Stained Glass Window Quotes

People are like stained-glass windows. They sparkle and shine when the sun is out, but when the darkness sets in, their true beauty is revealed only if there is a light from within.

Some days seem to fit together like a stained glass window. A hundred little pieces of different color and mood that, when combined, create a complete picture.

It was a blonde. A blonde to make a bishop kick a hole in a stained-glass window.

People are seen through the stained glass window of our imagination. ( "The hidden sides of his character" )

I consider myself a stained-glass window. And this is how I live my life. Closing no doors and covering no windows; I am the multi-colored glass with light filtering through me, in many different shades. Allowing light to shed and fall into many many hues. My job is not to direct anything, but only to filter into many colors. My answer is destiny and my guide is joy. And there you have me.

Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live. In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formality. My spirit, my emotional being, whatever you want to call all that inner turmoil that has nothing to do with physical existence, were long gone, dead and gone, and only a mass of the most fucking god-awful excruciating pain like a pair of boiling hot tongs clamped tight around my spine and pressing on all my nerves was left in its wake. That's the thing I want to make clear about depression: It's got nothing at all to do with life. In the course of life, there is sadness and pain and sorrow, all of which, in their right time and season, are normal -- unpleasant, but normal. Depression is an altogether different zone because it involves a complete absence: absence of affect, absence of feeling, absence of response, absence of interest. The pain you feel in the course of a major clinical depression is an attempt on nature's part (nature, after all, abhors a vacuum) to fill up the empty space. But for all intents and purposes, the deeply depressed are just the walking, waking dead. And the scariest part is that if you ask anyone in the throes of depression how he got there, to pin down the turning point, he'll never know. There is a classic moment in The Sun Also Rises when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, 'Gradually and then suddenly.' When someone asks how I love my mind, that is all I can say too

Elisabeth Kübler-Ross: “People are like stained-glass windows. They sparkle and shine when the sun is out, but when the darkness sets in, their beauty is revealed only if there is a light from within.

Once a heart breaks…it doesn’t just grow back. It’s not a lizard’s tail. It’s more like a huge stained glass that shattered into a million pieces, and it’s not going back together. Least not the way it was. You can mush it all into one piece, but that doesn’t make it a window. That makes it a pile of broken colored glass. Shattered hearts don’t mend and they don’t heal. They just don’t work that way.

...I'm innocent still -inside me are stained glass windows that have never been broken- and when I see your light it stains my soul with color ...

He was like a shattered stained-glass window: something beautiful that's broken; a million colours fallen on the ground where no light can get through.

When the starry sky, a vista of open seas, or a stained-glass window shedding purple beams fascinate me, there is a cluster of meaning, of colors, of words, of caresses, there are light touches, scents, sighs, cadences that arise, shroud me, carry me away, and sweep me beyond the things I see, hear, or think, The "sublime" object dissolves in the raptures of a bottomless memory. It is such a memory, which, from stopping point to stopping point, remembrance to remembrance, love to love, transfers that object to the refulgent point of the dazzlement in which I stray in order to be.

Lucas should've run out of there that instant. Instead he stared at me through the glass and slowly unfolded his hand opposite mine so that our hands were pressed againts the pane of glass, fingers to fingers, palm to palm. We each move closer, so that our faces were only inches apart. Even with the stained glass, window between us, it felt as intimate as any kiss we'd shared.

People are like stained-glass windows. They sparkle and shine when the sun is out, but when the darkness sets in, their true beauty is revealed only if there’s a light from within.

I looked at the stained-glass image of the lamb in the window above me, but that only reminded me that lambs are famous for being led to slaughter, or sometimes hanging out with lions in ill-advised relationships.

You saw me through a stained-glass window? How'd you pull that off' 'I could find someone as beautiful as you no matter where you hide. You're so radiant, I bet you even glow in the dark.

I wrote too many poems in a language I did not yet know how to speak But I know now it doesn't matter how well I say grace if I am sitting at a table where I am offering no bread to eat So this is my wheat field you can have every acre, Love this is my garden song this is my fist fight with that bitter frost tonight I begged another stage light to become that back alley street lamp that we danced beneath the night your warm mouth fell on my timid cheek as i sang maybe i need you off key but in tune maybe i need you the way that big moon needs that open sea maybe i didn't even know i was here til i saw you holding me give me one room to come home to give me the palm of your hand every strand of my hair is a kite string and I have been blue in the face with your sky crying a flood over Iowa so you mother will wake to Venice Lover, I smashed my glass slipper to build a stained glass window for every wall inside my chest now my heart is a pressed flower and a tattered bible it is the one verse you can trust so I'm putting all of my words in the collection plate I am setting the table with bread and grace my knees are bent like the corner of a page I am saving your place

People say that if life gives you lemons, you should make lemonade. This is why unsolicited advice should be left to the professionals, because if life gives you lemons but doesn't also give you a whole lot of sugar, you're going to end up with some pretty awful-tasting lemonade. You might as well advise people that if life gives them a bag of wet sand they should make a stained glass window.

Soft sun shone down on a misty cathedral at the opposite end of a football-field length courtyard. The cathedral had a long pointed tower with beautiful rose and ivory stained glass windows. Pink-petal flowers and deep green ivy climbed the stones from the ground to it’s roof. A large fountain stood in the middle of the courtyard with water falling from several lion’s heads. Between the misty air and rolling slope of the earth, the grounds reminded me of a long lost fairy tale.

But her attention was on the prince across from her, who seemed utterly ignored by his father and his own court, shoved down near the end with her and Aedion. He ate so beautifully, she thought, watching him cut into his roast chicken. Not a drop moved out of place, not a scrap fell on the table. She had decent manners, while Aedion was hopeless, his plate littered with bones and crumbs scattered everywhere, even some on her own dress. She’d kicked him for it, but his attention was too focused on the royals down the table. So both she and the Crown Prince were to be ignored, then. She looked at the boy again, who was around her age, she supposed. His skin was from the winter, his blue-black hair neatly trimmed; his sapphire eyes lifted from his plate to meet hers. “You eat like a fine lady,” she told him. His lips thinned and color stained his ivory cheeks. Across from her, Quinn, her uncle’s Captain of the Guard, choked on his water. The prince glanced at his father—still busy with her uncle—before replying. Not for approval, but in fear. “I eat like a prince,” Dorian said quietly. “You do not need to cut your bread with a fork and knife,” she said. A faint pounding started in her head, followed by a flickering warmth, but she ignored it. The hall was hot, as they’d shut all the windows for some reason. “Here in the North,” she went on as the prince’s knife and fork remained where they were on his dinner roll, “you need not be so formal. We don’t put on airs.” Hen, one of Quinn’s men, coughed pointedly from a few seats down. She could almost hear him saying, Says the little lady with her hair pressed into careful curls and wearing her new dress that she threatened to skin us over if we got dirty. She gave Hen an equally pointed look, then returned her attention to the foreign prince. He’d already looked down at his food again, as if he expected to be neglected for the rest of the night. And he looked lonely enough that she said, “If you like, you could be my friend.” Not one of the men around them said anything, or coughed. Dorian lifted his chin. “I have a friend. He is to be Lord of Anielle someday, and the fiercest warrior in the land.

I’d found the haven for my mind, body, and soul. Everyone needs such a place. Don’t reject the space you gravitate toward just because the windows aren’t stained glass and the congregation isn’t saved.

There is a peculiar aesthetic pleasure in constructing the form of a syllabus, or a book of essays, or a course of lectures. Visions and shadows of people and ideas can be arranged and rearranged like stained-glass pieces in a window, or chessmen on a board.

She couldn't see him, but his voice was like light through a stained-glass window in a cathedral.

Some days seem to fit together like a stained glass window. A hundred little pieces of different color and mood that, when combined, create a complete picture. The last twenty-four hours had been like that. The night at the hospital was one pane, sickly green and flickering. The dark hours of the early morning in Grace's bed were another, cloudy and purple. Then the cold blue reminder of my other life this morning, and finally the brilliant, clear pane that was our kiss.

Converts have it soft," said Mary. "They come to it late, without ever having had the Devil under the bed. They sail in and admire the stained-glass windows. All the dirty work has been done.

It's an old church and smells like a museum - in a good way, a survived-lots-of-shit-and-still-standing kind of way. Something about the stained-glass windows works for me too. If I were to get all deep on you, I could say the idea of all those broken pieces being made into something so damn pretty appeals to me. Good thing I'm not that profound. (54)

All too many others have been more cautious than courageous and have remained silent behind the anesthetizing security of stained-glass windows

are like stained-glass windows. They sparkle and shine when the sun is out, but when the darkness sets in, their true beauty is revealed only if there’s a light from within.

Oh, if there were only a true religion. Fool that I am, I see a Gothic cathedral and venerable stained-glass windows, and my weak heart conjures up the priest to fit the scene. My soul would understand him, my soul has need of him. I only find a nincompoop with dirty hair.

There was something in the moonlight tonight. It was stroking the stonework and spires, leaning into cracks between the cobblestones, caressing the stained-glass windows. She felt her heart lift with magic.

There are two ways to interpret what Paul says in Galatians 3:28 about our being one in Christ: either it means that we're all whitewashed and homogenized and our differences are erased... or it means that we're called to find a way to make our different identities fit together, like the bright shards in assorted colors that make up the stained glass windows of a cathedral. Are we called to sameness, or are we called to oneness?

When the sun came through the [stained-glass] windows, I felt that I was standing inside of God's kaleidoscope.

It made her chest hurt, how much she felt in this moment. She knew she should not say anything impetuously. But under the light of the stained glass window, the flickering candlelight of their shared memories, it felt like simple unexamined honesty. No matter what the darkness brought back to her tomorrow. "I'm in love with you.

The tears in my pus-filled eyes became a thousand little crystals of ever color. Like stained-glass windows, I thought. God is with you today, Papi! In the midst of nature's monstrous elements, in the wind, the immenseness of the sea, the depth of the waves, the imposing green roof of the bush, you feel your own infinitesimal smallness, and perhaps it's here, without looking for Him, that you find God, that you touch Him with your finger. I had sensed Him at night during the thousands of hours I had spent buried alive in dank dungeons without a ray of sun; I touched Him today in a sun that would devour everything too weak to resist it. I touched God, I felt Him around me, inside me. He even whispered in my ear: "You will suffer; you will suffer more. But this time I am on your side. You will be free. You will, I promise you.

It was a blonde. A blonde to make a bishop kick a hole in a stained glass window. She was wearing street clothes that looked black and white, and a hat to match and she was a little haughty, but not too much. Whatever you needed, wherever you happened to be—she had it.

Either I have begun a slow decent into madness, or my eyes are going. First the stained-glass window, and now this? It must be my eyes. Prince Severin does not play in the dirt.

...I'm innocent still -inside me are stained glass windows that have never been broken- and when I see your light it stains my soul with color ...

We followed him through the wealthy splendor of the house. Hardwood floors. Custom carved woodworking. Statues. Fountains. Suits of armor. Original painting, one of them a van Gogh. Stained-glass windows. Household staff in formal uniform. I kept expecting to come across a flock of peacocks roaming the halls, or maybe a pet cheetah in a diamond-studded collar.

He looked out over the reading room of the Bibliothèque nationale de France. It was one of the most beautiful libraries he had ever seen, the ceilings vaulted like the rib cage of a slain monster out of myth, and full of stained glass windows, book-lined walls, and Forged reference books that perched on slender golden racks, preening and flapping their covers.

...the world is coloured rather than stained by such beliefs,and accepting another's values is far more Christian than falling to your knees every time you see a stained glass window.

She walked as if through a forest. The pillars were furrowed like ancient trees, and into the woods the light seeped, colorful and as clear as song, through the stained-glass windows. High overhead animals and people frolicked in the stone foliage, and angels played their instruments. At an even higher, more dizzying height, the vaults of the ceiling arched upward, lifting the church toward God ... The song cut through her like a blinding light. Now she saw how deep in the dust she lay.

...he liked his transcendence out in plain sight where he could keep an eye on it -- say, in a nice stained-glass window -- not woven through the fabric of life like gold threads through a brocade.

There was a stained glass window in the room with the image of a woman holding a spear. It was a beautiful piece of art, and my face smashed through it a half moment after I appreciated its design.

One picks one's way about through the glass and aluminum doors, the receptionists' smiles, the lunches with too much alcohol, the openings with more, the mobs of people desperately trying to define good taste in such loud voices one can hardly hear oneself giggle, while the shebang is lit by flashes and flares through the paint-stained window, glimmers under the police-locked door, or, if one is taking a rare walk outside that day, by a light suffusing the whole sky, complex as the northern aurora.

Inside the cavernous hall, beneath a giant stained-glass window, stood the future leaders of the world. Nobel Prize winners, tycoons of industry, brain surgeons, and a few dozen insurance salesmen.

/“People are like stained-glass windows. They sparkle and shine when the sun is out, but when the darkness sets in, their true beauty is revealed only if there is a light from within.” / — Elisabeth Kubler-Ross

Although I’d had no trouble looking at the casket the day before, on that Saturday I did my best to keep my eyes averted. I stared instead at the stained-glass window behind the altar and imagined shooting the panes out with a slingshot.

I can remember every second of that morning, if I shut my eyes I can see the deep blue colour of the sky and the mango leaves, the pink and red hibiscus, the yellow handkerchief she wore around her head, tied in the Martinique fashion with the sharp points in front, but now I see everything still, fixed for ever like the colours in a stained-glass window. Only the clouds move. It was wrapped in a leaf, what she had given me, and I felt it cool and smooth against my skin.

...the book typographer's job was building a window between the reader inside a room and that landscape which is the author's words. He may put up a stained glass window of marvelous beauty, but a failure as a window; that is he may use some rich superb type like text gothic that is something to be look at, not through.

It wasn’t until the twelfth century that blue found a place on artists’ palettes, when they began to create it through grinding up certain stones. Every Madonna in a medieval painting wore blue robes, every stained glass window contained blue. It’s as if all men decided, at once, that blue was the color of…” I mull the right word… “the divine.

Look through the unfinished entrance facade, note blue sky where the stained-glass windows would have been, and ponder the struggles, triumphs, and failures of the human spirit.

People are like stained-glass windows. They sparkle and shine when the sun is out, but when the darkness sets in, their beauty is revealed only if there is a light from within.

Don’t reject the space you gravitate toward just because the windows aren’t stained glass and the congregation isn’t saved.

I don't look at the world through stained glass windows.

People are like stained-glass windows. They sparkle and shine when the sun is out, but when the darkness sets in, their true beauty is revealed only if there is a light from within.

People are like stained-glass windows. They sparkle and shine when the sun is out, but when the darkness sets in, their true beauty is revealed only if there is a light from within.

are like stained glass windows; they sparkle and shine when the sun is out, but when the darkness sets in, their true identity is revealed only if there is light within.” —Elizabeth Kubler-Ross

There's something about evening service in a country church that makes a fellow feel drowsy and peaceful. Sort of end-of-a-perfect-day feeling. Old Heppenstall was up in the pulpit, and he has a kind of regular, bleating delivery that assists thought. They had left the door open, and the air was full of a mixed scent of trees and honeysuckle and mildew and villagers' Sunday clothes. As far as the eye could reach, you could see farmers propped up in restful attitudes, breathing heavily; and the children in the congregation who had fidgeted during the earlier part of the proceedings were now lying back in a surfeited sort of coma. The last rays of the setting sun shone through the stained-glass windows, birds were twittering in the trees, the women's dresses crackled gently in the stillness. Peaceful. That's what I'm driving at. I felt peaceful. Everybody felt peaceful.

Under the glass porte-cochère of a theatre Amory stood, watching the first great drops of rain splatter down and flatten to dark stains on the sidewalk. The air became grey and opalescent; a solitary light suddenly outlined a window over the way; then another light; then a hundred more danced and glimmered into vision. Under his feet a thick, iron-studded skylight turned yellow; in the street the lamps of the taxicabs sent out glistening sheens along the already black pavement. The unwelcome November rain had perversely stolen the day’s last hour and pawned it with that ancient fence, the night.

Some say owls carry within them the souls of those who in life never had a name, a place or a purpose, and were cast out to wander alone. Some say their stained-glass eyes are windows into other worlds.

I thought of my father, alone and elsewhere, his head cradled in his hands. I thought of the day he'd punched a hole straight through the kitchen wall, thinking she'd be tucked away inside. All those places he'd looked and never found. Inside their mattress. In stained-glass windows. How he'd scoured the carpet for her stray hair and strung them all together with a ribbon; how he'd slept with that one lock swathed across his nostrils, hugging a pillow fitted with a nightshirt. How he'd dug up the backyard, stripped and sweating. How he'd played her favorite album on repeat and loud, a lure. How when we took up the carpet in my bedroom to find her, under the carpet was wood. Under the wood there was cracked concrete. Under the concrete there was dirt. Under the dirt there was a cavity of water. I swam down into the water with my nose clenched and lungs burning in my chest but I could not find the bottom and I couldn't see a thing.

The shelves covered all four walls of the square room, broken in three places by tall, narrow windows with stained-glass inserts above and upholstered seats below, liberally adorned with loose cushions – the sort of window seats that every book lover dreams of, visualises, yearns for… I stepped forward into the room, wonder-struck, inhaling the rich smell of oiled leather bindings and ancient paper and polished wood.

The Dark and Middle Ages! The Nineteenth Century had an impudent way with its labels. For there, under the window in Arthur's Gramarye, the sun's rays flamed from a hundred jewels of stained glass in monasteries and convents, or danced from the pinnacle of cathedrals and castles, which their builders had actually loved. Architecture, in those dark ages of theirs, was such a light-giving passion of the heart that men gave love-names to their fortresses.

It’s his story to tell—or not tell,” he said, not meeting her eyes. “Do you see those stained glass windows? They’re beautiful, but you can’t see their true magnificence until sunlight touches them. I believe Blake’s the same way.

She was an abstraction in an abstraction: an impossible intersection of dozens of bright panes, as if the disassembled tiles of a stained-glass window had each been set aglow and animated. She swirled before me like a school of fish.

In the other train, looking at me through the window, is the most beautiful boy I’ve ever seen. He has golden hair and bright blue eyes. His skin seems to glow softly, like he carries the sun inside him. One of his paint-stained hands is clutching his chest, like he just got punched, and the other is pressed flat against the glass of the window. I raise my hand and press it against my window, mirroring him. He looks so confused. Stunned. Like he’s just seen a ghost.

The hidden room was large and open, desks and tables laden throughout. Stained glass windows, depicting various scenes of evil and torture, were evenly spaced along the beige brick walls, bringing in a warm array of light over the space. The cobwebbed chandelier above them glinted as the light hit it, reminding Evie of the severed heads still hanging from the rafters below. She really hoped that scream from the torture chambers wasn’t another head about to be displayed as well.

If she were Catholic, she could kneel, kneel and bow her head inside a church with brilliant stained-glass windows and streaks of golden light falling over her. Yes, oh yes, she would kneel and stretch out her arms, holding to her Amy and Dottie and Bev.

It would be incorrect in every sense to say that so near the end of his life he had lost his faith, when in fact God seemed more abundant to him in the Regina Cleri home than any place he had been before. God was in the folds of his bathrobe, the ache of his knees. God saturated the hallways in the form of a pale electrical light. But now that his heart had become so shiftless and unreliable, now that he should be sensing the afterlife like a sweet scent drifting in from the garden, he had started to wonder if there was in fact no afterlife at all. Look at all these true believers who wanted only to live, look at himself, cling onto this life like a squirrel scrambling up the icy pitch of a roof. In suggesting that there may be nothing ahead of them, he in no way meant to diminish the future; instead, Father Sullivan hoped to elevate the present to a state of the divine. It seemed from this moment of repose that God may well have been life itself. God may have been the baseball games, the beautiful cigarette he smoked alone after checking to see that all the bats had been put back behind the closet door. God could have been the masses in which he had told people how best to prepare for the glorious life everlasting, the one they couldn't see as opposed to the one they were living at that exact moment in the pews of the church hall, washed over in stained glass light. How wrongheaded it seemed now to think that the thrill of heartbeat and breath were just a stepping stone to something greater. What could be greater than the armchair, the window, the snow? Life itself had been holy. We had been brought forth from nothing to see the face of God and in his life Father Sullivan had seen it miraculously for eighty-eight years. Why wouldn't it stand to reason that this had been the whole of existence and now he would retreat back to the nothingness he had come from in order to let someone else have their turn at the view. This was not the workings of disbelief. It was instead a final, joyful realization of all he had been given. It would be possible to overlook just about anything if you were trained to constantly strain forward to see the power and the glory that was waiting up ahead. What a shame it would have been to miss God while waiting for him.

She moved as lightly as a mote of dust gamboling in a sunbeam passing through the stained glass window of a French Gothic cathedral. Her breasts stood up proudly like twin tin soldiers. Looking at her made him feel an uncontrollable urge to vomit forth his innermost feelings, straight at her.

He looked up at the round, stained glass window in front of him, a blurred kaleidoscope backlit in the morning sun. It glowed. The color of heaven. Of her hair. He sat back and cracked open the dry, leather cover of a pew Bible, and a mixture of sweat and tears christened its pristine pages.

In the Scriptures and the stories, in the stained-glass windows of the cathedral or the paintings that hung from its stone walls, the angels always looked like Leah: golden-haired and blue-eyed, dressed in fine silks and satins, with full cheeks and skin as pale as river pearls. As for the girls like Immanuelle—the ones from the Outskirts, with dark skin and raven-black curls, cheekbones as keen as cut stone—well, the Scriptures never mentioned them at all. There were no statues or paintings rendered in their likeness, no poems or stories penned in their honor. They went unmentioned, unseen.

As he observed her in musing silence, a novel thought occurred to him. It slipped through his mind so subtly that it seemed to mingle like smoke with his physical perceptions, with the way the dim light through the stained-glass window fell across her hair in little iridescent rainbows, and the scent of old tobacco and dust lingered in the room. He wondered — absurdly — if this was what she had come for — simply to sit in the stillness and be alive and share it with him. Something inside, something tiny he hadn’t even known was there, seemed to unfold, to spread tentative petals open like a desert flower sensing rain. She turned and looked up at him, her great unblinking eyes full of forest wisdom. He thought foolishly: Let me stay here. I need this.

It looks as though your shop is doing well,” Luka said, gazing around. “Could you help me find a gift for a lady friend of mine?” My heart plunged to my green satin slippers, and I had to stare down at Azarte for a minute, petting him hard. Naturally Luka had a “lady friend.” She was probably nobly born: the daughter of a count or a duke. I imagined her having thick dark hair and clear skin, and was bitterly jealous. “Of c-course,” I stammered after a time. “What would she like? A gown? A sash?” If she came in for a fitting, I decided to “accidentally” poke her with every pin. “Hmm, well, she is wearing a lovely gown today,” he said. “Although no sash.” So. He’d already seen her today, and it was not yet noon. I rubbed Azarte’s ears furiously. “What color is her gown?” “It’s sort of green, with more green, and the design looks like stained glass windows,” he said. “It’s very beautiful, like her.” I stopped petting the dog and looked up at him, not sure what I was hearing. “Oh?” My heart thumped painfully. “Yes, so perhaps she doesn’t need a sash after all. No sense gilding the lily.” He gave a melancholy sigh. “But I really would love to give her a very special gift. I was hoping if I did, she might give me a kiss in return, instead of the brotherly hugs I always get instead.” I raised my eyebrows, trying for casual interest even though I could feel my pulse beating in the blood rushing to my cheeks. “I know!” Luka snapped his fingers. “Forget a sash. I’ll give her this!” And with a flourish, he pulled a roll of parchment from his belt pouch. More confused than ever, I unrolled the paper and read. It was a letter from a priest in the Southern Counties, addressed to King Caxel. In it the priest begged for a grant of money. They had recently built a large chapel, the finest that had ever been dedicated to the Triune Gods in that region, and it had only been completed the year before. “But we do need another grant from the crown,” the priest wrote. “For a most heinous act of vandalism has taken place. Our rose-glass window, which illuminates the Triple Altar in glorious colors pleasing to the gods, has been stolen. It was removed from its frame the night before last, and not a pane of it can be found.” “Shardas?” I looked up at Luka with my eyes brimming. “Shardas!” “I have a pair of horses waiting outside,” Luka said. “We can be at Feniul’s cave by nightfall.” I threw my arms around him again, and this time I gave him the kiss he’d been waiting for.

The voice welling up out of this little man is terrific, Harry had noticed it at the house, but here, in the nearly empty church, echoing off the walnut knobs and memorial plaques and high arched rafters, beneath the tall central window of Jesus taking off into the sky with a pack of pastel apostles for a launching pad, the timbre is doubled, richer, with a rounded sorrowful something Rabbit hadn't noticed hitherto, gathering and pressing the straggle of guests into a congregation, subduing any fear that this ceremony might be a farce. Laugh at ministers all you want, they have the words we need to hear, the ones the dead have spoken.

blood from the gash had seeped through her shirt and the blanket, pooling on the floor. Looking at it intensified the dizziness that its loss had caused. With the most pressing of her concerns attended to, Myranda set her mind to the task of escaping. She assessed the situation. Of course, her pack was gone. A pull on the door revealed it to be solidly secured from the outside. The windows were all small and near to the high ceiling. There would be no escape through any of those. The sole window large enough to allow her to escape was the shattered stained glass window behind the pulpit, but it was even further out of her reach. She had to try the door

This is meant to be in praise of the interval called hangover, a sadness not co-terminous with hopelessness, and the North American doubling cascade that (keep going) “this diamond lake is a photo lab” and if predicates really do propel the plot then you might see Jerusalem in a soap bubble or the appliance failures on Olive Street across these great instances, because “the complex Italians versus the basic Italians” because what does a mirror look like (when it´s not working) but birds singing a full tone higher in the sunshine. I´m going to call them Honest Eyes until I know if they are, in the interval called slam clicker, Realm of Pacific, because the second language wouldn´t let me learn it because I have heard of you for a long time occasionally because diet cards may be the recovery evergreen and there is a new benzodiazepene called Distance, anti-showmanship, anti-showmanship, anti-showmanship. I suppose a broken window is not symbolic unless symbolic means broken, which I think it sorta does, and when the phone jangles what´s more radical, the snow or the tires, and what does the Bible say about metal fatigue and why do mothers carry big scratched-up sunglasses in their purses. Hello to the era of going to the store to buy more ice because we are running out. Hello to feelings that arrive unintroduced. Hello to the nonfunctional sprig of parsley and the game of finding meaning in coincidence. Because there is a second mind in the margins of the used book because Judas Priest (source: Firestone Library) sang a song called Stained Class, because this world is 66% Then and 33% Now, and if you wake up thinking “feeling is a skill now” or “even this glass of water seems complicated now” and a phrase from a men´s magazine (like single-district cognac) rings and rings in your neck, then let the consequent misunderstandings (let the changer love the changed) wobble on heartbreakingly nu legs into this street-legal nonfiction, into this good world, this warm place that I love with all my heart, anti-showmanship, anti-showmanship, anti-showmanship.

In his brief time as a student, he'd fallen in love with the Boeksplein. Jesper had never been a great reader. He loved stories, but he hated sitting still, and the books assigned to him for school seemed designed to make his mind wander. At the Boeksplein, wherever his eyes strayed, there was something to occupy them; leaded windows with stained-glass borders, iron gates worked in to figures of books and ships, the central fountain with its bearded scholar, and best of all, the gargoyles- bat-winged grotesques in mortarboard caps, and stone dragons falling asleep over books. He liked to think that whoever had built this place had known not all students were suited to quite contemplation.

What would you like for your own life, Kate, if you could choose?” “Anything?” “Of course anything.” “That’s really easy, Aunty Ivy.” “Go on then.” “A straw hat...with a bright scarlet ribbon tied around the top and a bow at the back. A tea-dress like girls used to wear, with big red poppies all over the fabric. A pair of flat, white pumps, comfortable but really pretty. A bicycle with a basket on the front. In the basket is a loaf of fresh bread, cheese, fruit oh...and a bottle of sparkly wine, you know, like posh people drink. “I’m cycling down a lane. There are no lorries or cars or bicycles. No people – just me. The sun is shining through the trees, making patterns on the ground. At the end of the lane is a gate, sort of hidden between the bushes and trees. I stop at the gate, get off the bike and wheel it into the garden. “In the garden there are flowers of all kinds, especially roses. They’re my favourite. I walk down the little path to a cottage. It’s not big, just big enough. The front door needs painting and has a little stained glass window at the top. I take the food out of the basket and go through the door. “Inside, everything is clean, pretty and bright. There are vases of flowers on every surface and it smells sweet, like lemon cake. At the end of the room are French windows. They need painting too, but it doesn’t matter. I go through the French windows into a beautiful garden. Even more flowers there...and a veranda. On the veranda is an old rocking chair with patchwork cushions and next to it a little table that has an oriental tablecloth with gold tassels. I put the food on the table and pour the wine into a glass. I’d sit in the rocking chair and close my eyes and think to myself... this is my place.” From A DISH OF STONES

I cannot call to mind where or when, in my childhood, I had seen a stained glass window in a church. Nor do I recollect its subject. But I know that when I saw her turn round, in the grave light of the old staircase, and wait for us, above, I thought of that window; and I associated something of its tranquil brightness with Agnes Wickfield ever afterwards.

The glass from the windows crumbled under our feet. Only the old Victorian stained glass above the door had stood firm.

There were more angles to this thing than a stained-glass window of The Battle of Hastings.

Chandler’s “She was blonde enough to make a bishop kick a hole through a stained-glass window

Davina had a pretty Victorian house, tall and narrow, with a tiny front garden and a chessboard front path leading to a door with stained-glass windows.

Were not the bars of darkness in the room, and the yellow pools which chequered the floor, made by the sun falling through the stained glass of a vast coat of arms in the window?

Autumn feels like you’re looking at the world through a stained-glass window

Loving her felt like creating something. A cathedral. Spires and stained glass and bells. But she broke one window and I indiscriminately tore the whole thing down.

People are like stained-glass windows. They sparkle and shine when the sun is out, but when the darkness sets in, their true beauty is revealed only if there’s a light from within.” He

All the distances I had traveled, trying to be myself, didn’t matter here, where nothing ever changed. Not the mahogany furniture or the art or the books in their placement on the shelves. Not the eggshell sheen on the walls, or the quality of light coming through the stained-glass window on the landing. This was the light of childhood. I was all the ages I had ever been.

Faith doesn’t mean checking your brain at the door of every church or throwing all you think you know out some stained-glass window. It means trusting. I have to trust now. It’s all I have.

The magnitude of these shattering changes can perhaps be grasped by imagining that the invasion had been in the reverse direction and that the Aztecs or Incas had arrived suddenly in Europe, imposed their culture and calendar, outlawed Christianity, set up sacrificial altars for thousands of victims in Madrid and Amsterdam, unwittingly spread disease on a scale that virtually matched the Black Death, melted down the golden images of Christ and the saints, threw stones at the stained-glass windows and converted the cathedral aisles into arms or food warehouses, toppled unfamiliar Greek statues and Roman columns, and carried home to the Mexican and Peruvian highlands their loot in precious metals along with slaves, indentured servants and other human trophies.

Arthur C. Clarke thinks that it may be just a coincidence, "but", he writes, "the Mandelbrot set does indeed seem to contain an enormous number of mandalas or religious symbols, which are found in ecclesiastical designs-such as stained glass windows, and particularly in Islamic art. We find many forms like the Paisley pattern echoing the Mandelbrot set centuries before it was discovered!

It is disappointment with the Christian church that appears to be more white than Christian, and with many white clergymen who prefer to remain silent behind the security of stained-glass windows.

She has inspected the ancient church: not a lot to see there. The stained-glass windows must have gone when the Presbyterians took over. Dead soldiers' names on the wall, as if God were interested.

I read this book, it said a woman should think of her virginity like it’s a window. And every time you sleep with a guy, it’s like letting him put his fingerprints on your window. Staining your glass.

He had the oddest feeling of disappearing as he spoke, of fading into the background of a painting depicting a story which must have been old as history. And perhaps it was the drink, but he was fascinated by the way he seemed to drift outside himself, to watch from the awning as her hiccupping sobs and his murmurs mingled, floated, and became puffs of condensation against the cold stained-glass windows.

I climb through the rubble toward the door. It takes a long time, time enough for a Giant to see me from the blood-red stained-glass eye window and reach out to crush me in his hand the size of a tractor.

He hands me a book- paperback cover with a picture of the bay. I flip through, find picture after picture from my month in Felicity Bay, all those *beep* *click* *beep* times that Daniel captured, put in a book - a baby crab, mermaid hair, Froot Loops, sandy toes, tree house, and even stained glass windows, and a chalice - moments of significance, ordinary things that turned out to be extraordinary." -Bailey

The main hallway looked just the same. The portrait over the mantel had the same hot black eyes and the knight in the stained-glass window still wasn’t getting anywhere untying the naked damsel from the tree.

Life, it now seems, is a stained glass window composed of bits of translucence and opacity—fragments of yesterday, chips of today, pieces of someday, soldered with time. Some jewel-like and whole. Some fractured by the weather. Others fallen from their leaden frames. Only fusion and repair complete the image and allow us to make out the picture. Am I a scale, a harp, a star? A candle, anchor or heart? And what about tomorrow?

I looked up again at the stained glass window. There she was, the same smile on her lips. I'm sure you were totally freaked out when they told you that you were pregnant, but at least your baby's birth is now celebrated all around the world! And so many people have been saved by you, and by your child! Then again, to be eternally known as the Virgin Mother, as if that's the only thing that gave meaning to your existence... Hey did you have any hobbies of your own? Or maybe there was a singer you were really into? You must have gotten stressed out sometimes. I mean, being called the Virgin Mother, even after your son was all grown up... And then to have him crucified like that. I can't imagine how hard that must have been. I just hope you managed to live your life the way you wanted, to take naps when you felt like it, to know yourself by a name that made sense to you...

Her tone changed from shocked to curious. “How was it? Was it… different?” Sarah bit her lip, ashamed to be gossiping but feeling the strong urge to tell. “Yes,” she confided. “He’s nothing like John. Nothing like him at all.” “Really? What was different? Did he…?” Grace waved a hand as though erasing a chalkboard. “Oh, forget it. I shouldn’t be asking this. But,” again her voice lowered, “is he tattooed everywhere?” Sarah knew it was wrong to talk about him like this, but her inner schoolgirl took over and she nodded, eager to share details. “He’s beautiful … like a stained glass window. And he’s really good with his … mouth.” She raised an eyebrow, giving Grace a significant look. Her friend gasped and giggled. “But isn’t it weird? Touching him?” “Skin is skin, Grace,” Sarah chided. “The tattoos are only on the surface, you know. He’s a man.” A sexy, vulnerable, intense, attractive, responsible, sweet, gentle and loving man.

Because…” Gabriel closed his eyes to his truth. Because the premise that a child must be threatened with harm to earn God’s blessing is no longer acceptable to me; because that smug face cannot be the face of my God; because a rejecting and shaming God is a God of men created by men to serve the agendas of men; because I couldn’t find any stained glass window maker who is able to capture the face of the God I want to see—the God of hope, of compassion, of acceptance.

They sit beneath a stained-glass window of an angel lifting his cup, and Champagne breaks across her tongue, and the darkness smiles against her skin, and draws her onto a floor to dance, and it is the beginning and the end of everything.

I think it was Asimov who once compared prose to windows. Some authors, he said— like Asimov himself— wrote in a style devoid of flourishes or lyricism, telling the story in a just the facts, ma’am kinda way. This is your standard clear-window prose; you don’t appreciate it, you don’t even notice it, but at least you’ve got a clear view of what’s going down on the other side. Others (Samuel Delany and China Miéville come to mind) write “stained-glass-window” prose: the words contain a kind of beauty in the way they’re put together, they draw attention to their own construction and invite whistles of admiration. The only problem with stained-glass windows is, the more ornate the pane, the tougher it is to see what’s on the other side.

I like the disaster of the night sky, stars spilling this way and that as if they were upturned from a glass. I like the way good madness feels. I like the way laughter always spills. That's the word for it. It never just comes, it spills. I like the word 'again'. Again and again and again and again and again and again and again and again. I like the quiet sound a coffee cup makes when it's set down on a wooden table. So hushed. So inviting. Like morning light yawning through the window and stretching out onto the kitchen floor. I like the way girls' lips look like they're stained with berries. I like the way morning light breaks like a prism through the empty wine bottles on our dusty apartment floor. Glasses empty except for the midnight hour. I like the way blueberries stain my fingers during the summer. I like the way light hits your eyes and turns it into a color that doesn't exist anywhere else other than in this moment. I want it all. I want the breeze to call my name as it rushes down my street, looking for me. I want to feel grass underneath my bare feet and I want to feel the sun kiss freckles onto my cheeks. I want to hear you yell hello as you make your way towards me, not goodbye as you have to go. That's just a little bit about me.

We will be judged according to our ability. The retired couple who count the offering every Sunday, never divulging the amount anyone in the congregation contributes, will not be tested in the same way as the millionaire who wants an inscription on the stained glass window, so everyone will know who donated it. Some of the most severe tests will be given to the [preachers] for the way in which they handled the Word of God. There will be no reward for leading others astray in lifestyle or in doctrine through false teaching.

There was a time—the year after leaving, even five years after when this homely street, with its old-fashioned high crown, its sidewalk blocks tugged up and down by maple roots, its retaining walls of sandstone and railings of painted iron and two-family brickfront houses whose siding imitates gray rocks, excited Rabbit with the magic of his own existence. These mundane surfaces had given witness to his life; this cup had held his blood; here the universe had centered, each downtwirling maple seed of more account than galaxies. No more. Jackson Road seems an ordinary street anywhere. Millions of such American streets hold millions of lives, and let them sift through, and neither notice nor mourn, and fall into decay, and do not even mourn their own passing but instead grimace at the wrecking ball with the same gaunt facades that have outweathered all their winters. However steadily Mom communes with these maples—the branches’ misty snake-shapes as inflexibly fixed in these two windows as the leading of stained glass—they will not hold back her fate by the space of a breath; nor, if they are cut down tomorrow to widen Jackson Road at last, will her staring, that planted them within herself, halt their vanishing. And the wash of new light will extinguish even her memory of them. Time is our element, not a mistaken invader. How stupid, it has taken him thirty-six years to begin to believe that.

She was wearing a dress of some soft dark red material, and sitting as she was with the light from the long narrow window behind her, she reminded Kemp of a stained glass figure he had once seen in a cathedral abroad. The long oval of her face and the slight angularity of her shoulders helped the illusion. Saint Somebody or other, they had told him—but Lady Alexandra Farraday was no saint—not by a long way. And yet some of these old saints had been funny people from his point of view, not kindly ordinary decent Christian folk, but intolerant, fanatical, cruel to themselves and others.

I like your coat," she announced, as if her approval of my dress were the supreme prize in a good-taste contest. "Does that mean I get to see Jill?" She considered this. "Perhaps it does," she said. "Just what are your intentions concerning my roommate?" "I'm going to kidnap her and hold her for ransom." "Really?" she said, appearing delighted. "How splendid." "Or else I'll put her in a cage and show her for money, but I think you'd be more suitable for that role." She nodded. "Yes. The kidnapping is a much better idea." She stood straight and walked with exaggerated grace into the living room. There was a very nice wooden stairway, curving back on itself with a stained-glass window at the landing. She called, "Jill! Your kidnapper is here," and gave me a big smile. "Aren't you going to come in?" she said. "Only if you want me to. We kidnappers are very polite." "Oh do, by all means.

Lessons are over and Mademoiselle is reading to us on the veranda where the plaited chairs smell of vanilla in the heat. The sun is everywhere — on the steps, on the mat, on the white window sills, where it repeats the hues of the stained glass. This is the time when Mademoiselle is at her very best.

Just as places where the goddess was worshipped became sites for Christian churches, so too were her symbols taken over. Before becoming Mary's symbol, for instance, the open red rose was associated with Aphrodite and represented mature sexuality. At Chartres, which is dedicated to the Virgin Mary, roses abound. Light streams through three enormous and beautiful stained glass rose windows, and a symbolic rose is at the center of the labryinth. The path of the labyrinth is exactly 666 feet long. Six hundred sixty-six, according to Barbara Walker, was Aphrodite's sacred number. In Chrstian theology it became a demonic one.

Elisabeth Kübler-Ross: “People are like stained-glass windows. They sparkle and shine when the sun is out, but when the darkness sets in, their beauty is revealed only if there is a light from within.” ― Brené Brown, The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are

September Day sloshed another half cup of coffee into the giant #1-Bitch mug, and glared out the frosty breakfast nook windows. North Texas didn’t get snow. That’s why she’d moved back home—well, one of several reasons. She shivered, relishing the warmth of the beverage, and toasted the storm with a curse. “Damn false advertising.” Her cat Macy meowed agreement. The blizzard drove icy wind through cracks in the antique windows and made the just-in-case candles on the dark countertop sputter. She pulled the fuzzy bathrobe closer around her neck. Normally the kitchen’s stained glass spilled peacock-bright color into the kitchen.

His architecture was butch. But in its muscular austerity, free of domesticating bric-a-brac, a hyper masculine form of drag could also be discerned. His occasional incorporation of vintage porthole windows, stained glass, and Palladian transoms offered a wry, backward glance at all the new generation was leaving behind.

Desiree the child bride, and her sister Miranda, had gone grave-robbing for a wedding gown. In the north end of the cemetery, among the palatial mausoleums with their broken windows of stained glass where the ivy crept in, was the resting place of a young woman who’d been murdered at the altar while reciting her marital vows. The decaying tombstone, among the cemetery’s most envied, was a limestone bride in despair, shoulders as slumped as a mule’s, a bouquet of lilies strewn at her feet. Though her murder, by her groom’s jealous mother, had been long in the past, everyone knew that her father had had her buried in her gown of lace and silk.

No.” The word shattered Felsted’s question like an ugly, stained-glass window. “I chose poison because you deserved it. Because I wanted to watch you wriggle while the fear turns your brain to paste. That fear of death that drove you to the Demons door? I wanted to watch it betray you and eat you from the inside you. This is what comes of people like you, Felsted. I will not abide the folly of your peers’ betrayal. By every drop of blood on my hands, I swear that every single one of you who turned to the Dominion — for power, money, fear, I don’t care — will wither, break, and die. Azrael is coming for you and your friends, Felsted. The angel of death is here.

Raindrops misted the Ridderzal’s immense rosette window. Water dripped from the architectural tracery that turned the window into a stained glass cog. It streaked the colored panes of oculi and quatrefoils depicting the empire’s arms: a rosy cross surrounded by the arms of the great families all girded by the teeth of the universal cog.

Closing the distance between them, he had savored the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.

All of this represents disappointment lifted to astronomical proportions. It is disappointment with timid white moderates who feel that they can set the timetable for the Negro’s freedom. It is disappointment with a federal administration that seems to be more concerned about winning an ill-considered war in Vietnam than about winning the war against poverty here at home. It is disappointment with white legislators who pass laws on behalf of Negro rights that they never intended to implement. It is disappointment with the Christian church that appears to be more white than Christian, and with many white clergymen who prefer to remain silent behind the security of stained-glass windows.

Nathan’s mother is thinking about the body of Christ and the wings of angels. Her spirit lightens in the safety, the sanctity, of the church. Dark hair surrounds her pretty oval face. Light from the stained-glass window tints her skin. Nathan thinks about the body of the son of the farmer who owns the house Nathan’s parents rented three weeks ago.

Once a heart breaks…it doesn’t just grow back. It’s not a lizard’s tail. It’s more like a huge stained glass that shattered into a million pieces, and it’s not going back together. Least not the way it was. You can mush it all into one piece, but that doesn’t make it a window. That makes it a pile of broken colored glass. Shattered hearts don’t mend and they don’t heal. They just don’t work that way. Maybe I'm telling you something you already know. Maybe not. I just know that when half dies, the whole thing still hurts. So you get twice the pain and half of everything else. You can spend the rest of your life trying to put that stained glass back together, but it won't go. There's nothing to hold the pieces together.

grow back. It’s not a lizard’s tail. It’s more like a huge stained glass that shattered into a million pieces, and it’s not going back together. Least not the way it was. You can mush it all into one piece, but that doesn’t make it a window. That makes it a pile of broken colored glass. Shattered hearts don’t mend and they don’t heal. They just don’t work that way.

Stained-glass windows glowed faintly in the moonlight streaming through, illuminating the sculpture of Christ on the cross that hung above the altar. It was the most beautiful thing he had ever seen. Then the sculpture seemed to move, and Christ’s body twisted on the cross to look directly at him. ...Jesus, the son of God and his saviour, seemed be smiling at him.

To dismantle Christianity, one must defy thousands of years of hymns and candles, nativity sets, Madonnas and stained glass windows; prayers, lectures, movies and novels; speeches on battlefields, our Western worldview and the way we see ourselves as individuals. Christianity is a culture, both transcending and inextricably linked with Western culture. One does not simply disprove a culture. The only way to stop this train is to stop buying tickets. To do that, we need better modes of transportation and better destinations. Sherrie was the first to show me another spiritual country, accessible by starship or quantum teleporter—beautiful atheisms, formed when individuals embrace the wildness of an enigmatic, indifferent universe and dare to live compassionately.

«I’ve never been to a funeral until today. I see dazzling arrangements of red, yellow, and purple flowers with long, green stems. I see a stained-glass window with a white dove, a yellow sun, a blue sky. I see a gold cross, standing tall, shiny, brilliant. And I see black. Black dresses. Black pants. Black shoes. Black bibles. Black is my favorite color. Jackson asked me about it one time. “Ava, why don’t you like pink? Or yellow? Or blue?” ”I love black,” I said. ”It suits me.” ”I suit you,” he said. I’m not so sure I love black anymore. And then, beyond the flowers, beneath the stained-glass window, beside the cross, I see the white casket. I see red, burning love disappear forever. As we pull away, my eyes stay glued to the casket. It’s proof that sometimes life does not go on. I look around. If tears could bring him back, there’d be enough to bring him back a hundred times. That’s not what I’m thinking. I’m thinking, I hate good-byes. It’s like I was a garden salad with a light vinaigrette, and Jackson was a platter of seafood Cajun pasta. Alone, we were good. Together, we were fantastic. Memories might keep him alive. But they might kill me.»

Old Time heaved a moldy sigh from tomb and arch and vault; and gloomy shadows began to deepen in corners; and damps began to rise from green patches of stone; and jewels, cast upon the pavement of the nave from stained glass by the declining sun, began to perish. Within the grill-gate of the chancel, up the steps surmounted loomingly by the fast darkening organ, white robes could be dimly seen, and one feeble voice, rising and falling in a cracked monotonous mutter, could at intervals be faintly heard. In the free outer air, the river, the green pastures, and the brown arable lands, the teeming hills and dales, were reddened by the sunset: while the distant little windows in windmills and farm homesteads, shone, patches of bright beaten gold. In the Cathedral, all became gee, murky, and sepulchral, and the cracked monotonous mutter went on like a dying voice, until the organ and the choir burst forth, and drowned it in a sea of music. Then, the sea fell, and the dying voice made another feeble effort, and then the sea rose high, and beat its life out, and lashed the roof, and surged among the arches, and pierced the heights of the great tower; and then the sea was dry, and all was still.

At Rheims, the serfs and farmers and peasants filled gigantic spaces with the most incredible stained-glass windows in the world, but they never bothered to sign even one of them. No one knows who designed or made them, because our modern form of institutional boasting did not yet exist as a corruption of communitarian feeling. After all these centuries, they still announce what being human really means.

Human colour is the colour I'm truly interested in, the colour of your humanity. May the size of your heart and the depth of your soul be your currency. welcome aboard my Good Ship. Let us sail to the colourful island of misex identity. You can eat from the cooking pot of mixed culture and bathe in the cool shade of being mixed-race. There is no need for a passport. There are no borders. We are all citizens of the world. Whatever shade you are, bring your light, bring your colour, bring your music and your books, your stories and your histories, and climb aboad. United as a people we are a million majestic colours, together we are a glorious stained-glass window. We are building a cathedral of otherness, brick by brick and book by book. Raise your glass of rum, let's toast to the minorities who are the majority. There's no stopping time, nor the blurring of lines or the blending of shades. With a spirit of hope I leave you now. I drink to our sameness and to our unique differences. This is the twenty-first century and we share this, we live here, in the future. It is a beautiful morning, it is first light on the time of being other, so get out from that shade and feel the warmth of being outside. You tick: Other.

The Vicar stood aghast, with his smoking gun in his hand. It was no bird at all, but a youth with an extremely beautiful face, clad in a robe of saffron and with iridescent wings, across whose pinions great waves of colour, flushes of purple and crimson, golden green and intense blue, pursued one another as he writhed in his agony. Never had the Vicar seen such gorgeous floods of colour, not stained glass windows, not the wings of butterflies, not even the glories of crystals seen between prisms, no colours on earth could compare with them. Twice the Angel raised himself, only to fall over sideways again. Then the beating of the wings diminished, the terrified face grew pale, the floods of colour abated, and suddenly with a sob he lay prone, and the changing hues of the broken wings faded swiftly into one uniform dull grey hue. “Oh!

Were not the bars of darkness in the room, and the yellow pools which chequered the floor, made by the sun falling through the stained glass of a vast coat of arms in the window? Orlando stood now in the midst of the yellow body of an heraldic leopard. When he put his hand on the windowsill to push the window open, it was instantly coloured red, blue, and yellow like a butterfly’s wing. Thus, those who like symbols, and have a turn for the deciphering of them, might observe that though the shapely legs, the handsome body, and the well-set shoulders were all of them decorated with various tints of heraldic light, Orlando’s face, as he threw the window open, was lit solely by the sun itself. A more candid, sullen face it would be impossible to find. Happy the mother who bears, happier still the biographer who records the life of such a one!

The monstrous versions of himself and Hermione were gone: There was only Ron, standing there with the sword held slackly in his hand, looking down at the shattered remains of the locket on the flat rock. Slowly, Harry walked back to him, hardly knowing what to say or do. Ron was breathing heavily: His eyes were no longer red at all, but their normal blue; they were also wet. Harry stooped, pretending he had not seen, and picked up the broken Horcrux. Ron had pierced the glass in both windows: Riddle’s eyes were gone, and the stained silk lining of the locket was smoking slightly. The thing that had lived in the Horcrux had vanished; torturing Ron had been its final act. The sword clanged as Ron dropped it. He had sunk to his knees, his head in his arms. He was shaking, but not, Harry realized, from cold. Harry crammed the broken locket into his pocket, knelt down beside Ron, and placed a hand cautiously on his shoulder. He took it as a good sign that Ron did not throw it off. “After you left,” he said in a low voice, grateful for the fact that Ron’s face was hidden, “she cried for a week. Probably longer, only she didn’t want me to see. There were loads of nights when we never even spoke to each other. With you gone…” He could not finish; it was only now that Ron was here again that Harry fully realized how much his absence had cost them. “She’s like my sister,” he went on. “I love her like a sister and I reckon she feels the same way about me. It’s always been like that. I thought you knew.” Ron did not respond, but turned his face away from Harry and wiped his nose noisily on his sleeve. Harry got to his feet again and walked to where Ron’s enormous rucksack lay yards away, discarded as Ron had run toward the pool to save Harry from drowning. He hoisted it onto his own back and walked back to Ron, who clambered to his feet as Harry approached, eyes bloodshot but otherwise composed. “I’m sorry,” he said in a thick voice. “I’m sorry I left. I know I was a--a--” He looked around at the darkness, as if hoping a bad enough word would swoop down upon him and claim him. “You’ve sort of made up for it tonight,” said Harry. “Getting the sword. Finishing off the Horcrux. Saving my life.” “That makes me sound a lot cooler than I was,” Ron mumbled. “Stuff like that always sounds cooler than it really was,” said Harry. “I’ve been trying to tell you that for years.” Simultaneously they walked forward and hugged, Harry gripping the still-sopping back of Ron’s jacket. “And now,” said Harry as they broke apart, “all we’ve got to do is find the tent again.

No picture of a medieval library can be complete unless it be remembered that in many cases beauty was no less an object than utility. The bookcases were fine specimens of carpentry-work, carved and decorated; the pavement was of encaustic tiles worked in patterns; the walls were decorated with plaster-work in relief; the windows were filled with stained glass; and the roof-timbers were ornamented with the coat-armour of benefactors.

Once a heart breaks…it doesn’t just grow back. It’s not a lizard’s tail. It’s more like a huge stained glass that shattered into a million pieces, and it’s not going back together. Least not the way it was. You can mush it all into one piece, but that doesn’t make it a window. That makes it a pile of broken colored glass. Shattered hearts don’t mend and they don’t heal. They just don’t work that way. Maybe I’m telling you something you already know.

But when I tried to meet her eye now, she pointedly looked away, and fixed her red and swollen eyes on the big stained-glass window above the slate. Since (a) it was dark outside and (b) the window depicted Saunt Grod and his research assistants being beaten with rubber hoses in the dungeons of some Praxic Age spy bureau and (c) Tulia had already spent something like a quarter of her life in this room, I reckoned that inspecting the window wasn’t really the point.

She stands by the edge of the bed, baggy in nakedness, and goes off into the bathroom to do her duty. There’s that in women repels him: handle themselves like an old envelope. Tubes into tubes, wash away men’s dirt—insulting, really. Faucets cry. The more awake he gets the more depressed he is. From deep in the pillow he stares at the horizontal strip of stained-glass church window that shows beneath the window shade. Its childish brightness comes from years away.

I think about how many things my aunt and the others tried to warn me about. It’s just as it says in our sacred text, just as the images on the stained-glass windows portray things to be. The Icarals are hideous things of great Evil, and need to be destroyed before they destroy us. And Sage’s baby, if this is its destiny—to turn into one of those things—then the Mage Council is right in wanting to take it from her, stripping it of its wings and its power. Killing it, even. I shudder to think of those creatures armed with overwhelming power at their disposal, and I know that if my attackers had been in possession of their wings, I’d be dead. And if my aunt is right about this, and about my need to leave home, if her intuition is so good, maybe she’s right about other things, as well. Maybe the Selkies are only dangerous, feral animals—just as horrible as the Icarals when they have their skins. And maybe she’s right about Lukas and wandfasting.

My mother thinks I’ve dyed my hair red for attention— How can I explain to her the ways that she is right and wrong. As of last night, my hair is the color of a brick the moment before it goes through a stained-glass window. My hair is the color of a fire engine driving through a burning building. My hair is the color of a dart frog: generations of death adapting into this exact shade of poison. It’s called aposematism— we learned about it in bio. It’s when an animal advertises to predators that it is not worth the attempt to consume. Bright red and orange, the colors of pain, I WILL MAKE YOU SICK I WILL KILL YOU FROM INSIDE YOUR THROAT ATTENTION! I MAY LOOK LIKE PREY BUT I WILL END YOUR LIFE My mother says I want attention and maybe she’s right My mother says I am just making a statement and maybe she’s right But in my mind it’s not saying please— it’s saying don’t and this is how I know men are not really wolves because maybe a wolf would listen.

The House was an architectural gem boasting four stories of crimson brick. Its steep, gabled roofs were supported by figurines of frowning satyrs and narrow-waisted caryatids. Huge, stained-glass bay windows graced its exterior. Rosebushes decorated the entrance, but they looked all wrong and far too bright, like lipstick on a corpse's mouth. In a slender turret, my gaze caught on an oddly shaped window. It was an eye. Blue and unblinking, the pupil a perfect circle of gold.

Our perception of reality is not reality itself, but it is the lens through which we view reality. It is like looking outside through a stained-glass window—if we look through red glass, the outside world will appear to be red; if we look through blue glass, the outside world will appear to be blue. The outside world isn’t changing, we are just observing it through different colors of glass, which make it appear to have the same color as whatever color glass that we look through.

When a fine old carpet is eaten by mice, the colors and patterns of what's left behind do not change,' wrote my neighbor and friend, the poet Jane Hirschfield, after she visited an old friend suffering from Alzheimer's disease in a nursing home. And so it was with my father. His mind did not melt evenly into undistinguishable lumps, like a dissolving sand castle. It was ravaged selectively, like Tintern Abbey, the Cistercian monastery in northern Wales suppressed in 1531 by King Henry VIII in his split with the Church of Rome. Tintern was turned over to a nobleman, its stained-glass windows smashed, its roof tiles taken up and relaid in village houses. Holy artifacts were sold to passing tourists. Religious statues turned up in nearby gardens. At least one interior wall was dismantled to build a pigsty. I've seen photographs of the remains that inspired Wordsworth: a Gothic skeleton, soaring and roofless, in a green hilly landscape. Grass grows in the transept. The vanished roof lets in light. The delicate stone tracery of its slim, arched quatrefoil windows opens onto green pastures where black-and-white cows graze. Its shape is beautiful, formal, and mysterious. After he developed dementia, my father was no longer useful to anybody. But in the shelter of his broken walls, my mother learned to balance her checkbook, and my heart melted and opened. Never would I wish upon my father the misery of his final years. But he was sacred in his ruin, and I took from it the shards that still sustain me.

When the starry sky, a vista of open seas or a stained glass window shedding purple beams fascinate me, there is a cluster of meaning, of colors, of words, of caresses, there are light touches, scents, sighs, cadences that arise, shroud me, carry me away, and sweep me beyond the things that I see, hear, or think. The “sublime” object dissolves in the raptures of a bottomless memory. It is such a memory, which, from stopping point to stopping point, remembrance to remembrance, love to love, transfers that object to the refulgent point of the dazzlement in which I stray in order to be. As soon as I perceive it, as soon as I name it, the sublime triggers—it has always already triggered—a spree of perceptions and words that expands memory boundlessly. I then forget the point of departure and find myself removed to a secondary universe, set off from the one where “I” am—delight and loss. Not at all short of but always with and through perception and words, the sublime is a something added that expands us, overstrains us, and causes us to be both here, as dejects, and there, as others and sparkling. A divergence, an impossible bounding. Everything missed, joy—fascination.

That settled, the number of chapels, doors, bell towers, and pinnacles are modified to infinity, according to the fancy of the century, the people, and art. The service of religion once assured and provided for, architecture does what she pleases. Statues, stained glass, rose windows, arabesques, denticulations, capitals, bas-reliefs,—she combines all these imaginings according to the arrangement which best suits her. Hence, the prodigious exterior variety of these edifices, at whose foundation dwells so much order and unity. The trunk of a tree is immovable; the foliage is capricious.

Beauty is a function of truth, truth a function of beauty. They can be separated by analysis, but in the lived experience of the creative act-and of its re-creative echo in the beholder-they are inseparable as thought is inseparable from emotion. They signal, one in the language of the brain, the other of the bowels, the moment of the Eureka cry, when 'the infinite is made to blend itself with the finite'-when eternity is looking through the window of time. Whether it is a medieval stained-glass window or Newton's equation of universal gravity is a matter of upbringing and chance; both are transparent to the unprejudiced eye.

Cowperwood, who saw things in the large, could scarcely endure this minutae. He was but little interested in the affairs of bygone men and women, being so intensely engaged with the living present. And after a time he slipped outside, preferring the wide sweep of gardens, with their flower-lined walks and views of the cathedral. Its arches and towers and stained-glass windows, this whole carefully executed shrine, still held glamor, but all because of the hands and brains, aspirations and dreams of selfish and self-preserving creatures like himself. And so many of these, as he now mused, walking about, had warred over possession of this church. And now they were within its walls, graced and made respectable, the noble dead! Was any man noble? Had there ever been such a thing as an indubitably noble soul? He was scarcely prepared to believe it. Men killed to live—all of them —and wallowed in lust in order to reproduce themselves. In fact, wars, vanities, pretenses, cruelties, greeds, lusts, murder, spelled their true history, with only the weak running to a mythical saviour or god for aid. And the strong using this belief in a god to further the conquest of the weak. And by such temples or shrines as this. He looked, meditated, and was somehow touched with the futility of so

Everything at St. Agnes was comforting to Ronan. The presence of his wiry father, with his smell of lemon and boxwood. His mother entertaining Matthew by subtly casting shadow animals with her hands on the pew before them. Declan reading the bulletin with his eyebrows furrowed as if he very much disagreed with the way they were running things but needed to know anyway. God. Ronan always felt the presence of a god, capital G, when he was in church, but especially on rainy days like this, when the church was hushed and dim, all the stained-glass horrors in the windows dulled to dark gems, the interior lights shimmering and dreamy behind the incense and candle smoke.

The residence of Mr. Peter Pett, the well-known financier, on Riverside Drive is one of the leading eyesores of that breezy and expensive boulevard. As you pass by in your limousine, or while enjoying ten cents worth of fresh air on top of a green omnibus, it jumps out and bites at you. Architects, confronted with it, reel and throw up their hands defensively, and even the lay observer has a sense of shock. The place resembles in almost equal proportions a cathedral, a suburban villa, a hotel and a Chinese pagoda. Many of its windows are of stained glass, and above the porch stand two terra-cotta lions, considerably more repulsive even than the complacent animals which guard New York's Public Library.

It seemed from this moment of repose that God may well have been life itself. God may have been the baseball games, the beautiful cigarette he smoked alone after checking to see that all the bats had been put back behind the closet door. God could have been the masses in which he told people how best to prepare for the glorious life everlasting, the one they couldn’t see as opposed to the one they were living at that exact moment in the pews of the church hall, washed over in the stained glass light. How wrongheaded it seemed now to think that the thrill of heartbeat and breath were just a stepping stone to something greater. What could be greater than the armchair, the window, the snow? Life itself had been holy.

At the end of its eight-minute journey from the sun, light passes through the stained glass of St Matthias Church in Richmond, London, and enters the dual darkrooms of Jasper’s eyeballs. The rods and cones packing his retinas convert the light into electrical impulses that travel along optic nerves into his brain, which translates the varying wavelengths of light into ‘Virgin Mary blue’, ‘blood of Christ red’, ‘Gethsemane green’, and interprets the images as twelve disciples, each occupying a segment of the cartwheel window. Vision begins in the heart of the sun. Jasper notes that Jesus’s disciples were, essentially, hippies: long hair, gowns, stoner expressions, irregular employment, spiritual convictions, dubious sleeping arrangements and a guru.

At the end of its eight-minute journey from the sun, light passes through the stained glass of St. Matthias Church in Richmond, London, and enters the dual darkrooms of Jasper’s eyeballs. The rods and cones packing his retinas convert the light into electrical impulses that travel along optic nerves into his brain, which translates the varying wavelengths of light into “Virgin Mary blue,” “blood of Christ red,” “Gethsemane green,” and interprets the images as twelve disciples, each occupying a segment of the cartwheel window. Vision begins in the heart of the sun. Jasper notes that Jesus’s disciples were, essentially, hippies: long hair, gowns, stoner expressions, irregular employment, spiritual convictions, dubious sleeping arrangements, and a guru.

Let us sail to the colourful island of mixed identity. You can eat from the cooking pot of mixed culture and bathe in the cool shade of being mixed-race. There is no need for a passport. There are no borders. We are all citizens of the world. Whatever shade you are, bring your light, bring your colour, bring your music and your books, your stories and your histories, and climb aboard. United as a people we are a million majestic colours, together we are a glorious stained-glass window. We are building a cathedral of otherness, brick by brick and book by book. Raise your glass of rum, let’s toast to the minorities who are the majority. There is no stopping time, nor the blurring of lines or the blending of shades. With a spirit of hope I leave you now.

IN A LOFTY ANTECHAMBER, DAYLIGHT STREAMED THROUGH A stained-glass window, splashing colorful patterns across the floor. Briggan explored the area, sniffing the corners and the furniture. When the wolf passed through the tinted light, dappled hues glossed his gray-white coat. Conor had lost track of how long they had waited. It frustrated him that even though he was no longer a servant to Devin, he was still stuck inside a castle all the time. He could tell that Briggan didn’t love being cooped up either. The door opened and Rollan emerged with Essix on his shoulder. Conor and Briggan looked up expectantly. Apparently Lenori and Rollan were finally done. “Your turn,” Rollan said. “How was it?” Conor asked. Rollan shrugged. “She wanted to know about my dreams. If it was a test, I don’t think I passed. Have fun.

Mathic architects were helpless when it came to walls. Pillars they could do. Arches they were fine with. Vaults, which were just three-dimensional arches, they knew everything about. But ask them to construct a simple wall and they would go to pieces. Where anyone else in the world would construct a wall, they’d fill in the space with a system of arches and tracery. When people complained about wind, vermin, and other things that would be kept out of a normal building by walls, they might be troubled to fill up a vacancy with a stained-glass window. But we hadn’t got round to putting all of those in yet. On a windy and rainy day it made buildings like this hellish. But on a day like this one it was fine because you could always see. As we scaled the flights of the southwestern tower we had views down into the Mynster, and out over the concent.

The light that fell in here was mottled by the stained-glass windows of the treetops, where every leaf was like a piece of crystal playing with the light according to its own rules. Wojnicz walked along a central nave toward an altar in the distance, not yet visible, but everything foretold it—this was a church full of labyrinths, side naves, crypts beneath the stones, tabernacles hidden in holes in the trees, altars materializing on the mossy trunks of toppled beeches. This church was not at all definite, like a man-made church, but a place of constant change: of water into life, and of light into matter. Everything here was rustling, swelling, gathering, growing and multiplying, budding and trilling. The green moss and gray lichen made the forest seem carpeted in Persian rugs—in velveteen, sheepskin, woolly felt and soft flannel. Why on earth hadn’t he come here sooner?

I also suspect that he loves you." Trying to suppress the anguished hope that flared in her heart, Lauren turned her face to the stained-glass window near their table. "What makes you think so?" "To begin with, he isn't treating you the way he normally treats the women in his life." "I know that. He's nice to the others," Lauren said bitterly. "Exactly!" Mary agreed. "He's always treated his women with an attitude of amused indulgence...of tolerant indifference. While an affair lasts he's attentive and charming. When a woman begins to bore him he courteously but firmly dismisses her from his life. Not once to my knowledge has any woman touched an emotion in him deeper than affection or desire. I've seen them try in the most inventive ways to make him jealous,yet he has reacted with nothing stronger than amusement, or occasionally exasperation. Which brings us to you." Lauren blushed at being correctly categorized with the other woen Nick had taken to bed,but she knew it was useless to deny it. "You," Mary continued quietly, "have evoked genuine anger in him.He is furious with you and with himself. Yet he doesn't dismiss you fro his life; he doesn't even send you downstairs. Doesn't it seem odd to you that he won't let you work for Jim,and simply have you come upstairs to act as translator when Rossi's call finally comes through?" "I think he's keeping me up there for revenge," Lauren said grimly. "i think he is too.Perhaps he's trying to get back at you for what you're making him feel.Or possibly he's trying to find fault with you,so that he won't feel the way he does any longer. I don't know. Nick is a complex man. Jim, Ericka and I are all very close to him, and yet he keeps each one of us at a slight distance. There's a part of himself that he will not share with others, not even us.

My father was exceptionally tall and exceptionally handsome, and he only had to walk into a room to dominate the assembly of people. He revelled in the latest fashions and the most beautiful rich cloths and color. He was infallibly attractive to women, unable to help himself, greedy for their attention; and God knows they could not restrain their desires. A room full of women was always half in love with my father, and their husbands torn between admiration and envy. Best of all, he had my exceptionally beautiful mother always at his side and a quiverful of exquisite daughters trailing behind him. We were always a stained-glass window in motion, an icon of beauty and grace. My Lady the King’s Mother knows that we were a royal family beyond compare: regal, fruitful, beautiful, rich. She was at our court as a lady-in-waiting and she saw for herself how the country saw us, as fairy-tale monarchs. She is driving herself quite mad trying to make her awkward, paler, quieter son match up. She

I fumbled in my pockets for my father’s map. I stared and rubbed the paper between my fingers. I read the sightings’ dot’s dates with my wormed eyes, connecting them in order. There was the first point where my father felt sure he’d seen mother digging in the neighbor’s yard across the street. And the second, in the field of power wires where Dad swore he saw her running at full speed. I connected dots until the first fifteen together formed a nostril. Dots 16 through 34 became an eye. Together the whole map made a perfect picture of my mother’s missing head. If I stared into the face, then, and focused on one clear section and let my brain go loose, I saw my mother’s eyes come open. I saw her mouth begin to move. Her voice echoed deep inside me, clear and brimming, bright, alive. She said, “Don’t worry, son. I’m fat and happy. They have cake here. My hair is clean.” She said, “The earth is slurred and I am sorry.” She said, “You are OK. I have your mind.” Her eyes seemed to swim around me. I felt her fingers in my hair. She whispered things she’d never mentioned. She nuzzled gleamings in my brain. As in: the day I’d drawn her flowers because all the fields were dying. As in: the downed bird we’d cleaned and given a name. Some of our years were wall to wall with wonder, she reminded me. In spite of any absence, we had that. I thought of my father, alone and elsewhere, his head cradled in his hands. I thought of the day he’d punched a hole straight through the kitchen wall, thinking she’d be tucked away inside. All those places he’d looked and never found her. Inside their mattress. In stained-glass windows. How he’d scoured the carpet for her stray hair and strung them all together with a ribbon; how he’d slept with that one lock swathed across his nostrils, hugging a pillow fitted with her nightshirt. How he’d dug up the backyard, stripped and sweating. How he’d played her favorite album on repeat and loud, a lure. How when we took up the carpet in my bedroom to find her, under the carpet there was wood. Under the wood there was cracked concrete. Under the concrete there was dirt. Under the dirt there was a cavity of water. I swam down into the water with my nose clenched and lungs burning in my chest but I could not find the bottom and I couldn’t see a thing.

As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.

He opened his eyes then, white fire flaring hotly within them. “Send me home, Legna,” he commanded her, his voice hoarse with suppressed emotion. She moved her head in affirmation even as she leaned toward him to catch his mouth once more in a brief, territorial kiss, her teeth scoring his bottom lip as she broke away. It was an incidental wound, one he could heal in the blink of an eye. But he wouldn’t erase her mark on him, and they both knew it. Finally, she stepped back, closed her eyes, and concentrated on picturing his home in her thoughts. She had been in his parlor dozens of times as a guest, always accompanied by Noah. His library, his kitchen, even the grounds of the isolated estate were well known to her. She could have sent him to any of those locations. But as she began to focus, her mind’s eye was filled with the image of a dark, elegant room she had never seen before. Hand-carved ebony-paneled walls soared up into a vast ceiling, enormous windows of intricate stained glass spilled colored light over the entire room as if a multitude of rainbows had taken up residence. It all centered around an enormous bed, the coverlet’s color indistinguishable under the blanket of colorful dawn sunlight that streamed into the room. She could feel the sun’s warmth, ready and waiting to cocoon any weary occupant who thrived on sleeping in the heat of the muted daylight sun. It was a beautiful room, and she knew without a doubt that it was Gideon’s bedroom and that he had shared the image of it with her. If she sent him there, it would be the first time she had ever teleported someone to a place she had not first seen for herself. The ability to take images of places from others’ minds for teleporting purposes was an advanced Elder ability. “You can do it,” he encouraged her softly, all of his thoughts and his will completely full of his belief in that statement. Legna kept his gaze for one last long moment, and with a flick of a wrist sent him from the room with a soft pop of moving air. She exhaled in wonder, everything inside of her knowing without a doubt that he had appeared in his bedroom, safe and sound, that very next second. Legna turned to look at her own bed and wondered how she would ever be able to sleep. Nelissuna . . . go to bed. I will help you sleep. Gideon’s voice washed through her, warming her, comforting her in a way she hadn’t thought possible. This was the connection that Jacob and Isabella shared. For the rest of the time both of them lived, each would be privy to the other’s innermost thoughts. She realized that because he was the more powerful, it was quite possible he would be able to master parts of himself, probably even hide things from her awareness and keep them private—at least, until she learned how to work her new ability with better skill. After all, she was a Demon of the Mind. It was part of her innate state of being to figure the workings of their complex minds. She removed her slippers and pushed the sleeves of her dress from her shoulders so that it sheeted off her in one smooth whisper of fabric. She closed her eyes, avoiding looking in the mirror or at herself, very aware of Gideon’s eyes behind her own. His masculine laughter vibrated through her, setting her skin to tingle. So, you are both shy and bold . . . he said with amusement as she quickly slid beneath her covers. You are a source of contradictions and surprises, Legna. My world has begun anew. As if living for over a millennium is not long enough? she asked him. On the contrary. Without you, it was far, far too long. Go to sleep, Nelissuna. And a moment after she received the thought, her eyes slid closed with a weight she could not have contradicted even if she had wanted to. Her last thought, as she drifted off, was that she had to make a point of telling Isabella that she might have been wrong about what it meant to have another to share one’s mind with.

Closing the distance between them, he had saved the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.

A long time ago, I collected the flower petals stained with my first blood; I thought there was something significant about that, there was importance in all the little moments of experience, because when you live forever, the first times matter. The first time you bleed, first time you cry — I don’t remember that — first time you see your wings, because new things defile you, purity chips away. your purity. nestled flowers in your belly, waiting to be picked. do you want innocence back? small and young smiles that make your eyes squint and cheeks flare the feeling of your face dripping down onto the grass, the painted walls you tore down, the roads you chipped away, they’ll eat away at you, the lingering feelings of a warm hand on your waist, the taps of your feet as you dance, the beats of your timbrel.’ ‘and now you are like Gods, sparkling brilliant with jewelry that worships you, and you’re splitting in order to create.’ ‘The tosses of your wet hair, the rushes of chariots speeding past, the holy, holy, holy lord god of hosts, the sweetness of a strawberry, knocks against the window by your head, the little tunes of your pipes, the cuts sliced into your fingers by uptight cacti fruits, the brisk scent of a sea crashing into the rocks, the sweat of wrestling, onions, cumin, parsley in a metal jug, mud clinging to your skin, a friendly mouth on your cheeks and forehead, chimes, chirps of chatter in the bazaar, amen, amen, amen, the plump fish rushing to take the bread you toss, scraping of a carpenter, the hiss of chalk, the wisps of clouds cradling you as you nap, the splashes of water in a hot pool, the picnic in a meadow, the pounding of feet that are chasing you, the velvet of petals rustling you awake, a giant water lily beneath you, the innocent kiss, the sprawl of the universe reflected in your eyes for the first time, the bloody wings that shred out of your back, the apples in orchards, a basket of stained flowers, excited chants of a colosseum audience, the heat of spinning and bouncing to drums and claps, the love braided into your hair, the trickles of a piano, smell of myrrh, the scratches of a spoon in a cup, the coarseness of a carpet, the stringed instruments and trumpets, the serene smile of not knowing, the sleeping angel, the delight of a creator, the amusement of gossip and rumors, the rumbling laughter between shy singing, the tangling of legs, squash, celery, carrot, and chayote, the swirled face paint, the warmth of honey in your tea, the timid face in the mirror, mahogany beams, the embrace of a bed of flowers, the taste of a grape as its fed to you, the lip smacks of an angel as you feed him a raspberry, the first dizziness of alcohol, the cool water and scent of natron and the scratch of the rock you beat your dirty clothes against, the strain of your arms, the columns of an entrance, the high ceilings of a dark cathedral, the boiling surface of bubbling stew, the burn of stained-glass, the little joyous jump you do seeing bread rise, the silky taste of olive oil, the lap of an angel humming as he embroiders a little fox into his tunic, the softness of browned feathers lulling you to sleep, the weight of a dozen blankets and pillows on your small bed, the proud smile on the other side of a window in a newly-finished building, the myrtle trees only you two know about, the palm of god as he fashions you from threads of copper, his praises, his love, his kiss to your hair, your father.

Dearly beloved: We have come together in the presence of God to witness and bless the joining together of this man and this woman in Holy Matrimony. The bond and covenant of marriage was established by God in creation, and our Lord Jesus Christ adorned this manner of life by his presence and first miracle at a wedding in Cana of Galilee. It signifies to us the mystery of the union between Christ and his Church, and Holy Scripture commends it to be honored among all people. The union of husband and wife in heart, body, and mind is intended by God for their mutual joy; for the help and comfort given one another in prosperity and adversity; and, when it is God’s will, for the procreation of children and their nurture in the knowledge and love of the Lord. Therefore marriage is not to be entered into unadvisedly or lightly, but reverently, deliberately, and in accordance with the purposes for which it was instituted by God. I glanced at Marlboro Man, who was listening intently, taking in every word. I held his bicep in my hand, squeezing it lightly and trying to listen to Father Johnson despite the distraction of Marlboro Man’s work-honed muscles. Everything else was a blur: iron candlesticks attached to the end of each pew…my mother’s olive green silk jacket with the mandarin collar…Mike’s tuxedo…Mike’s bald head… Will you have this man to be your husband; to live together in the covenant of marriage? Will you love him, comfort him, honor and keep him, in sickness and in health; and, forsaking all others, be faithful to him as long as you both shall live? “I will.” I breathed in. The scent of roses…the evening light coming through the stained-glass window. Will you have this woman to be your wife; to live together in the covenant of marriage? Will you love her, comfort her, honor and keep her, in sickness and in health; and, forsaking all others, be faithful to her as long as you both shall live? “I will.” That voice. The voice from all the phone calls. I was marrying that voice. I couldn’t believe it.

Will you have this man to be your husband; to live together in the covenant of marriage? Will you love him, comfort him, honor and keep him, in sickness and in health; and, forsaking all others, be faithful to him as long as you both shall live? “I will.” I breathed in. The scent of roses…the evening light coming through the stained-glass window. Will you have this woman to be your wife; to live together in the covenant of marriage? Will you love her, comfort her, honor and keep her, in sickness and in health; and, forsaking all others, be faithful to her as long as you both shall live? “I will.” That voice. The voice from all the phone calls. I was marrying that voice. I couldn’t believe it. We faced each other, our hands intertwined. In the Name of God, I take you to be my wife, to have and to hold from this day forward, for better for worse, for richer for poorer, in sickness and in health, to love and to cherish, until we are parted by death. This is my solemn vow. He stood before me, his face serious. My heart leaped in my chest. Then I spoke the words myself. In the Name of God, I take you to be my husband, to have and to hold from this day forward, for better for worse, for richer for poorer, in sickness and in health, to love and to cherish, until we are parted by death. This is my solemn vow. Marlboro Man watched me as I spoke, and he listened. My voice broke; emotion moved in. It was a beautiful moment--the most beautiful moment since we’d met. Bless, O Lord, these rings to be a sign of the vows by which this man and this woman have bound themselves to each other. We kneeled, and Father Johnson administered the blessing. Most Gracious God…Let their love for each other be a seal upon their hearts, a mantle about their shoulders, and a crown upon their foreheads…Bless them in their work and in their companionship; in their sleeping and in their waking; in their joys and in their sorrows; in their life and in their death…Send therefore your blessing upon these your servants, that they may so love, honor, and cherish each other in faithfulness and patience, in wisdom and true godliness, that their home may be a haven of blessing and peace. My heart pounded in my chest. This was real, it was not a dream. His hand held mine. I now pronounce you husband and wife.

45 Mercy Street In my dream, drilling into the marrow of my entire bone, my real dream, I'm walking up and down Beacon Hill searching for a street sign - namely MERCY STREET. Not there. I try the Back Bay. Not there. Not there. And yet I know the number. 45 Mercy Street. I know the stained-glass window of the foyer, the three flights of the house with its parquet floors. I know the furniture and mother, grandmother, great-grandmother, the servants. I know the cupboard of Spode the boat of ice, solid silver, where the butter sits in neat squares like strange giant's teeth on the big mahogany table. I know it well. Not there. Where did you go? 45 Mercy Street, with great-grandmother kneeling in her whale-bone corset and praying gently but fiercely to the wash basin, at five A.M. at noon dozing in her wiggy rocker, grandfather taking a nap in the pantry, grandmother pushing the bell for the downstairs maid, and Nana rocking Mother with an oversized flower on her forehead to cover the curl of when she was good and when she was... And where she was begat and in a generation the third she will beget, me, with the stranger's seed blooming into the flower called Horrid. I walk in a yellow dress and a white pocketbook stuffed with cigarettes, enough pills, my wallet, my keys, and being twenty-eight, or is it forty-five? I walk. I walk. I hold matches at street signs for it is dark, as dark as the leathery dead and I have lost my green Ford, my house in the suburbs, two little kids sucked up like pollen by the bee in me and a husband who has wiped off his eyes in order not to see my inside out and I am walking and looking and this is no dream just my oily life where the people are alibis and the street is unfindable for an entire lifetime. Pull the shades down - I don't care! Bolt the door, mercy, erase the number, rip down the street sign, what can it matter, what can it matter to this cheapskate who wants to own the past that went out on a dead ship and left me only with paper? Not there. I open my pocketbook, as women do, and fish swim back and forth between the dollars and the lipstick. I pick them out, one by one and throw them at the street signs, and shoot my pocketbook into the Charles River. Next I pull the dream off and slam into the cement wall of the clumsy calendar I live in, my life, and its hauled up notebooks.

In short, we had rather be Sir Walter Scott (meaning thereby the Author of Waverley) than Lord Byron a hundred times over, and for the reason just given, namely, that he casts his descriptions in the mould of nature, ever-varying, never tiresome, always interesting and always instructive, instead of casting them constantly in the mould of his own individual impressions. He gives us man as he is, or as he was, in almost every variety of situation, action and feeling. Lord Byron makes man after his own image, woman after his own heart; the one is a capricious tyrant, the other a yielding slave; he gives us the misanthrope and the voluptuary by turns; and with these two characters, burning or melting in their own fires, he makes out everlasting centos of himself. He hangs the cloud, the film of his existence over all outward things, sits in the centre of his thoughts, and enjoys dark night, bright day, the glitter and the gloom 'in cell monastic.' We see the mournful pall, the crucifix, the death's-heads, the faded chaplet of flowers, the gleaming tapers, the agonized brow of genius, the wasted form of beauty; but we are still imprisoned in a dungeon; a curtain intercepts our view; we do not breathe freely the air of nature or of our own thoughts. The other admired author draws aside the curtain, and the veil of egotism is rent; and he shows us the crowd of living men and women, the endless groups, the landscape background, the cloud and the rainbow, and enriches our imaginations and relieves one passion by another, and expands and lightens reflection, and takes away that tightness at the breast which arises from thinking or wishing to think that there is nothing in the world out of a man's self! In this point of view, the Author of Waverley is one of the greatest teachers of morality that ever lived, by emancipating the mind from petty, narrow, and bigoted prejudices: Lord Byron is the greatest pamperer of those prejudices, by seeming to think there is nothing else worth encouraging but the seeds or the full luxuriant growth of dogmatism and self-conceit. In reading the Scotch Novels, we never think about the author, except from a feeling of curiosity respecting our unknown benefactor: in reading Lord Byron's works, he himself is never absent from our minds. The colouring of Lord Byron's style, however rich and dipped in Tyrian dyes, is nevertheless opaque, is in itself an object of delight and wonder: Sir Walter Scott's is perfectly transparent. In studying the one, you seem to gaze at the figures cut in stained glass, which exclude the view beyond, and where the pure light of Heaven is only a means of setting off the gorgeousness of art: in reading the other, you look through a noble window at the clear and varied landscape without. Or to sum up the distinction in one word, Sir Walter Scott is the most dramatic writer now living, and Lord Byron is the least so.

The town had an idyllic quietude, a fishing village that decided that was the best way to stay for a century. The houses were wooden, the exteriors faded to a uniform gray by the salt air. They were not, however, the least bit drab. Bright plants prospered, ivies snaking over the shingles so that the houses seemed less built as grown. The sole exception to this canopy was the church. Set at the foot of a mountain, its door was a staggering red, the stained-glass of the steeple pulsing decadently. When the sun hit it, I could believe the town had fallen under a spell that tithed its color to the church. When Sunday night mass began, this window poured forth a kaleidoscopic radiance rivaling saintly visions.

Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live.

As for Chartres’s famous flying buttresses, the first ever constructed, they were built to relieve stress on the cathedral’s walls, so that windows could be available for yards and yards of glittering stained glass.

Libraries, railway stations and three Scottish castles were burned. A bomb exploded in Westminster Abbey, damaging a stained-glass window.[8] There were over 200 acts of damage against property in the space of four years. The suffrage campaign of assault on art was driven by moral anger and self-righteousness. It was part cultural terrorism, part publicity campaign and part blackmail.

[Jimmie Lee Jackson] was murdered by every white minister of the gospel who has remained silent behind the safe security of his stained-glass windows. He was murdered by the irresponsibility of every politician … who has fed his constituents the stale bread of hatred and the spoiled meat of racism. He was murdered by the timidity of a federal government that is willing to spend millions of dollars a day to defend freedom in Vietnam but cannot protect the rights of its citizens at home. He was murdered by every sheriff who practices lawlessness in the name of law. He was murdered by the cowardice of every Negro who passively accepts the evils of segregation and stands on the sidelines in the struggle for justice. Two

I sighed. “It’s not the same.” We had come to a stop in the wide front passage, with the Great Hall behind us, and my worst fears were confirmed as Geoff swung open the door to reveal floor-to-ceiling mahogany shelves filled with books of every possible size and shape and age. The shelves covered all four walls of the square room, broken in three places by tall, narrow windows with stained-glass inserts above and upholstered seats below, liberally adorned with loose cushions—the sort of window seats that every book lover dreams of, visualizes, yearns for… I stepped forward into the room, wonder-struck, inhaling the rich smell of oiled leather bindings and ancient paper and polished wood.

Rain giving way to a spectacular sun. Its rays speckling through the stained glass, dancing off the hardwood floors. The orchestra’s music lifting through the open windows and out over the block as though it had always belonged to the Brooklyn air.

Faz could see why, given Tanny’s size—not to mention the woman behind the counter. She looked like she could eat glass shards and shit a stained-glass window.

No matter how misogynistic, how heavily redacted, how death-dealing, how troubled, troubling, or troublesome the text, womanists who teach and preach in the black church do not throw the whole androcentric text with its patriarchal and kyriarchal lowlights out of our stained-glass windows because of its Iron Age theology. We wrestle with it because it has been received as Scripture. Our wrestling should not be taken to mean that we affirm texts that do not affirm us.

And then we came to a stop in front of a large yellow Victorian house that sat, so stately, between two brick buildings, like a misplaced Lego piece, overgrown with ivy and bluebells and honeysuckle. The Daffodil Inn looked exactly how I'd imagined. The bed-and-breakfast was fresh and bright, the dentils all painted across the edging on the roof, the corbels replaced, the sawn spandrils and turned spandrils all given proper attention. The bay window was set with a stained-glass daffodil, the same one that encrusted the window in the front door. Around the inn, encasing it like a lovely cage, was a wrought-iron fence overgrown with ivy and honeysuckle that bled into the rose garden that surrounded the house.

Yes, I love a beautiful cathedral or Bach cantata or stained-glass window, but if we think a man-made creation is more effective at communicating the heart of the divine than the original creation, I worry that we would rather see a reflection of ourselves than a reflection of our creator.

There was a bustle of people in the street as I made my way to La Bonbonnière, which is, quite simply, the most beautiful candy store in the world. The best thing about La Bonbonnière is that it's all windows. Before I even walk through the door I am greeted by a fuzzy three-foot-high statue of a polar bear trying to dip his paws into a copper cauldron filled with marrons glacés--- whole candied chestnuts. Each one was meticulously wrapped in gold foil, a miniature gift in and of itself. If nothing else, Christmas in Provence reminds you of a time when sugar was a luxury as fine and rare as silk. Back to my assignment: I needed two kinds of nougat: white soft nougat made with honey, almonds, and fluffy egg whites (the angel's part) and hard dark nougat--- more like honey almond brittle--- for the devil. Where are the calissons d'Aix? There they are, hiding behind the cash register, small ovals of almond paste covered with fondant icing. Traditional calissons are flavored with essence of bitter almond, but I couldn't resist some of the more exotic variations: rose, lemon verbena, and génépi, an astringent mountain herb. Though I love the tender chew of nougat and the pliant sweetness of marzipan, my favorite of the Provençal Christmas treats is the mendiant--- a small disk of dark or milk chocolate topped with dried fruit and nuts representing four religious orders: raisins for the Dominicans, hazelnuts for the Augustinians, dried figs for the Franciscans, and almonds for the Carmelites. When Alexandre is a bit older, I think we'll make these together. They seem like an ideal family project--- essentially puddles of melted chocolate with fruit and nut toppings. See, as soon as you say "puddles of melted chocolate," everyone's on board. Though fruits confits--- candied fruit--- are not, strictly speaking, part of les trieze desserts, I can't resist. I think of them as the crown jewels of French confiserie, and Apt is the world capital of production. Dipped in sugar syrup, the fruits become almost translucent; whole pears, apricots, and strawberries glow from within like the gems in a pirate's treasure chest. Slices of kiwi, melon, and angelica catch the light like the panes of a stained-glass window. All the dazzling tastes of a Provençal summer, frozen in time.

There’s no such thing as fate, Suzanne, or destiny, or an old man in white robes in the sky who watches over us and expects us to spend an hour each week sitting on hard wooden benches in a building with ugly stained glass windows praying to a statue of a dude nailed to a cross. We’re alone in the universe. Everything that happens is simply chance.

Mr. Vinge wasn't exactly looking at them, but past them. Milo turned and saw only the stained-glass window and the snowy night beyond, tinged in shades of pale, pale greens: celery and celadon and tones like old bottle glass.

Dad looked everywhere but at the casket—to the faded painting of Jesus, to the stained glass windows that wouldn’t let us see out. He resembled someone who’d boarded the wrong train and ended up somewhere completely unexpected.

On the second floor was a music room built around an Aeolian electric pipe organ for Felix to play; a Red Room to house the Italian paintings, Raphael’s “Madonna and Child” among them; a huge conservatory with stained-glass windows; and the formal dining room. On the third floor Gilbert placed a joint sitting room for Frieda and Felix where they would both have desks on which to array family photographs and where they would place their Friday evening candles; a family breakfast room; Frieda’s boudoir

How could I not love you? The man made of crystalline cicada wings that remind me of home?” I ask, taking his hand away from my cheek and pressing my lips to it. He exhales and closes his eyes as he leans into the affection. He unwinds his other hand from my hair and rests them both against the small of my back as if we’re dancing on the ballroom floor once more. “The man so beautiful that even his scars are golden?His tears silver?” I kiss the scar on his cheekbone, tiptoeing as I do. I take a step forward, he follows my lead. “The man so kind that even his skin reminds me of stained glass cathedral windows?” I kiss the jawline of his slightly silver-stained, iridescent skin. He’s pressed against the wooden bedpost like a flower into a diary entry.

She was an abstraction in an abstraction: an impossible intersection of dozens of bright panes, as if the disassembled tiles of a stained-glass window had each been set aglow and animated. She swirled before me like a school of fish. Her world echoed her body: lights and angles and three-dimensional Escher impossibilities, piled like bright thunderheads. And yet, somehow I would have recognized her anywhere.

God’s radiance shines through you, through the uniqueness of you. Everything about the way He’s created you, He did it with the purpose of making you a prism for His light. You’re like an intricately designed stained glass window made of beautiful and unique details, distinct in certain ways from all others. And through you, through the carefully constructed window of your life’s uniqueness and experiences (even the hard ones), He wants to show Himself to the world.

Simone was never meant for me. They probably thought they’d pair her up with some Duke or Earl for fuck’s sake. She’s certainly gorgeous enough. Not to mention well-read, well-spoken, and well-mannered. Then there’s me. The opposite of what they’d want in every way. Simone is a stained-glass window, and I’m the stone gargoyle outside the cathedral.

My mother thinks I’ve dyed my hair red for attention— How can I explain to her the ways that she is right and wrong. As of last night, my hair is the color of a brick the moment before it goes through a stained-glass window. My hair is the color of a fire engine driving through a burning building. My hair is the color of a dart frog: generations of death adapting into this exact shade of poison. It’s called aposematism— we learned about it in bio. It’s when an animal advertises to predators that it is not worth the attempt to consume. Bright red and orange, the colors of pain, I WILL MAKE YOU SICK I WILL KILL YOU FROM INSIDE YOUR THROAT ATTENTION! I MAY LOOK LIKE PREY BUT I WILL END YOUR LIFE My mother says I want attention and maybe she’s right My mother says I am just making a statement and maybe she’s right But in my mind it’s not saying please— it’s saying don’t and this is how I know men are not really wolves because maybe a wolf would listen.

The new day had emerged from the storms of the days before like a turtle from its shell, the sun only just daring to peek through the clouds. The wind had calmed to a breeze, the air still damp, and the rivers were throwing themselves down the hills, pausing on the way to flood fields with great mirrors of fresh water. Rivulets cut across them, too, turning the vivid greens into the shattered remnants of a giant stained-glass window.

If I timed it just right and if the clouds kept their distance that day, the sunlight would hit the chapel’s stained-glass windows and cast a rainbow at my feet. Squinting and tilting my head to one side, then the other, it was easy to imagine myself disappearing into that rainbow.

The sun shone through the stained glass windows and illuminated him in all the colors of the world. All the Gifts he has stolen for himself.

There hadn’t been a god for many years. Not the nightgownclad patriarch of Sunday school coloring books; not the sensitive young man with the inevitable auburn ringlets Anna had stared through in the stained-glass windows at Mass; not the many-armed and many-faceted deities of the Bhagavad Gita that she’d worshipped alongside hashish and Dustin Hoffman in her college days. Even the short but gratifying parade of earth goddesses that had taken her to their ample bosoms in her early thirties had gone, though she remembered them with more kindness than the rest. God was dead. Let Him rest in peace. Now, finally, the earth was hers with no taint of Heaven.

She stepped within by slow steps, letting eyes adjust. The cabin was large, with several round windows grimed with dust. A table to one side where plates still rested, clumps of rot implying a meal never finished. She looked about for candles or a lantern, something to make a light. But of a sudden, two lights glowed of their own volition. Casting no illumination, for all they were bright and white as angelic wings in a stained-glass depiction of the Upper House. Two eyes, set at feline slant. They blinked once in solemn greeting. Behold a cat, black as night in the deepest pits of Nix. The creature perched upon the table and pondered Collen, who stood fixed; still as stone, still as mouse in cat’s gaze. At long length the cat spoke, voice high, words clear. “Found you,” said Shadow Night-Creep.

I put in that clause intentionally,” Elend said. He stood at the front of the room, leaning with one arm against the glass of his massive stained-glass window, looking up at its dark shards. “This land wilted beneath the hand of an oppressive ruler for a thousand years. During that time, philosophers and thinkers dreamed of a government where a bad ruler could be ousted without bloodshed. I took this throne through an unpredictable and unique series of events, and I didn’t think it right to unilaterally impose my will—or the will of my descendants—upon the people. I wanted to start a government whose monarchs would be responsible to their subjects.

was astounding—like a stained glass window that couldn’t show its colors until the sun shone through. She was playful and quirky in ways that made me want to get her naked. The cautious, determined woman I first met was still present but in a much softer, contented sense.

This Girl I Knew Glasses, bad bangs, patched blue jeans, creek-stained tennis shoes caked in mud, a father who sells vacuum cleaners, a mother skinny as a nun, a little brother with straw-colored hair and a scowling, confused look in the pews at church: this girl I knew. House at the edge of town, crumbling white stucco. Dog on a chain. Weeds. Wildcat Creek trickling brown and frothy over rocks out back, past an abandoned train trestle and the wreck of an old school bus left to rot. This girl I knew, in whatever room is hers, in that house with its dust-fogged attic windows, its after-dinner hours like onions soft in a pan. Her father sometimes comes for her, runs a hand through her hair. Her mother washes every last stick of silverware, every dish. The night sky presses down on their roof, a long black yawn spiked with stars, bleating crickets. The dog barks once, twice. Outside town, a motorcycle revs its engine: someone bearing down. Then nothing. Sleep. This girl I knew dreams whatever this girl I knew dreams. In the morning it’s back to school, desks, workbooks, an awkwardly held pencil in the cramped claw of a hand. The cigarette and rosewater scent of Ms. Thompson at the blackboard. The flat of Ms. Thompson’s chest, sunburned and freckled, where her sweater makes a V. You should be nice to her, my mother says about this girl I knew. I don’t want to be nice to her, I say to my mother. At recess this girl I knew walks around the playground, alone, talking to herself: elaborate conversations, hand gestures, hysterical laughing. On a dare from the other girls this girl I knew picks a dandelion, pops its head with her thumbnail, sucks the milky stem. I don’t want to be nice to her. Scabbed where she’s scratched them, mosquito bites on her ankles break and bleed. Fuzzy as a peach, the brown splotch of a birthmark on her arm. The way her glasses keep slipping down her nose. The way she pushes them up.

I recently heard a story of a little Catholic girl who loved to turn her attention every Sunday to the massive stained glass windows of the saints in the cathedral during her Sunday school classes. The instructor one day submitted a question to the young group of Catholic pupils. She asked, “Does anyone know what a saint is?” All the children began to look around at each other without a clue as to what a saint actually is. Then the little admirer of the stained glass windows very simply stated, while staring right into a stained glass icon of St. Francis, “They are the ones that the sun shines through.” Though the answer was so simple, even too simple, the simplicity of such an answer was the golden truth. It was the simplistic articulation and imagery of God’s unification with man; we are those through whom the light of the Son of God shines.

It turns out that Jesus is not the good shepherd of the stained glass window of mark, he gets angry several times, he is somebody you don't want to mess with, he is powerful, he gets irritated.

Evelyn, see there. The eldest from the Ralstons. I hear they have a lovely collection of stained-glass windows.” Ah, yes, just my type: a stiff, prideful lord-to-be with impeccable, cold deportment to prove his perfect breeding. “Set a date,” I declared solemnly with a wave of my hand. “I shall marry him immediately.” Rose choked back her giggle, but Mother was far less amused. “Not this childish behavior again,” she said through her teeth, which were still arranged in a polite smile for the guests. “You will give these men more than a second’s thought or deeply regret this attitude in a few years’ time.” “Yes, when I’m crying next to, God forbid, a plain window,

The best churches don’t have stained glass windows or statues of dead saints or even ceilings and walls. You don’t need a building to find forgiveness. You don’t need communion wafers and holy water to be blessed. And miracles are everywhere. All you have to do is look.

almost musical, twangs. The sun is shining through the stained glass window above the front door, casting colourful geometric patterns across the floor tiles. At the base of the stairs she swings for a moment on the large final bannister. The lounge door is ajar and peering in she can see one edge of the television screen, her mother’s

There’s something about his face when he smiles, like he’s a stained-glass window with sun beaming through.

The man's true life, for which he consents to live," wrote Robert Louis Stevenson, "lies altogether in the field of fancy. The clergyman, in his spare hours, may be winning battles, the farmer sailing ships, the banker reaping triumph in the arts: all leading another life, plying another trade from what they chose....For no man lives in the external truth, among salts and acids, but in the warm, phantasmagoric chamber of his brain, with the painted windows and storied walls." Snoopy, dining by candlelight on the top of his doghouse, with his stained-glass window and Van Gogh below, would agree.