“
Let me guess, it's the love of your life?" I said quoting Travis' statement about his motorcycle.
"No, it's a car. The love of my life will be a women with my last name.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Ladies and gentlemen of the class of '97:
Wear sunscreen.
If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now.
Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine.
Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 pm on some idle Tuesday.
Do one thing everyday that scares you.
Sing.
Don't be reckless with other people's hearts. Don't put up with people who are reckless with yours.
Floss.
Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long and, in the end, it's only with yourself.
Remember compliments you receive. Forget the insults. If you succeed in doing this, tell me how.
Keep your old love letters. Throw away your old bank statements.
Stretch.
Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't.
Get plenty of calcium. Be kind to your knees. You'll miss them when they're gone.
Maybe you'll marry, maybe you won't. Maybe you'll have children, maybe you won't. Maybe you'll divorce at 40, maybe you'll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don't congratulate yourself too much, or berate yourself either. Your choices are half chance. So are everybody else's.
Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own.
Dance, even if you have nowhere to do it but your living room.
Read the directions, even if you don't follow them.
Do not read beauty magazines. They will only make you feel ugly.
Get to know your parents. You never know when they'll be gone for good. Be nice to your siblings. They're your best link to your past and the people most likely to stick with you in the future.
Understand that friends come and go, but with a precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle, because the older you get, the more you need the people who knew you when you were young.
Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel.
Accept certain inalienable truths: Prices will rise. Politicians will philander. You, too, will get old. And when you do, you'll fantasize that when you were young, prices were reasonable, politicians were noble, and children respected their elders.
Respect your elders.
Don't expect anyone else to support you. Maybe you have a trust fund. Maybe you'll have a wealthy spouse. But you never know when either one might run out.
Don't mess too much with your hair or by the time you're 40 it will look 85.
Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth.
But trust me on the sunscreen.
”
”
Mary Schmich (Wear Sunscreen: A Primer for Real Life)
“
She’s not just a Porsche. She’s a Porsche nine-one-one GT-three.
There’s a difference.Let me guess, it’s the love of your life?” I said, quoting Travis’
statement about his motorcycle.
“No, it’s a car. The love of my life will be a woman with my last name.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Jill had three basic statements about life,
1. It is your life, usually with some added social commentary.
2. What you want and what you get are usually two entirely different things.
3. No one ever said that life was fair.
”
”
Nicholas Sparks (Three Weeks with My Brother)
“
Enjoy the power and beauty of your youth; oh nevermind; you will not
understand the power and beauty of your youth until they have faded.
But trust me, in 20 years you’ll look back at photos of yourself and
recall in a way you can’t grasp now how much possibility lay before
you and how fabulous you really looked….You’re not as fat as you
imagine. Don’t worry about the future; or worry, but know that worrying is as
effective as trying to solve an algebra equation by chewing
bubblegum. The real troubles in your life are apt to be things that
never crossed your worried mind; the kind that blindside you at 4pm
on some idle Tuesday. Do one thing everyday that scares you Sing Don’t be reckless with other people’s hearts, don’t put up with
people who are reckless with yours. Floss Don’t waste your time on jealousy; sometimes you’re ahead, sometimes
you’re behind…the race is long, and in the end, it’s only with
yourself. Remember the compliments you receive, forget the insults; if you
succeed in doing this, tell me how. Keep your old love letters, throw away your old bank statements. Stretch Don’t feel guilty if you don’t know what you want to do with your
life…the most interesting people I know didn’t know at 22 what they
wanted to do with their lives, some of the most interesting 40 year
olds I know still don’t. Get plenty of calcium. Be kind to your knees, you’ll miss them when they’re gone. Maybe you’ll marry, maybe you won’t, maybe you’ll have children,maybe
you won’t, maybe you’ll divorce at 40, maybe you’ll dance the funky
chicken on your 75th wedding anniversary…what ever you do, don’t
congratulate yourself too much or berate yourself either – your
choices are half chance, so are everybody else’s. Enjoy your body,
use it every way you can…don’t be afraid of it, or what other people
think of it, it’s the greatest instrument you’ll ever
own.. Dance…even if you have nowhere to do it but in your own living room. Read the directions, even if you don’t follow them. Do NOT read beauty magazines, they will only make you feel ugly. Get to know your parents, you never know when they’ll be gone for
good. Be nice to your siblings; they are the best link to your past and the
people most likely to stick with you in the future. Understand that friends come and go,but for the precious few you
should hold on. Work hard to bridge the gaps in geography and
lifestyle because the older you get, the more you need the people you
knew when you were young.
”
”
Mary Schmich
“
To understand, I destroyed myself. To understand is to forget about loving. I know nothing more simultaneously false and telling than the statement by Leonardo da Vinci that we cannot love or hate something until we’ve understood it.
”
”
Fernando Pessoa (The Book of Disquiet)
“
The only reason I don’t know more about love is because there just isn’t more to know. In fact, I’ve reduced love to a mathematical formula: Hdgk(X)=H2k(X,Q)∩Hk,k(X). Actually, that’s not right. That’s the statement piece of the Hodge conjecture, but I’m sure you already knew that.
”
”
Jarod Kintz (The Days of Yay are Here! Wake Me Up When They're Over.)
“
The more I got to know people, the more I realized we were all just a bunch of frightened idiots walking around in the dark, bumping into each other and panicking for no reason at all.
So I started turning on a light.
I stopped thinking of people as mobs. Hordes. Faceless masses. I tried, really hard, to stop assuming I had people figured out, especially before I’d ever even spoken to them. I wasn’t great at this—and I’d probably have to work at it for the rest of my life—but I tried. I really did. It scared me to realize that I’d done to others exactly what I hadn’t wanted them to do to me: I made sweeping statements about who I thought they were and how they lived their lives; and I made broad generalizations about what I thought they were thinking, all the time.
”
”
Tahereh Mafi (A Very Large Expanse of Sea)
“
It's just the way things are. Take a moment to consider this statement. Really think about it. We send one species to the butcher and give our love and kindness to another apparently for no reason other than because it's the way things are. When our attitudes and behaviors towards animals are so inconsistent, and this inconsistency is so unexamined, we can safely say we have been fed absurdities. It is absurd that we eat pigs and love dogs and don't even know why. Many of us spend long minutes in the aisle of the drugstore mulling over what toothpaste to buy. Yet most of don't spend any time at all thinking about what species of animal we eat and why. Our choices as consumers drive an industry that kills ten billion animals per year in the United States alone. If we choose to support this industry and the best reason we can come up with is because it's the way things are, clearly something is amiss. What could cause an entire society of people to check their thinking caps at the door--and to not even realize they're doing so? Though this question is quite complex, the answer is quite simple: carnism.
”
”
Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
“
Watch it, minx," he warned with a lift of his brow. "If you intend to taunt me for every foolish statement I've made in my life, you'll force me to play Rockton and lock you up in my dark, forbidding manor while I have my wicked way with you."
That sounds perfectly awful,"she said gazing at the man she loved. "How soon can we start?
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
The essence of what trauma does to a person is it makes them feel like they don’t deserve love,” the voice in my headphones said. I was on the train, on my way to yet another doctor’s appointment, but this statement rang so true that I dug furiously through my bag and pulled out a notebook to write it down. I was about to put away my pen when I heard another especially good line, so I kept it out, writing furiously on my lap. My friend Jen, who often sends me little poems and links throughout the day, sent me this podcast—Road to Resilience,
”
”
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
“
Step 6: Stop enjoying things ironically. Just enjoy them
Know what? I love Britney Spears and Forever 21. And I could pretend like it’s this whole meta thing where I’m not actually enjoying it but rather just making this esoteric statement on lowbrow culture, but (insert handjob motion here).
The truth is that I love trashy dance pop and the garments that are its clothing equivalent. You don’t need to make your tastes a self-conscious statement about who you are. Just unapologetically like the things you like.
”
”
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
“
There are those from religious backgrounds who resist and oppose LGBT equality; some very obsessively and publicly. They make bold accusations and negative statements about gay and lesbian people, their supposed "lifestyle" and relationships. But when a son, daughter, brother, sister or close friend comes out it is no longer an "issue" it becomes a person. They realise everything they'd said was painfully targeted at someone they love. Then......everything changes.
”
”
Anthony Venn-Brown OAM (A Life of Unlearning - one man's journey to find the truth)
“
I watched as Humphrey Bogart’s character used beans as a metaphor for the relative unimportance in the wider world of his relationship with Ingrid Bergman’s character, and chose logic and decency ahead of his selfish emotional desires. The quandary and resulting decision made for an engrossing film. But this was not what people cried about. They were in love and could not be together. I repeated this statement to myself, trying to force an emotional reaction. I couldn’t. I didn’t care. I had enough problems of my own.
”
”
Graeme Simsion (The Rosie Project (Don Tillman, #1))
“
Self-will means believing that you alone have all the answers. Letting go of self-will means becoming willing to hold still, be open, and wait for guidance for yourself. It means learning to let go of fear (all of the “what ifs”) and despair (all of the “if onlys”) and replacing them with positive thoughts and statements about your life.
”
”
Robin Norwood (Women Who Love Too Much: When You Keep Wishing and Hoping He'll Change)
“
Harry’s letter to his daughter:
If I could give you just one thing, I’d want it to be a simple truth that took me many years to learn. If you learn it now, it may enrich your life in hundreds of ways. And it may prevent you from facing many problems that have hurt people who have never learned it.
The truth is simply this: No one owes you anything.
Significance
How could such a simple statement be important? It may not seem so, but understanding it can bless your entire life.
No one owes you anything.
It means that no one else is living for you, my child. Because no one is you. Each person is living for himself; his own happiness is all he can ever personally feel.
When you realize that no one owes you happiness or anything else, you’ll be freed from expecting what isn’t likely to be.
It means no one has to love you. If someone loves you, it’s because there’s something special about you that gives him happiness. Find out what that something special is and try to make it stronger in you, so that you’ll be loved even more.
When people do things for you, it’s because they want to — because you, in some way, give them something meaningful that makes them want to please you, not because anyone owes you anything.
No one has to like you. If your friends want to be with you, it’s not out of duty. Find out what makes others happy so they’ll want to be near you.
No one has to respect you. Some people may even be unkind to you. But once you realize that people don’t have to be good to you, and may not be good to you, you’ll learn to avoid those who would harm you. For you don’t owe them anything either.
Living your Life
No one owes you anything.
You owe it to yourself to be the best person possible. Because if you are, others will want to be with you, want to provide you with the things you want in exchange for what you’re giving to them.
Some people will choose not to be with you for reasons that have nothing to do with you. When that happens, look elsewhere for the relationships you want. Don’t make someone else’s problem your problem.
Once you learn that you must earn the love and respect of others, you’ll never expect the impossible and you won’t be disappointed. Others don’t have to share their property with you, nor their feelings or thoughts.
If they do, it’s because you’ve earned these things. And you have every reason to be proud of the love you receive, your friends’ respect, the property you’ve earned. But don’t ever take them for granted. If you do, you could lose them. They’re not yours by right; you must always earn them.
My Experience
A great burden was lifted from my shoulders the day I realized that no one owes me anything. For so long as I’d thought there were things I was entitled to, I’d been wearing myself out —physically and emotionally — trying to collect them.
No one owes me moral conduct, respect, friendship, love, courtesy, or intelligence. And once I recognized that, all my relationships became far more satisfying. I’ve focused on being with people who want to do the things I want them to do.
That understanding has served me well with friends, business associates, lovers, sales prospects, and strangers. It constantly reminds me that I can get what I want only if I can enter the other person’s world. I must try to understand how he thinks, what he believes to be important, what he wants. Only then can I appeal to someone in ways that will bring me what I want.
And only then can I tell whether I really want to be involved with someone. And I can save the important relationships for th
”
”
Harry Browne
“
Consider this hypothesis: when we don’t see ourselves reflected in the world around us, we make judgments about that absence. Invisibility is a statement.
”
”
Sonya Renee Taylor (The Body Is Not an Apology: The Power of Radical Self-Love)
“
I thought back to Meg’s advice about Hemingway sentences—simple declarative statements that showed the truth and distilled the meaning. My first attempt at that had been cynical and messed up. I gave it a go again.
Find one lost sheep.
The angels rejoice.
”
”
Laura Anderson Kurk (Perfect Glass)
“
Either way... you've got to tell him--in no uncertain terms--to knock it the fuck off already. Don't be measured, don't wrap it up in "I" statements, no mewling about your feelings. Give him both barrels: "If you don't knock it the fuck off... I'm going to kick your ass out, got it?" A strategic blowup or two should occur--scream, yell, smash a few things you're not all that attached to--when he slips up. Repeat until his attitude changes or his address does.
”
”
Dan Savage (Savage Love: Straight Answers from America's Most Popular Sex Columnist)
“
I learned two very important lessons from Carl Jung, the famous Swiss depth psychologist, about “doing unto others as you would have them do unto you” or “loving your neighbour as yourself.” The first lesson was that neither of these statements has anything to do with being nice. The second was that both are equations, rather than injunctions. If I am someone’s friend, family member, or lover, then I am morally obliged to bargain as hard on my own behalf as they are on theirs. If I fail to do so, I will end up a slave, and the other person a tyrant. What good is that? It is much better for any relationship when both partners are strong. Furthermore, there is little difference between standing up and speaking for yourself, when you are being bullied or otherwise tormented and enslaved, and standing up and speaking for someone else. As Jung points out, this means embracing and loving the sinner who is yourself, as much as forgiving and aiding someone else who is stumbling and imperfect.
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
Children's literature is considerably more functional than a good portion of adult literature. If I were cynical, I might say: Children's books are written to be read; adult books are written to be talked about at cocktail parties.
There may be more truth that cynicism in that statement. My impression is that many adult books are written only to shock the reader (a short term goal, since shock quickly turns into boredom) or as calisthenics for the author's ego.
On the other hand, children's literature seems an area where books function as they were meant to; where they amaze, delight, and move our emotions. We can respect and admire any number of current adult books, but I find it hard to love them.
”
”
Lloyd Alexander
“
There’s a myth that some people are more faithful than others. A truer statement is that in some areas, some of us are more surrendered than others. We surrender to God first, of course, the things we don’t really care that much about anyway. Some of us don’t mind giving up our attachment to career goals, but there’s no way we’re going to surrender our romantic relationships, or vice versa. Everything we don’t care that much about—fine—God can have it. But if it’s really, really important, we think we better handle it ourselves. The truth is, of course, that the more important it is to us, the more important it is to surrender. That which is surrendered is taken care of best. To place something in the hands of God is to give it over, mentally, to the protection and care of the beneficence of the universe. To keep it ourselves means to constantly grab and clutch and manipulate. We keep opening the oven to see if the bread is baking, which only ensures that it never gets a chance to.
”
”
Marianne Williamson (Return to Love)
“
I'm glad this happened," he said softly.
I hoped it was for real,and I didn't want to talk about it too much and ruin the lovely illusion that we were a couple.
So I said noncommittally, "Me too."
"Because I've been trying to get you back since the seventh grade."
I must have given him a very skeptical look.
He laughed at my expression. "Yeah, I have a funny way of showing it. I know. But you're always on my mind. You're in the front of my mind,on the tip of my tongue. So if someone breaks a beaker in chemistry class, I raise my hand and tell Ms. Abernathy you did it. If somebody brings a copy of Playboy to class, I stuff it in your locker."
"Oh!" I thought back to the January issue. "I wondered where that came from."
"And if Everett Walsh tells the lunch table what a wicked kisser you are and how far he would have gotten with you if his mother hadn't come in-"
I stamped my foot on the floorboard of the SUV."That is so not true! He'd already gotten as far as he was going. He's not that cute, and I had to go home and study for algebra.
"-It drives me insane to the point that I tell him to shut up or I'll make him shut up right there in front of everybody. Because I am supposed to be your boyfriend, and my mother is supposed to hate you,and you're supposed to be making out with me."
Twisted as this declaration was,it was the sweetest thing a boy had ever said to me.I dwelled on the soft lips that had formed the statement,and on the meaning of his words. "Okay." I scooted across the seat and nibbled the very edge of his superhero chin.
"Ah," he gasped, moving both hands from the steering wheel to the seat to brace himself. "I didn't mean now.I meant in general.Your dad will come out of the house and kill me.
”
”
Jennifer Echols (The Ex Games)
“
The only person that should wear your ring is the one person that would never…
1. Ask you to remain silent and look the other way while they hurt another.
2. Jeopardize your future by taking risks that could potentially ruin your finances or reputation.
3. Teach your children that hurting others is okay because God loves them more. God didn’t ask you to keep your family together at the expense of doing evil to others.
4. Uses religious guilt to control you, while they are doing unreligious things.
5. Doesn't believe their actions have long lasting repercussions that could affect other people negatively.
6. Reminds you of your faults, but justifies their own.
7. Uses the kids to manipulate you into believing you are nothing. As if to suggest, you couldn’t leave the relationship and establish a better Christian marriage with someone that doesn’t do these things. Thus, making you believe God hates all the divorced people and will abandon you by not bringing someone better to your life, after you decide to leave. As if!
8. They humiliate you online and in their inner circle. They let their friends, family and world know your transgressions.
9. They tell you no marriage is perfect and you are not trying, yet they are the one that has stirred up more drama through their insecurities.
10. They say they are sorry, but they don’t show proof through restoring what they have done.
11. They don’t make you a better person because you are miserable. They have only made you a victim or a bitter survivor because of their need for control over you.
12. Their version of success comes at the cost of stepping on others.
13. They make your marriage a public event, in order for you to prove your love online for them.
14. They lie, but their lies are often justified.
15. You constantly have to start over and over and over with them, as if a connection could be grown and love restored through a honeymoon phase, or constant parental supervision of one another’s down falls.
16. They tell you that they don’t care about anyone other than who they love. However, their actions don’t show they love you, rather their love has become bitter insecurity disguised in statements such as, “Look what I did for us. This is how much I care.”
17. They tell you who you can interact with and who you can’t.
18. They believe the outside world is to blame for their unhappiness.
19. They brought you to a point of improvement, but no longer have your respect.
20. They don't make you feel anything, but regret. You know in your heart you settled.
”
”
Shannon L. Alder
“
Like you?” My face twisted in abhorrence, spitting the words like they were revolting. Her eyes widened. I shook my head, a dark chuckle on my lips. “You think I fucking like you? Are you kidding me here? I don’t like you. I love you. Even that’s an under-fucking-statement. I live for you. I breathe for you. I will die for you. It. Has. Always. Been. You. Ever since I saw your sorry ass for the first time on that threshold and you fucking poked me in the chest like I was a toy. We’ve been apart for ten years, Rose LeBlanc, and not even one day has passed without me thinking of you. And not just in passing. You know, the occasional she-could-have-been-a-g reat-fuck. I mean really taking my time to think about you. Wondering what you looked like. Where youwere. What you were doing. Who you were with. I stalked you on Facebook. And Twitter—which, by the way, you need to deactivate because you never once bothered to tweet—but you aren’t exactly a social media animal. I asked about you. Every time I was in town. And once I realized you were in New York with Millie…” “Rosie, I bought a new penthouse in TriBeca a few months before you moved into our building.”
“Why are you telling me this?” She blinked away her tears, but fresh ones rolled down to replace them time. “Because I had to sell it and lost a shit-ton of money the moment I realized you were going to be my neighbor if I stayed in my current place. Real talk, Rosie, you are all I ever wanted. Even when you wanted me to be with your sister. She was a comforting candle. You were the dazzling sun. I’d lived in the dark—for your selfish ass. And if you think I’m going to settle for something , you’re dead wrong. I am taking everything . We will have kids, Rose LeBlanc. We will have a wedding. And we will have joy and vacations and days where we just fuck and days where we just fight and days where we just live. Because this is life, Baby LeBlanc, and I love the fuck out of you, so I’m going to give you the best one there is. Got it?
”
”
L.J. Shen (Ruckus (Sinners of Saint, #2))
“
There is no truer statement: men are simple. Get this into your head first, and everything you learn about us in this book will begin to fall into place. Once you get that down, you’ll have to understand a few essential truths: men are driven by who they are, what they do, and how much they make. No matter if a man is a CEO, a CON, or both, everything he does is filtered through his title (who he is), how he gets that title (what he does), and the reward he gets for the effort (how much he makes). These three things make up the basic DNA of manhood—the three accomplishments every man must achieve before he feels like he’s truly fulfilled his destiny as a man. And until he’s achieved his goal in those three areas, the man you’re dating, committed to, or married to will be too busy to focus on you.
”
”
Steve Harvey (Act Like a Lady, Think Like a Man, Expanded Edition: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
“
Reality is based on your perception of the truth.
Think about that statement for a bit, it will blow your mind, and blow the lid of what you perceive to be real and what is an illusion.
You are here to live YOUR life, YOUR way and on YOUR terms, not for the people you work for, not the people in the media, and not to live in the little box that society may have placed you in.
You are a unique individual, with talents, with drive, with passion, with ambition, with love, with laughter, with a soul that could melt the hardest of hearts, and with a mind as creative as Da Vinci.
You chose this life for a reason, and it certainly wasn't to live a reality created by others. Is this the time to stand up, and say I can live my own reality, create what I want for my own life, have the things I want in life without guilt, knowing that you deserve anything you want and are prepared to put the time and effort into getting?
What if there was a way to bend your reality, a way to use your mind consciously to get what YOU want in life, become wealthy, feel comfortable in your own skin, meet the perfect man or woman, become more spontaneous, feel free, love, be open, be honest, be heartfelt, be grateful, be the one, love life, live, feel it, breathe it.... Welcome to Mind Alchemy Is this the time to Bend Your Reality?
”
”
Steven P. Aitchison
“
There is a certain tyranny about perfection, a certain exhaustion about it even, something that denies the viewer a role in its creation and that asserts itself with all the dogmatism of an unambiguous statement. True beauty cannot be measured because it is fluctuating, it has only a few angles from which it may be seen, and then not in all lights and at all times. It flirts dangerously with ugliness, it takes risks with itself, it does not side comfortably with mathematical rules of proportion, it draws its appeal from precisely those areas that will also lend themselves to ugliness. Nothing can be beautiful that does not take a calculated risk with ugliness.
”
”
Alain de Botton (On Love)
“
The most damaging example of the systems archetype called “drift to low performance” is the process by which modern industrial culture has eroded the goal of morality. The workings of the trap have been classic, and awful to behold. Examples of bad human behavior are held up, magnified by the media, affirmed by the culture, as typical. This is just what you would expect. After all, we’re only human. The far more numerous examples of human goodness are barely noticed. They are “not news.” They are exceptions. Must have been a saint. Can’t expect everyone to behave like that. And so expectations are lowered. The gap between desired behavior and actual behavior narrows. Fewer actions are taken to affirm and instill ideals. The public discourse is full of cynicism. Public leaders are visibly, unrepentantly amoral or immoral and are not held to account. Idealism is ridiculed. Statements of moral belief are suspect. It is much easier to talk about hate in public than to talk about love.
”
”
Donella H. Meadows (Thinking in Systems: A Primer)
“
You’re with Hunter.” It was more of a question than a statement.
Tears welled up in my eyes. “But it hasn’t been right. It hasn’t been you. I can’t . . . I haven’t been able to—” I sucked in a deep breath. “I can’t be a real girlfriend to him when all I can do is think about you.”
“Ah, shit, Pepper.” Still holding my face, he lowered his forehead to mine. “I’m not going through this again with you just so you can run when you get scared that I’m not like some ideal you built up in your head. I love you. I’m fucking in love with you, but it’s all or nothing. I won’t do this again unless it’s going to be like that.”
Now I was crying, choking on my sobs. “I know. I want that. It took me so long to figure that out, but I know now. You are the safest thing I’ll ever find.” I deliberately repeated his words, holding his gaze and letting them sink in. “Because you love me. Because I love you.
”
”
Sophie Jordan (Foreplay (The Ivy Chronicles, #1))
“
Behind the mask of love I find my innate selfishness. What a predicament I am in if someone asks, “Do you really love me?” I can’t say yes without saying no, for the only answer that will really satisfy is, “Yes, I love you so much I could eat you! My love for you is identical with my love for myself. I love you with the purest selfishness.” No one wants to be loved out of a sense of duty. So I will be very frank. “Yes, I am pure, selfish desire and I love because you make me feel wonderful—at any rate for the time being.” But then I begin to wonder whether there isn’t something a bit cunning in this frankness. It is big of me to be so sincere, to make a play for her by not pretending to be more than I am—unlike the other guys who say they love her for herself. I see that there is always something insincere about trying to be sincere, as if I were to say openly, “The statement that I am now making is a lie.” There seems to be something phony about every attempt to define myself, to be totally honest. The trouble is that I can’t see the back, much less the inside, of my head. I can’t be honest because I don’t fully know what I am. Consciousness peers out from a center which it cannot see—and that is the root of the matter.
”
”
Alan W. Watts (The Joyous Cosmology: Adventures in the Chemistry of Consciousness)
“
Ambrose loved the way Fern looked. But he wondered suddenly if he loved the way she looked because he loved the way she laughed, the way she danced, the way she floated on her back and made philosophical statements about the clouds. He knew he loved her selflessness and her humor and her sincerity. And those things made her beautiful to him.
”
”
Amy Harmon (Making Faces)
“
I banned the use of fat as a slur hurled toward myself and strangers. I'm not saying I don't see fat; saying that is akin to the people who make grand statements about 'not seeing color.' Seeing color doesn't mean you're a racist. It means your eyes work, but that you are hopefully able to see color not for a discrepancy in normal, but as a beautiful component of diversity.
”
”
Brittany Gibbons (Fat Girl Walking: Sex, Food, Love, and Being Comfortable in Your Skin...Every Inch of It)
“
What are you thinking of, Katharine?" he asked suspiciously, noticing her tone of dreaminess and the inapt words.
"I was thinking of you--yes, I swear it. Always of you, but you take such strange shapes in my mind. You've destroyed my loneliness. Am I to tell you how I see you? No, tell me--tell me from the beginning."
Beginning with spasmodic words, he went on to speak more and more fluently, more and more passionately, feeling her leaning towards him, listening with wonder like a child, with gratitude like a woman. She interrupted him gravely now and then.
"But it was foolish to stand outside and look at the windows. Suppose William hadn't seen you. Would you have gone to bed?"
He capped her reproof with wonderment that a woman of her age could have stood in Kingsway looking at the traffic until she forgot.
"But it was then I first knew I loved you!" she exclaimed.
"Tell me from the beginning," he begged her.
"No, I'm a person who can't tell things," she pleaded. "I shall say something ridiculous--something about flames--fires. No, I can't tell you."
But he persuaded her into a broken statement, beautiful to him, charged with extreme excitement as she spoke of the dark red fire, and the smoke twined round it, making him feel that he had stepped over the threshold into the faintly lit vastness of another mind, stirring with shapes, so large, so dim, unveiling themselves only in flashes, and moving away again into the darkness, engulfed by it.
”
”
Virginia Woolf (Night and Day)
“
Common Speech Weakners:
- Voicing an opinion by saying, "I might be wrong about this, but...." By starting your sentence this way, you are discrediting your own idea before you even say it.
- Failing to take ownership of your idea by saying "I feel" instead of "I know".
- Making an assertion into a question by raising your voice at the end of your sentence.
- Shrugging or loking down when speaking. This kind of body language makes us seem less confident and capable.
- Communicating a lack of commitment to our statements by allowing our voice to rail off at the end of our sentence.
”
”
Fran Hauser (The Myth of the Nice Girl: Achieving a Career You Love Without Becoming a Person You Hate)
“
To understand, I destroyed myself. To understand is to forget about loving. I know nothing more simultaneously false and telling than the statement by Leonardo da Vinci that we cannot love or hate something until we’ve understood it.
Solitude devastates me; company oppresses me. The presence of another person derails my thoughts; I dream of the other’s presence with a strange absent-mindedness that no amount of my analytical scrutiny can define.
Isolation has carved me in its image and likeness. The presence of another person – of any person whatsoever – instantly slows down my thinking, and while for a normal man contact with others is a stimulus to spoken expression and wit, for me it is a counterstimulus, if this compound word be linguistically permissible. When all by myself, I can think of all kinds of clever remarks, quick comebacks to what no one said, and flashes of witty sociability with nobody. But all of this vanishes when I face someone in the flesh: I lose my intelligence, I can no longer speak, and after half an hour I just feel tired. Yes, talking to people makes me feel like sleeping. Only my ghostly and imaginary friends, only the conversations I have in my dreams, are genuinely real and substantial, and in them intelligence gleams like an image in a mirror.
The mere thought of having to enter into contact with someone else makes me nervous. A simple invitation to have dinner with a friend produces an anguish in me that’s hard to define. The idea of any social obligation whatsoever – attending a funeral, dealing with someone about an office matter, going to the station to wait for someone I know or don’t know – the very idea disturbs my thoughts for an entire day, and sometimes I even start worrying the night before, so that I sleep badly. When it takes place, the dreaded encounter is utterly insignificant, justifying none of my anxiety, but the next time is no different: I never learn to learn.
‘My habits are of solitude, not of men.’ I don’t know if it was Rousseau or Senancour who said this. But it was some mind of my species, it being perhaps too much to say of my race.
”
”
Fernando Pessoa
“
In the jumbled, fragmented memories I carry from my childhood there are probably nearly as many dreams as images from waking life. I thought of one which might have been my earliest remembered nightmare. I was probably about four years old - I don't think I'd started school yet - when I woke up screaming. The image I retained of the dream, the thing which had frightened me so, was an ugly, clown-like doll made of soft red and cream-coloured rubber. When you squeezed it, bulbous eyes popped out on stalks and the mouth opened in a gaping scream. As I recall it now, it was disturbingly ugly, not really an appropriate toy for a very young child, but it had been mine when I was younger, at least until I'd bitten its nose off, at which point it had been taken away from me. At the time when I had the dream I hadn't seen it for a year or more - I don't think I consciously remembered it until its sudden looming appearance in a dream had frightened me awake.
When I told my mother about the dream, she was puzzled.
'But what's scary about that? You were never scared of that doll.'
I shook my head, meaning that the doll I'd owned - and barely remembered - had never scared me. 'But it was very scary,' I said, meaning that the reappearance of it in my dream had been terrifying.
My mother looked at me, baffled. 'But it's not scary,' she said gently. I'm sure she was trying to make me feel better, and thought this reasonable statement would help. She was absolutely amazed when it had the opposite result, and I burst into tears.
Of course she had no idea why, and of course I couldn't explain. Now I think - and of course I could be wrong - that what upset me was that I'd just realized that my mother and I were separate people. We didn't share the same dreams or nightmares. I was alone in the universe, like everybody else. In some confused way, that was what the doll had been telling me. Once it had loved me enough to let me eat its nose; now it would make me wake up screaming. ("My Death")
”
”
Lisa Tuttle (Best New Horror 16 (The Mammoth Book of Best New Horror, #16))
“
What you said before…” He stopped and seemed to consider his words. “When you said love isn't about control…what did you mean?”
The insecurity in his voice charmed her down to her toes. “Well. I just think that love is supposed to empower, not subdue. To love someone unconditionally, is to give them the freedom to be who they are. There's no room for control. If you're telling someone who they should or
shouldn't be…well, that's not unconditional, is it? And there's no such thing as conditional love.”
She waited for his response, but he stayed quiet, so she continued. “My dad always said love is like a stallion. You can try to tame it but you'll miss out on its most beautiful form.” She snuggled closer to his warmth. “When it's wild and free, with no restricting fences, it can go on forever.”
He didn't say anything for a moment and her lids grew heavy. His deep voice shook her awake again. “But, if you love someone, you do what's best for them.”
Though he phrased it as a statement, she heard the question in his voice. “No. If you love someone, you support them in figuring out what's best for themselves.
”
”
Leia Shaw (Destined for Harmony (Shadows of Destiny, #3.5))
“
I think you're really nice"
"I'm nothing special." it's not a lament. More a statement.
”
”
Elise Valmorbida (The Book of Happy Endings: True Stories About Finding Love)
“
One woman sent me on a letter written to her by her daughter, and the young girl's words are a remarkable statement about artistic creation as an infinitely versatile and subtle form of communication:
'...How many words does a person know?' she asks her mother. 'How many does he use in his everyday vocabulary? One hundred, two, three? We wrap our feelings up in words, try to express in words sorrow and joy and any sort of emotion, the very things that can't in fact be expressed. Romeo uttered beautiful words to Juliet, vivid, expressive words, but they surely didn't say even half of what made his heart feel as if it was ready to jump out of his chest, and stopped him breathing, and made Juliet forget everything except her love?
There's another kind of language, another form of communication: by means of feeling, and images. That is the contact that stops people being separated from each other, that brings down barriers. Will, feeling, emotion—these remove obstacles from between people who otherwise stand on opposite sides of a mirror, on opposite sides of a door.. The frames of the screen move out, and the world which used to be partitioned off comes into us, becomes something real... And this doesn't happen through little Audrey, it's Tarkovsky himself addressing the audience directly, as they sit on the other side of the screen. There's no death, there is immortality. Time is one and undivided, as it says in one of the poems. "At the table are great-grandfathers and grandchildren.." Actually Mum, I've taken the film entirely from an emotional angle, but I'm sure there could be a different way of looking at it. What about you? Do write and tell me please..
”
”
Andrei Tarkovsky (Sculpting in Time)
“
But prior to about the year 1600, the verb “believe” had a very different meaning within Christianity as well as in popular usage. It did not mean believing statements to be true; the object of the verb “believe” was always a person, not a statement. This is the difference between believing that and believing in. To believe in a person is quite different from believing that a series of statements about the person are true. In premodern English, believing meant believing in and thus a relationship of trust, loyalty, and love. Most simply, to believe meant to belove.11
”
”
Marcus J. Borg (Jesus: Uncovering the Life, Teachings, and Relevance of a Religious Revolutionary)
“
I learned two very important lessons from Carl Jung, the famous Swiss depth psychologist, about “doing unto others as you would have them do unto you” or “loving your neighbour as yourself.” The first lesson was that neither of these statements has anything to do with being nice. The second was that both are equations, rather than injunctions. If I am someone’s friend, family member, or lover, then I am morally obliged to bargain as hard on my own behalf as they are on theirs. If I fail to do so, I will end up a slave, and the other person a tyrant. What good is that?
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
The statement “I love you,” when said with kindness and tenderness, can be a genuine expression of love. But what about “I love you?” The question mark changes the whole meaning of those three words.
”
”
Gary Chapman (The 5 Love Languages: The Secret to Love that Lasts)
“
Your parents met at twenty; we met at--”
“Twelve,” I supply.
Peter frowns, annoyed that I’ve messed up his argument. “Okay, so we met when were kids, but we didn’t get together until we were seventeen--”
“I was sixteen.”
“We didn’t get together for real until we were both basically seventeen. Which is basically the same thing as eighteen, which is basically the same thing as twenty.” He has the self-satisfied look of a lawyer who has just delivered a winning closing statement.
“That’s a very long and twisty line of logic,” I say. “Have you ever thought about being a lawyer?”
“No, but now I’m thinking maybe?
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
(Talking about the movement to deny the prevalence and effects of adult sexual exploitation of children)
So what does this movement consist of? Who are the movers and shakers? Well molesters are in it, of course. There are web pages telling them how to defend themselves against accusations, to retain confidence about their ‘loving and natural’ feelings for children, with advice on what lawyers to approach, how to complain, how to harass those helping their children. Then there’s the Men’s Movements, their web pages throbbing with excitement if they find ‘proof’ of conspiracy between feminists, divorcing wives and therapists to victimise men, fathers and husbands.
Then there are journalists. A few have been vitally important in the US and Britain in establishing the fightback, using their power and influence to distort the work of child protection professionals and campaign against children’s testimony. Then there are other journalists who dance in and out of the debates waggling their columns behind them, rarely observing basic journalistic manners, but who use this debate to service something else – a crack at the welfare state, standards, feminism, ‘touchy, feely, post-Diana victimhood’. Then there is the academic voice, landing in the middle of court cases or inquiries, offering ‘rational authority’. Then there is the government. During the entire period of discovery and denial, not one Cabinet minister made a statement about the prevalence of sexual abuse or the harm it caused.
Finally there are the ‘retractors’. For this movement to take off, it had to have ‘human interest’ victims – the accused – and then a happy ending – the ‘retractors’. We are aware that those ‘retractors’ whose parents trail them to newspapers, television studios and conferences are struggling. Lest we forget, they recanted under palpable pressure.
”
”
Beatrix Campbell (Stolen Voices: The People and Politics Behind the Campaign to Discredit Childhood Testimony)
“
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me."
His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?"
Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year."
Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak.
The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him?
"Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth.
When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes."
She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about."
Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile."
"I wanted to kiss every one of them," she lied indignantly.
"No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you."
Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul.
He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation.
Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit."
Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Developing your spirituality, no matter what your religious orientation, basically means letting go of self-will, of the determination to make things happen the way you think they should. Instead, you must accept the fact that you may not know what is best in a given situation either for yourself or for another person. There may be outcomes and solutions that you have never considered, or perhaps the ones you’ve most feared and tried hardest to forestall may be exactly what is necessary in order for things to begin to improve. Self-will means believing that you alone have all the answers. Letting go of self-will means becoming willing to hold still, be open, and wait for guidance for yourself. It means learning to let go of fear (all of the “what ifs”) and despair (all of the “if onlys”) and replacing them with positive thoughts and statements about your life.
”
”
Robin Norwood (Women Who Love Too Much: When You Keep Wishing and Hoping He'll Change)
“
From the first time I set eyes on Marilyn, I thought she was just wonderful. On the silver screen, her lovely skin and platinum hair were luminescent and fantastic. I loved the fantasy of it. In the fifties, when I grew up. Marilyn was an enormous star, but there was such a double standard. The fact that she was such a hot number meant that many middle-class women looked down on her as a slut. And since the publicity machine behind her sold her as a sex idol, she wasn’t valued as a comedic actor or given credit for her talent. I never felt that way about her, obviously. I felt that Marilyn was also playing a character, the proverbial dumb blonde with the little-girl voice and big-girl body, and that there was a lot of smarts behind the act. My character in Blondie was partly a visual homage to Marilyn, and partly a statement about the good old double standard.
”
”
Debbie Harry (Face It)
“
He also says you fall in love a lot.'
That surprises a laugh out of him, although he doesn't deny any of it. 'There are certain expectations of a prince in Court.'
'You cannot be serious,' I say. 'You feel obliged to be in love?'
'I told you- I am a courtier, versed in all the courtly arts.' He's grinning as he says it, though, acknowledging the absurdity of the statement.
I find myself shaking my head and grinning, too. He's being ridiculous, but I am not sure how ridiculous.
'I do have a bad habit, he says. 'Of falling in love. With great regularity and to spectacular effect. You see, it never goes well.'
I wonder if this conversation makes him think of our kiss, but then, I was the one who kissed him. He'd only kissed back.
'As charming as you are, how can that be?' I say.
He laughs again. 'That's what my sister Taryn always says. She tells me that I remind her of her late husband. Which makes some sense, since I would have been his half brother. But it's also alarming, because she's the one who murdered him.'
Much as when he spoke about Madoc, it's strange how fond oak can sound when he tells me a horrifying thing a member of his family has done.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
This past soccer season, the league in which my son and daughter were playing had to make up two games due to rain (the price of living in Houston). The consensus in the league was that Sunday was the only available day, so the makeup games were scheduled for Sunday afternoon. My family and I sat down to discuss the matter, but no discussion was really necessary. There was no way we were going to participate. Sunday is the Lord's Day, and playing youth soccer games on Sunday makes a definite statement about the priorities in a community. Interestingly, the most flak from our decision came not from the irreligious people involved but from Christians! “You can go to church, then run home and change for the game,” one man said. One of my children's coaches added, “I'd be glad to pick them up if there is somewhere you have to be.” Nobody seemed to get it. We weren't making a decision based on the hectic nature of our Sunday schedule, nor was it a question of our adhering to a legalistic requirement handed down from our denomination. It was a matter of principle. Sunday is more than just another day. Youth sports leagues are great, but they are not sacred; Sunday is! Again, I do not believe that there is a legalistic requirement not to play games on a Sunday. Nor do I believe that the policeman, fireman, or airline mechanic who goes in to work on Sunday is out of the will of God. I do, however, think that there is a huge difference between someone whose job requires working on Sunday and a soccer league that just doesn't care.
”
”
Voddie T. Baucham Jr. (The Ever-Loving Truth: Can Faith Thrive in a Post-Christian Culture?)
“
Telltale Signs That You Grew Up as a “Little Adult” It’s often so difficult for adult daughters to step back and see how they were put into the adult helper role. To help you recognize if this dynamic echoes your experience, I’ve created a pair of checklists to help you identify how mothering your mother shaped and influenced a significant part of your life. When you were a child did you: • Believe that your most important job in life was to solve your mother’s problems or ease her pain—no matter what the cost to you? • Ignore your own feelings and pay attention only to what she wanted and how she felt? • Protect her from the consequences of her behavior? • Lie or cover up for her? • Defend her when anyone said anything bad about her? • Think that your good feelings about yourself depended on her approval? • Have to keep her behavior secret from your friends? As an adult, do these statements ring true for you: • I will do anything to avoid upsetting my mother, and the other adults in my life. • I can’t stand it if I feel I’ve let anyone down. • I am a perfectionist, and I blame myself for everything that goes wrong. • I’m the only person I can really count on. I have to do things myself. • People like me not for myself but for what I can do for them. • I have to be strong all the time. If I need anything or ask for help, it means I’m weak. • I should be able to solve every problem. • When everyone else is taken care of, I can finally have what I want. • I feel angry, unappreciated, and used much of the time, but I push these feelings deep inside myself.
”
”
Susan Forward (Mothers Who Can't Love: A Healing Guide for Daughters)
“
I think I was just overly excitable about it because I loved him in a way I'd never thought possible. I knew that if I lost him, if I had to live without him, it would crush me. I needed him and I didn't just need him now, I needed him in the future. I needed him always. I wanted him always. I wanted him to be the father of my children. It's such a silly statement now; people say it all the time, they throw it around like it's nothing. And some people treat it like it is nothing, but it wasn't nothing to me. I wanted to have children with him someday. I wanted to be a parent with him. I wanted to have a child that was half him and half me. I wanted to commit to him and sacrifice for him. I wanted to lose part of myself in order to gain some of him. I wanted to marry him. So I wanted him to have meant it. I wanted it to be real.
”
”
Taylor Jenkins Reid (Forever, Interrupted)
“
During my first few months of Facebooking, I discovered that my page had fostered a collective nostalgia for specific cultural icons. These started, unsurprisingly, within the realm of science fiction and fantasy. They commonly included a pointy-eared Vulcan from a certain groundbreaking 1960s television show.
Just as often, though, I found myself sharing images of a diminutive, ancient, green and disarmingly wise Jedi Master who speaks in flip-side down English. Or, if feeling more sinister, I’d post pictures of his black-cloaked, dark-sided, heavy-breathing nemesis. As an aside, I initially received from Star Trek fans considerable “push-back,” or at least many raised Spock brows, when I began sharing images of Yoda and Darth Vader. To the purists, this bordered on sacrilege.. But as I like to remind fans, I was the only actor to work within both franchises, having also voiced the part of Lok Durd from the animated show Star Wars: The Clone Wars.
It was the virality of these early posts, shared by thousands of fans without any prodding from me, that got me thinking. Why do we love Spock, Yoda and Darth Vader so much? And what is it about characters like these that causes fans to click “like” and “share” so readily?
One thing was clear: Cultural icons help people define who they are today because they shaped who they were as children. We all “like” Yoda because we all loved The Empire Strikes Back, probably watched it many times, and can recite our favorite lines. Indeed, we all can quote Yoda, and we all have tried out our best impression of him.
When someone posts a meme of Yoda, many immediately share it, not just because they think it is funny (though it usually is — it’s hard to go wrong with the Master), but because it says something about the sharer. It’s shorthand for saying, “This little guy made a huge impact on me, not sure what it is, but for certain a huge impact. Did it make one on you, too? I’m clicking ‘share’ to affirm something you may not know about me. I ‘like’ Yoda.”
And isn’t that what sharing on Facebook is all about? It’s not simply that the sharer wants you to snortle or “LOL” as it were. That’s part of it, but not the core. At its core is a statement about one’s belief system, one that includes the wisdom of Yoda.
Other eminently shareable icons included beloved Tolkien characters, particularly Gandalf (as played by the inimitable Sir Ian McKellan). Gandalf, like Yoda, is somehow always above reproach and unfailingly epic.
Like Yoda, Gandalf has his darker counterpart. Gollum is a fan favorite because he is a fallen figure who could reform with the right guidance. It doesn’t hurt that his every meme is invariably read in his distinctive, blood-curdling rasp.
Then there’s also Batman, who seems to have survived both Adam West and Christian Bale, but whose questionable relationship to the Boy Wonder left plenty of room for hilarious homoerotic undertones. But seriously, there is something about the brooding, misunderstood and “chaotic-good” nature of this superhero that touches all of our hearts.
”
”
George Takei
“
I am not interested in love that is aloof. In a love that refuses hard work, instead demanding a bite-size education that doesn’t transform anything. In a love that qualifies the statement “Black lives matter,” because it is unconvinced this is true. I am not interested in a love that refuses to see systems and structures of injustice, preferring to ask itself only about personal intentions. This aloof kind of love is useless to me. I need a love that is troubled by injustice. A love that is provoked to anger when Black folks, including our children, lie dead in the streets. A love that can no longer be concerned with tone because it is concerned with life. A love that has no tolerance for hate, no excuses for racist decisions, no contentment in the status quo. I need a love that is fierce in its resilience and sacrifice. I need a love that chooses justice.
”
”
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
“
I do not know who coined the statement “an idle mind is the devil’s playground,” but it is true. When camping in dangerous places, it is often recommended that you keep a campfire going to keep the predators away. When we set our hearts on fire, demonic predators stay out of our camp, which is my main point in this chapter. The apostle Paul put it best: “Love never fails” (see 1 Corinthians 13:8). We have spent several chapters talking about how to win spiritual battles in our own lives and in the lives of others. But when all else fails, remember this: Love cannot be defeated.
”
”
Kris Vallotton (Spirit Wars: Winning the Invisible Battle Against Sin and the Enemy)
“
I don’t want you involved in any of that.”
“Because you care about me?”
“Of course.” I narrowed my eyes. “I don’t want to worry about you getting hurt.”
He stepped in and his other hand settled just above my hip. “Because you want to be with me?”
“Yes.” That word was easy to speak.
Rider smiled then and the right dimple appeared. “You want to be my girlfriend.”
I opened my mouth and then I laughed. It sounded strange after the seriousness of our conversation, but the statement was sweet and silly.
His cheeks pinked. “Not sure how I feel about that laugh,” he teased. “But I do love the sound of it.”
My breath caught at the word. Love. Oh, gosh, was that what was happening here?
“So do you? Want to be my girlfriend?” he asked, and then chuckled. “Probably should’ve brought this up before I kissed you, but I want...I want to see where this goes, Mallory. I feel like we got a second chance, you know? I’ve been thinking that since I sat down in speech and saw you sitting there. We have a second chance. And who gets second chances?”
I searched his gaze, feeling a rightness deep in my chest. I had thought the same thing before, about second chances.
“I don’t want to pass that up.
”
”
Jennifer L. Armentrout (The Problem with Forever)
“
Psychologists now also talk about the nocebo effect. Words and expectations can impact our bodies to heal or harm us. And in recent years doctors have started to do research that recognizes the validity of this nocebo effect. The nocebo effect for doctors means that they acknowledge there is power in the words they speak, power to encourage healing or power to unintentionally impede the healing process.1 Think about it. You are with a nurse, and she says, “You are a high-risk patient.” Medical science is now saying these kinds of statements can negatively impact the physical health of patients. I love
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Tim Cameron (The Forty-Day Word Fast: A Spiritual Journey to Eliminate Toxic Words From Your Life)
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[…] as the bearer of an Asian face in America, you paid some incremental penalty, never absolute, but always omnipresent, that meant that you were by default unlovable and unloved; that you were presumptively a nobody, a mute and servile figure, distinguishable above all by your total incapacity to threaten anyone; that you were many laudable things that the world might respect and reward, but that you were fundamentally powerless to affect anyone in a way that would make you either loved or feared.
What was the epistemological status of such an extravagant assertion? Could it possibly be true? Could it survive empirical scrutiny? It was a dogmatic statement at once unprovable and unfalsifiable. It was a paranoid statement about the way others regarded you that couldn’t possibly be true in any literal sense. It had no real truth value, except that under certain conditions, one felt it with every fibre of one’s being to be true.
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Wesley Yang (The Souls of Yellow Folk: Essays)
“
I sat down and read out loud a statement on the box, a message from the Celestial realm.
If I had my child to raise all over again, I'd finger paint more, and point the finger less. I'd do less correcting, and more connecting. I'd take my eyes off my watch, and watch with my eyes. I would care to know less, and know to care more. I'd take more hikes and fly more kites. I'd stop playing serious, and seriously play. I would run through more fields and gaze at more stars. I'd do more hugging, and less tugging. I would be firm less often, and affirm much more. I'd build self-esteem first, and the house later. I'd teach less about the love of power, And more about the power of love.
-Diane Loomans, Full Esteem Ahead
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Carol Lynn Pearson (Embracing Coincidence: Transforming Your Life through Synchronicity)
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Question: What do patients recall when they look back, years later, on their experience in therapy? Answer: Not insight, not the therapist’s interpretations. More often than not, they remember the positive supportive statements of their therapist. I make a point of regularly expressing my positive thoughts and feelings about my patients, along a wide range of attributes—for example, their social skills, intellectual curiosity, warmth, loyalty to their friends, articulateness, courage in facing their inner demons, dedication to change, willingness to self-disclose, loving gentleness with their children, commitment to breaking the cycle of abuse, and decision not to pass on the “hot potato” to the next generation.
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Irvin D. Yalom (The Gift of Therapy: An Open Letter to a New Generation of Therapists and Their Patients)
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Your life purpose is about you. It is a tangible, practical, everyday way to be that evolves over time as you mature. It is not just a new age, cheesy, flaky, peace and love statement. It is the greatness of who you are taking meaningful action. This is how you stay healthy and happy. Then and only then does your energy ripple out to make the world a better place.
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Diana Dentinger (Modus Vivendi - Your Life Your Way: 7 Days to Self Transformation)
“
Enjoy the power and beauty of your youth; oh never mind; you will not understand the power and beauty of your youth until they have faded. But trust me, in 20 years you’ll look back at photos of yourself and recall in a way you can’t grasp now how much possibility lay before you and how fabulous you really looked. You’re not as fat as you imagine. Don’t worry about the future; or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubblegum. The real troubles in your life are apt to be things that never crossed your worried mind; the kind that blindside you at 4pm on some idle Tuesday. Do one thing everyday that scares you. Sing. Don’t be reckless with other people’s hearts, don’t put up with people who are reckless with yours. Floss. Don’t waste your time on jealousy; sometimes you’re ahead, sometimes you’re behind, the race is long, and in the end, it’s only with yourself. Remember the compliments you receive, forget the insults; if you succeed in doing this, and tell me how. Keep your old love letters; throw away your old bank statements. Stretch. Don’t feel guilty if you don’t know what you want to do with your life.
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Baz Luhrmann
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Romance is fiction.” He punctuated this statement by taking a bite of steak, and then chewing. “But it’s—it’s—” Interesting? Well researched? Engaging? Well written? All of the above. “Not what you expected?” he supplied, smirking around his bite. “What did you expect?” Shrugging, I lifted a small rectangle of lasagna on my fork and blew at the steam. “I guess something brainless.” I didn’t add that I followed The New York Times Book Review and they’d had more than their fair share of articles calling the romance genre “fluffy.” If you couldn’t trust The New York Times Book Review, who could you trust? “Why? Because it’s about love and has a happy ending? And only stories of unhappiness with tragic endings are important? Because a struggle that leads to something good isn’t worthwhile?
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Penny Reid (Motion (Laws of Physics, #1; Hypothesis, #2.1))
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Connectedness is the essence of everything...They sense that, of course, from time to time; have uneasy feelings that all they live by is nonsense. They have dim apprehensions that such propositions as 'God does not exist' are somewhat dubious at least in comparison with statements like 'All carnivorous cows eat meat.' That's where the Shaper saves them. Provides an illusion of reality—puts together all their facts with a gluey whine of connectedness. Mere tripe, believe me. Mere sleight-of-wits. He knows no more than they do about total reality—less, if anything: works with the same old clutter of atoms, the givens of his time and place and tongue. But he spins it all together with harp runs and hoots, and they think what they think is alive, think Heaven loves them. It keeps them going—for what that's worth.
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John Gardner (Grendel)
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People often say that life lacks meaning without friends, but I believe that life loses its meaning without a friend. In my statement, I simply removed the "s" from "friends" to emphasize this distinction.
It's not about having a hundred friends, but about having one friend who's worth a hundred. I am fortunate to have such a friend in my life, and I am grateful to God for bringing such a friend into my life.
”
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Vikrant Adams
“
I do have a bad habit,” he says. “of falling in love. With regularity and to spectacular effect. You see, it never goes well.”
I wonder if this conversation makes him think of our kiss, but then, I was the one who kissed him. He’d only kissed back.
“As charming as you are, how can that be?” I say.
He laughs again. “That’s what my sister Taryn always says. She tells me that I remind her of her late husband. Which makes some sense, since I would be his half brother. But it’s also alarming, because she’s the one who murdered him.”
Much as when he spoke about Madoc, it’s strange how fond Oak can sound when he tells me a horrifying thing a member of his family has done. “Whom have you fallen in love with?” I ask.
“Well, there was you,” the prince says. “When we were children.”
“Me?” I ask incredulously.
“You didn’t know?” He appears to be merry in the face of my astonishment. “Oh yes. Though you were a year my senior, and it was hopeless, I absolutely mooned over you. When you were gone from Court, I refused any food but tea and toast for a month.”
I cannot help snorting over the sheer absurdity of his statement.
He puts a hand to my heart. “Ah, and now you laugh. It is my curse to adore cruel women.
He cannot expect me to believe he had real feelings. “Stop with your games.”
“Very well,” he says. “Shall we go to the next? Her name was Lara, a mortal at the school I attended when I lived with my eldest sister and her girlfriend. Sometimes Lara and I would climb into the crook of one of the maple trees and share sandwiches. But she had a villainous friend, who implicated me in a piece of gossip—which resulted in Lara stabbing me with a lead pencil and breaking off our relationship.”
“You do like cruel women,” I say.
“Then there was Violet, a pixie. I wrote terrible poetry about how I adored her. Unfortunately, she adored duels and would get into trouble so that I would have to fight for her honor. And even more unfortunately, neither my sister nor my father bothered to teach me how to fight for show.
I thought of the dead-eyed expression on his face before his bout with the ogre and Tiernan’s angry words.
“That resulted in my accidentally killing a person she liked better than me.”
“Oh,” I say. “That is three levels of unfortunate.”
“Then there was Sibi, who wanted to run away from Court with me, but as soon as we went, hated it and wept until I took her home. And Loana, a mermaid, who found my lack of a tail unbearable but tried to drown me anyway, because she found it equally unbearable that I would ever love another.”
The way he tells these stories makes me recall how he’s told me many painful things before. Some people laugh in the face of death. He laughed in the face of despair. “How old were you?”
“Fifteen, with the mermaid,” he said. “And nearly three years later, I must surely be wiser.”
“Surely,” I say, wondering if he was. Wondering if I wanted him to be.
”
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Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
When any problem occurs, you have two choices: you can get upset about it, or you can simply figure out what needs to be done. Getting upset has a seductive quality to it; there is rich drama to be had there. The cost is that there is no happiness to be had. Happiness opens up when you drop the drama and start looking for what needs to be done. Any relationship improves when both people shift from complaints to statements of what they want.
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Gay Hendricks (Conscious Loving: The Journey to Co-Committment)
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Survival of the fittest" in the commonly used animal sense is not a theory or principle for a "time-binding" being. This theory is only for the physical bodies of animals; its effect upon humanity is sinister and degrading. We see the principle at work all about us in criminal exploitation and profiteering. As a matter of fact, the ages-long application of this animal principle to human affairs has degraded the whole human morale in an inconceivably far-reaching way. Personal greed and selfishness are brazenly owned as principles of conduct. We shrug our shoulders in acquiescence and proclaim greed and selfishness to be the very core of human nature, take it all for granted, and let it pass at that. We have gone so far in our degradation that the prophet of capitalistic principles, Adam Smith, in his famous Wealth of Nations, arrives at the laws of wealth, not from the phenomena of wealth nor from statistical statements, but from the phenomena of selfishness-a fact which shows how far-reaching in its dire influence upon all humanity is the theory that human beings are "animals." Of course the effect is very disastrous. The preceding chapters have shown that the theory is false; it is false, not only because of its unhappy effects, but it belies the characteristic nature of man. Human nature, this time-binding power, not only has the peculiar capacity for perpetual progress, but it has, over and above all animal propensities, certain qualities constituting it a distinctive dimension or type of life. Not only our whole collective life proves a love for higher ideals, but even our dead give us the rich heritage, material and spiritual, of all their toils. There is nothing mystical about it; to call SUCH a class a naturally selfish class is not only nonsensical but monstrous.
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Alfred Korzybski (Manhood of Humanity: The Science and Art of Human Engineering (Classic Reprint))
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I happened to be in Shelby's shop when a basket of strawberries was delivered," she added casually. "You wouldn't happen to know anything about that, would you, dear?"
"Strawberries?" Alan gave her another noncommittal smile. "I'm quite fond of them myself."
"I'm much too clever to be conned," Myra told him, shaking her finger. "And I know you entirely too well.A man like you doesn't send baskets of strawberries or spend afternoons at the zoo unless he's infatuated."
"I'm not infatuated with Shelby," Alan corrected mildly as he sipped his tea. "I'm in love with her."
Myra's planned retort came out as a huff of breath. "Well then," she managed. "That was quicker than even I expected."
"It was instant," Alan murmured, not quite as easy now that he'd made the statement.
"Lovely." Myra leaned forward to pat his knee. "I can't think of anyone who deserves the shock of love at first sight more.
”
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Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
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I observed an eighteen-year-old friend of one of our daughters talking to his mother on the telephone. As he hung up the phone in frustration he said, “She makes me so angry, she’s always telling me what to think and where to go and how to do things.” He was obviously upset and filled with anger. I told him he had one of two choices. He could either continue to practice being right, or practice being kind. If you insist on being right you will argue, get frustrated, angry, and your problem will persist with your mom, I explained. If you simply practice being kind, you can remind yourself that this is your mom, she’s always been that way, she will very likely stay that way, but you are going to send her love instead of anger when she starts in with her routine. A simple statement of kindness such as, “That’s a good point, Mom, I’ll think about it,” and you have a spiritual solution to your problem.
”
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Wayne W. Dyer (There's a Spiritual Solution to Every Problem)
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What we feel and how we feel is far more important than what we think and how we think. Feeling is the stuff of which our consciousness is made, the atmosphere in which all our thinking and all our conduct is bathed. All the motives which govern and drive our lives are emotional. Love and hate, anger and fear, curiosity and joy are the springs of all that is most noble and most detestable in the history of men and nations.
The opening sentence of a sermon is an opportunity. A good introduction arrests me. It handcuffs me and drags me before the sermon, where I stand and hear a Word that makes me both tremble and rejoice. The best sermon introductions also engage the listener immediately. It’s a rare sermon, however, that suffers because of a good introduction.
Mysteries beg for answers. People’s natural curiosity will entice them to stay tuned until the puzzle is solved. Any sentence that points out incongruity, contradiction, paradox, or irony will do.
Talk about what people care about. Begin writing an introduction by asking, “Will my listeners care about this?” (Not, “Why should they care about this?”)
Stepping into the pulpit calmly and scanning the congregation to the count of five can have a remarkable effect on preacher and congregation alike. It is as if you are saying, “I’m about to preach the Word of God. I want all of you settled. I’m not going to begin, in fact, until I have your complete attention.”
No sermon is ready for preaching, not ready for writing out, until we can express its theme in a short, pregnant sentence as clear as crystal. The getting of that sentence is the hardest, most exacting, and most fruitful labor of study.
We tend to use generalities for compelling reasons. Specifics often take research and extra thought, precious commodities to a pastor. Generalities are safe. We can’t help but use generalities when we can’t remember details of a story or when we want anonymity for someone. Still, the more specific their language, the better speakers communicate.
I used to balk at spending a large amount of time on a story, because I wanted to get to the point. Now I realize the story gets the point across better than my declarative statements.
Omit needless words. Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell. Limits—that is, form—challenge the mind, forcing creativity.
Needless words weaken our offense. Listening to some speakers, you have to sift hundreds of gallons of water to get one speck of gold.
If the sermon is so complicated that it needs a summary, its problems run deeper than the conclusion. The last sentence of a sermon already has authority; when the last sentence is Scripture, this is even more true.
No matter what our tone or approach, we are wise to craft the conclusion carefully. In fact, given the crisis and opportunity that the conclusion presents—remember, it will likely be people’s lasting memory of the message—it’s probably a good practice to write out the conclusion, regardless of how much of the rest of the sermon is written.
It is you who preaches Christ. And you will preach Christ a little differently than any other preacher. Not to do so is to deny your God-given uniqueness.
Aim for clarity first. Beauty and eloquence should be added to make things even more clear, not more impressive.
I’ll have not praise nor time for those who suppose that writing comes by some divine gift, some madness, some overflow of feeling. I’m especially grim on Christians who enter the field blithely unprepared and literarily innocent of any hard work—as though the substance of their message forgives the failure of its form.
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Mark Galli (Preaching that Connects)
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Discreet as you are, Rohan, one can’t help but notice how ardently you are pursued. It seems you hold quite an appeal for the ladies of London. And from all appearances, you’ve taken full advantage of what’s been offered.”
Cam stared at him without expression. “Pardon, but are you leading to an actual point, my lord?”
Leaning back in his chair, St. Vincent made a temple of his elegant hands and regarded Cam steadily. “Since you’ve had no problem with lack of desire in the past, I can only assume that, as happens with other appetites, yours has been sated with an overabundance of sameness. A bit of novelty may be just the thing.”
Considering the statement, which actually made sense, Cam wondered if the notorious former rake had ever been tempted to stray.
Having known Evie since childhood, when she had come to visit her widowed father at the club from time to time, Cam felt as protective of her as if she’d been his younger sister. No one would have paired the gentle-natured Evie with such a libertine. And perhaps no one had been as surprised as St. Vincent himself to discover their marriage of convenience had turned into a passionate love match.
“What of married life?” Cam asked softly. “Does it eventually become an overabundance of sameness?”
St. Vincent’s expression changed, the light blue eyes warming at the thought of his wife. “It has become clear to me that with the right woman, one can never have enough. I would welcome an overabundance of such bliss—but I doubt such a thing is mortally possible.” Closing the account book with a decisive thud, he stood from the desk. “If you’ll excuse me, Rohan, I’ll bid you good night.”
“What about finishing the accounting?”
“I’ll leave the rest in your capable hands.” At Cam’s scowl, St. Vincent shrugged innocently. “Rohan, one of us is an unmarried man with superior mathematical abilities and no prospects for the evening. The other is a confirmed lecher in an amorous mood, with a willing and nubile young wife waiting at home. Who do you think should do the damned account books?” And, with a nonchalant wave, St. Vincent had left the office.
”
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Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
In Middlemarch a wife could not long remain ignorant that the town held a bad opinion of her husband. No feminine intimate might carry her friendship so far as to make a plain statement to the wife of the unpleasant fact known or believed about her husband; but when a woman with her thoughts much at leisure got them suddenly employed on something grievously disadvantageous to her neighbors, various moral impulses were called into play which tended to stimulate utterance. Candor was one. To be candid, in Middlemarch phraseology, meant, to use an early opportunity of letting your friends know that you did not take a cheerful view of their capacity, their conduct, or their position; and a robust candor never waited to be asked for its opinion. Then, again, there was the love of truth--a wide phrase, but meaning in this relation, a lively objection to seeing a wife look happier than her husband's character warranted, or manifest too much satisfaction in her lot--the poor thing should have some hint given her that if she knew the truth she would have less complacency in her bonnet, and in light dishes for a supper-party. Stronger than all, there was the regard for a friend's moral improvement, sometimes called her soul, which was likely to be benefited by remarks tending to gloom, uttered with the accompaniment of pensive staring at the furniture and a manner implying that the speaker would not tell what was on her mind, from regard to the feelings of her hearer. On the whole, one might say that an ardent charity was at work setting the virtuous mind to make a neighbor unhappy for her good.
”
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George Eliot
“
The enemy of my soul didn't want me painting that day. To create meant that I would look a little bit like my Creator. To overcome the terrifying angst of the blank canvas meant I would forever have more compassion for other artists. You better believe as I placed the first blue and gray strokes onto the white emptiness before me, the "not good enough" statement was pulsing through my head in almost deafening tones...
This parlaying lie is one of his favorite tactics to keep you disillusioned by disappointments. Walls go up, emotions run high, we get guarded, defensive, demotivated, and paralyzed by the endless ways we feel doomed to fail. This is when we quit. This is when we settle for the ease of facebook.... This is when we get a job to simply make money instead of pursuing our calling to make a difference. This is when we put the paintbrush down and don't even try.
So there I was. Standing before my painted blue boat, making a choice of which voice to listen to.
I'm convinced God was smiling. Pleased. Asking me to find delight in what is right. Wanting me to have compassion for myself by focusing on that part of my painting that expressed something beautiful. To just be eager to give that beauty to whoever dared to look at my boat. To create to love others. Not to beg them for validation.
But the enemy was perverting all that. Perfection mocked my boat. The bow was too high, the details too elementary, the reflection on the water too abrupt, and the back of the boat too off-center. Disappointment demanded I hyper-focused on what didn't look quite right.
It was my choice which narrative to hold on to: "Not good enough" or "Find delight in what is right." Each perspective swirled, begging me to declare it as truth.
I was struggling to make peace with my painting creation, because I was struggling to make make peace with myself as God's creation. Anytime we feel not good enough we deny the powerful truth that we are a glorious work of God in progress.
We are imperfect because we are unfinished.
So, as unfinished creations, of course everything we attempt will have imperfections. Everything we accomplish will have imperfections. And that's when it hit me: I expect a perfection in me and in others that not even God Himself expects. If God is patient with the process, why can't I be?
How many times have I let imperfections cause me to be too hard on myself and too harsh with others?
I force myself to send a picture of my boat to at least 20 friends. I was determined to not not be held back by the enemy's accusations that my artwork wasn't good enough to be considered "real art". This wasn't for validation but rather confirmation that I could see the imperfections in my painting but not deem it worthless. I could see the imperfections in me and not deem myself worthless. It was an act of self-compassion.
I now knew to stand before each painting with nothing but love, amazement, and delight. I refused to demand anything more from the artist. I just wanted to show up for every single piece she was so brave to put on display..
Might I just be courageous enough to stand before her work and require myself to find everything about it I love? Release my clenched fist and pouty disappointments, and trade my "live up" mentality for a "show up" one? It is so much more freeing to simply show up and be a finder of the good. Break from the secret disappointments. Let my brain venture down the tiny little opening of love..
And I realized what makes paintings so delightful. It's there imperfections. That's what makes it art. It's been touched by a human. It's been created by someone whose hands sweat and who can't possibly transfer divine perfection from what her eyes see to what her fingertips can create. It will be flawed.
”
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Lysa TerKeurst (It's Not Supposed to Be This Way: Finding Unexpected Strength When Disappointments Leave You Shattered)
“
But what about Cody? you want me to marry you but you love Cody and in fact Perry loves you too? " -- "Sure but what's wrong with that or all that? there's perfect love between us forever there's no doubt about it but we only have two bodies" -- (a strange statement) -- I stand by the window looking out on the glittering San Francisco night with its magic cardboard houses saying "And you have Elliott who doesnt like me and I dont like myself either, how about that? " (Billie says nothing to this but only stores up an anger that comes out later)
”
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Jack Kerouac (Big Sur)
“
I had no sister, but I felt as if she were one."
"A sister? You think of a woman that gorgeous as a sister, but you fell in love with me?"
"You are more beautiful than Asha. I see this inside of you as well as outside."
Mari shook her head. "Have I told you that you sound totally crazy sometimes? You expect me to believe that she never lit any fires in you, and I did?"
"Yes," Alain replied, his tone faintly bewildered as he looked at her. "Asha never changed the way I saw things, as you have."
That reminded her of something. "What did you tell her about me? That I define your world or something? I couldn't believe you said that."
Alain nodded. "You define the world I see. Yes. I needed to explain what you mean to me in terms another Mage would understand."
Mari could feel her lips quivering but tried to fight of laughter. "Alain, I 'define the world' for you? That's too much."
"Too much?"
"It's so sweet, it's nauseating."
Alain pondered her words. "What is wrong with that statement? I see the false world through my own illusions. You are now my reference for those illusions. Why should that make you feel ill? You define the world I see.
”
”
Jack Campbell (The Hidden Masters of Marandur (The Pillars of Reality, #2))
“
I was already an atheist, and by my senior year I had became obsessed with the question “What is the meaning of life?” I wrote my personal statement for college admissions on the meaninglessness of life. I spent the winter of my senior year in a kind of philosophical depression—not a clinical depression, just a pervasive sense that everything was pointless. In the grand scheme of things, I thought, it really didn’t matter whether I got into college, or whether the Earth was destroyed by an asteroid or by nuclear war. My despair was particularly strange because, for the first time since the age of four, my life was perfect. I had a wonderful girlfriend, great friends, and loving parents. I was captain of the track team, and, perhaps most important for a seventeen-year-old boy, I got to drive around in my father’s 1966 Thunderbird convertible. Yet I kept wondering why any of it mattered. Like the author of Ecclesiastes, I thought that “all is vanity and a chasing after wind” (ECCLESIASTES 1:14) . I finally escaped when, after a week of thinking about suicide (in the abstract, not as a plan), I turned the problem inside out. There is no God and no externally given meaning to life, I thought, so from one perspective it really wouldn’t matter if I killed myself tomorrow. Very well, then everything beyond tomorrow is a gift with no strings and no expectations. There is no test to hand in at the end of life, so there is no way to fail. If this really is all there is, why not embrace it, rather than throw it away? I don’t know whether this realization lifted my mood or whether an improving mood helped me to reframe the problem with hope; but my existential depression lifted and I enjoyed the last months of high school.
”
”
Jonathan Haidt (The Happiness Hypothesis: Finding Modern Truth in Ancient Wisdom)
“
Mrs. Crisparkle had need of her own share of philanthropy when she beheld this very large and very loud excrescence on the little party. Always something in the nature of a Boil upon the face of society, Mr. Honeythunder expanded into an inflammatory Wen in Minor Canon Corner. Though it was not literally true, as was facetiously charged against him by public unbelievers, that he called aloud to his fellow-creatures: ‘Curse your souls and bodies, come here and be blessed!’ still his philanthropy was of that gunpowderous sort that the difference between it and animosity was hard to determine. You were to abolish military force, but you were first to bring all commanding officers who had done their duty, to trial by court-martial for that offence, and shoot them. You were to abolish war, but were to make converts by making war upon them, and charging them with loving war as the apple of their eye. You were to have no capital punishment, but were first to sweep off the face of the earth all legislators, jurists, and judges, who were of the contrary opinion. You were to have universal concord, and were to get it by eliminating all the people who wouldn’t, or conscientiously couldn’t, be concordant. You were to love your brother as yourself, but after an indefinite interval of maligning him (very much as if you hated him), and calling him all manner of names. Above all things, you were to do nothing in private, or on your own account. You were to go to the offices of the Haven of Philanthropy, and put your name down as a Member and a Professing Philanthropist. Then, you were to pay up your subscription, get your card of membership and your riband and medal, and were evermore to live upon a platform, and evermore to say what Mr. Honeythunder said, and what the Treasurer said, and what the sub-Treasurer said, and what the Committee said, and what the sub-Committee said, and what the Secretary said, and what the Vice-Secretary said. And this was usually said in the unanimously-carried resolution under hand and seal, to the effect: ‘That this assembled Body of Professing Philanthropists views, with indignant scorn and contempt, not unmixed with utter detestation and loathing abhorrence’—in short, the baseness of all those who do not belong to it, and pledges itself to make as many obnoxious statements as possible about them, without being at all particular as to facts.
”
”
Charles Dickens (The Mystery of Edwin Drood)
“
I think I might be ready to go upstairs,” she said. Suddenly it was too hard to be in his presence, too painful to know that he would belong to someone else.
His lips quirked into a boyish smile. “Are you saying I might finally crawl out from under this table?”
“Oh, goodness!” She clapped one of her hands to her cheek in a sheepish expression. “I’m so sorry. I stopped noticing where we were sitting ages ago, I’m afraid. What a ninny you must think me.”
He shook his head, still smiling. “Never a ninny, Kate. Even when I thought you the most insufferable female creature on the planet, I had no doubts about your intelligence.”
Kate, who had been in the process of scooting out from under the table, paused. “I just don’t know if I should feel complimented or insulted by that statement.”
“Probably both,” he admitted, “but for friendship’s sake, let’s decide upon complimented.”
She turned to look at him, aware that she presented an awkward picture on her hands and knees, but the moment seemed too important to delay. “Then we are friends?” she whispered.
He nodded as he stood. “Hard to believe, but I think we are.”
Kate smiled as she took his helping hand and rose to her feet. “I’m glad. You’re— you’re really not the devil I’d originally thought you.”
One of his brows lifted, and his face suddenly took on a very wicked expression.
“Well, maybe you are,” she amended, thinking he probably was every bit the rake and rogue that society had painted him. “But maybe you’re also a rather nice person as well.”
“Nice seems so bland,” he mused.
“Nice,” she said emphatically, “is nice. And given what I used to think of you, you ought to be delighted by the compliment.”
He laughed. “One thing about you, Kate Sheffield, is that you are never boring.”
“Boring is so bland,” she quipped.
-Kate & Anthony
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
We've simply become too attached to work," I explained. "We've become too addicted to working and we need to balance our lives with a little idle activity like sitting on porches or chatting with neighbors."
"I would HATE that!" she answered with a moo of disgust. "I LOVE to work! I can't stand just sitting around. Work makes me happy."
This woman, by the way, is one of the most grounded, cheerful, and talented people I know. She's also not an outlier. I've had this conversation many times over the past few years with both friends and strangers and I often get some version of, "but I love to work!" in response.
The question for me wasn't whether people enjoyed their work but whether they needed it. That was the question that drove my research. The question I asked hundreds of people around the country and the essential question of this book:
Is work necessary?
A lot of people will disagree with my next statement to the point of anger and outrage: Humans don't need to work in order to be happy.
At this point, in our historical timeline, that claim is almost subversive. The assumption that work is at the core of what it means to lead a useful life underlies so much of our morality that it may feel I'm questioning our need to breathe or eat or sleep. But as I examined the body of research of what we know is good for all humans, what is necessary for all humans, I noticed a gaping hole where work was supposed to be.
This lead me to ask some pointed questions about why most of us feel we can't be fully human unless we're working.
Please note that by "work" I don't mean the activities we engage in to secure our survival: finding food, water, or shelter. I mean the labor we do to secure everything else beyond survival or to contribute productively to the broader society - the things we do in exchange for pay.
”
”
Celeste Headlee (Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving)
“
Ron Sider rocked the Christian world over thirty years ago with his book Rich Christians in an Age of Hunger. He now challenges Christians to pragmatic ministry to the poor by joining in a covenant he calls the Generous Christian Pledge.' He encourages every Christian to undertake a lifestyle mission for the poor. The pledge reads: "I pledge to open my heart to God's call to care as much about the poor as the Bible does. Daily, to pray for the poor, beginning with the Generous Christians Prayer: "Lord Jesus, teach my heart to share your love with the poor." Weekly, to minister, at least one hour, to a poor person: helping, serving, sharing with and mostly, getting to know someone in need. Monthly, to study, at least one book, article, or film about the plight of the poor and hungry and discuss it with others. Yearly, to retreat, for a few hours before the Scriptures, to meditate on this one question: Is caring for the poor as important in my life as it is in the Bible? and to examine my budget and priorities in light of it, asking God what changes He would like me to make in the use of my time, money, and influence."
The cage-rattling statements of Jesus and James demand a response. The Generous Christian Pledge is a great place to start.
”
”
Paul Borthwick (Western Christians in Global Mission: What's the Role of the North American Church?)
“
Trust is the most important ingredient in any relationship, for the simple reason that without trust, the relationship doesn’t actually mean anything. A person could tell you that she loves you, wants to be with you, would give up everything for you, but if you don’t trust her, you get no benefit from those statements. You don’t feel loved until you trust that the love being expressed toward you comes without any special conditions or baggage attached to it. This is what’s so destructive about cheating. It’s not about the sex. It’s about the trust that has been destroyed as a result of the sex. Without trust, the relationship can no longer function.
”
”
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
“
Anyway, my dad gave me a whole birth-control kit for college, so we don’t even have to worry about it.”
Peter nearly chokes on his sandwich. “A birth-control kit?”
“Sure. Condoms and…” Dental dams. “Peter, do you know what a dental dam is?”
“A what? Is that what dentists use to keep your mouth open when they clean it?”
I giggle. “No. It’s for oral sex. And here I thought you were this big expert and you were going to be the one to teach me everything at college!”
My heart speeds up as I wait for him to make a joke about the two of us finally having sex at college, but he doesn’t. He frowns and says, “I don’t like the thought of your dad thinking we’re doing it when we’re not.”
“He just wants us to be careful is all. He’s a professional, remember?” I pat him on the knee. “Either way, I’m not getting pregnant, so it’s fine.”
He crumples up his napkin and tosses it in the paper bag, his eyes still on the road. “Your parents met in college, didn’t they?”
I’m surprised he remembers. I don’t remember telling him that. “Yeah.”
“So how old were they? Eighteen? Nineteen?” Peter’s headed somewhere with this line of questioning.
“Twenty, I think.”
His face dims but just slightly. “Okay, twenty. I’m eighteen and you’ll be eighteen next month. Twenty is just two years older. So what difference does two years make in the grand scheme of things?” He beams a smile at me. “Your parents met at twenty; we met at--”
“Twelve,” I supply.
Peter frowns, annoyed that I’ve messed up his argument. “Okay, so we met when were kids, but we didn’t get together until we were seventeen--”
“I was sixteen.”
“We didn’t get together for real until we were both basically seventeen. Which is basically the same thing as eighteen, which is basically the same thing as twenty.” He has the self-satisfied look of a lawyer who has just delivered a winning closing statement.
“That’s a very long and twisty line of logic,” I say. “Have you ever thought about being a lawyer?”
“No, but now I’m thinking maybe?
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
I hope I have now made it clear why I thought it best, in speaking of the dissonances between fiction and reality in our own time, to concentrate on Sartre. His hesitations, retractations, inconsistencies, all proceed from his consciousness of the problems: how do novelistic differ from existential fictions? How far is it inevitable that a novel give a novel-shaped account of the world? How can one control, and how make profitable, the dissonances between that account and the account given by the mind working independently of the novel?
For Sartre it was ultimately, like most or all problems, one of freedom. For Miss Murdoch it is a problem of love, the power by which we apprehend the opacity of persons to the degree that we will not limit them by forcing them into selfish patterns. Both of them are talking, when they speak of freedom and love, about the imagination. The imagination, we recall, is a form-giving power, an esemplastic power; it may require, to use Simone Weil's words, to be preceded by a 'decreative' act, but it is certainly a maker of orders and concords. We apply it to all forces which satisfy the variety of human needs that are met by apparently gratuitous forms. These forms console; if they mitigate our existential anguish it is because we weakly collaborate with them, as we collaborate with language in order to communicate. Whether or no we are predisposed towards acceptance of them, we learn them as we learn a language. On one view they are 'the heroic children whom time breeds / Against the first idea,' but on another they destroy by falsehood the heroic anguish of our present loneliness. If they appear in shapes preposterously false we will reject them; but they change with us, and every act of reading or writing a novel is a tacit acceptance of them. If they ruin our innocence, we have to remember that the innocent eye sees nothing. If they make us guilty, they enable us, in a manner nothing else can duplicate, to submit, as we must, the show of things to the desires of the mind. I shall end by saying a little more about La Nausée, the book I chose because, although it is a novel, it reflects a philosophy it must, in so far as it possesses novel form, belie. Under one aspect it is what Philip Thody calls 'an extensive illustration' of the world's contingency and the absurdity of the human situation. Mr. Thody adds that it is the novelist's task to 'overcome contingency'; so that if the illustration were too extensive the novel would be a bad one. Sartre himself provides a more inclusive formula when he says that 'the final aim of art is to reclaim the world by revealing it as it is, but as if it had its source in human liberty.' This statement does two things. First, it links the fictions of art with those of living and choosing. Secondly, it means that the humanizing of the world's contingency cannot be achieved without a representation of that contingency. This representation must be such that it induces the proper sense of horror at the utter difference, the utter shapelessness, and the utter inhumanity of what must be humanized. And it has to occur simultaneously with the as if, the act of form, of humanization, which assuages the horror.
This recognition, that form must not regress into myth, and that contingency must be formalized, makes La Nausée something of a model of the conflicts in the modern theory of the novel. How to do justice to a chaotic, viscously contingent reality, and yet redeem it? How to justify the fictive beginnings, crises, ends; the atavism of character, which we cannot prevent from growing, in Yeats's figure, like ash on a burning stick? The novel will end; a full close may be avoided, but there will be a close: a fake fullstop, an 'exhaustion of aspects,' as Ford calls it, an ironic return to the origin, as in Finnegans Wake and Comment c'est. Perhaps the book will end by saying that it has provided the clues for another, in which contingency will be defeated, ...
”
”
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
“
First of all, let us not all be too glib in our statements about the will of God. God’s will is a profound and holy mystery, and the fact that we live our everyday lives engulfed in this mystery should not lead us to underestimate its holiness. We dwell in the will of God as in a sanctuary. His will is the cloud of darkness that surrounds His immediate presence. It is the mystery in which His divine life and our created life become “one spirit,” since, as St. Paul says, “Those who are joined to the Lord are one spirit” (I Corinthians 6: 17).
There are religious men who have become so familiar with the concept of God’s will that their familiarity has bred an apparent contempt. It has made them forget that God’s will is more than a concept. It is a terrible and transcendent reality, a secret power which is given to us, from moment to moment, to be the life of our life and the soul of our own soul’s life. It is the living flame of God’s own Spirit, in Whom our own soul’s flame can play, if it wills, like a mysterious angel. God’s will is not an abstraction, not a machine, not an esoteric system. It is a living concrete reality in the lives of men, and our souls are created to burn as flames within His flame. The will of the Lord is not a static center drawing our souls blindly toward itself. It is a creative power, working everywhere, giving life and being and direction to all things, and above all forming and creating, in the midst of an old creation, a whole new world which is called the Kingdom of God. What we call the “will of God” is the movement of His love and wisdom, ordering and governing all free and necessary agents, moving movers and causing causes driving drivers and ruling those who rule, so that even those who resist Him carry out His will without realizing that they are doing so In all His acts God orders all things whether good or evil for the good of those who know Him and seek Him and who strive to bring their own freedom under obedience to His divine purpose All that is done by the will of God in secret is done for His glory and for the good of those whom He has chosen to share in His glory!
”
”
Thomas Merton (No Man Is an Island)
“
Mom, what about the story you were going to tell Katie?” “Oh, yes. Queen Elizabeth. When she came to Kenya for a visit in 1952, she and Prince Philip stayed at Treetops. It’s a hotel not far from here. The rooms are at treetop height. She sipped tea on the open veranda while the elephants and other wild animals came to the watering hole below. Her father, King George IV, had been ill but seemed to have recovered, so the trip to Africa didn’t pose a conflict.” “Was he the one who stuttered? I remember seeing a movie about him,” Katie said. “Yes, that was the same king,” Eli answered for his mom. “What happened is that he took a turn for the worse and passed away while Princess Elizabeth was at Treetops. Since communication between England and Africa was so slow, she didn’t know her father had died until after they had left Treetops, and they stopped for lunch at the Aberdare Country Club, where we just ate.” “Really? The queen of England ate at that same restaurant?” “Yes. Only she didn’t yet know she was the queen of England. Word hadn’t reached her. The great statement about Treetops is that Elizabeth went up the stairs to her room that night as a princess, and when she descended those same stairs the next morning, she was the queen of England.” “I love stories like that,” Katie said. “I mean, it’s sad that her father died while she was in Africa, but what a rite of passage that moment was. She was doing what was on the schedule for that day, and by the time she put her head on her pillow that night, everything had changed.” As
”
”
Robin Jones Gunn (Finally and Forever (Katie Weldon, #4))
“
I have this special license burning a hole in my pocket, so I was thinking we might go find a vicar and use it. Pinter and Freddy can be witnesses.” He looked anxiously at her. “What do you think?”
“Don’t you want your family present when we marry? I thought you lordly sorts had to have grand weddings.”
“Is that what you want?”
In truth, she’d never been one to dream of her wedding day as a brilliant spectacle. Clandestine weddings were always what captured her imagination, complete with a dangerous, brooding fellow and mysterious goings-on. In this instance, she had both.
He said, “Let me put it this way: we can spend an untold number of days sneaking around just to steal a kiss, being chaperoned every minute while my sisters and Gran plan the wedding of the century. Or we can marry today and share a bed at the inn tonight like a respectable husband and wife. I’m not keep on waiting, but then, I never am when it comes to you. So what is your opinion in the matter?”
She couldn’t resist teasing him a little. “I think you just want to punish your grandmother for her sly tactics by depriving her of the weddings.”
He smiled. “Perhaps a little. And God knows my friends are never going to let me live this down. I’m not looking forward to hours of their torment at a wedding breakfast.”
He stopped in a little copse where they would be hidden from the street. “But if you want a big wedding, I can endure it.” His expression was solemn as he took her hands in his. “I can endure anything, as long as you marry me. And keep loving me for the rest of your life.”
Staring into his earnest face, she felt something flip over in her chest. She stretched up to brush his mouth with hers, and he pulled her in for a long, ardent kiss.
“Well?” he said huskily when he was done. “If I had any sense of decency, I would give you a chance to consult with a lawyer about settlements and such, especially since you’ll be coming into some money. But-“
“-you have no sense of decency, I know,” she teased. She tapped her finger against her chin. “Or was that morals you claimed not to have? I can’t remember.”
“Watch it, minx,” he warned with a lift of his brow. “If you intend to taunt me for every foolish statement I’ve made in my life, you’ll force me to play Rockton and lock you up in my dark, forbidding manor while I have my wicked way with you.”
“That sounds perfectly awful,” she said, gazing at the man she loved. “How soon can we start?
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
A FEW DAYS earlier in Princeton, Abraham Pais had learned that the New York Times was about to break the story. Knowing that reporters would pester Einstein for a comment, he drove over to the physicist’s house on Mercer Street. When Pais explained his mission, Einstein chuckled loudly, and then said, “The trouble with Oppenheimer is that he loves a woman who doesn’t love him—the United States government. . . . [T]he problem was simple: All Oppenheimer needed to do was go to Washington, tell the officials that they were fools, and then go home.” Privately, Pais may have agreed, but he felt this would not serve as a statement to the press. So he persuaded Einstein to draft a simple statement in support of Oppenheimer—“I admire him not only as a scientist but also as a great human being”—and got him to read it to a United Press reporter over the phone.
”
”
Kai Bird (American Prometheus)
“
Forget about string theory and loop quantum gravity. All abstractions! There are no strings, there are no parts, there is only Self desiring Love (Companionship) which results in Self desiring to perceive time. It would be correct to state that time is Self-engineered for there is only Self. Self itself is. Self always is. The perception of time exists for Love. Physical reality is Self experiencing itself as Life diversified not to feel alone, for Companionship, for Friendship, To Love and Be Loved. Such is the truth. In other words: The apparent existence of time exists not to feel alone, to experience Companionship, to experience Love. Love can only be experienced through the perception of time. Time exists so Self would not feel alone. Aloneness aka loneliness is the cause and Companionship aka Love is the purpose. Self perceives time not to feel alone. Self perceives time for Companionship. Self perceives time to Love and Be Loved in return. All that is here is Self desiring Love. The purpose of time is Love. Love is the reason why time exists. Love is the reason why Self perceives time. Time may be an illusion but rest assured that the illusion exists for the very purpose not to feel alone; to experience Love. All of the above is completely irrelevant. Why? All that matter's is Love. Love, Sweet Love. All this for Love! If the above is not understood, the word 'Self' may be replaced with 'One', 'I', 'God', 'Allah', 'Brahman', 'The Tao', et al until it is understood that 'it's all G-d' and that the meaning- and purpose of Life is Love, Sweet Love. As such the following statement is equally correct. God perceives time not to feel alone. God perceives time for Companionship. God perceives time to Love and Be Loved in return. All that is here is God desiring Love. Love is the only purpose. There is no other purpose but Love.
”
”
Wald Wassermann
“
The discords of our experience--delight in change, fear of change; the death of the individual and the survival of the species, the pains and pleasures of love, the knowledge of light and dark, the extinction and the perpetuity of empires--these were Spenser's subject; and they could not be treated without this third thing, a kind of time between time and eternity. He does not make it easy to extract philosophical notions from his text; but that he is concerned with the time-defeating aevum and uses it as a concord-fiction, I have no doubt. 'The seeds of knowledge,' as Descartes observed, 'are within us like fire in flint; philosophers educe them by reason, but the poets strike them forth by imagination, and they shine the more clearly.' We leave behind the philosophical statements, with their pursuit of logical consequences and distinctions, for a free, self-delighting inventiveness, a new imagining of the problems. Spenser used something like the Augustinian seminal reasons; he was probably not concerned about later arguments against them, finer discriminations. He does not tackle the questions, in the Garden cantos, of concreation, but carelessly--from a philosophical point of view--gives matter chronological priority. The point that creation necessitates mutability he may have found in Augustine, or merely noticed for himself, without wondering how it could be both that and a consequence of the Fall; it was an essential feature of one's experience of the world, and so were all the arguments, precise or not, about it.
Now one of the differences between doing philosophy and writing poetry is that in the former activity you defeat your object if you imitate the confusion inherent in an unsystematic view of your subject, whereas in the second you must in some measure imitate what is extreme and scattering bright, or else lose touch with that feeling of bright confusion. Thus the schoolmen struggled, when they discussed God, for a pure idea of simplicity, which became for them a very complex but still rational issue: for example, an angel is less simple than God but simpler than man, because a species is less simple than pure being but simpler than an individual. But when a poet discusses such matters, as in say 'Air and Angels,' he is making some human point, in fact he is making something which is, rather than discusses, an angel--something simple that grows subtle in the hands of commentators. This is why we cannot say the Garden of Adonis is wrong as the Faculty of Paris could say the Averroists were wrong. And Donne's conclusion is more a joke about women than a truth about angels. Spenser, though his understanding of the expression was doubtless inferior to that of St. Thomas, made in the Garden stanzas something 'more simple' than any section of the Summa. It was also more sensuous and more passionate. Milton used the word in his formula as Aquinas used it of angels; poetry is more simple, and accordingly more difficult to talk about, even though there are in poetry ideas which may be labelled 'philosophical.
”
”
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
“
It's work to be the only person of color in an organization, bearing the weight of all your white co-workers' questions about Blackness.
It's work to always be hyper visible because your skin - easily identified as being present or absent - but for your needs to be completely invisible to those around you.
It's work to do the emotional labor of pointing out problematic racist thinking, policies, actions, and statements while desperately trying to avoid bitterness and cynicism.
It's work to stay open to an organization to learn new skills without drinking in the cultural expectations of body size, personality, interests, and talents most valued according to whiteness.
Quite frankly, the work isn't just tedious. It can be dangerous for Black women to attempt to carve out space for themselves - their perspective, their gifts, their skills, their education, their experiences - in places that haven't examined the prevailing assumption of white culture. The danger of letting whiteness walk off with our joy, our peace, our sense of dignity and self-love, is ever present.
”
”
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
“
New Rule: Democrats must get in touch with their inner asshole. I refer to the case of Van Jones, the man the Obama administration hired to find jobs for Americans in the new green industries. Seems like a smart thing to do in a recession, but Van Jones got fired because he got caught on tape saying Republicans are assholes. And they call it news!
Now, I know I'm supposed to be all reinjected with yes-we-can-fever after the big health-care speech, and it was a great speech--when Black Elvis gets jiggy with his teleprompter, there is none better. But here's the thing: Muhammad Ali also had a way with words, but it helped enormously that he could also punch guys in the face.
It bothers me that Obama didn't say a word in defense of Jones and basically fired him when Glenn Beck told him to. Just like dropped "end-of-life counseling" from health-care reform because Sarah Palin said it meant "death panels" on her Facebook page. Crazy morons make up things for Obama to do, and he does it.
Same thing with the speech to schools this week, where the president attempted merely to tell children to work hard and wash their hands, and Cracker Nation reacted as if he was trying to hire the Black Panthers to hand out grenades in homeroom. Of course, the White House immediately capitulated. "No students will be forced to view the speech" a White House spokesperson assured a panicked nation. Isn't that like admitting that the president might be doing something unseemly? What a bunch of cowards. If the White House had any balls, they'd say, "He's giving a speech on the importance of staying in school, and if you jackasses don't show it to every damn kid, we're cutting off your federal education funding tomorrow."
The Democrats just never learn: Americans don't really care which side of an issue you're on as long as you don't act like pussies When Van Jones called the Republicans assholes, he was paying them a compliment. He was talking about how they can get things done even when they're in the minority, as opposed to the Democrats , who can't seem to get anything done even when they control both houses of Congress, the presidency, and Bruce Springsteen.
I love Obama's civility, his desire to work with his enemies; it's positively Christlike. In college, he was probably the guy at the dorm parties who made sure the stoners shared their pot with the jocks. But we don't need that guy now. We need an asshole.
Mr. President, there are some people who are never going to like you. That's why they voted for the old guy and Carrie's mom. You're not going to win them over. Stand up for the seventy percent of Americans who aren't crazy.
And speaking of that seventy percent, when are we going to actually show up in all this? Tomorrow Glenn Beck's army of zombie retirees descending on Washington. It's the Million Moron March, although they won't get a million, of course, because many will be confused and drive to Washington state--but they will make news. Because people who take to the streets always do. They're at the town hall screaming at the congressman; we're on the couch screaming at the TV. Especially in this age of Twitters and blogs and Snuggies, it's a statement to just leave the house. But leave the house we must, because this is our last best shot for a long time to get the sort of serious health-care reform that would make the United States the envy of several African nations.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
What are we talking about?” Alex says. “This is fucking nonsense.”
The couple ahead of us turns slightly.
“What are you looking at?” Alex says to them.
I don’t bother to reprimand her, because really, what are they looking at? I slow my pace and Alex punches Scottie in the arm.
“Ow!” Scottie screams.
“Alex! Why are we still on this pattern?”
“Hit her back, Dad,” Scottie yells.
Alex grabs Scottie’s neck.
“You’re hurting me,” Scottie says.
“That’s kind of the point,” Alex says.
I grab both children by the arm and pull them down to the sand. Sid covers his mouth with his hand and bends over, laughing silently.
“‘What do you love about Mom?’” Alex says, mimicking her sister. “Shut up, already. And stop babying her.”
I sit down between them and don’t say a word. Sid sits next to Alex. “Easy, tiger,” he says. I look at the waves crashing down on the sand. A few women walk by and give me this knowing look, as though a father with his kids is such a precious sight. It takes so little to be revered as a father. I can tell the girls are waiting for me to say something, but what can I say that hasn’t been said? I’ve shouted, I’ve reasoned, I’ve even spanked. Nothing works.
“What do you love about Mom, Scottie?” I ask, glaring at Alex.
She takes a moment to think. “Lots of stuff. She’s not old and ugly, like most moms.”
“What about you, Alex?”
“Why are we doing this?” she asks. “How did we get here in the first place?”
“Swimming with the sharks,” I say. “Scottie wanted to swim with sharks.”
“You can do that,” Sid says. “I read about it in the hotel.”
“She’s not afraid of anything,” Alex says.
She’s wrong, and besides, I think this is a statement and not something that Alex truly loves.
“Let’s get back,” I say.
I stand up and wipe the sand off of me. I look at our hotel on the cliff, pink from the sunset. The girls’ expressions when I told them about their mom made me feel so alone. They won’t ever understand me the way Joanie does. They won’t know her the way I do. I miss her despite the fact that she envisioned the rest of her life without me. I look at my daughters, utter mysteries, and for a brief moment I have a sick feeling that I don’t want to be alone in the world with these two girls. I’m relieved they haven’t asked me what it is I love about them.
”
”
Kaui Hart Hemmings (The Descendants)
“
RESILIENCE QUESTIONNAIRE Please circle the most accurate answer under each statement: 1. I believe that my mother loved me when I was little. Definitely true Probably true Not sure Probably not true Definitely not true 2. I believe that my father loved me when I was little. Definitely true Probably true Not sure Probably not true Definitely not true 3. When I was little, other people helped my mother and father take care of me and they seemed to love me. Definitely true Probably true Not sure Probably not true Definitely not true 4. I’ve heard that when I was an infant someone in my family enjoyed playing with me, and I enjoyed it, too. Definitely true Probably true Not sure Probably not true Definitely not true 5. When I was a child, there were relatives in my family who made me feel better if I was sad or worried. Definitely true Probably true Not sure Probably not true Definitely not true 6. When I was a child, neighbors or my friends’ parents seemed to like me. Definitely true Probably true Not sure Probably not true Definitely not true 7. When I was a child, teachers, coaches, youth leaders, or ministers were there to help me. Definitely true Probably true Not sure Probably not true Definitely not true 8. Someone in my family cared about how I was doing in school. Definitely true Probably true Not sure Probably not true Definitely not true 9. My family, neighbors, and friends talked often about making our lives better. Definitely true Probably true Not sure Probably not true Definitely not true 10. We had rules in our house and were expected to keep them. Definitely true Probably true Not sure Probably not true Definitely not true 11. When I felt really bad, I could almost always find someone I trusted to talk to. Definitely true Probably true Not sure Probably not true Definitely not true 12. When I was a youth, people noticed that I was capable and could get things done. Definitely true Probably true Not sure Probably not true Definitely not true 13. I was independent and a go-getter. Definitely true Probably true Not sure Probably not true Definitely not true 14. I believed that life is what you make it. Definitely true Probably true Not sure Probably not true Definitely not true How many of these fourteen protective factors did I have as a child and youth? (How many of the fourteen were circled “Definitely True” or “Probably True”?) _______ Of these circled, how many are still true for me?
”
”
Donna Jackson Nakazawa (Childhood Disrupted: How Your Biography Becomes Your Biology, and How You Can Heal)
“
MET therapists build up motivation by encouraging their patients to talk about their healthy desires. There’s an old saying: “We don’t believe what we hear, we believe what we say.” For example, if you give someone a lecture on the importance of honesty, then have them play a game in which cheating is rewarded, you’ll probably find that the lecture had little effect. On the other hand, if you ask someone to give you a lecture on the importance of honesty, they will be less likely to cheat when they sit down to play the game. MET is a little manipulative. When the patient makes a statement the therapist likes, referred to as a pro-change statement, such as, “Sometimes I have trouble getting to work on time after a night of heavy drinking,” the therapist responds with positive reinforcement, or a request to “tell me more about that.” On the other hand, if the patient makes an anti-change statement, such as, “I work hard all day, and I deserve to relax in the evening with a few martinis,” the therapist doesn’t argue, because that would provoke more anti-change statements as the debate goes back and forth. Instead, she simply changes the subject. Patients usually don’t notice what’s going on, so the technique slips past their conscious defenses,
”
”
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
“
For example, let us say that a woman has recently come from a bad relationship where her partner has verbally and physically abused her. She did not want that or like that. In fact she hated the life that she lived with that person. So, from her place of really knowing what she does not want, she makes a clear statement of what she does want. She wants a partner who loves her and treats her with kindness and respect. But she feels very insecure without a partner, and she wants a new partner immediately. And so, she goes someplace where she is accustomed to going and meets a new person who seems nice enough. But what she may not realize is that the Law of Attraction is still matching her up with whatever is dominant within her. And right now, what is still dominant within her is the vibration of what she does not want because the unwanted parts of her last relationship are much more active within her thoughts than the new intentions that have been established. In her eagerness to soothe her feelings of insecurity, she takes action and jumps into this new relationship—and gets more of what is dominant within her vibration. It would be our encouragement that she take things more slowly and spend more time thinking about what she wants until those thoughts are the basis for the dominant vibration within her. And then, let the Law of Attraction bring her wonderful new partner to her.
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Esther Hicks (The Law of Attraction: The Basics of the Teachings of Abraham)
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Did the countess tell you what was said between her and me?” Lillian asked tentatively.
Marcus shook his head, his mouth twisting. “She told me that you had decided to elope with St. Vincent.”
“Elope?” Lillian repeated in shock. “As if I deliberately… as if I had chosen him over—” She stopped, aghast, as she imagined how he must have felt. Although she had not shed a single tear during the entire day, the thought that Marcus might have wondered for a split second if yet another woman had left him for St. Vincent… it was too much to bear. She burst into noisy sobs, startling herself as well as Marcus. “You didn’t believe it, did you? My God, please say you didn’t!”
“Of course I didn’t.” He stared at her in astonishment, and hastily reached for a table napkin to wipe at the stream of tears on her face. “No, no, don’t cry—”
“I love you, Marcus.” Taking the napkin from him, Lillian blew her nose noisily and continued to weep as she spoke. “I love you. I don’t mind if I’m the first one to say it, nor even if I’m the only one. I just want you to know how very much—”
“I love you too,” he said huskily. “I love you too. Lillian… Please don’t cry. It’s killing me. Don’t.”
She nodded and blew into the linen folds again, her complexion turning mottled, her eyes swelling, her nose running freely. It appeared, however, that there was something wrong with Marcus’s vision. Grasping her head in his hands, he pressed a hard kiss to her mouth and said hoarsely, “You’re so beautiful.”
The statement, though undoubtedly sincere, caused her to giggle through her last hiccupping sobs. Wrapping his arms around her in an embrace that was just short of crushing, Marcus asked in a muffled voice, “My love, hasn’t anyone ever told you that it’s bad form to laugh at a man when he’s declaring himself?”
She blew her nose with a last inelegant snort. “I’m a hopeless case, I’m afraid. Do you still want to marry me?”
“Yes. Now.”
The statement shocked her out of her tears. “What?”
“I don’t want to return with you to Hampshire. I want to take you to Gretna Green. The inn has its own coach service— I’ll hire one in the morning, and we’ll reach Scotland the day after tomorrow.”
“But… but everyone will expect a respectable church wedding…”
“I can’t wait for you. I don’t give a damn about respectability.”
A wobbly grin spread across Lillian’s face as she thought of how many people would be astonished to hear such a statement from him. “It smacks of scandal, you know. The Earl of Westcliff rushing off for an anvil wedding in Gretna Green…”
“Let’s begin with a scandal, then.” He kissed her, and she responded with a low moan, clinging and arching against him, until he pushed his tongue deeper, molding his lips tighter over hers, feasting on the warm, open silkiness of her mouth. Breathing heavily, he dragged his lips to her quivering throat. “Say, ‘Yes, Marcus,’” he prompted.
“Yes, Marcus.
”
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Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
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As everyone knows, Islam set up a social order from the outset, in contrast, for example, to Christianity. Islamic social teachings are so basic to the religion that still today many people, including Muslims, are completely unaware of Islam's spiritual dimensions. Social order demands rules and regulations, fear of the king, respect for the police, acknowledgement of authority. It has to be set up on the basis of God's majesty and severity. It pays primary attention to the external realm, the realm of the body and the desires of the lower soul, the realm where God is distant from the world. In contrast, Islamic spiritual teachings allow for intimacy, love, boldness, ecstatic expressions, and intoxication in the Beloved. All these are qualities that pertain to nearness to God. (...) In short, on the social level, Islam affirms the primacy of God as King, Majestic, Lord, Ruler. It establishes a theological patriarchy even if Muslim theologians refuse to apply the word father (or mother) to God. God is yang, while the world, human beings, and society are yin. Thereby order is established and maintained. Awe and distance are the ruling qualities. On the spiritual level, the picture is different. In this domain many Muslim authorities affirm the primacy of God as Merciful, Beautiful, Gentle, Loving. Here they establish a spiritual matriarchy, though again such terms are not employed. God is yin and human beings are yang. Human spiritual aspiration is accepted and welcomed by God. Intimacy and nearness are the ruling qualities. This helps explain why one can easily find positive evaluations of women and the feminine dimension of things in Sufism.
(...) Again, this primacy of yin cannot function on the social level, since it undermines the authority of the law. If we take in isolation the Koranic statement, "Despair not of God's mercy surely God forgives all sins" (39:53), then we can throw the Sharia out the window. In the Islamic perspective, the revealed law prevents society from degenerating into chaos. One gains liberty not by overthrowing hierarchy and constraints, but by finding liberty in its true abode, the spiritual realm. Freedom, lack of limitation and constraint, bold expansivenessis achieved only by moving toward God, not by rebelling against Him and moving away.
Attar (d. 618/1221) makes the same point more explicitly in an anecdote he tells about the great Sufi shaykh, Abu'l- Hasan Kharraqani (d. 425/1033): It is related that one night the Shaykh was busy with prayer. He heard a voice saying, "Beware, Abu'l-Hasan! Do you want me to tell people what I know about you so that they will stone you to death?" The Shaykh replied, "O God the Creator! Do You want me to tell the people what I know about Your mercy and what I see of Your generosity? Then no one will prostrate himself to You." A voice came, "You keep quiet, and so will I."
Sufism is concerned with "maintaining the secret" (hifz al-sirr) for more reasons than one. The secret of God's mercy threatens the plain fact of His wrath. If "She" came out of the closet, "He" would be overthrown. But then She could not be found, for it is He who shows the way to Her door.
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Sachiko Murata (The Tao of Islam: A Sourcebook on Gender Relationships in Islamic Thought)
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Life is pretty short yet magnanimous if we know just how to live right. It isn't that easy, it takes a lot of our soul, sometimes too many broken pieces to finally come together in binding a masterpiece that smiles like a solitary star forever gazing around at the music of an eternal cosmos.
The most brutal yet beautiful truth about Life is that It is marked, marked with Time where every moment takes us closer to death, it doesn't have to sound or feel bad or scary because death is the most inevitable truth in this mortal world. While the knowledge of death jolts our mind with the uncertainty of Life, clutches us in the emotion of fear to think of pain or the loss of bonds, when we acknowledge that as a part of our souls' journey and take every moment as our precious gift, a blessing to experience this Life with its beautiful garden of emotions blossoming with wonderful smiles that we can paint on others, then we make our Life magnanimous, then we make even the very face of death as that of an angel coming to take us to a different voyage, soaked in a lot of memories and experiences beautifully binding our soul.
I have realised that when we live each day as if it's the last day of our life, we become more loving and gentle to everyone around and especially to our own selves. We forgive and love more openly, we grace and embrace every opportunity we get to be kind, to stay in touch with everything that truly matters. I have realised that when we rise every morning with gratitude knowing that the breath of air still passes through our body, just in the mere understanding that we have one more day to experience Life once again, we stay more compassionate towards everything and everyone around and invest more of our selves into everything and everyone that truly connect and resonate with our soul. I have realised that when we consciously try to be good and kind, no matter however bad or suffocating a situation is we always end up taking everything at its best holding on to the firm grip of goodness, accepting everything as a part of our souls' lesson or just a turn of Time or Fate and that shapes into our strength and roots our core with the truest understanding of Life, the simple act of going on and letting go. Letting go of anything and everything that chains our Soul while going on with a Heart open to Love and a Soul ready to absorb all that falls along the pathway of this adventure called Life. I have realised that when we are kind and do anything good for another person, that gives us the most special happiness, something so pure that even our hearts don't know how deep that joy permeates inside our soul. I have realised that at the end of the day we do good not because of others but because of our own selves, for if tomorrow death comes to grace me I hope to smile and say I have Lived, loved unconditionally and embraced forgiveness, kindness and goodness and all the other colours of Love with every breath I caught, I have lived a Life magnanimous.
So each time someone's unkind towards you, hold back and smile, and try to give your warmth to that person. Because Kindness is not a declaration of who deserves it, it's a statement of who you are. So each time some pieces of your heart lay scattered, hold them up and embrace everyone of them with Love. Because Love is not a magic potion that is spilled from a hollow space, it's a breath of eternity that flows through the tunnel of your soul. So each time Life puts up a question of your Happiness, answer back with a Smile of Peace. Because Happiness is not what you look for in others, it's what you create in every passing moment, with the power of Life, that is pretty short when we see how counted it stands in days but actually turns out absolutely incredibly magnanimous when loved and lived in moments.
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Debatrayee Banerjee
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Catastrophizing. Predicting extremely negative future outcomes, such as “If I don’t do well on this paper, I will flunk out of college and never have a good job.”
All-or-nothing. Viewing things as all-good or all-bad, black or white, as in “If my new colleagues don’t like me, they must hate me.” Personalization. Thinking that negative actions or words of others are related to you, or assuming that you are the cause of a negative event when you actually had no connection with it. Overgeneralizations. Seeing one negative situation as representative of all similar events. Labeling. Attaching negative labels to ourselves or others. Rather than focusing on a particular thing that you didn’t like and want to change, you might label yourself a loser or a failure. Magnification/minimization. Emphasizing bad things and deemphasizing good in a situation, such as making a big deal about making a mistake, and ignoring achievements. Emotional reasoning. Letting your feelings about something guide your conclusions about how things really are, as in “I feel hopeless, so my situation really must be hopeless.” Discounting positives. Disqualifying positive experiences as evidence that your negative beliefs are false—for example, by saying that you got lucky, something good happened accidentally, or someone was lying when giving you a compliment. Negativity bias. Seeing only the bad aspects of a situation and dwelling on them, in the process viewing the situation as completely bad even though there may have been positives. Should/must statements. Setting up expectations for yourself based on what you think you “should” do. These usually come from perceptions of what others think, and may be totally unrealistic. You might feel guilty for failing or not wanting these standards and feel frustration and resentment. Buddhism sets this in context. When the word “should” is used, it leaves no leeway for flexibility of self-acceptance. It is fine to have wise, loving, self-identified guidelines for behavior, but remember that the same response or action to all situations is neither productive nor ideal. One size never fits all. Jumping to conclusions. Making negative predictions about the outcome of a situation without definite facts or evidence. This includes predicting a bad future event and acting as if it were already fact, or concluding that others reacted negatively to you without asking them. Dysfunctional automatic thoughts like these are common. If you think that they are causing suffering in your life, make sure you address them as a part of your CBT focus.
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Lawrence Wallace (Cognitive Behavioral Therapy: 7 Ways to Freedom from Anxiety, Depression, and Intrusive Thoughts (Happiness is a trainable, attainable skill!))