Station Eleven Jeevan Quotes

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Jeevan found himself thinking about how human the city is, how human everything is. We bemoaned the impersonality of the modern world, but that was a lie, it seemed to him; it had never been impersonal at all. There had always been a massive delicate infrastructure of people, all of them working unnoticed around us, and when people stop going to work, the entire operation grinds to a halt. No one delivers fuel to the gas stations or the airports. Cars are stranded. Airplanes cannot fly. Trucks remain at their points of origin. Food never reaches the cities; grocery stores close. Businesses are locked and then looted. No one comes to work at the power plants or the substations, no one removes fallen trees from electrical lines. Jeevan was standing by the window when the lights went out.
Emily St. John Mandel (Station Eleven)
Jeevan was crushed by a sudden certainty that this was it, that this illness Hua was describing was going to be the divide between a before and an after, a line drawn through his life.
Emily St. John Mandel (Station Eleven)
The boy turns to his parents and for an instant in the twilight he looks like his namesake, like Jeevan’s brother. He comes to them, the moment already passed, and Jeevan lifts him into his arms to kiss the silk of his hair. Always these memories, barely submerged.
Emily St. John Mandel (Station Eleven)
There’s still a world out there,” Jeevan said, “outside this apartment.” “I think there’s just survival out there, Jeevan. I think you should go out there and try to survive.
Emily St. John Mandel (Station Eleven)
And here, all momentum left him. He could go no farther. The theater tickets had been intended as a romantic gesture, a let's-do-something-romantic-because-all-we-do-is-fight, and she'd abandoned him there, she'd left him onstage performing CPR on a dead actor and gone home, and now she wanted him to buy milk. Now that he'd stopped walking, Jeevan was cold. His toes were numb. All the magic of the storm had left him, and the happiness he'd felt a moment earlier was fading.
Emily St. John Mandel (Station Eleven)
He placed a pinch of snow on his tongue and thought of making snow ice cream with Frank and their mother when they were small boys - 'First you stir in the vanilla' - Frank standing on a stool on his wondrously functional pre-Libya legs, the bullet that would sever his spinal cord still twenty-five years away but already approaching: a woman giving birth to a child who will someday pull the trigger on a gun, a designer sketching the weapon or its precursor, a dictator making a decision that will spark in the fullness of time into the conflagration that Frank will go overseas to cover for Reuters, the pieces of a pattern drifting closer together.
Emily St. John Mandel (Station Eleven)
Jeevan’s understanding of disaster preparedness was based entirely on action movies, but on the other hand, he’d seen a lot of action movies.
Emily St. John Mandel (Station Eleven)
Jeevan’s understanding of disaster preparedness was based entirely on action movies, but on the other hand, he’d seen a lot of action movies. He
Emily St. John Mandel (Station Eleven (Picador Collection))
It wasn’t only exhaustion, Jeevan realized. Hua was afraid.
Emily St. John Mandel (Station Eleven)
As Jeevan walked on alone he felt himself disappearing into the landscape. He was a small, insignificant thing, drifting down the shore. He had never felt so alive or so sad.
Emily St. John Mandel (Station Eleven)
a man and a woman in dark uniforms crowding Jeevan aside, the woman so young she could’ve passed as a teenager.
Emily St. John Mandel (Station Eleven)
Jeevan was crushed by a sudden certainty that this was it, that this illness Hua was describing was going to be the divide between a before and an after, a line drawn through his life.
Emily St. John Mandel (Station Eleven)
You know,” Jeevan had said, “in the movie version of this there’s the apocalypse, and then afterward—” “What makes you think we’ll make it to afterward?” Frank was always so goddamned calm about everything.
Emily St. John Mandel (Station Eleven)
If it had been anyone other than Hua, Jeevan wouldn’t have believed it, but he had never known a man with a greater gift for understatement. If Hua said there was an epidemic, then epidemic wasn’t a strong enough word.
Emily St. John Mandel (Station Eleven)
One of them shrugged and pulled the blanket down to fit an oxygen mask over Arthur’s face. Jeevan realized this charade must be for Arthur’s family, so they wouldn’t be notified of his death via the evening news. He was moved by the decency of it.
Emily St. John Mandel (Station Eleven)
If Hua said there was an epidemic, then epidemic wasn’t a strong enough word. Jeevan was crushed by a sudden certainty that this was it, that this illness Hua was describing was going to be the divide between a before and an after, a line drawn through his life.
Emily St. John Mandel (Station Eleven)
Not quite a room, Jeevan thought now, looking around the stage. It was too transitory, all those doorways and dark spaces between wings, the missing ceiling. It was more like a terminal, he thought, a train station or an airport, everyone passing quickly through.
Emily St. John Mandel (Station Eleven (Picador Collection))
delicate infrastructure of people, all of them working unnoticed around us, and when people stop going to work, the entire operation grinds to a halt. No one delivers fuel to the gas stations or the airports. Cars are stranded. Airplanes cannot fly. Trucks remain at their points of origin. Food never reaches the cities; grocery stores close. Businesses are locked and then looted. No one comes to work at the power plants or the substations, no one removes fallen trees from electrical lines. Jeevan was standing by the window when the lights went out.
Emily St. John Mandel (Station Eleven)
Sixty dollars later Jeevan was alone outside his brother’s apartment door, the carts lined up down the corridor. Perhaps, he thought, he should have called ahead from the grocery store. It was one a.m. on a Thursday night, the corridor all closed doors and silence. “Jeevan,” Frank said when he came to the door. “An unexpected pleasure.” “I…” Jeevan didn’t know how to explain himself, so he stepped back and gestured weakly at the carts instead of speaking. Frank manoeuvred his wheelchair forward and peered down the hall. “I see you went shopping,” Frank said.
Emily St. John Mandel (Station Eleven)
We bemoaned the impersonality of the modern world, but that was a lie, it seemed to him; it had never been impersonal at all. There had always been a massive delicate infrastructure of people, all of them working unnoticed around us, and when people stop going to work, the entire operation grinds to a halt. No one delivers fuel to the gas stations or the airports. Cars are stranded. Airplanes cannot fly. Trucks remain at their points of origin. Food never reaches the cities; grocery stores close. Businesses are locked and then looted. No one comes to work at the power plants or the substations, no one removes fallen trees from electrical lines. Jeevan was standing by the window when the lights went out.
Emily St. John Mandel (Station Eleven)