Went Numb Quotes

We've searched our database for all the quotes and captions related to Went Numb. Here they are! All 100 of them:

So I began to think maybe it was true that when you were married and had children it was like being brainwashed, and afterward you went about as numb as a slave in a totalitarian state.
Sylvia Plath (The Bell Jar)
Sometimes he missed the numbed, walking-underwater feeling feel that the cocktail of narcotics used to give him. But if a situation went down in here, he was going to need all of his wits to get out of it.
R.D. Ronald (The Zombie Room)
It was that stages-of-anger thing. I was shocked and then I got pissed and then I fought like hell … and then I went numb. They called it acceptance, but it wasn’t. It’s what happens when you have only two choices: live with the monster, or kill yourself.
Ilsa J. Bick (Ashes (Ashes Trilogy, #1))
And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs. Willard's kitchen mat...I also remembered Buddy Willard saying in a sinister, knowing way that after I had children I would feel differently, I wouldn't want to write poems any more. So I began to think maybe it was true that when you were married and had children it was like being brainwashed, and afterward you went about numb as a slave in some private, totalitarian state.
Sylvia Plath (The Bell Jar)
Most of us would be seized with fear if our bodies went numb, and would do everything possible to avoid it, yet we take no interest at all in the numbing of our souls. —EPICTETUS
Ryan Holiday (Stillness is the Key)
People said that video games were bad because they made you numb to death, made you register entrails splattering across a screen as a sign of success. In that moment, Val thought that the real problem with games was that the player was suppossed to try everything. If there was a cave, you went in it. If there was a mysterious stranger, you talked to him. If there was a map, you followed it. But in games, you had a hundred million billion lives and Val only had this one.
Holly Black (Valiant (Modern Faerie Tales, #2))
The doctor’s words made me understand what happened to me was a dark, evil, and shameful secret, and by association I too was dark, evil, and shameful. While it may not have been their intention, this was the message my clouded mind received. To escape the confines of the hospital, I once again disassociated myself from my emotions and numbed myself to the pain ravaging my body and mind. I acted as if nothing was wrong and went back to performing the necessary motions to get me from one day to the next. I existed but I did not live.
Alyssa Reyans (Letters from a Bipolar Mother (Chronicles of A Fractured Life))
They grabbed for me, but he bared his teeth in a smile that was anything but friendly - and they halted. "No more household chores, no more tasks," he said, his voice an erotic caress. Their yellow eyes went glazed and dull, their sharp teeth gleaming as their mouths slackened. "Tell the others, too. Stay out of her cell, and don't touch her. If you do, you're to take your own daggers and gut yourselves. Understood?" Dazed, numb nods, then they blinked and straightened. I hid my trembling. Glamour, mind control - whatever it was he had done, it worked. They beckoned - but didn't dare touch me. Rhysand smiled. "You're welcome," he purred as I walked out.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
He was numb: heart-numb, mind-numb, soul-numb. And the numbness, he realized, went a long way down, and a long way back.
Neil Gaiman (American Gods (American Gods, #1))
And somehow, somewhere along the track, I went numb. I couldn’t say what it was & didn’t dare try. How do you explain the sense of being made to feel improper ? I withdrew into a watchful rectitude, anxious to please, risking nothing. I followed the outline of my life, carefully rehearsing form without conviction, like a bishop who can’t see that his faith has become an act.
Tim Winton (Breath)
She came and took away all his miseries, his sorrows !! Then SHe went and left him restlessly numb. He was her painkiller. SHe, his anesthetic.
Douglas Self
Jace karate chopped his wrist, and Eric’s fingers went numb. “Step away from the eggs, Sticks.
Olivia Cunning (Wicked Beat (Sinners on Tour, #4))
I also remembered Buddy Willard saying in a sinister, knowing way that after I had children I would feel differently, I wouldn't want to write poems any more. So I began to think maybe it was true that when you were married and had children it was like being brainwashed, and afterward you went about numb as a slave in some private, totalitarian state.
Sylvia Plath (The Bell Jar)
I wanted to ventilate my deep feelings about song lyrics and dark poets. I wanted to take my socks off and dance in the forest. I wanted to drink wine until my lips went numb so kisses would feel deeper. I wanted to do everything dreamers do.
Ashley Marie Berry (Separate Things: A Memoir)
I turned away from him and went on my way, up the street and about my business. The past was dead. The future was resignation, fatality, and could only end one way now. The present was numbness, that could feel nothing. Like Novocaine needled into your heart. What was there in all the dimensions of time for me? ("Life Is Weird Sometimes" first chapter of unpublished novel THE LOSER)
Cornell Woolrich
That loathsome opiate, relief, raced through my veins again—sharp and lucid at the initial prick, before everything went numb.
M.L. Rio (If We Were Villains)
The fact was that, as droves of demon kings had noticed, there was a limit to what you could do to a soul with, e.g., red-hot tweezers, because even fairly evil and corrupt souls were bright enough to realize that since they didn't have the concomitant body and nerve endings attached to them there was no real reason, other than force of habit, why they should suffer excruciating agony. So they didn't. Demons went on doing it anyway, because numb and mindless stupidity is part of what being a demon is all about, but since no one was suffering they didn't enjoy it much either and the whole thing was pointless. Centuries and centuries of pointlessness.
Terry Pratchett (Eric (Discworld, #9; Rincewind, #4))
Do you think it would be possible for anyone to love you if they could see every single thing you do?’ And I watch them cringe as though I’ve reached out and struck them. ‘I’m serious,’ I say. ‘Imagine that everyone could see everything. Every secret, every base physical ejection, every category of porn you’ve ever looked at in a kind of coma when you’re numb to the normal stuff. Think about it all. Every moment of shame, of desperation – do you really think anyone could love you still? Anyone at all?’ 3 I remember what it was like when I first loved Ciaran, before he left me that first time at Christmas, when I’d miss him so much when he went anywhere.
Megan Nolan (Acts of Desperation)
Actually, nothing hurts like hearing the word slut, unless it is hearing the word rape dropped about carelessly. Again, a word I wouldn't have thought much about, except that when I was in high school a girl gave her senior speech on her best friend's rape. She ended not with an appear for women's rights or self defense, but by begging us to consider our language. We use the word 'rape' so casually, for sports, for a failed test, to spice up jokes. 'The test raped me.' 'His smile went up to justifiable rape.' These references confer casualness upon the word, embedding it into our culture, stripping it of shock value, and ultimately numb us to the reality of rape.
Christine Stockton (Sluts)
And she swung the old oar at him with all her strength. It hit with a great thwack, splintering in two, and he went over the side, into the dark, cold waters of the lake, sinking like a stone. It took her two seconds. And then she let out a scream for help, tossing the broken oar away from her, and jumped into the water after him. It was very cold, numbingly so, and as it closed over her head she grabbed for him, wrapping her arms around his body, ready to sink to the bottom with him. Instead he kicked, pushing them up so that they broke the surface, his arm clamped around hers as she struggled. "Jesus, woman!" he snapped. "When did we have to become Romeo and Juliet?
Anne Stuart (Breathless (The House of Rohan, #3))
At times, feeling the wind on my brow, I went numb with horror. In my imagination I saw armies of ants and cockroaches calling to one another and scurrying toward my head, to some place under the top of my skull, where they would build new nests. There they would proliferate and eat out my thoughts, one after another, until I would become as empty as the shell of a pumpkin from which all the fruit has been scraped out.
Jerzy Kosiński (The Painted Bird)
Like many others who went through that time, he was gripped by what he could think of only as a numbness, though he knew it was a feeling compounded of emotions so deep and intense that they could not be acknowledged because they could not be lived with.
John Williams (Stoner)
So I began to think maybe it was true that when you were married and had children it was like being brainwashed, and afterwards you went about numb as a slave in some private, totalitarian state.
Sylvia Plath (The Bell Jar)
I can't tell you what to do, Ishmael. I've tried to understand what it's been like for you - having gone to war, having lost your arm, not having married or had children. I've tried to make sense of it all, believe me, I have - how it must feel to be you. But I must confess that, no matter how I try, I can't really understand you. There are other boys, after all, who went to war and came back home and pushed on with their lives. They found girls and married and had children and raised families despite whatever was behind them. But you - you went numb, Ishmael. And you've stayed numb all these years.
David Guterson (Snow Falling on Cedars)
We ate it like it was medicine. Like it was magic candy that could somehow restore us to a normal life again. We ate ourselves numb and got in our bags and went to sleep. There was a lot of crying from the little kids and occasionally one of us would yell, "Shut up!" That's how we got by, that first night.
Emmy Laybourne (Monument 14 (Monument 14, #1))
To Martha it seemed that she stood outside life. The world went by her, colourless shapes on a flat pale background. Nothing had solidity or warmth. She felt numb, as though she could never be passionately alive again.
Nan Shepherd (The Quarry Wood)
I shook off my numbness. I opened the door and went into the other bedroom. Two little figures stood on the bed. One had a shirt over his head which Mike was trying to pull past his ears. "Here," I said, "you've got to unbutton another button." "Then you'd have to take the whole thing off," he protested. "There are time when it pays to start all over again, and this is one of them.
Benedict Freedman (Mrs. Mike (Mrs. Mike, #1))
There was a faint ringing in her ears that turned into a roar. And beneath it, a sudden wave of numbness, a too-familiar lack of sight or sound or feeling. She didn't know why it happened, because she had been so dead set on hating him, but . . . it would have been nice, she supposed. It would have been nice to have one person who knew the absolute truth about her—and didn't hate her for it. It would have been really, really nice. She walked away without another word. With each step she took back to her room, that flickering light inside of her guttered. And went out.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
But then you were alone, your body trying to heal itself while your mind went numb. There was a mix of joy and the purest love, couples with real boredom and occasional rage. It got easier as the kids got older, but it never got easy.
J. Courtney Sullivan (Maine)
...but grief, he'd discovered, was not an experience you went through once and then 'moved on' (as the idiotic popular phrase would have it). The truth was that it came over you in successive waves - waves separated by periods of numbness, periods of forgetfulness, periods of ordinary living.
John Verdon (Shut Your Eyes Tight (Dave Gurney, #2))
That loathsome opiate, relief, raced through my veins again—sharp and lucid at the initial prick, before everything went numb. I heard one of the others, maybe Filippa, exhale and I knew I wasn’t the only one who felt it. The moral outrage we should have suffered was quietly put down, suppressed like an unpleasant rumor before it had a chance to be heard. Whatever we did—or more crucially, did not do—it seemed that so long as we did it together, our individual sins might be abated. There is no comfort like complicity.
M.L. Rio (If We Were Villains)
This is from "Marabou Stork Nightmares". Bernard's Poem: Did you see her on the telly the other day good family entertainment the tabloids say But when you're backstage at your new faeces audition you hear the same old shite of your own selfish volition She was never a singer a comic or a dancer I cant say I was sad when I found out she had cancer Great Britain's earthy northern comedy queen takes the rand, understand from the racist Boer regime So now her cells are fucked and thats just tough titty I remember her act that I caught back in Sun City She went on and on about 'them from the trees with different skull shapes from the likes of you and me' Her Neo-Nazi spell it left me fucking numb the Boers lapped it up with zeal so did the British ex-pat scum But what goes round comes round they say so welcome to another dose of chemotherapy And for my part it's time to be upfront so fuck off and die you carcinogenic cunt.
Irvine Welsh (Marabou Stork Nightmares)
Levedev: It's no great thing to drink - a horse too can drink... No, one must drink intelligently... in our time we used to struggle with lectures all day, but as soon as evening came we went straight off somewhere where the lights were shining and spun like tops til dawn... ... We would talk nonsense and philosophy till our tongues went numb... But today's lot... I don't understand... They wouldn't make God a candle or the Devil a poker.
Anton Chekhov (Ivanov (Plays for Performance Series))
In a state of numbness, I would listen to them all when they went around the room and told their tales.
Nicholas Tanek (The Coolest Way to Kill Yourself)
Most of us would be seized with fear if our bodies went numb, and would do everything possible to avoid it, yet we take no interest at all in the numbing of our souls.
Epictetus
when she had curled up with her head on his lap to sleep, he’d felt nothing but adoration for her (literally: his legs went numb within half an hour and remained that way all night).
India Holton (The Wisteria Society of Lady Scoundrels (Dangerous Damsels, #1))
So I began to think maybe it was true that when you were married and had children it was like being brainwashed, and afterward you went about numb as a slave in some private, totalitarian state.
Sylvia Plath (The Bell Jar)
Gideon and I sit there in the dark, wordless for a while, only our ragged breaths disturbing the silence. Memories of my sister overwhelm me—I see her impish grin as she leans over me at the orphanage, tugging on my hair until I wake up. I remember us climbing up to the roof as kids, sitting cross-legged next to the herbs and vegetables our caretakers were growing while we read the English books Rose had “borrowed” from her class at school. And then there was L.A.—all of our hope for a better life so quickly crushed, but Rose never let despair overtake her. She was there after every single night to hold me until the pain went away. And later, when I got numb to it all, she still made a point of holding me, of promising me that one day things would be different.
Paula Stokes (Vicarious (Vicarious, #1))
Should I stop?” he said. I heard voices from far away and he stopped moving his fingers. I grabbed his wrist and pressed his hand into me. “Please,” I said, “please don’t stop.” “Oh, so I shouldn’t?” he said and chuckled. “That would be cruel of me, wouldn’t it?” I felt such pressurized pain, the tingle turned to a cold numb that made me shake. “Yes,” I said and stared into his eyes, “and you’re not cruel, are you?” He bit the side of my neck and nibbled on my earlobe as he breathed heavily into my ear. “I am the cruelest man you will ever meet, Beth,” he said into my ear, “but, I will make you feel so good, you will not care.” I stared into Declan’s eyes and knew that he told the truth. And just like he said, I did not care. His fingers went back to work and I felt as if I was being dragged out to sea by this incredible undertow. It did not matter that I was drowning or in the company of the cruelest man in the world. I only cared how he made me feel and, at that moment, I never felt better.
Ava Ayers (Pretty Hate)
He was numb and empty and he drank two fingers of whiskey from his bathroom glass before he lay down. The darkness pressed too closely on him. He turned on the bathroom light and went back to bed. He pretended Molly was in the bathroom brushing her hair.
Thomas Harris (Red Dragon (Hannibal Lecter, #1))
While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave. Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter. Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note. Got it. The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude. She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath. A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
To My Children, I'm dedicating my little story to you; doubtless you will be among the very few who will ever read it. It seems war stories aren't very well received at this point. I'm told they're out-dated, untimely and as might be expected - make some unpleasant reading. And, as you have no doubt already perceived, human beings don't like to remember unpleasant things. They gird themselves with the armor of wishful thinking, protect themselves with a shield of impenetrable optimism, and, with a few exceptions, seem to accomplish their "forgetting" quite admirably. But you, my children, I don't want you to be among those who choose to forget. I want you to read my stories and a lot of others like them. I want you to fill your heads with Remarque and Tolstoy and Ernie Pyle. I want you to know what shrapnel, and "88's" and mortar shells and mustard gas mean. I want you to feel, no matter how vicariously, a semblance of the feeling of a torn limb, a burnt patch of flesh, the crippling, numbing sensation of fear, the hopeless emptiness of fatigue. All these things are complimentary to the province of War and they should be taught and demonstrated in classrooms along with the more heroic aspects of uniforms, and flags, and honor and patriotism. I have no idea what your generation will be like. In mine we were to enjoy "Peace in our time". A very well meaning gentleman waved his umbrella and shouted those very words...less than a year before the whole world went to war. But this gentleman was suffering the worldly disease of insufferable optimism. He and his fellow humans kept polishing the rose colored glasses when actually they should have taken them off. They were sacrificing reason and reality for a brief and temporal peace of mind, the same peace of mind that many of my contemporaries derive by steadfastly refraining from remembering the War that came before. [excerpt from a dedication to an unpublished short story, "First Squad, First Platoon"; from Serling to his as yet unborn children]
Rod Serling
It was not a physical fatigue—he went to the gym regularly and felt better than he had in years—but a draining lassitude that numbed the margins of his mind. He got up and went out to the verandah; the sudden hot air, the roar of his neighbor’s generator, the smell of diesel exhaust fumes brought a lightness to his head. Frantic winged insects flitted around the electric bulb. He felt, looking out at the muggy darkness farther away, as if he could float, and all he needed to do was to let himself go.
Chimamanda Ngozi Adichie (Americanah)
There was a metal rod inside of Colin. The rod went from his stomach to the middle of his head. It was made of steel and sugar, and had been dissolving inside of Colin for ten or fifteen years, slow and sweet, above and behind his tongue; and he could taste it in that way, like an aftertaste, removed and seeping and outside of the mouth. Sometimes he’d glimpse it with the black, numb backs of his eyes. But what he really wanted was to wrench it out. Cut it up and chew it. Or melt it. Bathe in the hard, sweet lava of it.
Tao Lin (Bed)
I also remembered Buddy Willard saying in a sinister, knowing way that after I had children I would feel differently. I wouldn't want to write poems any more. So I began to think maybe it was true that when you were married and had children it was like being brainwashed, and afterward you went about numb as a slave in some private, totalitarian state.
Sylvia Plath (The Bell Jar)
I also remembered Buddy Willard saying in a sinister, knowing way that after I had children I would feel differently, I wouldn’t want to write poems any more. So I began to think maybe it was true that when you were married and had children it was like being brainwashed, and afterward you went about numb as a slave in some. private, totalitarian state.
Sylvia Plath (The Bell Jar)
She didn’t fall, but oh, her heart went icy in her chest. She sat down hard upon the steps. Too numb to walk. Her heart was cold and white as chalk.
Patrick Rothfuss (The Slow Regard of Silent Things (The Kingkiller Chronicle, #2.5))
Beyond that, he was numb: heart-numb, mind-numb, soul-numb. And the numbness, he realized, went a long way down, and a long way back.
Neil Gaiman (American Gods)
Thus the days went by at Terralba, and our sensibilities became numbed, as we felt ourselves lost between an evil and a virtue equally inhuman.
Italo Calvino (The Cloven Vicount)
He [Pat] pushed a little wheat onto the edge of the shovel, then swung the thing around with such sudden force that the wheat might have actually made it onto the truck, if only he hadn't let go of the shovel. But he did let go of it, and it went sailing through the air like a silver spaceship until my forehead stopped it. "You've killed me!" I cried. I slipped down onto the pile of wheat, blinking wildly and clutching at my wounded forehead. "I'm sorry! I'm sorry!" he shouted. I felt quite numb all over, as if I weren't really there. "I see three angels with golden trumpets," I informed him. At this point he began to blubber. "Don't die!" he cried. "It's too late. I responded. "You've killed me, and now I'm going to die. "They'll probably hang you," I added as an afterthought.
Don Lemna (When the Sergeant Came Marching Home)
Thing was though, before I´d gained the understanding of what was happening, my seemingly flattened approach to life became less a pretence and more and more real as time went on. At first an emotional numbness set it. Then my head, which initially had reassured with, 'Excellent. Well done. Successfully am I fooling them in that they do not know who I am or what I'm thinking or what I'm feeling', now began itself to doubt I was even there. 'Just a minute', it said. 'Where is our reaction? We were having a privately expressed reaction but now we're not having it. Where is it?' This my feelings stopped existing. And now this numbance from nowhere had come so far on in its development that along with others in the area finding me inaccessible, I, too, came to find me inaccessible. My inner world, it seemed, had gone away.
Anna Burns (Milkman)
Still, I knew rehab was important. So I listened. I went to every class. I held hands with strangers. With suburban mummies who’d gotten addicted to prescription pills, and a preacher’s son who’d fallen into the arms of heroin, and a Russian oligarch’s daughter who, like me, had snorted pounds and pounds of cocaine to numb the feeling that the world was closing in on you from all angles. I wrote letters to my family and friends. Angry letters. Apologetic letters. Funny letters. Then I burned them all. I couldn’t write Stardust shite, though. Everything I had to say to her—every single groveling word—had to be said in person.
L.J. Shen (Midnight Blue)
Lucy was frightened, frightened near to death. Her voice choked, she could not breath, her limbs went numb. "This is not happening", she said to herself as the men forced her down; "it is just a dream, a nightmare". While the men, for their part, drank up her fear, revelled in it, did all they could to hurt her, to menace her, to heighten her terror. "Call your dogs!" they said to her. "Go on, call your dogs! No dogs? Then let us show you dogs!
J.M. Coetzee (Disgrace)
He was deeply grateful for the chemical hand and feet warmers, which kept his extremities from freezing. Beyond that, he was numb: heart-numb, mind-numb, soul-numb. And the, numbness, he realized, went a long way down, and a long way back.
Neil Gaiman (American Gods (American Gods, #1))
Fire, fire! The branches crackle and the night wind of late autumn blows the flame of the bonfire back and forth. The compound is dark; I am alone at the bonfire, and I can bring it still some more carpenters' shavings. The compound here is a privileged one, so privileged that it is almost as if I were out in freedom -- this is an island of paradise; this is the Marfino "sharashka" -- a scientific institute staffed with prisoners -- in its most privileged period. No one is overseeing me, calling me to a cell, chasing me away from the bonfire, and even then it is chilly in the penetrating wind. But she -- who has already been standing in the wind for hours, her arms straight down, her head drooping, weeping, then growing numb and still. And then again she begs piteously "Citizen Chief! Please forgive me! I won't do it again." The wind carries her moan to me, just as if she were moaning next to my ear. The citizen chief at the gatehouse fires up his stove and does not answer. This was the gatehouse of the camp next door to us, from which workers came into our compound to lay water pipes and to repair the old ramshackle seminary building. Across from me, beyond the artfully intertwined, many-stranded barbed-wire barricade and two steps away from the gatehouse, beneath a bright lantern, stood the punished girl, head hanging, the wind tugging at her grey work skirt, her feet growing numb from the cold, a thin scarf over her head. It had been warm during the day, when they had been digging a ditch on our territory. And another girl, slipping down into a ravine, had crawled her way to the Vladykino Highway and escaped. The guard had bungled. And Moscow city buses ran right along the highway. When they caught on, it was too late to catch her. They raised the alarm. A mean, dark major arrived and shouted that if they failed to catch the girl, the entire camp would be deprived of visits and parcels for whole month, because of her escape. And the women brigadiers went into a rage, and they were all shouting, one of them in particular, who kept viciously rolling her eyes: "Oh, I hope they catch her, the bitch! I hope they take scissors and -- clip, clip, clip -- take off all her hair in front of the line-up!" But the girl who was now standing outside the gatehouse in the cold had sighed and said instead: "At least she can have a good time out in freedom for all of us!" The jailer had overheard what she said, and now she was being punished; everyone else had been taken off to the camp, but she had been set outside there to stand "at attention" in front of the gatehouse. This had been at 6 PM, and it was now 11 PM. She tried to shift from one foot to another, but the guard stuck out his head and shouted: "Stand at attention, whore, or else it will be worse for you!" And now she was not moving, only weeping: "Forgive me, Citizen Chief! Let me into the camp, I won't do it any more!" But even in the camp no one was about to say to her: "All right, idiot! Come on it!" The reason they were keeping her out there so long was that the next day was Sunday, and she would not be needed for work. Such a straw-blond, naive, uneducated slip of a girl! She had been imprisoned for some spool of thread. What a dangerous thought you expressed there, little sister! They want to teach you a lesson for the rest of your life! Fire, fire! We fought the war -- and we looked into the bonfires to see what kind of victory it would be. The wind wafted a glowing husk from the bonfire. To that flame and to you, girl, I promise: the whole wide world will read about you.
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
it was the horror of the two world wars—Verdun, the Somme, Hiroshima—that led to our own era’s questioning of the tragic view of war. Such a reaction was certainly true and understandable in a Europe that nearly destroyed itself in two devastating industrial wars within a roughly twenty-year period. Yet out of such numbing losses we may have missed the lesson of the horror. The calamity of sixty million dead was not just because nationalistic Westerners went to war in an industrial age of weaponry of mass annihilation, but rather because the liberal democracies were unwilling to make moderate sacrifices to keep the peace well before 1914 and 1939—when real resolve could have stopped Prussian militarism, and then Nazism without millions of the blameless perishing.
Victor Davis Hanson (The Father of Us All: War and History, Ancient and Modern)
The next three hours went by in a mind-numbing haze. By the time the cab pulled up to the airport terminal, she was pissed. Not at him though. She wanted to be-she'd fallen back in love with him, and he couldn't even stick around to have a waffle and say good-bye?-but she couldn't.
Nicolette Day (No Strings Attached (Falling for You, #1))
after I had children I would feel differently, I wouldn’t want to write poems any more. So I began to think maybe it was true that when you were married and had children it was like being brainwashed, and afterward you went about numb as a slave in some private, totalitarian state.
Sylvia Plath (The Bell Jar)
I needed to pay attention, to be ready to step through and descend into it, whatever it was. It felt archetypal. Something in me was being slain in the fires of pain so that some new thing could be born. I knew it and went with it, and in the alchemy of my pain, like flowers whose seeds open only in the presence of fire, tendrils of something new began to sprout. Pain for me was a Trojan horse, penetrating the protective walls I’d erected around my heart, bearing within it hints of a future I might never have awakened to had I tried to numb myself with busyness.
Jane Fonda (My Life So Far)
Before I’d gained the understanding of what was happening, my seemingly flattened approach to life became less a pretense and more and more real as time went on. At first, an emotional numbness set in. Then my head, which had initially reassured with, excellent well done, successfully am I fooling them in that they do not know who I am or what I’m thinking or what I’m feeling, now began itself to doubt I was even there. Just a minute, it said, where is our reaction? We were having a privately expressed reaction, but now we’re not having it. Where is it? Thus my feelings stopped expressing. Then, they stopped existing.
Anna Burns (Milkman)
We can take things as slowly as you want, but you know it’s too late now to change your mind, Pierce,” he said, in a warning tone. “Of course,” I said. I could see I had approached this all wrong. Where, when you actually needed one, was one of those annoying women’s magazines with advice on how to handle your man? Although that advice probably didn’t apply to death deities. “Because the Furies are after me. And I promised you that I wouldn’t try to escape. That isn’t what I was-“ “No,” he said, with an abrupt shake of his head. “The Furies have no part in this. It doesn’t matter anymore whether or not you try to escape.” He was pacing the length of the room. A muscle had begun to twitch wildly in the side of his jaw. “I thought you knew. I thought you understood. Haven’t you read Homer?” Not again. Mr. Smith was obsessed with this Homer person, too. “No, John,” I said, with forced patience. “I’m afraid we don’t have time to study the ancient Greek poets in school anymore because we have so much stuff to learn that happened since you died, such as the Civil War and the Holocaust and making files in Excel-“ “Well, considering what they had to say about the Fates,” John interrupted, impatiently, “Homer might possibly have been of more use to you.” “The Fates?” The Fates were something I dimly remembered having been mentioned in the section we’d studied on Greek mythology. They were busybodies who presided over everyone’s destiny. “What did Homer have to say about them?” John dragged a hand through his hair. For some reason, he wouldn’t meet my gaze. “The Fates decreed that anyone who ate or drank in the realm of the dead had to remain there for all eternity.” I stared at him. “Right,” I said. “Only if they are pomegranate seeds, like Persephone. The fruit of the dead.” He stopped pacing suddenly and lifted his gaze to mine. His eyes seemed to burn through to my soul. “Pomegranate seeds are what Persephone happened to eat while she was in the Underworld,” he said. “That’s why they call them the fruit of the dead. But the rule is any food or drink.” A strange feeling of numbness had begun to spread across my body. My mouth became too dry for me to speak. “However you feel about me, Pierce,” he went on, relentlessly, “you’re stuck here with me for the rest of eternity.
Meg Cabot (Underworld (Abandon, #2))
And when we pushed away that other, bad vision, we felt good again and everything was a joy to us: the fire, the smell of trampled grass, that our shirts had dried, the sleep of the earth, the taste of cigarettes, the forest, our rested legs, the stardust, life - life most of all. In the end, we went on. The dawn met us. The sun warmed us. We kept walking. Our legs buckled, our shoulders went numb, our hands swelled, but we managed to carry it to the cemetery - to the grave - our last harbour on earth, at which we put in only once, never again to sail forth - this Stefan Kanik, eighteen, killed in a tragic accident, during blasting, by a block of coal.
Ryszard Kapuściński (An Advertisement for Toothpaste (Penguin Modern))
Carroll was eleven years old when he saw The Haunting in The Oregon Theater. He had gone with his cousins, but when the lights went down, his companions were swallowed by the dark and Carroll found himself essentially alone, shut tight into his own suffocating cabinet of shadows. At times, it required all his will not to hide his eyes, yet his insides churned with a nervous-sick frisson of pleasure. When the lights finally came up, his nerve endings were ringing, as if he had for a moment grabbed a copper wire with live current in it. It was a sensation for which he had developed a compulsion. Later, when he was a professional and it was his business, his feelings were more muted - not gone, but experienced distantly, more like the memory of an emotion than the thing itself. More recently, even the memory had fled, and in its place was a deadening amnesia, a numb disinterest when he looked at the piles of magazines on his coffee table. Or no - he was overcome with dread, but the wrong kind of dread. ("Best New Horror")
Joe Hill (20th Century Ghosts)
As the sun went down outside, the television screen started completely lighting up the room in obnoxiously bright colors at hyperactive speeds. The conversation had been slowly rising in volume and frequency, as everyone started becoming more delinquent and the social boundaries slowly wore away. I don't remember what any of them said because I wasn't honestly paying any attention. I was focusing on my own misery and trying to numb the inner demons, the ugly things Thomas claimed came from the Outside World. Yet, to me, it wasn't outside, but rather INSIDE, as in my own head. I kept hearing Charley's voice from bits and pieces of conversations we had, laughter that I'll never hear ever again.
J.C. Joranco (Say It Ain't So)
I also remembered Buddy Willard saying in a sinister, knowing way that after I had children I would feel differently, I wouldn’t want to write poems any more. So I began to think maybe it was true that when you were married and had children it was like being brainwashed, and afterward you went about numb as a slave in some private, totalitarian state.
Sylvia Plath (The Bell Jar)
I also remembered Buddy Willard saying in a sinister, knowing way that after I had children I would feel differently, I wouldn’t want to write poems any more. So I began to think maybe it was true that when you were married and had children it was like being brainwashed, and afterwards you went about numb as a slave in some private, totalitarian state.
Sylvia Plath (The Bell Jar)
Not that everything "went black," nothing of the sort; only that the event itself is cloudy because of some primitive, numbing effect that obscured it at the time; the same effect, I suppose, that enables panicked mothers to swim icy rivers, or rush into burning houses, for a child; the effect that occasionally allows a deeply bereaved person to make it through a funeral without a singe tear. Other things—naked, sputtering, indelible in their horror—are too terrible to really ever grasp at all. It is only later, in solitude, in memory, that the realization dawns; when the ashes are cold; when the mourners have departed; when one looks around and finds oneself—quite to one's surprise—in an entirely different world.
Donna Tartt (The Secret History)
You felt it in your soul, no place else. You felt the truth there sometimes—beyond logic—and you were usually right if it was a type of truth that was the exact kind you didn’t want to face, weren’t sure you could. That’s what you tried to ignore, why you went to psychiatrists and spent too long in bars and numbed your brain in front of TV tubes—to hide from hard, ugly truths your soul recognized long before your mind caught up.
Dennis Lehane (Mystic River)
Maybe we’re feeling left out or defective, ashamed or insecure. The feelings get too big and … for many of us, the fix is to binge on treasure troves of sugar and fat: pizza, ice cream, cookies, cheese, chocolate. For a little while, the chemical relief numbs out the hurt. Hurt? Worry? It’s all shoved deep down beneath layers of chips or donuts. Hidden. Out of sight and out of mind. Until the chemical buzz begins to wear off … and it turns out that the feelings never went away. They’re still here. And worse, now there’s self-loathing and shame to add to the mix. So we punish ourselves … until the hurt gets too big, and the cycle starts again. For those of us who starve ourselves, the story isn’t much different. We’re still trying to escape overwhelming feelings—of being a fraud, not good enough, unworthy, a failure. Instead of indulging in cover-up chaos, undereaters (like I was) discover relief—even a sense of power—in artificial control.
Jennifer O'Toole (Autism in Heels: The Untold Story of a Female Life on the Spectrum)
He was stricken anew by her, overcome with the knowledge that in the morning he would have to relinquish her. In Prison 33, little by little, you relinquished everything, starting with your tomorrows and all that might be. Next went your past, and suddenly it was inconceivable that your head had ever touched a pillow, that you'd once used a spoon or a toilet, that your mouth had once known flavors and your eyes had beheld colors beyond gray and brown and the shade of black that blood took on. Before you relinquished yourself--Ga had felt it starting, like the numb of cold limbs--you let go of all the others, each person you'd once known. They became ideas and then notions and then impressions, and then they were as ghostly as projections against a prison infirmary. Sun Moon appeared to him now like this, not as a woman, vital and beautiful, making an instrument speak her sorrow, but as the flicker of someone once known, a photo of a person long gone.
Adam Johnson
The Troika sought to undo the steep pay raises civil servants had received in the decade preceding the crisis, and Greek government workers saw their paychecks cut by as much as 35 percent. This was intended not only to reduce the government’s wage bill, but to make the Greek economy more competitive. Since public wage levels have a direct effect on private wages, a reduction in the former would result in a cheaper overall labor force, allowing Greece to export products at more competitive prices, the thinking went. Or as I heard some Greeks put it, the plan was to make wages as low as in China, so that Greeks, too, would one day supplicate for jobs assembling iPads until their fingers went numb. The Troika’s plan certainly seemed to work, as average incomes in Greece fell about one-quarter in the years following the outbreak of the crisis. It was not clear, however, that the Greek government would be able to sustain all the public wage cuts it had been forced to implement.
James Angelos (The Full Catastrophe: Travels Among the New Greek Ruins)
He whirled,almost violently,and stared at her accusingly. "Damn it, Gennie, I've had my head lopped off." It was her turn to stare.Her fingers went numb against the stoneware. Her pulse seemed to stop long enough to make her head swim before it began to race. The color drained from her face until it was like porcelain against the glowing green of her eyes.On another oath, Grant dragged a hand through his hair. "You're spilling the coffee," he muttered, then stuck his hands in his pockets. "Oh." Gennie looked down foolishly at the tiny twin puddles that were forming on the floor,then set down the mugs. "I'll-I'll wipe it up." "Leave it." Grant grabbed her arm before she could reach for a towel. "Listen,I feel like someone's just given me a solid right straight to the gut-the kind that doubles you over and makes your head ring at the same time.I feel that way too often when I look at you." When she said nothing, he took her other arm and shook. "In the first place I never asked to have you walk into my life and mess up my head. The last thing I wanted was for you to get in my way,but you did.So now I'm in love with you, and I can tell you,I'm not crazy about the idea." Gennie found her voice, though she wasn't quite certain what to do with it. "Well," she managed after a moment, "that certainly puts me in my place." "Oh,she wants to make jokes." Disgusted, Grant released her to storm over to the coffee. Lifting a mug, he drained half the contents, perversely pleased that it scalded his throat. "Well, laugh this off," he suggested as he slammed the mug down again and glared. "You're not going anywhere until I figure out what the hell I'm going to do about you." Struggling against conflicting emotions of amusement,annoyance,and simple wonder, she put her hands on her hips. The movement shifted the too-big robe so that it threatened to slip off one shoulder. "Oh,really? So you're going to figure out what to do about me, like I was an inconvenient head cold." "Damned inconvenient," he muttered. "You may not have noticed, but I'm a grown woman with a mind of my own, accustomed to making my own decisions. You're not going to do anything about me," she told him as her temper began to overtake everything else. She jabbed a finger at him,and the gap in the robe widened. "If you're in love with me, that's your problem. I have one of my own because I'm in love with you." "Terrific!" he shouted at her. "That's just terrific.We'd both have been better off if you'd waited out that storm in a ditch instead of coming here." "You're not telling me anything I don't already know," Gennie retorted, then spun around to leave the room. "Just a minute." Grant had her arm again and backed her into the wall. "You're not going anywhere until this is settled." "It's settled!" Tossing her hair out of her face, she glared at him. "We're in love with each other and I wish you'd go jump off that cliff.If you had any finesse-" "I don't." "Any sensitivty," she continued, "you wouldn't announce that you were in love with someone in the same tone you'd use to frighten small children.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
But as their journey progressed such interruptions came to seem more and more unreal to Andrews. The reality of their journey lay in the routine detail of bedding down at night, arising in the morning, drinking black coffee from hot tin cups, packing bedrolls upon gradually wearying horses, the monotonous and numbing movement over the prairie that never changed its aspect, the watering of the horses and oxen at noon, the eating of hard biscuit and dried fruit, the resumption of the journey, the fumbling setting up of camp in the darkness, the tasteless quantities of beans and bacon gulped savagely in the flickering darkness, the coffee again, and the bedding down. This came to be a ritual, more and more meaningless as it was repeated, but a ritual which nevertheless gave his life the only shape it now had. It seemed to him that he moved forward laboriously, inch by inch, over the space of the vast prairie; but it seemed that he did not move through time at all, that rather time moved with him, an invisible cloud that hovered about him and clung to him as he went forward.
John Williams (Butcher's Crossing)
He fixed her in his gaze and set his jaw, his hands twitching at his sides. "You feel something for me," he said, daring her to try and deny it. There was no point trying to hide it now. She looked away, numb. "You can't feel that way about me." He lowered his voice. "It'll only get you hurt." "Oh, come on! That's so cliche! What's that even supposed to mean?" "It means my life is one that prevents me from the luxury of silly romantic notions. I can't have you look at me the way you just did. I don't care what Agatha's told you, or what she thinks she knows. This isn't going to happen, okay?" Silly romantic notions? Farley's embarrassment quickly moved aside to make room for her anger. "Agatha hasn't told me anything. None of you ever do. You're right, I do feel something for you, but don't worry. From your reaction, it's pretty clear that the feeling's not mutual. I'm not some crazy stalker. I'd appreciate it if you wouldn't flatter yourself into thinking that I'm completely head over heels in love with you. So just go!" she screamed, destroyed by his words and the feelings of rejection that coursed through her. "You don't understand." "I think I do." "No! You don't!" The hard look in his eyes morphed into something more pained and desperate. He stepped forward and grabbed her roughly by the arms, the same way he had done in the silo. "I sat there and watched you for months. Months! I watched you everywhere you went; I watched you when you didn't go anywhere at all! When you were so low you couldn't even leave the house. I watched the most beautiful person I'd ever seen get screwed over by the cops and have her life threatened on a daily basis without her even knowing it." Farley stared up at him-frozen and unblinking-his words barraging her. "How do you think I felt when I found you bleeding and broken on the floor of Aldan's room? I thought you were dead!" He stood, his eyes on fire, with something terrible strewn across his face. His voice dropped to barely more than a whisper. "We've got a war about to be unleashed here-one that I'm going to die for. One where you and I are an impossibility. So I don't get to tell you that I love you. And you don't get to look at me like that.
Frankie Rose
So, Joanie came over with some ice bubble hash--not sure what that means, but it's good--and I freaked her out with some Pink Floyd. She didn't know the early stuff so much. We went out into the garden with a fairly big-screen laptop, it was warmish, and after we were high and drinking a few beers, I played for her these videos, in this order: Jugband Blues Astronomy Domine (2x, once with Syd, once with Dave) Set the Controls for the Heart of the Sun One of These Days A Saucerful of Secrets Echoes Comfortably Numb She passed out on the settee and I threw a cover over her. lol
Sienna McQuillen
Your enemies call it comeuppance and relish the details of a drug too fine, how long you must have dangled there beside yourself. In the middle distance of your twenty-ninth year, night split open like a fighter's bruised palm, a purple ripeness. Friends shook their heads. With you it was always the next attractive trouble, as if an arranged marriage had been made in a country of wing walkers, lion tamers, choirboys leaping from bellpulls into the high numb glitter, and you, born with the breath of wild on your tongue brash as gin. True, it was charming for a while. Your devil's balance, your debts. Then no one was laughing. Hypodermic needles and cash registers emptied themselves in your presence. Cars went head-on. Sympathy, old motor, ran out or we grew old, our tongues wearing little grooves in our mouths clucking disappointment. Michael, what pulled you up by upstart roots and set you packing, left the rest of us here, body-heavy on the edge of our pews. Over the reverend's lament we could still hear laughter, your mustache the angled black wings of a perfect crow. Later we taught ourselves the proper method for mourning haphazard life: salt, tequila, lemon. Drinking and drifting in your honor we barely felt a thing.
Dorothy Barresi (All of the Above)
The odd sensation I had while cooking would often last through the meal, then dissolve as I climbed the stairs. I would enter my room and discover the homework books I had left on the bed had disappeared into my backpack. I’d look inside my books and be shocked to find that the homework had been done. Sometimes it had been done well, at others it was slapdash, the writing careless, my own handwriting but scrawled across the page. As I read the work through, I would get the creepy feeling that someone was watching me. I would turn quickly, trying to catch them out, but the door would be closed. There was never anyone there. Just me. My throat would turn dry. My shoulders would feel numb. The tic in my neck would start dancing as if an insect was burrowing beneath the surface of the skin. The symptoms would intensify into migraines that lasted for days and did not respond to treatment or drugs. The attack would come like a sudden storm, blow itself out of its own accord or unexpectedly vanish. Objects repeatedly went missing: a favourite pen, a cassette, money. They usually turned up, although once the money had gone it had gone for ever and I would find in the chest of drawers a T-shirt I didn’t remember buying, a Depeche Mode cassette I didn’t like, a box of sketching pencils, some Lego.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
His lips parted under hers, damp and soft and warm, and she forgot all of that. Her entire life focused in on the sensations, the gentle pressure that grew more intense the longer the kiss went on. Chaste kisses, then dirtier ones, and man, those tasted good. They tasted better the wider her mouth opened, and especially after his tongue touched hers. She could have done a whole semester of kissing with Shane. Intense personal study. With lab classes. Time really wasn’t happening for her, but eventually Claire realized that there was a soft glow coming from the windows, and she was numb and sore from sitting on the floor. She winced as a muscle in her back protested, and Shane reached out, pulled her up, and settled himself on the couch. He stretched out, and extended a hand to her. She stared, tingling and confused. “There’s no room.’” “Plenty of room,’” he said. She felt breathless and kind of wild, stretching out on the tiny area of sofa cushion available next to him, and then smothered a yelp as Shane picked her up and draped her over his chest and, oh my God, over all the rest of him, too. “Better?’” he asked, and raised his eyebrows. It was a real question, and he was looking for a real answer. Claire felt a blush building a fire in her cheeks, but she didn’t look away from his gaze. “Perfect,’” she said.
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
You are very quiet,” Archer remarked as they walked together to the refreshment table. They’d just finished a game of whist and when Rose begged off from a second round, Grey’s brother did the same. “My apologies,” she replied. “I do not mean to be rude.” “My brother doesn’t deserve to take up so much room in that lovely head of yours.” She might have been insulted by his disparaging Grey, or his familiarity with her, had she not been so surprised by the remark itself. “You are impertinent, sir.” He grinned-a grin so much more roguish than Grey’s. “One of my more charming traits. I did not mean offense, dear lady. Only that thinking about him will do you no good. The man is bent on punishing himself for the rest of his life.” Rose accepted the plate he offered her. “Thank you. Why would he wish to punish himself?” “Because he’s an ar…idiot. Sandwich?” He held up a cucumber sandwich caught in silver tongs. “Please. I’m not certain I wish to discuss your brother with you, Lord Archer.” “Not even if I can help you win him?” Rose’s heart froze-no, it simply stopped. Her entire body went numb. She would have dropped her plate had Archer not swept it from her hand into his own. “What makes you think I wish to win him?” He flashed her a coy glance. “Please, lady Rose. I’ve not made a career out of studying your sex to fall for your false innocence now.” Oh dear God. Had Grey told him? “I’ve seen the way you look at him, and I’ve had to put with hearing about you for the last four years-no offense.” Rose arched a brow as he piled food upon her plate. “None taken. I wasn’t aware that I looked at your brother in a manner different from how I might look upon anyone else.” “Mm.” He popped a small cake into his mouth, chewed, and swallowed. “That’s just it. You try too hard to treat him like everyone else. It’s obvious you care for him, and not just as the man who saved your life.” “Saved my life? How very dramatic.” He gave her a very serious look as he handed her the laden plate. “Where do you suppose you’d be right now if Grey hadn’t taken you in? Certainly not here, with such good food and charming company.” Point taken. And now she felt simply awful for the way she had spoken to Grey earlier. She was such a cow. “You shame me, sir.” And worse, he’d made tears come to her eyes. Staring at her food-such a wonderful array he’d picked for her-she blinked them away. He steered her toward a window seat where they sat in plain view of the room, but at least with a modicum of privacy. “My apologies, my lady. I did not mean to offend you with my plain and thoughtless words.” “Plain, perhaps. Thoughtless, I highly doubt it.” She managed a small smile. “I don’t think you do anything without thinking first.” Archer laughed, looking so much like Grey it hurt to look at him. “Were that but true.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
I felt a numb shock as I drove home anxious to get my chocolate flowers and wondering how my mother arranged to get them delivered to me at the exact time of her passing as promised. I arrived home to a note on my door to go to the neighbor on the right. I knocked at the door and the grouchy older man answered. Without saying a word, he went to his refrigerator, opened it and said, "I think these are for you." He handed me the large bouquet of fruits all cut out like flowers and dipped in chocolate."It looks like chocolate flowers." he said with a grin, adding "I had a few, and they were great!" I held my delivery. I opened the small envelope and read the card: Dear Jori, We appreciate you showing us homes and although it has been months, we thought of you and wanted to do something nice for you today. I hope you remember us. The Johnsons This was a previous client who was a pastor. He never knew I had a mother who had cancer nor did I ever mention the conversation about the chocolate flowers. It had been several months since I had heard from this couple who were considering purchasing a home. I called the client, whom I haven't spoken to in such a long time. I was confused and wanted to know what made them decide to send me chocolate flowers, and why that day, of all days? He said it was his wife's idea to do something nice for someone and they agreed it on it being me. Mrs. Johnson thought of the chocolate flowers.
Jori Nunes (Chocolate Flowers)
Is it true?” Kathleen asked. “The story you were telling about Devon?” After draining the tea in two gulps, West gave her a haunted glance. “All true. The son of a bitch almost succeeded in killing himself.” Kathleen took the cup from his lax fingers. “I don’t know how he did it,” West continued. “I was in the water for no more than two minutes, and my legs went numb to the bone. It was agony. By all accounts, Devon was in that river for at least twenty minutes, the reckless lackwit.” “Saving children,” Kathleen said, feigning scorn. “How dare he?” “Yes,” West said with no trace of humor. He stared at the leaping fire, brooding. “Now I understand what you once said to me about all the people who depend on him--and I’ve become one of them. Damn him to hell. My brother can’t take arse-headed chances with his life again, or I swear I’ll kill him.” “I understand,” she said, aware of the fear lurking beneath his caustic words. “No, you don’t. You weren’t there. My God, I almost didn’t reach him in time. Had I arrived just a few seconds later--” West took a shuddering breath and averted his face. “He wouldn’t have done this before, you know. He used to have more sense than to risk his neck for someone else. Especially strangers. The numbskull.” Kathleen smiled. Swallowing back the tightness in her throat, she reached out and smoothed his hair back. “My dear friend,” she whispered, “I’m sorry to have to say this…but you would have done the same thing.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
… Not that everything “went black,” nothing of the sort; only that the event itself is cloudy because of some primitive, numbing effect that obscured it at the time; the same effect, I suppose, that enables panicked mothers to swim icy rivers, or rush into burning houses, for a child; the effect that occasionally allows a deeply bereaved person to make it through a funeral without a single tear. Some things are too terrible to grasp at once. Other things—naked, sputtering, indelible in their horror—are too terrible to really ever grasp at all. It is only later, in solitude, in memory, that the realization dawns: when the ashes are cold; when the mourners have departed; when one looks around and finds oneself —quite to one’s surprise—in an entirely different world.
Donna Tart, The Secret History
She lifted the cup to her lips. “You make good coffee.” “You haven’t tasted it yet.” “I can smell it. And I love the way it smells.” It’s not the coffee, he thought. Not all of it, at any rate. “Well, I love your perfume,” he said, because he was a dolt. She frowned. “I’m not wearing any. I mean, other than the soap and shampoo I use.” “Well, I like them, then. And I’m glad you stayed.” “Is this what you planned?” Their eyes met. Shit, she was perfect. Radiant as the candles had been. “You making it all the way to the coffee? Yeah, I guess a date was what I was after.” “I thought you agreed with me.” Man, that breathless quality in her voice made him want to have her up against his naked chest. “Agreed with you?” he said. “Hell, if it would make you happy, I’d say yes to anything. But what are you specifically referring to?” “You said…I shouldn’t date anyone.” Ah, right. “You shouldn’t.” “I don’t understand.” Fuck him, but he went for it. Rehv put his numb elbow on the table and leaned into her. As he closed the distance, her eyes got wider, but she didn’t pull back. He paused, to give her a chance to tell him to cut the shit. Why? He had no clue. His symphath side was into pauses only for analysis or to better capitalize on a weakness. But she made him want to be decent. Ehlena didn’t tell him to step off, however. “I don’t…understand,” she whispered. “It’s simple. I don’t think you should date anyone.” Rehv moved in even closer, until he could see the flecks of gold in her eyes. “But I’m not just anyone.” -Ehlena & Rehv
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
There is an art to navigating London during the Blitz. Certain guides are obvious: Bethnal Green and Balham Undergrounds are no-goes, as is most of Wapping, Silvertown and the Isle of Dogs. The further west you go, the more you can move around late at night in reasonable confidence of not being hit, but should you pass an area which you feel sure was a council estate when you last checked in the 1970s, that is usually a sign that you should steer clear. There are also three practical ways in which the Blitz impacts on the general functioning of life in the city. The first is mundane: streets blocked, services suspended, hospitals overwhelmed, firefighters exhausted, policemen belligerent and bread difficult to find. Queuing becomes a tedious essential, and if you are a young nun not in uniform, sooner or later you will find yourself in the line for your weekly portion of meat, to be eaten very slowly one mouthful at a time, while non-judgemental ladies quietly judge you Secondly there is the slow erosion-a rather more subtle but perhaps more potent assault on the spirit It begins perhaps subtly, the half-seen glance down a shattered street where the survivors of a night which killed their kin sit dull and numb on the crooked remnants of their bed. Perhaps it need not even be a human stimulus: perhaps the sight of a child's nightdress hanging off a chimney pot, after it was thrown up only to float straight back down from the blast, is enough to stir something in your soul that has no rare. Perhaps the mother who cannot find her daughter, or the evacuees' faces pressed up against the window of a passing train. It is a death of the soul by a thousand cuts, and the falling skies are merely the laughter of the executioner going about his business. And then, inevitably, there is the moment of shock It is the day your neighbour died because he went to fix a bicycle in the wrong place, at the wrong time. It is the desk which is no longer filled, or the fire that ate your place of work entirely so now you stand on the street and wonder, what shall I do? There are a lot of lies told about the Blitz spirit: legends are made of singing in the tunnels, of those who kept going for friends, family and Britain. It is far simpler than that People kept going because that was all that they could really do. Which is no less an achievement, in its way.
Claire North (The First Fifteen Lives of Harry August)
Only one solution presented itself. I went from chemist to chemist buying packets of paracetamol. I bought only a few packets at a time to avoid arousing suspicion—but I needn’t have worried. No one paid me the least attention; I was clearly as invisible as I felt. It was cold in my room, and my fingers were numb and clumsy as I tore open the packets. It took an immense effort to swallow all the tablets. But I forced them all down, pill after bitter pill. Then I crawled onto my uncomfortable narrow bed. I shut my eyes and waited for death. But death didn’t come. Instead a searing, gut-wrenching pain tore through my insides. I doubled up and vomited, throwing up bile and half-digested pills all over myself. I lay in the dark, a fire burning in my stomach, for what seemed like eternity.
Alex Michaelides (The Silent Patient)
The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961
Sylvia Plath (Ariel)
And I went from sleeper to sleeper, examining their faces as I had so many years ago in the tunnel, always looking for His Cognizance and always hoping—although I knew how absurd it was—that I would find Silk, that Silk had left Hyacinth and would be going with us after all, that Silk had rejoined us when I was inattentive, talking to Scleroderma and Shrike, and lagging behind the slowest walkers to talk to His Cognizance, whom I sought without finding on that nightmare night under the cloud-capped trees that outreach all our towers, so that at last I called out softly “Silk? Silk?” as I walked among the sleepers until Oreb grasped my hand with fingers that were in fact feathers, repeating, “Here Silk. Good Silk,” and I took my own advice and found the numbing fruit, cut one in two with the gold-chased black blade of the sword that I had imagined for myself and pressed a half against the sting on my arm, weeping. *
Gene Wolfe (In Green's Jungles: The Second Volume of 'The Book of the Short Sun')
I did well at the Department of Justice. Some of my parts were hard workers. My well-developed memory helped me remember people: their names and positions and what they said during meetings. Rather than making me seem checked out, my dissociation made me seem calm and collected. In fact, the general dissociative state I was always in helped me function very well. I collected information, interacted on a personal and professional level, and was quite adept at managing most tasks in my life from this superficially numb and calm place. Most people, including me, didn't notice. This way of being and interacting was really all I knew. From that mild dissociation, I quickly went into a deeper dissociative state if there was conflict around me, if someone expressed strong emotions, or if something unpredictable happened. Although these difficult situations triggered me, they brought out behavior that helped me do well when the going got tough.
Olga Trujillo (The Sum of My Parts: A Survivor's Story of Dissociative Identity Disorder)
Sometimes, looking back, I try to isolate a moment to change, a day or a night on either side of which things were demonstrably different. I never succeed. Partly, I think, is because it's simply not possible. Outside of sudden, violent events, changes is ongoing; we measure it only by holding what we've become against the memory of what we once were. But it's also because, in that space, at that particular time, We were so enmeshed in change, so completely caught up in it that singular, momentary factors became lost and blurred. Day and night slipped their boundaries. Our bodies ached, contorted, then were numbed with narcotics and went slack. My fingernails became sharp, then broken. In regular life, the life we'd left, we would have managed these processes, checked them, turned things back to how they were and how we liked them. There, in that concrete room, we surrendered ourselves to time and all its effects. The heat was unrelenting, pooling us in sweat and thickening the stink in which we lived. (p.271)
Sam Byers (Come Join Our Disease)
Neither do I express well nor do I know how to write perfectly charming like writers do yet here I sit every night under the stars hoping one to break away so I could wish for the missing peace of my puzzle of life .. * Selfish isn't it wishing something to break so we can join ourselves  maybe thats the law of nature. One always has to give up for something to live. Tree dies  leaving the seed for a new bud behind.  Crazy! The sacrifice for one becomes the breath for the other one without even  him realizing what suffering something went through for its precious life * It gets cold fast once you decide to swim deep into your thoughts . Every thing from a star to even the buzzing of bees tell you a story about what your existence might be for but the city's lights and sound never let you realize how small yet how fascinating your existence is . We tend to forget the meaning of life even after preaching the same for others ourselves. . It feels good and at peace with nobody to bother you anymore . You can think and imagine stuff that might never be but this wonderful brain imagines  it . If not forever Atleast for sometime   you can feel the feeling you forever lust for.  Sure the usual disturbances try to lure my mind away from things but I'm used to it now . The gloominess  inside doesn't let them affect inside anymore. * The sky gets dark it really does . Maybe like the night sky's supposed to be so are my thoughts with a beating heart to support them and keep the flame of fight lit like the moon lights up the sky even if that means reflecting the harsh rays of sun. * The time flies and so do the body shivers for warmth but I feel like staying. Sure the exposed sky gives peace but it comes at a cost so I try to bargain with  it every night. She's a good at negotiating though only gives me some hours before she signal that time's over. * Hesitantly I move my numb body using the last remaining gas in  the dying  shell known as body. How much i try it won't let me stay so here I leave heartbroken once again like every other night.
PANKAJ SARPAL
Colby arrived the next day, with stitches down one lean cheek and a new prosthesis. He held it up as Cecily came out to the car to greet him. He held it up as Cecily came out to the car to greet him. “Nice, huh? Doesn’t it look more realistic than the last one?” “What happened to the last one?” she asked. “Got blown off. Don’t ask where,” he added darkly. “I know nothing,” she assured him. “Come on in. Leta made sandwiches.” Leta had only seen Colby once, on a visit with Tate. She was polite, but a little remote, and it showed. “She doesn’t like me,” Colby told Cecily when they were sitting on the steps later that evening. “She thinks I’m sleeping with you,” she said simply.” So does Tate.” “Why?” “Because I let him think I was,” she said bluntly. He gave her a hard look. “Bad move, Cecily.” “I won’t let him think I’m waiting around for him to notice me,” she said icily. “He’s already convinced that I’m in love with him, and that’s bad enough. I can’t have him know that I’m…well, what I am. I do have a little pride.” “I’m perfectly willing, if you’re serious,” he said matter-of-factly. His face broke into a grin, belying the solemnity of the words. “Or are you worried that I might not be able to handle it with one arm?” She burst out laughing and pressed affectionately against his side. “I adore you, I really do. But I had a bad experience in my teens. I’ve had therapy and all, but it’s still sort of traumatic for me to think about real intimacy.” “Even with Tate?” he probed gently. She wasn’t touching that line with a pole. “Tate doesn’t want me.” “You keep saying that, and he keeps making a liar of you.” “I don’t understand.” “He came to see me last night. Just after I spoke to you.” He ran his fingers down his damaged cheek. She caught her breath. “I thought you got that overseas!” “Tate wears a big silver turquoise ring on his middle right finger,” he reminded her. “It does a bit of damage when he hits people with it.” “He hit you? Why?” she exclaimed. “Because you told him we were sleeping together,” he said simply. “Honest to God, Cecily, I wish you’d tell me first when you plan to play games. I was caught off guard.” “What did he do after he hit you?” “I hit him, and one thing led to another. I don’t have a coffee table anymore. We won’t even discuss what he did to my best ashtry.” “I’m so sorry!” “Tate and I are pretty much matched in a fight,” he said. “Not that we’ve ever been in many. He hits harder than Pierce Hutton does in a temper.” He scowled down at her. “Are you sure Tate doesn’t want you? I can’t think of another reason he’d try to hammer my floor with my head.” “Big brother Tate, to the rescue,” she said miserably. She laughed bitterly. “He thinks you’re a bad risk.” “I am,” he said easily. “I like having you as my friend.” He smiled. “Me, too. There aren’t many people who stuck by me over the years, you know. When Maureen left me, I went crazy. I couldn’t live with the pain, so I found ways to numb it.” He shook his head. “I don’t think I came to my senses until you sent me to that psychologist over in Baltimore.” He glanced down at her. “Did you know she keeps snakes?” he added. “We all have our little quirks.
Diana Palmer (Paper Rose (Hutton & Co. #2))
On my next-to-last day in the country, I flew into Tokyo from Sapporo and needed to get to Tokyo’s main railroad station, called Shinjuku. I climbed into a taxi at the airport and said to the driver, “Shinjuku station, please.” He didn’t seem to have any idea what I meant. I repeated my request, as articulately as I could, and he looked at me as if I had asked him to take me to Boise. I pulled a map of Tokyo out and showed him Shinjuku station. He studied this with a look of great dissatisfaction, but at length put the car in gear and we set off. We drove for what seemed hours through the endless, numbing sprawl of Tokyo. Eventually we entered a long, deep tunnel—a kind of underground freeway, it seemed. About a mile along, the driver pulled into an emergency parking bay and stopped. He pointed to a metal door cut into the tunnel wall and indicated that I should get out and go through that door. “You want me to go through that door?” I said in disbelief. He nodded robustly and presented me with a bill for about a zillion yen. Everything was beginning to seem more than a touch surreal. He took my money, gave me several small bills in change, and encouraged me to depart, with a little shooing gesture. This was crazy. We were in a tunnel, for crying out loud. If I got out and he drove off, I would be hundreds of feet under Tokyo in a busy traffic tunnel with no sidewalk or other escape. You’ll understand when I say this didn’t feel entirely right. “Through that door there?” I said again, dubiously. He nodded and made another shooing gesture. I got out with my suitcase and went up three metal steps to the door and turned the handle. The door opened. I looked back at the driver. He nodded in encouragement. Ahead of me, lit with what seemed emergency lighting, was the longest flight of stairs I had ever seen. It took a very long while to climb them all. At the top I came to another door, exactly like the one at the bottom. I turned the handle and cautiously opened it, then stepped out onto the concourse of the world’s busiest railway station. I don’t know whether this is the way lots of people get to Shinjuku or whether I am the only person in history ever to have done so. But what I do know is this: it’s why I like to travel.
Bill Bryson (The Best American Travel Writing 2016 (The Best American Series))
All Night, All Night Rode in the train all night, in the sick light. A bird Flew parallel with a singular will. In daydream's moods and attitudes The other passengers slumped, dozed, slept, read, Waiting, and waiting for place to be displaced On the exact track of safety or the rack of accident. Looked out at the night, unable to distinguish Lights in the towns of passage from the yellow lights Numb on the ceiling. And the bird flew parallel and still As the train shot forth the straight line of its whistle, Forward on the taut tracks, piercing empty, familiar -- The bored center of this vision and condition looked and looked Down through the slick pages of the magazine (seeking The seen and the unseen) and his gaze fell down the well Of the great darkness under the slick glitter, And he was only one among eight million riders and readers. And all the while under his empty smile the shaking drum Of the long determined passage passed through him By his body mimicked and echoed. And then the train Like a suddenly storming rain, began to rush and thresh-- The silent or passive night, pressing and impressing The patients' foreheads with a tightening-like image Of the rushing engine proceeded by a shaft of light Piercing the dark, changing and transforming the silence Into a violence of foam, sound, smoke and succession. A bored child went to get a cup of water, And crushed the cup because the water too was Boring and merely boredom's struggle. The child, returning, looked over the shoulder Of a man reading until he annoyed the shoulder. A fat woman yawned and felt the liquid drops Drip down the fleece of many dinners. And the bird flew parallel and parallel flew The black pencil lines of telephone posts, crucified, At regular intervals, post after post Of thrice crossed, blue-belled, anonymous trees. And then the bird cried as if to all of us: 0 your life, your lonely life What have you ever done with it, And done with the great gift of consciousness? What will you ever do with your life before death's knife Provides the answer ultimate and appropriate? As I for my part felt in my heart as one who falls, Falls in a parachute, falls endlessly, and feel the vast Draft of the abyss sucking him down and down, An endlessly helplessly falling and appalled clown: This is the way that night passes by, this Is the overnight endless trip to the famous unfathomable abyss.
Delmore Schwartz
He just wanted a walk- and a few books. It had been an age since he'd even had free time to read, let alone do so for pleasure. But there she was. His mate. She was nothing like Jesminda. Jesminda had been all laughter and mischief, too wild and free to be contained by the country life that she'd been born into. She had teased him, taunted him- seduced him so thoroughly that he hadn't wanted anything but her. She'd seen him not as a High Lord's seventh son, but as a male. Had loved him without question, without hesitation. She had chosen him. Elain had been... thrown at him. He glanced toward the tea service spread on a low-lying table nearby. 'I'm going to assume that one of those cups belongs to your sister.' Indeed, there was a discarded book in the viper's usual chair. Cauldron help the male who wound up shackled to her. 'Do you mind if I held myself to the other?' He tried to sound casual- comfortable. Even as his heart raced and raced, so swift he thought he might vomit on the very expensive, very old carpet. From Sangravah, if the patterns and rich dyes were any indication. Rhysand was many things, but he certainly had good taste. The entire place had been decorated with thought and elegance, with a penchant for comfort over stuffiness. He didn't want to admit he liked it. Didn't want to admit he found the city beautiful. That the circle of people who now claimed to be Feyre's new family... It was what, long ago, he'd once thought life at Tamlin's court would be. An ache like a blow to the chest went through him, but he crossed the rug. Forced his hands to be steady while he poured himself a cup of tea and sat in the chair opposite Nesta's vacated one. 'There's a plate of biscuits. Would you like one?' He didn't expect her to answer, and he gave himself all of one more minute before he'd rise from this chair and leave, hopefully avoiding Nesta's return. But sunlight on gold caught his eye- and Elain slowly turned from her vigil at the window. He had not seen her entire face since that day in Hybern. Then, it had been drawn and terrified, then utterly blank and numb, her hair plastered to her head, her lips blue with cold and shock. Looking at her now... She was pale, yes. The vacancy still glazing her features. But he couldn't breathe as she faced him fully. She was the most beautiful female he'd ever seen. Betrayal, queasy and oily, slid through his veins. He'd said the same to Jesminda once. But even as shame washed through him, the words, the sense chanted, Mine. You are mine, and I am yours. Mate.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
The area around the fifty-yard line had been set up with a stage and seating. The kids held my hands as we went to the elevator, ready to go out. "Can you believe we're in Cowboys Stadium for Daddy?" I asked them, trying to rally my spirits as well as theirs. "He would be so blown away." I think they nodded. The elevator opened. We got in. The car went down, and suddenly we were walking onto the runway that led to the field. Pay attention to what’s around you. This is unbelievable! The bagpipers began to move, the tap of their shoes on the concrete apron echoing loudly. The cadence centered me. The pipes began to mourn and my spirit swelled, the music propelling me forward. The casket was marched out and placed front and center. The pallbearers and Navy honor guard stood at attention. I was moving in a cocoon of numbing grief and overwhelming awe. There was a prayer, speeches--each moment moved me in a different way. The easy jokes, the devotional hymns, each had its own effect. I began to float. When I’d asked people to talk about Chris at the ceremony, I’d made a point of reminding them of his humor and asking if possible to add some lighter touches to their speeches, roasting him, even; it was all so Chris. But now some of the light jokes tripped a wire: Don’t talk bad about him! Don’t you dare! Then in the next moment I’d realize he would have been leading the laughs, and it was all good again. I couldn’t force a smile, though.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
This was the first time that Buck had failed, in itself a sufficient reason to drive Hal into a rage. He exchanged the whip for the customary club. Buck refused to move under the rain of heavier blows which now fell upon him. Like his mates, he was barely able to get up, but, unlike them, he had made up his mind not to get up. He had a vague feeling of impending doom. This had been strong upon him when he pulled into the bank, and it had not departed from him. What of the thin and rotten ice he had felt under his feet all day, it seemed that he sensed disaster close at hand, out there ahead on the ice where his master was trying to drive him. He refused to stir. So greatly had he suffered, and so far gone was he, that the blows did not hurt much. And as they continued to fall upon him, the spark of life within flickered and went down. It was nearly out. He felt strangely numb. As though from a great distance, he was aware that he was being beaten. The last sensations of pain left him. He no longer felt anything, though very faintly he could hear the impact of the club upon his body. But it was no longer his body, it seemed so far away. And then, suddenly, without warning, uttering a cry that was inarticulate and more like the cry of an animal, John Thornton sprang upon the man who wielded the club. Hal was hurled backward, as though struck by a falling tree. Mercedes screamed. Charles looked on wistfully, wiped his watery eyes, but did not get up because of his stiffness. John Thornton stood over Buck, struggling to control himself, too convulsed with rage to speak. "If you strike that dog again, I'll kill you," he at last managed to say in a choking voice. p63
Jack London (The Call of the Wild)
And for the four remaining days - the ninety-six remaining hours - we mapped out a future away from everything we knew. When the walls of the map were breached, we gave one another courage to build them again. And we imagined our home an old stone barn filled with junk and wine and paintings, surrounded by fields of wildflowers and bees. I remember our final day in the villa. We were supposed to be going that evening, taking the sleeper back to England. I was on edge, a mix of nerves and excitement, looking out to see if he made the slightest move toward leaving, but he didn’t. Toiletries remained on the bathroom shelves, clothes stayed scattered across the floor. We went to the beach as usual, lay side by side in our usual spot. The heat was intense and we said little, certainly nothing of our plans to move up to Provence, to the lavender and light. To the fields of sunflowers. I looked at my watch. We were almost there. It was happening. I kept saying to myself, he’s going to do it. I left him on the bed dozing, and went out to the shop to get water and peaches. I walked the streets as if they were my new home. Bonjour to everyone, me walking barefoot, oh so confident, free. And I imagined how we’d go out later to eat, and we’d celebrate at our bar. And I’d phone Mabel and Mabel would say, I understand. I raced back to the villa, ran up the stairs and died. Our rucksacks were open on the bed, our shoes already packed away inside. I watched him from the door. He was silent, his eyes red. He folded his clothes meticulously, dirty washing in separate bags. I wanted to howl. I wanted to put my arms around him, hold him there until the train had left the station. I’ve got peaches and water for the journey, I said. Thank you, he said. You think of everything. Because I love you, I said. He didn’t look at me. The change was happening too quickly. Is there a taxi coming? My voice was weak, breaking. Madame Cournier’s taking us. I went to open the window, the scent of tuberose strong. I lit a cigarette and looked at the sky. An airplane cast out a vivid orange wake that ripped across the violet wash. And I remember thinking, how cruel it was that our plans were out there somewhere. Another version of our future, out there somewhere, in perpetual orbit. The bottle of pastis? he said. I smiled at him. You take it, I said. We lay in our bunks as the sleeper rattled north and retraced the journey of ten days before. The cabin was dark, an occasional light from the corridor bled under the door. The room was hot and airless, smelled of sweat. In the darkness, he dropped his hand down to me and waited. I couldn’t help myself, I reached up and held it. Noticed my fingertips were numb. We’ll be OK, I remember thinking. Whatever we are, we’ll be OK. We didn’t see each other for a while back in Oxford. We both suffered, I know we did, but differently. And sometimes, when the day loomed gray, I’d sit at my desk and remember the heat of that summer. I’d remember the smells of tuberose that were carried by the wind, and the smell of octopus cooking on the stinking griddles. I’d remember the sound of our laughter and the sound of a doughnut seller, and I’d remember the red canvas shoes I lost in the sea, and the taste of pastis and the taste of his skin, and a sky so blue it would defy anything else to be blue again. And I’d remember my love for a man that almost made everything possible./
Sarah Winman (Tin Man)
You’re mine,” he said when he drew back, gazing down at her with a hunger that should have made her run. “No one else’s.” He gripped her hips and set her on the edge of his desk. Before she could figure out what he was doing, he brushed her dress up, spread her thighs, and ripped her thong. “Gavin, what—?” His tongue slipped into her vagina, and her mind went blank with shock. He dragged her to the edge of the desk and ate her as if his life depended on it. One hand pinned her thigh open while the other cupped her ass, drawing her tight to his intimate kiss. She couldn’t think as pleasure ricocheted through her. His talented mouth suckled her clit. Before she could counteract the pleasure or get a hold on it, her climax, violent and unstoppable, blasted through her. She wrapped her legs around his head, body bowing as he slammed his fingers into her, eliciting mind-numbing pleasure so great, her mind shut down and her body took over. When it became too much, she yanked on his hair, trying to get his mouth away from her. He moaned but didn’t budge. She could hear him swallow as he lapped up her juices. “G-Gavin, please stop,” she said hoarsely, shuddering. Without moving his head, he pushed her, so she sprawled on her back in a boneless heap on the slick surface of his desk. He used his fingers this time, curling and stroking. The heat began to build again. She tried to kick him, but his hands pinned her wide, and she had no defense as he teased oversensitive nerves. “I-I can’t,” she panted even as another climax punched through her. She erupted, body jerking as he pulled the strings like the master he was. When rational thought returned, she found him standing over her, fingers still buried between her legs. His eyes were ablaze with lust. “I didn’t ask the first time. You say I raped you. Will you let me have you?” It would feel damn good, but... “No.
Mia Knight (Crime Lord's Captive (Crime Lord, #1))
Then, as if he’d figured out what produced the maximum reaction in her, he switched back to Chopin. Just like that night in her childhood, the music slipped past her defenses and produced a deep contraction inside her, equal parts pain and pleasure. It went deeper still, until the tears began to rise, and she could only sit there, crying, trying to display only her expressionless left side so he wouldn’t notice. She’d been numb and it had felt good. Okay, not good. But safe. Manageable. He kept playing, soulful, stirring pieces that seemed chosen for their ability to pierce her heart deeper, deeper. She was crying audibly now, and he stopped and regarded her impassively. It couldn’t have been more awkward. She worked to compose herself and only then did she look up and meet his eyes. “Well,” he said, “I think it’s safe to say that dance is not done with you yet.” She stared at him in disbelief. “You did this on purpose. Tried to provoke a reaction.” “I suppose I did.” What a horrible, disreputable person he was. No wonder Misha had seemed anxious about having him around this weekend. “That was a pretty shitty thing to do.” “Not at all,” he replied. “I was just helping you see where you stand with your art. You need it. It nourishes you. That’s not going to go away just because you’re sidelined for a year or two.” “Two years?” She wasn’t sure which appalled her more, his words or his casual attitude. “Whatever. Point being, you’re still a dancer. It couldn’t be more obvious. That gorgeous body of yours, the way it moves. The way you’re sitting there now, all swept away by the music. You’re a dancer. You can’t not be one. Ever.” The truth of this, the twin emotions of fragile hope and crushing despair, crashed into her. He was right. And right then, the truth hurt. Now that the numbness was gone, it all hurt. The tears rose up again and spilled out. She heard Misha come in through the front door. David looked anxious. “Look, Dena. I just want to make sure you’re looking at the issue clearly.” Misha
Terez Mertes Rose (Outside the Limelight (Ballet Theatre Chronicles, #2))
a guitar. A hammock is swung near the table. It is three o'clock in the afternoon of a cloudy day. MARINA, a quiet, grey-haired, little old woman, is sitting at the table knitting a stocking. ASTROFF is walking up and down near her. MARINA. [Pouring some tea into a glass] Take a little tea, my son. ASTROFF. [Takes the glass from her unwillingly] Somehow, I don't seem to want any. MARINA. Then will you have a little vodka instead? ASTROFF. No, I don't drink vodka every day, and besides, it is too hot now. [A pause] Tell me, nurse, how long have we known each other? MARINA. [Thoughtfully] Let me see, how long is it? Lord—help me to remember. You first came here, into our parts—let me think—when was it? Sonia's mother was still alive—it was two winters before she died; that was eleven years ago—[thoughtfully] perhaps more. ASTROFF. Have I changed much since then? MARINA. Oh, yes. You were handsome and young then, and now you are an old man and not handsome any more. You drink, too. ASTROFF. Yes, ten years have made me another man. And why? Because I am overworked. Nurse, I am on my feet from dawn till dusk. I know no rest; at night I tremble under my blankets for fear of being dragged out to visit some one who is sick; I have toiled without repose or a day's freedom since I have known you; could I help growing old? And then, existence is tedious, anyway; it is a senseless, dirty business, this life, and goes heavily. Every one about here is silly, and after living with them for two or three years one grows silly oneself. It is inevitable. [Twisting his moustache] See what a long moustache I have grown. A foolish, long moustache. Yes, I am as silly as the rest, nurse, but not as stupid; no, I have not grown stupid. Thank God, my brain is not addled yet, though my feelings have grown numb. I ask nothing, I need nothing, I love no one, unless it is yourself alone. [He kisses her head] I had a nurse just like you when I was a child. MARINA. Don't you want a bite of something to eat? ASTROFF. No. During the third week of Lent I went to the epidemic at Malitskoi. It was eruptive typhoid. The peasants were all lying side by side in their huts, and the calves and pigs were running about the floor among the sick. Such dirt there was, and smoke! Unspeakable! I slaved among those people all day, not a crumb passed my lips, but when I got home there was still no rest for me; a switchman was carried in from the railroad; I laid him on the operating table and he went and died in my arms under chloroform, and then my feelings that should have been deadened awoke
Anton Chekhov (Uncle Vanya)