Stained Best Quotes

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Here's to the kids. The kids who would rather spend their night with a bottle of coke & Patrick or Sonny playing on their headphones than go to some vomit-stained high school party. Here's to the kids whose 11:11 wish was wasted on one person who will never be there for them. Here's to the kids whose idea of a good night is sitting on the hood of a car, watching the stars. Here's to the kids who never were too good at life, but still were wicked cool. Here's to the kids who listened to Fall Out boy and Hawthorne Heights before they were on MTV...and blame MTV for ruining their life. Here's to the kids who care more about the music than the haircuts. Here's to the kids who have crushes on a stupid lush. Here's to the kids who hum "A Little Less 16 Candles, A Little More Touch Me" when they're stuck home, dateless, on a Saturday night. Here's to the kids who have ever had a broken heart from someone who didn't even know they existed. Here's to the kids who have read The Perks of Being a Wallflower & didn't feel so alone after doing so. Here's to the kids who spend their days in photobooths with their best friend(s). Here's to the kids who are straight up smartasses & just don't care. Here's to the kids who speak their mind. Here's to the kids who consider screamo their lullaby for going to sleep. Here's to the kids who second guess themselves on everything they do. Here's to the kids who will never have 100 percent confidence in anything they do, and to the kids who are okay with that. Here's to the kids. This one's not for the kids, who always get what they want, But for the ones who never had it at all. It's not for the ones who never got caught, But for the ones who always try and fall. This one's for the kids who didnt make it, We were the kids who never made it. The Overcast girls and the Underdog Boys. Not for the kids who had all their joys. This one's for the kids who never faked it. We're the kids who didn't make it. They say "Breaking hearts is what we do best," And, "We'll make your heart be ripped of your chest" The only heart that I broke was mine, When I got My Hopes up too too high. We were the kids who didnt make it. We are the kids who never made it.
Pete Wentz
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as a starfish loves a coral reef and as a kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. i will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and as an eraser loves to leave dust in the hairdos of people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as the taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock.
Lemony Snicket
It's like this old patchwork quilt my momma used to have...Each piece on that quilt meant something. And some of those pieces were the damn ugliest things you've ever seen...But some of the pieces were so beautiful they almost hurt my eyes to look at when I was a kid...That's the best you can hope for, Danny. That your life turns out like that patchwork quilt. That you can add some bright, sparkling pieces to the dirty, stained ones you have so far. That in the end, the bright patches might take up more space on your quilt than the dark ones.
Brooke McKinley (Shades of Gray)
People always want to know what it feels like, so I’ll tell you: there’s a sting when you first slice, and then your heart speeds up when you see the blood, because you know you’ve done something you shouldn’t have, and yet you’ve gotten away with it. Then you sort of go into a trance, because it’s truly dazzling—that bright red line, like a highway route on a map that you want to follow to see where it leads. And—God—the sweet release, that’s the best way I can describe it, kind of like a balloon that’s tied to a little kid’s hand, which somehow breaks free and floats into the sky. You just know that balloon is thinking, Ha, I don’t belong to you after all; and at the same time, Do they have any idea how beautiful the view is from up here? And then the balloon remembers, after the fact, that it has a wicked fear of heights. When reality kicks in, you grab some toilet paper or a paper towel (better than a washcloth, because the stains don’t ever come out 100 percent) and you press hard against the cut. You can feel your embarrassment; it’s a backbeat underneath your pulse. Whatever relief there was a minute ago congeals, like cold gravy, into a fist in the pit of your stomach. You literally make yourself sick, because you promised yourself last time would be the last time, and once again, you’ve let yourself down. So you hide the evidence of your weakness under layers of clothes long enough to cover the cuts, even if it’s summertime and no one is wearing jeans or long sleeves. You throw the bloody tissues into the toilet and watch the water go pink before you flush them into oblivion, and you wish it were really that easy.
Jodi Picoult (Handle with Care)
The sunrise was the colour of bad blood. It leaked out of the east and stained the dark sky red, marked the scraps of the cloud with stolen gold. Underneath it the road twisted up the mountainside towards the fortress of Fontezarmo - a cluster of sharp towers, ash-black again the wounded heavens. The sunrise was red, black and gold. The colours of their profession.
Joe Abercrombie (Best Served Cold)
Sticks and stones will break my bones but names will never hurt me.” This is a lie. What we say matters. The unkind things we communicate can soil the best of relationships; even with the deepest of regrets…what lingers is a stain of hurt that may fade but will never truly go away. The wounding words we say are like feathers released in a harsh wind, once said; we will never get them back. ~Jason Versey
Jason Versey (A Walk with Prudence)
Raindrops on roses and girls in white dresses and sleeping with roaches and taking best guesses and shade of the sheets and before all the stains and a few more of your least favorite things...
Addi Booth
My mother, who would always buy her books new, hated it the vintage hardcovers with their cracked spines and threadbare cloth covers. True you couldn't go in there and buy the latest best seller, but when you held one of those volumes in your hands, you were leafing through another person'a life. Someone else had once loved that story, too. Someone else had carried that book in a backpack, devoured it over breakfast, mopped up that coffee stain at a Paris café, cried herself to sleep after that last chapter. The scent was distinctive: a slight damp mildew, a punch of dust. To me, it was the smell of history.
Jodi Picoult (The Storyteller)
Being a Christian isn’t what most think it is—all rules and regulations.” She clinked her glass with the red lipstick stain on the rim against mine. “It is all trust and surrender and transformation, at its best.
Patti Callahan Henry (Becoming Mrs. Lewis)
That's the best you can hope for, Danny. That your life turns out like that patchwork quilt. That you can add some bright, sparkling pieces to the dirty, stained ones you've got so far. That in the end, the bright patches might take up more space on your quilt than the dark ones.
Brooke McKinley (Shades of Gray)
Every word, every step, every action is irreversible. If we step in front of a moving car, if we sign a contract we haven’t read, if we betray the person we love, the best we can do is try to clean up the mess. But no matter how hard we scrub, the stain on reality will never come out. The word you just read can never be unread.
Neil Strauss (The Truth: An Uncomfortable Book about Relationships)
Out of all of the sects in the world, we notice an uncanny coincidence: the overwhelming majority just happen to choose the one that their parents belong to. Not the sect that has the best evidence in its favour, the best miracles, the best moral code, the best cathedral, the best stained glass, the best music: when it comes to choosing from the smorgasbord of available religions, their potential virtues seem to count for nothing, compared to the matter of heredity. This is an unmistakable fact; nobody could seriously deny it. Yet people with full knowledge of the arbitrary nature of this heredity, somehow manage to go on believing in their religion, often with such fanaticism that they are prepared to murder people who follow a different one.
Richard Dawkins
We fall in love most deeply with those who have known our demons; with those who have touched our demons, made peace with our demons, made love to them, forgiven them... known them. They are the ones we love the most. Demon whisperers. They are the ones we love with the marrow in our bones. It's not the ones who see the best in us; it's the ones who have stroked the worst in us: these are the ones who stain our veins. These are the ones we call home.
C. JoyBell C.
You seem not like a lady give much to swooning, anyway, from what I've seen," he said. "Not much, sir. Swooning stains one's gown with earth." "But not if one is there to catch you, lady." "'Tis true. But men can't be relied upon to follow me about with outstretched arms, and so I think it best to stay upright.
Melinda Taub (Still Star-Crossed)
When you keep a secret from those closest to you, even with the best of motives, there is a danger that you will create a smaller life within your main life. The first secret will spin off other secrets that also must be kept, complicated webs of evasion that grow into elaborate architectures of repressed truths and subterfuge, until you discover that you must live two narratives at once. Because deception requires both bold lies and lies of omission, it stains the soul, muddies the conscience, blurs the vision, and puts you at risk of headlong descent into greater darkness.
Dean Koontz (The City)
Beware of anything that would tarnish God's mirror in you. It is always something good stains it—good, but not best.
Oswald Chambers
The best defense to inquiry was semi-coherent rants and accusations.
Sam Sykes (The City Stained Red (Bring Down Heaven, #1))
Russia used to be great, a nation of philosophers, brilliant thinkers, artists, and scientists. Not anymore. It hasn’t been great for a long time, not since Stalin purged the thinking class. Contrary to popular belief, he didn’t murder the bourgeoisie, he murdered anyone with talent. Do you know what that does to a society? I find it’s difficult to be proud of my heritage, of a culture I now consider mediocre at best, monstrous at worst. Russia is irrevocably crippled, stained by its totalitarianism—to which it still subscribes, like sheep—and rivers flow, the sky weeps with the blood of what once made it great.
Penny Reid (Kissing Tolstoy (Dear Professor, #1))
Monroe had in fact preached that God was not at all such a one as ourselves, not one to be temperamentally inclined to tread ragefully upon us until our blood flew up and stained all His white raiment, but rather that He looked on both the best and worst of mankind with weary, bemused pity.
Charles Frazier (Cold Mountain)
Although I’d had no trouble looking at the casket the day before, on that Saturday I did my best to keep my eyes averted. I stared instead at the stained-glass window behind the altar and imagined shooting the panes out with a slingshot.
William Kent Krueger (Ordinary Grace)
And then a man of forty or so, with a French accent, asked, "How do you achieve the presence of mind to initiate the writing of a poem?" And something cracked open in me, and I finally stopped hoarding and told them my most useful secret. The only secret that has helped me consistently over all the years that I've written. I said, "Well, I'll tell you how. I ask a simple question. I ask myself: What was the very best moment of your day??" The wonder of it was, I told them that this one question could lift out from my life exactly what I will want to write a poem about. Something I hadn't known was important will leap out and hover there in front of me, saying I am— I am the best moment of the day. I noticed two people were writing down what I was saying. Often, I went on, it's a moment when you're waiting for someone, or you're driving somewhere, or maybe you're just walking across a parking lot and admiring the oil stains and the dribbled tar patterns. One time it was when I was driving past a certain house that was screaming with sunlitness on its white clapboards, and then I plunged through tree shadows that splashed and splayed across the windshield. I thought, Ah, of course— I'd forgotten. You, windshield shadows, you are the best moment of the day. "And that's my secret, such as it is," I said.
Nicholson Baker (The Anthologist (The Paul Chowder Chronicles #1))
Okay. That’s smooth. Ask the librarian for a library card. Best pickup line I’ve heard yet.” “How do you know it’s a pickup line?” “It isn’t?” She arches an eyebrow. “No, it most definitely is but since I foresee coming to the library frequently in the future, I’ll take the card too.” She purses her cherry stained lips to contain a smile and bends her head to read the information on my license as she fills out the card application. “I’m afraid to ask why you’ll be coming to the library frequently.” “Because I’ll want to fuck you here,” I answer matter of factly.
Ella Goode (Her Secret Pleasure (Death Lords MC, #2))
On this material plane, each living being is like a street lantern lamp with a dirty lampshade. The inside flame burns evenly and is of the same quality as all the rest—hence all of us are equal in the absolute sense, the essence, in the quality of our energy. However, some of the lamps are “turned down” and having less light in them, burn fainter, (the beings have a less defined individuality, are less in tune with the universal All which is the same as the Will)—hence all of us are unequal in a relative sense, some of us being more aware (human beings), and others being less aware (animal beings), with small wills and small flames. The lampshades of all are stained with the clutter of the material reality or the physical world. As a result, it is difficult for the light of each lamp to shine through to the outside and it is also difficult to see what is on the other side of the lampshade that represents the external world (a great thick muddy ocean of fog), and hence to “feel” a connection with the other lantern lamps (other beings). The lampshade is the physical body immersed in the ocean of the material world, and the limiting host of senses that it comes with. The dirt of the lampshade results from the cluttering bulk of life experience accumulated without a specific goal or purpose. The dirtier the lampshade, the less connection each soul has to the rest of the universe—and this includes its sense of connection to other beings, its sense of dual presence in the material world and the metaphysical world, and the thin connection line to the wick of fuel or the flow of electricity that resides beyond the material plane and is the universal energy. To remain “lit” each lantern lamp must tap into the universal Source of energy. If the link is weak, depression and-or illness sets in. If the link is strong, life persists. This metaphor to me best illustrates the universe.
Vera Nazarian (The Perpetual Calendar of Inspiration)
On the wall next to the door we’d entered through was a huge floor-to-ceiling bulletin/whiteboard combo and hanging from a thumbtack on the bulletin board amongst pictures and other various sorts of memorabilia was my bra. It’d been washed but it still had a good many blotches of pink on it. If that wasn’t shocking enough, the dialogue written over the last two weeks on the whiteboard pertaining to said bra certainly was. I’ll include the copy just so you can truly appreciate what I’m dealing with here. Tristan’s Mom: What’s this? Tristan: A size 34B lace covered slingshot. Jeff: Nice! Tristan’s Mom: Do I want to know? Tristan: I don’t know, do you? Tristan’s Mom: Not really. Are you planning on returning it or did you win some kind of prize? Tristan: I plead the fifth. Tristan’s Dad: Well done son. Jeff: Ditto! Tristan’s Mom: Don’t encourage him. Tristan: Gee, thanks Mom. Tristan’s Dad: Can’t a father be proud of his only child? Tristan’s Mom: He doesn’t need your help…obviously. Tristan’s Dad: That’s because he takes after me. Tristan: Was there anything else I can do for you two? Tristan’s Mom: Tell her I tried to get the stains out, but I’m afraid they set in before I got to it. Tristan: I’m sure she’ll appreciate your effort, but if I’m any judge (and I’d like to think I am) its size has caused it to become obsolete and she needs to trade up. Jeff: I’m so proud. Tristan: Thanks man. Tristan’s Mom: A name would be nice you know. Tristan: Camie. Tristan’s Mom: Do we get to meet her? Tristan: Sure. I’ll have my people call your people and set it up. Tristan’s Mom: I don’t know why I bother. Do you want anything from the store? Tristan: Yeah, Camie’s sleeping over tonight and I promised her bacon and eggs for breakfast. Jeff’s got the eggs covered but could you pick up some bacon for us and maybe a box of Twinkies for the bus? Thanks, you’re the best. Jeff: I have the eggs covered? Tristan’s Dad: He gets his sense of humor from you. Tristan’s Mom: Flattery will get you everywhere. How would you like your eggs prepared dear?
Jenn Cooksey (Shark Bait (Grab Your Pole, #1))
CLYTEMNESTRA. Nay, peace, O best-belovèd! Peace! And let us work no evil more. Surely the reaping of the past is a full harvest, and not good, And wounds enough are everywhere.—Let us not stain ourselves with blood.
Aeschylus (The Agamemnon of Aeschylus Translated into English Rhyming Verse with Explanatory Notes)
I’m sorry you haven’t a more pristine canvas – she paused signing to indicate her body from head to toe – upon which to depict a princess. Selena stopped Lyra’s hands in midair by dragging velvety-peach sleeves up her arms. “I disagree. The best canvas has flaws and furrows... and tells a story of its own before the paint is even added.
A.G. Howard (Stain)
The best I can suggest is that when the Absolute manifested itself in the world evil was the natural correlation of good. You could never have had the stupendous beauty of the Himalayas without the unimaginable horror of a convulsion of the earth's crust. The Chinese craftsman who makes a vase in what they call eggshell porcelain can give it a lovely shape, ornament it with a beautiful design, stain it a ravishing colour and give it a perfect glaze, but from its very nature he can't make it anything but fragile. If you drop in on the floor it will break into a dozen fragments. Isn't possible in the same way that the values we cherish in the world can only exist in combination with evil?
W. Somerset Maugham (The Razor’s Edge)
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in a blurring, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fetuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and an eraser loves to leave dust in the hairdos of the people who talk too much. I will love you as a taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock. I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong.
Lemony Snicket (The Beatrice Letters)
he loathed his own beauty, and flinging the mirror on the floor, crushed it into silver splinters beneath his heel. It was his beauty that had ruined him, his beauty and the youth that he had prayed for. But for those two things, his life might have been free from stain. His beauty had been to him but a mask, his youth but a mockery. What was youth at best? A green, an unripe time, a time of shallow moods, and sickly thoughts. Why had he worn its livery? Youth had spoiled him.
Oscar Wilde (The Picture of Dorian Gray)
It would be incorrect in every sense to say that so near the end of his life he had lost his faith, when in fact God seemed more abundant to him in the Regina Cleri home than any place he had been before. God was in the folds of his bathrobe, the ache of his knees. God saturated the hallways in the form of a pale electrical light. But now that his heart had become so shiftless and unreliable, now that he should be sensing the afterlife like a sweet scent drifting in from the garden, he had started to wonder if there was in fact no afterlife at all. Look at all these true believers who wanted only to live, look at himself, cling onto this life like a squirrel scrambling up the icy pitch of a roof. In suggesting that there may be nothing ahead of them, he in no way meant to diminish the future; instead, Father Sullivan hoped to elevate the present to a state of the divine. It seemed from this moment of repose that God may well have been life itself. God may have been the baseball games, the beautiful cigarette he smoked alone after checking to see that all the bats had been put back behind the closet door. God could have been the masses in which he had told people how best to prepare for the glorious life everlasting, the one they couldn't see as opposed to the one they were living at that exact moment in the pews of the church hall, washed over in stained glass light. How wrongheaded it seemed now to think that the thrill of heartbeat and breath were just a stepping stone to something greater. What could be greater than the armchair, the window, the snow? Life itself had been holy. We had been brought forth from nothing to see the face of God and in his life Father Sullivan had seen it miraculously for eighty-eight years. Why wouldn't it stand to reason that this had been the whole of existence and now he would retreat back to the nothingness he had come from in order to let someone else have their turn at the view. This was not the workings of disbelief. It was instead a final, joyful realization of all he had been given. It would be possible to overlook just about anything if you were trained to constantly strain forward to see the power and the glory that was waiting up ahead. What a shame it would have been to miss God while waiting for him.
Ann Patchett (Run)
She jumped. "You walk like a cat!" "I am a cat, sweetheart." He wanted to tease her again, so he let a low growl rumble up from his chest. "See?" Streaks of vibrant color stained her cheeks once more. But she didn't back down. "Are you planning to move?" "No." He drew in a deep breath, fighting the urge to nuzzle at her throat. "You smell good. Can I taste you?" It was a half-serious question. "Just a little?" "Mr. Quinn!" She took a step around him and headed off. But he'd already caught the tart bite of arousal in her scent. Satisfied, he followed, on his best behavior now. It wouldn't do to scare Annie away. Not when he planned to keep her.
Nalini Singh (The Magical Christmas Cat (Breeds, #12.5; Feline Breeds, #11; Murphy Sisters, #2; Psy-Changeling, #3.5))
The devil does some of his best work behind stained glass.
Eugene H. Peterson (The Jesus Way: A Conversation on the Ways That Jesus Is the Way (Spiritual Theology #3))
They’re a slow-moving lot, reporters. Slothlike. Weighed down by all that righteous indignation about the freedom of the press and the public’s right to know, not to mention the liquid lunches they see as their constant due. Go out now and you’re playing right into their grasping, ink-stained hands.” He cocked an ear to the door. “I’m doing my best to protect your reputation here. It wouldn’t do to have a serving wench caught in a compromising position with the lord of the manor.” “You don’t have the cleavage to make a good serving wench, Eli.
Kate Meader (Playing with Fire (Hot in Chicago, #2))
There are moments in one’s life that can put a shadow on the soul. A dark stain that changes a person—for better or worse—and they’re forced to move forward with the certain knowledge that they can no longer trust what they once perceived as truth. When that reality is changed, the only thing one can do is learn from it and do their best to not let it harm them again.
Susan Illene (Chained by Darkness (The Sensor, #2.5))
I still have my little red hardcover notebook—spine now held in place by packing tape, pages dotted with cooking stains—filled with her loving instructions for mandelbrot, nut cake, and strudel.
Lori Pollan (The Pollan Family Table: The Best Recipes and Kitchen Wisdom for Delicious, Healthy Family Meals)
The next day, when I came home from the library, there was a small, used red record player in my room. I found my mother in the kitchen and spotted a bandage taped to her arm. “Ma,” I asked. “Where did you get the money for the record player?” “I had it saved,” she lied. My father lived well, had a large house and an expensive imported car, wanted for little, and gave nothing. My mother lived on welfare in a slum and sold her blood to the Red Cross to get me a record player. “Education is everything, Johnny,” she said, as she headed for the refrigerator to get me food. “You get smart like regular people and you don’t have to live like this no more.” She and I were not hugging types, but I put my hand on her shoulder as she washed the dishes with her back to me and she said, in best Brooklynese, “So go and enjoy, already.” My father always said I was my mother’s son and I was proud of that. On her good days, she was a good and noble thing to be a part of. That evening, I plugged in the red record player and placed it by the window. My mother and I took the kitchen chairs out to the porch and listened to Beethoven’s Sixth Symphony from beginning to end, as we watched the oil-stained waters of the Mad River roll by. It was a good night, another good night, one of many that have blessed my life.
John William Tuohy
It’s one of the best working examples I know of C. S. Lewis’s principle of sneaking past “watchful dragons.” Lewis wrote in an essay called “Sometimes Fairy Stories May Say Best What’s to be Said,” I thought I saw how stories of this kind could steal past a certain inhibition which had paralysed much of my own religion in childhood. Why did one find it so hard to feel as one was told one ought to feel about God or the sufferings of Christ? I thought the chief reason was that one was told one ought to. An obligation to feel can freeze feelings. And reverence itself did harm. The whole subject was associated with lowered voices; almost as if it were something medical. But supposing that by casting all these things into an imaginary world, stripping them of their stained-glass and Sunday School associations, one could make them for the first time appear in their real potency? Could one not thus steal past those watchful dragons? I thought one could.
Andrew Peterson (Adorning the Dark: Thoughts on Community, Calling, and the Mystery of Making)
Body. Soul. Mind. Sensations: the body. Desires: the soul. Reasoning: the mind. To experience sensations: even grazing beasts do that. To let your desires control you: even wild animals do that—and rutting humans, and tyrants (from Phalaris to Nero . . .). To make your mind your guide to what seems best: even people who deny the gods do that. Even people who betray their country. Even people who do <. . .> behind closed doors. If all the rest is common coin, then what is unique to the good man? To welcome with affection what is sent by fate. Not to stain or disturb the spirit within him with a mess of false beliefs. Instead, to preserve it faithfully, by calmly obeying God—saying nothing untrue, doing nothing unjust. And if the others don’t acknowledge it—this life lived with simplicity, humility, cheerfulness—he doesn’t resent them for it, and isn’t deterred from following the road where it leads: to the end of life. An end to be approached in purity, in serenity, in acceptance, in peaceful unity with what must be.
Marcus Aurelius (Meditations)
Exoneration of Jesus Christ If Christ was in fact God, he knew all the future. Before Him like a panorama moved the history yet to be. He knew how his words would be interpreted. He knew what crimes, what horrors, what infamies, would be committed in his name. He knew that the hungry flames of persecution would climb around the limbs of countless martyrs. He knew that thousands and thousands of brave men and women would languish in dungeons in darkness, filled with pain. He knew that his church would invent and use instruments of torture; that his followers would appeal to whip and fagot, to chain and rack. He saw the horizon of the future lurid with the flames of the auto da fe. He knew what creeds would spring like poisonous fungi from every text. He saw the ignorant sects waging war against each other. He saw thousands of men, under the orders of priests, building prisons for their fellow-men. He saw thousands of scaffolds dripping with the best and bravest blood. He saw his followers using the instruments of pain. He heard the groans—saw the faces white with agony. He heard the shrieks and sobs and cries of all the moaning, martyred multitudes. He knew that commentaries would be written on his words with swords, to be read by the light of fagots. He knew that the Inquisition would be born of the teachings attributed to him. He saw the interpolations and falsehoods that hypocrisy would write and tell. He saw all wars that would be waged, and-he knew that above these fields of death, these dungeons, these rackings, these burnings, these executions, for a thousand years would float the dripping banner of the cross. He knew that hypocrisy would be robed and crowned—that cruelty and credulity would rule the world; knew that liberty would perish from the earth; knew that popes and kings in his name would enslave the souls and bodies of men; knew that they would persecute and destroy the discoverers, thinkers and inventors; knew that his church would extinguish reason’s holy light and leave the world without a star. He saw his disciples extinguishing the eyes of men, flaying them alive, cutting out their tongues, searching for all the nerves of pain. He knew that in his name his followers would trade in human flesh; that cradles would be robbed and women’s breasts unbabed for gold. And yet he died with voiceless lips. Why did he fail to speak? Why did he not tell his disciples, and through them the world: “You shall not burn, imprison and torture in my name. You shall not persecute your fellow-men.” Why did he not plainly say: “I am the Son of God,” or, “I am God”? Why did he not explain the Trinity? Why did he not tell the mode of baptism that was pleasing to him? Why did he not write a creed? Why did he not break the chains of slaves? Why did he not say that the Old Testament was or was not the inspired word of God? Why did he not write the New Testament himself? Why did he leave his words to ignorance, hypocrisy and chance? Why did he not say something positive, definite and satisfactory about another world? Why did he not turn the tear-stained hope of heaven into the glad knowledge of another life? Why did he not tell us something of the rights of man, of the liberty of hand and brain? Why did he go dumbly to his death, leaving the world to misery and to doubt? I will tell you why. He was a man, and did not know.
Robert G. Ingersoll
How to tell your pretend-boyfriend and his real boyfriend that your internal processors are failing: 1. The biological term is depression, but you don't have an official diagnostic (diagnosis) and it's a hard word to say. It feels heavy and stings your mouth. Like when you tried to eat a battery when you were small and your parents got upset. 2. Instead, you try to hide the feeling. But the dark stain has already spilled across your hardwiring and clogged your processor. You don't have access to any working help files to fix this. Tech support is unavailable for your model. (No extended warranty exists.) 3. Pretend the reason you have no energy is because you're sick with a generic bug. 4. You have time to sleep. Your job is canceling out many of your functions; robots can perform cleaning and maintenance in hotels for much better wage investment, and since you are not (yet) a robot, you know you will be replaced soon. 5. The literal translation of the word depression: you are broken and devalued and have no further use. 6. No one refurbishes broken robots. 7. Please self-terminate.
A. Merc Rustad (The Best American Science Fiction and Fantasy 2015)
 The greatest characteristic a Christian can exhibit is this completely unveiled openness before God, which allows that person’s life to become a mirror for others. When the Spirit fills us, we are transformed, and by beholding God we become mirrors. You can always tell when someone has been beholding the glory of the Lord, because your inner spirit senses that he mirrors the Lord’s own character. Beware of anything that would spot or tarnish that mirror in you. It is almost always something good that will stain it—something good, but not what is best.
Oswald Chambers (My Utmost for His Highest)
That’s the best you can hope for, Danny. That your life turns out like that patchwork quilt. That you can add some bright, sparkling pieces to the dirty, stained ones you’ve got so far. That in the end, the bright patches might take up more space on your quilt than the dark ones.
Brooke McKinley (Shades of Gray)
When you keep a secret from those closest to you, even with the best of motives, there's a danger that you will create a smaller life within your main life. The first secret will spin off other secrets that also must be kept, complicated webs of evasion that grow into elaborate architectures of repressed truths and subterfuge, until you discover that you must live two narratives at once. Because deception requires both bold lies and lies of omission, it's stains the soil, muddies the conscience, blurs the vision, and puts you at risk of headlong descent into darkness.
Dean Koontz (The City (The City, #1))
But she had not been tempted to look him up back then. She’d become accustomed to the sense of herself as separate from all others, and there was something comforting about that. It was best to keep the past just out of reach, hovering a little more than arm’s length away. While she knew it was there, could sense it, she carefully kept those memories out of her grasp, and she sometimes seemed to forget the past entirely. But that was an illusion. Her memories of Jack, of Lulu—of life before—were not actually gone and forgotten; they lived on inside her, shadows of a bleached-out stain.
Katrin Schumann (The Forgotten Hours)
Lessons are over and Mademoiselle is reading to us on the veranda where the plaited chairs smell of vanilla in the heat. The sun is everywhere — on the steps, on the mat, on the white window sills, where it repeats the hues of the stained glass. This is the time when Mademoiselle is at her very best.
Vladimir Nabokov (Красавица и други истории)
Unless you were dealing with the immensely stupid, which I wasn’t, it was best to muss things up, to crease things, to leave tea stains, to place a small but partial muddy footprint, not exactly in the middle of the issue, but slightly to the side of, and hopefully suggestive of and incidental to the issue.
Anna Burns (Milkman)
Only slowly could these men be guided back to the commonplace truth that no one has the right to do wrong, not even if wrong has been done to them. We had to strive to lead them back to this truth, or the consequences would have been much worse than the loss of a few thousand stalks of oats. I can still see the prisoner who rolled up his shirt sleeves, thrust his right hand under my nose and shouted, "May this hand be cut off if I don't stain it with blood on the day when I get home!" I want to emphasize that the man who said these words was not a bad fellow. He had been the best of comrades in camp and afterwards.
Viktor E. Frankl (Man’s Search for Meaning)
We believed we were supposed to "cope" as best we could. As we talked, we realized the disability itself was not that big a deal for us. We had all learned to accept our physical limitations. What made life difficult was not the disability, but the lack of services and support, the lack of accessibility, the unfair and stereotypical ways in which we were treated, the pity doled out for us all our lives. Often, after a meeting, I wrote my thoughts down in a notebook. "It's not my fault that I'm disabled, yet I've been made to feel that it is," I wrote. "My polio never made me unhappy; people made me unhappy. Ever since I was a little girl, people have always made me feel I was no good because I was disabled. From Sicilian women and the nuns to the doctors who couldn't fix me, to my fellow students and prospective employers... and even my own parents." As I wrote, my tears fell and stained the pages - tears of anger, of relief and of new hope.
Nadina LaSpina (Such a Pretty Girl: A Story of Struggle, Empowerment, and Disability Pride)
I sail through life with great trust in my heart. Whoever stains and breaks that trust will be in a cold water best left behind. I felt the cold breeze of monetary means through the low ethics of money driven minds. I securely docked in a shore I call home without the cloaks of dead winter I saw on people who have used me.
Angelica Hopes
He once heard that the best way to prepare mentally for becoming a parent is to stay in a tent at a weeklong rock festival with a load of fat friends who are smoking hash. You blunder about in a permanent state of acute sleep deprivation wearing clothes covered with stains from food that is only very rarely your own, you suffer from tinnitus, you can't go near a puddle without some giggling fool jumping in it, you can't go to the bathroom without someone standing outside banging on the door, you get woken up in the middle of the night because someone was 'just thinking about something,' and you get woken up the next morning to find someone pissing on you.
Fredrik Backman (Beartown (Beartown, #1))
It's a lost and lonely kind of feeling, To wake up wearing a disguise. I lie in bed staring at the ceiling, I don't know who I am There's little that I can Fully recognize.... But I'm taking small steps, 'Cause I don't know where I'm going. I'm taking small steps And I don't know what to say. Small steps, Trying to pull myself together, And maybe I'll discover A clue along the way.... Just to make it through the day and not to get hurt, Seems about the best that I can hope. Like coffee stains splattered on your sweatshirt There isn't any pattern. Everything's uncertain. It's difficult to cope.... But I'm taking small steps, 'Cause I don't know where I'm going. I'm taking small steps, And I've forgotten how to play. Small steps, Trying to pull myself together, And maybe I'll discover, A clue along the way.... And if someday my small steps bring me near you, Please don't rush to tell me all you feel. You don't have to speak for me to hear you. If I softly sigh, Look me in the eye And let me know I'm real.... Then we'll take small steps, 'Cause we won't know where we're going. We'll take small steps, And we'll have too much to say. Small steps, Hand in hand we'll walk together, And maybe we'll discover A clue along the way.... Small steps, 'Cause I don't know where I'm goin'. Small steps, I just take it day to day. Small steps, Somehow get myself together, Then maybe I'll discover Who I am on the way....
Louis Sachar (Small Steps (Holes, #2))
It was his beauty that had ruined him, his beauty and the youth that he had prayed for. But for those two things, his life might have been free from stain. His beauty had been to him but a mask, his youth but a mockery. What was youth at best? A green, an unripe time, a time of shallow moods, and sickly thoughts. Why had he worn its livery? Youth had spoiled him.
Oscar Wilde (The Picture of Dorian Gray)
It may be that there is no solution or it may be that I'm not clever enough to find it. Ramakrishna looked upon the world as the sport of God. "It is like a game," he said. "In this game there are joy and sorrow, virtue and vice, knowledge and ignorance, good and evil., The game cannot continue if sin and suffering are altogether eliminated from the creation." I would reject that with all my strength. The best I can suggest is that when the Absolute manifested itself in the world evil was the natural correlation of good. You could never have had the stupendous beauty of the Himalayas without the unimaginable horror of a convulsion of the earth's crust. The Chinese craftsman who makes a vase in what they call eggshell porcelain can give it a lovely shape, ornament it with a beautiful design, stain it a ravishing colour, and give it a perfect glaze, but from its very nature he can't make it anything but fragile. If you drop it on the floor it will break into a dozen fragments. Isn't it possible in the same way that the values we cherish in the world can only exist in combination with evil?
W. Somerset Maugham
Did we win?” “I’m here, aren’t I?” He must be running. Her body jounced painfully against his chest with every lurching step. He needed his cane. “I don’t want to die.” “I’ll do my best to make other arrangements for you.” She closed her eyes. “Keep talking, Wraith. Don’t slip away from me.” “But it’s what I do best.” He clutched her tighter. “Just make it to the schooner. Open your damn eyes, Inej.” She tried. Her vision was blurring, but she could make out a pale, shiny scar on Kaz’s neck, right beneath his jaw. She remembered the first time she’d seen him at the Menagerie. He paid Tante Heleen for information – stock tips, political pillow talk, anything the Menagerie’s clients blabbed about when drunk or giddy on bliss. He never visited Heleen’s girls, though plenty would have been happy to take him up to their rooms. They claimed he gave them the shivers, that his hands were permanently stained with blood beneath those black gloves, but she’d recognised the eagerness in their voices and the way they tracked him with their eyes. One night, as he’d passed her in the parlour, she’d done a foolish thing, a reckless thing. “I can help you,” she’d whispered. He’d glanced at her, then proceeded on his way as if she’d said nothing at all. The next morning, she’d been called to Tante Heleen’s parlour. She’d been sure another beating was coming or worse, but instead Kaz Brekker had been standing there, leaning on his crow-head cane, waiting to change her life. “I can help you,” she said now. “Help me with what?” She couldn’t remember. There was something she was supposed to tell him. It didn’t matter any more. “Talk to me, Wraith.” “You came back for me.” “I protect my investments.” Investments. “I’m glad I’m bleeding all over your shirt.” “I’ll put it on your tab.” Now she remembered. He owed her an apology. “Say you’re sorry.” “For what?” “Just say it.” She didn’t hear his reply.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
To visualize this dance, the transparent components of the cell had to be coloured using a stain. As it happened, the stains that were best able to colour the chromosomes were acidic. Unfortunately, these stains tended to dissolve the mitochondria; their obsession with the nucleus meant that cytologists were simply dissolving the evidence. Other stains were ambivalent, colouring mitochondria only transiently, for the mitochondria themselves rendered the stain colourless. Their rather ghostly appearance and disappearance was scarcely conducive to firm belief. Finally Carl Benda demonstrated, in 1897, that mitochondria do have a corporeal existence in cells. He defined them as ‘granules, rods, or filaments in the cytoplasm of nearly all cells … which are destroyed by acids or fat solvents.’ His term, mitochondria (pronounced ‘my-toe-con-dree-uh’), was derived from the Greek mitos, meaning thread, and chondrin, meaning small grain. Although his name alone stood the test of time, it was then but one among many. Mitochondria have revelled in more than thirty magnificently obscure names, including chondriosomes, chromidia, chondriokonts, eclectosomes, histomeres, microsomes, plastosomes, polioplasma, and vibrioden.
Nick Lane (Power, Sex, Suicide: Mitochondria and the meaning of life (Oxford Landmark Science))
I had started “hibernating” as best I could in mid-June of 2000. I was twenty-six years old. I watched summer die and autumn turn cold and gray through a broken slat in the blinds. My muscles withered. The sheets on my bed yellowed, although I usually fell asleep in front of the television on the sofa, which was from Pottery Barn and striped blue and white and sagging and covered in coffee and sweat stains.
Ottessa Moshfegh (My Year of Rest and Relaxation)
You'll sip the water and cough just so the hero can wipe your chin with a napkin. Do anything to cement this new bond. This adoption. Remember to add details. Stain their clothes with snot so they can laugh and forgive you. Cling and clutch. Really cry so they can wipe your eyes. It's okay to cry as long as you're faking it. Just don't hold anything back. This is going to be the best story of somebody's life.
Chuck Palahniuk (Choke)
Every town has ‘THAT house’: the one that once held dark secrets. You know the house… the one no one will purchase? The one whose walls have seen blood? The one that even birds avoid, and the darkened windows resemble empty eye sockets? There are furtive, yet insistent, whispers about ‘that’ house, murmurs that perhaps the house is best left alone, lest the dark stain left upon that abode’s history seep into our own present-day.
James Caskey (The Haunted History of New Orleans: Ghosts of the French Quarter)
First thing Monday morning, Ruby came in. She seemed upset. "Zach, I've had a vision," she said immediately. "Was it a dream," Angelo began suddenly, with a wicked grin on his face, "where you see yourself standing in sort of sun-god robes on a pyramid with a thousand naked women screaming and throwing little pickles at you?" Ruby and I both gaped at him. "Of course not," Ruby said with disgust, "Why would you even ask something like that?" "Just wonderin'." He was facing her, But he held up a DVD case, facing me. 'Real Genius'. I had no idea what that was supposed to mean. Ruby shook her head at him and then turned back to me. "There was a bird. It tried to land in your hands, but a giant horse scared it away." As usual when Ruby announced her visions, I had no idea how to respond. I just smiled. "That's fascinating." She nodded sagely. "I hope you're nat planning any horse riding this weekend." Before I could answer, Nero Sensei burst through the doo, breathless. "Do any of you own the blue convertible parked at Jeremy's?" Which meant another kid had pucked off the balcony. "Hope the top wasn't down," Angelo said lightly. Sensei shook his head as he headed back out the door. "No, but it's a soft top, and Tim had cranberry juice before class. It's gonna stain." Ruby followed Nero out the door. Angelo turned to me. His eyes were sparkling and he was grinning from ear to ear. "Best job I ever had," he said. and I had to smile back.
Marie Sexton (A to Z (Coda, #2))
Satan so vehemently despises what Christ has done for mortals that one of his chief objectives is to make the clean feel unclean. Oh, how he desires to stain the beautiful bride of Christ. Satan can't make the bride do anything, so he does everything he can to get her to. How is this best accomplished? He tries to corrupt thoughts to manipulate feelings. Satan knows that the nature of humankind is to act out of how we feel rather than what we know. One of our most important defenses against satanic influence will be learning how to behave out of what we know is truth rather than what we feel. Satan's desire is to modify human behavior to accomplish his unholy purposes. Second Timothy 2:26 tells us that Satan's objective in taking people captive is to get them to do his will. If we have received Christ as our Savior, Satan is forced to work from the outside rather than the inside. Thus, he manipulates outside influences to affect the inside decision-makers of the heart and mind.
Beth Moore (When Godly People Do Ungodly Things: Finding Authentic Restoration in the Age of Seduction)
Street-Cries II. The Ship of Earth Thou ship of Earth, with Death, and Birth, and Life, and Sex aboard, And fires of Desires burning hotly in the hold, I fear thee, O! I fear thee, for I hear the tongue and sword At battle on the deck, and the wild mutineers are bold! The dewdrop morn may fall from off the petal of the sky, But all the deck is wet with blood and stains the crystal red. A pilot, God, a pilot! for the helm is left awry, And the best sailors in the ship lie there among the dead! Prattville, Alabama, 1868
Sidney Lanier (Poems of Sidney Lanier)
Failure generates its own majesty. Defeat becomes a panoptic stain on the soul; it creates its own all-embracing pathos. Reverses engulf us in fleshy feelings of self-pity, sorrow, and apathy. Resounding setbacks might even be subtlety attractive because it means we can give up trying. It is tempting to accept defeat, surrender to our insecurities, and admit that because of failing to accomplish one particular goal that the best part of our life was wasted. Cynically writing ourselves off as a failure, we are free to capitulate to the emptiness of our lives.
Kilroy J. Oldster (Dead Toad Scrolls)
When best-selling author and spiritual teacher Iyanla Vanzant joined me on the show, I told her that I keep the lesson in forgiveness she shared with me in a little book of quotes I’ve collected over the years: “You can accept or reject the way you are treated by other people, but until you heal the wounds of your past, you will continue to bleed. You can bandage the bleeding with food, with alcohol, with drugs, with work, with cigarettes, with sex, but eventually it will ooze through and stain your life. You must find the strength to open the wounds, stick your hands inside, pull out the core of the pain that is holding you in your past, the memories, and make peace with them.” This speaks so clearly to me. Pushing against the need to forgive is like spreading poison in your veins. Surrender to the hurt, loss, resentment, and disappointment. Accept the truth. It did happen and now it’s done. Make a decision to meet the pain as it rises within you and allow it to pass right through. Give yourself permission to let go of the past and step out of your history, into the now. Forgive, and set yourself free. —Oprah
Oprah Winfrey (The Wisdom of Sundays: Life-Changing Insights from Super Soul Conversations)
That settled, the number of chapels, doors, bell towers, and pinnacles are modified to infinity, according to the fancy of the century, the people, and art. The service of religion once assured and provided for, architecture does what she pleases. Statues, stained glass, rose windows, arabesques, denticulations, capitals, bas-reliefs,—she combines all these imaginings according to the arrangement which best suits her. Hence, the prodigious exterior variety of these edifices, at whose foundation dwells so much order and unity. The trunk of a tree is immovable; the foliage is capricious.
Victor Hugo (Complete Works of Victor Hugo)
I pushed the thought away. Doubt was like rot. Excise it at the first speckling, the first stain, the first faint stench of decay. But then—I suppose because my mind was on the wine—I thought of that other kind of rot, the soft gray fungus that sometimes afflicts the late grape harvest if the air turns unexpectedly moist. That rot causes the grapes to yield up a heavy, viscous juice of stupendously rich flavor. The wine pressed from such grapes was the best of all. Maybe doubt was like that sometimes. Maybe it, too, could yield rich fruit. Perhaps, then, it was right to doubt. Perhaps I had a right to doubt.
Geraldine Brooks (The Secret Chord)
We are 'tribals,' Yadeen and me from the Thak heartland, and Hulak, from the grass country north of Jindazhen," she told him. "We use the magic taught by our tribes and academic magic. Book magic. The masters who sneer are too blind to realize the gods and the immortals use no books. They think tribal magic is on the same level as hedge-witchery. They will mock you and do their best to shut you out of their oh-so-learned circles if you admit to taking other magics seriously. Lindhall is all right, and your other teachers. But be careful around the likes of Chioké and Girisunika. If you want to move up in Carthak, you stay clean of the stain of tribal magic.
Tamora Pierce (Tempests and Slaughter (The Numair Chronicles, #1))
At a certain age, he thought, it is better for one's health not to do what I am about to do. At a certain age, a man's outlook is best tempered by moderation, if not resignation, if not outright capitulation. At a certain age, one should live without either harking too much back to grievances of the past or inviting resistance in the present by embodying a challenge to the pieties that be. Yet to give up playing any but the role socially assigned, in this instance assigned to the respectably retired—at seventy-one, that is surely what is appropriate, and so, for Coleman Silk, as he long ago demonstrated with requisite ruthlessness to his very own mother, that is what is unacceptable.
Philip Roth (The Human Stain (The American Trilogy, #3))
The best I can suggest is that when the Absolute manifested itself in the world evil was the natural correlation of good. You could never have had the stupendous beauty of the Himalayas without the unimaginable horror of a convulsion of the earth’s crust. The Chinese craftsman who makes a vase in what they call eggshell porcelain can give it a lovely shape, ornament it with a beautiful design, stain it a ravishing color, and give it a perfect glaze, but from its very nature he can’t make it anything but fragile. If you drop it on the floor it will break into a dozen fragments. Isn’t it possible in the same way that the values we cherish in the world can only exist in combination with evil?
W. Somerset Maugham (The Razor's Edge (Vintage International))
It seemed from this moment of repose that God may well have been life itself. God may have been the baseball games, the beautiful cigarette he smoked alone after checking to see that all the bats had been put back behind the closet door. God could have been the masses in which he told people how best to prepare for the glorious life everlasting, the one they couldn’t see as opposed to the one they were living at that exact moment in the pews of the church hall, washed over in the stained glass light. How wrongheaded it seemed now to think that the thrill of heartbeat and breath were just a stepping stone to something greater. What could be greater than the armchair, the window, the snow? Life itself had been holy.
Ann Patchett (Run)
March 10 MORNING “In my prosperity I said I shall never be moved.” — Psalm 30:6 “MOAB is settled on his lees, he hath not been emptied from vessel to vessel.” Give a man wealth; let his ships bring home continually rich freights; let the winds and waves appear to be his servants to bear his vessels across the bosom of the mighty deep; let his lands yield abundantly: let the weather be propitious to his crops; let uninterrupted success attend him; let him stand among men as a successful merchant; let him enjoy continued health; allow him with braced nerve and brilliant eye to march through the world, and live happily; give him the buoyant spirit; let him have the song perpetually on his lips; let his eye be ever sparkling with joy — and the natural consequence of such an easy state to any man, let him be the best Christian who ever breathed, will be presumption; even David said, “I shall never be moved;” and we are not better than David, nor half so good. Brother, beware of the smooth places of the way; if you are treading them, or if the way be rough, thank God for it. If God should always rock us in the cradle of prosperity; if we were always dandled on the knees of fortune; if we had not some stain on the alabaster pillar; if there were not a few clouds in the sky; if we had not some bitter drops in the wine of this life, we should become intoxicated with pleasure, we should dream “we stand;” and stand we should, but it would be upon a pinnacle; like the man asleep upon the mast, each moment we should be in jeopardy. We bless God, then, for our afflictions; we thank Him for our changes; we extol His name for losses of property; for we feel that had He not chastened us thus, we might have become too secure. Continued worldly prosperity is a fiery trial. “Afflictions, though they seem severe, In mercy oft are sent.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
A while back a young woman from another state came to live with some of her relatives in the Salt Lake City area for a few weeks. On her first Sunday she came to church dressed in a simple, nice blouse and knee-length skirt set off with a light, button-up sweater. She wore hose and dress shoes, and her hair was combed simply but with care. Her overall appearance created an impression of youthful grace. Unfortunately, she immediately felt out of place. It seemed like all the other young women her age or near her age were dressed in casual skirts, some rather distant from the knee; tight T-shirt-like tops that barely met the top of their skirts at the waist (some bare instead of barely); no socks or stockings; and clunky sneakers or flip-flops. One would have hoped that seeing the new girl, the other girls would have realized how inappropriate their manner of dress was for a chapel and for the Sabbath day and immediately changed for the better. Sad to say, however, they did not, and it was the visitor who, in order to fit in, adopted the fashion (if you can call it that) of her host ward. It is troubling to see this growing trend that is not limited to young women but extends to older women, to men, and to young men as well. . . . I was shocked to see what the people of this other congregation wore to church. There was not a suit or tie among the men. They appeared to have come from or to be on their way to the golf course. It was hard to spot a woman wearing a dress or anything other than very casual pants or even shorts. Had I not known that they were coming to the school for church meetings, I would have assumed that there was some kind of sporting event taking place. The dress of our ward members compared very favorably to this bad example, but I am beginning to think that we are no longer quite so different as more and more we seem to slide toward that lower standard. We used to use the phrase “Sunday best.” People understood that to mean the nicest clothes they had. The specific clothing would vary according to different cultures and economic circumstances, but it would be their best. It is an affront to God to come into His house, especially on His holy day, not groomed and dressed in the most careful and modest manner that our circumstances permit. Where a poor member from the hills of Peru must ford a river to get to church, the Lord surely will not be offended by the stain of muddy water on his white shirt. But how can God not be pained at the sight of one who, with all the clothes he needs and more and with easy access to the chapel, nevertheless appears in church in rumpled cargo pants and a T-shirt? Ironically, it has been my experience as I travel around the world that members of the Church with the least means somehow find a way to arrive at Sabbath meetings neatly dressed in clean, nice clothes, the best they have, while those who have more than enough are the ones who may appear in casual, even slovenly clothing. Some say dress and hair don’t matter—it’s what’s inside that counts. I believe that truly it is what’s inside a person that counts, but that’s what worries me. Casual dress at holy places and events is a message about what is inside a person. It may be pride or rebellion or something else, but at a minimum it says, “I don’t get it. I don’t understand the difference between the sacred and the profane.” In that condition they are easily drawn away from the Lord. They do not appreciate the value of what they have. I worry about them. Unless they can gain some understanding and capture some feeling for sacred things, they are at risk of eventually losing all that matters most. You are Saints of the great latter-day dispensation—look the part.
D. Todd Christofferson
We believed we were supposed to 'cope' as best we could. As we talked, we realized the disability itself was not that big a deal for us. We had all learned to accept our physical limitations. What made life difficult was not the disability, but the lack of services and support, the lack of accessibility, the unfair and stereotypical ways in which we were treated, the pity doled out for us all our lives. Often, after a meeting, I wrote my thoughts down in a notebook. 'It's not my fault that I'm disabled, yet I've been made to feel that it is,' I wrote. 'My polio never made me unhappy; people made me unhappy. Ever since I was a little girl, people have always made me feel I was no good because I was disabled. From Sicilian women and the nuns to the doctors who couldn't fix me, to my fellow students and prospective employers... and even my own parents.' As I wrote, my tears fell and stained the pages - tears of anger, of relief and of new hope.
Nadina LaSpina (Such a Pretty Girl: A Story of Struggle, Empowerment, and Disability Pride)
16. Body. Soul. Mind. Sensations: the body. Desires: the soul. Reasoning: the mind. To experience sensations: even grazing beasts do that. To let your desires control you: even wild animals do that—and rutting humans, and tyrants (from Phalaris to Nero …). To make your mind your guide to what seems best: even people who deny the gods do that. Even people who betray their country. Even people who do <…> behind closed doors. If all the rest is common coin, then what is unique to the good man? To welcome with affection what is sent by fate. Not to stain or disturb the spirit within him with a mess of false beliefs. Instead, to preserve it faithfully, by calmly obeying God—saying nothing untrue, doing nothing unjust. And if the others don’t acknowledge it—this life lived with simplicity, humility, cheerfulness—he doesn’t resent them for it, and isn’t deterred from following the road where it leads: to the end of life. An end to be approached in purity, in serenity, in acceptance, in peaceful unity with what must be.
Marcus Aurelius (Meditations)
You learn about them when you study explorers and health people and all the other people. But everything there now is black this and black that. I let it wash over me the best I could, but it wasn’t easy. Years ago, East Orange High was excellent. Kids coming out of East Orange High, especially out of the honors program, would have their choice of colleges. Oh, don’t get me started on this subject. What happened to Coleman with that word ‘spooks’ is all a part of the same enormous failure. In my parents’ day and well into yours and mine, it used to be the person who fell short. Now it’s the discipline. Reading the classics is too difficult, therefore it’s the classics that are to blame. Today the student asserts his incapacity as a privilege. I can’t learn it, so there is something wrong with it. And there is something especially wrong with the bad teacher who wants to teach it. There are no more criteria, Mr. Zuckerman, only opinions. I often wrestle with this question of what everything used to be. What education used to be.
Philip Roth (The Human Stain (The American Trilogy, #3))
When Someone Says I Love You" the whole room fills up with iced tea, something gives: the sun peels from your window, a sugared lemon, whole, flaming, hanging there. You tell them they must: puncture your chest with a straw to suck all the empty out, but because they say love they think they can't hurt you, even to save your life, which is why you float up up up, knocking your curled toes and bedeviled breath hard against the tea- stained ceiling, why you swim sentry over the oxheart that flooded your bed, hollowed you out. See it there: big and bobbing wax fruit, sweating with the effort of its own improbable being, each burst of wetness a cry to which you are further beholden, a sweetness trained against your own best alchemy. Witch, you can only watch this bloodletting from above, can only amend the deed to your body: see it say it back, see it like a little rabbit with a twist on its neck and wish you could be that, being had, being held, but instead you grow wooden and spin on your back. Propeller? No, there is no getting away from this, and so: ceiling fan, drowning their hushed joy, going schwa schwa schwa in the bed's sheath of late afternoon light.
Karyna McGlynn (Hothouse)
My sour cherry liqueur is especially popular, though I feel a little guilty that I cannot remember the cherry's name. The secret is to leave the stones in. Layer cherries and sugar one on the other in a widemouthed glass jar, covering each layer gradually with clear spirit (kirsch is best, but you can use vodka or even Armagnac) up to half the jar's capacity. Top up with spirit and wait. Every month, turn the jar carefully to release any accumulated sugar. In three years' time the spirit has bled the cherries white, itself stained deep red now, penetrating even to the stone and the tiny almond inside it, becoming pungent, evocative, a scent of autumn past. Serve in tiny liqueur glasses, with a spoon to scoop out the cherry, and leave it in the mouth until the macerated fruit dissolves under the tongue. Pierce the stone with the point of a tooth to release the liqueur trapped inside and leave it for along time in the mouth, playing it with the tip of the tongue, rolling it under, over, like a single prayer bead. Try to remember the time of its ripening, that summer, that hot autumn, the time the well ran dry, the time we had the wasp's nests, time past, lost, found again in the hard place at the heart of the fruit...
Joanne Harris (Five Quarters of the Orange)
Fine, go get the dildos.” “Oh, my God.” Alec placed his hands on either side of his face. “This is the best day of my life.” Keela bit down on her lower lip. “What do you want me to do to them?” His eyes welled up. “It’s finally happening.” Bronagh covered her mouth with her hand when she couldn’t control the giggle that erupted from her. Alec’s attention zoned in on her and her mouth. “You … you’re playing … aren’t you?” he whispered, legit tears falling from his eyes. Keela laughed then, too. “That was cruel, Aideen,” Alec whispered and wiped his tear stained cheeks. “So fucking cruel. Don’t ever talk to me again. I don’t like any of you anymore.” He stormed out of the kitchen with Keela laughing as she ran after him. I looked to Kane and Nico when they grunted and found them staring at me. “What?” I asked. Nico blinked he eyes. “You shouldn’t lie like that, not about threesomes. It’s hurtful.” “It’s only hurtful because this is one threesome that isn’t comin’ true and it’s killin’ all of you.” Kane chimed in. “That doesn’t make it any less evil to lie about it. You got poor Alec’s hopes up.” “Just Alec’s?” I grinned. Kane glared at me. “Mine and Dominic’s too.” “Damn right,” Nico snarled. I laughed. “You’re all too easy to play with.” “You made Alec cry.” And I actually felt guilty about it. “Alec cried yesterday when he found out KFC were updatin’ their menu,” Bronagh cut in. “Him cryin’ isn’t that big of a deal, trust me.
L.A. Casey (Aideen (Slater Brothers, #3.5))
Syn pulled his boxers on and quietly left the bedroom, walking angrily to the kitchen. He turned the corner and wanted to throw a shit-fit at the sight before him. Day was standing at his stove loading some type of egg dish onto a plate before turning and setting it in front of God. God folded down one side of his newspaper, peering at Syn from behind it. “Well good morning, sunshine,” Day said way too cheerily for five-fucking-a.m. “We brought breakfast.” Syn clenched his jaw, trying not to yell at his superior officers. “Have you two lost your fuckin’ minds? Come on. It’s, it’s ... early.” Syn turned his wrist, forgetting he didn’t have his watch on yet. “Damn, you guys are always at the office, or at a crime scene, or over fucking here at god-awful hours.” “Oh, it’s early?” Day said disbelievingly. God shrugged like he hadn’t realized either. “Seriously. When the fuck do you guys sleep?” “Never,” God said nonchalantly. “When do you fuck?” Syn snapped. “Always,” Day quipped. “Just did thirty minutes ago. Nice couch by the way, real comfy, sorry for the stain.” Syn tiredly flipped Day off. “Don’t be pissed,” Day sing-songed. “A dab of Shout will get that right out.” Syn rubbed angrily at his tired eyes, growling, “Day.” “He’s not in a joking mood, sweetheart,” God said from behind his paper. “You know we didn’t fuck on your couch so calm the hell down. Damn you’re moody in the morning. Unless ... We weren’t interrupting anything, were we? So, how’s porn boy?” God’s gruff voice filled the kitchen, making Syn cringe. “First of all. Don’t fucking call him that, ever, and damnit God. Lower your voice. Shit. He’s still asleep,” Syn berated his Lieutenant, who didn’t look the slightest bit fazed by Syn’s irritation. “You guys could let him sleep, he’s had a rough night, ya know.” Day leaned his chest against God’s large back, draping his arms over his shoulders. “Oh damn, what kind of friends are we? It was rough, huh?” Day looked apologetic. “Yes, it was, Day. He just–” “Try water-based lube next time,” Day interrupted, causing God to choke on his eggs. “Day, fuck.” Syn tried not to grin, but when he thought about it, it really was funny. “I knew I’d get you to smile. Have some breakfast Sarge, we gotta go question the crazy chicks. You know how much people feel like sharing when they’ve spent a night in jail.” “Damn. Alright, just let me–” “Wow. Something smells great.” Furi’s deep voice reached them from down the hall as he made his way to the kitchen. “You cook babe? Who knew? I’ll have the Gladiator portion.” Furi used his best Roman accent as he sauntered into the kitchen with his hands on hips and his head high. Syn turned just as Furi noticed God and Day. “Oh, fuck, shit, Jesus Christ!” Furi stumbled, his eyes darting wildly between all of them. “Damn, I’m so sorry.” Furi looked at Syn trying to gauge exactly how much he’d fucked up just now. Syn smiled at him and Furi immediately lost the horrified expression. Syn held his hand out and mouthed to him 'it's okay.
A.E. Via
The doorbell rings again, and I thank God for small miracles. "Hold again," I say as I hold against my shoulder. I walk over, smiling because I know that Nicole must be going out of her mind. "Did you for--" "Hello, Officer Covey." Eli grins as he leans against the doorframe. "I was hoping you were home. We didn't get a chance to finish our conversation." Not even thinking, I close the door and stand there. Holy shit. What the hell? "Heather?" Nicole's voice is a buzzing in my ear. Or is that my suddenly frantic pulse? "Hmm?" I can't speak. Eli Walsh is at my freaking house. "Is that whole I think it is?" I rise onto my tiptoes and peek out the peephole. Sure enough, he's right there, smiling as if he has not a care in the world. "Yup." "Are you fucking kidding?" Nicole screams. "Holy shit, Nic. What the hell do I do?" My heart continues to race, and I'm completely freaking out. Nicole chuckles and then proceeds to yell again. "Open the goddamn door!" I look in the mirror and groan. I have on shorts and an oversized sweatshirt, which now has a beautiful pizza stain on the front. My hair is in a messy bun, I'm not wearing any makeup, and I have my glasses on instead of my contacts. I can't believe this. Eli knocks again. "Heather, I can hear you on the other side." My hand presses against the wood and I close my eyes, "What do you want, Eli?" "Heather! Open the fucking door right now!" Nicole's voice raises in my ear. "Shut up!" I yell at my jackass best friend. "I didn't say anything," Eli answers.
Corinne Michaels (We Own Tonight (Second Time Around, #1))
I want to go with you, Dom,” Jane said. Her uncle put his arm about her shoulders. “Let the men do their work, my dear. You should stay here with your fiancé.” The reminder of her still-standing betrothal made Dom want to smash something. But her uncle was right--she would only get in the way if she joined them. And there was the problem of her riding off unchaperoned with two gentlemen. “Listen to your uncle,” Dom said. “It’s best if you remain here with your…friends.” He couldn’t bring himself to use the word fiancé. Her eyes sparked fire. “So you mean to just go rushing off with your mind set? You’ll almost certainly put Nancy in danger if you continue assuming she’s part of the scheme.” “You must trust me, Jane.” When the word must made her flinch, he cursed his quick tongue and deliberately softened his tone. “I know it’s hard for you to believe sometimes, but I do know what I’m doing. No matter what my opinions, I’ll let the facts stand for themselves. I promise I won’t harm her or allow anyone else to harm her, sweeting.” Only after a stunned silence fell on the room did he realize what he’d called Jane. She did, too, for her eyes went wide and a blush stained her cheeks again. Blakeborough’s eyes glittered like sleet on slate as he strode over to Dom and thrust the piece of paper at him. “Here’s the list of Samuel’s haunts. You’d best go if you mean to catch them.” They stared each other down, silently acknowledging their status as rivals for Jane’s hand. How Dom wished he could set everyone straight, tell them that he and Jane were going to be married, and to blazes with Sadler and Blakeborough and anyone who stood in their way. But he’d tried to force the issue once and that had only muddied the waters. It was time to let Jane make up her own mind.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
From the perspective of nearly half a century, the Battle of Hue and the entire Vietnam War seem a tragic and meaningless waste. So much heroism and slaughter for a cause that now seems dated and nearly irrelevant. The whole painful experience ought to have (but has not) taught Americans to cultivate deep regional knowledge in the practice of foreign policy, and to avoid being led by ideology instead of understanding. The United States should interact with other nations realistically, first, not on the basis of domestic political priorities. Very often the problems in distant lands have little or nothing to do with America’s ideological preoccupations. Beware of men with theories that explain everything. Trust those who approach the world with humility and cautious insight. The United States went to war in Vietnam in the name of freedom, to stop the supposed monolithic threat of Communism from spreading across the globe like a dark stain—I remember seeing these cartoons as a child. There were experts, people who knew better, who knew the languages and history of Southeast Asia, who had lived and worked there, who tried to tell Presidents Eisenhower, Kennedy, Johnson, and Nixon that the conflict in Vietnam was peculiar to that place. They were systematically ignored and pushed aside. David Halberstam’s classic The Best and the Brightest documents this process convincingly. America had every right to choose sides in the struggle between Hanoi and Saigon, even to try to influence the outcome, but lacking a legitimate or even marginally capable ally its military effort was misguided and doomed. At the very least, Vietnam should stand as a permanent caution against going to war for any but the most immediate, direct, and vital national interest, or to prevent genocide or wider conflict, and then only in concert with other countries. After
Mark Bowden (Hue 1968: A Turning Point of the American War in Vietnam)
We all know the elementary form of politeness, that of the empty symbolic gesture, a gesture-an offer-which is meant to be rejected. In John Irving's A Prayer for Owen Meany, after the little boy Owen accidentally kills John's-his best friend's, the narrator's-mother, he is, of course, terribly upset, so, to show how sorry he is, he discreetly delivers to John a gift of the complete collection of color photos of baseball stars, his most precious possession; however, Dan, John's delicate stepfather, tells him that the proper thing to do is to return the gift. What we have here is symbolic exchange at its purest: a gesture made to be rejected; the point, the "magic" of symbolic exchange, is that, although at the end we are where we were at the beginning, the overall result of the operation is not zero but a distinct gain for both parties, the pact of solidarity. And is not something similar part of our everyday mores? When, after being engaged in a fierce competition for a job promotion with my closest friend, I win, the proper thing to do is to offer to withdraw, so that he will get the promotion, and the proper thing for him to do is to reject my offer-in this way, perhaps, our friendship can be saved.... Milly's offer is the very opposite of such an elementary gesture of politeness: although it also is an offer that is meant to be rejected, what makes hers different from the symbolic empty offer is the cruel alternative it imposes on its addressee: I offer you wealth as the supreme proof of my saintly kindness, but if you accept my offer, you will be marked by an indelible stain of guilt and moral corruption; if you do the right thing and reject it, however, you will also not be simply righteous-your very rejection will function as a retroactive admission of your guilt, so whatever Kate and Densher do, the very choice Milly's bequest confronts them with makes them guilty.
Slavoj Žižek (The Parallax View (Short Circuits))
I NEVER HEAR THE EXPLOSION. WHAT I HEAR IS THE AFTERMATH OF AN EXPLOSION. THERE IS A RINGING IN MY EARS, AND THOSE HIGH-PITCHED POPPING AND TICKING SOUNDS THAT A HOT ENGINE MAKES AFTER YOU SHUT IT OFF; AND PIECES OF THE SKY ARE FALLING, AND BITS OF WHITE—MAYBE PAPER, MAYBE PLASTER—ARE FLOATING DOWN LIKE SNOW. THERE ARE SILVERY SPARKLES IN THE AIR, TOO—MAYBE IT’S SHATTERED GLASS. THERE’S SMOKE, AND THE STINK OF BURNING; THERE’S NO FLAME, BUT EVERYTHING IS SMOLDERING. “WE’RE ALL LYING ON THE FLOOR. I KNOW THE CHILDREN ARE ALL RIGHT BECAUSE—ONE BY ONE—THEY PICK THEMSELVES UP OFF THE FLOOR. IT MUST HAVE BEEN A LOUD EXPLOSION BECAUSE SOME OF THE CHILDREN ARE STILL HOLDING THEIR EARS; SOME OF THEIR EARS ARE BLEEDING. THE CHILDREN DON’T SPEAK ENGLISH, BUT THEIR VOICES ARE THE FIRST HUMAN SOUNDS TO FOLLOW THE EXPLOSION. THE YOUNGER ONES ARE CRYING; BUT THE OLDER ONES ARE DOING THEIR BEST TO BE COMFORTING—THEY’RE CHATTERING AWAY, THEY’RE REALLY BABBLING, BUT THIS IS REASSURING. “THE WAY THEY LOOK AT ME, I KNOW TWO THINGS. I KNOW THAT I SAVED THEM—I DON’T KNOW HOW. AND I KNOW THAT THEY’RE AFRAID FOR ME. BUT I DON’T SEE ME—I CAN’T TELL WHAT’S WRONG WITH ME. THE CHILDREN’S FACES TELL ME SOMETHING IS WRONG. “SUDDENLY, THE NUNS ARE THERE; PENGUINS ARE PEERING DOWN AT ME—ONE OF THEM BENDS OVER ME. I CAN’T HEAR WHAT I SAY TO HER, BUT SHE APPEARS TO UNDERSTAND ME—MAYBE SHE SPEAKS ENGLISH. IT’S NOT UNTIL SHE TAKES ME IN HER ARMS THAT I SEE ALL THE BLOOD—HER WIMPLE IS BLOOD-STAINED. WHILE I’M LOOKING AT THE NUN, HER WIMPLE CONTINUES TO BE SPLASHED WITH BLOOD—THE BLOOD SPATTERS HER FACE, TOO, BUT SHE’S NOT AFRAID. THE FACES OF THE CHILDREN—LOOKING DOWN AT ME—ARE FULL OF FEAR; BUT THE NUN WHO HOLDS ME IN HER ARMS IS VERY PEACEFUL. “OF COURSE, IT’S MY BLOOD—SHE’S COVERED WITH MY BLOOD—BUT SHE’S VERY CALM. WHEN I SEE SHE’S ABOUT TO MAKE THE SIGN OF THE CROSS OVER ME, I REACH OUT TO TRY TO STOP HER. BUT I CAN’T STOP HER—IT’S AS IF I DON’T HAVE ANY ARMS. THE NUN JUST SMILES AT ME. AFTER SHE’S MADE THE SIGN OF THE CROSS OVER ME, I LEAVE ALL OF THEM—I JUST LEAVE. THEY ARE STILL EXACTLY WHERE THEY WERE, LOOKING DOWN AT ME; BUT I’M NOT REALLY THERE. I’M LOOKING DOWN AT ME, TOO. I LOOK LIKE I DID WHEN I WAS THE BABY JESUS—YOU REMEMBER THOSE STUPID SWADDLING CLOTHES? THAT’S HOW I LOOK WHEN I LEAVE ME. “BUT NOW ALL THE PEOPLE ARE GROWING SMALLER—NOT JUST ME, BUT THE NUNS AND THE CHILDREN, TOO.
John Irving (A Prayer for Owen Meany)
- Yeah, this is it. This is war... it takes you away from your loved ones, takes you to places you had no idea about, takes you through suffering and deprivation, hunger, thirst, sickness and wounds. It forces you to see, do and live through terrible experiences that you wish you had never known, and once you have, to forget them as soon as possible. It takes your friends and comrades and, if it doesn't kill them, then it turns them into something they don't even know what they are. And in the end, if you get to live those moments, when peace is announced and you begin to believe that you will return home, to your life, to the family and community you left behind, to the state of normality you dreamed of when it was harder on the front, you will find that it is not like that at all. - Why, Sarge? College Boy asked... - Because, you see, College Boy, after the end of the war not only you changed, but also those back home. They too had their struggles, their deprivations, sufferings, illnesses, injuries. Whether you got hot food today depends only on the conditions at the front and how much the quartermaster and subsistence services cared. But, back home, they have to search, they have to struggle without being guaranteed that they will succeed in finding something to put on the table for their children, or their elders. And so, they can go for days on end, starving. You, if you are sick or wounded, the military hospital will treat you as best they can. But they, at home, a visit to the family doctor is an expense that most can't afford and so they end up in the hospital, which is overcrowded, when it's too late, often. So they are changed too, not just you. You, however, have something more than them. You, you've known the chaos of frontline combat, the cruelty of taking the lives of others like yourself. And, like the sheepdog who fights the wolf, when it returns to the fold it carries both it's own blood and the wolf's. And the sheep, they don't see the wolf anymore, but they don't see the dog that was guarding them either. They only see the fangs showing through the open, blood-stained snout. They smell the scent of the wolf that has been impregnated into the dog's fur in battle and then, at that very moment, they no longer recognize the one who stood by them, no matter what the weather. It's the same with you. They fear you, and no matter how much they smile at you or say words that make you think you are welcome, you actually see fear and distrust in their eyes.
Costi Boșneag
The first time he’d cut off ears because he was there and it was being done, but that was it. He wasn’t one of those who once they were in all that lawlessness couldn’t wait to get going, the ones who weren’t too well put together or were pretty aggressive to start off with and only needed the slightest opportunity to go ape-shit. One guy in his unit, guy they called Big Man, he wasn’t there one or two days when he’d slashed some pregnant woman’s belly open. Farley was himself only beginning to get good at it at the end of his first tour. But the second time, in this unit where there are a lot of other guys who’d also come back and who hadn’t come back just to kill time or to make a couple extra bucks, this second time, in with these guys who are always looking to be put out in front, ape-shit guys who recognize the horror but know it is the very best moment of their lives, he is ape-shit too. In a firefight, running from danger, blasting with guns, you can’t not be frightened, but you can go berserk and get the rush, and so the second time he goes berserk. The second time he fucking wreaks havoc. Living right out there on the edge, full throttle, the excitement and the fear, and there’s nothing in civilian life that can match it. Door gunning. They’re losing helicopters and they need door gunners. They ask at some point for door gunners and he jumps at it, he volunteers. Up there above the action, and everything looks small from above, and he just guns down huge. Whatever moves. Death and destruction, that is what door gunning is all about. With the added attraction that you don’t have to be down in the jungle the whole time. But then he comes home and it’s not better than the first time, it’s worse. Not like the guys in World War II: they had the ship, they got to relax, someone took care of them, asked them how they were. There’s no transition. One day he’s door gunning in Vietnam, seeing choppers explode, in midair seeing his buddies explode, down so low he smells skin cooking, hears the cries, sees whole villages going up in flames, and the next day he’s back in the Berkshires. And now he really doesn’t belong, and, besides, he’s got fears now about things going over his head. He doesn’t want to be around other people, he can’t laugh or joke, he feels that he is no longer a part of their world, that he has seen and done things so outside what these people know about that he cannot connect to them and they cannot connect to him. They told him he could go home? How could he go home?
Philip Roth (The Human Stain (The American Trilogy, #3))
For a moment, the fog remained unmoved. It sat around, swirling in place, very clearly listening but showing no sign of offering answers. Then, just as Nausicaä began to contemplate conjuring a few more fireballs, the fog began to thin. Little by little it drained from the air until, finally, all that was left was a vaguely damp, translucent haze. She could only stare at what was revealed. “Huh,” she breathed when speech at last overcame her surprise. “This is…new.” It wasn’t just the changelings that had gathered. They were present, of course—one mere step away. Nausicaä briefly took in the unmistakable pale green tint of his fawn-brown skin and the snaking twists of ivy that grew from the sharp flares of his little shoulders. But there were others. There were so many others. In all of Nausicaä’s very long life, she had never encountered so many of magic’s children in one place. The crowd of them stretched far in almost every direction, faces of all shapes and sizes peeking out of the foliage and trees. There were centaurs, goblins, brownies, imps and sprites. There were redcaps, with their crimson-stained hats and vicious scythes, which glinted in the moonlight. There were kelpies dripping sodden weeds, lilies strangled in their manes. Littered throughout the branches above were crows that weren’t really crows at all, but sluagh—wandering souls of the violent dead who preyed on those soon to die. There were larger things too. Unnameable things. Things that had undoubtedly been calling this forest their home long before Nausicaä had ever been born. She narrowed her eyes at the distance—something massive as a mobile hill stood still as silence too far away for mortal eyes to see. Their form was not unlike an overlarge, poisonous tree frog, all vibrant blues and yellows and greens, a crown of velvet antlers on their head and hundreds of glittering black eyes on their face. A freaking Forest Guardian, she would hazard a guess, not that she’d ever seen one to say for sure. “Uh…okay, well, weird time to have a company meeting, but you do you, I guess. I’m going to…go. Gar, maybe it’s best you stick with these guys until I square things up with my Reaper. Thanks for lifting the fog, forest brats! Good luck with…whatever this is. May the force be with you.” She turned back around. There weren’t any faeries in front of her, either—just trees and misty gloom and a darkness unnatural even for this time of night. And, of course, the glass-chime tinkling of magic, which now sounded to her a bit distressed.
Ashley Shuttleworth (A Dark and Hollow Star (The Hollow Star Saga, #1))
I started blasting my gun. Letting loose a stream of words like I'd never used before. True to form, Misty didn't stay put and stood at my side. Tears stained her cheeks. Her gun firing wildly. It was a blur. The next thing I knew, no zombies were left standing and we knelt at Kali's side. I took out a rag and wiped the feathers from his face. We could tell he was still alive. His chest rising and falling in jerks. "Kali, how bad are you hurt?" I asked with an unsteady voice. "I'm okay, guys. Did we get all of them?" he whispered. "Nate, he's been bit all over!" I looked down at his body, covered in white feathers, speckled with splotches of deep red. "Yep. You got 'em, even those freak chickens." "Nate, I'm thirsty," his voice shaky and cracking. "Okay, buddy. We've got water in the truck." "No, not water. How about a glass of lemonade?" "Kali, what are you saying?" Misty's voice was tense as a piano string. "Hurry, Nate. I'm getting weak—the lemonade." I think running into the crowd of zombies would have been easier than this. Maybe that's why Kali chucked a rock at my head—he knew he could count on me for this. I ripped off a small water gun I had taped on my suit and tore off the cap. "Oh, Nate, don't. Maybe there's something we can do. Maybe—" she stopped. I put my hand behind Kali's neck and felt a slight burn, probably zombie snot. Misty took one of his hands and held it to her chest. "You were so brave, Kali, so brave." My hands didn't shake anymore; they were numb, as if they didn't belong to me. I manipulated them the best I could—like using chopsticks. Lifting Kali's head, I poured the juice into his mouth until it was gone. He was burning up; his skin felt like it was on fire. "I never thought I'd have friends, real friends—thank you, guys." He closed his eyes and I felt the muscles in his neck go limp. Gently, I put his head down and cleaned my blistering hand with the rag. Misty wiped her tears as I put the rag over Kali's face. "No, thank you, kid." We sat there still, silent except for the small cries that we both let slip out. Misty, still holding his hand. Me, staring down at my hands, soaked in tears. I don't know how much time passed. It could have been five minutes; it might have been an hour. Suddenly, the feathers moved, flying in every direction. Looking up, I saw a helicopter coming down in front of us—one of those big black military ones. It landed and three men stepped out. They wore protective gear like you see in those alien movies. I worried a little about what they might have planned for us. I've seen enough movies to know those government types can't be trusted—especially when they're in those protective suits. "What happened here? How did you manage to negate the virus?" one of the hooded figures asked. "Zombie juice," I replied. "Zombie juice?" "Actually it was the Super Zombie Juice Mega Bomb," Misty added as she stood and took my hand.
M.J.A. Ware (Super Zombie Juice Mega Bomb (A Zombie Apocalypse Novel Book 1))
Trouble free payday loans. A payday loan is your remedy to an immediate have to have for money. A payday loans seems to be rather attractive. If you have a job, you can actually get a payday loan. Occasionally, consumers without having profession can get a payday loan. It is actually not straightforward to modify your spending budget without the need of a loan. You will find a lot of payday loan suppliers. Individuals also give payday loans. Typically, the rate of interest will be the most important aspect of any payday loan. You ought to usually be in a position to pay back the quantity borrowed. A payday loan can be fantastic after you possess a job or else it can be a disaster. You will have dollars deposited within your bank’s saving account around the exact same day. High rates of interest on a loan is usually Pikavippikioski.fi particularly difficult to manage. Payday loans can be a superb quick option but not a long-term solution. You will obtain the money inside your savings or present account. There is an arrangement for direct deduction out of your income created into the account. This can be a approach that may be set to run automatically and also you do not have to accomplish something. It's essential to understand that a payday loan is known as a short-term loan only. You have to spend a larger price of interest on a payday loan. Many people without having a job would need to supply some other safety of repayment. If you have bad credit, a payday loan may be the only answer. You often require a very good credit rating to get a loan. Of all loans, a payday loan will be the most effective and least complicated way for you to get money swiftly. Occasionally folks take out extra than one payday loan. If you usually do not spend the amount on time, the interest begins to add up seriously. It can be important that you just understand almost everything about a payday loan. What takes place when the time comes for trying to repay the loan? Some nations take into account a payday loan as terrible for the individual. The majority of people in no way look at a payday loan from every single angle. You can not acquire plenty of cash if you have pretty small revenue. The interest plus the principal on a payday loan can add up incredibly promptly. The perfect point to perform is pay the interest in addition to a small on the principal quantity each week. A payday loan is anything to assist you more than your immediate complications. You may have seen that banks take a while to agree a loan. In most cases, the interest is normally deducted just before the deposit is produced. The more rapidly you repay the principal amount the much better it is for you, as you have to pay much less as interest. It is best to never ever go in for any payday loan anytime you'll need money. Payday loan corporations are bobbing up all more than the nation. One can find nations exactly where it really is illegal; to charge such high interest rates. The concept behind a payday loan is always to tide you over your immediate issues. A payday loan really should by no means become the norm but it should be an exception. You could have to spend a price in exorbitant rates of interest if you usually do not pay up in time. A payday loan is beneficial for immediate payment of bills.
Stain Peter
I had painted a lot of landscapes, had stood before many while they burned their remote beauty into my skin, but had never done both at the same time. Don’t know why. I was comfortable painting indoors and I liked best to retrieve those images from memory where they might be stained by awe and jumbled together with other things I loved. Now that I had tried the other, I wanted to do more.
Peter Heller (The Painter)
If God's blessings were dependent on our performance, they would be meager indeed. Even our best works are shot through with sin - with varying degrees of impure motives and lots of imperfect performance. We're always, to some degree, looking out for ourselves, guarding our flanks, protecting our egos. It's because we don't realize the utter depravity of the principle of sin remaining in us and staining everything we do that we entertain any notion of earning God's blessings through our obedience. And because we don't fully grasp that Jesus paid the penalty for all our sins, we despair of God's blessing when we've failed to live up to even our own desires to please God. Your worst days are never so bad that you're beyond the reach of God's grace. And your best days are never so good that you're beyond the need of God's grace.
Jerry Bridges (Holiness Day by Day: Transformational Thoughts for Your Spiritual Journey Devotional)
Kimchi Jeon There are many different kinds of Korean pancakes using vegetables, seafood, or meat in Korean cuisine. We call this type of pancake "jeon." Among them, this kimchi pancake snack is one of the most popular Korean pancakes. Today, I want to share some secrets to make really tasty kimchi pancakes with you. When I was little, I used to visit an aunt's house and she made kimchi pancakes for me. I love kimchi pancakes, and her kimchi pancakes were the best ever. She gave me some tips about how to make good kimchi jeon. Some people asked me, why I call some Korean dishes "pancakes," even though they are not sweet, and not even close to the American pancakes that you might be imagining. Another word that could describe Korean pancakes is "fritter" - batter mixed with different kinds of ingredients: vegetables, seafood, meat, and so on. Yield: 1/2 Dozen 8-inch Pancakes Main Ingredients 1 Cup All Purpose Flour 1/3 Frying Mix (or 1/3 Cup All Purpose Flour) 1 Cup Well Fermented Kimchi 1/3 Cup Kimchi Broth 1/4 Cup Milk 1/3 Cup Water 1 Egg 1 1/2 tsp Sugar 1/8 Generous tsp Salt Directions Chop 1 cup of kimchi into 1-inch pieces. The most important tip for delicious kimchi pancakes is using well-fermented kimchi. Sour (old) kimchi works great too. When you cut kimchi on your cutting board, the cutting board will get stained. Here is a tip: Put some wax paper on top of your cutting board before cutting the kimchi. :) In a bowl, add 1 cup of all-purpose flour and 1/3 cup of frying mix. To make the pancakes a little crispier, I like to add some frying mix to the batter. However if you don't have the frying mix or don't want a crispy texture, you can use another 1/3 cup of flour instead. Add 1 1/2 tsp of sugar and a generous 1/8 tsp of salt into the bowl. Mix everything together. Adding some sugar is a secret ingredient from my aunt. Depending on how salty your kimchi is, you might need to adjust the amount of salt. Pour 1/4 cup of milk and 1/3 cup of water into the dried ingredients. Milk is another secret ingredient from her, but if you cannot eat milk or do not have it, you can use another 1/4 cup of water instead. Add 1 egg and 1/3 cup of kimchi broth. Several people have asked, "What is kimchi broth?" While the kimchi is fermenting in the jar, a liquid forms from the fermentation process of the napa cabbage. That is what I call kimchi broth. You can use it for other kimchi dishes such as Kimchi fried rice or kimchi soup, so don't throw away your valuable kimchi broth. It will give these dishes an extra burst of kimchi flavor. Before you add the kimchi to the batter, stir the batter until it doesn't have any chunks and gets a consistency like pancake batter. Add 1 cup of chopped kimchi into the batter. If you don't have enough kimchi broth, you can add a little more water and kimchi to get enough flavor. Mix thoroughly. Oh, it already looks delicious, even without frying. In a non-stick pan, add generous amount of oil. Heat the pan on medium-high. I said generous! =P According to your pan size, get 1 or 2 scoops of batter and pour it into the pan. It is important to spread the batter out thinly for crispy pancakes. ;) When the surface of the pancake starts to cook, flip it over. Pressing the pancake with a spatula helps the pancake fry better and makes it crispier. Occasionally flip the pancake, but not too often. When both sides of the pancakes are nicely brown and crispy, it is done. Again, it is a very simple and delicious dish. You should try this someday, especially if you love kimchi.
Aeri Lee (Aeri's Kitchen Presents a Korean Cookbook)
Maintain Your Driveway for Long Term There are certain points that we should take into consideration if we want to increase the life of our driveways. First of all make sure that they are constructed with waterproof material and are properly sealed with quality products. Sealing is mandatory as it protects the driveway from chemicals, rusts, harsh and fluctuating weathers or any other uncalled for conditions and damaging products. If there is even a single opening then that can be a call for immediate attention and it should be immediately restored. It has been observed that improper drain system and severe temperature fluctuations are the main reasons for gaps and fractures to occur in driveways in Hexham and Durham. But this will not be the case with Driveways Newcastle as special care is taken while constructing them. It is highly recommended that heavy vehicles be kept away from the driveways because they do not have the capacity to hold such big automobiles and plus the driveways are not only meant to be parking zones. Vehicles like, trucks and cranes can instantly ruin the look of the driveways by spoiling their structure. Next thing to keep in mind is that you keep pulling out the weeds or the shrubs that tend to grow near your driveway. Even they have the tendency of harming your driveway by loosening the blocks. This will increase the longevity of your patio or the driveway. To clean the driveway of the oil stains, you can make use of foaming water or wire brush. Never use any type of chemical for cleaning purpose; it will damage your driveways. Driveways in Newcastle and near around areas have driveways Newcastle and driveways Sunderlands and they are very sturdy and durable compared to other driveways but nevertheless, even they have to be looked after with proper maintenance at regular level. The popularity of imprinted concrete driveways has suddenly surged because of their stylish look and durability. They are much in demand in Hexham and Durham for construction of patios, pathways, garden walls, etc. To decide on which driveway to construct you need to have a basic understanding of driveways and rest you can always consult a professional company who will advise you to the best as well as construct your driveways. It is recommended that these professionals be thoroughly knowledgeable and highly experienced. You will find many such companies if you search on the internet which have exceptional experience and an urge to provide you with beautiful driveways and patios.
Emily Fraser
It’s not that I don’t love you. It’s the sound I heard when I was 9 and my father slammed the front door so hard behind him I swear to god it shook the whole house. For the next 3 years I watched my mother break her teeth on vodka bottles. I think she stopped breathing when he left. I think part of her died. I think he took her heart with him when he walked out. Her chest is empty, just a shattered mess or cracked ribs and depression pills. It’s not that I don’t love you. It’s all the blood in the sink. It’s the night that I spent 12 hours in the emergency room waiting to see if my sister was going to be okay, after the boy she loved, told her he didn’t love her anymore. It’s the crying, and the fluorescent lights, and white sneakers and pale faces and shaky breaths and blood. So much blood. It’s not that I don’t love you. It’s the time that I had to stay up for two days straight with my best friend while she cried and shrieked and threw up on my bedroom floor because her boyfriend fucked his ex. I swear to god she still has tear streaks stained onto her cheeks. I think when you love someone, it never really goes away. It’s not that I don’t love you. It’s the six weeks we had a substitute in English because our teacher was getting divorced and couldn’t handle getting out of bed. When she came back she was smiling. But her hands shook so hard when she held her coffee, you could see that something was broken inside. And sometimes when things break, you can’t fix them. Nothing ever goes back to how it was. I got an A in English that year. I think her head was always spinning too hard to read any essays. It’s not that I don’t love you. It’s that I do.
Anonymous
Immaculate Carpet Cleaning offers you the best in cleaning services. We use the best and most advanced processes and techniques to clean your carpet, tile, grout, and mattresses the right way. Our truck-mounted high-powered steam extraction process heats water to 185 to 200 degrees, a temperature that allows us to loosen and remove stains while also killing germs, bacteria, and dust mites on contact. Cleaning your carpet the right way will make your carpet last longer and save you money over the long run.
Jamie Palmer
Since we’re on the topic of stains, here’s the absolute best thing you’re going to learn from me: with the exception of mud and ink, almost every single stain will benefit from being flushed with cold water. Hold the stained area taut under a running faucet and let the water pressure do a lot of the work for you. If you have a sponge or towel nearby, that’s even better: use it to help push the stain out even more while under the running water. A small amount of soap—dish soap, hand soap, laundry detergent, whatever is close by—will also really help matters. If the stained garment is dry-clean-only and you don’t want to risk making things worse, you should point out the stain when you drop the item off with your cleaner so they can spot treat it.
Jolie Kerr (My Boyfriend Barfed in My Handbag . . . and Other Things You Can't Ask Martha)
The Oxi Technique By now you know that I love OxiClean in a deeply unnatural way. If you promise not to slap a scarlet A on me for being some sort of sexual deviant, I’ll admit that sometimes I whisper sweet nothings to my bucket of Oxi. So it will surprise you not to learn that I consider Oxi to be one of the best products out there when it comes to getting ugly yellow pit stains out from shirts. But a curious thing happened when I started recommending it to people for this purpose: some would come back to let me know that the Oxi didn’t do a thing to help cure their pit stains, while others were practically rapturous describing the miracle visited unto their white T-shirts.
Jolie Kerr (My Boyfriend Barfed in My Handbag . . . and Other Things You Can't Ask Martha)
Duncan's best friend, a lean, full-blooded Arapaho answering to the name Benjamin Lonetree, knelt in the dirt above the bloody body of Woody McCune, the Circle D's foreman and Fiona's covert lover.  Benjamin was naked except for stained moccasins and a ragged loincloth which just about covered his privates. His long hair fell in black braids along sienna painted cheeks. He gripped Woody's shirt in one hand and a Bowie knife in the other. He looked up at Fiona and, grinning an evil grin, ran the blade across Woody's throat. The foreman fell to earth in a dusty cloud, his eyes surprised and terrified. Benjamin held his bright wet knife to the sky and howled an Arapaho war cry.
A.L. Haskett (Duncan Delaney and the Cadillac of Doom)
keep out of a wastebasket, off a counter, or from chewing furniture. Another option is a hotsauce-and-perfume mix. Test any sprays to make sure that they don’t stain.
Dawn Sylvia-Stasiewicz (Training the Best Dog Ever: A 5-Week Program Using the Power of Positive Reinforcement)
I finally gave up and blotted my shirt dry the best I could. I left the restroom wearing my semi-wet stained shirt and headed for the lab, hoping I might get some sartorial sympathy from Vince Masuoka.
Jeff Lindsay (Double Dexter (Dexter #6))
The prophet Jeremiah said that ‘from the least to the greatest, all are greedy for gain,’18 and the prophet Isaiah said, ‘all of us have become like one who is unclean, and all our righteous acts are like filthy rags.’19 Our good deeds are stained with self-interest and our demands for justice are mixed with lust for vengeance. Ironically, it’s the best people who most readily recognize and admit their own shortcomings and sin.
Lee Strobel (The Case for Faith: A Journalist Investigates the Toughest Objections to Christianity)