oil tycoon, the weapons developer, or the insurance and pharmaceutical lobbyist.
Pick a leader who will keep jobs in your country by offering companies incentives to hire only within their borders, not one who allows corporations to outsource jobs for cheaper labor when there is a national employment crisis. Choose a leader who will invest in building bridges, not walls. Books, not weapons. Morality, not corruption. Intellectualism and wisdom, not ignorance. Stability, not fear and terror. Peace, not chaos. Love, not hate. Convergence, not segregation. Tolerance, not discrimination. Fairness, not hypocrisy. Substance, not superficiality. Character, not immaturity. Transparency, not secrecy. Justice, not lawlessness. Environmental improvement and preservation, not destruction. Truth, not lies.
Most importantly, a great leader must serve the best interests of the people first, not those of multinational corporations. Human life should never be sacrificed for monetary profit. There are no exceptions. In addition, a leader should always be open to criticism, not silencing dissent. Any leader who does not tolerate criticism from the public is afraid of their dirty hands to be revealed under heavy light. And such a leader is dangerous, because they only feel secure in the darkness. Only a leader who is free from corruption welcomes scrutiny; for scrutiny allows a good leader to be an even greater leader.
And lastly, pick a leader who will make their citizens proud. One who will stir the hearts of the people, so that the sons and daughters of a given nation strive to emulate their leader's greatness. Only then will a nation be truly great, when a leader inspires and produces citizens worthy of becoming future leaders, honorable decision makers and peacemakers. And in these times, a great leader must be extremely brave. Their leadership must be steered only by their conscience, not a bribe.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
You drive like a maniac,” I said through clenched teeth.
“That’s not the only thing I do like a maniac, Brooke.” His hand moved away from the steering wheel and settled on my thigh.
”
”
J.C. Reed (Surrender Your Love (Surrender Your Love, #1))
“
By now you've probably noticed that except when safely contained by quotes, Zampanò always steers clear of such questionable four-letter language. This instance in particular proves that beneath all that cool psuedo-academic hogwash lurked a very passionate man who knew how important it was to say "fuck" now and then, and say it loud too, relish its syllabic sweetness, its immigrant pride, a great American epic word really, starting at the lower lip, often the very front of the lower lip, before racing all the way to the back of the throat, where it finishes with a great blast, the concussive force of the K catching up then with the hush of the F already on its way, thus loading it with plenty of offense and edge and certainly ambiguity. FUCK. A great by-the-bootstrap prayer or curse if you prefer, depending on how you look at it, or use it, suited perfectly for hurling at the skies or at the world, or sometimes, if said just right, for uttering with enough love and fire, the woman beside you melts inside herself, immersed in all that word-heat.
”
”
Mark Z. Danielewski (House of Leaves)
“
Destiny, I feel is also a relationship-a play between grace and willful self-effort. Half of it you have no control over, half of it is absolutely in your hands and your actions will show measurable consequences. Man is neither entirely a puppet of the gods, nor is he entirely the captain of his own destiny; he’s a little of both. We gallop through our lives like circus performers balancing on two speeding side-by-side horses-one foot is on the horse called “fate” the other on the horse called “free will”. And the question you have to ask everyday is, Which horse is which? Which horse do I need to stop worrying about because it’s not under my control, and which do I need to steer with concentrated effort?
”
”
Elizabeth Gilbert
“
There was a time Jeff and Helen loved each other and touched each other's hands and ate breakfast in cafes together and secretly fucked in public, the way people in like do. Then came a time they made each other crazy and beat their hands on steering wheels and tore up love letters and photographs and said goodbye.
”
”
Amy Guth (Three Fallen Women)
“
You know not, yet, the sort of love that strikes like a lightning bold; that clutches hold of you by the heart, as irrevocably as death; that becomes the lodestar by which you steer the rest of your life.
”
”
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
“
He will grow up into one of those people who lean back to smile and jump so easily it looks like slow motion and steer cars with their knees and snitch roses from gardens to give to girls and write with their left hand and own two pairs of jeans and one jacket and fall in love from such a height and so hard and so completely that they never quite recover from the drop.
But at least he will have me to look out for him.
”
”
Hilary McKay (Forever Rose (Casson Family, #5))
“
The shadow-past is shaped by everything that never happened. Invisible, it melts the present like rain through karst. A biography of longing. It steers us like magnetism, a spirit torque. This is how one becomes undone by a smell, a word, a place, the photo of a mountain of shoes. By love that closes its mouth before calling a name.
”
”
Anne Michaels (Fugitive Pieces)
“
Do not recite words just to prove to yourself and others that you know and love God; for he already put his breath and light inside you. Instead, put truth in your every word and action, and always let your conscience steer and guide you.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
God, I love young people," Harmon said. "They get griped about enough. People like to think the younger generation's job is to steer the world to hell. But it's never true, is it? They're hopeful and good - and that's how it should be.
”
”
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
“
I was born free, and that I might live in freedom I chose the solitude of the fields; in the trees of the mountains I find society, the clear waters of the brooks are my mirrors, and to the trees and waters I make known my thoughts and charms. I am a fire afar off, a sword laid aside. Those whom I have inspired with love by letting them see me, I have by words undeceived, and if their longings live on hope—and I have given none to Chrysostom or to any other—it cannot justly be said that the death of any is my doing, for it was rather his own obstinacy than my cruelty that killed him; and if it be made a charge against me that his wishes were honourable, and that therefore I was bound to yield to them, I answer that when on this very spot where now his grave is made he declared to me his purity of purpose, I told him that mine was to live in perpetual solitude, and that the earth alone should enjoy the fruits of my retirement and the spoils of my beauty; and if, after this open avowal, he chose to persist against hope and steer against the wind, what wonder is it that he should sink in the depths of his infatuation? If I had encouraged him, I should be false; if I had gratified him, I should have acted against my own better resolution and purpose. He was persistent in spite of warning, he despaired without being hated. Bethink you now if it be reasonable that his suffering should be laid to my charge. Let him who has been deceived complain, let him give way to despair whose encouraged hopes have proved vain, let him flatter himself whom I shall entice, let him boast whom I shall receive; but let not him call me cruel or homicide to whom I make no promise, upon whom I practise no deception, whom I neither entice nor receive. It has not been so far the will of Heaven that I should love by fate, and to expect me to love by choice is idle. Let this general declaration serve for each of my suitors on his own account, and let it be understood from this time forth that if anyone dies for me it is not of jealousy or misery he dies, for she who loves no one can give no cause for jealousy to any, and candour is not to be confounded with scorn. Let him who calls me wild beast and basilisk, leave me alone as something noxious and evil; let him who calls me ungrateful, withhold his service; who calls me wayward, seek not my acquaintance; who calls me cruel, pursue me not; for this wild beast, this basilisk, this ungrateful, cruel, wayward being has no kind of desire to seek, serve, know, or follow them. If Chrysostom's impatience and violent passion killed him, why should my modest behaviour and circumspection be blamed? If I preserve my purity in the society of the trees, why should he who would have me preserve it among men, seek to rob me of it? I have, as you know, wealth of my own, and I covet not that of others; my taste is for freedom, and I have no relish for constraint; I neither love nor hate anyone; I do not deceive this one or court that, or trifle with one or play with another. The modest converse of the shepherd girls of these hamlets and the care of my goats are my recreations; my desires are bounded by these mountains, and if they ever wander hence it is to contemplate the beauty of the heavens, steps by which the soul travels to its primeval abode.
”
”
Miguel de Cervantes Saavedra (Don Quixote)
“
Watching someone you love die is like driving through a fog. You know you're headed somewhere but you can't see your hand in front of your face; you're so focused on steering without crashing that you never say the things you want to say.
”
”
Vikki Wakefield (Friday Brown)
“
Mallory dropped her head to the steering wheel. "Look, I'm mad at you, okay? This isn't about me. I know my painful memories are relative. My life is good. I'm lucky. This isn't about how poor little Mallory has had it so hard. I'm not falling apart or anything."
He stroked a hand down her back. "Of course you're not. You're just holding the steering wheel up with your head for a minute, that's all.
”
”
Jill Shalvis (Lucky in Love (Lucky Harbor, #4))
“
Common sense would have told Sarah to steer clear of Ethan's waters. But common sense has no place in first love and never has.
”
”
Mitch Albom (The Time Keeper)
“
In the rearview mirror I saw Ivan half running behind the car, and I felt despair and envy. Of course he couldn't love me, not when I lived through so many layers, when I was spooked by Montmartre, and wore a seat belt in order to steer a car out of a ditch.
”
”
Elif Batuman (The Idiot)
“
...for the first time in my life, a voice went off in my head:'You have no power over what happens in your life. Drugs dictate exactly what you're going to do. You've taken your hands off the steering wheel, and you're going wherever the drug world takes you.'
That had never changed. The feeling would well up inside of me, and no matter how much I loved my girl or my band or my friends or my family, when that siren song 'Go get high now' started playing in my head, I was off.
”
”
Anthony Kiedis (Scar Tissue)
“
I am fat with love! Husky with ardor! Morbidly obese with devotion! A happy, busy bumblebee of marital enthusiasm. I positively hum around him, fussing and fixing. I have become a strange thing. I have become a wife. I find myself steering the ship of conversations- bulkily, unnaturally- just so I can say his name aloud. I have become a wife, I have become a bore, I have been asked to forfeit my Independent Young Feminist card. I don't care. I balance his checkbook, I trim his hair. I've gotten so retro, at one point I will probably use the word pocketbook, shuffling out the door in my swingy tweed coat, my lips red, on the way to the beauty parlor. Nothing bothers me. Everything seems like it will turn out fine, every bother transformed into an amusing story to be told over dinner. 'So I killed a hobo today, honey...hahahaha! Ah, we have fun
”
”
Gillian Flynn (Gone Girl)
“
China
Whales follow
the whale-roads.
Geese,
roads of magnetized air.
To go great distance,
exactitudes matter.
Yet how often
the heart
that set out for Peru
arrives in China,
Steering hard.
consulting the charts
the whole journey.
”
”
Jane Hirshfield (Come, Thief)
“
He looked over at her, just for a second, sitting sideways in her bucket seat, and squeezed the steering wheel. “It would have to be. I already love you so much. I already feel like something in my chest is going to pop when I see you. I couldn’t love anyone more than I do you, it would kill me. And I couldn’t love anyone less because it would always feel like less. Even if I loved some other girl, that’s all I would ever think about, the difference between loving her and loving you.
”
”
Rainbow Rowell (Attachments)
“
He could be wearing a red letterman’s jacket, driving around in a Corvette with the top down, one arm on the steering wheel, on his way to pick up his girl for the sock hop.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
But even I know that love doesn't steer by logic, nor is power distributed evenly. Lovers arrive at their first kisses with scars as wells as longings. They're not always looking for advantage. Some need shelter, others press only for the hyperreality of ecstasy, for which they'll tell outrageous lies or make irrational sacrifice. But they rarely ask themselves what they need or want. Memories are poor for past failures. Childhoods shine through adult skin, helpfully or not. So do the laws of inheritance that bind a personality. The lovers don't know there's no free will. I haven't heard enough radio drama to know more than that, though pop songs have taught me that they don't feel in December what they felt in May, and that to have a womb may be incomprehensible to those who don't and that the reverse is also true.
”
”
Ian McEwan (Nutshell)
“
I’d never seen that kind of love in person. My parents loved each other, but badly, and they were miserable. So were all the other couples in my neighborhood. Have you ever actually seen that kind of love?” William shook his head. He had married out of fear, because he didn’t think he was capable of steering himself into adulthood. He’d needed Julia to be his parent more than his
”
”
Ann Napolitano (Hello Beautiful)
“
Examination of the world without is never as personally painful as examination of the world within, and it is certainly because of the pain involved in a life of genuine self-examination that the majority steer away from it.
”
”
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
“
God has determined to steer what He hates in a direction that He loves!
”
”
Joni Eareckson Tada
“
Tate. The golden-haired boy in the boat, guiding her home before a storm, gifting her feathers on a weathered stump, teaching her to read; the teenager steering her through her first cycle as a woman and arousing her first sexual desires as a female; the young scientist encouraging her to publish her books.
”
”
Delia Owens (Where the Crawdads Sing)
“
I always wondered what your type was, but I never imagined it would be a hard-core rocker!”
Here we go. I had been hoping he'd be too sleepy for this conversation.
“He's not my type. If I had a type it would be...nice. Not some hotheaded, egocentric male slut.”
“Did you just call him a male slut?” Jay laughed. “Dang, that's, like, the worst language I've ever heard you use.”
I glowered at him, feeling ashamed, and he laughed even harder.
“Oh, hey, I've got a joke for you. What do you call someone who hangs out with musicians?”
He raised his eyebrows and I shrugged. “I don't know. What?”
“A drummer!” I shook my head while he cracked up at his joke for another minute before hounding me again about Kaidan. “All right, so you talked about my CDs, you had some cultural confusion with some of his lingo, then you talked about hot dogs? That can't be everything. You looked seriously intense.”
“That's because he was intense, even though we weren't really talking about anything. He made me nervous.”
“You thought he was hot, didn't you?”
I stared out my window at the passing trees and houses. We were almost to school.
“I knew it!” He smacked the steering wheel, loving every second of my discomfort. “This is so weird. Anna Whitt has a crush.”
“Fine, yes. He was hot. But it doesn't matter, because there's something about him I don't like. I can't explain it. He's...scary.”
“He's not the boy next door, if that's what you mean. Just don't get the good-girl syndrome.”
“What's that?”
“You know. When a good girl falls for a bad boy and hopes the boy will fall in love and magically want to change his ways. But the only one who ends up changing is the girl.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
i believe in living.
i believe in the spectrum
of Beta days and Gamma people.
i believe in sunshine.
In windmills and waterfalls,
tricycles and rocking chairs;
And i believe that seeds grow into sprouts.
And sprouts grow into trees.
i believe in the magic of the hands.
And in the wisdom of the eyes.
i believe in rain and tears.
And in the blood of infinity.
i believe in life.
And i have seen the death parade
march through the torso of the earth,
sculpting mud bodies in its path
i have seen the destruction of the daylight
and seen bloodthirsty maggots
prayed to and saluted
i have seen the kind become the blind
and the blind become the bind
in one easy lesson.
i have walked on cut grass.
i have eaten crow and blunder bread
and breathed the stench of indifference
i have been locked by the lawless.
Handcuffed by the haters.
Gagged by the greedy.
And, if i know anything at all,
it's that a wall is just a wall
and nothing more at all.
It can be broken down.
i believe in living
i believe in birth.
i believe in the sweat of love
and in the fire of truth.
And i believe that a lost ship,
steered by tired, seasick sailors,
can still be guided home to port.
”
”
Assata Shakur (Assata: An Autobiography)
“
creating the practicing mind comes down to a few simple rules: • Keep yourself process-oriented. • Stay in the present. • Make the process the goal and use the overall goal as a rudder to steer your efforts. • Be deliberate, have an intention about what you want to accomplish, and remain aware of that intention.
”
”
Thomas M. Sterner (The Practicing Mind: Developing Focus and Discipline in Your Life Master Any Skill or Challenge by Learning to Love the Process)
“
Love did not overcome everything. Love did not always endure. All you had could be taken away, love could be the last thing you had, and then love could be taken too.
Magnus knew, though, how love could be a last hope and a star to steer by. Light that went out had still shone once.
”
”
Cassandra Clare (The Bane Chronicles)
“
This vulgar grace is indiscriminate compassion. It works without asking anything of us. It's not cheap. It's free, and as such will always be a banana peel for the Orthodox foot and a fairy tale for the grown-up sensibility. Grace is sufficient even though we huff and puff with all our might to try to find something or someone it cannot cover. Grace is enough. He is enough. Jesus is enough.
John, the disciple Jesus loved, ended his first letter with this line: "Children, be on your guard against false gods." In other words, steer clear of any God you can comprehend. Abba will's love cannot be comprehended. I'll say it again: Abba's love cannot be comprehended.
”
”
Brennan Manning (All Is Grace: A Ragamuffin Memoir)
“
I peel
hiss tense fingers
on his right hand
away from
the steering wheel,
one
two
three
four
five.
With each finger,
the scowl
diappears
a little more. when i place
his hand on
my leg
and gently
caress it, he smiles.
That's better.
”
”
Lisa Schroeder
“
I'm glad this happened," he said softly.
I hoped it was for real,and I didn't want to talk about it too much and ruin the lovely illusion that we were a couple.
So I said noncommittally, "Me too."
"Because I've been trying to get you back since the seventh grade."
I must have given him a very skeptical look.
He laughed at my expression. "Yeah, I have a funny way of showing it. I know. But you're always on my mind. You're in the front of my mind,on the tip of my tongue. So if someone breaks a beaker in chemistry class, I raise my hand and tell Ms. Abernathy you did it. If somebody brings a copy of Playboy to class, I stuff it in your locker."
"Oh!" I thought back to the January issue. "I wondered where that came from."
"And if Everett Walsh tells the lunch table what a wicked kisser you are and how far he would have gotten with you if his mother hadn't come in-"
I stamped my foot on the floorboard of the SUV."That is so not true! He'd already gotten as far as he was going. He's not that cute, and I had to go home and study for algebra.
"-It drives me insane to the point that I tell him to shut up or I'll make him shut up right there in front of everybody. Because I am supposed to be your boyfriend, and my mother is supposed to hate you,and you're supposed to be making out with me."
Twisted as this declaration was,it was the sweetest thing a boy had ever said to me.I dwelled on the soft lips that had formed the statement,and on the meaning of his words. "Okay." I scooted across the seat and nibbled the very edge of his superhero chin.
"Ah," he gasped, moving both hands from the steering wheel to the seat to brace himself. "I didn't mean now.I meant in general.Your dad will come out of the house and kill me.
”
”
Jennifer Echols (The Ex Games)
“
Wherever Sinclair is, he can take care of himself. You have more important things to do right now. Like stay alive.” With a shake of his dark head, Arys steered me inside with a hand on my waist. “You have this tendency to taunt death, my love. It’s frustrating.
”
”
Trina M. Lee (Death Wish (Alexa O'Brien, Huntress, #5))
“
Our earth is like a child who has grown up without parents, having no one to guide and direct her." As Jesus spoke, his voice intensified in subdued anguish. "Some have attempted to help her, but most have simply tried to use her. Humans, who have been given the task to lovingly steer the world, instead plunder her, with no consideration other than their immediate needs. And they give little thought to their own children, who will inherit their lack of love. So they use her and abuse her with litter consideration, and then when she shudders or blows her breath, they are offended and raise their fists at God.
”
”
William Paul Young (The Shack)
“
Pigpen taps his steering wheel. "He's in love with her, but he won't fully commit until you're on board with her or at least talk to him again.
”
”
Katie McGarry (Walk the Edge (Thunder Road, #2))
“
...steer clear of the love of dark sorceresses.
”
”
Comte de Lautréamont (Maldoror and Poems)
“
Is this about love, El? Did you finally discover how droids can love and now you’ve got me chasing some handsome droid boy out into the far reaches of the galaxy?” “I’m curious why you presume the droid I am interested in would be a boy.” Lando slammed the steering panel in triumph.
”
”
Daniel José Older (Last Shot)
“
Two- to four-finger waves are commonly used between fast-moving vehicles, but the nicely executed single-finger wave is a thing of beauty and a joy forever. To me, it perfectly sums up the Minnesota character that I love so much. The finger wave from the steering wheel: when you get it right, you'll know you've arrived and you don't ever have to leave again if you don't want to.
”
”
Howard Mohr (How to Talk Minnesotan: A Visitor's Guide)
“
The Zeppelin, God love her, was one of those chipper old broads who believed the secret to eternal youth lay in steering her ocean liner in the opposite direction of a conversation listing toward sadness.
”
”
Julia Claiborne Johnson (Better Luck Next Time)
“
Across the centuries the moral systems from medival chivalry to Bruce Springsteen love anthems have worked the same basic way. They take immediate selfish interests and enmesh them within transcendent, spiritual meanings. Love becomes a holy cause, an act of self-sacrifice and selfless commitment.
But texting and the utilitarian mind-set are naturally corrosive toward poetry and imagination. A coat of ironic detachment is required for anyone who hopes to withstand the brutal feedback of the marketplace. In today's world, the choice of a Prius can be a more sanctified act than the choice of an erotic partner.
This does not mean that young people today are worse or shallower than young people in the past. It does mean they get less help. People once lived within a pattern of being, which educated the emotions, guided the temporary toward the permanent and linked everyday urges to higher things. The accumulated wisdom of the community steered couples as they tried to earn each other's commitment.
Today there are fewer norms that guide that way. Today's technology seems to threaten the sort of recurring and stable reciprocity that is the building block of trust.
”
”
David Brooks
“
WHERE ONCE THE WATERS ON YOUR FACE
Where once the waters of your face
Spun to my screws, your dry ghost blows,
The dead turns up its eye;
Where once the mermen through your ice
Pushed up their hair, the dry wind steers
Through salt and root and roe.
Where once your green knots sank their splice
Into the tided cord, there goes
The green unraveller,
His scissors oiled, his knife hung loose
To cut the channels at their source
And lay the wet fruits low.
Invisible, your clocking tides
Break on the lovebeds of the weeds;
The weed of love’s left dry;
There round about your stones the shades
Of children go who, from their voids,
Cry to the dolphined sea.
Dry as a tomb, your coloured lids
Shall not be latched while magic glides
Sage on the earth and sky;
There shall be corals in your beds,
There shall be serpents in your tides,
Till all our sea-faiths die.
”
”
Dylan Thomas (Collected Poems)
“
From husks and rags and waste and excrement
He forms the pavement-feet and the lift-faces;
He steers the sick words into parliament
To rule a dust-bin world with deep-sleep phrases.
When healthy words or people chance to dine
Together in this rarely actual scene,
There is a love-taste in the bread and wine,
Nor is it asked: "Do you mean what you mean?"
But to their table-converse boldly comes
The same great-devil with his brush and tray,
To conjure plump loaves from the scattered crumbs,
And feed his false five thousands day by day.
- Hell
”
”
Robert Graves (Poems Selected by Himself)
“
In the real world, there was a consequence to every decision I made. To every choice that I ever took. A perfect world where life happened neatly and ideally didn’t exist. Life was messy and often hard. It did not wait for anybody to be ready or to expect the bumps on the road. You had to grab on to the wheel and steer your way back to your lane. And that was all I had done. That was what had brought me to where I was. For better or for worse.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
Happiness is a form of energy and so is anger. Emotions are a form of vigor and so is love. Sadness is a form of dynamism and so is delight. What matters is how a person steers their mindset and how they direct their stance.
”
”
Hussam Atef Elkhatib (Moralities for Life: Thoughts and Behaviors Justified)
“
He punches the steering wheel. And then he breaks. The boy I love breaks. And there’s nothing sadder, nothing harder in the world than watching the person you love fall apart right before your eyes—and you can’t say or do anything
”
”
Jay McLean (Kick, Push (Kick Push, #1))
“
It feels like my entire life I’ve been aching to grow up and move on and now that it’s all here, I’m dreading it. It’s too soon. I’m not ready.” He swallowed, taking a left turn and steering us toward the beach. “I’m scared.” “It’s
”
”
Kandi Steiner (A Love Letter to Whiskey)
“
She understands enough of what is going on. She understands that he wants to save her, more than anything in the world. She understands what he understands, that if only he could save her, he could save himself. She understands also that she loves him, and as she stays inside his helpless stare, she knows that fate is something she has to steer herself.
”
”
Matt Haig (The Radleys)
“
Two can play this game, and I don’t think he knows he is playing with fire. I’ve gotten pretty good at loving and leaving, so if this is what his cold shoulder is about, then tonight I’d be more than happy to give him a whirl and send him on his merry way. I know I’m supposed to steer clear of him, and Lord knows I do not need a relationship of any kind, but sex is just sex, right? He is gorgeous, and it’s hard not to appreciate beauty when you keep running into it head on.
”
”
Nacole Stayton (The Upside of Letting Go)
“
I've got my own moral compass to steer by
A guiding star beats a spirit in the sky
And all the preaching voices -
Empty vessels ring so loud
As they move among the crowd
Fools and thieves are well disguised
In the temple and market place
Like a stone in the river
Against the floods of spring
I will quietly resist
Like the willows in the wind
Or the cliffs along the ocean
I will quietly resist
I don't have faith in faith
I don't believe in belief
You can call me faithless
I still cling to hope
And I believe in love
And that's faith enough for me
I've got my own spirit level for balance
To tell if my choice is leaning up or down
And all the shouting voices
Try to throw me off my course
Some by sermon, some by force
Fools and thieves are dangerous
In the temple and market place
Like a forest bows to winter
Beneath the deep white silence
I will quietly resist
Like a flower in the desert
That only blooms at night
I will quietly resist
”
”
Rush
“
I think music is what language once aspired to be. Music allows us to face God on our own terms because it reaches beyond life.
I feel moments from the end.
The muscles in my bowing arm tighten. The final notes are sonorous I steady my bow like an oar held in a river steering us all toward the bank of now and tomorrow and the day after that. Days ahead like open fields.
And night pools outside the concert hall. The city is still wet. The concert hall is glassed in and overlooks a garden. Eyes of rain dot the windows and shiver with each breath of wind. Stars fill the sky then drop to flood the streets and the squares. When it rains even the most insignificant puddle is a map of the universe.
”
”
Simon Van Booy (Love Begins in Winter: Five Stories)
“
Reading that book is like looking at the final EKG results of a man who died a long, long time ago. Each word reads like the rapid peaks and falls of his arrhythmic imagination; each sentence steering him toward the stroke of genius that will eventually cause his mind to flatline.
”
”
Sean Norris (Heaven and Hurricanes)
“
A long sabbatical into her day-to-day care, part of the mechanics of dying. He’d done all he could. But choosing to lovingly care for her was like steering a plane into a mountain as gently as possible. The crash is imminent; it’s how you spend your time on the way down that counts.
”
”
Jamie Ford (Hotel on the Corner of Bitter and Sweet)
“
I’d never seen that kind of love in person. My parents loved each other, but badly, and they were miserable. So were all the other couples in my neighborhood. Have you ever actually seen that kind of love?” William shook his head. He had married out of fear, because he didn’t think he was capable of steering himself into adulthood. He’d needed Julia to be his parent more than his partner. He was ashamed of this, but it was true.
”
”
Ann Napolitano (Hello Beautiful)
“
Very tough, but it is that very struggle with obstacles which does us good. Things have been made easy for you in many ways, but no one can do everything. You must paddle your own canoe now, and learn to avoid the rapids and steer straight to the port you want to reach. I don't know just what your temptations will be for you have no bad habits and seem to love music so well, nothing can lure you from it. I only hope you won't work too hard.
”
”
Louisa May Alcott (Jo's Boys (Little Women, #3))
“
Eddy, I’ve made my own way since I was a kid, and when I marry it’s going to be because the man I love and a girl named Tina are traveling together in the same direction at approximately the same speed, and each under his own power. I won’t be steered, towed, nor provided with an icebreaker. (...)
”
”
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume VIII: Bright Segment)
“
Fuck love, fuck marriage, fuck children, fuck fucking itself: this was his romance, this fantasy land at whose helm he sat, steering it on and on into the future, world without end, until he died and tastefully idealized statues were made of him. It was all he needed. It was all he would ever need.
”
”
Lev Grossman (The Magician's Land (The Magicians, #3))
“
Morality is a just a shadow of right action. Right action isn’t the highest degree of morality any more than agapè is the highest degree of love. When you understand and are able to act from right action, morality is no longer necessary; it’s instantly obsolete and discarded. This is at the heart of the Bhagavad Gita. Arjuna, as a moral creature, throws down his weapon and refuses to launch a war. Krishna converts him to a creature of right action by freeing him from delusion and Arjuna takes up his weapon and launches the war. Right action has nothing to do with right or wrong, good or evil, naughty or nice. It is without altruism or compassion. Morality is the set of rules and regulations that you use to navigate through life when you’re still trying to steer your ship rather than let it follow the flow.
”
”
Jed McKenna (Spiritual Enlightenment: The Damnedest Thing (The Enlightenment Trilogy Book 1))
“
No, we don’t live in a fairy-tale world, but between all the bad things, there are these moments, these people, these glimpses of who we are—good. Who we love. How hard. How true. Which is why we cling to every reminder of that good to steer us back, to find the path to where we want to go. Where we deserve to be. Happy. Free. And loved.
”
”
Katy Evans (Commander in Chief (White House, #2))
“
Now, it felt like they were transferring their best qualities to each other, so Ethan felt strong and smart. Carter tapped the steering wheel as he drove, so Ethan tapped his knee, as if he could take away some of Carter's twiches, even though Ethan loved them as part of Carter. But, if they caused Carter pain, then Ethan would wish them away.
”
”
Ryan Loveless (Ethan, Who Loved Carter)
“
Life was messy and often hard. It did not wait for anybody to be ready or to expect the bumps on the road. You had to grab on to the wheel and steer your way back to your lane.
”
”
Elena Armas (The Spanish Love Deception (Love Deception, #1))
“
God steers moving ships — ships driven by the winds of worship, gratefulness, love to God for what he’s done, and compassion for those he cares about.
”
”
J.D. Greear (Jesus, Continued...: Why the Spirit Inside You Is Better than Jesus Beside You)
“
I want to be the thought that takes your mind off the road and your hand off the steering wheel.
”
”
Malak El Halabi
“
Love still owned him, steered him, drew him to itself.
”
”
Elizabeth Goudge (The Dean's Watch)
“
I steered my lips across his jawline and to his mouth. I kissed him. These were open-mouth kisses, young people’s kisses, hungry and full at the same time, in love, at home.
”
”
Augusten Burroughs (Lust & Wonder)
“
Goddammit,” I hissed as I banged my forearms on the steering wheel and hissed out, “Mother-fucking-son-of-a-bitch-ass-whore. FUCK ME!
”
”
Mariana Zapata (From Lukov with Love)
“
Love can unfold in surprising ways, but it’s also a numbers game—one that can be steered by intentional choices.
”
”
Tim Molnar (Date Smarter: A Strategic Guide to Navigating Modern Romance)
“
I don't know much about the universe except that it's never steered me wrong because it's always directed me to you.
”
”
Morgan Elizabeth (The Playlist (Springbrook Hills, #5))
“
But choosing to lovingly care for her was like steering a plane into a mountain as gently as possible. The crash is imminent; it’s how you spend your time on the way down that counts.
”
”
Jamie Ford (Hotel on the Corner of Bitter and Sweet)
“
But choosing to lovingly care for her was like steering a plane into a mountain as gently as possible. The crash is imminent; it’s how you spend your time on the way down that counts. He
”
”
Jamie Ford (Hotel on the Corner of Bitter and Sweet)
“
*One clue that there’s something not quite real about sequential time the way you experience it is the various paradoxes of time supposedly passing and of a so-called ‘present’ that’s always unrolling into the future and creating more and more past behind it. As if the present were this car—nice car by the way—and the past is the road we’ve just gone over, and the future is the headlit road up ahead we haven’t yet gotten to, and time is the car’s forward movement, and the precise present is the car’s front bumper as it cuts through the fog of the future, so that it’s now and then a tiny bit later a whole different now, etc. Except if time is really passing, how fast does it go? At what rate does the present change? See? Meaning if we use time to measure motion or rate—which we do, it’s the only way you can—95 miles per hour, 70 heartbeats a minute, etc.—how are you supposed to measure the rate at which time moves? One second per second? It makes no sense. You can’t even talk about time flowing or moving without hitting up against paradox right away. So think for a second: What if there’s really no movement at all? What if this is all unfolding in the one flash you call
the present, this first, infinitely tiny split-second of impact when the speeding car’s front bumper’s just starting to touch the abutment, just before the bumper crumples and displaces the front end and you go violently forward and the steering column comes back at your chest as if shot out of something enormous? Meaning that what if in fact this now is infinite and never really passes in the way your mind is supposedly wired to understand pass, so that not only your whole life but every single humanly conceivable way to describe and account for that life has time to flash like neon shaped into those connected cursive letters that businesses’ signs and windows love so much to use through your mind all at once in the literally immeasurable instant between impact and death, just as you start forward to meet the wheel at a rate no belt ever made could restrain—THE END."
footnote ("Good Old Neon")
”
”
David Foster Wallace (Oblivion)
“
I'm sorry l haven 't talked to you in so long.
I feel l've been lost... no bearings, no compass. I kept crashing into things, a little crazy, I guess. l've never been lost before. You were my true north.
l could always steer for home when you were my home. Forgive me for being so angry when you left. l still think some mistake's been made... and l'm waiting for God to take it back.
But l'm doing better now. The work helps me. Most of all, you help me.
You came into my dream last night with that smile that always held me like a lover... rocked me like a child. All l remember from the dream is a feeling of peace. l woke up with that feeling and tried to keep it alive as long as l could.
l'm writing to tell you that l'm on a journey toward that peace. And to tell you l'm sorry about so many things. l'm sorry l didn't take better care of you so that you never spent one minute being cold or scared or sick.
I'm sorry I didn't try harder to find the words to tell you what I was feeling.
I'm sorry I never fixed the screen door. I fixed it now.
I'm sorry I ever fought with you. I'm sorry I didn't apologize more.
I was too proud.
I'm sorry I didn't bring you more compliments on everything you wore and every way you fixed your hair.
I'm sorry I didn't hold on to you with so much strength that even God couldn't pull you away.
All my love.
”
”
Nicholas Sparks (Message in a Bottle)
“
What about those of us who just don’t fit in, who feel as if we were born on the Wrong Planet, or in the wrong time period? Where did we come from? Is this a whole counter-culture that’s new to the planet, moving us forward? Have we finally reached the Age of Aquarius? Is it now! Is the moon in the seventh house? Has Jupiter finally aligned with Mars? And are we right now getting ready to see mystic crystal revelation where love will steer the stars?
Afraid not. There have always been people who see the world differently from everyone else. And there always will be. If you’re one of the ‘chosen ones’ then you come from a long line of Gypsies, tramps and thieves, of rebels and revolutionaries, of pagans, infidels and sceptics. This is your heritage, and you have much to be proud of
”
”
Karl Wiggins (Wrong Planet - Searching for your Tribe)
“
Dear Mr. Duke,
As requested, here is an inventory of the animals in my care:
*Bixby, a two-legged terrier.
*Marigold, a nanny goat of unimpeachable character, who is definitely not breeding.
*Angus, a three-year-old Highland steer.
*Regan, Goneril, and Cordelia- laying hens.
*Delilah, a parrot.
*Hubert, an otter.
*Freya, a hedgehog.
*Thirteen kittens of varying colors and dispositions.
Gabe leafed through the report in disbelief. It went on for pages. She'd given not only the names, breeds, and ages of every misbegotten creature, but she'd appended a chart of temperaments, sleeping schedules, preferred bedding, and a list of dietary requirements that would beggar a moderately successful tradesman. Along with the expected hay, alfalfa, corn, and seed, the animals required several pounds of mince weekly, daily pints of fresh cream, and an ungodly number of sardines.
The steer and thee goat, she insisted, must go to the same loving home. Apparently they were tightly bonded, whatever that meant, and refused to eat of parted.
The laying hens did not actually lay with any regularity. Their previous owners had grown frustrated with this paltry production, and thus they had come into Her Ladyship's care.
And the lucky bastard who accepted a ten-year-old hedgehog? Well, he must not only provide a steady supply of mealworms, but remain ever mindful of certain "traumatic experiences in her youth.
”
”
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
“
But let us, in the way of Labradors, be upbeat and optimistic and think more about what dogs bring us than what they leave. Besides, there is a cycle of rebirth with dogs. Not a literal reincarnation, but no matter how much you love one single dog, another can appear and take over the vital task performed entirely unwittingly but oh so reliably--to give us love and to receive it and to help steer us through this strange world. We will always hold on to the memories of the ones we have had but also let another come in, one who will pick things up as if to say, "It's okay... it's my turn now." And that is the power of a dog.
”
”
Andrew Cotter (Olive, Mabel and Me: Life and Adventures with Two Very Good Dogs)
“
Every day is a new day, Aaron-san. A chance to try again. We can’t control other people’s choices. But with our gift, we can continue to gain wisdom and be there for our loved ones forever to try to steer the way.
”
”
Lisa McMann (Dragon Slayers (The Unwanteds Quests #6))
“
To-night, as ages hence, people would say this, or shut their doors on them, turn in bereaved agony from them, or toward them with love saying: “That is our star up there, yours and mine”; steer by them above the clouds or lost at sea, or standing in the spray on the forecastle head, watch them, suddenly, careen; put their faith or lack of it in them; train, in a thousand observatories, feeble telescopes upon them, across whose lenses swam mysterious swarms of stars and clouds of dead dark stars, catastrophes of exploding suns, or giant Antares raging to its end—a smouldering ember yet five hundred times greater than the earth’s sun.
”
”
Malcolm Lowry (Under the Volcano)
“
Competing in an Olympics didn't scare her now. The thought of stepping up into the full roar of the crowd, in London, seemed simple and natural and good. It was ordinary days now that frightened her - endless Tuesday mornings and Wednesday afternoons of real life, the days you had to steer through without the benefit of handlebars. Off the bike she was like a smoker without cigarettes, never sure what to do with her hands. As soon as she got off the bike, her heart was expected to perform all these baffling secondary functions - like loving someone and feeling something and belonging somewhere - when all she'd ever trained it to do was pump blood.
”
”
Chris Cleave
“
We always want to love the recipients of our charity," the doctor said, negotiating a sharp bend in the road with a surprising demonstration of steering skill, "but it is not necessary. Indeed, it is sometimes not possible.
”
”
Alan Bradley (A Red Herring Without Mustard (Flavia de Luce #3))
“
Honestly, as someone who rarely risked vulnerability and always steered clear of silly or goofy, it never dawned on me that adults could love each other like that; that I could be loved for my vulnerabilities, not despite them.
”
”
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
“
He was his acts of kindness, and his love for his daughters, and the twenty minutes he’d spent with Sylvie behind the grocer’s that evening. That conversation had helped Sylvie understand herself in a new way. She looked for third doors because she was like her father. Julia sought to collect labels like honors student, girlfriend, and wife, but Sylvie steered away from labels. She wanted to be true to herself with every word she uttered, every action she took, and every belief she held. There was no label for kissing boys for ninety seconds in the library, which was part of why it made Sylvie happy and Julia uncomfortable. Sylvie would keep boycotting boring classes to read
”
”
Ann Napolitano (Hello Beautiful)
“
Get in or you’ll miss the fun.”
Fun? I slid into the seat. The engine purred to life. She floored the accelerator and the car jerked forward. She took a hard right and the tires screeched when she pulled out onto the main road. I gripped the armrest. “Who the f*ck gave you your license?”
“Watch your language, Noah, and the state of Kentucky. Why did you miss your appointment?”
I loved fast driving. Isaiah and I had drag raced all last summer. What I didn’t love was a middle-aged nut job who couldn’t steer straight. “You want to pull over and let me drive?”
Mrs. Collins laughed and cut off a tractor trailer merging onto the freeway. “You’re a riot. Focus, Noah. The appointment.”
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Look to nature for comfort and believe...
Each sunrise brings hope
Each wave in the ocean brings joy
Each drifting cloud brings relief
Each gust of wind steers positive thoughts our way
Each sparkling star fills our hearts with love and light
”
”
Margo Vader (Take A Little Soul Time)
“
Good powerlessness (because there is also a bad powerlessness) allows you to “fall into the hands of the living God” (Hebrews 10:31). You stop holding yourself up, so you can be held. There, wonderfully, you are not in control and only God needs to be right. That is always the very special space of any positive powerlessness and vulnerability, but it is admittedly rare.
Faith can only happen in this very special threshold space. You don’t really do faith, it happens to you when you give up control and all the steering of your ship. Frankly, we often do it when we have no other choice. Faith hardly ever happens when we rush to judgment or seek too-quick resolution of anything. Thus you see why faith will invariably be a minority and suspect position. And you also see why the saints always said that faith is a gift. You fall into it more than ever fully choosing it, and only then do you know how grace, love, and God can sustain you and strengthen you at very deep levels.
”
”
Richard Rohr (Yes, and...: Daily Meditations)
“
keeps his attention on the road, driving with one strong hand on the bottom of the steering wheel. God. I’ve always loved how he drives — it’s so effortless and masculine. And he does it with so much confidence, like he could do it with his eyes closed.
”
”
Rina Kent (Ruthless Empire (Royal Elite, #6))
“
Did he say anything to you?”
“Just that I was supposed to watch you while he was gone. A hunt can take several days.”
“Really? I had no idea it would take that long.” I hestitated, “So…he doesn’t mind you staying here while he’s gone.”
“Oh, he minds,” he chuckled, “but he wants to make sure you’re safe. At least he trusts me that much.”
“Well, I think he’s mad at both of us right now.”
Kishan looked at me curiously with a raised eyebrow. “How so?”
“Um…let’s just say we had a misunderstanding.”
Kishan’s face turned hard. “Don’t worry, Kelsey. I’m sure that whatever he’s upset about is foolish. He’s very argumentative.”
I sighed and shook my head sadly. “No, it’s really all my fault. I’m difficult, a hindrance, and I’m a pain to have around sometimes. He’s probably used to being around sophisticated, more experienced women who are much more…more…well, more than I am.”
Kishan quirked an eyebrow. “Ren hasn’t been around any women as far as I know. I must confess that I’m now exceedingly curious as to what your argument was about. Whether you tell me or not, I won’t tolerate any more derogatory comments about yourself. He’s lucky to have you, and he’d better realize it.”
He grinned. “Of course, if you did have a falling out, you’re always welcome to stay with me.”
“Thanks for the offer, but I don’t really want to live in the jungle.”
He laughed. “For you, I would even consider a change of residence. You, my lovely, are a prize worth fighting for.”
I laughed and punched him lightly on the arm. “You, sir, are a major flirt. Worth fighting for? I think you two have been tigers for too long. I’m no great beauty, especially when I’m stuck out here in the jungle. I haven’t even picked a college major yet. What have I ever done that would make someone want to fight over me?”
Kishan apparently took my rhetorical questions seriously. He reflected for a moment, and then answered, “For one thing, I’ve never met a woman so dedicated to helping others. You put your own life at risk for a person you met only a few weeks ago. You are confident, feisty, intelligent, and full of empathy. I find you charming and, yes, beautiful.”
The golden-eyed prince fingered a strand of my hair. I blushed at his assessment, sipped my water, and then said softly, “I don’t like him being angry with me.”
Kishan shrugged and dropped his hand, looking slightly annoyed that I’d steered the conversation back to Ren. “Yes. I’ve been on the receiving side of his anger, and I’ve learned not to underestimate his ability to hold a grudge.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Epithalamium
Without silence there would be no music.
Life paired is doubtless more difficult
than solitary existence -
just as a boat on the open sea
with outstretched sails is trickier to steer
than the same boat drowsing at a dock, but schooners
after all are meant for wind and motion,
not idleness and impassive quiet.
A conversation continued through the years includes
hours of anxiety, anger, even hatred,
but also compassion, deep feeling.
Only in marriage do love and time,
eternal enemies, join forces.
Only love and time, when reconciled,
permit us to see other beings
in their enigmatic, complex essence,
unfolding slowly and certainly, like a new settlement
in a valley, or among green hills.
In begins from one day only, from joy
and pledges, from the holy day of meeting,
which is like a moist grain;
then come the years of trial and labor,
sometimes despair, fierce revelation,
happiness and finally a great tree
with rich greenery grows over us,
casting its vast shadow. Cares vanish in it.
”
”
Adam Zagajewski
“
There is a feeling that I had Friday night after the homecoming game that I don't know if I will ever be able to describe except to say that it is warm. Sam and Patrick drove me to the party that night, and I sat in the middle of Sam's pickup truck. Sam loves her pick up truck because I think it reminds her of her dad.The feeling I had happened when Sam told Patrick to find a station on the radio. And kept getting commercials. And commercials. And a really bad song about love that had the word "baby" in it. And then more commercials. And finally he found this really amazing song about this boy, and we all got quiet.
Sam tapped her hand on the steering wheel. Patrick held his hand outside the car and made air waves. And I just sat between them. After the song finished I said something.
"I feel infinite"
And Sam and Patrick looked at me like I said the greatest thing they ever heard. Because the song was the greatest and we all paid attention to it.Five minutes of a lifetime were truly spent,and we felt young in a good way. I have since bought the record, and I would tell you what it is, but truthfully, it's not the same unless you're driving to your first real part, and you're sitting in the middle seat of a pickup with two nice people when it starts to rain.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
You know not, yet, the sort of love that strikes like a lightning bolt, that clutches hold of you by the heart, as irrevocably as death; that becomes the lodestar by which you steer the rest of your life . . . it is in the nature of your kin, to love this way.
”
”
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
“
My rib cage clenched all of the organs and muscles within it. It pulsed, full of life and warmth and gummy bears and glitter. This was... I don't know how to explain it—it was like Christmas morning when you were a kid. It was everything I’d wanted.
Each of his thumbs curved over the shells of my ears. "That's my girl."
His girl.
After all the crap that I'd gone through today, there couldn't have been three better words to hear.
Well, there were three other words I'd like to hear but I'd take these from him. That didn't mean that he was the only one who knew how to give. He'd given enough. My bones and heart knew that there was nothing for me to fear. I loved him and sometimes there were consequences of it that were scary, but it—the emotion itself—wasn't. I knew that now.
What kind of life was I living if I let my fears steer me? This was a gift I’d forgotten to appreciate lately. For so long I’d been happy to just be alive but now...now I had Dex. I had my entire life ahead of me, and I needed to quit being a wuss and grab life by the balls. In this case, I’d take his nipple piercings.
“What’cha thinkin’, Ritz?”
I held my hands out for him to see how badly they were shaking. “I’m thinking that I love you so much it scares me. See?”
Dex's thumbs tipped my chin back so that I could look at his face—at his beautiful, scruffy face. "Baby." He said my name like a purr that reached the vertebrae of my spine.
"And even though it really scares the living crap out of me, I love you, and I want you to know that. Everything you've done for me..." Oh hell. I had to let out a long gust of breath. "Thank you. You're the best thing that ever yelled at me."
He murmured my name again, low and smooth. The pads of his thumbs dug a little deeper into the soft tissue on the underside of my jaw. "If all the shit I do for you, and all the shit I'd be willin' to do for you doesn't tell you how deep you've snuck into me, honey, then I'll tell you."
He lowered his mouth right next to my ear, his teeth nipping at my lobe before he whispered, "Love you."
The feeling that swamped me was indescribable.
He gave me hope. This big, ex-felon with a temper, reminded me of how strong I was, and then made me stronger on top of it.
"Dex," I exhaled his name.
He nipped my ear again. "I love you, Ritz." The scruff of his jaw scraped my own before he bit it gently. "Love your fuckin' face, your that's what she said jokes, your dorky ass high-fives and your arm, but I really fuckin' love how much of a little shit you are. You got nuts bigger than your brother, baby."
I choked out a laugh.
Dex tipped my head back even further, holding the weight on his long fingers as he bit the curve of my chin. "And those are gonna be my nuts, you little bad ass."
Fire shot straight through my chest. "Yeah?" I panted.
"Yeah." He nodded, biting my chin even harder. "I already told you I keep what's mine.
”
”
Mariana Zapata (Under Locke)
“
There was no denying that in our short time together Lena had struck hard and deep, carving out a space in my heart alongside my father—she was my first surrender to someone other than him. Like a fever reaching down every limb and muddling my mind, the ache of abandonment weakened my grip on the steering wheel and fuzzed the lanes of the highway. Loving my father was something innate—there when I was born, like the sun—but loving Lena took a leap of faith, and now that I’d lost her there were no bloodlines or primal bonds to harness the free fall.
”
”
Norman Ollestad (Gravity)
“
dont get me wrong oblivion
I never loved you kiddo
you that was always sticking around
spoiling me for everyone else
telling me how it would make
you nutty if I didnt let you
go the distance
and I gave you my breasts to feel
didnt I
and my mouth to kiss
O I was too good to you oblivion old kid thats all
and when I might have told you
to go ahead and croak yourselflike
you was always threatning you are
are going to do
I didnt
I said go on you inter-
est me
I let you hang around
and whimper
and Ive been getting mine
Listen
theres a fellow I love like I never love anyone else thats six
foot two tall with a face like any girl would die to kiss and a skin
like a little kittens
thats asked me to go to Murrays tonight with him and see the cab-
aret and dance you know
well
if he asks me to take another Im going to and if he asks me to take
another after that Im going to do that and if he puts me into a taxi
and tells the driver to take her easy and steer for the morning Im
going to let him and if he starts in right away putting it to me in
the cab
Im not going to whisper
Oblivion
do you get me
not that Im tired of automats and Childss and handling out ribbon to
old ladies that aint got three teeth and being followed home by pimps
and stewed guys and sleeping lonely in a whitewashed room three thou-
sand below Zero oh no
I could stand that
but its that Im O Gawd how tired
of seeing the white face of you and
feeling the old hands of you and
being teased and jollied about you
and being prayed and implored and
bribed and threatened
to give you my beautiful white body
kiddo
thats why
”
”
E.E. Cummings
“
Meanwhile Canon Leigh in his study did not know what on earth he ought to do; and when he remembered that he had four daughters who each of them might have five love affairs, making twenty all told, before he got them safely steered into the harbor of matrimony--though even then there might be upsets in the harbor--he came out in a cold sweat. He spent a bad night and in the cold light of dawn sat down and penned a note to Mistress Flowerdew, asking that he might wait upon her and receive her inestimable advice upon a matter of overwhelming importance.
”
”
Elizabeth Goudge (Towers in the Mist)
“
Feelings are messy and confusing. It takes me a god-awful long time to sort through mine and I don’t always completely trust myself. Why not rely on fiction, fantasy, to help steer the way until you figure out what’s real and what’s not? It’s better than being alone all the time.
”
”
Claire Kann (Let's Talk About Love)
“
There are moments in a person’s life that change everything. Shake things up. Steer you in a different direction and push you onto another course, toward different people, places, and things. These moments don’t come around often, but when they do, they rip through the very fabric of your world.
”
”
Jo Watson (Burning Moon (Destination Love, #1))
“
Tsundoku
(Japanese) Buying books and not reading them; letting books pile up on shelves or floors or nightstands.
My parents used to joke about making furniture out of them; instead of being coffee table books, they could be the coffee table. Ditto on nightstands, counters, roofs. When we were kids, my brother and I, teased about always reading, built a wall. Right through the middle of the neighborhood, protected ourselves with fiction and with facts. I loved the encyclopedias best; the weight of them, how my grandmother made me walk with one on my head to practice being a lady. It wasn’t until college that I built a grand stairway out of them; their glossy blue jackets looked like marble in the moonlight. I climbed it, to the top of the wall. Peering over, I found you, on the other side, alone in your bed, asleep. That was the first time you dreamed me. In your dream, you told me not to jump. But to be patient. (We were young then, it would be years before we’d meet) and then this morning, I found you in my bedroom. In your hands, How to Rope and Tie a Steer, a mug of coffee, a piece of slightly burned toast. I took The Sun Also Rises from the wall, made the first window into your heart.
”
”
Julia Klatt Singer (Untranslatable)
“
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building.
Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked.
“Have you seen Aiden?”
“Aiden?”
Were there really that many Aidens? “Graves.”
“Can I ask what you need him for?”
I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.”
It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal.
Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did.
I couldn’t help but crack a little smile at his grumpiness. “Ready?”
He did his form of a nod, a tip of his chin.
I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably.
He glared down at me. “What are you smiling at?”
I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.”
He mouthed ‘sunshine’ as his gaze strayed to the ceiling.
We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked.
He eyed me as he buckled in, and I slanted him a look. “What?”
With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out.
All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me.
When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned.
“For me?” I asked like an idiot.
He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.”
Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
Let’s not go home yet,” I say. “Let’s go somewhere.”
Peter thinks about it for a minute, tapping his fingers on the steering wheel, and then he says, “I know where we can go.”
“Where?”
“Wait and see,” he says, and he puts the windows down, and the crisp night air fills the car.
I lean back into my seat. The streets are empty; the lights are off in most of the houses. “Let me guess. We’re going to the diner because you want blueberry pancakes.”
“Nope.”
“Hmm. It’s too late to go to Starbucks, and Biscuit Soul Food is closed.”
“Hey, food isn’t the only thing I think about,” he objects. Then: “Are there any cookies left in that Tupperware?
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
The Three-Decker
"The three-volume novel is extinct."
Full thirty foot she towered from waterline to rail.
It cost a watch to steer her, and a week to shorten sail;
But, spite all modern notions, I found her first and best—
The only certain packet for the Islands of the Blest.
Fair held the breeze behind us—’twas warm with lovers’ prayers.
We’d stolen wills for ballast and a crew of missing heirs.
They shipped as Able Bastards till the Wicked Nurse confessed,
And they worked the old three-decker to the Islands of the Blest.
By ways no gaze could follow, a course unspoiled of Cook,
Per Fancy, fleetest in man, our titled berths we took
With maids of matchless beauty and parentage unguessed,
And a Church of England parson for the Islands of the Blest.
We asked no social questions—we pumped no hidden shame—
We never talked obstetrics when the Little Stranger came:
We left the Lord in Heaven, we left the fiends in Hell.
We weren’t exactly Yussufs, but—Zuleika didn’t tell.
No moral doubt assailed us, so when the port we neared,
The villain had his flogging at the gangway, and we cheered.
’Twas fiddle in the forc’s’le—’twas garlands on the mast,
For every one got married, and I went ashore at last.
I left ’em all in couples a-kissing on the decks.
I left the lovers loving and the parents signing cheques.
In endless English comfort by county-folk caressed,
I left the old three-decker at the Islands of the Blest!
That route is barred to steamers: you’ll never lift again
Our purple-painted headlands or the lordly keeps of Spain.
They’re just beyond your skyline, howe’er so far you cruise
In a ram-you-damn-you liner with a brace of bucking screws.
Swing round your aching search-light—’twill show no haven’s peace.
Ay, blow your shrieking sirens to the deaf, gray-bearded seas!
Boom out the dripping oil-bags to skin the deep’s unrest—
And you aren’t one knot the nearer to the Islands of the Blest!
But when you’re threshing, crippled, with broken bridge and rail,
At a drogue of dead convictions to hold you head to gale,
Calm as the Flying Dutchman, from truck to taffrail dressed,
You’ll see the old three-decker for the Islands of the Blest.
You’ll see her tiering canvas in sheeted silver spread;
You’ll hear the long-drawn thunder ’neath her leaping figure-head;
While far, so far above you, her tall poop-lanterns shine
Unvexed by wind or weather like the candles round a shrine!
Hull down—hull down and under—she dwindles to a speck,
With noise of pleasant music and dancing on her deck.
All’s well—all’s well aboard her—she’s left you far behind,
With a scent of old-world roses through the fog that ties you blind.
Her crew are babes or madmen? Her port is all to make?
You’re manned by Truth and Science, and you steam for steaming’s sake?
Well, tinker up your engines—you know your business best—
She’s taking tired people to the Islands of the Blest!
”
”
Rudyard Kipling
“
I often hear parenting experts talk about the “decision to have children” as if having kids were a bit of consumerism, akin to opting for a moonroof or heated steering wheel. It isn’t like that at all. It’s a calling, the shedding of an old skin, the forming of a new one. You don’t have kids because you think it’ll be fun or because you’re looking for a new hobby. You don’t become a Navy SEAL because you have nothing better to do. You have kids because you feel that, for you, a full life requires it. That level of self-sacrifice and continuity with the future, the tumbling joy and punch-drunk love, are not even on the menu anywhere else.
”
”
Abigail Shrier (Bad Therapy: Why the Kids Aren't Growing Up)
“
The mother who reaches the heartfelt needs of her children by helping them feel loved and secure, by believing in their dreams, by noticing when they stray and gently steering them back in the right direction, and by teaching them what they need to know to live full and meaningful lives accomplishes a great work for the Lord.
”
”
Sally Clarkson (The Mission Of Motherhood: Touching Your Child's Heart For Eternity)
“
Strange, Eliot thinks, that the androids take to religion. After all they aren’t plagued by the unknowns that draw heartbeats to temples, bibles, and holy men. There is no mystery as to who created the bots, no absence of meaning for their existence as there is with men. If a bot wants to know why he was put here, all he has to do is ask. The engineers who created them, men like Eliot’s father, could tell them, yes, I know exactly why you’re here. You’re here to shovel, to mine, to gather, to build, to plant, to harvest, to fish, to sew, to stitch, to mend, to weld, to solder, to cook, to slaughter, to render, to load, to carry, to steer, to fight, to clean – to serve.
”
”
Judd Trichter (Love in the Age of Mechanical Reproduction)
“
The Garden of Proserpine"
Here, where the world is quiet;
Here, where all trouble seems
Dead winds' and spent waves' riot
In doubtful dreams of dreams;
I watch the green field growing
For reaping folk and sowing,
For harvest-time and mowing,
A sleepy world of streams.
I am tired of tears and laughter,
And men that laugh and weep;
Of what may come hereafter
For men that sow to reap:
I am weary of days and hours,
Blown buds of barren flowers,
Desires and dreams and powers
And everything but sleep.
Here life has death for neighbour,
And far from eye or ear
Wan waves and wet winds labour,
Weak ships and spirits steer;
They drive adrift, and whither
They wot not who make thither;
But no such winds blow hither,
And no such things grow here.
No growth of moor or coppice,
No heather-flower or vine,
But bloomless buds of poppies,
Green grapes of Proserpine,
Pale beds of blowing rushes
Where no leaf blooms or blushes
Save this whereout she crushes
For dead men deadly wine.
Pale, without name or number,
In fruitless fields of corn,
They bow themselves and slumber
All night till light is born;
And like a soul belated,
In hell and heaven unmated,
By cloud and mist abated
Comes out of darkness morn.
Though one were strong as seven,
He too with death shall dwell,
Nor wake with wings in heaven,
Nor weep for pains in hell;
Though one were fair as roses,
His beauty clouds and closes;
And well though love reposes,
In the end it is not well.
Pale, beyond porch and portal,
Crowned with calm leaves, she stands
Who gathers all things mortal
With cold immortal hands;
Her languid lips are sweeter
Than love's who fears to greet her
To men that mix and meet her
From many times and lands.
She waits for each and other,
She waits for all men born;
Forgets the earth her mother,
The life of fruits and corn;
And spring and seed and swallow
Take wing for her and follow
Where summer song rings hollow
And flowers are put to scorn.
There go the loves that wither,
The old loves with wearier wings;
And all dead years draw thither,
And all disastrous things;
Dead dreams of days forsaken,
Blind buds that snows have shaken,
Wild leaves that winds have taken,
Red strays of ruined springs.
We are not sure of sorrow,
And joy was never sure;
To-day will die to-morrow;
Time stoops to no man's lure;
And love, grown faint and fretful,
With lips but half regretful
Sighs, and with eyes forgetful
Weeps that no loves endure.
From too much love of living,
From hope and fear set free,
We thank with brief thanksgiving
Whatever gods may be
That no life lives for ever;
That dead men rise up never;
That even the weariest river
Winds somewhere safe to sea.
Then star nor sun shall waken,
Nor any change of light:
Nor sound of waters shaken,
Nor any sound or sight:
Nor wintry leaves nor vernal,
Nor days nor things diurnal;
Only the sleep eternal
In an eternal night.
”
”
Algernon Charles Swinburne (Poems and Ballads & Atalanta in Calydon)
“
He wanted Jordan so badly, his fantasies consumed him. Whenever he reached out to touch something, paper, the phone, his steering wheel, there was a brief moment when he expected his hand to come in contact with the smooth silk of Jordan’s skin. When he ate, his tongue instinctively sought the taste of Jordan. Whenever he picked up the phone, he expected to hear Jordan’s voice.
”
”
Matthew Haldeman-Time (Off the Record)
“
Reorganizations represent opportunity to those who are unhappy with the state of the current organization. As mentioned above, the moment stakeholders hear that there is a reorg brewing, they start working the grapevine to steer the course of the reorg in their favor. When you combine this fact with people’s love of gossip, you’re guaranteed a big, juicy, drawn-out reorganization.
”
”
Michael Lopp (Managing Humans: Biting and Humorous Tales of a Software Engineering Manager)
“
Nothing in my life had prepared me for this.Not one single thing.I feel like a lad rat stuck in some horrible experiment meant to measure how I adapt to brutal forms of social segregation and weirdness.And the sad news is,I'm producing way below average results.
I stand to the side of the lunchroom or cafeteria,or whatever they call it.The vegetarian lunch Paloma packed with great love and care tightly clutched in my fist,though I've no clue as to where I'm supposed to go eat it.
Having already committed the most heinous crime of all by sitting at the wrong table, I'm not sure I'm up for trying again.I'm still shaken by the way those girls acted-so self-righteous and territorial,so burdened by my presence at the end of their bench.
It's the seniors' table, I was told. I have no right to sit there. Ever. And that includes holidays and weekends.
"Duly noted," I replied, grabbing my lunch and standing before them. "I'll do my best to steer clear of it on Christmas.Easter as well.Though Valentine's Day is a wild card I just can't commit to." And though it felt good at the time,I've no doubt it was a reckless act that only made things worse.
”
”
Alyson Noel (Fated (Soul Seekers, #1))
“
But even I know that love doesn’t steer by logic, nor is power distributed evenly. Lovers arrive at their first kisses with scars as well as longings. They’re not always looking for advantage. Some need shelter, others press only for the hyperreality of ecstasy, for which they’ll tell outrageous lies or make irrational sacrifice. But they rarely ask themselves what they need or want.
”
”
Ian McEwan (Nutshell)
“
Some contemporary theology has been enamored with the heady idea of an imagined freedom that functions without any law or norm or rule of obligation. The technical name for this idea is antinomianism. This yen for freedoms other than Christ's freedom has compounded the problems in pastoral theology. Pastoral practice has at times been exceedingly ready to be guided by this antinomian tendency in theology that implies: if God loves you no matter what, then your own moral responses to God's absolute acceptance make little or no difference; God is going to love you anyway, so assert your individual interest, express yourself, do as you please, and above all do not repress any impulses. It is on the basis of this normless, egocentric relativism that much well-intended liberal pastoral practice has accommodated to naturalism, narcissism, and individualism. It has therefore steered consistently away from any notion of admonition, hoping to avoid 'guilt trips.' But ironically, guilt is more likely to be INCREASED by the lack of timely, caring admonition. For if there is no compassionate admonition, we tend to hide our guilt in ways that make it worse.
”
”
Thomas C. Oden (Pastoral Theology: Essentials of Ministry)
“
Parisians stand to the side of an opening train door, waiting for passengers to exit, rather than elbowing their way on. They form neat lines at the grocery store. I seem to be the only jaywalker in the city. But let one of them behind a steering wheel … everything changes. Held up in traffic for more than thirty seconds, a Parisian goes berserk and honks until the surrounding buildings shake.
”
”
Eloisa James (Paris In Love)
“
It seems that it is incredibly easy to end up on the slippery slope where something about ourselves, our faithfulness in this case, becomes more important than our partner. The Otherness of the other again drops out of the picture, and we wind up dealing with the One (an idea, ideal, or signifier), not the Other. Libido becomes inextricably bound up with the symbolic, steering clear of the real.
”
”
Bruce Fink (Lacan on Love: An Exploration of Lacan's Seminar VIII, Transference)
“
Found by your eyes, And submerged in your love, Oh, love, I’m stuck, In the spotlight of all that I tried to steer clear of, And it’s all your fault, You found me. Fucked up my mental, Got me doubting my own thought process, Trying to find the flaw in my mindset. The sight I once could not see, But it was you, Messed up my ability to process, Got me questioning everything I’ve done to this point.
”
”
Kennedy B. (That Bona Fide Hood Love: Zoli & Pride)
“
Thomas cracks his joints on the steering wheel. It’s all right. I mean, it’s not, but of course you wouldn’t know. It’s not exactly something I advertise. And I only bring it up now to let you know I’m in your corner. Life is so often unfair and painful and love is hard to find and you have to take it whenever and wherever you can get it, no matter how brief it is or how it ends. So I understand. That’s all.
”
”
Jenna Blum (Those Who Save Us)
“
They had both failed, one to realize his dreams of love, the other to fulfill his dreams of power. What was the reason? “Perhaps it’s because we didn’t steer a straight course,” said Frédéric. “That may be true in your case. I, on the other hand, was far too rigid in my line of conduct...I was too logical, and you were too sentimental.” Then they blamed chance, circumstances, the times into which they were born.
”
”
Gustave Flaubert
“
When she was little she used to pretend to fall asleep in the car so that he would carry her into the house. He always complained when he had to carry both her and the shopping, as well as steer Leo’s stroller, but he secretly loved the way his daughter would cling tight to his neck. That was how he knew she was only pretending, because when she was really asleep it was like carrying a bag of water, but when she was pretending she would bury her nose deep against his neck and wrap her arms around him as if she were afraid of losing him. When she got too big for that, he missed it every day. A year ago she sprained her ankle on a field trip and he had to carry her from the car to the house again. He has never felt more like a bad parent than when he admitted to himself that he wished she could sprain her ankle more often.
”
”
Fredrik Backman (Beartown (Beartown, #1))
“
The earliest storytellers were magi, seers, bards, griots, shamans. They were, it would seem, as old as time, and as terrifying to gaze upon as the mysteries with which they wrestled. They wrestled with mysteries and transformed them into myths which coded the world and helped the community to live through one more darkness, with eyes wide open and hearts set alight.
"I can see them now, the old masters. I can see them standing on the other side of the flames, speaking in the voices of lions, or thunder, or monsters, or heroes, heroines, or the earth, or fire itself -- for they had to contain all voices within them, had to be all things and nothing. They had to have the ability to become lightning, to become a future homeland, to be the dreaded guide to the fabled land where the community will settle and fructify. They had to be able to fight in advance all the demons they would encounter, and summon up all the courage needed on the way, to prophesy about all the requisite qualities that would ensure their arrival at the dreamt-of land.
"The old masters had to be able to tell stories that would make sleep possible on those inhuman nights, stories that would counter terror with enchantment, or with a greater terror. I can see them, beyond the flames, telling of a hero's battle with a fabulous beast -- the beast that is in the hero."
"The storyteller's art changed through the ages. From battling dread in word and incantations before their people did in reality, they became the repositories of the people's wisdom and follies. Often, conscripted by kings, they became the memory of a people's origins, and carried with them the long line of ancestries and lineages. Most important of all, they were the living libraries, the keepers of legends and lore. They knew the causes and mutations of things, the herbs, trees, plants, cures for diseases, causes for wars, causes of victory, the ways in which victory often precipitates defeat, or defeat victory, the lineages of gods, the rites humans have to perform to the gods. They knew of follies and restitutions, were advocates of new and old ways of being, were custodians of culture, recorders of change."
"These old storytellers were the true magicians. They were humanity's truest friends and most reliable guides. Their role was both simple and demanding. They had to go down deep into the seeds of time, into the dreams of their people, into the unconscious, into the uncharted fears, and bring shapes and moods back up into the light. They had to battle with monsters before they told us about them. They had to see clearly."
"They risked their sanity and their consciousness in the service of dreaming better futures. They risked madness, or being unmoored in the wild realms of the interspaces, or being devoured by the unexpected demons of the communal imagination."
"And I think that now, in our age, in the mid-ocean of our days, with certainties collapsing around us, and with no beliefs by which to steer our way through the dark descending nights ahead -- I think that now we need those fictional old bards and fearless storytellers, those seers. We need their magic, their courage, their love, and their fire more than ever before. It is precisely in a fractured, broken age that we need mystery and a reawoken sense of wonder. We need them to be whole again.
”
”
Ben Okri (A Way of Being Free)
“
We are not just gods walking around steering human bodies. We are also humans housing the souls of gods. Okay? And if it really matters that the Mountain is never a colonizer'--I brush my thumb against the tattoos on her chin--'that must mean you couldn't just be colonizing a native body. And if it really matters that we've fallen in love over and over again across lifetimes, that must mean those lifetimes mattered.
”
”
H.E. Edgmon (Godly Heathens (The Ouroboros, #1))
“
So, Ryan, back to my Economy model. In motor-vehicle parlance, she's the cloth-seats and plastic-steering-wheel version. But she gets you from A to B.
This model comes only in white.
My sister-in-law's a lovely black woman from Jamaica and she said to me, she said, Ron! Don't you dare do an Economy black woman. And I love women, I do, and I thought, yeah, show respect. Also, Bridget would knock the shit out of me.
”
”
Jeanette Winterson (Frankissstein: A Love Story)
“
Clouds in Fillory weren’t clammy and disappointing the way they were in the real world, they brushed past you all warm and soft and cottony, just solid enough to be comforting. Fuck love, fuck marriage, fuck children, fuck fucking itself: this was his romance, this fantasy land at whose helm he sat, steering it on and on into the future, world without end, until he died and tastefully idealized statues were made of him.
”
”
Lev Grossman (The Magician's Land (The Magicians, #3))
“
Come on!” said Theo. “Peace, love, the Age of Asparagus.” “Aquarius,” corrected Nim. “Is this really what you think peace is?” Diana said, clearly amused. “It sounds like a bad one-act play.” “No, no, no,” said Theo. “It’s definitely a musical.” “Oh God,” groaned Nim. “When the mooooon is in the something something,” crooned Theo. Nim gripped the steering wheel. “Theo, shut up.” “And Jooopiter is wearing paaaants—” “Theo!” snarled Nim. “Shut up.
”
”
Leigh Bardugo (Wonder Woman: Warbringer (DC Icons, #1))
“
What happened to your arm?" she asked me one night in the Gentleman Loser, the three of us drinking at a small table in a corner.
Hang-gliding," I said, "accident."
Hang-gliding over a wheatfield," said Bobby, "place called Kiev. Our Jack's just hanging there in the dark, under a Nightwing parafoil, with fifty kilos of radar jammed between his legs, and some Russian asshole accidentally burns his arm off with a laser."
I don't remember how I changed the subject, but I did.
I was still telling myself that it wasn't Rikki who getting to me, but what Bobby was doing with her. I'd known him for a long time, since the end of the war, and I knew he used women as counters in a game, Bobby Quine versus fortune, versus time and the night of cities. And Rikki had turned up just when he needed something to get him going, something to aim for. So he'd set her up as a symbol for everything he wanted and couldn't have, everything he'd had and couldn't keep.
I didn't like having to listen to him tell me how much he loved her, and knowing he believed it only made it worse. He was a past master at the hard fall and the rapid recovery, and I'd seen it happen a dozen times before. He might as well have had next printed across his sunglasses in green Day-Glo capitals, ready to flash out at the first interesting face that flowed past the tables in the Gentleman Loser.
I knew what he did to them. He turned them into emblems, sigils on the map of his hustler' s life, navigation beacons he could follow through a sea of bars and neon. What else did he have to steer by? He didn't love money, in and of itself , not enough to follow its lights. He wouldn't work for power over other people; he hated the responsibility it brings. He had some basic pride in his skill, but that was never enough to keep him pushing.
So he made do with women.
When Rikki showed up, he needed one in the worst way. He was fading fast, and smart money was already whispering that the edge was off his game. He needed that one big score, and soon, because he didn't know any other kind of life, and all his clocks were set for hustler's time, calibrated in risk and adrenaline and that supernal dawn calm that comes when every move's proved right and a sweet lump of someone else's credit clicks into your own account.
”
”
William Gibson (Burning Chrome (Sprawl, #0))
“
Though the world was hazy, all I could think about was love. And how I'd never had it. How I would never understand what it felt like to fall asleep knowing another person was thinking of you. I would never have someone touch the small of my back as they steered me through a crowd. I would never know the contour of someone's face off-by-heart, and yet not be bored with it. And, as I sank to the grey, chewing-gum stained carpet, all I could think was how sad that was.
”
”
Holly Bourne
“
Young dreams may be wild ones, but they are never corrected by ridiculing them. They must be steered by a loving voice that has earned the right to be heard, not one enforced by means of power. This is a very difficult lesson for parents to learn. And as cultures lose their restraining power, there will be greater need for mutual love and respect between parents and children if a relationship of trust is to be built, rather than banking on authority because of position.
”
”
Ravi Zacharias (Jesus Among Other Gods: The Absolute Claims of the Christian Message)
“
Two Extremes Scripture and experience warn us that here we have to steer our course between two opposite extremes of disaster. On the one hand, there is the legalistic hypocrisy of Pharisaism (God-serving outward actions proceeding from self-serving inward motives), and on the other hand there is the antinomian idiocy that rattles on about love and liberty, forgetting that the God-given law remains the standard of the God-honoring life. Both Pharisaism and antinomianism are ruinous.
”
”
J.I. Packer (Rediscovering Holiness: Know the Fullness of Life with God)
“
That is why those who seek stillness must come to . . . Develop a strong moral compass. Steer clear of envy and jealousy and harmful desires. Come to terms with the painful wounds of their childhood. Practice gratitude and appreciation for the world around them. Cultivate relationships and love in their lives. Place belief and control in the hands of something larger than themselves. Understand that there will never be “enough” and that the unchecked pursuit of more ends only in bankruptcy.
”
”
Ryan Holiday (Stillness is the Key)
“
But there was one girl who had a big influence over me. Barbie. I worshipped Barbie. In fact, I would say Barbie was my twelve-inch plastic life coach. She had it all, a camper, a dune buggy, even a dream house. Part of why it was a dream house to me was that she was the only one who lived there. Her boyfriend, Ken, came to visit when she--er, I decided. She had a sports car and would bounce from job to job as she--er, I saw fit.Barbie owned zero floral baby-making dresses. I craved that indepence. And her weird-ass boobs? So what? She still reached the steering wheel of her royal blue sports car. Some people thought that the fact that her feet were fucked and she couldn't stand was a problem. But to me, it meant she was free. Free from standing at a stove, or a washing machine, or with a baby hanging off her hip. She has no hip. She has no hips. Plus, she didn't have to walk; she drove her convertible everywhere. God, I loved Barbie. She was free in every way I knew how to define freedom.
”
”
Lizz Winstead (Lizz Free Or Die)
“
and money — some for so long that they never return to the road that leads to their dreams. Though they may have the ability to reach the end, they lose the determination to continue their journey. Your choice in companions can mean the difference between a life veering further from the path and a partnership that steers each other back to the center. The love of another person can strengthen, guide, and empower even those who have been lost in the mires of self-doubt. When chosen wisely, love can navigate even the most complicated of life's maps.
”
”
Illuminatiam (Illuminations: Wisdom From This Planet's Greatest Minds)
“
But even I know that love doesn’t steer by logic, nor is power distributed evenly. Lovers arrive at their first kisses with scars as well as longings. They’re not always looking for advantage. Some need shelter, others press only for the hyperreality of ecstasy, for which they’ll tell outrageous lies or make irrational sacrifice. But they rarely ask themselves what they need or want. Memories are poor for past failures. Childhoods shine through adult skin, helpfully or not. So do the laws of inheritance that bind a personality. The lovers don’t know there’s no free will.
”
”
Ian McEwan (Nutshell)
“
Driving alone along the Northway, feeling more haunted than I really had the courage to be, I cried in the car the way one does when leaving someone in a bitter and unbearable way. I don't know why I should have picked that time to grieve, to summon everything before me--my own monsterousness, my two-bit affections, three-bit, four. It could have been sooner, it could have been later, it could have been one of the hot, awkward funerals (my grandmother's, LaRoue's, my father who one morning in Vero Beach clutched his fiery arm and fell dead off his chair mouthing to my mother, "Help. Heart. I love you" --how every death makes the world a lonelier place), it oculd have been some other time when the sun wasn't so bright, and there was no news on the raido, and my arms were not laced in a bird's nest on the steering wheel, my life going well, I believed, pretty well. It could have been any other time. But it was then: I cried for Sils and LaRoue, all that devotion and remorse, stars streaming light a million years after dying; I cried for the boyfriends I was no longer with, the people and places I no longer knew very well, for my parents and grandmother ailing and stuck in Florida, their rough, unchanging forms conjured only in memory; a jewel box kept in the medicine cabinet in the attic of a house on the moon; that's where their unchanging forms were kept. I cried for everyone and for all the scrabbly, funny love one sent out into the world like some hit song that enters space and bounds off to another galaxy, a tune so pretty you think the words are true, you do! There was never any containing a song like that, keeping it. It went off and out, speeding out of earshot or imagining or any reach at all, like a rocket invented in sleep.
”
”
Lorrie Moore (Who Will Run the Frog Hospital?)
“
A hand landed on his ass and urged him on and there was no wall, there were no obstacles, there was only the sea of Margaret, the hot bath of her enveloping love. She put her lips to his ear and whispered warm while cool hands pressed his back and steered him all the way into her. ‘You’ll never get away. You’ll move in with me, we’ll get married, we’ll have children. You’ll be here forever,’ she whispered, and in the ocean of her being, he let go of the frightened air trapped in his heart, he exhaled the despair of his soul and he thought with glee: I’m home! I’m home! Thank God, I’m home!
”
”
Rafael Yglesias (A Happy Marriage)
“
After five or six blocks he pulled around me and, as he flipped me off, juked his steering wheel slightly to frighten me into running up on the sidewalk. Although I admired his spirit and would have loved to oblige him, I stayed on the road. There is never any point in trying to make sense of the way Miami drivers go about getting from one place to another. You just have to relax and enjoy the violence—and of course, that part was never a problem for me. So I smiled and waved, and he stomped on his accelerator and disappeared into traffic at about sixty miles per hour over the speed limit.
”
”
Jeff Lindsay (Dexter in the Dark (Dexter, #3))
“
My love has gone across the sea
To find a country far and fair
He sailed into the gilded west
And lo, my heart will never rest
Until my love returns to me
Or I set out to find him there.
Come home, come home! I sing to thee
My love, come home and rest thy head
I'll watch for you the winter long
And sing for you a summer song
And if you can't return to me
Then I will sail to you instead
Through tow'ring wave and shriek of gale
I'll aim my vessel ever west
And steer it by the cord that bound
My heart to yours, until you're found
And should you find my body pale
And wrecked upon the loamy shale
Rejoice, my love, and call me blessed!
In death, my love, I loved you best
”
”
Andrew Peterson (The Monster in the Hollows (The Wingfeather Saga, #3))
“
Today’s righteous cause is religion. The gods are paying attention, after all. Wanting you to die in their name. Why? To prove your loyalty, of course. And what of their loyalty, you might wonder? Has your god blessed you and your life? Answered your every prayer? Given proof of its omnipotence? Where is this god’s loyalty to you? Not loyal enough to spare your life which you give in its name. Not loyal enough to steer you past tragedy and grief, loss and misery. Not loyal enough to save your loved ones. Or the children who had to die as proof of that selfsame loyalty. No, today the sack is filled with religion. Tomorrow it will be something else. The joy lies in beating it. ‘Poor
”
”
Steven Erikson (Forge of Darkness (The Kharkanas Trilogy #1))
“
BESTIARY "
charybdis:
when i suck in / i make deadly / whirlpools / ask anyone
who’s managed / to climb out / alive
dragon:
patrol or pillage / he exhales and a whole village / burns / iron scaled
sentry / guardian of the ivory / tower i wrap my legs around / everyone
thinks / he’s a brute / but for me / he lifts his breast plate / for me
he welcome the quiver / and the arrow’s teeth.
golem:
take his hair in your hands / his dead / skin cells / his discarded
undergarments / take them / and make of them a new boy
this effigy / his likeness and nothing / like him / breathe life
into its clenched carapace // my god / i think i saw it / move
medusa:
when i saw / my face / reflected in terror / in his eyes / i turned
to stone / or a pillar of salt watching my village burn / he was the village
burning / maybe that’s a different story / maybe in the end
only the snakes wept
siren:
he cries / and i / lashed to the mast of a ship / steer my body
toward the sound / sheets bound around wrists and ankles
tears make grief / a lighthouse you wear / when i hear him
a huge wood wheel turns in my stomach / and i break / open
on / his jagged coast
werewolf:
there are many words for transformation / metamorphosis
metaphor / medication / go to sleep / beside the man you love
wake up next to a dog / maybe the moon brought it out of him
hound hungry for blood / maybe its your fault / or maybe
it was there inside him / howling all along
”
”
Sam Sax
“
Why trust this account when humanity has never been so rich, so healthy, so long-lived? When fewer die in wars and childbirth than ever before—and more knowledge, more truth by way of science, was never so available to us all? When tender sympathies—for children, animals, alien religions, unknown, distant foreigners—swell daily? When hundreds of millions have been raised from wretched subsistence? When, in the West, even the middling poor recline in armchairs, charmed by music as they steer themselves down smooth highways at four times the speed of a galloping horse? When smallpox, polio, cholera, measles, high infant mortality, illiteracy, public executions and routine state torture have been banished from so many countries? Not so long ago, all these curses were everywhere. When solar panels and wind farms and nuclear energy and inventions not yet known will deliver us from the sewage of carbon dioxide, and GM crops will save us from the ravages of chemical farming and the poorest from starvation? When the worldwide migration to the cities will return vast tracts of land to wilderness, will lower birth rates, and rescue women from ignorant village patriarchs? What of the commonplace miracles that would make a manual labourer the envy of Caesar Augustus: pain-free dentistry, electric light, instant contact with people we love, with the best music the world has known, with the cuisine of a dozen cultures? We’re bloated with privileges and delights, as well as complaints, and the rest who are not will be soon.
”
”
Ian McEwan (Nutshell)
“
I’m sipping cranberry-and-ginger-ale punch and talking to Aunt D. about her divorce when Peter Kavinsky walks in wearing a hunter-green sweater with a button-down shirt underneath, carrying a Christmas tin. I almost choke on my punch.
Kitty spots him when I do. “You came!” she cries. She runs right into his arms, and he puts down the cookie tin and picks her up and throws her around. When he sets her down, she takes him by the hand and over to the buffet table, where I’m busying myself rearranging the cookie plate.
“Look what Peter brought,” she says, pushing him forward.
He hands me the cookie tin. “Here. Fruitcake cookies my mom made.”
“What are you doing here?” I whisper accusingly.
“The kid invited me.” He jerks his head toward Kitty, who has conveniently run back over to the puppy. Josh is standing up now, looking over at us with a frown on his face. “We need to talk.”
So now he wants to talk. Well, too late. “We don’t have anything to talk about.”
Peter takes me by the elbow and I try to shake him off, but he won’t let go. He steers me into the kitchen. “I want you to make up an excuse to Kitty and leave,” I say. “And you can take your fruitcake cookies with you.”
“First tell me why you’re so pissed at me.”
“Because!” I burst out. “Everyone is saying how we had sex in the hot tub and I’m a slut and you don’t even care!”
“I told the guys we didn’t!”
“Did you? Did you tell them that all we did was kiss and that’s all we’ve ever done?” Peter hesitates, and I go on. “Or did you say, ‘Guys, we didn’t have sex in the hot tub,’ wink wink, nudge nudge.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
...I couldn't let go of her hand. For a few moments, I looked at the shape of it, the roundness of her fingers. I realized that her hands gave me a sense of comfort because they were the most familiar part of her to me. Those hands had always been in my sight when I was a child. Those were the hands I held crossing the street, the hands that made me lunch and cooked me dinner, the hands that stroked me when I was feeling sad, the hands on the steering wheel driving me all over town, the hands whose rings I had looked at and played with, turning them around on her finger. I knew then that regardless of how we had fought and cried and how adoption had affected us both, those hands, free of words and emotional baggage, encompassed everything. They were pure love-all the love that she had for me.
”
”
Zara Phillips (Mother Me)
“
But how could empathy steer us wrong? Well, read on. But in brief: Empathy is a spotlight focusing on certain people in the here and now. This makes us care more about them, but it leaves us insensitive to the long-term consequences of our acts and blind as well to the suffering of those we do not or cannot empathize with. Empathy is biased, pushing us in the direction of parochialism and racism. It is shortsighted, motivating actions that might make things better in the short term but lead to tragic results in the future. It is innumerate, favoring the one over the many. It can spark violence; our empathy for those close to us is a powerful force for war and atrocity toward others. It is corrosive in personal relationships; it exhausts the spirit and can diminish the force of kindness and love.
”
”
Paul Bloom (Against Empathy: The Case for Rational Compassion – How Emotion Undermines Morality, Justice, and Good Policy)
“
A brittle laugh left his lips. “That’s exactly why I can’t be late. See you later, guys.” He strode toward the door briskly, hoping Ryan would leave it alone.
But of course he didn’t. Ryan caught up with him outside before James could reach his car.
“Jamie!”
Suppressing a sigh, James put on a neutral face and turned to Ryan. “I’m really running late—”
“Listen to me, you git,” Ryan said, his eyes dark and hard. “I’m not sure what’s going on in that head of yours lately, but don’t do anything stupid, okay? Don’t agree to Arthur ’s plans only because you think you have to.” Ryan lifted his hands to cradle James’s face. Jamie went still, his heart hammering as Ryan looked him in the eye intently. “You deserve better. You deserve marrying someone you’re crazy about. Someone who would love you for being you—not for your money or your family name, but because you’re the best person I know.” Ryan smiled at him crookedly. “Being in love is pretty fucking great, actually. You deserve to find your Hannah.”
Jamie wondered if it would actually hurt more if Ryan stuck a knife in his gut and twisted it slowly. He thought he smiled. He hoped he was smiling. His face hurt, so he must be.
He said, “Sure I will. Later, mate.” He was surprised by how absolutely normal his voice sounded.
He smiled again and turned away.
He walked to his car.
He got in.
He closed the door.
He put his hands on the steering wheel.
His throat worked as he tried to swallow the painful lump in his throat. He couldn’t. A terrible, choked sound came from his throat. His chest began to heave. He pressed his hands to his eyes and breathed in, breathed out.
”
”
Alessandra Hazard (Just a Bit Confusing (Straight Guys #5))
“
IX.
Drunk With Pines"
Drunk with pines and long kisses,
like summer I steer the fast sail of the roses,
bent towards the death of the thin day,
stuck into my solid marine madness.
Pale and lashed to my ravenous water,
I cruise in the sour smell of the naked climate,
still dressed in grey and bitter sounds
and a sad crest of abandoned spray.
Hardened by passions, I go mounted on my one wave,
lunar, solar, burning and cold, all at once,
becalmed in the throat of the fortunate isles
that are white and sweet as cool hips.
In the moist night my garment of kisses trembles
charged to insanity with electric currents,
heroically divided into dreams
and intoxicating roses practicing on me.
Upstream, in the midst of the outer waves,
your parallel body yields to my arms
like a fish infinitely fastened to my soul,
quick and slow, in the energy under the sky.
”
”
Pablo Neruda (Twenty Love Poems and a Song of Despair)
“
On the drive there, I’m going so slow that Kitty keeps telling me the speed limit. “They give tickets for going under the limit too, you know.”
“Who told you that?”
“No one. I just know it. I bet I’m going to be a better driver than you, Lara Jean.”
I grip the steering wheel tighter. “I bet you are.” Brat. I bet when Kitty starts driving, she’s going to be a speed demon without the slightest concern for those around her. But she’ll still probably be better at it than me. A reckless driver is better than a scared one; ask anybody.
“I’m not scared of things like you are.”
I adjust my rearview mirror. “You sure are proud of yourself.”
“I’m just saying.”
“Is there a car coming? Can I switch lanes?”
Kitty turns her head. “You can go, but hurry.”
“Like how much time do I have?”
“It’s already too late. Wait…now you can go. Go!”
I jerk into the left lane and look in my rearview. “Good job, Kitty. You just keep being my second pair of eyes.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
In theory, they have equal power over each other Leave this house. Never come back. Or I'll bring the police down on us both. But even I know that love doesn't steer by logic, nor is power distributed evenly. Lovers arrive at their first kisses with scars as well as longings. They're not always looking for advantage. Some need shelter, others press only for the hyperreality of ecstasy, for which they'll tell outrageous lies or make irrational sacrifice. But they rarely ask themselves that they need or want. Memories are poor for past failures. Childhoods shine through adult skin, helpfully or not. So do the laws of inheritance that bind a personality. The lovers don't know there's no free will. I haven't heard enough radio drama to know more than that, though pop songs have taught me that they don't feel in December what they felt in May, and that to have a womb may be incomprehensible to those who don't and that the reverse is also true.
”
”
Ian McEwan (Nutshell)
“
Mommy, Daddy, what are they doing?” a little girl asked, watching the bonobos play. Her forehead and palms were pressed against the glass, as if she thought she could break on through to the other side and join them if only she pushed hard enough.
“Looks like they need private time!” her father barked back, steering the girl away from the window as her mother brightly proposed, “Let’s go see the hippos!”
Not everybody is quite ready for the Bonobo Way, and far be it from me to push it on anyone, especially some stressed-out parents at the zoo.
On the other hand, maybe they’re more ready than they realize. Ready or not, its moment has come. The time is now for human beings to step up to the plate and protect our kissing cousins from extinction, as well as learn as much as we can from them about our noblest and kinkiest characteristics, our capacity for peace (even world peace) through pleasure, more satisfying relationships, better communication, hotter sex and deeper love.
”
”
Susan Block (The Bonobo Way)
“
Instead, I gave them the only salute I could think of.
Two middle fingers. Held high for emphasis.
The six fiery orbs winked out at once. Hopefully, they’d died from affront.
Ben eyed me sideways as he maneuvered from shore. “What in the world are you doing?”
“Those red-eyed jerks were on the cliff,” I spat, then immediately felt silly. “All I could think of.”
Ben made an odd huffing sound I couldn’t interpret. For a shocked second, I thought he was furious with me.
“Nice work, Victoria.” Ben couldn’t hold the laughter inside. “That oughta do it!”
I flinched, surprised by his reaction. Ben, cracking up at a time like this?
He had such a full, honest laugh—I wished I heard it more. Infectious, too. I couldn’t help joining in, though mine came out in a low Beavis and Butthead cackle. Which made Ben howl even more.
In an instant, we were both in stitches at the absurdity of my one-finger salutes. At the insanity of the evening. At everything. Tears wet my eyes as Sewee bobbed over the surf, circling the southeast corner of the island. It was a release I desperately needed.
Ben ran a hand through his hair, then sighed deeply. “I love it,” he snickered, steering Sewee through the breakers, keeping our speed to a crawl so the engine made less noise. “I love you, sometimes.”
Abruptly, his good humor cut off like a guillotine. Ben’s body went rigid. I felt a wave of panic roll from him, as if he’d accidently triggered a nuclear bomb.
I experienced a parallel stab of distress. My stomach lurched into my throat, and not because of the rolling ocean swells.
Did he just . . . what did he mean when . . .
Oh crap.
Ben’s eyes darted to me, then shot back to open water. Even in the semidarkness, I saw a flush of red steal up his neck and into his cheeks.
I shifted uncomfortably in my seat. Shifted again. Debated going over the side.
Did he really mean to say he . . . loved me? Like, for real?
The awkward moment stretched longer than any event in human history.
He said “sometimes,” which is a definite qualifier. I love Chinese food “sometimes.”
Mouth opened as I searched for words that might defuse the tension. Came up with nothing. I felt trapped in a nightmare. Balanced on a beam a hundred feet off the ground. Sinking underwater in a sealed car with no idea how to get out.
Ben’s lips parted, then worked soundlessly, as if he, too, sought to break the horrible awkwardness. A verbal retreat, or some way to reverse time.
Is that what I want? For Ben to walk it back?
A part of me was astounded by the chaos a single four-word utterance could create.
Ben gulped a breath, seemed to reach a decision. As his mouth opened a second time, all the adrenaline in creation poured into my system.
“I . . . I was just saying that . . .” He trailed off, then smacked the steering wheel with his palm. Ben squeezed his eyes shut, shaking his head sharply as if disgusted by the effort.
Ben turned. Blasted me with his full attention. “I mean it. I’m not going to act—
”
”
Kathy Reichs (Terminal (Virals, #5))
“
Another big group of dolphins had just surfaced alongside our moving vessel—leaping and splashing and calling mysteriously back and forth in their squeally, whistly way, with many babies swift alongside their mothers. And this time, confined to just the surface of such deep and lovely lives, I was becoming unsatisfied. I wanted to know what they were experiencing, and why to us they feel so compelling, and so—close. This time I allowed myself to ask them the question that was forbidden fruit: Who are you? Science usually steers firmly from questions about the inner lives of animals. Surely they have inner lives of some sort. But like a child who is admonished that what they really want to ask is impolite, a young scientist is taught that the animal mind—if there is such—is unknowable. Permissible questions are “it” questions: where it lives; what it eats; what it does when danger threatens; how it breeds. But always forbidden—always forbidden—is the one question that might open the door: “Who?” — Carl Safina
”
”
Carl Safina (Beyond Words: What Animals Think and Feel)
“
Why should I help you? Can’t you get Hannah to like you on your own?” His brilliant idea of making an alliance with the sisters was beginning to tarnish, and Tessa didn’t appear to want to make this easy. Did obstinacy run in the Gregory family? Negotiating with a roomful of lawyers was easier than this. “I simply thought we could all help each other.” He flicked a bud casing from the automobile’s windshield. “Hannah doesn’t seem to like leaving you and your sister home alone, and I’d like to spend some time with her, so going on a picnic together works for all of us.” Tessa caressed the steering wheel. “Except for Hannah if she doesn’t want to be around you.” He shoved his hands into his pockets. “Did she say that?” “Naw, she’s almost as moony-eyed about you as Charlotte is about George—but she’d skin me alive if she knew I told you that.” Tessa pretended to make a turn. “But something must be wrong, or you wouldn’t be here trying to get Charlotte and me on your side.” “I think you’re too smart for your own good.
”
”
Lorna Seilstad (When Love Calls (The Gregory Sisters, #1))
“
Jason, it’s a pleasure.” Instead of being in awe or “fangirling” over one of the best catchers in the country, my dad acts normal and doesn’t even mention the fact that Jason is a major league baseball player. “Going up north with my daughter?”
“Yes, sir.” Jason sticks his hands in his back pockets and all I can focus on is the way his pecs press against the soft fabric of his shirt. “A-plus driver here in case you were wondering. No tickets, I enjoy a comfortable position of ten and two on the steering wheel, and I already established the rule in the car that it’s my playlist we’re listening to so there’s no fighting over music. Also, since it’s my off season, I took a siesta earlier today so I was fresh and alive for the drive tonight. I packed snacks, the tank is full, and there is water in reusable water bottles in the center console for each of us. Oh, and gum, in case I need something to chew if this one falls asleep.” He thumbs toward me. “I know how to use my fists if a bear comes near us, but I’m also not an idiot and know if it’s brown, hit the ground, if it’s black, fight that bastard back.” Oh my God, why is he so adorable? “I plan on teaching your daughter how to cook a proper meal this weekend, something she can make for you and your wife when you’re in town.”
“Now this I like.” My dad chuckles. Chuckles. At Jason. I think I’m in an alternate universe.
“I saw this great place that serves apparently the best pancakes in Illinois, so Sunday morning, I’d like to go there. I’d also like to hike, and when it comes to the sleeping arrangements, I was informed there are two bedrooms, and I plan on using one of them alone. No worries there.”
Oh, I’m worried . . . that he plans on using the other one.
“Well, looks like you’ve covered everything. This is a solid gentleman, Dottie.”
I know. I really know.
“Are you good? Am I allowed to leave now?”
“I don’t know.” My dad scratches the side of his jaw. “Just from how charismatic this man is and his plans, I’m thinking I should take your place instead.”
“I’m up for a bro weekend,” Jason says, his banter and decorum so easy. No wonder he’s loved so much. “Then I wouldn’t have to see the deep eye-roll your daughter gives me on a constant basis.”
My dad leans in and says, “She gets that from me, but I will say this, I can’t possibly see myself eye-rolling with you. Do you have extra clothes packed for me?”
“Do you mind sharing underwear with another man? Because I’m game.”
My dad’s head falls back as he laughs. “I’ve never rubbed another man’s underwear on my junk, but never say never.”
“Ohhh-kay, you two are done.” I reach up and press a kiss to my dad’s cheek. “We are leaving.” I take Jason by the arm and direct him back to the car. From over his shoulder, he mouths to my dad to call him, which my dad replies with a thumbs up.
Ridiculous. Hilarious.
When we’re saddled up in the car, I let out a long breath and shift my head to the side so I can look at him. Sincerely I say, “Sorry about that.”
With the biggest smile on his face, his hand lands on my thigh. He gives it a good squeeze and says, “Don’t apologize, that was fucking awesome.
”
”
Meghan Quinn (The Lineup)
“
Do you want children in your arranged marriage?"
Layla frowned, trying to wrap her head around the sudden change of conversation. "That's a very personal question. but, yes. I want to have kids. At least three, so if the first one is a boy and the second is a girl, she won't feel like she's in a competition she can never win because she doesn't have a penis."
Sam lowered his window and drew in a breath of air.
"Shocked you, didn't I? Was it the word penis or the revelation that I would want children with a man I don't love?"
"I'm beginning to realize there is no end to your ability to surprise me."
Layla tightened her grip on the steering wheel. "Why did you ask me about kids? Are you worried I might be pregnant after our almost-kiss? Like some kind of immaculate conception?"
A laugh escaped him, a short chuckle that disappeared almost as quickly as it had come. "Harman is a professional bodybuilder. That means steroids. Prolonged use of anabolic steroids can have significant effects including reduced sperm count, infertility, genital atrophy, erectile dysfunction, and shrunken testicles."
"So you saw my penis and raised me a pair of shrunken testicles? I fold. You win. I dub thee Master of the Game.
”
”
Sara Desai (The Marriage Game (Marriage Game, #1))
“
She stands at the hairpin turn on Night Road.
On either side of her, giant evergreens grow clustered together, rising high into the blue summer sky. Even now, in midday, this stubbled, winding ribbon of asphalt holds the morning mist close.
This road is like her life; knee deep in shadow. Once, it had been the quickest way home and she’d taken it easily, turning onto its potholed surface without a second thought, rarely noticing how the earth dropped away on either edge. Her mind had been on other things back then, on the miniutae of everyday life. Chores. Errands. Schedules.
She hadn’t taken this route in years. Just the thought of it had been enough to make her turn the steering wheel too sharply; better to go off the road than to find herself here. Or so she’d thought until today.
People on the island still talk about what happened in the summer of ’04. They sit on barstools and in porch swings and spout opinions, half truths, making judgments that aren’t theirs to make. They think a few columns in a newspaper give them the facts they need. But the facts are hardly what matter.
If anyone sees her here, just standing on this lonely roadside in a gathering mist, it will all come up again. Like her, they’ll remember that night, so long ago, when the rain turned to ash….
”
”
Kristin Hannah (Night Road)
“
I don’t like to think too much about you, in my head, that only makes a mess of us both. But of course what I live for now is for you and me to live together. I’m frightened, really...I feel my inside turn to water sometimes, and there you are, going to have a child by me. But never mind. All the bad times that ever have been, haven’t been able to blow the crocus out: not even the love of women. So they won’t be able to blow out my wanting you, nor the little glow there is between you and me. We’ll be together next year. And though I’m frightened, I believe in your being with me. A man has to fend and fettle for the best, and then trust in something beyond himself. You can’t insure against the future, except by really believing in the best bit of you, and in the power beyond it. So I believe in the little flame between us. For me now, it’s the only thing in the world. I’ve got no friends, not inward friends. Only you. And now the little flame is all I care about in my life.. It’s my Pentecost, the forked flame between me and you... Me and God is a bit uppish, somehow. But the little forked flame between me and you: there you are! That’s what I abide by, and will abide by...
“That’s why I don’t like to start thinking about you actually. It only tortures me, and does you no good. I don’t want you to be away from me. But if I start fretting it wastes something. Patience, always patience. This is my fortieth winter. And I can’t help all the winters that have been. But this winter I’ll stick to my little pentecost flame, and have some peace. And I won’t let the breath of people blow it out. I believe in a higher mystery, that doesn’t let even the crocus be blown out. And if you’re in Scotland and I’m in the Midlands, and I can’t put my arms round you, and wrap my legs round you, yet I’ve got something of you. My soul softly flaps in the little pentecost flame with you, like the peace of fucking. We fucked a flame into being. Even the flowers are fucked into being between the sun and the earth. But it’s a delicate thing, and takes patience and the long pause.
“So I love chastity now, because it is the peace that comes of fucking. I love being chaste now. I love it as snowdrops love the snow. I love this chastity, which is the pause of peace of our fucking, between us now like a snowdrop of forked white fire. And when the real spring comes, when the drawing together comes, then we can fuck the little flame brilliant and yellow, brilliant. But not now, not yet! Now is the time to be chaste, it is so good to be chaste, like a river of cool water in my soul. I love the chastity now that it flows between us. It is like fresh water and rain. How can men want wearisomely to philander! What a misery to be like Don Juan, and impotent ever to fuck oneself into peace, and the little flame alight, impotent and unable to be chaste in the cool between-whiles, as by a river.
“Well, so many words, because I can’t touch you. If I could sleep with my arms round you, the ink could stay in the bottle. We could be chaste together just as we can fuck together. But we have to be separate for a while, and I suppose it is really the wiser way. If only one were sure.
“Never mind, never mind, we won’t get worked up. We really trust in the little flame, in the unnamed god that shields it from being blown out. There’s so much of you here with me, really, that it’s a pity you aren’t all here.
“Never mind about Sir Clifford. If you don’t hear anything from him, never mind. He can’t really do anything to you. Wait, he will want to get rid of you at last, to cast you out. And if he doesn’t, we’ll manage to keep clear of him. But he will. In the end he will want to spew you out as the abominable thing.
“Now I can’t even leave off writing to you.
“But a great deal of us is together, and we can but abide by it, and steer our courses to meet soon. John Thomas says good night to lady Jane, a little droopingly, but with a hopeful heart.
”
”
D.H. Lawrence
“
But Melchior was one of those men who always do the opposite of what is expected of them and of what they expect of themselves. It is not that they are not warned—a man who is warned is worth two men, says the proverb. They profess never to be the dupe of anything, and that they steer their ship with unerring hand towards a definite point. But they reckon without themselves, for they do not know themselves. In one of those moments of forgetfulness which are habitual with them they let go the tiller, and, as is natural when things are left to themselves, they take a naughty pleasure in rounding on their masters. The ship which is released from its course at once strikes a rock, and Melchior, bent upon intrigue, married a cook. And yet he was neither drunk nor in a stupor on the day when he bound himself to her for life, and he was not under any passionate impulse; far from it. But perhaps there are in us forces other than mind and heart, other even than the senses—mysterious forces which take hold of us in the moments when the others are asleep; and perhaps it was such forces that Melchior had found in the depths of those pale eyes which had looked at him so timidly one evening when he had accosted the girl on the bank of the river, and had sat down beside her in the reeds—without knowing why—and had given her his hand.
”
”
Romain Rolland (Jean Christophe)
“
FORGIVENESS
The political score from four scores ago doesn't matter to anyone anymore. So why are we still keeping a tally of all the scores? If we are not applying the lessons to be gained from yesterday's history to address the problems of today - then why does any of it matter? Does Babe Ruth's baseball score from 1917 matter to us today? No. Does it matter that Gandhi bickered with his wife, or that Lincoln got into a brawl over Sally at a bar? No. Then why do tribal matches that happened thousands of years ago still mean so much to us today? To keep us from moving forward? To remind us of our racial differences and indifference? To revive tribal bitterness? And what father or God would want his children to keep a record of every argument they have ever had with each other - if there is nothing positive - only harm - to be gained by constantly reminding them? Would a wise man steer his followers to hold onto past hurts - or to squeeze them for every drop of wisdom that could be gained from them - then release them? Isn't forgiveness a holy virtue? And if so, then why do we insist on keeping historical records of resentment? Is the Creator an advocate of love or hate? And if love, then why are we still pushing so much hatred? What is there ever to be gained from vocalizing hatred? Only MORE hatred. Who wants that? And why?
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
You are very quiet,” Archer remarked as they walked together to the refreshment table. They’d just finished a game of whist and when Rose begged off from a second round, Grey’s brother did the same.
“My apologies,” she replied. “I do not mean to be rude.”
“My brother doesn’t deserve to take up so much room in that lovely head of yours.”
She might have been insulted by his disparaging Grey, or his familiarity with her, had she not been so surprised by the remark itself.
“You are impertinent, sir.”
He grinned-a grin so much more roguish than Grey’s. “One of my more charming traits. I did not mean offense, dear lady. Only that thinking about him will do you no good. The man is bent on punishing himself for the rest of his life.”
Rose accepted the plate he offered her. “Thank you. Why would he wish to punish himself?”
“Because he’s an ar…idiot. Sandwich?” He held up a cucumber sandwich caught in silver tongs.
“Please. I’m not certain I wish to discuss your brother with you, Lord Archer.”
“Not even if I can help you win him?”
Rose’s heart froze-no, it simply stopped. Her entire body went numb. She would have dropped her plate had Archer not swept it from her hand into his own.
“What makes you think I wish to win him?”
He flashed her a coy glance. “Please, lady Rose. I’ve not made a career out of studying your sex to fall for your false innocence now.”
Oh dear God. Had Grey told him?
“I’ve seen the way you look at him, and I’ve had to put with hearing about you for the last four years-no offense.”
Rose arched a brow as he piled food upon her plate. “None taken. I wasn’t aware that I looked at your brother in a manner different from how I might look upon anyone else.”
“Mm.” He popped a small cake into his mouth, chewed, and swallowed. “That’s just it. You try too hard to treat him like everyone else. It’s obvious you care for him, and not just as the man who saved your life.”
“Saved my life? How very dramatic.”
He gave her a very serious look as he handed her the laden plate. “Where do you suppose you’d be right now if Grey hadn’t taken you in? Certainly not here, with such good food and charming company.”
Point taken. And now she felt simply awful for the way she had spoken to Grey earlier. She was such a cow.
“You shame me, sir.” And worse, he’d made tears come to her eyes. Staring at her food-such a wonderful array he’d picked for her-she blinked them away.
He steered her toward a window seat where they sat in plain view of the room, but at least with a modicum of privacy. “My apologies, my lady. I did not mean to offend you with my plain and thoughtless words.”
“Plain, perhaps. Thoughtless, I highly doubt it.” She managed a small smile. “I don’t think you do anything without thinking first.”
Archer laughed, looking so much like Grey it hurt to look at him. “Were that but true.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
Is this a date? Are you on a date with him? And who the hell’s car is this?”
Before I can answer, Genevieve makes a move toward me, which I dodge. I run behind the pillar. “Don’t be such a baby, Lara Jean,” she says. “Just accept that you lose and I win!”
I peek from behind the pillar, and John is giving me a look--a look that says, Get in. Quickly I nod. Then he throws open the passenger door, and I run for it, as fast as I can. I’ve barely got the door closed before he’s driving off, Peter and Gen in our dust.
I turn back to look. Peter is staring after us, his mouth open. He’s jealous, and I’m glad. “Thanks for the save,” I say, still trying to catch my breath. My heart is pounding in my chest so hard.
John is looking straight ahead, a broad smile on his face. “Anytime.”
We stop at a stoplight, and he turns his head and looks at me, and then we’re looking at each other, laughing like crazy, and I’m breathless again.
“Did you see the looks on their faces?” John gasps, dropping his head on the steering wheel.
“It was classic!”
“Like a movie!” He grins at me, jubilant, blue eyes alight.
“Just like a movie,” I agree, leaning my head back against the seat and opening my eyes wide up at the moon, so wide it hurts. I’m in a red Mustang convertible sitting next to a boy in uniform, and the night air feels like cool satin on my skin, and all the stars are out, and I’m happy. The way John is still grinning to himself, I know he is too. We got to play make-believe for the night.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
The light turns green, and I throw my arms in the air. “Go fast, Johnny!” I shout, and he guns it and I let out a shriek.
We zoom around for a bit, and at the next stoplight he slows and puts his arm around me, pulling me closer to his side. “Isn’t this how they did it in the fifties?” he asks, one hand on the steering wheel and the other around my shoulders.
My heart rate picks back up again. “Well, technically we’re dressed for the forties--” and then he kisses me. His lips are warm and firm against mine, and my eyes flutter shut.
When he pulls away just a fraction, he looks down at me and says, half serious, half not, “Better than the first time?”
I’m dazed. He’s got some of my lipstick on his face now. I reach up and wipe his mouth. The light turns green; we don’t move; he’s still looking at me. Someone honks a horn behind us. “The light’s green.”
He doesn’t make a move; he’s still looking at me. “Answer first.”
“Better.” John pushes his foot on the gas, and we’re moving again. I’m still breathless. Into the wind I shout, “One day I want to see you make a Model UN speech!”
John laughs. “What? Why?”
“I think it would be something to see. I bet you’d be…grand. You know, out of all of us, I think you’ve changed the most.”
“How?”
“You used to be sort of quiet. In your own head. Now you’re so confident.”
“I still get nervous, Lara Jean.” John has a cowlick, a little piece of hair that won’t stay down; it is stubborn. It’s this piece more than anything else that makes my heart squeeze.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
Let's imagine... if you glimpsed the future, you were frightened by what you saw, what would you do with that information? You would go to... the politicians, captains of industry? And how would you convince them? Data? Facts? Good luck! The only facts they won't challenge are the ones that keep the wheels greased and the dollars rolling in. But what if... what if there was a way of skipping the middle man and putting the critical news directly into everyone's head? The probability of wide-spread annihilation kept going up. The only way to stop it was to show it. To scare people straight. Because, what reasonable human being wouldn't be galvanized by the potential destruction of everything they've ever known or loved? To save civilization, I would show its collapse. But, how do you think this vision was received? How do you think people responded to the prospect of imminent doom? They gobbled it up like a chocolate eclair! They didn't fear their demise, they re-packaged it. It could be enjoyed as video-games, as TV shows, books, movies, the entire world wholeheartedly embraced the apocalypse and sprinted towards it with gleeful abandon. Meanwhile, your Earth was crumbling all around you. You've got simultaneous epidemics of obesity and starvation. Explain that one! Bees and butterflies start to disappear, the glaciers melt, algae blooms. All around you the coal mine canaries are dropping dead and you won't take the hint! In every moment there's the possibility of a better future, but you people won't believe it. And because you won't believe it you won't do what is necessary to make it a reality. So, you dwell on this terrible future. You resign yourselves to it for one reason, because *that* future does not ask anything of you today. So yes, we saw the iceberg and warned the Titanic. But you all just steered for it anyway, full steam ahead. Why? Because you want to sink! You gave up!
”
”
Hugh Laurie playing Governor Nix in Tommorowland
“
I turn to see what she’s looking at, and it’s a red convertible Mustang driving down our street, top down--with John McClaren at the wheel.
My jaw drops at the sight of him. He is in full uniform: tan dress shirt with tan tie, tan slacks, tan belt and hat. His hair is parted to the side. He looks dashing, like a real soldier. He grins at me and waves. “Whoa,” I breathe.
“Whoa is right,” Ms. Rothschild says, googly-eyed beside me. Daddy and his Ken Burns DVD are forgotten; we are all staring at John in this uniform, in this car. It’s like I dreamed him up. He parks the car in front of the house, and all of us rush up to it.
“Whose car is this?” Kitty demands.
“It’s my dad’s,” John says. “I borrowed it. I had to promise to park really far away from any other car, though, so I hope your shoes are comfortable, Lara Jean--” He breaks off and looks me up and down. “Wow. You look amazing.” He gestures at my cinnamon bun. “I mean, your hair looks so…real.”
“It is real!” I touch it gingerly, I’m suddenly feeling self-conscious about my cinnamon-bun head and red lipstick.
“I know--I mean, it looks authentic.”
“So do you,” I say.
“Can I sit in it?” Kitty butts in, her hand on the passenger-side door.
“Sure,” John says. He climbs out of the car. “But don’t you want to get in the driver’s seat?”
Kitty nods quickly. Ms. Rothschild gets in too, and Daddy takes a picture of them together. Kitty poses with one arm casually draped over the steering wheel.
John and I stand off to the side, and I ask him, “Where did you ever get that uniform?”
“I ordered it off of eBay.” He frowns. “Am I wearing the hat right? Do you think it’s too small for my head?”
“No way. I think it looks exactly the way it’s supposed to look.” I’m touched that he went to the trouble of ordering a uniform for this. I can’t think of many boys who would do that. “Stormy is going to flip out when she sees you.”
He studies my face. “What about you? Do you like it?”
I flush. “I do. I think you look…super.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
Millions of us daily take advantage of [Skype], delighted to carry the severed heads of family members under our arms as we move from the deck to the cool of inside, or steering them around our new homes, bobbing them like babies on a seasickening tour. Skype can be a wonderful consolation prize in the ongoing tournament of globalization, though typically the first place it transforms us is to ourselves. How often are the initial seconds of a video's call takeoff occupied by two wary, diagonal glances, with a quick muss or flick of the hair, or a more generous tilt of the screen in respect to the chin? Please attend to your own mask first. Yet, despite the obvious cheer of seeing a faraway face, lonesomeness surely persists in the impossibility of eye contact. You can offer up your eyes to the other person, but your own view will be of the webcam's unwarm aperture. ... The problem lies in the fact that we can't bring our silence with us through walls. In phone conversations, while silence can be both awkward and intimate, there is no doubt that each of you inhabits the same darkness, breathing the same dead air. Perversely, a phone silence is a thick rope tying two speakers together in the private void of their suspended conversation. This binding may be unpleasant and to be avoided, but it isn't as estranging as its visual counterpart. When talk runs to ground on Skype, and if the purpose of the call is to chat, I can quickly sense that my silence isn't their silence. For some reason silence can't cross the membrane of the computer screen as it can uncoil down phone lines. While we may be lulled into thinking that a Skype call, being visual, is more akin to a hang-out than a phone conversation, it is in many ways more demanding than its aural predecessor. Not until Skype has it become clear how much companionable quiet has depended on co-inhabiting an atmosphere, with a simple act of sharing the particulars of a place -- the objects in the room, the light through the window -- offering a lovely alternative to talk.
”
”
Laurence Scott (The Four-Dimensional Human: Ways of Being in the Digital World)
“
Driscoll preached a sermon called “Sex: A Study of the Good Bits of Song of Solomon,” which he followed up with a sermon series and an e-book, Porn-again Christian (2008). For Driscoll, the “good bits” amounted to a veritable sex manual. Translating from the Hebrew, he discovered that the woman in the passage was asking for manual stimulation of her clitoris. He assured women that if they thought they were “being dirty,” chances are their husbands were pretty happy. He issued the pronouncement that “all men are breast men. . . . It’s biblical,” as was a wife performing oral sex on her husband. Hearing an “Amen” from the men in his audience, he urged the ladies present to serve their husbands, to “love them well,” with oral sex. He advised one woman to go home and perform oral sex on her husband in Jesus’ name to get him to come to church. Handing out religious tracts was one thing, but there was a better way to bring about Christian revival. 13 Driscoll reveled in his ability to shock people, but it was a series of anonymous blog posts on his church’s online discussion board that laid bare the extent of his misogyny. In 2006, inspired by Braveheart, Driscoll adopted the pseudonym “William Wallace II” to express his unfiltered views. “I love to fight. It’s good to fight. Fighting is what we used to do before we all became pussified,” before America became a “pussified nation.” In that vein, he offered a scathing critique of the earlier iteration of the evangelical men’s movement, of the “pussified James Dobson knock-off crying Promise Keeping homoerotic worship . . .” where men hugged and cried “like damn junior high girls watching Dawson’s Creek.” Real men should steer clear. 14 For Driscoll, the problem went all the way back to the biblical Adam, a man who plunged humanity headlong into “hell/ feminism” by listening to his wife, “who thought Satan was a good theologian.” Failing to exercise “his delegated authority as king of the planet,” Adam was cursed, and “every man since has been pussified.” The result was a nation of men raised “by bitter penis envying burned feministed single mothers who make sure that Johnny grows up to be a very nice woman who sits down to pee.” Women served certain purposes, and not others. In one of his more infamous missives, Driscoll talked of God creating women to serve as penis “homes” for lonely penises. When a woman posted on the church’s discussion board, his response was swift: “I . . . do not answer to women. So, your questions will be ignored.” 15
”
”
Kristin Kobes Du Mez (Jesus and John Wayne: How White Evangelicals Corrupted a Faith and Fractured a Nation)
“
Miraculously, thirty minutes later I found Marlboro Man’s brother’s house. As I pulled up, I saw Marlboro Man’s familiar white pickup parked next to a very large, imposing semi. He and his brother were sitting inside the cab.
Looking up and smiling, Marlboro Man motioned for me to join them. I waved, getting out of my car and obnoxiously taking my purse with me. To add insult to injury, I pressed the button on my keyless entry to lock my doors and turn on my car alarm, not realizing how out of place the dreadful chirp! chirp! must have sounded amidst all the bucolic silence. As I made my way toward the monster truck to meet my new love’s only brother, I reflected that not only had I never in my life been inside the cab of a semi, but also I wasn’t sure I’d ever been within a hundred feet of one. My armpits were suddenly clammy and moist, my body trembling nervously at the prospect of not only meeting Tim but also climbing into a vehicle nine times the size of my Toyota Camry, which, at the time, was the largest car I’d ever owned. I was nervous. What would I do in there?
Marlboro Man opened the passenger door, and I grabbed the large handlebar on the side of the cab, hoisting myself up onto the spiked metal steps of the semi. “Come on in,” he said as he ushered me into the cab. Tim was in the driver’s seat. “Ree, this is my brother, Tim.”
Tim was handsome. Rugged. Slightly dusty, as if he’d just finished working. I could see a slight resemblance to Marlboro Man, a familiar twinkle in his eye. Tim extended his hand, leaving the other on the steering wheel of what I would learn was a brand-spanking-new cattle truck, just hours old. “So, how do you like this vehicle?” Tim asked, smiling widely. He looked like a kid in a candy shop.
“It’s nice,” I replied, looking around the cab. There were lots of gauges. Lots of controls. I wanted to crawl into the back and see what the sleeping quarters were like, and whether there was a TV. Or a Jacuzzi.
“Want to take it for a spin?” Tim asked.
I wanted to appear capable, strong, prepared for anything. “Sure!” I responded, shrugging my shoulders. I got ready to take the wheel.
Marlboro Man chuckled, and Tim remained in his seat, saying, “Oh, maybe you’d better not. You might break a fingernail.” I looked down at my fresh manicure. It was nice of him to notice. “Plus,” he continued, “I don’t think you’d be able to shift gears.” Was he making fun of me? My armpits were drenched. Thank God I’d work black that night.
After ten more minutes of slightly uncomfortable small talk, Marlboro Man saved my by announcing, “Well, I think we’ll head out, Slim.”
“Okay, Slim,” Tim replied. “Nice meeting you, Ree.” He flashed his nice, familiar smile. He was definitely cute. He was definitely Marlboro Man’s brother.
But he was nothing like the real thing.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Charles Bean, the official historian of Australia’s part in World War I, was unusual in dealing closely with the deeds of the soldiers on the front line, and not just the plans and orders of their leaders. At the end of his account of the Gallipoli landing in the Official History, he asked what made the soldiers fight on. What motive sustained them? At the end of the second or third day of the Landing, when they had fought without sleep until the whole world seemed a dream, and they scarcely knew whether it was a world of reality or of delirium – and often, no doubt, it held something of both; when half of each battalion had been annihilated, and there seemed no prospect before any man except that of wounds or death in the most vile surroundings; when the dead lay three deep in the rifle-pits under the blue sky and the place was filled with stench and sickness, and reason had almost vanished – what was it then that carried each man on? It was not love of a fight. The Australian loved fighting better than most, but it is an occupation from which the glamour quickly wears. It was not hatred of the Turk. It is true that the men at this time hated their enemy for his supposed ill-treatment of the wounded – and the fact that, of the hundreds who lay out, only one wounded man survived in Turkish hands has justified their suspicions. But hatred was not the motive which inspired them. Nor was it purely patriotism, as it would have been had they fought on Australian soil. The love of country in Australians and New Zealanders was intense – how strong, they did not realise until they were far away from their home. Nor, in most cases was the motive their loyalty to the tie between Australia and Great Britain. Although, singly or combined, all these were powerful influences, they were not the chief. Nor was it the desire for fame that made them steer their course so straight in the hour of crucial trial. They knew too well the chance that their families, possibly even the men beside them, would never know how they died. Doubtless the weaker were swept on by the stronger. In every army which enters into battle there is a part which is dependent for its resolution upon the nearest strong man. If he endures, those around him will endure; if he turns, they turn; if he falls, they may become confused. But the Australian force contained more than its share of men who were masters of their own minds and decisions. What was the dominant motive that impelled them? It lay in the mettle of the men themselves. To be the sort of man who would give way when his mates were trusting to his firmness; to be the sort of man who would fail when the line, the whole force, and the allied cause required his endurance; to have made it necessary for another unit to do his own unit’s work; to live the rest of his life haunted by the knowledge that he had set his hand to a soldier’s task and had lacked the grit to carry it through – that was the prospect which these men could not face. Life was very dear, but life was not worth living unless they could be true to their idea of Australian manhood.
”
”
John Hirst (The Australians: Insiders and Outsiders on the National Character since 1770)
“
They stood on tiptoe, strained their eyes. “Let me look.” “Well, look then.” “What you see?” That was the question. No one saw anything. Then, simultaneously, three distinct groups of marchers came into view. One came up 125th Street from the east, on the north side of the street, marching west towards the Block. It was led by a vehicle the likes of which many had never seen, and as muddy as though it had come out of East River. A bare-legged black youth hugged the steering-wheel. They could see plainly that he was bare-legged for the vehicle didn’t have any door. He, in turn, was being hugged by a bare-legged white youth sitting at his side. It was a brotherly hug, but coming from a white youth it looked suggestive. Whereas the black had looked plain bare-legged, the bare-legged white youth looked stark naked. Such is the way those two colors affect the eyes of the citizens of Harlem. In the South it’s just the opposite. Behind these brotherly youths sat a very handsome young man of sepia color with the strained expression of a man moving his bowels. With him sat a middle-aged white woman in a teen-age dress who looked similarly engaged, with the exception that she had constipation. They held a large banner upright between them which read: BROTHERHOOD! Brotherly Love Is The Greatest! Following in the wake of the vehicle were twelve rows of bare-limbed marchers, four in each row, two white and two black, in orderly procession, each row with its own banner identical to the one in the vehicle. Somehow the black youths looked unbelievably black and the white youths unnecessarily white. These were followed by a laughing, dancing, hugging, kissing horde of blacks and whites of all ages and sexes, most of whom had been strangers to each other a half-hour previous. They looked like a segregationist nightmare. Strangely enough, the black citizens of Harlem were scandalized. “It’s an orgy!” someone cried. Not to be outdone, another joker shouted, “Mama don’t ’low that stuff in here.” A dignified colored lady sniffed. “White trash.” Her equally dignified mate suppressed a grin. “What else, with all them black dustpans?” But no one showed any animosity. Nor was anyone surprised. It was a holiday. Everyone was ready for anything. But when attention was diverted to the marchers from the south, many eyes seemed to pop out in black faces. The marchers from the south were coming north on the east side of Seventh Avenue, passing in front of the Scheherazade bar restaurant and the interdenominational church with the coming text posted on the notice-board outside: SINNERS ARE SUCKERS! DON’T BE A SQUARE! What caused the eyes of these dazed citizens to goggle was the sight of the apparition out front. Propped erect on the front bumper of a gold-trimmed lavender-colored Cadillac convertible driven by a fat black man with a harelip, dressed in a metallic-blue suit, was the statue of the Black Jesus, dripping black blood from its outstretched hands, a white rope dangling from its broken neck, its teeth bared in a look of such rage and horror as to curdle even blood mixed with as much alcohol as was theirs. Its crossed black feet were nailed to a banner which read: THEY LYNCHED ME! While two men standing in the back of the convertible held aloft another banner reading: BE NOT AFRAID!
”
”
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
“
The fact is,” said Van Gogh, “the fact is that we are painters in real life, and the important thing is to breathe as hard as ever we can breathe.”
So I breathe. I breathe at the open window above my desk, and a moist fragrance assails me from the gnawed leaves of the growing mock orange. This air is as intricate as the light that filters through forested mountain ridges and into my kitchen window; this sweet air is the breath of leafy lungs more rotted than mine; it has sifted through the serrations of many teeth. I have to love these tatters. And I must confess that the thought of this old yard breathing alone in the dark turns my mind to something else.
I cannot in all honesty call the world old when I’ve seen it new. On the other hand, neither will honesty permit me suddenly to invoke certain experiences of newness and beauty as binding, sweeping away all knowledge. But I am thinking now of the tree with the lights in it, the cedar in the yard by the creek I saw transfigured.
That the world is old and frayed is no surprise; that the world could ever become new and whole beyond uncertainty was, and is, such a surprise that I find myself referring all subsequent kinds of knowledge to it. And it suddenly occurs to me to wonder: were the twigs of the cedar I saw really bloated with galls? They probably were; they almost surely were. I have seen these “cedar apples” swell from that cedar’s green before and since: reddish gray, rank, malignant. All right then. But knowledge does not vanquish mystery, or obscure its distant lights. I still now and will tomorrow steer by what happened that day, when some undeniably new spirit roared down the air, bowled me over, and turned on the lights. I stood on grass like air, air like lightning coursed in my blood, floated my bones, swam in my teeth. I’ve been there, seen it, been done by it. I know what happened to the cedar tree, I saw the cells in the cedar tree pulse charged like wings beating praise. Now, it would be too facile to pull everything out of the hat and say that mystery vanquishes knowledge. Although my vision of the world of the spirit would not be altered a jot if the cedar had been purulent with galls, those galls actually do matter to my understanding of this world. Can I say then that corruption is one of beauty’s deep-blue speckles, that the frayed and nibbled fringe of the world is a tallith, a prayer shawl, the intricate garment of beauty? It is very tempting, but I cannot. But I can, however, affirm that corruption is not beauty’s very heart and I can I think call the vision of the cedar and the knowledge of these wormy quarryings twin fjords cutting into the granite cliffs of mystery and say the new is always present simultaneously with the old, however hidden. The tree with the lights in it does not go out; that light still shines on an old world, now feebly, now bright.
I am a frayed and nibbled survivor in a fallen world, and I am getting along. I am aging and eaten and have done my share of eating too. I am not washed and beautiful, in control of a shining world in which everything fits, but instead am wandering awed about on a splintered wreck I’ve come to care for, whose gnawed trees breathe a delicate air, whose bloodied and scarred creatures are my dearest companions, and whose beauty beats and shines not in its imperfections but overwhelmingly in spite of them, under the wind-rent clouds, upstream and down.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
You want me to fuck you?” I leaned down, bringing her face to mine so our noses crushed together. I grabbed the front of her dress, twisting, tightening it against her skin until the fabric began pulling apart and tearing. “You want me to knock you up?”
“Yes,” she breathed out. “Yes.”
I dropped to the marble, resting my back against the vanity. “Ask nicely.”
“Please.”
“Nicer.”
She crawled toward me on all fours, straddled my lap, and grabbed my hand, bringing it between her legs. Her fingers guided mine into her slick pussy, two of hers joining mine inside her warmth.
My lips found her nipple, biting down through her dress. Together, we fucked her cunt down to our knuckles, curling until her walls pulsed.
I watched our fingers disappear inside her. She arched her back, trying to accommodate as much of us as she could.
Her lips drifted to the shell of my ear. “Please, please, please.”
I tore my fingers out of her, ripped her dress down the middle, and captured both sides of her waist, sinking her onto my cock, down to the hilt.
Her head fell forward. She bit my shoulder, drawing blood, her hips bucking.
She was so tight it felt like I was fucking her ass. Her walls squeezed around me, milking my dick for cum.
I let her ride my length until my impatience won over, and I pulled her off me, flipped her over, and lowered her on all fours.
The marble was cold and hard against her knees. I love seeing that spoiled little brat take all of my cock, feeling the discomfort of it. My silver-spooned nymph.
I entered her from behind. She drove back, meeting each of my thrusts.
My fingers curled around her neck and steered her upward until her back plastered against my front. She craned her head around and captured my lips, slipping her tongue past my teeth.
Her back arched, fingers dipping between her legs, searching for her clit. I smacked them away, then landed a palm on her ass.
“Rom,” she whined. “I need to come.”
“What you need is to be fucking grateful.” My blood brought my point home, covering every inch of her back, arms, and tits, matting her hair in clumps.
I released her throat and pet the crown of her head, whispering praises into her ear. “Such a good girl.” Words I never thought I’d say. Especially to this particular girl, who was anything but good two hundred percent of the time. “If only you took directions so well when you’re not filled with my cock.”
I reached around her and found her clit, rewarding her with a single flick. She cried out and fell forward, on her hands and knees again, pushing onto my cock.
More crimson drops splattered onto her back. I’d reopened my wound, and fresh red painted her spine. I dipped a finger into it, then spelled my name across her back dimples.
“Who owns your ass?” I growled.
“You.”
“Louder.”
“You.”
“Now crawl forward and show me your cunt from behind. I want to see if it’s worth my cum.”
With a reluctant moan, she inched away from my cock, writhing about two feet away.
She started to turn when I hissed, “I don’t want to see your face, Mrs. Costa. Just the cunt I stole from my enemy.”
She spread her thighs apart, exposing her pussy. It dripped on my floor, her juices mixing with my blood, creating a pink puddle at her feet.
I stroked my cock, coated with her wetness, scented by the wife I couldn’t get enough of.
I grinned, the release tickling my shaft. “Embarrassed?”
“No. Empty.”
Fuck me sideways.
How this woman would ever end up with a wuss like Madison, I had no idea. She would make meatballs out of him before the reception.
(Chapter 55)
”
”
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
“
Stars guide you,” she whispered, holding her dagger and ring closer to her chest.
“And winds never steer you wrong.” He stood and closed the door behind him when he left.
”
”
J.C. Cole (Transcendent)
“
Ooh! Oo-wooh!' groaned Henry, looking up to see that even Albert Einstein was willing him on. Amber grasped at lumps of his flesh and felt as if she were steering a rickety bus on a bumpy goat track.
”
”
Kevin Ansbro (The Fish That Climbed a Tree)
“
..we're not asking the right questions. What if your relationship isn't as much about you and your spouse as it is about you and God? "We have to stop asking of marriage what God never designed it to give — perfect happiness, conflict-free living, and idolatrous obsession... Finding a 'soulmate' — someone who will complete us: the problem with looking to another human to complete us is that, spiritually speaking, it's idolatry. We are to find our fulfillment and purpose in God and if we expect our spouse to be 'God' to us, he or she will fail every day. No person can live up to such expectations. Everyone has bad days, yells at his or her spouse, or is downright selfish. Despite these imperfections, God created the husband and wife to steer each other in His direction. If happiness is our primary goal, we'll get a divorce as soon as happiness seems to wane. If receiving love is our primary goal, we'll dump our spouse as soon as they seem to be less attentive. But if we marry for the glory of God, to model His love and commitment to our children, and to
reveal His witness to the world, divorce makes no sense.
”
”
Gary Thomas (Sacred Marriage: What If God Designed Marriage to Make Us Holy More Than to Make Us Happy? Library Edition)
“
Mindfulness - A Haiku
Sail in stillness deep,
Thoughts drift like ripples afar,
Find peace as you steer.
”
”
Amogh Swamy (On My Way To Infinity: A Seeker's Poetic Pilgrimage)
“
Never quit on her
To deal with the desires and feelings of the heart,
Demands you to be an artist who knows life’s every art,
That to love, feel loved and be sometimes discarded like scrap,
And still steer the heart from this destiny’s trap,
Where it seeks to push you into the base of the pit,
Where longing and agony become your permanent habit,
And if you realise it and yet you love her true,
The pit shall reveal to you the sky that is clear and blue,
And from there too your heart shall say,
“I love you everyday and anyway!”
It is then you shall become the artist who can paint hearts,
Fo to paint hearts needs the knowledge of life’s most faint and sensitive colours of all sorts,
That make the admirer believe in its beauty that throbs always,
Though the person is not around but her feelings somehow seep into life’s long nights and short days!
Just to keep you alive in the pit,
So that you still love her and you do not quit!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
Find those who are willing to join you and walk with you nonjudgmentally. Steer clear of those who claim to have a cure for your grief.
”
”
Joanne Cacciatore (Bearing the Unbearable: Love, Loss, and the Heartbreaking Path of Grief)
“
Hush the voices in your head,
Command the mind into quietness,
Place your hands on your heart,
Feel the warmness in your heart,
Breathe tenderness into your heart,
Exhale frustration out of your body.
Feel your body melt
into purified pleasure.
Stretch your face and feel
the heat on your cheeks.
Feel the heavens surrounding you,
Feel the paradises
steering out your troubles,
Feel the departure
of what no longer
belongs in your body,
Feel the heavens pouring love into your chambers,
Feel the deepening of your heart into a sanctuary,
Feel the heavens extending the purse of blessings,
Feel the Eden stabilizing you back into your authentic state.
”
”
Elelwani Anita Ravhuhali (The Voice Of Adequacy: Silencing Self-Doubt, Embracing Self-Love)
“
When happiness hits us, we all want to cling to it as tightly and as mercilessly as possible. We want to capture it and hold it between our palms forever, not realising that we have to let it go for it to mean anything at all. That we have to keep moving onward, facing forward, steering constantly into the fearful and unknown, that all the best moments of our lives are still waiting for us on the other side. When we have to leave the things we love behind, we are allowed to mourn them, to miss them, to look back on them dejectedly and sadly. But we must never, ever forget that the best days of our lives are not all behind us, that there are more wonderful things awaiting us in the future than we could ever even fathom. That so many of our happiest days are still ahead. That we have to keep moving to get there. No matter how tempting that view in the rear view mirror is. The future we want will not arrive without our participation. And in order to get there, we have to blindly and blissfully trust that it is going to be somewhere indescribably worth going.
”
”
Heidi Priebe (This Is Me Letting You Go)
“
I am, myself, three selves at least. To begin with, there is the child I was. Certainly I am not that child anymore. yet, distantly, or sometimes not so distantly, I can hear that child's voice - I can feel its hope, or its distress. It has not vanished. Powerful, egotistical, insinuating - its presence rises, in memory, or from the steamy river of dreams. It is not gone, not by a long shot. It is with me in the present hour. It will be with me in the grave.
And there is the attentive, social self. This is the smile and the doorkeeper. This is the portion that winds the clock, that steers through the dailiness of life, that keeps in mind appointments that must be made, and then met. It is fettered to a thousand notions of obligation. It moves across the hours of the day as though the movement itself were the whole task. Whether it gathers as it goes some branch of wisdom or delight, or nothing at all, is a matter with which it is hardly concerned. What this self hears night and day, what it loves beyond all other songs, is the endless springing forward of the clock, those measures strict and vivacious, and full of certainty.
The clock! That twelve-figured mon skull, that white spider belly! How serenely the hands move with their filigree pointers, and how steadily! Twelve hours, and twelve hours, and begin again! Eat, speak, sleep, cross a street, wash a dish! The clock is still ticking. All its vistas are just so broad - are regular. (Notice that word.) Every day, twelve little bins in which to order disorderly life, and even more disorderly thought. The town's clock cries out, and the face on every wrist hums or shines; the world keeps pace with itself. Another day is passing, a regular and ordinary day. (Notice that world also.)
[ ... ]
And this is also true. In creative work - creative work of all kinds - those who are the world's working artists are not trying to help the world go around, but forward. Which is something altogether different from the ordinary. Such work does not refute the ordinary. It is, simply, something else. Its labor requires a different outlook - a different set of priorities. Certainly there is within each of us a self that is neither a child, nor a servant of the hours. It is a third self, occasional in some of us, tyrant in others. This self is out of love with the ordinary; it is out of love with time. It has a hunger for eternity.
”
”
Mary Oliver (Upstream: Selected Essays)
“
With my father overseeing my theological development, my poor mother was left to steer me through the social nuances of church life, a task I made considerably more difficult for her by taking the former far more seriously than the latter. It’s one thing to explain to an eleven-year-old that there’s no way to know if Anne Frank went to heaven or hell, quite another to explain why such a question might have been an inappropriate one to pose at a bridal shower in front of the church ladies. But such was the nature of my small talk. Had I inherited more of my mother’s beauty and charm or shared some of my sister’s virtue, I might have gotten away with it, but instead I struggled through the trappings of Southern religious culture where a good Christian girl is expected to at least talk about the weather or football before getting to eternal damnation. A lifelong introvert, I never mastered the art of the schmooze.
”
”
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
“
The Primary Act. As they entered the cinema, Dr Nathan confided to Captain Webster, ‘Talbert has accepted in absolute terms the logic of the sexual union. For him all junctions, whether of our own soft biologies or the hard geometries of these walls and ceilings, are equivalent to one another. What Talbert is searching for is the primary act of intercourse, the first apposition of the dimensions of time and space. In the multiplied body of the film actress - one of the few valid landscapes of our age - he finds what seems to be a neutral ground. For the most part the phenomenology of the world is a nightmarish excrescence. Our bodies, for example, are for him monstrous extensions of puffy tissue he can barely tolerate. The inventory of the young woman is in reality a death kit.’ Webster watched the images of the young woman on the screen, sections of her body intercut with pieces of modern architecture. All these buildings. What did Talbert want to do - sodomize the Festival Hall?
Pressure Points. Koester ran towards the road as the helicopter roared overhead, its fans churning up a storm of pine needles and cigarette cartons. He shouted at Catherine Austin, who was squatting on the nylon blanket, steering her body stocking around her waist. Two hundred yards beyond the pines was the perimeter fence. She followed Koester along the verge, the pressure of his hands and loins still marking her body. These zones formed an inventory as sterile as the items in Talbert’s kit. With a smile she watched Koester trip clumsily over a discarded tyre. This unattractive and obsessed young man - why had she made love to him? Perhaps, like Koester, she was merely a vector in Talbert’s dreams.
Central Casting. Dr Nathan edged unsteadily along the catwalk, waiting until Webster had reached the next section. He looked down at the huge geometric structure that occupied the central lot of the studio, now serving as the labyrinth in an elegant film version of The Minotaur . In a sequel to Faustus and The Shrew , the film actress and her husband would play Ariadne and Theseus. In a remarkable way the structure resembled her body, an exact formalization of each curve and cleavage. Indeed, the technicians
had already christened it ‘Elizabeth’. He steadied himself on the wooden rail as the helicopter appeared above the pines and sped towards them. So the Daedalus in this neural drama had at last arrived.
An Unpleasant Orifice. Shielding his eyes, Webster pushed through the camera crew. He stared up at the young woman standing on the roof of the maze, helplessly trying to hide her naked body behind her slim hands. Eyeing her pleasantly, Webster debated whether to climb on to the structure, but the chances of breaking a leg and falling into some unpleasant orifice seemed too great. He stood back as a bearded young man with a tight mouth and eyes ran forwards. Meanwhile Talbert strolled in the centre of the maze, oblivious of the crowd below, calmly waiting to see if the young woman could break the code of this immense body. All too clearly there had been a serious piece of miscasting.
‘Alternate’ Death. The helicopter was burning briskly. As the fuel tank exploded, Dr Nathan stumbled across the cables. The aircraft had fallen on to the edge of the maze, crushing one of the cameras. A cascade of foam poured over the heads of the retreating technicians, boiling on the hot concrete around the helicopter. The body of the young woman lay beside the controls like a figure in a tableau sculpture, the foam forming a white fleece around her naked shoulders.
”
”
J.G. Ballard (The Atrocity Exhibition)
“
It would’ve been really easy to blow off the question. I could’ve said that the neurodiverse crowd simply hadn’t shown up. Or I could’ve cited my own limited knowledge of such disabilities as the reason for a lack of diversity, and that likely would’ve ended the conversation. It also would have ended my blog’s premise of being a resource devoted to offering a platform for the underrepresented. Instead, I took a different tack. I posted the reader’s question publicly and asked for help. Soon after I did this, I received messages from other readers who had more experience with, and knowledge of, disabilities than I had. Through this influx of new information, I was able to reach out to a polyamorous blogger with Asperger’s syndrome. I got some letter-writing assistance from a partner who has some familiarity with Asperger’s, and I communicated the needs of the blog, and let this blogger do their thing. What I received from this blogger, was one of the most personal and informative entries in the blog’s history. Not only was the profile amazing, the author immediately followed up its publishing with a second entry that drove even deeper into the intersection of autism and polyamory. Had the self-identities questions been available then, the follow-up might not have been needed. Instead, that follow-up became the signpost that such a question was necessary. It would be added to the submission form the very next week. So, what happened in this situation, is that I gave up control of my platform, and opened it up to ideas outside of my own. As far as representation goes, the goals of my blog are clear, but I understand that I don’t have the tools to manage them. Not completely and not by myself. Had I kept my hands on the steering wheel, this bit of magic would never have occurred. Furthermore, I’d have lost the idea that my platform was welcoming to neurodiverse people or people with disabilities. I didn’t want to be the kind of privileged person who tells oppressed people what their version of diversity should look like. It’s the reason why I readily accept nominations for blog contributors. Everyone can have a hand in the creative process, in as much as it pertains to them. So, instead of trying to control the narrative, the pen was passed to those with lived experience to express themselves in the way that felt most authentic to them. In response, Poly Role Models became a more honest and welcoming resource, especially with the newly inspired question.
”
”
Kevin A. Patterson (Love's Not Color Blind: Race and Representation in Polyamorous and Other Alternative Communities)
“
The poet or painter steers his life to maim
Himself somehow for the job. His job is Love
Imagined into words or paint to make
an object that will stand and will not move.
-The Thermal Stair
”
”
W.S. Graham (New Collected Poems)
“
I still enjoyed the quiet, upholstered warmth of the front seat of his min-van. I'd spent so many hours in his car, en route to soccer games, school functions, parties, and dates, comforted by the casual strength of his hands, the dry knuckles of his long fingers spread along the steering wheel. My dad knew every road, every vein and artery in the whole state, and he drove confidently, making intermittent conversation while the radio was on, and then turning it off to gently interview me.
”
”
Nina Renata Aron (Good Morning, Destroyer of Men's Souls: A Memoir of Women, Addiction, and Love)
“
But I couldn’t get behind the steering wheel of your life that night and force you to stay, and I’ve been mad at you for so long without it changing a damn thing.
”
”
Yulin Kuang (How to End a Love Story)
“
The father in Jesus’ story ran toward the son too. When the father found out the son wasn’t lost anymore, he celebrated in ways I couldn’t when I found my trashed truck. I think I know why. There was no shame. The father wasn’t thinking about how badly the son had messed up. The son wasn’t thinking about it either. They both knew the son had steered his life right off a cliff, but somehow they got past the shame of the failure and got to the celebration of being together once again. Do lots of that. Find your way back to the people you’ve loved and who have loved you. Figure out who you’ve broken your rhythm with. Don’t let the misunderstanding decide your future. If you lost your way with God, let Him close the distance between you and start the celebration again. We’re all in the same truck when it comes to our need for love and acceptance and forgiveness.
”
”
Bob Goff (Everybody, Always: Becoming Love in a World Full of Setbacks and Difficult People)
“
The way he tapped on the steering wheel; the way he hummed along to a song playing in the cassette deck. ‘Don’t Wanna Be a Player’ by Joe, as the tape sleeve said. Followed by ‘Natural Woman’ by Mary J. Blige and Shai’s ‘If I Ever Fall in Love’. ‘Wait, “Mo’s mix”?’ April parted her lips in mock astonishment. ‘I didn’t take Morag for an R&B type of gal.
”
”
Beatrice Bradshaw (Love on the Scottish Spring Isle (Escape to Scotland, #2))
“
Who came up with the idea of calling it ‘rush hour’? Veronica thought, frustrated. Where’s the rush when nobody is moving? And if only it had been an hour! She pondered the obvious misnomer, tapping her fingers impatiently on the steering wheel. The only rush she felt was that of road rage. The proper name would be ‘rage hours.
”
”
Torres and Firsht
“
I love wrestling. But there’s no future in it. It’s just not a realistic dream. I want to find something that I love as much, but that’s a safer choice, you know what I mean?” “Well, you can’t do that anymore. But have you considered business studies?” she responded, deadpan. Spending four years doing something so utterly boring felt like a prison sentence. I left, barely able to see through my tears as I bawled my eyes out in my red Volkswagen Polo. I drove across a suspended bridge and imagined myself veering to the left and plummeting into the water far below. Just one flick of the steering wheel and it’ll be over. Hold on, ya bastard. It’ll get better. I was now white-knuckling the steering wheel. Any move I make from here is better than this. Fuck this, I thought. You don’t want to do business. You don’t want to do sports management. You want to perform. Do that. Find a way. Find a fucking way, Rebecca. I crossed the bridge.
”
”
Rebecca Quin (Becky Lynch: The Man: Not Your Average Average Girl)
“
I should have known that today would be the day this would happen, I thought to myself, as I turned the key in the ignition and heard nothing. Not the choke of the engine trying to turn on. Nothing. Just a click. “Goddammit,” I hissed as I banged my forearms on the steering wheel and hissed out, “Mother-fucking-son-of-a-bitch-ass-whore. FUCK ME!
”
”
Mariana Zapata (From Lukov with Love)
“
At the next stop light, I close my eyes and lean my forehead against the steering wheel, then pull back slightly and bang my head against it. Hard. And again. And again. And again. Until blood trickles down my face.
I did not just think that. I did not feel any of that. I did not pull her closer. I did not silently beg her to never take her hands off me. I did not want to touch her face and promise her the world. I did not love seeing her in nothing but my shirt in the middle of my kitchen.
”
”
Carian Cole (Torn (All Torn Up, #1))
“
The second strategy is also simple. I carry a small sheet of paper in my wallet that has written on it the names of people whose opinions of me matter. To be on that list, you have to love me for my strengths and struggles. You have to know that I’m trying to be Wholehearted, but I still cuss too much, flip people off under the steering wheel, and have both Lawrence Welk and Metallica on my iPod. You have to know and respect that I’m totally uncool. There’s a great quote from the movie Almost Famous that says, “The only true currency in this bankrupt world is what you share with someone else when you’re uncool.
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Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
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Love never leaves us because it flows through us, our lives, as direct descendants of Go, the divine source of all love in humanity, forever and ever available to us to draw from and to steer and direct our actions, manifesting love through the things we do. People, on the other hand, leave our lives all the time. Even when I think about getting married one day, I remind myself that in a perfect marriage-loving and healthy and full of wonderful and memorable experiences-sooner or later, your spouse will leave you as well. Until death do us part, so it goes.
But even in divorce or breakups, just because two people part ways and decide it's best top move on separately, it doesn't mean that one or both people are bad, or not good enough. The reasons why a relationship ends are independent of your value as a person, which existed long before the relationship began, and still exists even when the other person exits.
Love never leaves us, but people do-and that's okay. Love is inseparable from people-it's literally a part of human nature to love, to be loved, and to desire such a thing.
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Common (Let Love Have The Last Word)