Static Life Quotes

Life is all about change. If it were static, think about how boring it would be. You can't be afraid of it, and you can't worry that you'll mess things up. You deserve good things, and I want to be one of them.

She was breathing deeply, she forgot the cold, the weight of beings, the insane or static life, the long anguish of living or dying. After so many years running from fear, fleeing crazily, uselessly, she was finally coming to a halt. At the same time she seemed to be recovering her roots, and the sap rose anew in her body, which was no longer trembling. Pressing her whole belly against the parapet, leaning toward the wheeling sky, she was only waiting for her pounding heart to settle down, and for the silence to form in her. The last constellations of stars fell in bunches a little lower on the horizon of the desert, and stood motionless. Then, with an unbearable sweetness, the waters of the night began to fill her, submerging the cold, rising gradually to the center of her being, and overflowing wave upon wave to her moaning mouth. A moment later, the whole sky stretched out above her as she lay with her back against the cold earth.

Life is neither static nor unchanging. With no individuality, there can be no change, no adaptation and, in an inherently changing world, any species unable to adapt is also doomed.

That without experimentation, a willingness to ask questions and try new things, we shall surely become static, repetitive, moribund.

listen: the dark we've only ever imagined now audible, thrumming, marbled with static like gristly meat. a chorus of engines churns. silence taunts: a dare. everything that disappears disappears as if returning somewhere.

And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom. Life is a process of becoming, a combination of states we have to go through. Where people fail is that they wish to elect a state and remain in it. This is a kind of death. Living never wore one out so much as the effort not to live. Life is truly known only to those who suffer, lose, endure adversity and stumble from defeat to defeat. Perfection is static, and I am in full progress. Abnormal pleasures kill the taste for normal ones. -Anais Nin "Dust thou art, and unto dust shalt thou return." -Bible-Genesis 3:19 "While I thought that I was learning to live, I have been learning how to die" - Leonardo da Vinci

I was surrounded by heaven. The sun, the moon, the earth, and all those living stars. They wen't static like in pictures taken from impossibly far away- they breathed, they glowed. They were future and past, possibility and memory. They were beautiful. "I never knew there were so many," I whispered. We are merely pieces of a grander design, even more insignificant than I imagined. When the earth ceases to be, all those stars will shine on. Out deaths will mean nothing to them. "I feel so small." No one replied. I wondered as I watched the stars, really seeing them for the fist time, whether they could see me, too.

Relationships are never static. They have to evolve over time as the individuals in them change.

By declaring our Prophet infallible and not permitting ourselves to question him, we Muslims had set up a static tyranny. The Prophet Muhammad attempted to legislate every aspect of life. By adhering to his rules of what is permitted and what is forbidden, we Muslims supressed the freedom to think for ourselves and to act as we chose. We froze the moral outlook of billions of people into the mind-set of the Arab desert in the seventh century. We were not just servants of Allah, we were slaves.

What's the first sign of a lurking, hidden expectation you didn't know you had? Pain! People don't do what we want, things don't happen quickly enough, the weather doesn't cooperate, our bodies don't cooperate. Why are these moments so painful? Because our minds are focused on a static, unchanging, me-centric picture while the dynamic unfolding of a broader life continues around us. There is nothing wrong with expectations per se, as it's appropriate to set goals and work, properly, towards their fruition. But the instant we feel pain over life not going "my way," our expectations have clearly taken an improper turn. Any moment you feel resistance or pain, look for -- and then let go of -- the hidden expectation. Practice giving yourself over to what "you" don't want. Let the line at the store be long. Let the other person interrupt you. Let the nervousness make you shake. Be where your body is, not where your mind is trying to take you.

Creation is the vocal chords of God speaking each day through the colors of the sunrise, the vastness of the night sky,the teeming of life in the ocean, the majesty of the mountains.

Our relationship was a lot like underwear in a dryer without a static control sheet. One minute we were floating through life, buoyant and carefree. The next we were attached at the crotch

Life is a dynamic rather than a static process, and when we don't change it kills us. It's not running away, it's moving on.

Dead Butterflies I sometimes think about the fragility of glass — of broken shards tearing against soft skin.When in truth, it is the transparency that kills you. The pain of seeing through to something you can never quite touch. For years I’ve kept you in secret, behind a glass screen. I’ve watched helplessly as day after day, your new girlfriend becomes your wife and then later, the mother of your children. Then realizing their only in thinking you were the one under glass when in fact it has been me— a pinned butterfly static and unmoving, watching while your other life unfolds.

Little decisions over time make a big impact on our lives.

I wouldn’t listen. I wanted everything to stay as it was. I was more afraid of the truth than the lie. The truth would change the circumstances of my life. The lie was static. The lie was peaceful. I was happy with the lie.

We are often unaware of the gradual decline and the erosion in our lives but not unaware of the gnawing feeling it brings.

To err is to wander and wandering is the way we discover the world and lost in thought it is the also the way we discover ourselves. Being right might be gratifying but in the end it is static a mere statement. Being wrong is hard and humbling and sometimes even dangerous but in the end it is a journey and a story. Who really wants to stay at home and be right when you can don your armor spring up on your steed and go forth to explore the world True you might get lost along get stranded in a swamp have a scare at the edge of a cliff thieves might steal your gold brigands might imprison you in a cave sorcerers might turn you into a toad but what of what To fuck up is to find adventure: it is in the spirit that this book is written.

For years I've kept you in secret, behind a glass screen. I've watched helplessly as day after day, your new girlfriend becomes your wife and then later, the mother of your children. Then realizing the irony in thinking you were the one under glass when in fact it has been me—a pinned butterfly—static and unmoving, watching while your other life unfolds.

We may not say that we have the answers. Questions of how to conduct oneself as a Christian, or how to serve as a Christian, must be answered by life itself- the life of the individual in his direct responsible relationship to God. This is a dynamic, never a static thing. And how can we speak at all of the true meaning of conduct and service if we do not speak first and last of love? For it is love which sums up all other commands. The one who loves knows better than anyone else how to conduct himself, how to serve the one he loves. Love prescribes an answer in a given situation as no mere rule can do.

Love is never static, but always evolving. Love is simultaneously random and ordered, so intangible and yet a part of everything, and when we attempt to limit it or categorize it, we get into trouble.

But I couldn’t. It was real; I knew it, even in the dark. Raised yellow streak of paint on the wing and feathers scratched in with the butt of the brush. One chip on the upper left edge that hadn’t been there before, tiny mar less than two millimeters, but otherwise: perfect. I was different, but it wasn’t. And as the light flickered over it in bands, I had the queasy sense of my own life, in comparison, as a patternless and transient burst of energy, a fizz of biological static just as random as the street lamps flashing past.

Conservatism is less a set of ideas than it is a pathological distemper, a militant anger over the fact that the universe is not closed and life is not static.

Rest provides fine-tuning for hearing God's messages amidst the static of life.

If I'm still conscious to face the consequences of my actions, then at the very least I will know that my actions were real, thay they indeed had consequences, though my lone life will amount to less than a single click of static in the symphony of the big bang. If my actions were real, then so were my memories, and if those were real, the things I've done have allowed me to see God and I0m not afraid of following my life down that eight-second black rabbit hole.

What if the insane are too raw to know which stations are real and which are just confused static?

Coupling, I realized, can encourage a fairly static way of being, with each partner exaggerating or repressing certain qualities in relation to the other’s.

Life is never static. Despite catastrophic tragedies, life has persisted in evolving new varieties of unimaginable forms. I find comfort in the narrative of evolutionary history.

Your body is a Temple. You are what you eat. Do not eat processed food, junk foods, filth, or disease carrying food, animals, or rodents. Some people say of these foods, 'well, it tastes good'. Most of the foods today that statically cause sickness, cancer, and disease ALL TATSE GOOD; it's well seasoned and prepared poison. THIS IS WHY SO MANY PEOPLE ARE SICK; mentally, emotionally, physically, and spiritually; because of being hooked to the 'taste' of poison, instead of being hooked on the truth and to real foods that heal and provide you with good health and wellness. Respect and honor your Temple- and it will honor you.

Without birth and death, and without the perpetual transmutation of all the forms of life, the world would be static, rhythm-less, undancing, mummified.

And since beauty must be broken daily to remain beautiful, and he is static, his life stagnates in a china sea.

If you remain static and wait for success to come to you it will certainly not happen.

Nothing in life is static. The course your life takes depends on the choices you make.

But it is an inescapable conclusion that life has to be dynamic and not static. Change is bound to come one way or another.

Our relationship was a lot like underwear in a dryer without a static control sheet. One minute we were floating through life, buoyant and carefree. The next we were attached at the crotch.

The conception that growth and progress are just approximations to a final unchanging goal is the last infirmity of the mind in its transition from a static to a dynamic understanding of life.

THE FIGURE A POEM MAKES No one can really hold that ecstasy should be static and stand still in one place. It begins in delight, it inclines to the impulse, it assumes direction with the first line laid down, it runs a course of lucky events, and ends in a clarification of life- Not necessarily a great clarification, such as sects and cults are founded on, but in a momentary stay against confusion.

If we have a choice between believing one of two things, both of which we have evidence for -- I'm unlovable, I'm lovable - often we choose the one that makes us feel bad. Why do we keep our radios tuned to the same static-ridden stations (the everyone's-life-is-better-than-mine, the I-can't-trust-people station, the nothing-works-out-for-me station) instead of moving the dial up or down? Change the station. Walk around the bars. Who's stopping us but ourselves?

Words are dead, until action brings them life.

Apart from a thin film of life at the very surface of the Earth, an occasional intrepid spacecraft, and some radio static, our impact on the Universe is nil. It knows nothing of us.

Life is all about change. If it were static, think about how boring it would be. You can't be afraid of it, and you can't worry that you'll mess things up.

Life is not a static phenomenon. It is a flux, a riverlike flux; it needs constant change. It needs moment-to-moment awareness; otherwise you will be left behind.

That nothing is static or fixed, that all is fleeting and impermanent, is the first mark of existence. It is the ordinary state of affairs. Everything is in process. Everything—every tree, every blade of grass, all the animals, insects, human beings, buildings, the animate and the inanimate—is always changing, moment to moment. We don’t have to be mystics or physicists to know this. Yet at the level of personal experience, we resist this basic fact. It means that life isn’t always going to go our way. It means there’s loss as well as gain.

The presentation of self in everyday life. This guy Goffman had the idea that in different situations, you perform yourself differently. Your character isn’t static. It’s an adaptation.

Henry's recollections of the past, in contrast to Proust, are done while in movement. He may remember his first wife while making love to a whore, or he may remember his very first love while walking the streets, traveling to see a friend; and life does not stop while he remembers. Analysis in movement. No static vivisection. Henry's daily and continuous flow of life, his sexual activity, his talks with everyone, his cafe life, his conversations with people in the street, which I once considered an interruption to writing, I now believe to be a quality which distinguishes him from other writers. He never writes in cold blood: he is always writing in white heat. It is what I do with the journal, carrying it everywhere, writing on cafe tables while waiting for a friend, on the train, on the bus, in waiting rooms at the station, while my hair is washed, at the Sorbonne when the lectures get tedious, on journeys, trips, almost while people are talking. It is while cooking, gardening, walking, or love-making that I remember my childhood, and not while reading Freud's 'Preface to a Little Girl's Journal.

As a result, nature has endowed the human brain with a malleability and flexibility that lets it adapt to the demands of the world it finds itself in. The brain is neither immutable nor static but continuously remodeled by the lives we lead.

I think it is always important to ask fundamental questions, but when we do ask a fundamental question, most of us are seeking an answer, and then the answer is invariably superficial because there is no yes or no answer to life. Life is a movement, an endless movement, and to inquire into this extraordinary thing called life, with all its innumerable aspects, one must ask fundamental questions and never be satisfied with answers, however satisfactory they may be, because the moment you have an answer, the mind has concluded, and conclusion is not life - it is merely a static state. So what is important is to ask the right question and never be satisfied with the answer, however clever, however logical, because the truth of the question lies beyond the conclusion, beyond the answer, beyond the verbal expression. The mind that asks a question and is merely satisfied with an explanation, a verbal statement, remains superficial. It is only the mind that asks a fundamental question and is capable of pursuing that question to the end - it is only such a mind that can find out what is truth.

Those static images have the uncanny ability to jar the memory and bring places and people back to life. They bridge the present with the past and validate as real what the passage of time has turned into hazy recollections. Were it not for them, my experiences would have remained as just imperfect memories of perfect moments.

Our problem isn't that we're individualists. It's that our individualism is static rather than dynamic. We value what we think rather than what we do. We forget that we haven't done, or been, what we thought; that the first function of life is action, just as the first property of things is motion.

Mostly I couldn't bear... the paltry notion that memory was all that eternal life really meant, and I spent too much time wondering where people got the fortitude or delusion to keep on moving past the static dead.

The essential quality of life is living; the essential quality of living is change; change is evolution: and we are part of it. The static, the enemy of change, is the enemy of life, and therefore our implacable enemy.

He was a baby once, she thought. New and perfect, cradled in his mother’s arms. The mysterious Sylvie. Now he was a feathery husk, ready to blow away. His eyes were half open, milky, like an old dog, and his mouth had grown beaky with the extremity of age, opening and closing, a fish out of water. Bertie could feel a continual tremor running through him, an electrical current, the faint buzz of life. Or death, perhaps. Energy was gathering around him, the air was static with it.

Your life AFTER Christ is not static or an end result. You are not suspended in grace above the fray of life. You are looking at God through a kaleidoscope. Your life moves, and the beads shift, and something new emerges. You are defining. Redefining. Figuring it out all over again. You are in motion, in transit, in flux. You will be sad. You will be happy. You will love and doubt and cry and rage, and all of it matters. You are human, and you are beloved, and this is what it is to be Alive.

Hand, nobody told me about the weight. Why didn't our parents tell us about the weight? —What weight? —The fucking weight, Hand. How does the woman Ingres live? The one from Marrakesh? If we're vessels, and we are, then we, you and I, are overfull, and that means she's at the bottom of a deep cold lake. How can she stand the hissing of all that water? —We are not vessels; we are missiles. —We're static and we're empty. We are overfull and leaden. —We are airtight and we are missiles and all-powerful.

Trauma is always trying to convince us that we are beings trapped in amber, defined by the static, unchangeable events of our lives. But that’s not the case. The worst things that have ever happened to us don’t define us. We are the ones who get to define what those things mean.

This week in live current events: your eyes. All power can be dangerous: Direct or alternating, you, socket to me. Plugged in and the grid is humming, this electricity, molecule-deep desire: particular friction, a charge strong enough to stop a heart or start it again; volt, re-volt-- I shudder, I stutter, I start to life. I've got my ion you, copper-top, so watch how you conduct yourself. Here's today's newsflash: a battery of rolling blackouts in California, sudden, like lightning kisses: sudden, whitehot darkness and you're here, fumbling for that small switch with an urgent surge strong enough to kill lesser machines. Static makes hair raise, makes things cling, makes things rise like a gathering storm charging outside our darkened house and here I am: tempest, pouring out mouthfulls of tsunami on the ground, I've got that rain-soaked kite, that drenched key. You know what it's for, circuit-breaker, you know how to kiss until it's hertz.

Without failing at one thing, there won't be an opportunity to try again, learn and grow. Life isn't static but dynamic. Learn to embrace whatever situation you may face and strive to overcome. Believe in yourself, knowing your best is yet to come.

Our lives are, like these woods, ever changing. Nothing is static. And so you cannot count on an easy, carefree life to always remain that way. Or a harsh existence to stay the same. Life can get better. Or life can always become worse. And then you die. Don't reflect on the negative. Think about all the positives in your life.

It rains on everyone. It may be storming but there is a covering. Life may be challenging, but there is a covering. It may seem impossible, hopeless, doubtful, fear-ridden, and pain-laden, but there is a covering. There are other umbrellas, but only one is red with the blood of Jesus. We need to love Jesus more than the noise.

You are doomed to a life that will repeat itself again and again, as do all lives—for lives are static things, readings of already written papers—but whereas some men are fortunate to repeat a good pattern, others have the opposite luck—and you can surely see by now that your life is doomed to this same humiliation, endlessly repeated.

My name is Matthew Swift. I’m a sorcerer, the only one in the city who survived Robert Bakker’s purge. I was killed by my teacher’s shadow and my body dissolved into telephone static and all they had left to bury was a bit of blood. Then we came back, and I am we and we are me, and we are the blue electric angels, creatures of the phones and the wires, the gods made from the surplus life you miserable excuse for mortals pour into all things electric. I am the Midnight Mayor, the protector of the city, the guardian of the night, the keeper of the gates, the watcher on the walls. We turned back the death of cities, we were there when Lady Neon died, we drove the creature called Blackout into the shadows at the end of the alleys, we are light, we are life, we are fire and, would you believe it, the word that best describes our condition right now is cranky. Would you like to see what happens when you make us mad?

Some people spend years in counselling trying to cope with being fucked up. I just move on. The fucked-upness always goes. The conventional wisdom is that you're running away, you should learn to cope with being fucked-up. I don't hold with that. Life is a dynamic rather than a static process, and when we don't change it kills us. It's not running away, it's moving on.

Sanskrit is a beautiful contextual language. It is called “Dev Bhasha” the language of the soul. Here, meanings of the words must come from the heart, from direct experience – dictionary meanings or static meanings have not much value. Meanings of the words vary depending on mind-set, time, location and culture. The words are made to expand the possibilities of the mind.

I tried hard to ignore the low noise that thrummed throughout my day, some tolling, cautionary bell. I wouldn’t listen. I wanted everything to stay as it was. I was more afraid of the truth than the lie. The truth would change the circumstances of my life. The lie was static. The lie was peaceful. I was happy with the lie.

Life is like the big wheel at Luna Park. You pay five francs and go into a room with tiers of seats all around, and in the centre the floor is made of a great disc of polished wood that revolves quickly. At first you sit down and watch the others. They are all trying to sit in the wheel, and they keep getting flung off, and that makes them laugh too. It's great fun. You see, the nearer you can get to the hub of the wheel the slower it is moving and the easier it is to stay on. There's generally someone in the centre who stands up and sometimes does a sort of dance. Often he's paid by the management, though, or, at any rate, he's allowed in free. Of course at the very centre there's a point completely at rest, if one could only find it; I'm not very near that point myself. Of course the professional men get in the way. Lots of people just enjoy scrambling on and being whisked off and scrambling on again. How they all shriek and giggle! Then there are others, like Margot, who sit as far out as they can and hold on for dear life and enjoy that. But the whole point about the wheel is that you needn't get on it at all, if you don't want to. People get hold of ideas about life, and that makes them think they've got to join in the game, even if they don't enjoy it. It doesn't suit everyone. People don't see that when they say "life" they mean two different things. They can mean simply existence, with its physiological implications of growth and organic change. They can't escape that - even by death, but because that's inevitable they think the other idea of life is too - the scrambling and excitement and bumps and the effort to get to the middle, and when we do get to the middle, it's just as if we never started. It's so odd. Now you're a person who was clearly meant to stay in the seats and sit still and if you get bored watch the others. Somehow you got on to the wheel, and you got thrown off again at once with a hard bump. It's all right for Margot, who can cling on, and for me, at the centre, but you're static. Instead of this absurd division into sexes they ought to class people as static and dynamic. There's a real distinction there, though I can't tell you how it comes. I think we're probably two quite different species spiritually.

The tight little segregated life, always spent with people your own age, economic group, educational background, and culture tends to bring an ingrown, static sort of condition. Fresh ideas, reality of communication and shared experiences will be sparks to light up fires of creativity, especially if the people spending time together are a true cross-section of ages, nationalities, kindred, and tongues" (p. 202).

We spend our lives trying to discern where we end and the rest of the world begins. We snatch our freeze-frame of life from the simultaneity of existence holding on to the illusions of permanence, congruence, and linearity; of static selves and lives that unfold in sensical narratives. All the while, we mistake chance for choice, our labels and models of things for the things themselves, our records for history. History is not what happened, but what survives the shipwrecks of judgment and chance.

Semanticist Wendell Johnson pointed out that we create many problems for ourselves by using static language to express or capture a reality that is ever changing: “Our language is an imperfect instrument created by ancient and ignorant men. It is an animistic language that invites us to talk about stability and constants, about similarities and normal and kinds, about magical transformations, quick cures, simple problems, and final solutions. Yet the world we try to symbolize with this language is a world of process, change, differences, dimensions, functions, relationships, growths, interactions, developing, learning, coping, complexity. And the mismatch of our ever-changing world and our relatively static language forms is part of our problem.

Dad is looking at the bookshelves, deep in thought, deciding which book should go where. Once, Mom came home from work and discovered that he had turned all the books around so that the bindings were against the wall and the pages faced out. He said it was calming not to have all those words floating around and "creating static." Mom made him turn them back. She said it was too hard to find a book when she couldn't read the titles. Then she poured herself a big glass of wine.

What if our understanding of ourselves were based not on static labels or stages but on our actions and our ability and our willingness to transform ourselves? What if we embraced the messy, evolving, surprising, out-of-control happening that is life and reckoned with its proximity and relationship to death? What if, instead of being afraid of even talking about death, we saw our lives in some ways as preparation for it? What if we were taught to ponder it and reflect on it and talk about it and enter it and rehearse it and try it on? What if our lives were precious only up to a point? What if we held them loosely and understood that there were no guarantees? So that when you got sick you weren’t a stage but in a process? And cancer, just like having your heart broken, or getting a new job, or going to school, were a teacher? What if, rather than being cast out and defined by some terminal category, you were identified as someone in the middle of a transformation that could deepen your soul, open your heart, and all the while—even if and particularly when you were dying—you would be supported by and be part of a community? And what if each of these things were what we were waiting for, moments of opening, of the deepening and the awakening of everyone around us? What if this were the point of our being here rather than acquiring and competing and consuming

Life is about means not ends. There is no utopia to be gained, there is no end-state that is static and eternal, once accomplished. This was one of the great lies of communism. Likewise, capitalism offers the great deception that thanks to its machinations everyone will be richer in the future, thus justifying gross inequality and humiliation today.

When describing me, Tracy often refers to a well-known concept of physics: 'inertia.' As Newton avers in his first law: 'An object that is not moving will not move until a force acts upon it. An object that is moving will not change its velocity until a net force acts upon it.' In other words, depending on what's happening in my life at any given moment, I can either be the laziest human being on the planet, or the busiest. I'm perfectly content to do absolutely nothing until I'm catalyzed by some person or project, and then I go nonstop until some countervailing force acts upon me, and I revert back to static mode.

And that is why it is so important to be solitary and attentive when one is sad: because the apparently uneventful and static moment when our future comes upon us is so much closer to life than that other noisy and accidental point when it happens to us as if from the outside. The quieter, the more patient and open we are in our sadness, the deeper and more unerringly the new will penetrate into us, the better we shall acquire it, the more it will be our fate, and when one day in the future it ‘takes place’ (that is, steps out of us towards others) we shall feel related and close to it in our inmost hearts. And that is necessary. It is necessary – and little by little our development will tend in this direction – that nothing alien should happen to us, but only what has long been part of us.

One of the most destructive forces in the world is love. For the following reason: The world is a conglomeration of objects, no, of events and the approaching of events towards objects, therefore of becoming stases static stagnant, of all that is unreal. You get in the world, you get your daily life your routine doesn't matter if you're rich poor legal illegal, you begin to believe what doesn't change is real, and love comes along and shows all these unchangeable for ever fixtures to be flimsy paper bits. Love can tear anything to shreds.

Suddenly an unexpected series of sounds began to be heard in this place up against the starry sky. They were the notes of Oak´s flute. It came from the direction of a small dark object under the hedge - a shephard´s hut - now presenting an outline to which an unintiated person might have been puzzled to attach either meaning or use. ... Being a man not without a frequent consciousness that there was some charm in this life he led, he stood still after looking at the sky as a useful instrument, and regarded it in an appreciative spirit, as a work of art superlatively beautiful. For a moment he seemed impressed with the speaking loneliness of the scene, or rather with the complete abstraction from all its compass of the sights and sounds of man. ... Oak´s motions, though they had a quiet energy, were slow, and their deliberateness accorded well with his occupation. Fitness being the basis of beauty, nobody could have denied tha his steady swings and turns in and about the flock had elements of grace. His special power, morally, physically, and mentally, was static. ... Oak was an intensely human man: indee, his humanity tore in pieces any politic intentions of his which bordered on strategy, and carried him on as by gravitation. A shadow in his life had always been that his flock should end in mutton - that a day could find a shepherd an arrant traitor to his gentle sheep.

A law for a paradox. I’ll trade you. We believe the Universe birthed an infinite number of stars. By this logic, you could stand anywhere in this world and look up at the night sky and your line of sight would inevitably end on a star. By this logic, the night sky shouldn’t be dark at all; it should be a blinding wash of starlight. Therein lies the paradox. The problem is the assumption that the Universe is static, unmoving; that every star has always occupied the same space in our sky. The paradox doesn’t account for the fact that the Universe, like all things, was born and has been growing ever since. Expanding outward—pushing, pulling, as you told me. Celestial bodies floating in a black sea, carried by a current older than life. Drifting farther and farther apart. The nature of the Universe is that everything inside it becomes lonelier and lonelier and lonelier. Some nights I can think of nothing else, and nothing more terrifying. Some nights I lie awake, thinking of this, and it makes me unspeakably sad. Not as often, these days. Because it’s you. It’s you, the wash of starlight, the old paradox: if the Universe were static, I could stand anywhere in this world and I swear my line of sight would end on you. I swear I’d find you in the dark.

Lead us, Evolution, lead us Up the future's endless stair; Chop us, change us, prod us, weed us. For stagnation is despair: Groping, guessing, yet progressing, Lead us nobody knows where. Wrong or justice, joy or sorrow, In the present what are they while there's always jam-tomorrow, While we tread the onward way? Never knowing where we're going, We can never go astray. To whatever variation Our posterity may turn Hairy, squashy, or crustacean, Bulbous-eyed or square of stern, Tusked or toothless, mild or ruthless, Towards that unknown god we yearn. Ask not if it's god or devil, Brethren, lest your words imply Static norms of good and evil (As in Plato) throned on high; Such scholastic, inelastic, Abstract yardsticks we deny. Far too long have sages vainly Glossed great Nature's simple text; He who runs can read it plainly, 'Goodness = what comes next.' By evolving, Life is solving All the questions we perplexed. Oh then! Value means survival- Value. If our progeny Spreads and spawns and licks each rival, That will prove its deity (Far from pleasant, by our present, Standards, though it may well be).

Episodic memories get stored in the hippocampus as our stories—our interpretation of events with our emotional responses attached to them. These are memories that are tied to serious emotional reactions. If something happened in your life that was really significant to you, the emotions tied to that memory become attached like cat hair or static cling. So when we have an emotional response in the future, the amygdala immediately pulls this EAM file in order to decide how to respond. What fires together, wires together.

Every time I got on my bicycle after a long hiatus it was like riding back to myself, the only way there. The dissipation of life in the city—days of to-do lists, errands, emails, small talk with strangers—generated static in my mind that I didn’t notice was there until I started pedalling and realized it was gone, the way you don’t hear the hum of a refrigerator until it stops. Such is the paradoxical freedom of cycling the Silk Road. In restricting the range of directions you can travel, in charging ordinary movement with momentum, a bike trip offers that rarest, most elusive of things in our frenetic world: clarity of purpose. Your sole responsibility on Earth, as long as your legs last each day, is to breathe, pedal, breathe—and look around.

We don’t know when a compatible person will come into our life. We don’t know, for sure, if they will leave or stay. If they leave, we don’t know if they will return. We don’t know if we will always feel the relationship is compatible and if we will want to be there. We don’t really know anything. We can only graciously accept what life brings and all the terror of change that comes with it and then keep moving forward. Life is not static. It doesn’t start nor does it end. It changes form. It is ongoing with highs and lows, successes and crushing failures, experiments, beautiful moments, touching visions, angers, forgiveness, awe, and love.

In an attempt to deeper explore the infinite game of Life, we explore: • Earth that is fixed, rigid, static and quiet, and symbolizes your world of senses; • Water that is the primordial Chaos, is fluidity and flexibility, and symbolizes your subconscious mind; Intuition is a deeper perception. Without clear evidence or proof, intuition perceives the subtle inner relationships and underlying processes creatively, and imaginatively. • Fire that is boundless and invisible, and is a parching heat that consumes all, or within its highest manifestation, becomes the expression of Divine Love. It is a symbol of your emotions, and • Air that has no shape and is incapable of any fixed form. It symbolizes your world of thoughts. It is a rational, systematic process, it is our intellectual comprehension of things. All elements are bound by: • Soul that stands at the center of the four elements as an Essence, an Observer, Consciousness coming forth to experience the magic of Life.

This causation exists as a streamed organization of constantly fluid potential. Anything that can be must first hold the streaming potential to be. It is soul. It is always potential. It is never static. It is never rigid. Its essence is all these, which means it can not be anything other and be the Primal Cause. It is never nothing. Nothing does not exist with it. It is something. It is anything. It is everything. At the same time! Just like your consciousness. Pure Unordered Potential!

Some things you carry around inside you as though they were part of your blood and bones, and when that happens, there’s nothing you can do to forget …But I had never been much of a believer. If anything, I believed that things got worse before they got better. I believed good people suffered... people who have faith were so lucky; you didn’t want to ruin it for them. You didn’t want to plant doubt where there was none. You had to treat suck individuals tenderly and hope that some of whatever they were feeling rubs off on you Those who love you will love you forever, without questions or boundaries or the constraints of time. Daily life is real, unchanging as a well-built house. But houses burn; they catch fire in the middle of the night. The night is like any other night of disaster, with every fact filtered through a veil of disbelief. The rational world has spun so completely out of its orbit, there is no way to chart or expect what might happen next At that point, they were both convinced that love was a figment of other people’s imaginations, an illusion fashioned out of smoke and air that really didn’t exist Fear, like heat, rises; it drifts up to the ceiling and when it falls down it pours out in a hot and horrible rain True love, after all, could bind a man where he didn’t belong. It could wrap him in cords that were all but impossible to break Fear is contagious. It doubles within minutes; it grows in places where there’s never been any doubt before The past stays with a man, sticking to his heels like glue, invisible and heartbreaking and unavoidable, threaded to the future, just as surely as day is sewn to night He looked at girls and saw only sweet little fuckboxes, there for him to use, no hearts involved, no souls, and, most assuredly no responsibilities. Welcome to the real world. Herein is the place where no one can tell you whether or not you’ve done the right thing. I could tell people anything I wanted to, and whatever I told them, that would be the truth as far as they were concerned. Whoever I said I was, well then, that’s who id be The truths by which she has lived her life have evaporated, leaving her empty of everything except the faint blue static of her own skepticism. She has never been a person to question herself; now she questions everything Something’s, are true no matter how hard you might try to bloc them out, and a lie is always a lie, no matter how prettily told You were nothing more than a speck of dust, good-looking dust, but dust all the same Some people needed saving She doesn’t want to waste precious time with something as prosaic as sleep. Every second is a second that belongs to her; one she understands could well be her last Why wait for anything when the world is so cockeyed and dangerous? Why sit and stare into the mirror, too fearful of what may come to pass to make a move? At last she knows how it feels to take a chance when everything in the world is at stake, breathless and heedless and desperate for more She’ll be imagining everything that’s out in front of them, road and cloud and sky, all the elements of a future, the sort you have to put together by hand, slowly and carefully until the world is yours once more

If you say that everything—chaos, darkness, anathema— can be reduced to mathematical formulae—then man will go insane on purpose to have no judgement, and to behave as he likes. I believe this because it appears that man’s whole business is to prove that he is a man and not a cog-wheel... And perhaps, who knows, the striving of man on earth may consist in this uninterrupted striving for something ahead, that is, in life itself rather than some real end which obviously must be a static formula of the same kind as two and two make four—I am sure that man will never renounce the genuine suffering that comes of ruin and chaos. Why, suffering is the one and only source of knowledge

If this is possible—to have space and togetherness both—then the winds of heaven dance between you. Love one another, but make not a bond of love. It should be a free gift, given or taken, but there should be no demand. Otherwise, very soon you are together but you are as apart as faraway stars. No understanding bridges you; you have not left the space even for the bridge. Let it rather be a moving sea between the shores of your souls. Don’t make it something static. Don’t make it a routine. Let it rather be a moving sea between the shores of your souls. If freedom and love together can be yours, you don’t need anything more. You have got it—that for which life is given to you.

Life is an ongoing learning path where you make mistakes & you learn from it. You get better, you grow emotionally, socially and gets mature gradually. There are significant times where we are good and when we are not so right; but later on what we choose for our-self from that learning defines how better we can become. And at the end, it is better choice to surprise self. Why ? Because, the real challenge lies in overcoming the shortfalls of own-self and competing with self only. One has to exceed the expectation from the self. Otherwise, perfection seems to be a myth! Yet, the true beauty is in saying Yes to the process to betterment, not in the final destination 'cuz the perfection can never be static or stagnant..

Crome smiles. “Do you really think I am so shortsighted?” he asks. “The Guild of Engineers plans further ahead than you suspect. London will never stop moving. Movement is life. When we have devoured the last wandering city and demolished the last static settlement we will begin digging. We will build great engines, powered by the heat of the earth’s core, and steer our planet from its orbit. We will devour Mars, Venus, and the asteroids. We shall devour the sun itself, and then sail on across the gulf of space. A million years from now our city will still be traveling, no longer hunting towns to eat, but whole new worlds!

Then the long nights, that were also days, in the hospital. And the long blanks, that were also nights. Needles, and angled glass rods to suck water through. Needles, and curious enamel wedges slid under your middle. Needles, and - needles and needles and needles. Like swarms of persistent mosquitoes with unbreakable drills. The way a pincushion feels, if it could feel. Or the target of a porcupine. Or a case of not just momentary but permanently endured static electricity after you scuff across a woolen rug and then put your finger on a light switch. Even food was a needle - a jab into a vein... ("For The Rest Of Her Life")

Sosan is the third Zen Patriarch. Nothing much is known about him – this is as it should be, because history records only violence. History does not record silence – it cannot record it. All records are of disturbance. Whenever someone becomes really silent, he disappears from all records, he is no more a part of our madness. So it is as it should be. Sosan remained a wandering monk his whole life. He never stayed anywhere; he was always passing, going, moving. He was a river; he was not a pond, static. He was a constant movement. That is the meaning of Buddha’s wanderers: not only in the outside world but in the inside world also they should be homeless – because whenever you make a home you become attached to it. They should remain rootless; there is no home for them except this whole universe.

Already the people murmur that I am your enemy because they say that in verse I give the world your me. They lie, Julia de Burgos. They lie, Julia de Burgos. Who rises in my verses is not your voice. It is my voice because you are the dressing and the essence is me; and the most profound abyss is spread between us. You are the cold doll of social lies, and me, the virile starburst of the human truth. You, honey of courtesan hypocrisies; not me; in all my poems I undress my heart. You are like your world, selfish; not me who gambles everything betting on what I am. You are only the ponderous lady very lady; not me; I am life, strength, woman. You belong to your husband, your master; not me; I belong to nobody, or all, because to all, to all I give myself in my clean feeling and in my thought. You curl your hair and paint yourself; not me; the wind curls my hair, the sun paints me. You are a housewife, resigned, submissive, tied to the prejudices of men; not me; unbridled, I am a runaway Rocinante snorting horizons of God's justice. You in yourself have no say; everyone governs you; your husband, your parents, your family, the priest, the dressmaker, the theatre, the dance hall, the auto, the fine furnishings, the feast, champagne, heaven and hell, and the social, "what will they say." Not in me, in me only my heart governs, only my thought; who governs in me is me. You, flower of aristocracy; and me, flower of the people. You in you have everything and you owe it to everyone, while me, my nothing I owe to nobody. You nailed to the static ancestral dividend, and me, a one in the numerical social divider, we are the duel to death who fatally approaches. When the multitudes run rioting leaving behind ashes of burned injustices, and with the torch of the seven virtues, the multitudes run after the seven sins, against you and against everything unjust and inhuman, I will be in their midst with the torch in my hand.

What should you do when you find you have made a mistake like that? Some people never admit that they are wrong and continue to find new, and often mutually inconsistent, arguments to support their case—as Eddington did in opposing black hole theory. Others claim to have never really supported the incorrect view in the first place or, if they did, it was only to show that it was inconsistent. It seems to me much better and less confusing if you admit in print that you were wrong. A good example of this was Einstein, who called the cosmological constant, which he introduced when he was trying to make a static model of the universe, the biggest mistake of his life.

In all imaginative writing sympathy for the subject is necessary not because it is the politically correct or morally decent posture to adopt but because an absence of sympathy shuts down the mind: engagement fails, the flow of association dries up, and the work narrows. What I mean by sympathy is simply that level of empathic understanding that endows the subject with dimension. The empathy that allows us, the readers, to see the "other" as the other might see him or herself is the empathy that provides movement in the writing. When someone writes a Mommie Dearest memoir - where the narrator is presented as an innocent and the subject as a monster - the work fails because the situation remains static. For the drama to deepen, we must see the loneliness of the monster and the cunning of the innocent. Above all, it is the narrator who must complicate in order that the subject be given life.

Modern society is in a state of turbulence brought about, in large part, by political efforts to maintain static, equilibrium conditions; practices that interfere with the ceaseless processes of change that provide the fluctuating order upon which any creative system—such as the marketplace—depends. Institutions, being ends in themselves, have trained us to resist change and favor the status quo; to insist upon the certain and the concrete and to dismiss the uncertain and the fanciful; and to embrace security and fear risk. Life, on the other hand is change, is adaptation, creativity, and novelty. But creativity has always depended upon a fascination with the mysterious, and an appreciation for the kinds of questions that reveal more than answers can ever provide. When creative processes become subordinated to preserving established interests; when the glorification of systems takes priority over the sanctity of individual lives, societies begin to lose their life-sustaining vibrancy and may collapse.

We perceive our environment in three dimensions, but we don’t actually live in a 3-D world. 3-D is static. A snapshot. We have to add a fourth dimension to begin to describe the nature of our existence. The 4-D tesseract doesn’t add a spatial dimension. It adds a temporal one. It adds time, a stream of 3-D cubes, representing space as it moves along time’s arrow. This is best illustrated by looking up into the night sky at stars whose brilliance took fifty light-years to reach our eyes. Or five hundred. Or five billion. We’re not just looking into space, we’re looking back through time. Our path through this 4-D spacetime is our worldline (reality), beginning with our birth and ending with our death. Four coordinates (x, y, z, and t [time]) locate a point within the tesseract. And we think it stops there, but that’s only true if every outcome is inevitable, if free will is an illusion, and our worldline is solitary. What if our worldline is just one of an infinite number of worldlines, some only slightly altered from the life we know, others drastically different? The Many-Worlds interpretation of quantum mechanics posits that all possible realities exist. That everything which has a probability of happening is happening. Everything that might have occurred in our past did occur, only in another universe. What if that’s true? What if we live in a fifth-dimensional probability space? What if we actually inhabit the multiverse, but our brains have evolved in such a way as to equip us with a firewall that limits what we perceive to a single universe? One worldline. The one we choose, moment to moment. It makes sense if you think about it. We couldn’t possibly contend with simultaneously observing all possible realities at once. So how do we access this 5-D probability space? And if we could, where would it take us? —

In this world, we are surrounded by fast-paced, empty static energy. They're like the empty calories of the soul. You have empty calories for your body, like a bag of potato chips for example, then you have empty calories for your soul, which are found in the static energy that doesn't really add to our emotional, spiritual, mental experience of living our lives. We have magical moments of connection with people, with nature, with Spirit, but then we rush out of those moments all too fast, in order to go straight back into the busy lanes that are full of things not worthwhile! Empty energies! So when we do that, we forget our magical, nourishing soul moments all too fast and we start caring about things that we shouldn't care about too much, stepping outside of the moments of eternity that we encounter, and going back into the empty noise. So I think that we need to picture ourselves as rocks in the river; we can let all of that rush by us, while we stay fortified where we are, lingering in the warmness of the noontime sun, the chill of the dawn , the reflections of dusk— like a rock in a river— let it all just rush by. Be magic.

As a special branch of general philosophy, pathogenesis had never been explored. In my opinion it had never been approached in a strictly scientific fashion--that is to say, objectively, amorally, intellectually. All those who have written on the subject are filled with prejudice. Before searching out and examining the mechanism of causes of disease, they treat of 'disease as such', condemn it as an exceptional and harmful condition, and start out by detailing the thousand and one ways of combating it, disturbing it, destroying it; they define health, for this purpose, as a 'normal' condition that is absolute and immutable. Diseases ARE. We do not make or unmake them at will. We are not their masters. They make us, they form us. They may even have created us. They belong to this state of activity which we call life. They may be its main activity. They are one of the many manifestations of universal matter. They may be the principal manifestation of that matter which we will never be able to study except through the phenomena of relationships and analogies. Diseases are a transitory, intermediary, future state of health. It may be that they are health itself. Coming to a diagnosis is, in a way, casting a physiological horoscope. What convention calls health is, after all, no more than this or that passing aspect of a morbid condition, frozen into an abstraction, a special case already experienced, recognized, defined, finite, extracted and generalized for everybody's use. Just as a word only finds its way into the Dictionary Of The French Academy when it is well worn stripped of the freshness of its popular origin or of the elegance of its poetic value, often more than fifty years after its creation (the last edition of the learned Dictionary is dated 1878), just as the definition given preserves a word, embalms it in its decrepitude, but in a pose which is noble, hypocritical and arbitrary--a pose it never assumed in the days of its vogue, while it was still topical, living and meaningful--so it is that health, recognized as a public Good, is only the sad mimic of some illness which has grown unfashionable, ridiculous and static, a solemnly doddering phenomenon which manages somehow to stand on its feet between the helping hands of its admirers, smiling at them with its false teeth. A commonplace, a physiological cliche, it is a dead thing. And it may be that health is death itself. Epidemics, and even more diseases of the will or collective neuroses, mark off the different epochs of human evolution, just as tellurian cataclysms mark the history of our planet.

She could do nothing. Djuna’s words illuminated her chaos, but changed nothing. What was it Djuna said: that life tended to crystallize into patterns which became traps and webs. That people tended to see each other in their first “state” or “form” and to adopt a rhythm in consequence. That they had greatest difficulty in seeing the transformations of the loved one, in seeing the becoming. If they did finally perceive the new self, they had the greatest difficulty nevertheless in changing the rhythm. The strong one was condemned to perpetual strength, the weak to perpetual weakness. The one who loved you best condemned you to a static role because he had adapted his being to the past self. If you attempted to change, warned Djuna, you would find a subtle, perverse opposition, and perhaps sabotage! Inwardly and outwardly, a pattern was a form which became a prison. And then we had to smash it. Mutation was difficult. Attempts at evasion were frequent, blind evasions, evasions from dead relips, false relationships, false roles, and sometimes from the deeper self too, because of the great obstacle one encountered in affirming it. All our emotional history was that of the spider and the fly, with the added tragedy that the fly here collaborated in the weaving of the web. Crimes were frequent. People in desperation turned about and destroyed each other. No one could detect the cause or catch the criminal. There was no visible victim. It always had the appearance of suicide.

On Earth We’re Briefly Gorgeous" i Tell me it was for the hunger & nothing less. For hunger is to give the body what it knows it cannot keep. That this amber light whittled down by another war is all that pins my hand to your chest. i You, drowning                         between my arms — stay. You, pushing your body                          into the river only to be left                          with yourself — stay. i I’ll tell you how we’re wrong enough to be forgiven. How one night, after backhanding mother, then taking a chainsaw to the kitchen table, my father went to kneel in the bathroom until we heard his muffled cries through the walls. And so I learned that a man, in climax, was the closest thing to surrender. i Say surrender. Say alabaster. Switchblade.                    Honeysuckle. Goldenrod. Say autumn. Say autumn despite the green                    in your eyes. Beauty despite daylight. Say you’d kill for it. Unbreakable dawn                    mounting in your throat. My thrashing beneath you                    like a sparrow stunned with falling. i Dusk: a blade of honey between our shadows, draining. i I wanted to disappear — so I opened the door to a stranger’s car. He was divorced. He was still alive. He was sobbing into his hands (hands that tasted like rust). The pink breast cancer ribbon on his keychain swayed in the ignition. Don’t we touch each other just to prove we are still here? I was still here once. The moon, distant & flickering, trapped itself in beads of sweat on my neck. I let the fog spill through the cracked window & cover my fangs. When I left, the Buick kept sitting there, a dumb bull in pasture, its eyes searing my shadow onto the side of suburban houses. At home, I threw myself on the bed like a torch & watched the flames gnaw through my mother’s house until the sky appeared, bloodshot & massive. How I wanted to be that sky — to hold every flying & falling at once. i Say amen. Say amend. Say yes. Say yes anyway. i In the shower, sweating under cold water, I scrubbed & scrubbed. i In the life before this one, you could tell two people were in love because when they drove the pickup over the bridge, their wings would grow back just in time. Some days I am still inside the pickup. Some days I keep waiting. i It’s not too late. Our heads haloed             with gnats & summer too early to leave any marks.             Your hand under my shirt as static intensifies on the radio.             Your other hand pointing your daddy’s revolver             to the sky. Stars falling one by one in the cross hairs.             This means I won’t be afraid if we’re already             here. Already more than skin can hold. That a body             beside a body must ma

You were burning in the middle of the worst solar storm our records can remember. (...) Everyone else fled. All your companions and crew left you alone to wrestle with the storm. “You did not blame them. In a moment of crystal insight, you realized that they were cowards beyond mere cowardice: their dependence on their immortality circuits had made it so that they could not even imagine risking their lives. They were all alike in this respect. They did not know they were not brave; they could not even think of dying as possible; how could they think of facing it, unflinching? “You did not flinch. You knew you were going to die; you knew it when the Sophotechs, who are immune to pain and fear, all screamed and failed and vanished. “And you knew, in that moment of approaching death, with all your life laid out like a single image for you to examine in a frozen moment of time, that no one was immortal, not ultimately, not really. The day may be far away, it may be further away than the dying of the sun, or the extinction of the stars, but the day will come when all our noumenal systems fail, our brilliant machines all pass away, and our records of ourselves and memories shall be lost. “If all life is finite, only the grace and virtue with which it is lived matters, not the length. So you decided to stay another moment, and erect magnetic shields, one by one; to discharge interruption masses into the current, to break up the reinforcement patterns in the storm. Not life but honor mattered to you, Helion: so you stayed a moment after that moment, and then another. (...) “You saw the plasma erupting through shield after shield (...) Chaos was attempting to destroy your life’s work, and major sections of the Solar Array were evaporated. Chaos was attempting to destroy your son’s lifework, and since he was aboard that ship, outside the range of any noumenal circuit, it would have destroyed your son as well. “The Array was safe, but you stayed another moment, to try to deflect the stream of particles and shield your son; circuit after circuit failed, and still you stayed, playing the emergency like a raging orchestra. “When the peak of the storm was passed, it was too late for you: you had stayed too long; the flames were coming. But the radio-static cleared long enough for you to have last words with your son, whom you discovered, to your surprise, you loved better than life itself. In your mind, he was the living image of the best thing in you, the ideal you always wanted to achieve. “ ‘Chaos has killed me, son,’ you said. ‘But the victory of unpredictability is hollow. Men imagine, in their pride, that they can predict life’s each event, and govern nature and govern each other with rules of unyielding iron. Not so. There will always be men like you, my son, who will do the things no one else predicts or can control. I tried to tame the sun and failed; no one knows what is at its fiery heart; but you will tame a thousand suns, and spread mankind so wide in space that no one single chance, no flux of chaos, no unexpected misfortune, will ever have power enough to harm us all. For men to be civilized, they must be unlike each other, so that when chaos comes to claim them, no two will use what strategy the other does, and thus, even in the middle of blind chaos, some men, by sheer blind chance, if nothing else, will conquer. “ ‘The way to conquer the chaos which underlies all the illusionary stable things in life, is to be so free, and tolerant, and so much in love with liberty, that chaos itself becomes our ally; we shall become what no one can foresee; and courage and inventiveness will be the names we call our fearless unpredictability…’ “And you vowed to support Phaethon’s effort, and you died in order that his dream might live.

A reflection on Robert Lowell Robert Lowell knew I was not one of his devotees. I attended his famous “office hours” salon only a few times. Life Studies was not a book of central importance for me, though I respected it. I admired his writing, but not the way many of my Boston friends did. Among poets in his generation, poems by Elizabeth Bishop, Alan Dugan, and Allen Ginsberg meant more to me than Lowell’s. I think he probably sensed some of that. To his credit, Lowell nevertheless was generous to me (as he was to many other young poets) just the same. In that generosity, and a kind of open, omnivorous curiosity, he was different from my dear teacher at Stanford, Yvor Winters. Like Lowell, Winters attracted followers—but Lowell seemed almost dismayed or a little bewildered by imitators; Winters seemed to want disciples: “Wintersians,” they were called. A few years before I met Lowell, when I was still in California, I read his review of Winters’s Selected Poems. Lowell wrote that, for him, Winters’s poetry passed A. E. Housman’s test: he felt that if he recited it while he was shaving, he would cut himself. One thing Lowell and Winters shared, that I still revere in both of them, was a fiery devotion to the vocal essence of poetry: the work and interplay of sentences and lines, rhythm and pitch. The poetry in the sounds of the poetry, in a reader’s voice: neither page nor stage. Winters criticizing the violence of Lowell’s enjambments, or Lowell admiring a poem in pentameter for its “drill-sergeant quality”: they shared that way of thinking, not matters of opinion but the matter itself, passionately engaged in the art and its vocal—call it “technical”—materials. Lowell loved to talk about poetry and poems. His appetite for that kind of conversation seemed inexhaustible. It tended to be about historical poetry, mixed in with his contemporaries. When he asked you, what was Pope’s best work, it was as though he was talking about a living colleague . . . which in a way he was. He could be amusing about that same sort of thing. He described Julius Caesar’s entourage waiting in the street outside Cicero’s house while Caesar chatted up Cicero about writers. “They talked about poetry,” said Lowell in his peculiar drawl. “Caesar asked Cicero what he thought of Jim Dickey.” His considerable comic gift had to do with a humor of self and incongruity, rather than wit. More surreal than donnish. He had a memorable conversation with my daughter Caroline when she was six years old. A tall, bespectacled man with a fringe of long gray hair came into her living room, with a certain air. “You look like somebody famous,” she said to him, “but I can’t remember who.” “Do I?” “Yes . . . now I remember!— Benjamin Franklin.” “He was a terrible man, just awful.” “Or no, I don’t mean Benjamin Franklin. I mean you look like a Christmas ornament my friend Heather made out of Play-Doh, that looked like Benjamin Franklin.” That left Robert Lowell with nothing to do but repeat himself: “Well, he was a terrible man.” That silly conversation suggests the kind of social static or weirdness the man generated. It also happens to exemplify his peculiar largeness of mind . . . even, in a way, his engagement with the past. When he died, I realized that a large vacuum had appeared at the center of the world I knew.