β
What are all these?" Clary asked.
"Vials of holy water, blessed knives, steel and silver blades," Jace said, piling the weapons on the floor beside him, "electrum wire - not much use at the moment but it's always good to have spares - silver bullets, charms of protetion, crucifixes, stars of David-"
"Jesus," said Clary
"I doubt he'd fit."
"Jace." Clary was appalled.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
You can go through life and make new friends every year - every month practically - but there was never any substitute for those friendships of childhood that survive into adult years. Those are the ones in which we are bound to one another with hoops of steel.
β
β
Alexander McCall Smith (The No. 1 Ladies' Detective Agency (No. 1 Ladies' Detective Agency, #1))
β
We aim to please Miss Steele
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
My mother... she is beautiful, softened at the edges and tempered with a spine of steel. I want to grow old and be like her.
β
β
Jodi Picoult
β
My skin has turned to porcelain, to ivory, to steel.
β
β
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
β
Beauty was your armor. Fragile stuff, all show. But what's inside you? That's steel. It's brave and unbreakable. And it doesn't need fixing.
β
β
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
β
Maybe some people just aren't meant to be in our lives forever. Maybe some people are just passing through. It's like some people just come through our lives to bring us something: a gift, a blessing, a lesson we need to learn. And that's why they're here. You'll have that gift forever.
β
β
Danielle Steel (The Gift)
β
Life, a good life, a great life is about "Why not?" May we never forget it.
β
β
Danielle Steel (Happy Birthday)
β
I steeled myself for the next response. I knew it was going to be one of the Zen life lessons. [...]
Instead he kissed me.
β
β
Richelle Mead (Frostbite (Vampire Academy, #2))
β
I'd like to bite that lip.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Metallic trees. That's new. If you see any steel dryads, be sure to tell me so I can run away screaming.
β
β
Julie Kagawa (The Iron King (The Iron Fey, #1))
β
From his inside jacket pocket he produces a ring and gazes up at me, his eyes bright gray and raw, full of emotion. "Anastasia Steele, I love you. I want to love, cherish and protect you for the rest of my life. Be mine. Always. Share my life with me. Marry me".
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
He's still looking in my eyes. Staring me down like he did that dragon, chin tilted and locked. "I'm not the Chosen One," he says.
I meet his gaze and sneer. My arm is a steel band around his waist. "I choose you," I say. "Simon Snow, I choose you.
β
β
Rainbow Rowell (Carry On (Simon Snow, #1))
β
Miss Steele, I do believe youβre making my palm twitch.
β
β
E.L. James
β
The strongest steel is forged by the fires of hell. (Savitar)
β
β
Sherrilyn Kenyon
β
This thing all things devours:
Birds, beasts, trees, flowers;
Gnaws iron, bites steel;
Grinds hard stones to meal;
Slays king, ruins town,
And beats high mountain down.
β
β
J.R.R. Tolkien (The Hobbit (The Lord of the Rings, #0))
β
Things work out the way they're meant to
β
β
Danielle Steel (No Greater Love)
β
I steeled myself to focus only on the present yet remain alert to what might come next.
β
β
Nicholas Sparks (Dear John)
β
Anastasia Steele. I love you. I want to love, cherish, and protect you for the rest of my life. Be mine. Always, Share my life with me. Marry me.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
Funny how a single word can change everything in your life."
"It is not funny at all. Steel is power. Money is power. But of all the things in all the worlds, words are power.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
Of course. Silly me. Such a sad, exciting score, which no doubt you can play? So many accomplishments, Mr. Grey.β
βAnd the greatest one is you, Miss Steele.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
I write these words in steel, for anything not set in metal cannot be trusted.
β
β
Brandon Sanderson (The Well of Ascension (Mistborn, #2))
β
Take me from this earth
an endless night-
this, the end of life.
From the dark I feel your lips
and taste your bloody kiss.
β
β
Peter Steele
β
I really don't think I need buns of steel. I'd be happy with buns of cinnamon.
β
β
Ellen DeGeneres
β
I've always loved strong women, which is lucky for me because once you're over about twenty-five there is no other kind. Women blow my mind. The stuff that routinely gets done to them would make most men curl up and die, but women turn to steel and keep on coming. Any man who claims he's not into strong women is fooling himself mindless; he's into strong women who know how to pout prettily and put on baby voices, and who will end up keeping his balls in her makeup bags.
β
β
Tana French (Faithful Place (Dublin Murder Squad, #3))
β
Want and need were words that got eaten smaller and smaller: Freedom, autonomy, a perennial bank balance, a stainless-steel condo in a dustless city, a silky black car, to make out with Blue, eight hours of sleep, a cell phone, a bed, to kiss Blue just once, a blister-less heel, bacon for breakfast, to hold Blue's hand, one hour of sleep, toilet paper, deodorant, a soda, a minute to close his eyes.
What do you want, Adam?
To feel awake when my eyes are open.
β
β
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
β
Look!" said Foaly, pointing with some urgency into the vast steel-gray gloom, "Someone who cares!
β
β
Eoin Colfer (The Atlantis Complex (Artemis Fowl, #7))
β
Sometimes life gets in your
way.
it gets all up in your damn
way.
But it doesn't get all up in your damn way
because it wants you to just
give up
and let it
take control.
Life doesn't get all up in your damn way because it just wants you to
hand
it all
over
and be
carried along.
Life wants you to
fight
it
Learn how to make it your
own.
it wants you to grab and
axe
and
hack
through the
wood.
It wants you to get a
sledgehammer
and
break
through
concrete.
It wants you to grab a
torch
and
burn
through the metal and
steel
until you can reach through and
grab
it.
Life wants you to
grab
all the
organized,
the
alphabetized,
the
chronological,
the
sequenced.
It wants you to mix it all
together,
stir
it up,
blend
it.
β
β
Colleen Hoover (Slammed (Slammed, #1))
β
Iron or glass? they'd ask.
She was neither.
She was steel.
β
β
Jay Kristoff (Nevernight (The Nevernight Chronicle, #1))
β
Words could be just as deadly as steel.
β
β
Sarah J. Maas (The Assassin and the Desert (Throne of Glass, #0.3))
β
V shook his head. βRemember what you saw in that clearing, cop? Howβd you like that anywhere near a female you loved?β
Butch put down the Bud without drinking from it. His eyes traveled over Rhageβs body.
βWeβre going to need a shitload of steel,β the human muttered.
β
β
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
β
Her spine was steel. Her heart was armor. Her eyes were fire.
β
β
Kiersten White (And I Darken (The Conqueror's Saga, #1))
β
I hate fighting with you,β he whispers.
βWell, stop being such an arse.β
He chuckles and the captivating sound reverberates through his chest. He tightens his hold on me. βArse?β
βAss.β
βI prefer arse.β
βYou should. It suits you.
β
β
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
β
There's a joy in my helplessness, joy in my surrender to him, and to know that he can lose himself in me the way he wants to. I can do this. He takes me to these dark places, places I didn't know existed, and together we fill them with blinding light. Oh yes...blazing, blinding light." -Anastasia Steele
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
My name's Jet Steele.
β
β
Richelle Mead (Bloodlines (Bloodlines, #1))
β
And second, keep in mind that you are a weapon. In theory, when you're done with training, you should be able to kick a hole in a wall or knock out a moose with a single punch."
"I would never hit a moose," said Clary. "They're endangered.
β
β
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
β
When she came to her senses again she cut off all contact with him. It had not been easy, but she had steeled herself. The last time she saw him she was standing on a platform in the tunnelbana at Gamla Stan and he was sitting in the train on his way downtown. She had stared at him for a whole minute and decided that she did not have a grain of feeling left, because it would have been the same as bleeding to death. Fuck you.
β
β
Stieg Larsson (The Girl Who Played with Fire (Millennium, #2))
β
From: Christian Grey
Subject: One more request
Date: June 10, 2011 00:15
To: Anastasia Steele
Dream of Me.
x
Christian Grey
CEO, Grey Enterprise Holdings. Inc.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
I am Cortana, of the same steel and temper as Joyeuse and Durendal.
The wound is the place where the Light enters you.
β
β
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
β
P.S. I also note that you included the Stalker's Anthem "Every Breath You Take" I do enjoy our sense of humor, but does Dr. Flynn know?
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
Robert was the true steel. Stannis is pure iron, black and hard and strong, yes, but brittle, the way iron gets. He'll break before he bends. And Renly, that one, he's copper, bright and shiny, pretty to look at but not worth all that much at the end of the day.
β
β
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
β
I had a romance novel inside me, but I paid three sailors to beat it out of me with steel pipes.
β
β
Patton Oswalt
β
When she comes
She pulls you close
She breathes in short bursts
Her eyes close
Her head tilts back
Her mouth opens slightly
Her thighs turn to steel, and then melt
She is perfect
And you feel like you are everything.
β
β
Henry Rollins (The Portable Henry Rollins)
β
And with tears of blood he cleansed the hand,
The hand that held the steel:
For only blood can wipe out blood,
And only tears can heal
β
β
Oscar Wilde
β
His hand was on my throat, and he was crushing me back with his body into the cold steel beam behind me. "Yes, I have loved, Ms. Lane, and although itβs none of your business, I have lost. Many things. And no, I am not like any other player in this game and I will never be like Vβlane, and I get a hard-on a great deal more often than occasionally." He leaned fully against me and I gasped.
"Sometimes itβs over a spoiled little girl, not a woman at all. And yes, I trashed the bookstore when I couldnβt find you. Youβll have to choose a new bedroom, too. And Iβm sorry your pretty little world got all screwed up, but everybodyβs does, and you go on. Itβs how you go on that defines you." His hand relaxed on my throat. "And I am going to tattoo you, Ms. Lane, however and wherever I please.
β
β
Karen Marie Moning (Bloodfever (Fever, #2))
β
Let the warriors clamor after gods of blood and thunder; love is hard, harder than steel and thrice as cruel.
β
β
Jacqueline Carey (Kushiel's Chosen (Phèdre's Trilogy, #2))
β
More evil gets done in the name of righteousness than any other way.
β
β
Glen Cook (Dreams of Steel (The Chronicles of the Black Company, #5))
β
If you beat metal long enough, it turns to steel.
β
β
Penelope Douglas (Bully (Fall Away, #1))
β
I like a little fight in my girls."
She grinned at him,causing blood to dribble down her chin.
"Then you're going to love me.
β
β
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
β
No one is more dangerously insane than one who is sane all the time: he is like a steel bridge without flexibility, and the order of his life is rigid and brittle.
β
β
Alan W. Watts
β
Why aren't you in school? I see you every day wandering around."
"Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?
β
β
Ray Bradbury (Fahrenheit 451)
β
History followed different courses for different peoples because of differences among peoples' environments, not because of biological differences among peoples themselves
β
β
Jared Diamond (Guns, Germs and Steel: The Fates of Human Societies)
β
Much of human history has consisted of unequal conflicts between the haves and the have-nots.
β
β
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies)
β
He knew what Zoya would say: You are owed nothing. Steel is earned. Remember who you are.
β
β
Leigh Bardugo (King of Scars (King of Scars, #1))
β
Who the hell would attack the Steel Horse anyway? What was the thinking behind that? βHere is a bar full of psychotic killers who grow giant claws and people who pilot the undead for a living. I think Iβll go wreck the place.
β
β
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
β
i don't know when love became elusive
what i know, is that no one i know has it
my fathers arms around my mothers neck
fruit too ripe to eat, a door half way open
when your name is a just a hand i can never hold
everything i have ever believed in, becomes magic.
i think of lovers as trees, growing to and
from one another searching for the same light,
my mothers laughter in a dark room,
a photograph greying under my touch,
this is all i know how to do, carry loss around until
i begin to resemble every bad memory,
every terrible fear,
every nightmare anyone has ever had.
i ask did you ever love me?
you say of course, of course so quickly
that you sound like someone else
i ask are you made of steel? are you made of iron?
you cry on the phone, my stomach hurts
i let you leave, i need someone who knows how to stay.
β
β
Warsan Shire
β
She moved like a storm someone had given steel to.
β
β
Alwyn Hamilton (Rebel of the Sands (Rebel of the Sands, #1))
β
I
have a face like a washrag. I sing
love songs and carry steel.
I would rather die than cry. I can't
stand hounds can't live without them.
I hang my head against the white
refrigerator and want to scream like
the last weeping of life forever but
I am bigger than the mountains.
β
β
Charles Bukowski (Love Is a Dog from Hell)
β
There are three things extremely hard: steel, a diamond, and to know one's self.
β
β
Benjamin Franklin
β
True knights protect the weak.β
He snorted. βThere are no true knights, no more than there are gods. If you canβt protect yourself, die and get out of the way of those who can. Sharp steel and strong arms rule this world, donβt ever believe any different.β
Sansa backed away from him. βYouβre awful.β
βIβm honest. Itβs the world thatβs awful.
β
β
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
β
I like The Eiffel Tower because it looks like steel and lace.
β
β
Natalie Lloyd
β
But the moment our eyes meet, I'm right back under his spell, a helpless hunk of steel to his irresistible magnet.
β
β
Alyson Noel (Evermore (The Immortals, #1))
β
Anger is great. It's powerful, when you need something to hold you up. Something to steel your spine. But in the dark, when you're alone with the truth, anger can't survive. The only thing that can live in the dark with you is fear.
β
β
Rachel Vincent (My Soul to Steal (Soul Screamers, #4))
β
And not a single mark on the Lamborghini. Ha! Eat steel, you soul-sucking bastards! (Kyrian)
β
β
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
β
Strength through adversity. The strongest steel is forged by the fires of hell. It is pounded and struck repeatedly before itβs plunged back into the molten fire. The fire gives it power and flexibility, and the blows give it strength. Those two things make the metal pliable and able to withstand every battle itβs called upon to fight. (Savitar)
β
β
Sherrilyn Kenyon (Devil May Cry (Dark-Hunter, #11))
β
Love is a violent recreational sport. Proceed at your own risk. Helmets, armor, and steel-toe boots are required by law.
β
β
H.C. Paye
β
Jared gripped me tighter. "If you beat metal long enough, it turns to steel.
β
β
Penelope Douglas (Bully (Fall Away, #1))
β
You sound like a control freak." The words are out of my mouth before I can stop them.
"Oh, I exercise control in all things, Miss Steele," he says without a trace of humor in his smile.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
No it is not easy to write. It is as hard as breaking rocks. Sparks and splinters fly like shattered steel.
β
β
Clarice Lispector (The Hour of the Star)
β
I know you've always dreamed of going to Europe," he says softly. "I want to make your dreams come true, Anastasia."
"You are my dreams come true, Christian."
"Back at you, Mrs. Grey," he whispers.
β
β
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
β
In an age of rust, she comes up stainless steel
β
β
M.R. Carey (The Girl with All the Gifts (The Girl with All the Gifts, #1))
β
You've brushed your teeth," He says, staring at me.
"I used your toothbrush."
His lips quirk up in a half smile. "Oh Anastasia Steele, what am I going to do with you?
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
You fight your superficiality, your shallowness, so as to try to come at people without unreal expectations, without an overload of bias or hope or arrogance, as untanklike as you can be, sans cannon and machine guns and steel plating half a foot thick; you come at them unmenacingly on your own ten toes instead of tearing up the turf with your caterpillar treads, take them on with an open mind, as equals, man to man, as we used to say, and yet you never fail to get them wrong. You might as well have the brain of a tank. You get them wrong before you meet them, while you're anticipating meeting them; you get them wrong while you're with them; and then you go home to tell somebody else about the meeting and you get them all wrong again. Since the same generally goes for them with you, the whole thing is really a dazzling illusion. ... The fact remains that getting people right is not what living is all about anyway. It's getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again. That's how we know we're alive: we're wrong. Maybe the best thing would be to forget being right or wrong about people and just go along for the ride. But if you can do that -- well, lucky you.
β
β
Philip Roth (American Pastoral)
β
From: Anastasia Steele
Subject: Moaning
Date: May 31 2011 19:39 EST
To: Christian Grey
Gotta go.
Laters, baby.
.....
From: Christian Grey
Subject: Plagiarism
Date: May 31 2011 16:41
To: Anastasia Steele
You stole my line.
And left me hanging.
Enjoy your dinner.
Christian Grey
CEO, Grey Enterprises Holdings Inc.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
A perverse nature can be stimulated by anything. Any book can be used as a pornographic instrument, even a great work of literature if the mind that so uses it is off-balance. I once found a small boy masturbating in the presence of the Victorian steel-engraving in a family Bible.
β
β
Anthony Burgess (A Clockwork Orange)
β
Books are meat and medicine
and flame and flight and flower
steel, stitch, cloud and clout,
and drumbeats on the air.
β
β
Gwendolyn Brooks
β
Persistence is to the character of man as carbon is to steel.
β
β
Napoleon Hill
β
She will rise. With a spine of steel and a roar like thunder, she will rise.
β
β
Nicole Lyons
β
Begone, foul dwimmerlaik, lord of carrion! Leave the dead in peace!"
A cold voice answered: 'Come not between the NazgΓ»l and his prey! Or he will not slay thee in thy turn. He will bear thee away to the houses of lamentation, beyond all darkness, where thy flesh shall be devoured, and thy shrivelled mind be left naked to the Lidless Eye."
A sword rang as it was drawn. "Do what you will; but I will hinder it, if I may."
"Hinder me? Thou fool. No living man may hinder me!"
Then Merry heard of all sounds in that hour the strangest. It seemed that Dernhelm laughed, and the clear voice was like the ring of steel. "But no living man am I!
β
β
J.R.R. Tolkien (The Lord of the Rings)
β
Oh," the girl said, shaking her head. "Don't be so simple. People adore monsters. They fill their songs and stories with them. They define themselves in relation to them. You know what a monster is, young shade? Power. Power and choice. Monsters make choices. Monsters shape the world. Monsters force us to become stronger, smarter, better. They sift the weak from the strong and provide a forge for the steeling of souls. Even as we curse monsters, we admire them. Seek to become them, in some ways." Her eyes became distant. "There are far, far worse things to be than a monster.
β
β
Jim Butcher (Ghost Story (The Dresden Files, #13))
β
What do nations care about the cost of war, if by spending a few hundred millions in steel and gunpowder they can gain a thousand millions in diamonds and cocoa?
β
β
W.E.B. Du Bois
β
I'm steel-toed boots in a ballet-slipper world.
β
β
Richard Kadrey (Sandman Slim (Sandman Slim, #1))
β
So you've just slept with him, given him your virginity, a man who doesn't love you. In fact, he has odd ideas about you, wants to make you some sort of kinky sex slave.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
And I wonder, in my last moments, if the planet does not mind that we wound her surface or pillage her bounty, because she knows we silly warm things are not even a breath in her cosmic life. We have grown and spread, and will rage and die. And when all that remains of us is our steel monuments and plastic idols, her winds will whisper, her sands will shift, and she will spin on and on, forgetting about the bold, hairless apes who thought they deserved immortality.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
She has a steel exterior, but it protects a candyfloss heart.
β
β
Kristin Hannah (The Nightingale)
β
Sometimes, if you aren't sure about something, you just have to jump off the bridge and grow your wings on the way down.
β
β
Danielle Steel
β
Thea isn't a girl. She's a whirlwind wrapped in a hurricane wrapped in steel.
β
β
Jennifer Lynn Barnes (The Inheritance Games (The Inheritance Games, #1))
β
If you went twenty-four hours without cigarettes, I'd drink a can of pop. Regular pop. The whole can."
Isaw the glimmer of Adrian's earlier smile returning. "You would not."
"I totally would."
"Half a can would put you into a coma."
Sonya frowned. "Are you diabetic?" she asked me.
"No," said Adrian, "but Sage is convinced one extraneous calorie will make her go from super skinny to just regular skinny. Tragedy."
"Hey," I said. "You think itβd be a tragedy to go an hour without a cigarette."
"Donβt question my steel resolve, Sage. I went without one for two hours today."
"Show me twenty-four, and then Iβll be impressed."
He gave me a look of mock surprise. "You mean you arenβt already? And here I thought you were dazzled from the moment you met me.
β
β
Richelle Mead (The Golden Lily (Bloodlines, #2))
β
He raised his bony fingers as if to touch me and I steeled myself not to flinch as his hand, still smoldering, neared my face.
He rattled and spoke his last words. "Worth...the...fall.
β
β
Gwen Hayes (Falling Under (Falling Under, #1))
β
Music is crucial. Beyond no way can I overstress this fact. Let's say you're southbound on the interstate, cruising alone in the middle lane, listening to AM radio. Up alongside comes a tractor trailer of logs or concrete pipe, a tie-down strap breaks, and the load dumps on top of your little sheetmetal ride. Crushed under a world of concrete, you're sandwiched like so much meat salad between layers of steel and glass. In that last, fast flutter of your eyelids, you looking down that long tunnel toward the bright God Light and your dead grandma walking up to hug you--do you want to be hearing another radio commercial for a mega, clearance, closeout, blow-out liquidation car-stereo sale?
β
β
Chuck Palahniuk (Rant: An Oral Biography of Buster Casey)
β
There are times in your life when, despite the steel weight of your memories and the sadness that seems to lie at your feet like a shadow, you suddenly and strangely feel perfectly okay.
β
β
Kevin Brockmeier (The View from the Seventh Layer)
β
Fedin laughed outright, a grim, calculating gesture as hard and unfeeling as cold steel. βTwenty million Russians have been slaughtered by the Fascists in the last six years..... Always remember this, Squadron Leader. It was our war, our victory and now it is our Berlin. We tolerate your presence in this cityβ¦ if that.
β
β
KGE Konkel (Who Has Buried the Dead?: From Stalin to Putin β¦ The last great secret of World War Two)
β
Every human being on the face of the earth has a steel plate in his head, but if you lie down now and then and get still as you can, it will slide open like elevator doors, letting in all the secret thoughts that have been standing around so patiently, pushing the button for a ride to the top. The real troubles in life happen when those hidden doors stay closed for too long.
β
β
Sue Monk Kidd (The Secret Life of Bees)
β
It was a movie about American bombers in World War II and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation.
The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers , and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans though and some of the bombers were in bad repair. Over France though, German fighters came up again, made everything and everybody as good as new.
When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again.
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Kurt Vonnegut Jr. (Slaughterhouse-Five)
β
Don't mistake me, Treasure. I can offer you many things, but friendship ain't one of them. Now, for once in your life, be a sensible girl and run away.
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Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
β
Wish You Were Here
So, so you think you can tell
Heaven from Hell,
Blue skys from pain.
Can you tell a green field
From a cold steel rail?
A smile from a veil?
Do you think you can tell?
And did they get you to trade
Your heros for ghosts?
Hot ashes for trees?
Hot air for a cool breeze?
Cold comfort for change?
And did you exchange
A walk on part in the war
For a lead role in a cage?
How I wish, how I wish you were here.
We're just two lost souls
Swimming in a fish bowl,
Year after year,
Running over the same old ground.
What have we found?
The same old fears.
Wish you were here.
β
β
Roger Waters
β
It is the hottest fire that forms the sternest steel.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
It hurts so much, she thought. Our children, Ned, all our sweet babes. Rickon, Bran, Arya, Sansa, Robbβ¦ Robbβ¦ please, Ned, please, make it stop, make it stop hurtingβ¦ The white tears and the red ones ran together until her face was torn and tattered, the face that Ned had loved. Catelyn Stark raised her hands and watched the blood run down her long fingers, over her wrists, beneath the sleeves of her gown. Slow red worms crawled along her arms and under her clothes. It tickles. That made her laugh until she screamed. βMad,β someone said, βsheβs lost her wits,β and someone else said, βMake an end,β and a hand grabbed her scalp just as sheβd done with Jinglebell, and she thought, No, donβt, donβt cut my hair, Ned loves my hair. Then the steel was at her throat, and its bite was red and cold.β Catelyn Stark
β
β
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
β
you see the magic in a fairy tale, you can face the future
β
β
Danielle Steel
β
Running isn't a sport for pretty boys...It's about the sweat in your hair and the blisters on your feet. Its the frozen spit on your chin and the nausea in your gut. It's about throbbing calves and cramps at midnight that are strong enough to wake the dead. It's about getting out the door and running when the rest of the world is only dreaming about having the passion that you need to live each and every day with. It's about being on a lonely road and running like a champion even when there's not a single soul in sight to cheer you on. Running is all about having the desire to train and persevere until every fiber in your legs, mind, and heart is turned to steel. And when you've finally forged hard enough, you will have become the best runner you can be. And that's all that you can ask for.
β
β
Paul Maurer (The Gift - A Runner's Story)
β
You saw a ghost, didn't you?" he said.
To my relief, I managed to laugh. "Hate to break it to you, but
there's no such thing as ghosts."
Huh."
His gaze traveled around the laundry room, like a cop searching
for an escaped convict. When he turned that
piercing look on me, its intensity sucked the backbone out of me.
What do you see, Chloe?"
I -I-I don't s-s-s-"
Slow down." He snapped the words, impatient. "What do they
look like? Do they talk to you?"
You really want to know?"
Yeah."
I chewed my lip, then lifted onto my tiptoes. He bent to listen.
They wear white sheets with big eye holes. And they say 'Boo!'" I
glowered up at him. "Now get out of my
way."
I expected him tosneer. Cross his arms and say, Make me, little girl.His lips twitched and I steeled myself, then I realized he was smiling.Laughing at me.
He stepped aside. I swept past him to the stairs.
β
β
Kelley Armstrong (The Summoning (Darkest Powers, #1))
β
For in other ways a woman is full of fear, defenseless, dreads the sight of cold steel; but, when once she is wronged in the matter of love, no other soul can hold so many thoughts of blood.
β
β
Euripides (Medea)
β
Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger's touch. But when you live with them and love them, you feel the softness going inward, the round-cheeked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body.
But from the very start, there is that small streak of steel within each child. That thing that says "I am," and forms the core of personality.
In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And "I am" grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh.
The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves.
In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until "I am" is set, delicate and detailed as an insect in amber.
β
β
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
β
The past does not only draw us back to the past. There are certain memories of the past that have strong steel springs and, when we who live in the present touch them, they are suddenly stretched taut and then they propel us into the future.
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β
Yukio Mishima (The Temple of the Golden Pavilion)
β
He uncovered the boat, his hands working the knots like he'd been doing it his whole life. Under the tarp was an old steel rowboat with no oars. The boat had been painted dark blue at one point, but the hull was so crusted with tar and salt it looked like one massive nautical bruise.
On the bow, the name Pax was still readable, lettered in gold. Painted eyes drooped sadly at the water level, as if the boat were about to fall asleep. On board were two benches, some steel wool, an old cooler, and a mound of frayed rope with one end tied to the mooring. At the bottom of the boat, a plastic bag and two empty Coke cans floated in several inches of scummy water.
"Behold," Frank said. "The mighty Roman navy.
β
β
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
β
Sing Me no songs tell me no tales cry me no tears, but remember me kindly.
β
β
Danielle Steel
β
He sighs. "I want to give you the world, Anastasia."
"I just want you, Christian. Not all the add-ons."
"They're part of the deal. Part of what I am.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
Oh, I think not,β Varys said, swirling the wine in his cup. βPower is a curious thing, my lord. Perchance you have considered the riddle I posed you that day in the inn?β
βIt has crossed my mind a time or two,β Tyrion admitted. βThe king, the priest, the rich manβwho lives and who dies? Who will the swordsman obey? Itβs a riddle without an answer, or rather, too many answers. All depends on the man with the sword.β
βAnd yet he is no one,β Varys said. βHe has neither crown nor gold nor favor of the gods, only a piece of pointed steel.β
βThat piece of steel is the power of life and death.β
βJust soβ¦ yet if it is the swordsmen who rule us in truth, why do we pretend our kings hold the power? Why should a strong man with a sword ever obey a child king like Joffrey, or a wine-sodden oaf like his father?β
βBecause these child kings and drunken oafs can call other strong men, with other swords.β
βThen these other swordsmen have the true power. Or do they?β Varys smiled. βSome say knowledge is power. Some tell us that all power comes from the gods. Others say it derives from law. Yet that day on the steps of Baelorβs Sept, our godly High Septon and the lawful Queen Regent and your ever-so-knowledgeable servant were as powerless as any cobbler or cooper in the crowd. Who truly killed Eddard Stark, do you think? Joffrey, who gave the command? Ser Ilyn Payne, who swung the sword? Orβ¦ another?β
Tyrion cocked his head sideways. βDid you mean to answer your damned riddle, or only to make my head ache worse?β
Varys smiled. βHere, then. Power resides where men believe it resides. No more and no less.β
βSo power is a mummerβs trick?β
βA shadow on the wall,β Varys murmured, βyet shadows can kill. And ofttimes a very small man can cast a very large shadow.β
Tyrion smiled. βLord Varys, I am growing strangely fond of you. I may kill you yet, but I think Iβd feel sad about it.β
βI will take that as high praise.
β
β
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
β
He drew the dagger and laid it on the table between them; a length of dragonbone and Valyrian steel, as sharp as the difference between right and wrong, between true and false, between life and death.
β
β
George R.R. Martin (A Game of Thrones)
β
It's because I'm pregnant, Christian."
He snorts, and his mouth twists into an ironic smile. "If I knew getting you knocked up was going to make you eat, I might have done it earlier.
β
β
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
β
We're forever teetering on the brink of the unknowable, and trying to understand what can't be understood.
β
β
Isaac Asimov (The Caves of Steel (Robot, #1))
β
grow up and smell the fucking coffee!
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β
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
β
Her life was beginning to make sense again, although she couldnβt say she was enjoying it. But her mind was clear, and her heart was not constantly as heavy. Only when she thought about him. But she knew that in time, sheβd survive it. She had done it before and would again. Eventually the heart repairs.
β
β
Danielle Steel
β
Here, from her ashes you lay. A broken girl so lost in despondency that you know that even if she does find her way out of this labyrinth in hell, that she will never see, feel, taste, or touch life the same again.
β
β
Amanda Steele (The Cliff)
β
Do you trust me Ana?"
Ana! "Yes,I do."I respond spontaneously, not thinking...because it's true-I do trust him.
"Well,then"he looks relieved. "The rest of this stuff is just details"
"important details
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
You'd be surprised how fast things happen when the right man comes along.
β
β
Danielle Steel (The Wedding)
β
Thereβs an organic grocery store just off the highway exit. I canβt remember the last time I went shopping for food.β A smile glittered in his eyes. βI might have gone overboard.β
I walked into the kitchen, with gleaming stainless-steel appliances, black granite countertops, and walnut cabinetry. Very masculine, very sleek. I went for the fridge first. Water bottles, spinach and arugula, mushrooms, gingerroot, Gorgonzola and feta cheeses, natural peanut butter, and milk on one side. Hot dogs, cold cuts, Coke, chocolate pudding cups, and canned whipped cream on the other. I tried to picture Patch pushing a shopping cart down the aisle, tossing in food as it pleased him. It was all I could do to keep a straight face.
β
β
Becca Fitzpatrick (Silence (Hush, Hush, #3))
β
Do you want me to kiss you. Anastasia?" he whispers softly in my ear.
"Yes," I breathe.
"Where?"
"Everywhere.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
16 Things Romance Readers Are Tired Of Hearin
1. All Romance books are exactly the same.
2. The endings are so predictable.
3. You know romance doesn't happen like that in real life.
4. You're setting unrealistic expectations for yourself about love.
5. Real men don't have abs like that.
6.So you think you're going to go on a lot of dates?
7. So you think you're going to fall in love with an ex-boyfriend?
8. ...or a billionaire?
9. ...or a duke?
10. So you'll stop reading romances when you have a boyfriend, right?
11. It's basically mommy porn, right?
12. I could write a romance book.
13. Do you only read female authors?
14. I saw the Notebook once.
15. Is Danielle Steel your favorite author?
16. Do you read REAL books?
β
β
Bookbub Bulletin
β
Sometimes we have to face the things that hurt us most. Maybe you wonβt heal till you do. You havenβt yet.β They both knew that was true. βYou canβt move ahead until you bury the past.
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Danielle Steel
β
I've got a black-belt in crazy, and I know where you live.
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Marjorie M. Liu (Tiger Eye (Dirk & Steele, #1))
β
Not everyone is meant to stay forever.
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Danielle Steel (The Gift)
β
Lust is temporary, romance can be nice, but love is the most important thing of all. Because without Love, lust and romance will always be short-lived.
β
β
Danielle Steel
β
Would you like something to eat?" I ask.
He nods slowly. "Yes. You." he murmurs.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
You sit at the edge of the world,
I am in a crater that's no more.
Words without letters
Standing in the shadow of the door.
The moon shines down on a sleeping lizard,
Little fish rain from the sky.
Outside the window there are soldiers,
steeling themselves to die.
(Refrain)
Kafka sits in a chair by the shore,
Thinking for the pendulum that moves the world, it seems.
When your heart is closed,
The shadow of the unmoving Sphinx,
Becomes a knife that pierces your dreams.
The drowning girl's fingers
Search for the entrance stone, and more.
Lifting the hem of her azure dress,
She gazes --
at Kafka on the shore
β
β
Haruki Murakami (Kafka on the Shore)
β
In the palace, during my imprisonment, I learned that Maven had been made by his mother, formed into the monster he became. There is nothing on earth that can change him or what she did. But Cal was made too. All of us were made by someone else, and all of us have some thread of steel that nothing and no one can cut.
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β
Victoria Aveyard (King's Cage (Red Queen, #3))
β
The ruby at Melisandre's throat gleamed red. "It is not those foes who curse you to your face that you must fear, but those who smile when you are looking and sharpen their knives when you turn your back. You would do well to keep your wolf close beside you. Ice, I see, and daggers in the dark. Blood frozen red and hard, and naked steel. It was very cold."
"It is always cold on the Wall."
"You think so?"
"I know so, my lady."
"Then you know nothing, Jon Snow," she whispered.
β
β
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
β
In short, Europeβs colonization of Africa had nothing to do with differences between European and African peoples themselves, as white racists assume. Rather, it was due to accidents of geography and biogeographyβin particular, to the continentsβ different areas, axes, and suites of wild plant and animal species. That is, the different historical trajectories of Africa and Europe stem ultimately from differences in real estate.
β
β
Jared Diamond (Guns, Germs and Steel: The Fates of Human Societies)
β
Violence harms the one who does it as much as the one who receives it. You could cut down a tree with an axe. The axe does violence to the tree, and escapes unharmed. Is that how you see it? Wood is soft compared to steel, but the sharp steel is dulled as it chops, and the sap of the tree will rust and pit it. The mighty axe does violence to the helpless tree, and is harmed by it. So it is with men, though the harm is in the spirit.
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Robert Jordan (The Eye of the World (The Wheel of Time, #1))
β
Will nodded toward Hadrian. βLook at the swords heβs carrying. A man wearing oneβmaybe he knows how to use it, maybe not. A man carries twoβhe probably donβt know nothing about swords, but he wants you to think he does. But a man carrying three swordsβthatβs a lot of weight. No oneβs gonna haul that much steel around unless he makes a living using them.
β
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Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
β
The woman turned and went slowly into the house. As she passed the doors she turned and looked back. Grave and thoughtful was her glance, as she looked on the king with cool pity in here eyes. Very fair was her face, and her long hair was like a river of gold. Slender and tall she was in her white robe girt with silver; but strong she seemed and stern as steel, a daughter of kings.
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J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
β
I know youβre rolling your eyes at me,β he murmurs, and I hear the trace of humor in his voice.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
Don't cry, Ana, please," he murmurs against my mouth. "It was long ago. I am aching for you to touch me, but I just can't bear it. It's too much. Please, please don't cry.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
Men sucked. They were the root of every problem any woman could ever have. They were the reason for bras, the need for makeup, hair stylists, shaving legs,
and high heels that made the arch feel like it had a steel rod slammed up it. They were picky, arrogant, argumentative, and so damned certain of themselves <...>.
β
β
Lora Leigh (Real Men Do It Better (Includes: Tempting SEALs, #3))
β
I can take a little beating now and then. Iβm a tough one. Iβm a star. Iβm steel-chested and diamond-eyed. Cyborgs live and then they break, but Iβll never break. Even when my bone dust drifts over the City walls, Iβll be living and Iβll be flying, and I will wave and laugh.
β
β
Alice Oseman (Radio Silence)
β
ThereΒ΄s something about you and IΒ΄m finding it impossible to stay away
β
β
E.L. James
β
I turn and gaze at him midway. Chin up Steele, I chide myself.
βOh... by the way, Iβm wearing your underwear.β I gave him a small smile and pull up the waistband of the boxer briefs Iβm wearing so he can see. Christianβs mouth drops open, shocked. What a great reaction. My mood shifts immediately, and I sashay into the house, part of me wanting to jump and punch the air.
β
β
E.L. James
β
Lords are gold and knights steel, but two links can't make a chain. You also need silver and iron and lead, tin and copper and bronze and all the rest, and those are farmers and smiths and merchants and the like. A chain needs all sorts of metals, and a land needs all sorts of people.
β
β
George R.R. Martin (A Game of Thrones)
β
Onto his stomach. Then knees. Then hands. His elbows quivered, his wrists threatened to buckle under his own weight. Self-centered, stubborn, sentimental, childish, vain. I am humanity. Cynical, naive, kind, cruel, soft as down, hard as tungsten steel.
I am humanity
He crawled.
I am humanity.
He fell.
I am humanity.
He got up.
β
β
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
β
To: Christian Grey
You've made me cry again.
I love the iPad.
I love the songs.
I love the British Library App.
I love you.
Goodnight.
Ana xx
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
The blade sings to me. Faintly, so soft against my ears, its voice calms my worries and tells me that one touch will take it all away. It tells me that I just need to slide a long horizontal cut, and make a clean slice. It tells me the words that I have been begging to hear: this will make it ok.
β
β
Amanda Steele (The Cliff)
β
Itβs not just clothing. Itβs a message. Youβre not deciding what to wear. Youβre deciding what story you want your image to tell. Are you the ingenue, young and sweet? Do you dress to this world of wealth and wonders like you were born to it, or do you want to walk the line: the same but different, young but full of steel?
β
β
Jennifer Lynn Barnes (The Inheritance Games (The Inheritance Games, #1))
β
The strongest steel is forged by the fires of hell. It is pounded and struck repeatedly before it's plunged back into the molten fire. The fire gives it power and flexibility, and the blows give it STRENGTH. Those two thing make the metal pliable and able to withstand every battle it's called upon to fight.
β
β
Sherrilyn Kenyon (The Dark-Hunters, Vol. 1 (Dark-Hunter Manga, #1))
β
People do strange things sometimes, when they feel hopeless.
β
β
Danielle Steel
β
For she is a fair maiden, fairest lady of a house of queens. And yet I know not how I should speak of her. When I first looked on her and perceived her unhappiness, it seemed to me that I saw a white flower standing straight and proud, shapely as a lily, and yet knew that it was hard, as if wrought by elf-wrights out of steel. Or was it, maybe, a frost that had turned its sap to ice, and so it stood, bitter-sweet, still fair to see, but stricken, soon to fall and die?
- Aragorn about Γowyn
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
What's the matter with her? [Jasper] asked Griffin.
Griffin shook his head. 'Nothing. She's just two personas struggling for dominance in one body.'
[Jasper] ... Poor little thing.
β
β
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
β
Was I ignorant, then, when I was seventeen? I think not. I knew everything. A quarter-century's experience of life since then has added nothing to what I knew. The one difference is that at seventeen I had no 'realism'.
β
β
Yukio Mishima (Sun & Steel)
β
I've never had vanilla sex before. There's a lot to be said for it. But then, maybe it's because it's with you.
β
β
E.L. James
β
.. that terrible feeling that you're not good enough to be loved by the people you love most, and eventually by anyone else.
β
β
Danielle Steel (Big Girl)
β
Sought we the Scrivani word-work of Surthur
Long-lost in ledger all hope forgotten.
Yet fast-found for friendship fair the book-bringer
Hot comes the huntress Fela, flushed with finding
Breathless her breast her high blood rising
To ripen the red-cheek rouge-bloom of beauty.
βThat sort of thing,β Simmon said absently, his eyes still scanning the pages in front of him.
I saw Fela turn her head to look at Simmon, almost as if she were surprised to see him sitting there.
No, it was almost as if up until that point, heβd just been occupying space around her, like a piece of furniture. But this time when she looked at him, she took all of him in. His sandy hair, the line of his jaw, the span of his shoulders beneath his shirt. This time when she looked, she actually saw him.
Let me say this. It was worth the whole awful, irritating time spent searching the Archives just to watch that moment happen. It was worth blood and the fear of death to see her fall in love with him. Just a little. Just the first faint breath of love, so light she probably didnβt notice it herself. It wasnβt dramatic, like some bolt of lightning with a crack of thunder following. It was more like when flint strikes steel and the spark fades almost too fast for you to see. But still, you know itβs there, down where you canβt see, kindling.
β
β
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
β
So, so you think you can tell
Heaven from Hell
Blue skies from pain
Can you tell a green field
From a cold steel rail?
A smile from a veil?
Do you think you can tell?
Did they get you to trade
Your heroes for ghosts?
Hot ashes for trees?
Hot air for a cool breeze?
Cold comfort for change?
And did you exchange
A walk on part in a war
For a lead role in a cage?
How I wish, how I wish you were here
We're just two lost souls
Swimming in a fish bowl
Year after year
Running over the same old ground
What have we found?
The same old fears
Wish you were here
β
β
David Gilmour
β
You are one brave woman," he whispers, "I am in awe of you.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Mare,β he whispers. βChoose me.β
Choose a crown. Choose another kingβs cage. Choose a betrayal to everything youβve bled for.
I find my thread of steel too. Thin but unbreakable.
βI am in love with you, and I want you more than anything else in the world.β His words sound hollow coming from me. βAnything else in this world.β
Slowly, my eyelids flutter open. He finds the spine to match my gaze.
βThink what we could do together,β he murmurs, trying to pull me closer. My feet hold firm. βYou know what you are to me. Without you, I have no one. I am alone. I have nothing left. Donβt leave me alone.β
My breathing turns ragged.
I kiss him for what could be, what might be, what will beβthe last time. His lips feel strangely cold as we both turn to ice.
βYou arenβt alone.β The hope in his eyes cuts deeply. βYou have your crown.
β
β
Victoria Aveyard (King's Cage (Red Queen, #3))
β
Donβt push me, Savitar.(Apollymi)
And donβt push me. You may be a goddess by birth, but Iβm a lot more than just a Chthonian and you know that. I survived a hell you canβt even imagine and its fires forged a core of steel within me. You want to battle, pick up your sword. But remember the number of gods before you who sought to kill me and failed. (Savitar)
β
β
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
β
It was an evil doom that set her in his path. For she is a fair maiden, fairest lady of a house of queens. And yet I know not how I should speak of her. When I first looked on her and perceived her unhappiness, it seemed to me that I saw a white flower standing straight and proud, shapely as a lily and yet knew that it was hard, as if wrought by elf-wrights out of steel.
(Aragorn talking of Eowyn, in the Houses of Healing)
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
As frightening as we may think her, I believe she finds herself even more so.
β
β
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
β
The cynicism that regards hero worship as comical is always shadowed by a sense of physical inferiority.
β
β
Yukio Mishima (Sun & Steel)
β
She dealt her pretty words like Blades --
How glittering they shone --
And every One unbared a Nerve
Or wantoned with a Bone --
She never deemed -- she hurt --
That -- is not Steel's Affair --
A vulgar grimace in the Flesh --
How ill the Creatures bear --
To Ache is human -- not polite --
The Film upon the eye
Mortality's old Custom --
Just locking up -- to Die.
β
β
Emily Dickinson
β
Trust me, They want you. They want what's mine." He pulls me against him, and I lift my arms to his shoulders, my hands in his hair, regarding him with amusement.
"Mine," he repeats, his eyes glowing possessively.
"Yes, yours." I reassure him, smiling.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
As for the Republicans -- how can one regard seriously a frightened, greedy, nostalgic huddle of tradesmen and lucky idlers who shut their eyes to history and science, steel their emotions against decent human sympathy, cling to sordid and provincial ideals exalting sheer acquisitiveness and condoning artificial hardship for the non-materially-shrewd, dwell smugly and sentimentally in a distorted dream-cosmos of outmoded phrases and principles and attitudes based on the bygone agricultural-handicraft world, and revel in (consciously or unconsciously) mendacious assumptions (such as the notion that real liberty is synonymous with the single detail of unrestricted economic license or that a rational planning of resource-distribution would contravene some vague and mystical 'American heritage'...) utterly contrary to fact and without the slightest foundation in human experience? Intellectually, the Republican idea deserves the tolerance and respect one gives to the dead.
β
β
H.P. Lovecraft
β
I realized, that she had been spoon-fed a story from the day she was born. She had been taught no other way to be. And yet, I saw that despite everything, some part of her was self-made. This part, small as it appeared at first, was forged in the fire of her own strength, and resisted her cage. And I understood...that this part was made of steel. The part who she truly was.
β
β
Samantha Shannon (The Priory of the Orange Tree (The Roots of Chaos, #1))
β
You are wearing no panties with another male in the room? Raphael ran his hand down Elena's spine and over her lower curves, searching for lines and finding nothing but firm feminine flesh. You truly aren't.
Elena's shoulders shook, deep creases in her cheeks. Oh, my God, you're scandalized! Eyes tearing up in the effort to fight her laughter, she pressed her hands to his chest and stared down at the floor. Should I tell you I did find a way to wear a knife? In a thigh sheath.
Of course you did. What do panties matter so long as you have your steel.
β
β
Nalini Singh (Archangel's Legion (Guild Hunter, #6))
β
Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death. We misconstrue the nature of even those few days or weeks. We might expect if the death is sudden to feel shock. We do not expect the shock to be obliterative, dislocating to both body and mind. We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe that their husband is about to return and need his shoes. In the version of grief we imagine, the model will be "healing." A certain forward movement will prevail. The worst days will be the earliest days. We imagine that the moment to most severely test us will be the funeral, after which this hypothetical healing will take place. When we anticipate the funeral we wonder about failing to "get through it," rise to the occasion, exhibit the "strength" that invariably gets mentioned as the correct response to death. We anticipate needing to steel ourselves the for the moment: will I be able to greet people, will I be able to leave the scene, will I be able even to get dressed that day? We have no way of knowing that this will not be the issue. We have no way of knowing that the funeral itself will be anodyne, a kind of narcotic regression in which we are wrapped in the care of others and the gravity and meaning of the occasion. Nor can we know ahead of the fact (and here lies the heart of the difference between grief was we imagine it and grief as it is) the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaninglessness itself.
β
β
Joan Didion (The Year of Magical Thinking)
β
Love is quite violent. It is so painful at times, so devastating. And there is nothing worse or better. We find the highs and lows equally unbearable. But then again, the absence of them is more so.
β
β
Danielle Steel
β
Hermes's eyes twinkled. "Martha, may I have the first package, please?"
Martha opened her mouth ... and kept opening it until it was as wide as my arm. She belched out a stainless steel canister-an old-fashioned lunch box thermos with a black plastic top. The sides of the thermos were enameled with red and yellow Ancient Greek scenes-a hero killing a lion; a hero lifting up Cerberus, the three-headed dog.
"That's Hercules," I said. "But how-"
"Never question a gift," Hermes chided. "This is a collector's item from Hercules Busts Heads. The first season."
"Hercules Busts Heads?"
"Great show." Hermes sighed. "Back before Hephaestus-TV was all reality programming. Of course, the thermos would be worth much more if I had the whole lunch box-
β
β
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
β
If I had coal and fire
And metal fine and true
Iβd make an iron band
An iron band for you
Iβd pick up all the pieces
From where they fell that day
Fit them back together
And take the pain away
But I donβt have the iron
And I donβt have the steel
To wrap around your broken heart
And teach it how to heal
Somewhere in the fire
Somewhere in the pain
Iβd find the magic that I need
To make you whole again
Iβd make the iron band so strong
Iβd make it gleam so bright
Iβd fix the things Iβve broken
Iβd turn my wrongs to right
But I donβt have the steel
To wrap around your broken heart
Wish I could make it heal
Wish I could make it heal
(Ch. 27)
β
β
Jennifer Donnelly (Revolution)
β
Eventually, the room was cleared, and we stood there together, chests heaving, a spray of shifters and humans on the floor in front of us. We werenβt entirely undamagedβIβd taken a bruising shot to my right thigh, and Ethan had slices across his belly where heβd been caught with the edge of a bar of steel broken from someoneβs office chair.
But we were alive.
We glanced over at each other. I was just about to speak, but before I could get out words, his hand was at the back of my head, his mouth pressing against mine. The intensely possessive kiss left me gasping for breath, but even as he pulled back, his fingers stayed knotted in the back of my hair.
β
β
Chloe Neill (Twice Bitten (Chicagoland Vampires, #3))
β
Every city is a ghost.
New buildings rise upon the bones of the old so that each shiny steel bean, each tower of brick carries within it the memories of what has gone before, an architectural haunting. Sometimes you can catch a glimpse of these former incarnations in the awkward angle of a street or filigreed gate, an old oak door peeking out from a new facade, the plaque commemorating the spot that was once a battleground, which became a saloon and is now a park.
β
β
Libba Bray (Lair of Dreams (The Diviners, #2))
β
There was a loud scraping noise as five chairs slid backward. The men rose as a unit. And started coming for her. She looked to the faces of the two she knew, but their grave expressions weren't encouraging. And then the knives came out. With a metallic whoosh, five black daggers were unsheathed. She backed up frantically, hands in front of herself. She slammed into a wall and was about to scream for Wrath when the men dropped down on bended knees in a circle around her. In a single movement, as if they'd been choreographed, they buried the daggers into the floor at her feet and bowed their heads. The great whoomp of sound as steel met wood seemed both a pledge and a battle cry. The handles of the knives vibrated. The rap music continued to pound. They seemed to be waiting for some kind of response from her.
"Umm. Thank you," she said.
The men's heads lifted. Etched into the harsh planes of their faces was total reverence. Even the scarred one had a respectful expression. And then Wrath came in with a squeeze bottle of Hershey's syrup.
"Bacon's on the way." He smiled. "Hey, they like you."
"And thank God for that," she murmured, looking down at the daggers.
β
β
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
β
You're used of taking care to people."
The edge in his voice attracts my attention, and I glance up at him.
"What is it?" I ask, startled by his wary expression.
"I want to take care of you." His luminous eyes glow with some unnamed emotion.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
There was a saying that the strength of a manβs steel was only known under the hammer of circumstance. If anyone had asked me a few hours ago, I would have said that nearly five years of boyhood had hammered me into constant fear and excessive caution. But now I realised it had done the opposite. It had shaped me into someone who stepped forwards and reached for what she wanted. It was too late for me to tuck my hands behind my back and wait like a good woman.
β
β
Alison Goodman (Eona: The Last Dragoneye (Eon, #2))
β
I will never get enough of you. Don't leave me," he murmurs and kisses my belly.
"I'm not going anywhere, Christian, and I seem to remember that I wanted to kiss your belly," I grumble sleepily.
He grins at my skin. "Nothing stopping you baby.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery.
People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, βGoodness, you're a quick reader!β when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
β
β
ZoΓ« Heller (What Was She Thinking? [Notes on a Scandal])
β
For the first time in years the tears were streaming down his face. But they were for himself now. He did not care about mouth and eyes and moving hands. He wanted to care, and he could not care. For he had gone away and he could never go back any more. The gates were closed, the sun was gone down, and there was no beauty but the gray beauty of steel that withstands all time. Even the grief he could have borne was left behind in the country of illusion, of youth, of the richness of life, where his winter dreams had flourished.
"Long ago," he said, "long ago, there was something in me, but now that thing is gone. Now that thing is gone, that thing is gone. I cannot cry. I cannot care. That thing will come back no more.
β
β
F. Scott Fitzgerald (Winter Dreams)
β
He ran a hand over his face and shook his head. "Lass, I have never lied to you. I adore you and there have never been any other women from the future here. And these"- he flung a tampon in the air- "cleaning swabs, I cannot fathom why they upset you so greatly, but I assure you I have never let the maids use them."
Lisa's brow furrowed. No man could be so stupid. "Cleaning Swabs?"
He snatched up a gun and jerked the barrel in her direction, and an unwrapped tampon shot out. It was coated with black from the slow corrosion of the steel. She eyed it for a moment, bent, and plucked it from the floor. "You clean your guns with these?"
He lowered the gun. "Is that not the purpose for which they were designed? I vow I could not conceive of another."
Didn't you read the box?"
There were too many words I didn't understand!
β
β
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
β
Genyaββ David tried.
βDonβt you dare,β she said roughly, tears welling up again. βYou never looked at me twice before I was like this, before I was broken. Now Iβm just something for you to fix.β
I was desperate for words to soothe her, but before I could find any, David bunched up his shoulders and said, βI know metal.β
βWhat does that have to do with anything?β Genya cried.
David furrowed his brow. βIΒ β¦ I donβt understand half of what goes on around me. I donβt get jokes or sunsets or poetry, but I know metal.β His fingers flexed unconsciously as if he were physically grasping for words. βBeauty was your armor. Fragile stuff, all show. But whatβs inside you? Thatβs steel. Itβs brave and unbreakable. And it doesnβt need fixing.
β
β
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
β
Ten thousand dollars." I hear Lily's gasp of disbelief behind me.
Oh fuck.
"Fifteen"
Twenty," counters Christian quietly.
Twenty-five," the stranger says.
"One hundred thousand dollars," he says his voice ringing clear and loud through the marquee.
"What the fuck?" Lily hisses audibly behind me, and a general gasp of dismay and amusement ripple through the crowd.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
But Evalin Ashryver held Aelinβs gaze, the softness turning hard and gleaming as fresh steel. It is the strength of this that matters, Aelin. Aelinβs fingers dug into her chest as she mouthed, The strength of this. Evalin nodded. Cairnβs hissed threats danced through the coffin, his knife scraping and scraping. Evalinβs face didnβt falter. You are my daughter. You were born of two mighty bloodlines. That strength flows through you. Lives in you. Evalinβs face blazed with the fierceness of the women who had come before them, all the way back to the Faerie Queen whose eyes they both bore. You do not yield.
β
β
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
β
She was smart and terribly determined, this girl-her will was pure steel, through and through-but she was as human as anyone else. She was lonely, too. Lonely in a way that perhaps only single girls fresh from small Midwestern towns know. Homesickness is not always a vague, nostalgic, almost beautiful emotion, although that is somehow the way we always seem to picture it in our mind. It can be a terribly keen blade, not just a sickness in metaphor but in fact as well. It can change the way one looks at the world; the faces one sees in the street look not just indifferent but ugly....perhaps even malignant. Homesickness is a real sickness- the ache of the uprooted plant.
β
β
Stephen King (The Breathing Method)
β
Youβre not going to take advantage of me, are you?β The cushions felt so nice behind her head. It was so nice to lie down. βNovels are always warning young women of the dangers of being taken advantage of by wealthy young men.β
βYou are perfectly safe. Emily is here to protect your virtue.β
βThatβs too bad.
β
β
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
β
Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. Knows remembers believes a corridor in a big long garbled cold echoing building of dark red brick sootbleakened by more chimneys than its own, set in a grassless cinderstrewnpacked compound surrounded by smoking factory purlieus and enclosed by ten food steel-and-wire fence like a penitentiary or a zoo, where in random erratic surges, with sparrowlike childtrebling, orphans in identical and uniform blue denim in and out of remembering but in knowing constant in the bleak walls, the bleak windows where in rain soot from the yearly adjacenting chimneys streaked like black tears.
β
β
William Faulkner (Light in August)
β
Grave and thoughtful was her glance, as she looked on the king with cool pity in her eyes. Very fair was her face, and her long hair was like a river of gold. Slender and tall she was in her white robe girt with silver; but strong she seemed and stern as steel, a daughter of kings.
Thus Aragorn for the first time in the full light of day beheld Eowyn, Lady of Rohan, and thought her fair; fair and cold, like a morning of pale spring that is not yet come to womanhood. And she now was suddenly aware of him: tall heir of kings, wise with many winters, grey cloaked, hiding a power that yet she felt. For a moment still as stone she stood, then turning swiftly she was gone.
β
β
J.R.R. Tolkien
β
War seems like a fine adventure, the greatest most of them will ever know. Then they get a taste of battle.
For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after theyβve been gutted by an axe.
They see the lord who led them there cut down, and some other lord shouts that they are his now, They take the wound, and when thatβs still half-healed they take another. There is never enough to eat, their shoes fall to pieces from marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water.
If they want new boots or a warmer cloak or maybe a rusted iron half helm, they need to take them from a corpse, and before long they are stealing from the living too, from the small folk whose land theyβre fighting in, men very like the men they used to be. They slaughter their sheep and steal their chickens, and from there itβs just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They donβt know where they are or how to get back home and the lord theyβre fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad in all steel, and the iron thunder of their charge seems to fill the world.
And the man breaks.
β
β
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
β
Boast of Quietness
Writings of light assault the darkness, more prodigious than meteors.
The tall unknowable city takes over the countryside.
Sure of my life and death, I observe the ambitious and would like to
understand them.
Their day is greedy as a lariat in the air.
Their night is a rest from the rage within steel, quick to attack.
They speak of humanity.
My humanity is in feeling we are all voices of that same poverty.
They speak of homeland.
My homeland is the rhythm of a guitar, a few portraits, an old sword,
the willow grove's visible prayer as evening falls.
Time is living me.
More silent than my shadow, I pass through the loftily covetous multitude.
They are indispensable, singular, worthy of tomorrow.
My name is someone and anyone.
I walk slowly, like one who comes from so far away he doesn't expect to arrive.
β
β
Jorge Luis Borges
β
Hinder me? Thou fool. No living man may hinder me!"
Then Merry heard in all sounds of the hour the strangest. It seemed that Dernhelm laughed, and the clear voice was like the ring of steel.
"But no living man am I! You are looking upon a woman. Eowyn am I, Eomund's daughter. You stand between me and my lord and kin. Begone, if you be not deathless! For living or dark undead, I will smite you, if you touch him."
The winged creature screamed at her, but then the Ringwraith was silent, as if in sudden doubt. Very amazement for a moment conquered Merry's fear. He opened his eyes and the blackness was lifted from them. There some paces from him sat the great beast, and all seemed dark about it, and above it loomed the Nazgul Lord like a shadow of despair. A little to the left facing them stood whom he had called Dernhelm. But the helm of her secrecy had fallen from her, and and her bright hair, released from its bonds, gleamed with pale gold upon her shoulders. Her eyes grey as the sea were hard and fell, and yet tears gleamed in them. A sword was in her hand, and she raised her shield against the horror of her enemy's eyes.
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
Nobody that has seen a baby born can believe in god for a second. When you see your child born, and the panic, and the amount of technology that is saving the life of the two people you love most in the world, when you see how much stainless steel and money it takes to fight off the fact that god wants both those people dead, no one, no one can look into the eyes of a newborn baby and say there's a god, because I'll tell ya, if we were squatting in the woods, the two people I love most would be dead. There's just no way around that. If I were in charge, no way. We need technology to fight against nature; nature so wants us dead. Nature is trying to kill us.
β
β
Penn Jillette
β
I met a girl in a U-Haul.
A beautiful girl
And I fell for her.
I fell hard.
Unfortunately, sometimes life gets in the way.
Life definitely got in my way.
It got all up in my damn way,
Life blocked the door with a stack of wooden 2x4's
nailed together and attached to a fifteen inch concrete wall
behind a row of solid steel bars, bolted to a titanium frame that
no matter how hard I shoved against it-
It
wouldn't
budge.
Sometimes life doesn't budge.
It just gets all up in your damn way.
It blocked my plans, my dreams, my desires, my wishes,
my wants, my needs.
It blocked out that beautiful girl
That I fell so hard for.
Life tries to tell you what's best for you
What should be most important to you
What should come in first
Or second
Or third.
I tried so hard to keep it all organized, alphabetized,
stacked in chronological order, everything in its perfect space,
its perfect place.
I thought that's what life wanted me to do.
This is what life needed for me to do.
Right?
Keep it all in sequence?
Sometimes, life gets in your way.
It gets all up in your damn way.
But it doesn't get all up in your damn way because it
wants you to just give up and let it take control. Life doesn't get
all up in your damn way because it just wants you to hand it all
over and be carried along.
Life wants you to fight it.
It wants you to grab an axe and hack through the wood.
It wants you to get a sledgehammer and break through
the concrete.
It wants you to grab a torch and burn through the metal
and steel until you can reach through and grab it.
Life wants you to grab all the organized, the
alphabetized, the chronological, the sequenced. It wants you to
mix it all together,
stir it up,
blend it.
Life doesn't want you to let it tell you that your little
brother should be the only thing that comes first.
Life doesn't want you to let it tell you that your career
and your education should be the only thing that comes in
second.
And life definitely doesn't want me
To just let it tell me
that the girl I met,
The beautiful, strong, amazing, resilient girl
That I fell so hard for
Should only come in third.
Life knows.
Life is trying to tell me
That the girl I love,
The girl I fell
So hard for?
There's room for her in first.
I'm putting her first.
β
β
Colleen Hoover
β
But I donβt understand. Why do you want me to think that this is great architecture? He pointed to the picture of the Parthenon.
That, said the Dean, is the Parthenon.
- So it is.
- I havenβt the time to waste on silly questions.
- All right, then. - Roark got up, he took a long ruler from the desk, he walked to the picture. - Shall I tell you whatβs rotten about it?
- Itβs the Parthenon! - said the Dean.
- Yes, God damn it, the Parthenon!
The ruler struck the glass over the picture.
- Look,- said Roark. - The famous flutings on the famous columns β what are they there for? To hide the joints in wood β when columns were made of wood, only these arenβt, theyβre marble. The triglyphs, what are they? Wood. Wooden beams, the way they had to be laid when people began to build wooden shacks. Your Greeks took marble and they made copies of their wooden structures out of it, because others had done it that way. Then your masters of the Renaissance came along and made copies in plaster of copies in marble of copies in wood. Now here we are, making copies in steel and concrete of copies in plaster of copies in marble of copies in wood. Why?
β
β
Ayn Rand (The Fountainhead)
β
I am a book.
Sheaves pressed from the pulp of oaks and pines
a natural sawdust made dingy from purses, dusty
from shelves.
Steamy and anxious, abused and misused,
kissed and cried over,
smeared, yellowed, and torn,
loved, hated, scorned.
I am a book.
I am a book that remembers,
days when I stood proud in good company
When the children came, I leapt into their arms,
when the women came, they cradled me against their soft breasts,
when the men came, they held me like a lover,
and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs,
next to pool tables, on porch swings, in rocking chairs,
my words hanging in the air like bright gems, dangling,
then forgotten, I crumbled,
dust to dust.
I am a tale of woe and secrets,
a book brand-new, sprung from the loins of ancient fathers clothed in tweed,
born of mothers in lands of heather and coal soot.
A family too close to see the blood on its hands,
too dear to suffering, to poison, to cold steel and revenge,
deaf to the screams of mortal wounding,
amused at decay and torment,
a family bred in the dankest swamp of human desires.
I am a tale of woe and secrets,
I am a mystery.
I am intrigue, anxiety, fear,
I tangle in the night with madmen, spend my days cloaked in black,
hiding from myself, from dark angels,
from the evil that lurks within
and the evil we cannot lurk without.
I am words of adventure,
of faraway places where no one knows my tongue,
of curious cultures in small, back alleys, mean streets,
the crumbling house in each of us.
I am primordial fear, the great unknown,
I am life everlasting.
I touch you and you shiver, I blow in your ear and you follow me,
down foggy lanes, into places you've never seen,
to see things no one should see,
to be someone you could only hope to be.
I ride the winds of imagination on a black-and-white horse,
to find the truth inside of me, to cure the ills inside of you,
to take one passenger at a time over that tall mountain,
across that lonely plain to a place you've never been
where the world stops for just one minute
and everything is right.
I am a mystery.
-Rides a Black and White Horse
β
β
Lise McClendon
β
Among them is a renegade king, he who sired five royal heirs without ever unzipping his pants. A man to whom time has imparted great wisdom and an even greater waistline, whose thoughtless courage is rivalled only by his unquenchable thirst.
At his shoulder walks a sorcerer, a cosmic conversationalist. Enemy of the incurable rot, absent chairman of combustive sciences at the university in Oddsford, and the only living soul above the age of eight to believe in owlbears.
Look here at a warrior born, a scion of power and poverty whose purpose is manifold: to shatter shackles, to murder monarchs, and to demonstrate that even the forces of good must sometimes enlist the service of big, bad motherfuckers. His is an ancient soul destined to die young.
And now comes the quiet one, the gentle giant, he who fights his battles with a shield. Stout as the tree that counts its age in aeons, constant as the star that marks true north and shines most brightly on the darkest nights.
A step ahead of these four: our hero. He is the candle burnt down to the stump, the cutting blade grown dull with overuse. But see now the spark in his stride. Behold the glint of steel in his gaze. Who dares to stand between a man such as this and that which he holds dear? He will kill, if he must, to protect it. He will die, if that is what it takes.
βGo get the boss,β says one guardsman to another. βThis bunch looks like trouble.β
And they do. They do look like trouble, at least until the wizard trips on the hem of his robe. He stumbles, cursing, and fouls the steps of the others as he falls face-first onto the mud-slick hillside.
β
β
Nicholas Eames (Kings of the Wyld (The Band, #1))
β
If a society permits one portion of its citizenry to be menaced or destroyed, then, very soon, no one in that society is safe. The forces thus released in the people can never be held in check, but run their devouring course, destroying the very foundations which it was imagined they would save.
But we are unbelievably ignorant concerning what goes on in our country--to say nothing of what goes on in the rest of the world--and appear to have become too timid to question what we are told. Our failure to trust one another deeply enough to be able to talk to one another has become so great that people with these questions in their hearts do not speak them; our opulence is so pervasive that people who are afraid to lose whatever they think they have persuade themselves of the truth of a lie, and help disseminate it; and God help the innocent here, that man or womn who simply wants to love, and be loved. Unless this would-be lover is able to replace his or her backbone with a steel rod, he or she is doomed. This is no place for love. I know that I am now expected to make a bow in the direction of those millions of unremarked, happy marriages all over America, but I am unable honestly to do so because I find nothing whatever in our moral and social climate--and I am now thinking particularly of the state of our children--to bear witness to their existence. I suspect that when we refer to these happy and so marvelously invisible people, we are simply being nostalgic concerning the happy, simple, God-fearing life which we imagine ourselves once to have lived. In any case, wherever love is found, it unfailingly makes itself felt in the individual, the personal authority of the individual. Judged by this standard, we are a loveless nation. The best that can be said is that some of us are struggling. And what we are struggling against is that death in the heart which leads not only to the shedding of blood, but which reduces human beings to corpses while they live.
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James Baldwin (nothing personal)
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Love, he realized, was like the daggers he made in his forge: When you first got one it was shiny and new and the blade glinted bright in the light. Holding it against your palm, you were full of optimism for what it would be like in the field, and you couldn't wait to try it out. Except those first couple of nights out were usually awkward as you got used to it and it got used to you.
Over time, the steel lost its brand-new gleam, and the hilt became stained, and maybe you nicked the shit out of the thing a couple of times. What you got in return, however, saved your life: Once the pair of you were well acquainted, it became such a part of you that it was an extension of your own arm. It protected you and gave you a means to protect your brothers; it provided you with the confidnece and the power to face whatever came out of the night; and wherever you went, it stayed with you, right over your heart, always there when you needed it.
You had to keep the blade up, however. And rewrap the hilt from time to time. And double-check the weight.
Funny...all of that was well, duh when it came to weapons. Why hadn't it dawned on him that matings were the same?
(From the thoughts of Vishous)
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J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
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Do I, then, belong to the heavens?
Why, if not so, should the heavens
Fix me thus with their ceaseless blue stare,
Luring me on, and my mind, higher
Ever higher, up into the sky,
Drawing me ceaselessly up
To heights far, far above the human?
Why, when balance has been strictly studied
And flight calculated with the best of reason
Till no aberrant element should, by rights, remain-
Why, still, should the lust for ascension
Seem, in itself, so close to madness?
Nothing is that can satify me;
Earthly novelty is too soon dulled;
I am drawn higher and higher, more unstable,
Closer and closer to the sun's effulgence.
Why do these rays of reason destroy me?
Villages below and meandering streams
Grow tolerable as our distance grows.
Why do they plead, approve, lure me
With promise that I may love the human
If only it is seen, thus, from afar-
Although the goal could never have been love,
Nor, had it been, could I ever have
Belonged to the heavens?
I have not envied the bird its freedom
Nor have I longed for the ease of Nature,
Driven by naught save this strange yearning
For the higher, and the closer, to plunge myself
Into the deep sky's blue, so contrary
To all organic joys, so far
From pleasures of superiority
But higher, and higher,
Dazzled, perhaps, by the dizzy incandescence
Of waxen wings.
Or do I then
Belong, after all, to the earth?
Why, if not so, should the earth
Show such swiftness to encompass my fall?
Granting no space to think or feel,
Why did the soft, indolent earth thus
Greet me with the shock of steel plate?
Did the soft earth thus turn to steel
Only to show me my own softness?
That Nature might bring home to me
That to fall, not to fly, is in the order of things,
More natural by far than that improbable passion?
Is the blue of the sky then a dream?
Was it devised by the earth, to which I belonged,
On account of the fleeting, white-hot intoxication
Achieved for a moment by waxen wings?
And did the heavens abet the plan to punish me?
To punish me for not believing in myself
Or for believing too much;
Too earger to know where lay my allegiance
Or vainly assuming that already I knew all;
For wanting to fly off
To the unknown
Or the known:
Both of them a single, blue speck of an idea?
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Yukio Mishima (Sun & Steel)
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I look down at myself, but I don't need to. I can feel it. My hot blood is pounding through my body, flooding capillaries and lighting up cells like Fourth of July fireworks. I can feel the elation of every atom in my flesh, brimming with gratitude for the second chance they never expected to get. The chance to start over, to live right, to love right, to burn up in a fiery cloud and never again be buried in the mud. I kiss Julie to hide the fact that I'm blushing. My face is bright red and hot enough to melt steel.
Okay, corpse, a voice in my head says, and I feel a twitch in my belly, more like a gentle nudge than a kick. I'm going now. I'm sorry I couldn't be here for your battle; I was fighting my own. But we won, right? I can feel it. There's a shiver in our legs, a tremor like the Earth speeding up, spinning off into uncharted orbits. Scary, isn't it? But what wonderful thing didn't start out scary? I don't know what the next page is for you, but whatever it is for me I swear I'm not going to fuck it up. I'm not going to yawn off in the middle of a sentence and hide it in a drawer. Not this time. Peel off these dusty wool blankets of apathy and antipathy and cynical desiccation. I want life in all its stupid sticky rawness.
Okay.
Okay, R.
Here it comes.
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Isaac Marion (Warm Bodies (Warm Bodies, #1))
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He moves suddenly so that his hand is cupping my sex, and one of his fingers sinks slowly into me. His other arm holds me firmly in place around my waist.
βThis is mine,β he whispers aggressively. βAll mine. Do you understand?β He eases his finger in and out as he gazes down at me, gauging my reaction, his eyes burning.
βYes, yoursβ¦β
Abruptly, he moves, doing several things at once: Withdrawing his fingers, leaving me wanting, unzipping his fly, and pushing me down onto the couch so heβs lying on top of me.
βHands on your head,β he commands through gritted teeth as he kneels up, forcing my legs widerβ¦
βWe donβt have long. This will be quick, and itβs for me, not you. Do you understand?
Donβt come, or I will spank you,β he says through clenched teeth.
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E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
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Writing: such has been my crime ever since I was a small child. To this day writing remains my crime. Now, although I am out of prison, I continue to live inside a prison of another sort, one without steel bars. For the technology of oppression and might without justice has become more advanced, and the fetters imposed on mind and body have become invisible. The most dangerous shackles are the invisible ones, because they deceive people into believing they are free. This delusion is the new prison that people inhabit today, north and south, east and west...We inhabit the age of the technology of false consciousness, the technology of hiding truths behind amiable humanistic slogans that may change from one era to another...Democracy is not just freedom to criticize the government or head of state, or to hold parliamentary elections. True democracy obtains only when the people - women, men, young people, children - have the ability to change the system of industrial capitalism that has oppressed them since the earliest days of slavery: a system based on class division, patriarchy, and military might, a hierarchical system that subjugates people merely because they are born poor, or female, or dark-skinned.
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Nawal El Saadawi (Memoirs from the Women's Prison (Literature of the Middle East))
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"The wanderer in Manhattan must go forth with a certain innocence, because New York is best seen with innocent eyes. It doesn't matter if you are younger or old. Reading our rich history makes the experience more layered, but it is not a substitute for walking the streets themselves. For old-timer or newcomer, it is essential to absorb the city as it is now in order to shape your own nostalgias.
That's why I always urge the newcomer to surrender to the city's magic. Forget the irritations and the occasional rudeness; they bother New Yorkers too. Instead, go down to the North River and the benches that run along the west side of Battery Park City. Watch the tides or the blocks of ice in winter; they have existed since the time when the island was empty of man. Gaze at the boats. Look across the water at the Statue of Liberty or Ellis Island, the place to which so many of the New York tribe came in order to truly live. Learn the tale of our tribe, because it's your tribe too, no matter where you were born. Listen to its music and its legends. Gaze at its ruins and monuments. Walk its sidewalks and run fingers upon the stone and bricks and steel of our right-angled streets. Breathe the air of the river breeze."
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Pete Hamill (Downtown: My Manhattan)
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You fight your superficiality, your shallowness, so as to try to come at people without unreal expectations, without an overload of bias or hope or arrogance, as untanklike as you can be, sans cannon and machine guns and steel plating half a foot thick; you come at them unmenacingly on your own ten toes instead of tearing up the turf with your caterpillar treads, take them on with an open mind, as equals, man to man, as we used to say, and yet you never fail to get them wrong. You might as well have the "brain" of a tank. You get them wrong before you meet them, while you're anticipating meeting them; you get them wrong while you're with them; and then you go home to tell somebody else about the meeting and you get them all wrong again. Since the same generally goes for them with you, the whole thing is really a dazzling illusion empty of all perception, an astonishing farce of misperception. And yet what are we to do about this terribly significant business of "other people," which gets bled of the significance we think it has and takes on instead a significance that is ludicrous, so ill-equipped are we all to envision one another's interior workings and invisible aims? Is everyone to go off and lock the door and sit secluded like the lonely writers do, in a soundproof cell, summoning people out of words and then proposing that these word people are closer to the real thing than the real people that we mangle with our ignorance every day? The fact remains that getting people right is not what living is all about anyway. It's getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again. That's how we know we're alive: we're wrong. Maybe the best thing would be to forget being right or wrong about people and just go along for the ride. But if you can do that--well, lucky you.
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Philip Roth (American Pastoral)
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The tavern keeper, a wiry man with a sharp-nosed face, round, prominent ears and a receding hairline that combined to give him a rodentlike look, glanced at him, absentmindedly wiping a tankard with a grubby cloth. Will raised an eyebrow as he looked at it. He'd be willing to bet the cloth was transferring more dirt to the tankard then it was removing.
"Drink?" the tavern keeper asked. He set the tankard down on the bar, as if in preparation for filling it with whatever the stranger might order.
"Not out of that," Will said evenly, jerking a thumb at the tankard. Ratface shrugged, shoved it aside and produced another from a rack above the bar.
"Suit yourself. Ale or ouisgeah?"
Ousigeah, Will knew, was the strong malt spirit they distilled and drank in Hibernia. In a tavern like this, it might be more suitable for stripping runt than drinking.
"I'd like coffee," he said, noticing the battered pot by the fire at one end of the bar.
"I've got ale or ouisgeah. Take your pick." Ratface was becoming more peremptory. Will gestured toward the coffeepot. The tavern keeper shook his head.
"None made," he said. "I'm not making a new pot just for you."
"But he's drinking coffee," Will said, nodding to one side.
Inevitably the tavern keeper glanced that way, to see who he was talking about. The moment his eyes left Will, an iron grip seized the front of his shirt collar, twisting it into a knot that choked him and at the same time dragged him forward, off balance, over the bar,. The stranger's eyes were suddenly very close. He no longer looked boyish. The eyes were dark brown, almost black in this dim light, and the tavern keeper read danger there. A lot of danger. He heard a soft whisper of steel, and glancing down past the fist that held him so tightly, he glimpsed the heavy, gleaming blade of the saxe knife as the stranger laid it on the bar between them.
He looked around for possible help. But there was nobody else at the bar, and none of the customers at the tables had noticed what was going on.
"Aach...mach co'hee," he choked.
The tension on his collar eased and the stranger said softly, "What was that?"
"I'll...make...coffee," he repeated, gasping for breath.
The stranger smiled. It was a pleasant smile, but the tavern keep noticed that it never reached those dark eyes.
"That's wonderful. I'll wait here.
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John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
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is a broken man an outlaw?"
"More or less." Brienne answered.
Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know.
"Then they get a taste of battle.
"For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe.
"They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water.
"If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world...
"And the man breaks.
"He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well
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George R.R. Martin