Steel Pulse Quotes

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When a man you know to be of sound mind tells you his recently deceased mother has just tried to climb in his bedroom window and eat him, you only have two basic options. You can smell his breath, take his pulse and check his pupils to see if he's ingested anything nasty, or you can believe him.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
It was a cruel city, but it was a lovely one; a savage city, yet it had such tenderness; a bitter, harsh, and violent catacomb of stone an steel and tunneled rock, slashed savagely with light, and roaring, fighting a constant ceaseless warfare of men and of machinery; and yet it was so sweetly and so delicately pulsed, as full of warmth, of passion, and of love, as it was full of hate.
Thomas Wolfe (The Web and the Rock)
Thanks to this availability of suitable wild mammals and plants, early peoples of the Fertile Crescent could quickly assemble a potent and balanced biological package for intensive food production. That package comprised three cereals, as the main carbohydrate sources; four pulses, with 20—25 percent protein, and four domestic animals, as the main protein sources, supplemented by the generous protein content of wheat; and flax as a source of fiber and oil (termed linseed oil: flax seeds are about 40 percent oil). Eventually, thousands of years after the beginnings of animal domestication and food production, the animals also began to be used for milk, wool, plowing, and transport. Thus, the crops and animals of the Fertile Crescent's first farmers came to meet humanity's basic economic needs: carbohydrate, protein, fat, clothing, traction, and transport.
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies)
And now he couldn’t cloak it any longer, the leaking sense of loss, more fucking loss, soaking through into the same old general, swirling sense of betrayal, years upon pissed-away years of it, made bitter and particular on his tongue now, as if Grace-of-Heaven had come wormwood into his mouth in those final clenched, pulsing seconds.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
Heart pounding, he collapsed on top of her, claiming her lips with his as he did so, making love to her mouth with his tongue as his spent c#ck continued to spasm inside her p#ssy. Wanting to give her pleasure even as the steel left his length. She wrapped her arms around his back, tangling her legs with his as she returned his kiss. The pulsing pressure of her fading orgasm on his dick was an unbearable caress he would willingly endure until the end of time. An affirmation of the pleasure he gave her. A confirmation of what his heart had been telling him since he’d first laid eyes on her: he was hers. Irrevocably and unquestionably.
Lexxie Couper (Dare Me)
A mere dozen species account for over 80 percent of the modern world’s annual tonnage of all crops. Those dozen blockbusters are the cereals wheat, corn, rice, barley, and sorghum; the pulse soybean; the roots or tubers potato, manioc, and sweet potato; the sugar sources sugarcane and sugar beet; and the fruit banana.
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
On the far side of the bay was the command station that controlled the door, which was currently semi-open. Rather than the normal closed maw of steel, there was a network of pulsing gold veins crisscrossing the gaping mouth of black - a nitrogen membrane keeping the molecular air contained and pressurized while allowing aircraft to pass through.
April Adams (Drawing the Dragon)
The deafening crowd echoed through the pale stone corridors of the royal castle of Orynth. They were chanting her name, almost wailing it. Aelin. A two-beat pulse that sounded through each step she made up the darkened stairwell. Goldryn was heavy at her back, its ruby smoldering in the light of the sun trickling from the landing above. Her tunic was beautiful yet simple, though her steel gauntlets—armed with hidden blades—were as ornate as they were deadly. She reached the landing and stalked down it, past the towering, muscled warriors who lurked in the shadows just beyond the open archway. Not just warriors—her warriors. Her court. Aedion was there, and a few others whose faces were obscured by shadow, but their teeth gleamed faintly as they gave her feral grins. A court to change the world. The chanting increased, and the amulet bounced between her breasts with each step. She kept her eyes ahead, a half smile on her face as she emerged at last onto the balcony and the cries grew frantic, as overpowering as the frenzied crowd outside the palace, in the streets, thousands gathered and chanting her name. In the courtyard, young priestesses of Mala danced to each pulse of her name, worshipping, fanatic. With this power—with the keys she’d attained—what she had created for them, the armies she had made to drive out their enemies, the crops she had grown, the shadows she had chased away … these things were nothing short of a miracle. She was more than human, more than queen. Aelin. Beloved. Immortal. Blessed. Aelin. Aelin of the Wildfire. Aelin Fireheart. Aelin Light-Bringer. Aelin. She raised her arms, tipping back her head to the sunlight, and their cries made the entirety of the White Palace tremble. On her brow, a mark—the sacred mark of Brannon’s line—glowed blue. She smiled at the crowd, at her people, at her world, so ripe for the taking.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
The sole domestic animals of modern New Guinea, the pig and chicken and dog, arrived from Southeast Asia by way of Indonesia within the last several thousand years. As a result, while New Guinea lowlanders obtain protein from the fish they catch, New Guinea highland farmer populations suffer from severe protein limitation, because the staple crops that provide most of their calories (taro and sweet potato) are low in protein. Taro, for example, consists of barely 1 percent protein, much worse than even white rice, and far below the levels of the Fertile Crescent’s wheats and pulses (8–14 percent and 20–25 percent protein, respectively).
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
Astarte has come again, more powerful than before. She possesses me. She lies in wait for me. December 97 My cruelty has also returned: the cruelty which frightens me. It lies dormant for months, for years, and then all at once awakens, bursts forth and - once the crisis is over - leaves me in mortal terror of myself. Just now in the avenue of the Bois, I whipped my dog till he bled, and for nothing - for not coming immediately when I called! The poor animal was there before me, his spine arched, cowering close to the ground, with his great, almost human, eyes fixed on me... and his lamentable howling! It was as though he were waiting for the butcher! But it was as if a kind of drunkenness had possessed me. The more I struck out the more I wanted to strike; every shudder of that quivering flesh filled me with some incomprehensible ardour. A circle of onlookers formed around me, and I only stopped myself for the sake of my self-respect. Afterwards, I was ashamed. I am always ashamed of myself nowadays. The pulse of life has always filled me with a peculiar rage to destroy. When I think of two beings in love, I experience an agonising sensation; by virtue of some bizarre backlash, there is something which smothers and oppresses me, and I suffocate, to the point of anguish. Whenever I wake up in the middle of the night to the muted hubbub of bumps and voices which suddenly become perceptible in the dormant city - all the cries of sexual excitement and sensuality which are the nocturnal respiration of cities - I feel weak. They rise up around me, submerging me in a sluggish flux of embraces and a tide of spasms. A crushing weight presses down on my chest; a cold sweat breaks out on my brow and my heart is heavy - so heavy that I have to get up, run bare-foot and breathless, to my window, and open both shutters, trying desperately to breathe. What an atrocious sensation it is! It is as if two arms of steel bear down upon my shoulders and a kind of hunger hollows out my stomach, tearing apart my whole being! A hunger to exterminate love. Oh, those nights! The long hours I have spent at my window, bent over the immobile trees of the square and the paving-stones of the deserted street, on watch in the silence of the city, starting at the least noise! The nights I have passed, my heart hammering in anguish, wretchedly and impatiently waiting for my torment to consent to leave me, and for my desire to fold up the heavy wings which beat inside the walls of my being like the wings of some great fluttering bird! Oh, my cruel and interminable nights of impotent rebellion against the rutting of Paris abed: those nights when I would have liked to embrace all the bodies, to suck in all the breaths and sup all the mouths... those nights which would find me, in the morning, prostrate on the carpet, scratching it still with inert and ineffectual fingers... fingers which never know anything but emptiness, whose nails are still taut with the passion of murder twenty-four hours after the crises... nails which I will one day end up plunging into the satined flesh of a neck, and... It is quite clear, you see, that I am possessed by a demon... a demon which doctors would treat with some bromide or with all-healing sal ammoniac! As if medicines could ever be imagined to be effective against such evil!
Jean Lorrain (Monsieur De Phocas)
Of the 200,000 wild plant species, only a few thousand are eaten by humans, and just a few hundred of these have been more or less domesticated. Even of these several hundred crops, most provide minor supplements to our diet and would not by themselves have sufficed to support the rise of civilizations. A mere dozen species account for over 80 percent of the modern world’s annual tonnage of all crops. Those dozen blockbusters are the cereals wheat, corn, rice, barley, and sorghum; the pulse soybean; the roots or tubers potato, manioc, and sweet potato; the sugar sources sugarcane and sugar beet; and the fruit banana. Cereal crops alone now account for more than half of the calories consumed by the world’s human populations. With so few major crops in the world, all of them domesticated thousands of years ago, it’s less surprising that many areas of the world had no wild native plants at all of outstanding potential. Our failure to domesticate even a single major new food plant in modern times suggests that ancient peoples really may have explored virtually all useful wild plants and domesticated all the ones worth domesticating.
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
We’d been expending heroic effort searching for an apartment, a frustrating process which we’d borne in mostly good humor although the bare spaces and empty rooms haunted with other people’s abandoned lives kicked up (for me) a lot of ugly echoes from childhood, moving boxes and kitchen smells and shadowed bedrooms with the life gone out of them all but more than this, pulsing throughout, a sort of ominous mechanical hum audible (apparently) only to me, heavily-breathing apprehensions which the voices of the brokers, ringing cheerfully against the polished surfaces as they walked around switching on the lights and pointing out the stainless-steel appliances, did little to dispel. And why was this? Not every apartment we saw had been vacated for reasons of tragedy, as I somehow believed. The fact that I smelled divorce, bankruptcy, illness and death in almost every space we viewed was clearly delusional—and, besides, how could the troubles of these previous tenants, real or imagined, harm Kitsey or me? “Don’t lose heart,” said Hobie (who, like me, was overly sensitive to the souls of rooms and objects, the emanations left by time)
Donna Tartt (The Goldfinch)
Little by little, the discomfort gave way to the aching pleasure from before. She canted her hips, caught as she was between the steel of his manhood and the skill of his fingers. The pulsing ache had returned, greedy and demanding more. Except this time he was there, filling her completely, creating a new wave of intoxicating pleasure with her every movement as he nudged against a sensitive place deep inside her. "Yes, that's it." His voice was serrated with desire. "Fuck me." A cry tore from her lips, and she tilted her hips again, pushing back. He answered her silent plea by thrusting into her at the same time. A spark of white-hot light shot across her vision. Then he did it again, and again, moving in a controlled rhythm that matched the stroking of his hand. He attacked her with pleasure from both sides. All too soon she was trembling, her breath coming erratically as she cried out into the blankets as wave after wave of gratification broke over her. Only then did he falter in his pace. He fell over her, holding himself off her with one hand while grabbing a handful of her hair with the other. He pulled her head back and took her mouth in a kiss, his hips losing their rhythm too become erratic and fitful.
Harper St. George (The Devil and the Heiress (The Gilded Age Heiresses, #2))
The group is a concept of uncommunicable shared suffering, a concept that ultimately rejects the agency of words. For shared suffering, more than anything else, is the ultimate opponent of verbal expression. Not even the mightiest Weltschmerz in the heart of the solitary writer, billowing upwards to the starry heavens like some great circus tent, can create a community of shared suffering. For though verbal expression may convey pleasure or grief, it cannot convey shared pain; though pleasure may be readily fired by ideas, only bodies, placed under the same circumstances, can experience a common suffering. Only through the group, I realised—through sharing the suffering of the group—could the body reach that height of existence that the individual alone could never attain. And for the body to reach that level at which the divine might be glimpsed, a dissolution of the individuality was necessary. The tragic quality of the group was also necessary—the quality that constantly raised the group out of the abandon and torpor into which it was prone to lapse, leading it on to ever-mounting shared suffering and so to death, which was the ultimate suffering. The group must be open to death, which meant, of course, that it must be a community of warriors… . In the dim light of early morning I was running, one of a group. A cotton towel with the symbol of a red sun on it was tied about my forehead, and I was stripped to the waist in the freezing air. Through the common suffering, the shared cries of encouragement, the shared pace, and the chorus of voices, I felt the slow emergence, like the sweat that gradually beaded my skin, of that “tragic” quality that is the affirmation of identity. It was a flame of the flesh, flickering up faintly beneath the biting breeze—a flame, one might almost say, of nobility. The sense of surrendering one’s body to a cause gave new life to the muscles. We were united in seeking death and glory; it was not merely my personal quest. The pounding of the heart communicated itself to the group; we shared the same swift pulse. Self-awareness by now was as remote as the distant rumour of the town. I belonged to them, they belonged to me; the two formed an unmistakable “us.” To belong—what more intense form of existence could there be? Our small circle of oneness was a means to a vision of that vast, dimly gleaming circle of oneness. And—all the while foreseeing that this imitation of tragedy was, in the same way as my own narrow happiness, condemned to vanish with the wind, to resolve itself into nothing more than muscles that simply existed—I had a vision where something that, if I were alone, would have resolved back into muscles and words, was held fast by the power of the group and led me away to a far land, whence there would be no return. It was, perhaps, the beginning of my placing reliance on others, a reliance that was mutual; and each of us, by committing himself to this immeasurable power, belonged to the whole.
Yukio Mishima (Sun & Steel)
Toward an Organic Philosophy SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow.
Kenneth Rexroth (Collected Shorter Poems)
Energy is the basis of creating electricity that we can utilize, so how can we harness the power of an earthquake? Obviously, today, if that much energy were being drawn from the Earth through the Great Pyramid, tourists would not be parading through it every day. In order for the system to work, the pyramid would need to be mechanically coupled with the Earth and vibrating in sympathy with it. To do this, the system would need to be "primed"—we would need to initiate oscillation of the pyramid before we could tap into the Earth's oscillations. After the initial priming pulse, though, the pyramid would be coupled with the Earth and could draw off its energy. In effect, the Great Pyramid would feed into the Earth a little energy and receive an enormous amount out of it in return. How do we cause a mass of stone that weighs 5,273,834 tons to oscillate? It would seem an impossible task. Yet there was a man in recent history who claimed he could do just that! Nikola Tesla, a physicist and inventor with more than six hundred patents to his credit—one of them being the AC generator—created a device he called an "earthquake machine." By applying vibration at the resonant frequency of a building, he claimed he could shake the building apart. In fact, it is reported that he had to turn his machine off before the building he was testing it in came down around him. [...] The New York World-Telegram reported Tesla's comments from a news briefing at the hotel New Yorker on July 11, 1935: 'I was experimenting with vibrations. I had one of my machines going and I wanted to see if I could get it in tune with the vibration of the building. I put it up notch after notch. There was a peculiar cracking sound. I asked my assistants where did the sound come from. They did not know. I put the machine up a few more notches. There was a louder cracking sound. I knew I was approaching the vibration of the steel building. I pushed the machine a little higher. Suddenly, all the heavy machinery in the place was flying around. I grabbed a hammer and broke the machine. The building would have been about our ears in another few minutes. Outside in the street there was pandemonium. The police and ambulances arrived. I told my assistants to say nothing. We told the police it must have been an earthquake. That's all they ever knew about it.
Christopher Dunn (The Giza Power Plant: Technologies of Ancient Egypt)
STRAWBERRY SHORTBREAD BAR COOKIES Preheat oven to 350 degrees F., rack in the middle position.   Hannah’s 1st Note: These are really easy and fast to make. Almost everyone loves them, including Baby Bethie, and they’re not even chocolate! 3 cups all purpose flour (pack it down in the cup when you measure it) ¾ cup powdered (confectioner’s) sugar (don’t sift un- less it’s got big lumps) 1 and ½ cups salted butter, softened (3 sticks, 12 ounces, ¾ pound) 1 can (21 ounces) strawberry pie filling (I used Comstock)*** *** - If you can’t find strawberry pie filling, you can use another berry filling, like raspberry, or blueberry. You can also use pie fillings of larger fruits like peach, apple, or whatever. If you do that, cut the fruit pieces into smaller pieces so that each bar cookie will have some. I just put my apple or peach pie filling in the food processor with the steel blade and zoop it up just short of being pureed. I’m not sure about using lemon pie filling. I haven’t tried that yet. FIRST STEP: Mix the flour and the powdered sugar together in a medium-sized bowl. Cut in the softened butter with a two knives or a pastry cutter until the resulting mixture resembles bread crumbs or coarse corn meal. (You can also do this in a food processor using cold butter cut into chunks that you layer between the powdered sugar and flour mixture and process with the steel blade, using an on-and-off pulsing motion.) Spread HALF of this mixture (approximately 3 cups will be fine) into a greased (or sprayed with Pam or another nonstick cooking spray) 9-inch by 13-inch pan. (That’s a standard size rectangular cake pan.) Bake at 350 degrees F. for 12 to 15 minutes, or until the edges are just beginning to turn golden brown. Remove the pan to a wire rack or a cold burner on the stove, but DON’T TURN OFF THE OVEN! Let the crust cool for 5 minutes. SECOND STEP: Spread the pie filling over the top of the crust you just baked. Sprinkle the crust with the other half of the crust mixture you saved. Try to do this as evenly as possible. Don’t worry about little gaps in the topping. It will spread out and fill in a bit as it bakes. Gently press the top crust down with the flat blade of a metal spatula. Bake the cookie bars at 350 degrees F. for another 30 to 35 minutes, or until the top is lightly golden. Turn off the oven and remove the pan to a wire rack or a cold burner to cool completely. When the bars are completely cool, cover the pan with foil and refrigerate them until you’re ready to cut them. (Chilling them makes them easier to cut.) When you’re ready to serve them, cut the Strawberry Shortbread Bar Cookies into brownie-sized pieces, arrange them on a pretty platter, and if you like, sprinkle the top with extra powdered sugar.
Joanne Fluke (Devil's Food Cake Murder (Hannah Swensen, #14))
His eyes flickered with amusement, reflecting sunlight and shade. The rough beard on his chin gave him a wild, dangerous look. Stiffly, she lifted herself onto her toes, bracing a hand against his shoulders. He was steel beneath her grasp. Did he have to watch her so intently? She closed her eyes. It was the only way she would have the courage to do this. Still he waited. It would be a brief meeting of lips. Nothing to be afraid of. If only her heart would remember to keep beating. Holding her breath, she let her lips brush over his. It was the first time she’d ever kissed a man and her mind raced with it. She hardly had a sense of his mouth at all, though the shock of the single touch rushed like liquid fire to her toes. Her part of the bargain was fulfilled. It could be done and over right then. Recklessly, after a moment’s hesitation, she touched her lips once again to him. This time she lingered, exploring the feel of him little by little. His mouth was warm and smooth and wonderful, all of it new and unexpected. He still hadn’t moved, even though her knees threatened to crumble and her heart beat like a thunder drum. Finally he responded with the barest hint of pressure. The warmth of his breath mingled with hers. Without thinking, she let her fingers dig into the sleek muscle of his arms. A low, husky sound rumbled in his throat before he wrapped his arms around her. Heaven and earth. She hadn’t been kissing him at all. The thin ribbon of resistance uncoiled within her as he took control of the kiss. His stubble scraped against her mouth, raking a raw path of sensation through her. She could do nothing but melt against him, clutching the front of his tunic to stay on her feet. A delicious heat radiated from him. His hands sank low against the small of her back to draw her close as he teased her mouth open. His breath mingled with hers for one anguished second before his tongue slipped past her lips to taste her in a slow, indulgent caress. A sigh of surrender escaped from her lips, a sound she hadn’t imagined she was capable of uttering. His hands slipped from her abruptly and she opened her eyes to see his gaze fixed on her. ‘Well,’ he breathed, ‘you do honour your bets.’ Though he no longer touched her, it was as if the kiss hadn’t ended. He was still so close, filling every sense and thought. She stumbled as she tried to step away and he caught her, a knowing smile playing over his mouth. Her balance was impeccable. She never lost her footing like that, just standing there. His grip tightened briefly before he let her go. Even that tiny, innocent touch filled her with renewed longing. In a daze, she bent to pick up her fallen swords. Her pulse throbbed as if she had run a li without stopping. In her head she was still running, flying fast. ‘Now that our bargain is settled…’ she began hoarsely ‘…we should be going.’ To her horror her hands would not stop shaking. Brushing past him, she gathered up her knapsack and slung it over her shoulder. ‘You said the next town was hours from here?’ He collected his sword while a slow grin spread over his face. She couldn’t look at him without conjuring the feel and the taste of him. Head down, she ploughed through the tall grass. ‘A good match,’ she attempted. He caught up to her easily with his long stride. ‘Yes, quite good,’ he replied, the tone rife with meaning. Her cheeks burned hot as she forced her gaze on the road ahead. She could barely tell day from night, couldn’t give her own name if asked. She had to get home and denounce Li Tao. Warn her father. She had thought of nothing else since her escape, until this blue-eyed barbarian had appeared. It was fortunate they were parting when they reached town. When he wasn’t looking she pressed her fingers over her lips, which were still swollen from that first kiss. She was outmatched, much more outmatched than when they had crossed swords.
Jeannie Lin (Butterfly Swords (Tang Dynasty, #1))
You buried my father, she began. He nodded unctuously. He couldn’t wonder what this was about. He remembered the girl, and he remembered the old man, but he couldn’t fathom what she wanted unless someone else was dead. He kept glancing at the purse, and he couldn’t remember if it had all been paid or not. Maybe she owed him money. Mann Tyler, she said. He had an insurance. We paid for an eight-hundred-dollar steel vault to go over his casket, and it’s not there anymore. The room was very quiet. She could hear rain at the window. Breece got up and crossed the room. He peereddown the hall and closed the door. He went back and sat down. His hands placed together atop the desk formed an arch. He was watching her and she could see sick fear rise up in his eyes. Just not there, she went on. And that’s not all. He’s buried without all the clothes we bought for him, and he’s been…mutilated. She just watched him. A tic pulsed at the corner of one bulging eye like something monstrous stirring beneath a thin veneer of flesh.
William Gay (Twilight)
Mister, you’re a dead man.” Chapter 2 The steel pressed hard and cold against Connell’s head. He’d been in plenty of dangerous situations, but this was the first time anyone had ever threatened to blow out his brains. The twenty-four-inch-long rifle with its octagon barrel chambered fifteen ready-to-fire cartridges. But at this range, all it would take was one shot and he’d be a dead man. “No one touches Lily”— the man jabbed the tip into Connell’s temple, grinding it into his throbbing pulse—“and lives to tell about it.” The old man grabbed the rope that entangled them. He grunted and twisted it before finally pulling it free. Then he extended a hand to the woman and hoisted her to her feet. All the while, neither his Winchester nor his murderous eyes shifted so much as a thousandth of an inch from Connell. Finally, in all of the shifting, the dirty socks fell away from his head and gave him a clear glimpse of the woman. She untangled her skirt and smoothed down the folds of flowery calico, but not before he caught sight of her long knit socks, which strangely enough were striped in parallel rows of bright yellow and orange and green and purple. “Now, Oren, there’s no need to kill him.” She patted the man’s arm. “At least not tonight.” He muttered under the big mustache that hung over his upper lip but didn’t move the gun. “I agree,” Connell said. “And really, I don’t see that there’s ever going to be a need to kill me.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
Stan landed on my shoulder while I positioned the gems in front of the central wiring hubs, and once the two of us exchanged a nod, I sent out a surge of magic to embed the gems into the eight sentries at the same time. My heart pounded heavy with anticipation as the gems began to give off a steady pulse, and none of us said a word while we waited for the machines to wake up. After a few seconds, the eyes on the steel helms ignited with a blaze of white, and as the collective power of their magical gems shot through my veins, I knew these guys would be a force to be reckoned with. Not only were their personalities distinctly alert, but the energy they gave off was crisp and unyielding, and when their helms slowly turned to look my way, the pulse of the eight gems fell in sync with one another. “Welcome to the army, boys,” I said with a deadly grin. “I’m Mason Flynt.” Then the eight metal soldiers raised their right arms and saluted in unison, and the barrels of their rifles tipped toward the sky at attention.
Eric Vall (Metal Mage 13 (Metal Mage, #13))
Ruxs lifted Green’s limp cock and sucked into his mouth, making an obscene slurping noise. He gripped Green’s ass and yanked him hard against his face, taking all of the flaccid meat, down to Green’s pubic hair. He swallowed and licked, keeping his nose buried in that scratchy bush. Green was growing by the millisecond and he knew he’d have to pull back soon, only being able to take half of Green’s erect cock. It was exhilarating for him to have his lips pressed against Green’s pelvis and his own cock was hard as steel. He just barely stroked himself; he didn’t want to come yet. Green was more than half-hard and Ruxs could feel his throat resisting the intrusion. He eased back but Green grabbed the back of his head with both hands and held him there. Kept his nose buried in his pubes. Forcing him to take it. Ruxs squeezed Green’s ass, slapped him hard on it. Hard enough to leave a mark. Green grunted his name, kept forcing him to take more. Ruxs felt the head of Green’s cock against the back of his tongue; he tasted the saltiness from the precome. He balked hard, his choke muffled. Green held him tight. The bastard rocked his hips forward, making him take even more. Damn, it was hot as fuck. He got a solid grip on Green’s hip and tried unsuccessfully to push him back. He gagged hard. And oh how his lover was loving it. Ruxs’ eyes watered as he tried to fight his gag reflex. Tried to relax his throat. Wasn’t working. But the domination Green was exhibiting was sure as hell working on his cock. His dick pulsed untouched, twitched on its own. Fuck, he needed to come. He was gonna come.  “Take it.” Green’s voice was barely recognizable. The command was made on a throaty growl. Almost evil. The thick steam billowing from the shower engulfed his lover and made him appear as if he had emerged from fire. Green thrust again, his solid grip on the back of Ruxs’ head still uncompromising. His strength unyielding. Ruxs rose up higher, gagged and spit, trying to open his mouth wider. He scrambled at Green’s tight ass, took his middle finger, and pressed it deep into him. No spit, no lube. You fuckin’ take it. Green shouted, releasing Ruxs’ head. Ruxs yanked back, gasping in a much need breath, still coughing and choking from the lack of oxygen. “Motherfucker,” he gasped. Ruxs pushed his finger in further, pressed against that spongy bundle of nerves that had Green cursing him back and clasping his big hand around his throat. Green’s knees buckled but he didn’t go down. The look on his face was absolute feral ecstasy. Ruxs watched him through hooded eyes as Green’s orgasm hurtled to the surface, full throttle. Green pulled on his shaft one, two, three times, and then he was coming all over Ruxs’ neck, his cheek, his lips. Green’s body jerked and jolted with each jet of come that hit Ruxs’ face. Ruxs just barely got out his own guttural shout before his balls tightened exquisitely and come burst from him, hitting Green’s shins, coating his foot. With his head bowed, and bathed in his partner’s come, he bit into the fleshy part of Green’s thigh and let his orgasm course through him. Lived in it. Loved it. “Fuuuuck,” he moaned. No one could make him come this hard but the man he loved. They
A.E. Via (Here Comes Trouble (Nothing Special #3))
The first Superfortress reached Tokyo just after midnight, dropping flares to mark the target area. Then came the onslaught. Hundreds of planes—massive winged mechanical beasts roaring over Tokyo, flying so low that the entire city pulsed with the booming of their engines. The US military’s worries about the city’s air defenses proved groundless: the Japanese were completely unprepared for an attacking force coming in at five thousand feet. The full attack lasted almost three hours; 1,665 tons of napalm were dropped. LeMay’s planners had worked out in advance that this many firebombs, dropped in such tight proximity, would create a firestorm—a conflagration of such intensity that it would create and sustain its own wind system. They were correct. Everything burned for sixteen square miles. Buildings burst into flame before the fire ever reached them. Mothers ran from the fire with their babies strapped to their backs only to discover—when they stopped to rest—that their babies were on fire. People jumped into the canals off the Sumida River, only to drown when the tide came in or when hundreds of others jumped on top of them. People tried to hang on to steel bridges until the metal grew too hot to the touch, and then they fell to their deaths. After the war, the US Strategic Bombing Survey concluded: “Probably more persons lost their lives by fire at Tokyo in a six-hour period than at any time in the history of man.” As many as 100,000 people died that night. The aircrews who flew that mission came back shaken. [According to historian] Conrad Crane: “They’re about five thousand feet, they are pretty low... They are low enough that the smell of burning flesh permeates the aircraft...They actually have to fumigate the aircraft when they land back in the Marianas, because the smell of burning flesh remains within the aircraft. (...) The historian Conrad Crane told me: I actually gave a presentation in Tokyo about the incendiary bombing of Tokyo to a Japanese audience, and at the end of the presentation, one of the senior Japanese historians there stood up and said, “In the end, we must thank you, Americans, for the firebombing and the atomic bombs.” That kind of took me aback. And then he explained: “We would have surrendered eventually anyway, but the impact of the massive firebombing campaign and the atomic bombs was that we surrendered in August.” In other words, this Japanese historian believed: no firebombs and no atomic bombs, and the Japanese don’t surrender. And if they don’t surrender, the Soviets invade, and then the Americans invade, and Japan gets carved up, just as Germany and the Korean peninsula eventually were. Crane added, The other thing that would have happened is that there would have been millions of Japanese who would have starved to death in the winter. Because what happens is that by surrendering in August, that givesMacArthur time to come in with his occupation forces and actually feedJapan...I mean, that’s one of MacArthur’s great successes: bringing in a massive amount of food to avoid starvation in the winter of 1945.He is referring to General Douglas MacArthur, the supreme commander for the Allied powers in the Pacific. He was the one who accepted theJapanese emperor’s surrender.Curtis LeMay’s approach brought everyone—Americans and Japanese—back to peace and prosperity as quickly as possible. In 1964, the Japanese government awarded LeMay the highest award their country could give a foreigner, the First-Class Order of Merit of the Grand Cordon of the Rising Sun, in appreciation for his help in rebuilding the Japanese Air Force. “Bygones are bygones,” the premier of Japan said at the time.
Malcolm Gladwell
(Amavia's suicide) But if that carelesse heauens (quoth she) despise The doome of iust reuenge, and take delight To see sad PAGEANTS OF MEN'S MISERIES, As bound by them to liue in liues despight, Yet can they not warne death from wretched wight. Come then, come soone, come sweetest death to mee, And take away this LONG LENT LOATHED LIGHT: Sharpe be thy wounds, but sweet the medicines bee, That long captiued soules from wearie thraldome free. But thou, sweet Babe, whom frowning froward fate Hath made sad witnesse of thy fathers fall, Sith heauen thee deignes to hold in liuing state, Long maist thou liue, and better thriue withall, Then to thy lucklesse parents did befall: Liue thou, and to thy mother dead attest, That cleare she dide from blemish criminall; Thy litle hands embrewd in bleeding brest Loe I for pledges leaue. So giue me leaue to rest. With that a deadly shrieke she forth did throw, That through the wood reecchoed againe, And after gaue a grone so deepe and low, That seemd her tender heart was rent in twaine, Or thrild with point of thorough piercing paine; As gentle Hynd, whose sides with cruell steele Through launched, forth her bleeding life does raine, Whiles the sad pang approching she does feele, Brayes out her latest breach, and vp her eyes doth seele. Which when that warriour heard, dismounting straict From his tall steed, he rusht into the thicke, And soone arriued, where that sad pourtraict Of death and dolour lay, halfe dead, halfe quicke, In whose white alabaster brest did sticke A cruell knife, that made a griesly wound, From which forth gusht a streme of gorebloud thick, That all her goodly garments staind around, And into a deepe sanguine dide the grassie ground. Pittifull spectacle of deadly smart, Beside a bubbling fountaine low she lay, Which she increased with her bleeding hart, And the cleane waues widi purple gore did ray; Als in her lap a louely babe did play His cruell sport, in stead of sorrow dew; For in her streaming blood he did embay His litle hands, and tender ioynts embrew; Pitifull spectacle, as euer eye did view. Out of her gored wound the cruell steele He lighdy snatcht, and did the floudgate stop With his faire garment: then gan softly feele Her feeble pulse, to proue if any drop Of liuing bloud yet in her veynes did hop; Which when he felt to moue, he hoped faire To call backe life to her forsaken shop. ... Not one word more she sayd But breaking off, the end for want of breath, And slyding soft, as downe to sleepe her layd, And ended all her woe in quiet death. That seeing good Sir Guyon, could vneath From tears abstaine, for griefe his hart did grate, And from so heauie sight his head did wreath, Accusing fortune, and too cruell fate, Which plunged had faire Ladie in so wretched state. Then turning to his Palmer said, Old syre Behold the image of mortalitie, And feeble nature cloth’d with fleshly tyre, When raging passion with fierce tyrannie Robs reason of her due regalitie, And makes it seruant to her basest part: The strong it weakens with infirmitie, And with bold furie armes the weakest hart; The strong through pleasure soonest falles, the weake through smart.
Edmund Spenser (The Faerie Queene)
The creature scrambled closer, walking on long legs that were of polished metal. Its tall and thin torso, an amalgamation of metal rods and black, pulsing organic parts, was bent and grated against the ceiling, while its head looked like a flat iron with eyes. Short and stubby steel teeth lined its long jaws. The entire room smelled of hot metal and molten rubber.
Antonio Melonio (Cyan Waters: A Story From the Poolrooms)
The sounds he’s making are so raw and primal and my pulse climbs. I need more. Of him. Of that sound.
Jessica Buss (Hooked By You (Chicago Steel #1))
Once I was gone from the camera, the video faded into blackness and words appeared on the screen, letter by letter in a blood-red font. Whoops, wrong person. You missed. My chest tightened and my pulse thundered in my ears as that message faded and a new one appeared. I never miss. Understanding flashed across my mind in a split second as the red light appeared again, but this time in the middle of Steele's chest. It was a dot. A red dot... like a laser sight might make.
Tate James (Fake (Madison Kate, #3))
His pulse hammers. Somewhere on board his brother's heart beats, too. Please, God. The hearth that heat inside his own before they'd even drawn breath. This friend he'd shared a lifetime with. Only a wall of war-thick steel and military protection between them.
Amanda Dykes (Whose Waves These Are)
He slapped one hand against the breech of the Thompson, slapped again, pulsing frustration, and said aloud, “Dammit!
Jeff Shaara (The Steel Wave (World War II: 1939-1945, #2))
You want that water, boy?” The boy nodded. It would do no good, but he nodded anyway as he always did. Maybe this would be the one time when they felt sorry enough for him to give him the water. “I’ll give you the water if you cry, boy,” Tattoo said, his eyes glowing beneath his black mask. “Go ahead. Cry for it. Cry like the little pansy you are.” The boy was all cried out. There probably wasn’t enough water in his body to make tears. But that water—that tall, clear glass of water—pulsed like a heartbeat. It was laughing too, ridiculing him, jabbing at him. “You can’t have me. They’ll never let you have me…” The boy closed his eyes, squeezing them together, desperately trying to conjure just one tear, even knowing that he still wouldn’t get the water if he cried. He bore down, clenched all his muscles, trying, trying… “Come on, boy. Just cry for me. Cry one tear, and I’ll let you have the water.” The boy didn’t cry.
Helen Hardt (Craving (Steel Brothers Saga, #1))