Pavement Best Quotes

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Every gun that is made, every warship launched, every rocket fired signifies, in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed. This world in arms is not spending money alone. It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children. The cost of one modern heavy bomber is this: a modern brick school in more than 30 cities. It is two electric power plants, each serving a town of 60,000 population. It is two fine, fully equipped hospitals. It is some fifty miles of concrete pavement. We pay for a single fighter plane with a half million bushels of wheat. We pay for a single destroyer with new homes that could have housed more than 8,000 people. This is, I repeat, the best way of life to be found on the road the world has been taking. This is not a way of life at all, in any true sense. Under the cloud of threatening war, it is humanity hanging from a cross of iron.... Is there no other way the world may live?
Dwight D. Eisenhower
In London, he had expected neither to walk on pavements of gold, nor to lie on beds of roses; if he had had any such exalted expectation, he would not have prospered. He had expected labour, and he found it, and did it and made the best of it. In this, his prosperity consisted.
Charles Dickens (A Tale of Two Cities)
To remember, for instance, that here just a year ago, just at this time, at this hour, on this pavement, I wandered just as lonely, just as dejected as to-day. And one remembers that then one’s dreams were sad, and though the past was no better one feels as though it had somehow been better, and that life was more peaceful, that one was free from the black thoughts that haunt one now; that one was free from the gnawing of conscience — the gloomy, sullen gnawing which now gives me no rest by day or by night. And one asks oneself where are one’s dreams. And one shakes one’s head and says how rapidly the years fly by! And again one asks oneself what has one done with one’s years. Where have you buried your best days? Have you lived or not? Look, one says to oneself, look how cold the world is growing. Some more years will pass, and after them will come gloomy solitude; then will come old age trembling on its crutch, and after it misery and desolation. Your fantastic world will grow pale, your dreams will fade and die and will fall like the yellow leaves from the trees. . . . Oh, Nastenka! you know it will be sad to be left alone, utterly alone, and to have not even anything to regret — nothing, absolutely nothing . . . for all that you have lost, all that, all was nothing, stupid, simple nullity, there has been nothing but dreams!
Fyodor Dostoevsky (White Nights)
The street is getting dark, the pavement tiger-striped by halogen. It wears the fog like a dame’s best scarf, slightly jaunty, with an edge of challenge.
Cassandra Khaw (Hammers on Bone (Persons Non Grata, #1))
Every gun that is made, every warship launched, every rocket fired signifies, in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed. This world in arms is not spending money alone. It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children. The cost of one modern heavy bomber is this: a modern brick school in more than 30 cities. It is two electric power plants, each serving a town of 60,000 population. It is two fine, fully equipped hospitals. It is some fifty miles of concrete pavement. We pay for a single fighter plane with a half million bushels of wheat. We pay for a single destroyer with new homes that could have housed more than 8,000 people. This is, I repeat, the best way of life to be found on the road the world has been taking. This is not a way of life at all, in any true sense. Under the cloud of threatening war, it is humanity hanging from a cross of iron. These plain and cruel truths define the peril and point the hope that come with this spring of 1953.
Dwight D. Eisenhower
Claro, I’m still the girl carrying a trifecta of loss. I always will be. But as I wander along the pavement, I’m just a seventeen-year-old on her way to buy ingredients for Cuban flan. And that feels like the best part of home.
Laura Taylor Namey (A Cuban Girl's Guide to Tea and Tomorrow)
He was incredibly and unbearably beautiful. There was no other way for her to adequately describe it to herself. It was beyond being just handsome. Handsome was a common masculine adjective, limited in its scope. This man was honestly beautiful. His facial features were so very elegant, taking the term noble to the extreme. Dark brows winged up over dark eyes, both of indeterminate color in the shadows of the night. So dramatic, but then so belied by the ridiculous childlike length of lush lashes. His magnificent eyes were lit with a soft, smoldering light of amusement as his sensual mouth was lifting up at the corner in a smile she could only call sinful. “How did you . . . but that’s . . . you couldn’t possibly!” she spluttered, her hands opening and closing reflexively on his lapels. “I did. It is not. And apparently, I could.” He was smiling broadly now, and Isabella was certain she was the cause of some unseen bit of amusement. She glowered at him, completely forgetting he’d just saved her neck. Literally. “I’m so glad you find this so entertaining!” Jacob couldn’t help his growing smile. She was so focused on him that she hadn’t realized they were still a good ten feet off the ground and floating at the exact spot where he’d met her precipitous fall. That was for the best, he thought, sinking down to the pavement while she was distracted by the taunt of his amusement. He was going to have enough trouble as it was explaining how he’d managed to catch a woman hurtling to her death from five stories up.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
When I heard about the ease with which the Four had been removed, I felt a wave of sadness. How could such a small group of second-rate tyrants ravage 900 million people for so long? But my main feeling was joy. The last tyrants of the Cultural Revolution were finally gone. My rapture was widely shared. Like many of my countrymen, I went out to buy the best liquors for a celebration with my family and friends, only to find the shops out of stock there was so much spontaneous rejoicing. There were official celebrations as well exactly the same kinds of rallies as during the Cultural Revolution, which infuriated me. I was particularly angered by the fact that in my department, the political supervisors and the student officials were now arranging the whole show, with unperturbed self-righteousness. The new leadership was headed by Mao's chosen successor, Hua Guofeng, whose only qualification, I believed, was his mediocrity. One of his first acts was to announce the construction of a huge mausoleum for Mao on Tiananmen Square. I was outraged: hundreds of thousands of people were still homeless after the earthquake in Tangshan, living in temporary shacks on the pavements. With her experience, my mother had immediately seen that a new era was beginning. On the day after Mao's death she had reported for work at her depas'uuent. She had been at home for five years, and now she wanted to put her energy to use again. She was given a job as the number seven deputy director in her department, of which she had been the director before the Cultural Revolution. But she did not mind. To me in my impatient mood, things seemed to go on as before. In January 1977, my university course came to an end. We were given neither examinations nor degrees. Although Mao and the Gang of Four were gone, Mao's rule that we had to return to where we had come from still applied. For me, this meant the machinery factory. The idea that a university education should make a difference to one's job had been condemned by Mao as 'training spiritual aristocrats.
Jung Chang (Wild Swans: Three Daughters of China)
Like a football being held underwater, as soon as you let go, it rises to the surface. And like the grass pressing up through the cracks in a city pavement, your resilience and clarity is always doing its best to find its way through the paving slabs of your superstitious thinking.
Jamie Smart (Clarity: Clear Mind, Better Performance, Bigger Results)
A matter, as the famous book intoned, of finding the shade of the parachute that best complemented you. But really: With no parachute at all you'd hit the pavement so hard it probably wouldn't even hurt, and you'd unleash a whole new color palate-bone, blood, muscle-in the process.
Elisa Albert (The Book of Dahlia)
Name: One Shade of Grey Description: You'll recognise this phenomenon through an inability to tell where the pavement ends and the sky begins. Nothing has ever been achieved on a One Shade of Grey day, so if you notice one upon opening your curtains the best advice is to climb back into bed, drink gin through a straw and remember the 'Lost Sun' days of years past. Most likely: Any of the 18 months of winter.
Rob Temple (Very British Problems: Making Life Awkward for Ourselves, One Rainy Day at a Time (Very British Problems, #1))
That’s the goal, isn’t it? For every crack to be filled with your ideas and innovations and creativity? The only way to achieve this, though, is to be prepared for many of them to fail, to land on pavement, to be perfect yet cease to grow. We can cry about these failures, but that will lead us to hold back on the next idea. Or we can celebrate them, realizing that it’s proof that we’re being promiscuous in our shipping, putting the best work we can into the world, regardless of whether this particular idea actually works. When was the last time you set out to be promiscuous in your failures?
Seth Godin (Poke the Box)
Emily My sneakers hit the pavement and my heart slams like the truck door behind me. "Watch it!" My cousin and best friend Erick hops out of the drivers' side, reprimanding me at the same time. Sensitive about his truck. "Sorry," I mutter. The dim, enclosed parking garage puts me on edge. It's a perfect place for vampires. But it's early afternoon, not their prime hunting time. The upscale Austin, Texas, mall parking lot is packed with sedans and trucks. I sling a motorcycle helmet into the bed of the truck, where it joins the massive four-wheeler we just spent an exhilarating morning breaking in. A gift for his eighteenth birthday a couple of months ago. For my eighteenth, I'm getting a night
Lacy Yager (Rival (Unholy Alliance #2))
The most servile Negroes are suspect, and every means is used to impress upon them the power of the White Citizens Councils. Even police brutality can be put to good use. An incident in Ruleville, Sunflower County, birthplace of the Council, will illustrate the point. Preston Johns, Negro renter on Senator Eastland's plantation near Blanc, is a "good nigger who knows his place." One day in May 1955, Preston's wife got into a fight with another Negro woman in the Jim Crow section of the Ruleville theater. The manager threw the women out and notified the police. While the police were questioning the women, Preston's daughter came up to see what was happening to her mother. Without warning, a policeman struck her over the head with the butt of his gun. She fell to the pavement bleeding badly. The police left her there. Someone went for her father. When he came up, the police threatened to kill him. Preston left and called Mr. Scruggs, one of Eastland's cronies. After half an hour, Scruggs came and permitted the girl to be lifted from the street and taken to the hospital. When Scruggs left, he yelled to the Negroes across the street: "You'll see who your friend is. If it wasn't for us Citizens Council members, she'd have near about died." One old Negro answered back, "I been tellin' these niggers Mr. Scruggs and Mr. Eastland is de best friends dey got." A few days later, Senator Eastland came to Ruleville to look the situation over. Many Negroes lined the streets and beamed at their "protector.
Bayard Rustin (Down the Line: The Collected Writings of Bayard Rustin)
per hour. Handbrake knew that he could keep up with the best of them. Ambassadors might look old-fashioned and slow, but the latest models had Japanese engines. But he soon learned to keep it under seventy. Time and again, as his competitors raced up behind him and made their impatience known by the use of their horns and flashing high beams, he grudgingly gave way, pulling into the slow lane among the trucks, tractors and bullock carts. Soon, the lush mustard and sugarcane fields of Haryana gave way to the scrub and desert of Rajasthan. Four hours later, they reached the rocky hills surrounding the Pink City, passing in the shadow of the Amber Fort with its soaring ramparts and towering gatehouse. The road led past the Jal Mahal palace, beached on a sandy lake bed, into Jaipur’s ancient quarter. It was almost noon and the bazaars along the city’s crenellated walls were stirring into life. Beneath faded, dusty awnings, cobblers crouched, sewing sequins and gold thread onto leather slippers with curled-up toes. Spice merchants sat surrounded by heaps of lal mirch, haldi and ground jeera, their colours as clean and sharp as new watercolor paints. Sweets sellers lit the gas under blackened woks of oil and prepared sticky jalebis. Lassi vendors chipped away at great blocks of ice delivered by camel cart. In front of a few of the shops, small boys, who by law should have been at school, swept the pavements, sprinkling them with water to keep down the dust. One dragged a doormat into the road where the wheels of passing vehicles ran over it, doing the job of carpet beaters. Handbrake honked his way through the light traffic as they neared the Ajmeri Gate, watching the faces that passed by his window: skinny bicycle rickshaw drivers, straining against the weight of fat aunties; wild-eyed Rajasthani men with long handlebar moustaches and sun-baked faces almost as bright as their turbans; sinewy peasant women wearing gold nose rings and red glass bangles on their arms; a couple of pink-faced goras straining under their backpacks; a naked sadhu, his body half covered in ash like a caveman. Handbrake turned into the old British Civil Lines, where the roads were wide and straight and the houses and gardens were set well apart. Ajay Kasliwal’s residence was number
Tarquin Hall (The Case of the Missing Servant (Vish Puri, #1))
Tricia loved New York because loving New York was a good career move. It was a good retail move, a good cuisine move, not a good taxi move or a great quality of pavement move, but definitely a career move that ranked amongst the highest and the best. Tricia was a TV anchor person, and New York was where most of the world’s TV was anchored. Tricia’s TV anchoring had been done exclusively in Britain up to that point: regional news, then breakfast news, early evening news. She would have been called, if the language allowed, a rapidly rising anchor, but... hey, this is television, what does it matter? She was a rapidly rising anchor. She had what it took: great hair, a profound understand- ing of strategic lip gloss, the intelligence to understand the world and a tiny secret interior deadness which meant she didn’t care. Everybody has their moment of great opportunity in life. If you happen to miss the one you care about, then everything else in life becomes eerily easy. Tricia had only ever missed one opportunity. These days it didn’t even make her tremble quite so much as it used to to think about it. She guessed it was that bit of her that had gone dead.
Douglas Adams (Mostly Harmless (Hitchhiker's Guide to the Galaxy, #5))
But soon the steeples called good people all, to church and chapel, and away they came, flocking through the streets in their best clothes, and with their gayest faces. And at the same time there emerged from scores of bye-streets, lanes, and nameless turnings, innumerable people, carrying their dinners to the bakers’ shops. The sight of these poor revellers appeared to interest the Spirit very much, for he stood with Scrooge beside him in a baker’s doorway, and taking off the covers as their bearers passed, sprinkled incense on their dinners from his torch. And it was a very uncommon kind of torch, for once or twice when there were angry words between some dinner-carriers who had jostled with each other, he shed a few drops of water on them from it, and their good humour was restored directly. For they said, it was a shame to quarrel upon Christmas Day. And so it was! God love it, so it was! In time the bells ceased, and the bakers’ were shut up; and yet there was a genial shadowing forth of all these dinners and the progress of their cooking, in the thawed blotch of wet above each baker’s oven; where the pavement smoked as if its stones were cooking too. “Is there a peculiar flavour in what you sprinkle from your torch?” asked Scrooge. “There is. My own.” “Would it apply to any kind of dinner on this day?” asked Scrooge. “To any kindly given. To a poor one most.” “Why to a poor one most?” asked Scrooge. “Because it needs it most.” “Spirit,” said Scrooge, after a moments thought, “I wonder you, of all the beings in the many worlds about us, should desire to cramp these peoples opportunities of innocent enjoyment.” “I!” cried the Spirit. “You would deprive them of their means of dining every seventh day, often the only day on which they can be said to dine at all,” said Scrooge. “Wouldn’t you?” “I!” cried the Spirit. “You seek to close these places on the Seventh Day?” said Scrooge. “And it comes to the same thing.” “I seek!” exclaimed the Spirit. “Forgive me if I am wrong. It has been done in your name, or at least in that of your family,” said Scrooge. “There are some upon this earth of yours,” returned the Spirit, “who lay claim to know us, and who do their deeds of passion, pride, ill-will, hatred, envy, bigotry* and selfishness in our name; who are as strange to us and all our kith and kin, as if they had never lived. Remember that, and charge their doings on themselves, not us.
Charles Dickens (A Christmas Carol)
When they had gone less than a bowshot from the shore, Drinian said, “Look! What’s that?” and everyone stopped. “Are they great trees?” said Caspian. “Towers, I think,” said Eustace. “It might be giants,” said Edmund in a lower voice. “The way to find out is to go right in among them,” said Reepicheep, drawing his sword and pattering off ahead of everyone else. “I think it’s a ruin,” said Lucy when they had got a good deal nearer, and her guess was the best so far. What they now saw was a wide oblong space flagged with smooth stones and surrounded by gray pillars but unroofed. And from end to end of it ran a long table laid with a rich crimson cloth that came down nearly to the pavement. At either side of it were many chairs of stone richly carved and with silken cushions upon the seats. But on the table itself there was set out such a banquet as had never been seen, not even when Peter the High King kept his court at Cair Paravel. There were turkeys and geese and peacocks, there were boars’ heads and sides of venison, there were pies shaped like ships under full sail or like dragons and elephants, there were ice puddings and bright lobsters and gleaming salmon, there were nuts and grapes, pineapples and peaches, pomegranates and melons and tomatoes. There were flagons of gold and silver and curiously-wrought glass; and the smell of the fruit and the wine blew toward them like a promise of all happiness. “I say!” said Lucy. They came nearer and nearer, all very quietly. “But where are the guests?” asked Eustace. “We can provide that, Sir,” said Rhince.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
Do you know that I love now to recall and visit at certain dates the places where I was once happy in my own way? I love to build up my present in harmony with the irrevocable past, and I often wander like a shadow, aimless, sad and dejected, about the streets and crooked lanes of Petersburg. What memories they are! To remember, for instance, that here just a year ago, just at this time, at this hour, on this pavement, I wandered just as lonely, just as dejected as to-day. And one remembers that then one's dreams were sad, and though the past was no better one feels as though it had somehow been better, and that life was more peaceful, that one was free from the black thoughts that haunt one now; that one was free from the gnawing of conscience—the gloomy, sullen gnawing which now gives me no rest by day or by night. And one asks oneself where are one's dreams. And one shakes one's head and says how rapidly the years fly by! And again one asks oneself what has one done with one's years. Where have you buried your best days? Have you lived or not? Look, one says to oneself, look how cold the world is growing. Some more years will pass, and after them will come gloomy solitude; then will come old age trembling on its crutch, and after it misery and desolation. Your fantastic world will grow pale, your dreams will fade and die and will fall like the yellow leaves from the trees.... you know it will be sad to be left alone, utterly alone, and to have not even anything to regret—nothing, absolutely nothing ... for all that you have lost, all that, all was nothing, stupid, simple nullity, there has been nothing but dreams!
Fyodor Dostoevsky (White Nights)
Thrasher" They were hiding behind hay bales, They were planting in the full moon They had given all they had for something new But the light of day was on them, They could see the thrashers coming And the water shone like diamonds in the dew. And I was just getting up, hit the road before it's light Trying to catch an hour on the sun When I saw those thrashers rolling by, Looking more than two lanes wide I was feelin' like my day had just begun. Where the eagle glides ascending There's an ancient river bending Down the timeless gorge of changes Where sleeplessness awaits I searched out my companions, Who were lost in crystal canyons When the aimless blade of science Slashed the pearly gates. It was then I knew I'd had enough, Burned my credit card for fuel Headed out to where the pavement turns to sand With a one-way ticket to the land of truth And my suitcase in my hand How I lost my friends I still don't understand. They had the best selection, They were poisoned with protection There was nothing that they needed, Nothing left to find They were lost in rock formations Or became park bench mutations On the sidewalks and in the stations They were waiting, waiting. So I got bored and left them there, They were just deadweight to me Better down the road without that load Brings back the time when I was eight or nine I was watchin' my mama's T.V., It was that great Grand Canyon rescue episode. Where the vulture glides descending On an asphalt highway bending Thru libraries and museums, galaxies and stars Down the windy halls of friendship To the rose clipped by the bullwhip The motel of lost companions Waits with heated pool and bar. But me I'm not stopping there, Got my own row left to hoe Just another line in the field of time When the thrasher comes, I'll be stuck in the sun Like the dinosaurs in shrines But I'll know the time has come To give what's mine. Neil Young, Rust Never Sleeps (1979)
Neil Young (Neil Young - Rust Never Sleeps (Guitar Recorded Versions))
Davy, ever the daring one, bought a jumbo peppermint milk shake and got fifty cents back. He talked me out of getting plain vanilla. “You can get plain vanilla anytime!” he said. “Try…” He scanned the chalkboard that listed all the flavors. “Try peanut butter!” I did. I have never been sorry, because it was the best milk shake I ever tasted, like a melted and frozen Reese’s cup. And then it happened. We were walking across the parking lot, under the burning sun, with our shakes freezing our hands in the big white paper cups that had Spinnin’ Wheel in red across the sides. A sound began: music, first from a few car radios and then others as teenaged fingers turned the dial to that station. The volume dials were cranked up, and the music flooded out from the tinny speakers into the bright summer air. In a few seconds the same song was being played from every radio on the lot, and as it played, some of the car engines started and revved up and young laughter flew like sparks. I stopped. Just couldn’t walk anymore. That music was unlike anything I’d ever heard: guys’ voices, intertwining, breaking apart, merging again in fantastic, otherworldly harmony. The voices soared up and up like happy birds, and underneath the harmony was a driving drumbeat and a twanging, gritty guitar that made cold chills skitter up and down my sunburned back. “What’s that, Davy?” I said. “What’s that song?” …Round…round…get around…wha wha wha-oooooo… “What’s that song?” I asked him, close to panic that I might never know. “Haven’t you heard that yet? All the high-school guys are singin’ it.” …Gettin’ bugged drivin’ up and down the same ol’ strip…I gotta find a new place where the kids are hip… “What’s the name of it?” I demanded, standing at the center of ecstasy. “It’s on the radio all the time. It’s called—” Right then the high-school kids in the lot started singing along with the music, some of them rocking their cars back and forth, and I stood with a peanut butter milk shake in my hand and the sun on my face and the clean chlorine smell of the swimming pool coming to me from across the street. “—by the Beach Boys,” Davy Ray finished. “What?” “The Beach Boys. That’s who’s singin’ it.” “Man!” I said. “That sounds…that sounds…” What would describe it? What word in the English language would speak of youth and hope and freedom and desire, of sweet wanderlust and burning blood? What word describes the brotherhood of buddies, and the feeling that as long as the music plays, you are part of that tough, rambling breed who will inherit the earth? “Cool,” Davy Ray supplied. It would have to do. …Yeah the bad guys know us and they leave us alone…I get arounnnnddddd… I was amazed. I was transported. Those soaring voices lifted me off the hot pavement, and I flew with them to a land unknown. I had never been to the beach before. I’d never seen the ocean, except for pictures in magazines and on TV and movies. The Beach Boys. Those harmonies thrilled my soul, and for a moment I wore a letter jacket and owned a red hotrod and had beautiful blondes begging for my attention and I got around.
Robert McCammon (Boy's Life)
Your special someone! In the vastness of her inner mind, In the confines of her selective memories, In the visions of her eyes refined, I want to discover our love stories, In the blinking of her eyelids, In the movement of her hands, In the flickering of her lips and their deliberate wet slides, I wish to create our empire of love lands, In the mere act of her standing and doing nothing, Just standing there staring at time, In her thoughts, in her feelings, and in her everything, I want to be her companion, or a mere shadow always cast on her moment of time, In the idleness of her mind and its moments of thinking, In the days of her life and the nights of her dreams, In the smile that springs from her face when her beautiful eyes are blinking, I wish to be her happy dreams and those infinite love beams, In her playful mood, in her pensive moments, In her feelings that originate from somewhere within her, In her heart beats and her life’s pavements, I want to be her blissful destiny, just like a feeling always living within her, In the moments of her secret confessions, When her heart secretly talks to her mind, In her secret love breeding sessions, I wish to be her passion, her emotion, her feeling, her everything that she wishes to find, In her North, her South, her East and in her West, In her quest to seek her moment of glory, In the adventures of her heart where she is the best, I wish to be the beginning and the end of her life’s every story, In the day when she is awake, And during the night when she is asleep, In the silence of her mind, where she, her darling worlds does make, I wish to be her treasure, her feelings, that always towards me leap, In the sensitivity of her actions, In the beauty that glows on her beautiful face, In her simple, yet charming attractions, I wish to be that ingredient of eternal grace, In the silence of her room, In the tender fluttering of her window curtains, In the beauty of her Summer bloom, I wish to be her heart’s only happy bulletins, In the tip-toeing of her feet, In the humming of her favorite song, In the relaxing rhythm of her every heart-beat, I wish to be her movement, leading her to my heart and memories, where she truly does belong, In the feelings of her passionate kiss, In the passions of her midnight dreams, In the moments of her sensual bliss, I wish to be her desire, and the loveliest dream, that so real seems, In the sunshine of the beautiful Summer day, In the calm of the warm Summer night, In the sweet corner of her room, where, she her dreams of passion does display, I wish to be her anxiety, and her love’s delight, In that every thought where she thinks of someone, In that step that she takes towards that special someone, In her need to be with someone, Irma, I wish to be the only one, that special someone!
Javid Ahmad Tak (They Loved in 2075!)
Your special someone! In the vastness of her inner mind, In the confines of her selective memories, In the visions of her eyes refined, I want to discover our love stories, In the blinking of her eyelids, In the movement of her hands, In the flickering of her lips and their deliberate wet slides, I wish to create our empire of love lands, In the mere act of her standing and doing nothing, Just standing there staring at time, In her thoughts, in her feelings, and in her everything, I want to be her companion, or a mere shadow always cast on her moment of time, In the idleness of her mind and its moments of thinking, In the days of her life and the nights of her dreams, In the smile that springs from her face when her beautiful eyes are blinking, I wish to be her happy dreams and those infinite love beams, In her playful mood, in her pensive moments, In her feelings that originate from somewhere within her, In her heart beats and her life’s pavements, I want to be her blissful destiny, just like a feeling always living within her, In the moments of her secret confessions, When her heart secretly talks to her mind, In her secret love breeding sessions, I wish to be her passion, her emotion, her feeling, her everything that she wishes to find, In her North, her South, her East and in her West, In her every quest to seek her moment of glory, In the adventures of her heart where she is the best, I wish to be the beginning and the end of her life’s every story, In the day when she is awake, And during the night when she is asleep, In the silence of her mind, where she, her darling worlds does make, I wish to be her treasure, her feelings, that always towards me leap, In the sensitivity of her actions, In the beauty that glows on her beautiful face, In her simple, yet charming attractions, I wish to be that ingredient of eternal grace, In the silence of her room, In the tender fluttering of her window curtains, In the beauty of her Summer bloom, I wish to be her heart’s only happy bulletins, In the tip-toeing of her feet, In the humming of her favorite song, In the relaxing rhythm of her every heart-beat, I wish to be her movement, leading her to my heart and memories, where she truly does belong, In the feelings of her passionate kiss, In the passions of her midnight dreams, In the moments of her sensual bliss, I wish to be her desire, and the loveliest dream, that so real seems, In the sunshine of the beautiful Summer day, In the calm of the warm Summer night, In the sweet corner of her room, where, she her dreams of passion does display, I wish to be her sweet anxiety, and her love’s delight, In every thought where she thinks of someone, In every step that she takes towards that special someone, In her every need to be with someone, Irma, I wish to be the only one, that special someone!
Javid Ahmad Tak
Whoa, what?" His gravelly voice kicked up a notch at my accusation. "She's right here; I'm staring right at her. What the hell is going on?" My heart stopped a second, then beat twice as fast as those words sunk in and confused the fuck out of me. "Here where? Where are you?" He made a sound like he was walking while he spoke to me. "The frozen yogurt shop down the street. Apparently, she needed sugar for her period or some shit." I swallowed heavily, my free hand balled into a fist as my eyes surveyed the mess in my home. "Put her on, Cass. Put her on the phone." "Two seconds," he replied, and the sound of his boots on the pavement traveled down the phone, followed by the chime of a shop door opening. Then came the best sound I'd ever heard in my entire damn life. "Dare? What's up? Cass looks like he's ready to murder something.
Tate James (7th Circle (Hades, #1))
I don’t know,’ Jack whispered, before kneeling beside a young woman, her blonde locks matted with dried blood. He could see that she had been shot in the side of her head, the back of her skull blown open by the bullet. ‘Their hands are tied,’ Jack said, as he looked down and saw that the woman’s arms had been bound behind her back with a length of rope. ‘They’ve been executed,’ Reg said, his face white as he looked at the bodies that had been laid out neatly on the floor. ‘A whole bloody family lined up and...’ He shook his head. A cry echoed from the street and Jack turned to where a window overlooked the road. He looked outside and saw a soldier stood in a doorway, the man waving his arm as he called out to where Fred was stood beside a shop. ‘What’s going on?’ the sergeant asked. ‘You’d best come and have a look,’ the man replied. Jack glanced down the street, his eyes staring at the deserted houses that lined the road. He felt a cold chill creep up his spine as he looked at the empty windows from which no lights shone. ‘Wait here,’ Jack said, before making his way out onto the road. He turned as a door swung open, his hand reaching for his rifle, before relaxing as Little stepped out onto the pavement, the corporal’s face a mask of wild anger. ‘The fucking pigs,’ he cursed, before kicking the wall in frustration. ‘Wait until I get my hands on ‘em.’ Jack glanced into the house that Little had searched, his throat catching as he saw the body of a woman on the floor. Beside her a baby lay on the hearth, the child motionless as it lay wrapped in a blanket. ‘The fucking animals,’ Little hissed, as he looked at the deserted houses. ‘Who could do such a thing?’ Ivor asked, his cheeks ashen as he stepped from the house. Jack shook his head, his eyes staring along the road as the men searched the buildings; the cry of alarm echoing along the street. ‘A whole bloody village.’ Jack turned and saw Fred pacing along the road, the battle hardened sergeant shaking his head in confusion as he looked at the houses as if unable to understand what he had seen. ‘What are we going to do?’ Jack asked. ‘Do?’ Little asked, his face possessed with rage. ‘I’m going to kill every fucking one of the evil bastards I can get my hands on.’ The men murmured in agreement, their eyes dark with anger. Jack stood in the street and watched as the first light of a new day shone above the rooftops, the sun casting a gentle warmth over the dead village as the men prepared to move once more.
Stuart Minor (Hitler's Winter (The Second World War Series Book 16))
Once in an interview, the famous ex-municipal commis-sioner of Bombay, Mr. Tinaikar, had a point to make. “Rich people’s dogs are walked on the streets to leave their affluent droppings all over the place,” he said. “And then the same people turn around to criticize and blame the authorities for inefficiency and dirty pavements. What do they expect the officers to do? Go down with a broom every time their dog feels the pressure in his bowels? In America every dog owner has to clean up after his pet has done the job, and the same is in Japan. Will the Indian citizen do that here?
Nitin Agarwal (Best Victorian Sensationalism Novels Ever Written: Riveting Works on Mystery, Suspense, Deception & Betrayal (including The Woman in White, Lady Audley's Secret, East Lynne & more!) (Grapevine Books))
The bus was supposed to cross 3,500 miles of pavement (roughly the same distance as a flight from New York to Paris) in about 96 hours.
Andrew McCarthy (The Best American Travel Writing 2015 (The Best American Series))
So Grant betook himself through the sunny, busy morning to Waterloo, trailing a little cloud of discontent behind him as he went. As he stepped from the warm pavement into the cool vault of the best but saddest of all London stations—the very name of it reeks of endings and partings—gloom sat on his face like a portent.
Josephine Tey (The Man in the Queue (Inspector Alan Grant, #1))
Possibilities of a Day in the Open.—I make a point, says a judicious mother, of sending my children out, weather permitting, for an hour in the winter, and two hours a day in the summer months. That is well; but it is not enough. In the first place, do not send them; if it is anyway possible, take them; for, although the children should be left much to themselves, there is a great deal to be done and a great deal to be prevented during these long hours in the open air. And long hours they should be; not two, but four, five, or six hours they should have on every tolerably fine day, from April till October. Impossible! Says an overwrought mother who sees her way to no more for her children than a daily hour or so on the pavements of the neighbouring London squares. Let me repeat, that I venture to suggest, not what is practicable in any household, but what seems to me absolutely best for the children; and that, in the faith that mothers work wonders once they are convinced that wonders are demanded of them. A journey of twenty minutes by rail or omnibus, and a luncheon basket, will make a day in the country possible to most town dwellers; and if one day, why not many, even every suitable day?
Charlotte M. Mason (Home Education: Volume I of Charlotte Mason's Original Homeschooling Series)
Knocking on their door, a panther's paw that rubbed until it became a pounding no one responded to. He tried the handle. They were there all right, fancy pretending like that, it wasn't as if he had disturbed them from sleeping. He coughed, and gasped, while walking rapidly up and down the landing. Should he go back into his room, shout from there, scream in fact, as though in the middle of a nightmare? He remained at the top of the stairs, cutoff from the rest of the house, the neighbourhood. Had they gone out, or were they dead— copulating too fast, too much? He moved down one stair head bowed considering the best way into the next event. The other doors had, during his stay, remained part of the walls, a slight murmur or hum of a radio escaped occasionally through a crack. But if he knocked, enquired the time, wouldn't the crack immediately be sealed, not even space for an eye, let alone his finger? He hovered on the front door step, two hundred yards from the Palais de Dance. Coloured tickets, spent out balloons, contraceptives divided pavement from road. Berg leaned slightly forward in order to see the pub clock. On his back he stared at the buildings that were giants advancing. Snatch the stars, pull out the moon for my navel, a button hole for my own personal identification. A shadow pushed itself across his face. He spread out his arms. I implore to be left where I am, as I have been given, I am satisfied, attuned to my world. He shut his eyes, and foetus-curled from the pavement. His lips, dry leaves, slowly parted. Have I ever been inside? Edith's tears, not coping, timid amongst robust mums. You discovered: dormitory pleasures, what is considered a pretty boy at the age of nine, to be taken advantage of.
Ann Quin (Berg)
She is my purpose! Wandering along the pavement, Trying to find an agreement, Between my pragmatic mind and a romantic heart, And sometimes knowing not where to end and when to start, I let the wanderings continue, maybe forever, Because I am yet to reach a place called, nowhere, That infact is somewhere, But not in the vicinities of places known by me as here and there, So, I let myself love her for now, think of her for now, And believe in our love and its vow, And this revives my peace, maybe it does, Just for a moment, just for a while it does, Maybe it is in this moment I become oblivious to this place called nowhere, Because when I am with her, I just wish to be here, just here, And when she leaves, forever turns into never, and somewhere into nowhere, Then, though I am somewhere, I am still nowhere, still nowhere, So before seeking this place of bliss, Let me seek her and her kiss, Because it is then that everything assumes meaning and purpose, And it is then that my heart in the curiosity of my mind does find a worthwhile purpose!
Javid Ahmad Tak (They Loved in 2075!)
As we discuss the best way to handle the carry, Patrick tells us, “There’s also some good news. I went a little farther up the trail, and around the bend at the top of the hill there’s pavement.
Patrick Gray (I'll Push You: A Journey of 500 Miles, Two Best Friends, and One Wheelchair)
The best part of being a valet is getting to drive some of the coolest cars ever to touch pavement. Guests came in driving Ferraris, Lamborghinis, Rolls-Royces--the whole aristocratic fleet. It was my dream to have one of these cars of my own, because (I thought) they sent such a strong signal to others that you made it. You're smart. You're rich. You have taste. You're important. Look at me. The irony is that I rarely ever looked at them, the drivers. When you see someone driving a nice car, you rarely think, " Wow, the guy driving that car is cool." Instead, you think, "Wow, if I had that car people would think I'm cool." Subconscious or not, this is how people think. There is a paradox here: people tend to want wealth to signal to others that they should be liked or admired. But in reality those other people often bypass admiring you, not because they don't think wealth is admirable, but because they use your wealth as a benchmark for their own desire to be liked and admired. The letter I wrote to my son after he was born said, "You might think you want an expensive car, a fancy watch, and a huge house. But I'm telling you, you don't. What you want is respect and admiration from other people, and you think having expensive stuff will bring it. It almost never does--especially from the people you want to respect and admire you." It's a subtle recognition that people generally aspire to be respected and admired by others, and using money to buy fancy things may bring less of it than you imagine. If respect and admiration are your goals, be careful how you seek it. Humility, kindness, and empathy will bring you more respect than horsepower ever will.
Morgan Housel (The Psychology of Money)
The poet, when he wrote "Thou wilt come no more, gentle ANNIE," was clearly laboring under a mistake. If he had written "Thou wilt be sure to come again next season, gentle ANNIE," he would have hit it. Lecture committees know this. Miss DICKINSON earns her living by lecturing. Occasionally she takes a turn at scrubbing pavements, or going to hear WENDELL PHILLIPS on "The Lost Arts," or other violent exertion, but her best hold is lecturing. She has followed the business ever since she was a girl, and twenty-four (24) years of steady application have made her no longer a Timid Young Thing. She is not afraid of audiences any more. It is a favorite recreation of the moral boot-blacks and pious
Various (Punchinello, Volume 2, No. 28, October 8, 1870)
Look at your own city. Almost every form you see has been shaped by an institutionalized substrate of rules. These rules govern the way everything looks and feels. They control the width of streets and the height of kerbs. They control the distance between your front step and the pavement. They organize the system of the city, and thus the lives led in it. These invisible rules are the reason you can or cannot walk from your home to a corner store. They are not market-based, nor are they generally democratic. Chances are you did not vote on the rules that shaped your city. A city’s development rules function as an organism with very strong intentions about how city life should work. Sadly, many of the best-loved neighbourhoods in the world cannot be replicated, because all the things that are great about them would break the rules.
Charles Montgomery (Happy City: Transforming Our Lives Through Urban Design)
He collapsed to the pavement. He was leaving a mess, but he couldn’t help it. It was inevitable that in a world built for the living, dying should be an inconvenience to others. But to a man dying, death should be a triumph and a glorious summation of all the best acts, visions and nuances of his existence, blazing forth now as he descended into the dark mystery that alone made life worth living.
Robert Sheckley (Uncanny Tales: Stories)
From the loftiest point of its roof, during precisely three and a half hours of each forenoon, floats or droops, in breeze or calm, the banner of the republic; but with the thirteen stripes turned vertically, instead of horizontally, and thus indicating that a civil, and not a military, post of Uncle Sam’s government is here established. Its front is ornamented with a portico of half-a-dozen wooden pillars, supporting a balcony, beneath which a flight of wide granite steps descends towards the street. Over the entrance hovers an enormous specimen of the American eagle, with outspread wings, a shield before her breast, and, if I recollect aright, a bunch of intermingled thunderbolts and barbed arrows in each claw. With the customary infirmity of temper that characterizes this unhappy fowl, she appears by the fierceness of her beak and eye, and the general truculency of her attitude, to threaten mischief to the inoffensive community; and especially to warn all citizens careful of their safety against intruding on the premises which she overshadows with her wings. Nevertheless, vixenly as she looks, many people are seeking at this very moment to shelter themselves under the wing of the federal eagle; imagining, I presume, that her bosom has all the softness and snugness of an eiderdown pillow. But she has no great tenderness even in her best of moods, and, sooner or later — oftener soon than late — is apt to fling off her nestlings with a scratch of her claw, a dab of her beak, or a rankling wound from her barbed arrows. The pavement round about the above-described edifice — which we may as well name at once as the Custom-House of the port
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
A Road Trip to Remember: My Journey on India’s Most Efficient Highway As someone who loves long drives, I am always on the lookout for roads that offer a smooth and hassle-free journey. Recently, I had the opportunity to travel on the Agra Etawah Toll Road Project, and I must say, it was one of the best highway experiences I’ve had in India. Whether you’re a road trip enthusiast or a daily commuter, this highway is built to make your journey effortless. #modernroad A Flawless Driving Experience The first thing that caught my attention was how well-maintained this highway is. Unlike many roads where unexpected bumps and potholes can make driving frustrating, this toll road offers a seamless ride. The lanes are clearly marked, the pavement is smooth, and the traffic flow is well-managed. Another great aspect of this highway is the reduction in travel time. Thanks to its excellent design, I was able to maintain a consistent speed without unnecessary slowdowns. The well-planned entry and exit points ensure there’s no chaotic merging of traffic, making the drive much safer. Safety Features That Make a Difference Safety is a priority on this highway, and it shows in the way it has been constructed. Dedicated lanes for heavy vehicles prevent congestion, and proper speed limits ensure a smooth flow of traffic. For travelers driving at night, the highway is well-lit, reducing the risks of accidents. Emergency services are also available along the route, so help is always within reach. It’s rare to find a highway in India that prioritizes both speed and safety so effectively. #modernroadmakers Rest Stops That Actually Work for Travelers One of the biggest concerns while traveling long distances is the availability of clean and well-maintained rest stops. This highway offers exactly that. The fuel stations, food courts, and rest areas are strategically placed, ensuring that travelers don’t have to drive too far to take a break. I made a quick stop at one of these rest areas and was impressed by the facilities. The washrooms were clean, the food options were hygienic, and the overall environment was traveler-friendly. It’s details like these that make a highway truly world-class. A Highway That Transforms Connectivity Beyond just offering a great travel experience, the Agra Etawah Toll Road Project has significantly improved connectivity in this region. Faster roads mean better business opportunities, easier trade movement, and more efficient travel for daily commuters. Highways like these are a sign of India’s progress in road infrastructure. If you love traveling or simply want a more convenient way to get from Agra to Etawah, this toll road is the perfect choice. It’s fast, reliable, and built for the modern traveler. #indiabesthighway
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