Stain On Shirt Quotes

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Pain lanced through his neck. He gasped and his eyes flew open; Simon was sitting up on him, staring down with wide eyes, his hand across his own mouth. Simon's wounds were gone, though fresh blood stained the front of his shirt. Jace could feel the pain of his bruised shoulders again, the slash across his wrist, his punctured throat. He could no longer hear his heart beating, but he knew it was slamming away inside his chest. Simon took his hand away from his mouth. The fangs were gone. "I could have killed you," he said. There was a sort of pleading in his voice. "I would have let you," said Jace.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
You're a disgusting, shallow, womanizing jackass, and I hope that soda stains your preppy little shirt." Just before I marched away, i looked over my shoulder and added, "And my name isn't Duffy. it's Bianca. we've been in the same homeroom since middle school, you selfabsorbed son of a bitch.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as a starfish loves a coral reef and as a kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. i will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and as an eraser loves to leave dust in the hairdos of people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as the taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock.
Lemony Snicket
You really do hate me, don't you? I mean, destroying someone's ice-cream cone? That's vicious." Her cheeks reddened. "I didn't see you there. Honestly." She wiped at his shirt more frantically, as if she could prevent it from staining if she rubbed hard enough. "Oh, now I see your plan, and it's far more devious than I thought." Daniel smirked. "You were looking for an excuse to grope me.
Amanda Hocking (Wake (Watersong, #1))
People are afraid to merge on freeways in Los Angeles. This is the first thing I hear when I come back to the city. Blair picks me up from LAX and mutters this under her breath as she drives up the onramp. She says, "People are afraid to merge on freeways in Los Angeles." Though that sentence shouldn't bother me, it stays in my mind for an uncomfortably long time. Nothing else seems to matter. Not the fact that I'm eighteen and it's December and the ride on the plane had been rough and the couple from Santa Barbara, who were sitting across from me in first class, had gotten pretty drunk. Not the mud that had splattered on the legs of my jeans, which felt kind of cold and loose, earlier that day at an airport in New Hampshire. Not the stain on the arm of the wrinkled, damp shirt I wear, a shirt which looked fresh and clean this morning. Not the tear on the neck of my gray argyle vest, which seems vaguely more eastern than before, especially next to Blair's clean tight jeans and her pale-blue shirt. All of this seems irrelevant next to that one sentence. It seems easier to hear that people are afraid to merge than "I'm pretty sure Muriel is anorexic" or the singer on the radio crying out about magnetic waves. Nothing else seems to matter to me but those ten words. Not the warm winds, which seem to propel the car down the empty asphalt freeway, or the faded smell of marijuana which still faintly permeates Blaire's car. All it comes down to is the fact that I'm a boy coming home for a month and meeting someone whom I haven't seen for four months and people are afraid to merge.
Bret Easton Ellis (Less Than Zero)
If this were the fifties, she’d be checking Sam’s collars for lipstick stains. (Did people do that anymore? Why did women kiss collars, anyway? Besides, Sam almost always wore T-shirts.)
Charlaine Harris (Deadlocked (Sookie Stackhouse, #12))
The woman who opens the door has a blue stain on her shirt and dark hair wound into a messy knot and the most beautiful eyes I have ever seen. They're pale, like a lioness's, nearly golden, but they also look like they've done their fair share of crying, and we all know that a sky with clouds in it is much more interesting than one that doesn't have any.
Jodi Picoult (House Rules)
I´m just not sending out the right vibe lately. Perhaps the fact that I wear stained sweatpants and free T-shirts is holding me back. I just can´t seem to get back into the intelligent-slut-for-hire outfits that lure men; even shoes with laces evade me. Plus my hair is Fran Lebowitz-esque. I think my eyes are getting closer together. I don´t know.
Suzanne Finnamore (Split: A Memoir of Divorce)
My father had put these things on the table. I looked at him standing by the sink. He was washing his hands, splashing water on his face. My mamma left us. My brother, too. And now my feckless, reckless uncle had as well. My pa stayed, though. My pa always stayed. I looked at him. And saw the sweat stains on his shirt. And his big, scarred hands. And his dirty, weary face. I remembered how, lying in my bed a few nights before, I had looked forward to showing him my uncle's money. To telling him I was leaving. And I was so ashamed.
Jennifer Donnelly (A Northern Light)
There is a preppy wabi-sabi to soft, faded khakis and cotton shirts, but it's not nice to be surrounded by things that are worn out or stained or used up.
Gretchen Rubin (The Happiness Project)
«He grins and straightens, wings high and regal behind him. I glare at his costume. It’s so typical him. A mix of medieval and rock star: brown leather forearm guards with studs over a ruffle-cuffed white shirt, and a cavalier doublet in burgundy with a gold lace overlay. The hem hits above his muscled thighs, so the skintight burgundy hose taper smoothly into knee-high brown boots, leaving nothing to the imagination. Worst of all, he has a crown. He dressed as a fairy king. The irony doesn’t escape me. I scowl. “Problem, luv?” He looks down on me from behind a gold lace half mask while adjusting the ruby-jeweled crown over his blue hair with velvet-clad hands. Tiny moth corpses are suspended in the rubies, like stained-glass fossils. I shake my head. “I’m pretty sure you’ll be the only one wearing anything tight enough to need a codpiece. Always have to be the showstopper, don’t you?” “Oh, I assure you, what I chose to show is only the start.»
A.G. Howard (Unhinged (Splintered, #2))
He even dressed up for you. He only has one stain on his t-shirt.- Rylie Cruz
Rose Pressey Betancourt (How to Date a Werewolf (Rylie Cruz, #1))
Whenever I see people with their collars up, I'm tempted to point it out to them like you would for someone who has a food stain on their shirt or food in their teeth, as if to say, 'Your fashion sense is so offensive I'm assuming it's some sort of accident you'll want to fix.
Stephan Pastis
It felt like being shot with an arrow, and Will jerked back. His wineglass crashed to the floor and shattered. He lurched to his feet, leaning both hands on the table. He was vaguely aware of stares, and the landlords anxious voice in his ear, but the pain was too great to think through, almost too great to breathe through. The tightness in his chest, the one he had thought of as one end of a cord tying him to Jem, had pulled so taut that it was strangling his heart. He stumbled away from his table, pushing through a knot of customers near the bar, and passed to the front door of the inn. All he could think of was air, getting air into his lungs to breathe. He pushed the doors open and half-tumbled out into the night. For a moment the pain in his chest eased, and he fell back against the wall of the inn. Rain was sheeting down, soaking his hair and clothes. He gasped, his heart stuttering with a misture of terror and desperation. Was this just the distance from Jem affecting him? He had never felt anything like this, even when Jem was at his worst, even when he'd been injured and Will had ached with sympathetic pain. The cord snapped. For a moment everything went white, the courtyard bleeching through as if with acid. Will jackknifed to his knees, vomiting up his supper into the mud. When the spasms had passed , he staggard to his feet and blindly away from the inn, as if trying to outpace his own pain. He fetched up against the wall of the stables, beside the horse trough. He dropped to his knees to plunge his hands into the icy water-and saw his own reflection. There was his face, as white as death, and his shirt, and a spreading stain of red across the front. With wet hands he siezed at his lapels and jerked the shirt open. In the dim light that spilled from the inn, he could see that his parabati rune, just over his heart, was bleeding. His hands were covered in blood, blood mixed with rain, the same ran that was washing the blood away from his chest, showing the rune as it began to fade from black to silver, changing all that had been sense in Will's life into nonsense. Jem was dead.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I plucked at my salt-stained shirt and tried to find an air of nonchalance as I prepared to introduce His Most Holy Pain in the Ass to Miss Elf Princess.
Kim Harrison (For a Few Demons More (The Hollows, #5))
There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-
George Saunders (Lincoln in the Bardo)
Not being able to swipe into the subway when people are backing up behind you. Waiting for him at the bar. Leaving your purse open on a stool with a mess of bills visible. Mispronouncing the names while presenting French wines. Your clogs slipping on the waxed floors. The way your arms shoot out and you tense your face when you almost fall. Taking your job seriously. Watching the sex scene from Dirty Dancing on repeat and eating a box of gingersnaps for dinner on your day off. Forgetting your stripes, your work pants, your socks. Mentally mapping the bar for corners where you might catch him alone. Getting drunker faster than everyone else. Not knowing what foie gras is. Not knowing what you think about abortion. Not knowing what a feminist is. Not knowing who the mayor is. Throwing up between your feet on the subway stairs. On a Tuesday. Going back for thirds at family meal. Excruciating diarrhea in the employee bathroom. Hurting yourself when you hit your head on the low pipe. Refusing to leave the bar though it's over, completely over. Bleeding in every form. Beer stains on your shirt, grease stains on your jeans, stains in every form. Saying you know where something is when you have absolutely no idea where it is. At some point, I leveled out. Everything stopped being embarrassing.
Stephanie Danler (Sweetbitter)
Alex's T-shirt is red, and for a second I think it's a trick of the light, but then I realise he's drenched, soaked in blood: blood seeping across his chest, like the stain seeping up the sky, bringing another day to the world. Behind him is that insect army of men, all running toward him at once, guns drawn. The guards are coming too, reaching for him from both sides.....The helicopter has him fixed in it's spotlight. He is standing white and still and frozen in its beam, and I don't think I have ever, in my life, seen anything more beautiful than him.
Lauren Oliver (Delirium (Delirium, #1))
I am struck by a fascinating thought. Soldiers don’t die when bullets pierce their hearts and heads through their olive green shirts and woollen balaclavas. They don’t die when they fall before an enemy onslaught, or even when they get buried in trenches, staining the earth with their warm crimson blood. It is only when we forget their acts of bravery that soldiers die.
Rachna Bisht Rawat (The Brave: Param Vir Chakra Stories)
When Seymour and I were five and three, Les and Bessie played on the same bill for a couple of weeks with Joe Jackson -- the redoubtable Joe Jackson of the nickel-plated trick bicycle that shone like something better than platinum to the very last row of the theater. A good many years later, not long after the outbreak of the Second World War, when Seymour and I had just recently moved into a small New York apartment of our own, our father -- Les, as he'll be called hereafter -- dropped in on us one evening on his way home from a pinochle game. He quite apparently had held very bad cards all afternoon. He came in, at any rate, rigidly predisposed to keep his overcoat on. He sat. He scowled at the furnishings. He turned my hand over to check for cigarette-tar stains on my fingers, then asked Seymour how many cigarettes he smoked a day. He thought he found a fly in his highball. At length, when the conversation -- in my view, at least -- was going straight to hell, he got up abruptly and went over to look at a photograph of himself and Bessie that had been newly tacked up on the wall. He glowered at it for a full minute, or more, then turned around, with a brusqueness no one in the family would have found unusual, and asked Seymour if he remembered the time Joe Jackson had given him, Seymour, a ride on the handle bars of his bicycle, all over the stage, around and around. Seymour, sitting in an old corduroy armchair across the room, a cigarette going, wearing a blue shirt, gray slacks, moccasins with the counters broken down, a shaving cut on the side of his face that I could see, replied gravely and at once, and in the special way he always answered questions from Les -- as if they were the questions, above all others, he preferred to be asked in his life. He said he wasn't sure he had ever got off Joe Jackson's beautiful bicycle.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
Oh come now," Bast reproached, his smile falling away. "That's just insulting." "By earth and stone, I abjure you!" Kote dipped his fingers into the cup by his side and flicked droplets casually in Bast's direction. "Glamour be banished!" "With cider?" Bast managed to look amused and annoyed at the same time as he daubed a bead of liquid from the front of his shirt. "This better not stain.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Gavin turned us to face Josh, a satisfied grin springing up when he noticed the condition of Josh’s clothes. “Thanks for the last-minute invitation, man.” Josh chuckled, patting Gavin on the shoulder. “Shall I do the honors, Mr. Suave?” “Sure thing, Frodo Baggins. By the way, I hear the Shire has impeccable dinner parties this time of year.” The corners of Gavin’s lips twitched and his eyebrows shot up as he gestured to a food stain of some sort near the collar of Josh’s white shirt. Josh’s chin shot down to follow Gavin’s amusement and he quickly tried to wipe away the crumbs. “Yeah, well … you know how we hobbits like to eat.
Rachael Wade (The Gates (Resistance, #2))
There were stories in sweat. The sweat of a woman bend double in an onion field, working fourteen hours under the hot sun, was different from the sweat of a man as he approached a checkpoint in Mexico, praying to La Santa Muerte that the federales weren't on the payroll of the enemies he was fleeing... Sweat was a body's history, compressed into jewels, beaded on the brow, staining shirts with salt. It told you everything about how a person had ended up in the right place at the wrong time, and whether they would survive another day.
Paolo Bacigalupi (The Water Knife)
A gorgeous turquoise eyed blonde came crashing into my life and knocked me off my feet. She's fiery, strong and infuriatingly stubborn. I was hooked. She stained my shirt and stole my heart right in that shop and I haven't been able to get her out of my mind since. She's amazing and I've fallen head over heels in love with her. She's my happily every after.
Marie Coulson (Bound Together (Bound Together, #1))
Andrew was laughing as he crashed into the orange metal. Neil didn't know what amused Andrew more: Kevin's violence or the splash of blood that now stained the front of Kevin's shirt. Neil hadn't even seen Andrew take a knife out, but it was in his hand in the air between them.
Nora Sakavic (The Raven King (All for the Game, #2))
Her hair was well brushed that day and sheened darkly in contrast with the lusterless pallor of her neck and arms. She wore the striped tee shirt which in his lone fantasies he especially liked to peel off her twisting torso. The oilcloth was divided into blue and white squares. A smear of honey stained what remained of the butter in its cool crock. 'All right. And the third Real Thing?' She considered him. A fiery droplet in the wick of her mouth considered him. A three-colored velvet violet, of which she had done an aquarelle on the eve, considered him from its fluted crystal. She said nothing. She licked her spread fingers, still looking at him. Van, getting no answer, left the balcony. Softly her tower crumbled in the sweet silent sun.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
This is probably a pretty good time to point out that while it may appear that I was lurking—I wasn’t. Lurking is what creepy guys with random facial hair and stains on their shirts do. Geniuses with three years of top secret spy training don’t lurk—we surveil. (Okay, I might have been lurking—a little.)
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
is her favorite color, even after I told her purple-orange isn’t a thing. She ties her left shoe the loop, swoop, and pull way, and the right with bunny ears. Pen opens her bananas from the end, and she eats her eggs with boysenberry syrup. The girl who wakes up and appears in her window every morning at six-thirty sharp, with insane bedhead, only uses cola-scented lip balm and loves grunge music. She has her mom cut the crusts off her sandwiches, sides first and then the top and bottom. Pen uses the same pink plastic thermos every day at school, even though the cup is cracked. She doesn’t blink an eye as fruit punch drips from the bottom, always staining her shirt.
Mary Elizabeth (True Love Way: A Friends to Lovers Romance)
To a casual passerby, his appearance would not have inspired much confidence. His overcoat was patched in spots and frayed at the cuffs, he wore an old tweed suit that was missing a button, his white shirt was stained with ink and tobacco, and his tie--this was perhaps the strangest of all--was knotted not once, but twice, as if he'd forgotten whether he'd tied it and, rather than glancing down to check, had simply tied it again for good measure. His white hair poked out from beneath his hat, and his eyebrows rose from his forehead like great snowy horns, curling over a pair of bent and patched tortoiseshell glasses. All in all, he looked like someone who'd gotten dressed in the midst of a whirlwind and, thinking he still looked too presentable, had thrown himself down a flight of stairs. It was when you looked in his eyes that everything changed. Reflecting no light save their own, they shone brightly in the snow-muffled night, and there was in them a look of such uncommon energy and kindness and understanding that you forgot entirely about the tobacco and ink stains on his shirt and the patches on his glasses and that his tie was knotted twice over. You looked in them and knew that you were in the presence of true wisdom.
John Stephens (The Emerald Atlas (The Books of Beginning, #1))
His shirt is covered in my sorrow and stained with my tears.
H.M. Ward (The Arrangement 13: The Ferro Family (The Arrangement, #13))
Yes. We do. Life everlasting.’ Fred Pink takes off his glasses to rub them on his stained shirt. ‘It’s why religion got invented and it’s why religion stays invented.
David Mitchell (Slade House)
I’m wearing a new shirt, and I just spilled saxophone all over it. It will stain like a cacophony of quacking ducks, and that can only mean one thing—it’s time for breakfast.
Jarod Kintz (Ducks are the stars of the karaoke bird world (A BearPaw Duck And Meme Farm Production))
Heather is small, with faded pink hair and brown skin. She’s wearing a t-shirt with a hand-drawn design across the front. There are pen stains on her fingers. I
Holly Black (The Cruel Prince (The Folk of the Air, #1))
And once they get it, you’re discarded, like a shirt with a stain that won’t come out, even though the shirt is new, and they are the stain.
Jennifer Hillier (Things We Do in the Dark)
I spilled a cup of coffee all over my shirt. It's now stained with one hour of productive wakefulness.
Jarod Kintz (Powdered Saxophone Music)
Iren looked the Captain and first mate up and down, taking in Edith’s split lip, the gory stains on her tattered scarf and the Captain’s shirt, the sling that pinned her mighty arm to her breast, the gash of blood on his forehead, the glowing dust that frosted them from hat to boot, and the strong smell of smoke wafting from their clothes. “How was the zoo?” she asked.
Josiah Bancroft (Arm of the Sphinx (The Books of Babel, #2))
Every morning they show off their funny T-shirts, awesome sneakers, and fad accessories. Me? I wear the same dorky thing every day. White shirt. Blue pants. Penny loafers. And a plaid tie. Plaid: for when it's more important to hide stains than to look good. At least there is one good thing to come from wearing a tie. It proves I’m a boy. Obviously, eggs don’t wear ties. My
Penn Brooks (A Diary of a Private School Kid (A Diary of a Private School Kid, #1))
dripped down her neck and stained the collar of her shirt. It was a mirror to the wash of blood pouring from her scalp, blinding her left eye and trailing down her cheek like macabre tears.
Kayti Nika Raet (Monster: A YA Post-Apocalyptic Dystopian Thriller (The Outsider Chronicles Book 4))
I stare down at the dead body of a soldier clad in military black, a knife still protruding from his chest. Dark blood stains his shirt, his shoulder, his hands, the grooves of the knife hilt. His eyes are closed now. I kneel before him and smooth strands of his dark hair away from his face. It’s odd. I don’t take in any details of the scene. I still feel nothing but that deep numbness.
Marie Lu (Legend (Legend, #1))
She considered searching his pockets and dumping his body out the window, but then she noticed the faint rise and fall of his chest through his stained shirt and realized he was not, in fact, dead.
V.E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
Jamie, who had insisted on walking most of the way to spare the horse, was a disreputable sight indeed, hose stained to the knees with reddish dust, spare shirt torn by brambles and a week’s growth of beard bristling fiercely from cheek and jaw. His hair had grown long enough in the last months to reach his shoulders. Usually clubbed into a queue or laced back, it was free now, thick and unruly, with small bits of leaf and stick caught in the disordered coppery locks. Face burned a deep ruddy bronze, boots cracked from walking, dirk and sword thrust through his belt, he looked a wild Highlander indeed.
Diana Gabaldon (Outlander (Outlander, #1))
A person had attacked her own body right in front of his eyes, tried to hack at it like it was a piece of meat; her blood had soaked his white shirt, mingling with his sweat and gradually drying to a dark brown stain.
Han Kang (The Vegetarian)
Connell notices that her T-shirt, her skirt and part of her left wrist are stained with blood. The proportions of the visual environment around him shudder in and out of focus, like someone has picked up the world and shaken it, hard.
Sally Rooney (Normal People)
everyone got a sealed paper sack of flour that puffed out flour dust whenever you moved it. You were forced to carry it around everywhere because I guess it was supposed to teach you that babies are fragile and also that they leave stains on all of your shirts.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
She remembered the first time she’d seen him at the Menagerie. He paid Tante Heleen for information—stock tips, political pillow talk, anything the Menagerie’s clients blabbed about when drunk or giddy on bliss. He never visited Heleen’s girls, though plenty would have been happy to take him up to their rooms. They claimed he gave them the shivers, that his hands were permanently stained with blood beneath those black gloves, but she’d recognized the eagerness in their voices and the way they tracked him with their eyes. One night, as he’d passed her in the parlor, she’d done a foolish thing, a reckless thing. “I can help you,” she’d whispered. He’d glanced at her, then proceeded on his way as if she’d said nothing at all. The next morning, she’d been called to Tante Heleen’s parlor. She’d been sure another beating was coming or worse, but instead Kaz Brekker had been standing there, leaning on his crow-head cane, waiting to change her life. “I can help you,” she said now. “Help me with what?” She couldn’t remember. There was something she was supposed to tell him. It didn’t matter anymore. “Talk to me, Wraith.” “You came back for me.” “I protect my investments.” Investments. “I’m glad I’m bleeding all over your shirt.” “I’ll put it on your tab.” Now she remembered. He owed her an apology. “Say you’re sorry.” “For what?” “Just say it.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I took over the business and kept my mother’s shop, turning it into a cozy little coffee house under a new name. I went in one day to get my usual cup of coffee and my life changed forever. A gorgeous, turquoise eyed blonde came crashing into my life and knocked me off my feet. She was fiery, strong and infuriatingly stubborn. I was hooked. She stained my shirt and stole my heart right there in that shop and I haven’t been able to get her out of my mind since. She’s amazing and I’ve fallen head over heels in love with her. She’s my happily ever after.
Marie Coulson (Bound Together (Bound Together, #1))
Peter lifted his head. Hook's hair was tangled around his face like a lion's mane and his eyes were painfully clear, all teasing and mirth gone from his mouth. He took Peter's chin in his hand, his fingers calloused but gentle, and kissed him. Everything in the world grew quiet and Peter's body grew loud. The caress of Hook's fingertips under his chin made his pulse catch, his throat flushing, shoulders tightening. He could only seem to breathe in, breathe Hook in deeper. Hook's lips were dry, and he tasted like salt and sweet wine. He smelled like gunpowder and the sea and he was everywhere, shifting closer across the leaves, his other arm snaking around Peter's waist, the iron claw pressed flat between his shoulder blades. Peter dug his fingers into fistfuls of earth, trying to ground himself as Hook pulled them together, tipping Peter's head back with the gentle thrust of his kiss, a momentum that threatened to tilt them both to the ground. Peter was impossibly hot, hot to his fingertips and toes and his skin was crawling with the need to be touched, the shock of that need. Sweat caught at the back of his shirt. His skin was stark canvas begging for ink, and Hook's touch was going to stain him forever. It was too much, too sudden. Peter recoiled, yanking a knife from his boot and holding it between them. He didn't mean it as a threat, just a way to make distance where none had been.
Austin Chant (Peter Darling)
His shirt is rumpled. His fingers, long and slender, are stained yellow at the tips from smoking. His mind is always on something else. My mind is busy, too, reading every cue and signal, keeping track of all the things that cannot be discussed, that must not be remembered, that have to be erased.
Kristen Iversen (Full Body Burden: Growing Up in the Nuclear Shadow of Rocky Flats)
I get home thirty minutes later, still holding my balled-up shirt to my nose to soak up the little blood coming down. I came in through the garage so I wouldn’t have to pass any of my friends all fucked up like this. I limp straight to the bathroom and the door is cracked open, lights on inside. Eric’s supposed to be working at GameStop, and Mom’s visiting one of her patients in prison. I open the door and when I see who’s sitting in the bathtub, I drop the shirt and blood just spills down my face and chest. Holy shit. Dad. His eyes are open but he’s not looking at me. He didn’t take his clothes off before getting into the tub. The water is a deep red, stained by the blood spilling from his slit wrists. He came home to kill himself. He came home to kill himself before I could bring a boy here. He came home to kill himself because of me. All this blood. All this red makes me black out. My
Adam Silvera (More Happy Than Not)
Only slowly could these men be guided back to the commonplace truth that no one has the right to do wrong, not even if wrong has been done to them. We had to strive to lead them back to this truth, or the consequences would have been much worse than the loss of a few thousand stalks of oats. I can still see the prisoner who rolled up his shirt sleeves, thrust his right hand under my nose and shouted, "May this hand be cut off if I don't stain it with blood on the day when I get home!" I want to emphasize that the man who said these words was not a bad fellow. He had been the best of comrades in camp and afterwards.
Viktor E. Frankl (Man’s Search for Meaning)
blood from the gash had seeped through her shirt and the blanket, pooling on the floor. Looking at it intensified the dizziness that its loss had caused. With the most pressing of her concerns attended to, Myranda set her mind to the task of escaping. She assessed the situation. Of course, her pack was gone. A pull on the door revealed it to be solidly secured from the outside. The windows were all small and near to the high ceiling. There would be no escape through any of those. The sole window large enough to allow her to escape was the shattered stained glass window behind the pulpit, but it was even further out of her reach. She had to try the door
Joseph R. Lallo (The Book of Deacon (The Book of Deacon, #1))
They don’t have to be sentences, they could be divided by commas, they could be divided by semi-colons; there’s a class of people who get very worked up about such things - they’re lonely people - they tend to have stains down the front of their shirts - they’ll tell you that dashes should be used only to subordinate complete sentences. You must forgive them.
Mark Forsyth (The Elements of Eloquence: How to Turn the Perfect English Phrase)
Healthy Choices Hold still Keep quiet. Get a degree to learn how to talk saying nothing. Catch a good man by being demure. the one your mother chooses. Let him climb you whenever his urge, amidst headaches and menstrual aches and screaming infants. And when he bids quick, turn over. Hold still. Make your tongue a slab of cement a white stone etched with your name. Kill your stories with knives and knitting needles and Clorox bleach. Hide in your mysteriousness by saying nothing. Starch your thoughts with ironed shirts. Tie your anger with a knot in your throat and when he comes without concern swallow it. Hold still. Keep desire hopeless as ice and sleepless nights and painful as pinched eyelid. Keep your fingers from the razor, keep your longing to sever his condescension safely in your douchbag. Turn the blade against yourself. Don't twitch as your slashed wrists stain your bathroom tiles. Disinfect with Pine Sol. Hold still. Keep quiet. Keep tight your lips, keep dead your dreams, keep cold your heart. Keep quiet. And he will shout praises to your perfection.
Janice Mirikitani
It was one-way glass, and I was on the inside and she was on the outside. She was looking at me with the confidence of a woman who knows she won’t be scrutinized for scrutinizing me, and I was looking at her like I normally look at myself—though she probably thought I was staring at her breasts. Well, can you blame me? I had a stain on my shirt—and she had great tits.
Jarod Kintz (This Book is Not for Sale)
How happily we explored our shiny new world! We lived like characters from the great books I curled up with in the big Draylon armchair. Like Jack Kerouak, like Gatsby, we created ourselves as we went along, a raggle-taggle of gypsies in old army overcoats and bell-bottoms, straggling through the fields that surrounded our granite farmhouse in search of firewood, which we dragged home and stacked in the living room. Ignorant and innocent, we acted as if the world belonged to us, as though we would ever have taken the time to hang the regency wallpaper we damaged so casually with half-rotten firewood, or would have known how to hang it straight, or smooth the seams. We broke logs against the massive tiled hearth and piled them against the sooty fire back, like the logs were tradition and we were burning it, like chimney fires could never happen, like the house didn't really belong to the poor divorcee who paid the rates and mortgage even as we sat around the flames like hunter gatherers, smoking Lebanese gold, chanting and playing the drums, dancing to the tortured music of Luke's guitar. Impelled by the rhythm, fortified by poorly digested scraps of Lao Tzu, we got up to dance, regardless of the coffee we knocked over onto the shag carpet. We sopped it up carelessly, or let it sit there as it would; later was time enough. We were committed to the moment. Everything was easy and beautiful if you looked at it right. If someone was angry, we walked down the other side of the street, sorry and amused at their loss of cool. We avoided newspapers and television. They were full of lies, and we knew all the stuff we needed. We spent our government grants on books, dope, acid, jug wine, and cheap food from the supermarket--variegated cheese scraps bundled roughly together, white cabbage and bacon ends, dented tins of tomatoes from the bargain bin. Everything was beautiful, the stars and the sunsets, the mold that someone discovered at the back of the fridge, the cows in the fields that kicked their giddy heels up in the air and fled as we ranged through the Yorkshire woods decked in daisy chains, necklaces made of melon seeds and tie-dye T-shirts whose colors stained the bath tub forever--an eternal reminder of the rainbow generation. [81-82]
Claire Robson (Love in Good Time: A Memoir)
Did we win?” “I’m here, aren’t I?” He must be running. Her body jounced painfully against his chest with every lurching step. He needed his cane. “I don’t want to die.” “I’ll do my best to make other arrangements for you.” She closed her eyes. “Keep talking, Wraith. Don’t slip away from me.” “But it’s what I do best.” He clutched her tighter. “Just make it to the schooner. Open your damn eyes, Inej.” She tried. Her vision was blurring, but she could make out a pale, shiny scar on Kaz’s neck, right beneath his jaw. She remembered the first time she’d seen him at the Menagerie. He paid Tante Heleen for information – stock tips, political pillow talk, anything the Menagerie’s clients blabbed about when drunk or giddy on bliss. He never visited Heleen’s girls, though plenty would have been happy to take him up to their rooms. They claimed he gave them the shivers, that his hands were permanently stained with blood beneath those black gloves, but she’d recognised the eagerness in their voices and the way they tracked him with their eyes. One night, as he’d passed her in the parlour, she’d done a foolish thing, a reckless thing. “I can help you,” she’d whispered. He’d glanced at her, then proceeded on his way as if she’d said nothing at all. The next morning, she’d been called to Tante Heleen’s parlour. She’d been sure another beating was coming or worse, but instead Kaz Brekker had been standing there, leaning on his crow-head cane, waiting to change her life. “I can help you,” she said now. “Help me with what?” She couldn’t remember. There was something she was supposed to tell him. It didn’t matter any more. “Talk to me, Wraith.” “You came back for me.” “I protect my investments.” Investments. “I’m glad I’m bleeding all over your shirt.” “I’ll put it on your tab.” Now she remembered. He owed her an apology. “Say you’re sorry.” “For what?” “Just say it.” She didn’t hear his reply.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Think you could at least try to hide the blood stains Chase?" I took a sip of wine and grimaced as the dry liquid damn near choked me to death. Chase looked down at his shirt and shrugged. "Makes mortal men tremble in fear." Nixon smacked Chase on the back of the head and whispered, "See me tremble, oh badass one." Chase rolled his eyes. "Hilarious." Tex snickered. "I thought so.
Rachel Van Dyken (Bang Bang (Eagle Elite, #4.6))
While other girls were blurry, displaying cracks or, at the very least, seams — ripped jeans, coffee-stained T-shirts, hair that poufed up in the rain — Sophia always looked sharp, clear, as if the resolution had been turned up on a microscope and angled straight at her, as if the money had formed a kind of shrink wrap that kept her protected from the normal destruction of the everyday.
Lauren Oliver (Panic Origin Story (Panic #0.5))
What first comes across our minds About the stocky Mexican Pushing a mower across the lawn At 7 a.m. on a Saturday As the roar of the cutter wakes us? Let me take a guess. Why do they have to come so damn early? What do we make of his flannel Shirt missing buttons at the cuffs, Threadbare at the shoulders, The grass stains around his knees, The dirt like roadmaps to nowhere, Between the wrinkles of his neck? Let me take a shot. Dirty Mexican. Would his appearance lead us to believe He is a border jumper or wetback Who hits the bar top with an empty shot glass For the twelfth time then goes home To kick his wife around like fallen grapefruit Lying on the ground? First, the stocky Mexican isn’t mowing the lawn At 7 a.m. on a Saturday. He doesn’t work weekends anymore ever since He lost one-third of his route To laborers willing to work for next to nothing. Second, he knows better than to kneel On the wet grass because, well, the knees Of his pants will become grass-stained And pants don’t grow on trees, even here, Close to Palm Springs. Instead, after 25 years of the same blue collar work, Two sons out and one going to college, Rather than jail, and a small but modest savings In case he loses the remaining two-thirds Of his work—no matter how small and reluctantly The checks come in the mail— My father the stocky gardener believes He firmly holds his life In both his hands like pruning shears, Chopping branches and blossoms, Never looking downward as they fall to his feet In pieces like the American dream.
John Olivares Espinoza (The Date Fruit Elegies (Canto Cosas))
Nick grinned, swooping in for another kiss and then leaning back and scruffing his hair up. “Harriet Manners, I’m about to give you six stamps. Then I’m going to write something on a piece of paper and put it in an envelope with your address on it.” “OK …” “Then I’m going to put the envelope on the floor and spin us as fast as I can. As soon as either of us manage to stick a stamp on it, I’m going to race to the postbox and post it unless you can catch me first. If you win, you can read it.” Nick was obviously faster than me, but he didn’t know where the nearest postbox was. “Deal,” I agreed, yawning and rubbing my eyes. “But why six stamps?” “Just wait and see.” A few seconds later, I understood. As we spun in circles with our hands stretched out, one of my stamps got stuck to the ground at least a metre away from the envelope. Another ended up on a daisy. A third somehow got stuck to the roundabout. One of Nick’s ended up on his nose. And every time we both missed, we laughed harder and harder and our kisses got dizzier and dizzier until the whole world was a giggling, kissing, spinning blur. Finally, when we both had one stamp left, I stopped giggling. I had to win this. So I swallowed, wiped my eyes and took a few deep breaths. Then I reached out my hand. “Too late!” Nick yelled as I opened my eyes again. “Got it, Manners!” And he jumped off the still-spinning roundabout with the envelope held high over his head. So I promptly leapt off too. Straight into a bush. Thanks to a destabilised vestibular system – which is the upper portion of the inner ear – the ground wasn’t where it was supposed to be. Nick, in the meantime, had ended up flat on his back on the grass next to me. With a small shout I leant down and kissed him hard on the lips. “HA!” I shouted, grabbing the envelope off him and trying to rip it open. “I don’t think so,” he grinned, jumping up and wrapping one arm round my waist while he retrieved it again. Then he started running in a zigzag towards the postbox. A few seconds later, I wobbled after him. And we stumbled wonkily down the road, giggling and pulling at each other’s T-shirts and hanging on to tree trunks and kissing as we each fought for the prize. Finally, he picked me up and, without any effort, popped me on top of a high wall. Like Humpty Dumpty. Or some kind of really unathletic cat. “Hey!” I shouted as he whipped the envelope out of my hands and started sprinting towards the postbox at the bottom of the road. “That’s not fair!” “Course it is,” he shouted back. “All’s fair in love and war.” And Nick kissed the envelope then put it in the postbox with a flourish. I had to wait three days. Three days of lingering by the front door. Three days of lifting up the doormat, just in case it had accidentally slipped under there. Finally, the letter arrived: crumpled and stained with grass. Ha. Told you I was faster. LBxx
Holly Smale (Picture Perfect (Geek Girl, #3))
Artist, you’re bleeding everywhere,” he says, tearing a section from the bottom of his shirt and wrapping it tight around my forearm. Scarlet soaks through the cotton and stains his fingers. He gets to work untying the wires on my wrists and ankles. “How are you feeling?” I try to form words, but everything is thick and fuzzy, and my throat is still convulsing. It’s all I can do to keep my head upright. “Great…” I finally manage.
Jessica S. Olson (A Forgery of Roses)
knees and your shirt caught in your zipper.” “I don’t remember that part,” Dickie said. “Did I used to do that?” “Yes.” Dickie started laughing. “I wasn’t making a lot of money back then. I couldn’t afford a hotel room.” “It’s not funny!” I said. “Sure it is. Grass stains and rug burns are always funny.” He looked over at Morelli. “She didn’t like to do doggy.” Morelli slid a look at me and smiled. There wasn’t much I didn’t like
Janet Evanovich (Lean Mean Thirteen (Stephanie Plum, #13))
cover. In her sunglasses and short sleeves, Amé seemed oblivious to the glare and heat, although several trails of sweat had stained the neck of her shirt. Maybe it wasn’t the sun. Maybe it was concentration, or mental diffusion. Ten minutes went by, apparently not registering with her. The passage of time was not a practical component in her life. Or if it was, it wasn’t high on her list of priorities. It was different for me. I had a plane to catch.
Haruki Murakami (Dance Dance Dance (The Rat Series, #4))
At length the colour on her cheeks resumed its stability and it seemed as if the spirit of the age—if such indeed it were—lay dormant for a time. Then Orlando felt in the bosom of her shirt as if for some locket or relic of lost affection, and drew out no such thing, but a roll of paper, sea-stained, blood-stained, travel-stained—the manuscript of her poem, 'The Oak Tree'. She had carried this about with her for so many years now, and in such hazardous circumstances, that many of the pages were stained, some were torn, while the straits she had been in for writing paper when with the gipsies, had forced her to overscore the margins and cross the lines till the manuscript looked like a piece of darning most conscientiously carried out. She turned back to the first page and read the date, 1586, written in her own boyish hand. She had been working at it for close three hundred years now. It was time to make an end. Meanwhile she began turning and dipping and reading and skipping and thinking as she read, how very little she had changed all these years. She had been a gloomy boy, in love with death, as boys are; and then she had been amorous and florid; and then she had been sprightly and satirical; and sometimes she had tried prose and sometimes she had tried drama. Yet through all these changes she had remained, she reflected, fundamentally the same.
Virginia Woolf (Orlando)
Epitaph. Not next year, not the next one, Not the year after that. But ages From here, Clad in love stained sleeping bags, Dying with feet wrapped in endless Shirts and pillow cases, Crumbling with 99 flakes clutched Between thumb and palm, dripping Yellow cream from twig fingers, Basking our white haired chests on Green grassed parks under purple Skies. Laughing over coffee after Bath tubs of coffee have passed Through our guts. Huddled, lonely, Under heaped clothes, here lay us...
Alan C. Martin (Tank Girl (Tank Girl, #1))
The reverend began droning the oft-repeated rites and vows of the marriage ceremony. He dared not look either participant in the eye, but directed the promises of love, honor, and obedience to the lofty bookshelves. Only once did he make the mistake of focusing on anything more animated, and then only because the cut over the groom's eye had begun to leak again and a bright red spot of blood dripped onto the front of his shirt, staining the stark whiteness of the silk like an omen of tragedy to come.
Marsha Canham (The Pride of Lions (Highlands, #1))
Ready for what?” Just then, Jonah came bouncing over, wearing a blue-and-red dinosaur costume. “Let’s go, let’s go, let’s go!” he yelled louder than necessary. My mom put her hand on his shoulder and he stopped bouncing. She continued to look at me, waiting for an answer. “I’m going out with Isabel,” I said. “You didn’t tell me that,” Mom said. I panicked, my mind rewinding through the week to try to pick out the conversation I could’ve sworn I had with my mom so I could reference it now. It didn’t exist. “You said you’d take us trick-or-treating,” Jonah whined. “Ashley can take you,” I said. My sister shook her head. “Nope. I’m going to a Halloween party tonight.” “Can’t Mom take you?” I asked Jonah, desperate now because I knew how he got when he had his mind set on something. Mom gave me her disappointed look but to Jonah said, “Yes, I’ll take you.” The dinosaur head tipped forward as he looked at the ground in a pout. It was a really pathetic sight. As I clung to my stained shirt, I knew neither
Kasie West (P.S. I Like You)
You’ve been shot,” she tells Rachel. “You shot me, you crazy bit—“ “We don’t have time for the ER protocol crap, Mom,” I cut in. “She knows she’s been shot. She’s alert. Help. Her.” Mom nods. She looks at Rachel’s clenched fist where it’s balled against her lower stomach. “I’m sorry I shot you. I need to look at that. Please.” Rachel gives her The Stank Eye. Rachel is very good at The Stank Eye. “I’m a nurse, remember?” Mom says, her voice dripping with impatience. “I can help you.” Rachel inhales and eases her hand away from her stomach, but I can’t bring myself to look at it so I just watch Mom’s face to maybe gauge how bad the wound is. I imagine dark blood and entrails and… “What the…?” Mom gasps. As an ER nurse, Mom’s seen a lot of things. But by her expression, she’s never seen this. I’m thinking it must be way serious. Also, I’m thinking I might throw up. Until Rachel slaps a handcuff around Mom’s wrist. “I’m sorry, Nalia. I hope you understand.” Then she clinks the other end of the cuff around her own wrist. I steal a glance at Rachel’s very clean, very intact, very non-bloody-entrails T-shirt. Rachel is a smart woman. Mom lunges for her, hands aiming for her throat. Rachel pulls some karate-chop-move thing and slams Mom against the door behind her. “Knock it off, hon. I don’t want to really hurt you.” “You…you told Galen you’d been shot,” I stammer. “I heard you tell him that. Why would you lie to him?” Rachel shrugs. “I was shot.” She glances down at her feet. There’s a good-sized hole near the big toe of her boot, and bit of red staining the edges of it. “And I’d better be able to wear high heels after this, or one of you is going to swim with the fishes.” Then she laughs at her own stupid Mob joke. Mom plops down beside Rachel and leans against the car, too, in obvious surrender. She looks up at me. It’s a look brimming with “I told you so.” And I already know what she’s going to say next. We won’t make it very far before someone notices two women handcuffed together. Bathroom breaks will be impossible. Any public place will be impossible. I’m guessing Mom didn’t anticipate needing a hacksaw on this vacation of ours. But I know what she expects from me now. And that’s just too freaking bad.
Anna Banks (Of Triton (The Syrena Legacy, #2))
I slide to the floor. I feel something warm on my neck, and under my cheek. Red. Blood is a strange color. Dark. From the corner of my eye, I see David slumped over in his chair. And my mother walking out from behind him. She is dressed in the same clothes she wore the last time I saw her, Abnegation gray, stained with her blood, with bare arms to show her tattoo. There are still bullet holes in her shirt; through them I can see her wounded skin, red but no longer bleeding, like she’s frozen in time. Her dull blond hair is tied back in a knot, but a few loose strands frame her face in gold. I know she can’t be alive, but I don’t know if I’m seeing her now because I’m delirious from the blood loss of if the death serum has addled my thoughts or if she is here in some other way. She kneels next to me and touches a cool hand to my cheek. “Hello, Beatrice,” she says, and she smiles. “Am I done yet?” I say, and I’m not sure if I actually say it or if I just think it and she hears it. “Yes,” she says, her eyes bright with tears. “My dear child, you’ve done so well.” “What about the others?” I choke on a sob as the image of Tobias comes into my mind, of how dark and how still his eyes were, how strong and warm his hand was, when we first stood face-to-face. “Tobias, Caleb, my friends?” “They’ll care for each other,” she says. “That’s what people do.” I smile and close my eyes. I feel a thread tugging me again, but this time I know that it isn’t some sinister force dragging me toward death. This time I know it’s my mother’s hand, drawing me into her arms. And I go gladly into her embrace. Can I be forgiven for all I’ve done to get here? I want to be. I can. I believe it.
Veronica Roth (Allegiant (Divergent, #3))
Is he going to-will he live?" "No," said Gavriel. "No chance of that. He wants to die, so he will. But not tonight and not because of me." "Oh," Tana said. "So he's okay?" Under the floodlights, Gavriel's skin looked nearly white, his mouth stained red despite his rubbing it. It was the first time she'd seen him standing and again she was struck by the incongruity of him-tall, bare feet, jeans, and a black T-shirt turned inside out, messy black hair, chains gone, looking like the shadow of a regular boy, a boy her age, who wasn't a boy at all. And there was a body slumped at his feet.
Holly Black (The Coldest Girl in Coldtown)
The year Zach was born, I began acting inappropriately with my UPS delivery guy. I don’t mean that I tried to seduce him (it’s hard to be seductive with milk stains on your T-shirt). I mean that whenever he delivered a package—which was often, given the need for baby supplies—I would try to detain him with conversation simply because I craved adult company. I’d strain to make small talk about the weather, a news headline, even the weight of a package (“Wow, who knew diapers were so heavy! Do you have kids?”) while the UPS driver fake-smiled and nodded as he not-so-subtly backed away from me to the safety of his truck.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
THE CONDITIONAL Say tomorrow doesn’t come. Say the moon becomes an icy pit. Say the sweet-gum tree is petrified. Say the sun’s a foul black tire fire. Say the owl’s eyes are pinpricks. Say the raccoon’s a hot tar stain. Say the shirt’s plastic ditch-litter Say the kitchen’s a cow’s corpse. Say we never get to see it: bright future, stuck like a bum star, never coming close, never dazzling. Say we never meet her. Never him. Say we spend our last moments staring at each other, hands knotted together, clutching the dog, watching the sky burn. Say, It doesn’t matter. Say, That would be enough. Say you’d still want this: us alive, right here, feeling lucky.
Ada Limon (Bright Dead Things: Poems)
She will at least be decently clothed as she waits. Tomorrow I shall find her a brush and powder and whatever else a woman of her dignity requires.” Fin rolled her eyes. “Is ‘dignity’ what you call it?” Jeannot offered her his hand. Fin took it and pulled herself up from the deck. She was barefoot and her pants and shirt were stained with everything from blood to oakum to lampblack. She stretched her shirt out between her hands and considered its mottle of stains. “I’m not dignified?” she asked. When Fin looked up, Jeannot had an eyebrow cocked high and one side of his mouth was curled in amusement. “Where you are concerned, much requires redefinition.
A.S. Peterson (Fiddler's Green (Fin's Revolution, #2))
When Myron opened the conference room door, Ned Tunwell charged like a happy puppy. He smiled brightly, shook hands, slapped Myron on the back. Myron half-expected him to jump in his lap and lick his face. Ned Tunwell looked to be in his early thirties, around Myron’s age. His entire persona was always upbeat, like a Hare Krishna on speed—or worse, a Family Feud contestant. He wore a blue blazer, white shirt, khaki pants, loud tie, and of course, Nike tennis shoes. The new Duane Richwood line. His hair was yellow-blond and he had one of those milk-stain mustaches. Ned finally calmed down enough to hold up a videotape. “Wait till you see this!” he raved. “Myron, you are going to love it. It’s fantastic.
Harlan Coben (Drop Shot (Myron Bolitar, #2))
The gym instructor was the first to raise his hand. All the other hands flew up after his. While raising their hands, everybody looked at the raised hands of the others. If someone's own hand wasn't as high as the others', he would stretch his arms a little farther. People kept their hands up until their fingers grew tired and started to droop and their elbows began to feel heavy and pull downward. Everyone looked around, and since no one else's arm was lowered, they straightened their fingers again and extended their elbows. Sweat stains showed under the arms; shirts and blouses came untucked. Necks were stretched, ears turned red, lips parted and stayed half-open. Heads kept still, while eyes slid from side to side.
Herta Müller (The Land of Green Plums)
Mrs. Indianapolis was in town again. She looked like a can of Sprite in her green and yellow outfit. She always likes to come down to the front desk just to chat. It was 4:04 am and thankfully I was awake and at the front desk when she got off the elevator and walked towards me. 
 “Good morning, Jacob,” she said.
 “My name is Jarod,” I replied.
 “When did you change your name?” “I was born Jarod, and I’ll probably die. Maybe.”
 “You must be new here. You look like a guy named Jacob that used to work at the front desk.”
 “Nope, I’m not new. And there’s no Jacob that’s worked the front desk, nor anybody who looks or looked like me. How can I assist you, Mrs. Indianapolis?”
 “I’d like to inform you that the pool is emitting a certain odor.”
 “What sort of odor?”
 “Bleach.”
 “Ah, that’s what we like to call chlorine. It’s the latest craze in the sanitation of public pools. Between you and me, though, I think it’s just a fad.”
 “Don’t get sassy with me, young man. I know what chlorine is. I expect a clean pool when I go swimming. But what I don’t expect is enough bleach to get the grass stain out of a shirt the size of Kentucky.”
 “That’s not our policy, ma’am. We only use about as much chlorine as it would take to remove a coffee stain the size of Seattle from a light gray shirt the size of Washington.” “Jerry, I don’t usually give advice to underlings, but I’m feeling charitable tonight. So I’ll tell you that if you want to get ahead in life, you have to know when to talk and when not to talk. And for a guy like you, it’d be a good idea if you decided not to talk all the time. Or even better, not to talk at all.”
 “Some people say some people talk too much, and some people, the second some people, say the first some people talk to much and think too little. Who is first and who is second in this case? Well, the customer—that’s you, lady—always comes first.”
 “There you go again with the talking. I’d rather talk to a robot than to you.”
 “If you’d rather talk to a robot, why don’t you just find your husband? He’s got all the personality and charm of a circuit board. Forgive me, I didn’t mean that.”
 “I should hope not!”
 “What I meant to say was fried circuit board. It’d be quite absurd to equate your husband’s banter to a functioning circuit board.”
 “I’m going to have a talk to your manager about your poor guest service.”
 “Go ahead. Tell him that Jerry was rude and see what he says. And by the way, the laundry room is off limits when no lifeguard is on duty.
Jarod Kintz (Gosh, I probably shouldn't publish this.)
No one ever warns you about the complicated and political decisions regarding lessons and classes and sports you’ll have to make when you become a parent. When I was in eighth grade everyone in Home Economics had to care for flour-sack babies for two weeks to teach us about parenting and no one ever mentioned enrolling your flour baby in sports. Basically, everyone got a sealed paper sack of flour that puffed out flour dust whenever you moved it. You were forced to carry it around everywhere because I guess it was supposed to teach you that babies are fragile and also that they leave stains on all of your shirts. At the end of the two weeks your baby was weighed and if it lost too much weight that meant you were too haphazard with it and were not ready to be a parent. It was a fairly unrealistic child-rearing lesson. Basically all we learned about babies in that class was that you could use superglue to seal your baby’s head after you dropped it. And that eighth-grade boys will play keep-away with your baby if they see it so it’s really safer in the trunk of your car. And that you should just wrap your baby up in plastic cling wrap so that its insides don’t explode when it’s rolling around in the trunk on your way home. And also that if you don’t properly store your baby in the freezer your baby will get weevils and then you have to throw your baby in the garbage instead of later making it into a cake that you’ll be graded on. (The next two weeks of class focused on cooking and I used my flour baby to make a pineapple upside-down cake. My baby was delicious. These are the things you never realize are weird until you start writing them down.)
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
A girl who is a writer… A girl who is a writer. She’s a woman who lives in her head because the voices of the characters who reside there are ever present demanding their voices be heard. A girl who is a writer. She’s the girl with a cup of coffee and a plate of food that has gotten cold because she couldn’t stop telling the story. A girl who is a writer. She’s the one who lives in a coffee stained flannel shirt but you won’t mind because it’s you who brings her the addiction that fuels her word count. A girl who is a writer. You’ll share her with the world and they will see parts of her naked soul, but you won’t mind because it’s who she is, not what she does. A girl who is a writer. She’s the one who dips her quill in the blood stains of her pain and splatters it on the world’s wall of graffiti filled artists. Her voice will stand out because she is a girl who is a writer. © Suzanne Steele
Suzanne Steele
A while back a young woman from another state came to live with some of her relatives in the Salt Lake City area for a few weeks. On her first Sunday she came to church dressed in a simple, nice blouse and knee-length skirt set off with a light, button-up sweater. She wore hose and dress shoes, and her hair was combed simply but with care. Her overall appearance created an impression of youthful grace. Unfortunately, she immediately felt out of place. It seemed like all the other young women her age or near her age were dressed in casual skirts, some rather distant from the knee; tight T-shirt-like tops that barely met the top of their skirts at the waist (some bare instead of barely); no socks or stockings; and clunky sneakers or flip-flops. One would have hoped that seeing the new girl, the other girls would have realized how inappropriate their manner of dress was for a chapel and for the Sabbath day and immediately changed for the better. Sad to say, however, they did not, and it was the visitor who, in order to fit in, adopted the fashion (if you can call it that) of her host ward. It is troubling to see this growing trend that is not limited to young women but extends to older women, to men, and to young men as well. . . . I was shocked to see what the people of this other congregation wore to church. There was not a suit or tie among the men. They appeared to have come from or to be on their way to the golf course. It was hard to spot a woman wearing a dress or anything other than very casual pants or even shorts. Had I not known that they were coming to the school for church meetings, I would have assumed that there was some kind of sporting event taking place. The dress of our ward members compared very favorably to this bad example, but I am beginning to think that we are no longer quite so different as more and more we seem to slide toward that lower standard. We used to use the phrase “Sunday best.” People understood that to mean the nicest clothes they had. The specific clothing would vary according to different cultures and economic circumstances, but it would be their best. It is an affront to God to come into His house, especially on His holy day, not groomed and dressed in the most careful and modest manner that our circumstances permit. Where a poor member from the hills of Peru must ford a river to get to church, the Lord surely will not be offended by the stain of muddy water on his white shirt. But how can God not be pained at the sight of one who, with all the clothes he needs and more and with easy access to the chapel, nevertheless appears in church in rumpled cargo pants and a T-shirt? Ironically, it has been my experience as I travel around the world that members of the Church with the least means somehow find a way to arrive at Sabbath meetings neatly dressed in clean, nice clothes, the best they have, while those who have more than enough are the ones who may appear in casual, even slovenly clothing. Some say dress and hair don’t matter—it’s what’s inside that counts. I believe that truly it is what’s inside a person that counts, but that’s what worries me. Casual dress at holy places and events is a message about what is inside a person. It may be pride or rebellion or something else, but at a minimum it says, “I don’t get it. I don’t understand the difference between the sacred and the profane.” In that condition they are easily drawn away from the Lord. They do not appreciate the value of what they have. I worry about them. Unless they can gain some understanding and capture some feeling for sacred things, they are at risk of eventually losing all that matters most. You are Saints of the great latter-day dispensation—look the part.
D. Todd Christofferson
In the time of chimpanzees, I was a monkey Butane in my veins and I'm out to cut the junkie With the plastic eyeballs, spray paint the vegetables Dog food stalls with the beefcake pantyhose Kill the headlights and put it in neutral Stock car flamin' with a loser in the cruise control Baby's in Reno with the Vitamin D Got a couple of couches, sleep on the love seat Someone came in sayin' I'm insane to complain About a shotgun wedding and a stain on my shirt Don't believe everything that you breathe You get a parking violation and a maggot on your sleeve So shave your face with some mace in the dark Savin' all your food stamps and burnin' down the trailer park Yo, cut it Soy un perdedor I'm a loser, baby, so why don't you kill me? (Double barrel buckshot) Soy un perdedor I'm a loser baby, so why don't you kill me? Forces of evil on a bozo nightmare Ban all the music with a phony gas chamber 'Cause one's got a weasel and the other's got a flag One's on the pole, shove the other in a bag With the rerun shows and the cocaine nose-job The daytime crap of the folksinger slob He hung himself with a guitar string A slab of turkey neck and it's hangin' from a pigeon wing You can't write if you can't relate Trade the cash for the beef, for the body, for the hate And my time is a piece of wax fallin' on a termite That's chokin' on the splinters Soy un perdedor I'm a loser baby, so why don't you kill me? (Get crazy with the cheese whiz) Soy un perdedor I'm a loser baby, so why don't you kill me? (Drive-by body pierce) Yo, bring it on down I'm a driver, I'm a winner Things are gonna change, I can feel it Soy un perdedor I'm a loser baby, so why don't you kill me? (I can't believe you) Soy un perdedor I'm a loser baby, so why don't you kill me? Soy un perdedor I'm a loser baby, so why don't you kill me? (Sprechen sie Deutsche, baby) Soy un perdedor I'm a loser, baby, so why don't you kill me? (Know what I'm sayin'?)
Beck
I know I will not find us lying beneath the stars. We won’t be walking through the sunflower fields. We won’t fall in love with the sun rise, or kiss in the afternoon. Maybe I’ll miss you, and then I’ll cry for you. And when I’ll miss you, I’ll look for you on my bookshelf. You’ll be there in between four hundred pages. Maybe covered in dust, maybe stained with tears, I’ll wipe it with my yellow t-shirt, The one I wore on October first. But no matter how much I cry, with a broken heart, on a Saturday night. I’ll grab the book close to my heart. Then I’ll close my hazy eyes and see you smile under clear sky. I’ll stay an old soul and you’ll stay my vintage dream. A dream that will bring me back to life like a fantasy novel, and break my heart like a dead poetry. I’ll open my eyes, the illusions will be destroyed. But no matter how much I cry. About you, I’ll never write. This isn’t our song. But years later, on a winter night, if ever, you’ll call it our song. Then believe me, in a blink, I’ll call it a love song.
Snehil Niharika (That’ll Be Our Song)
I take my coffee-stained shirt into the bathroom down the hall. Holding the stain under the faucet, something dark on the underside of my shirt catches my eye, and I groan. Great, what bizarre stain is this now? My fingers glide under the fabric, and I feel something plastic. I am mystified, so I flip over the shirt. Stuck to my shirt is a button pinned to the side hem. It’s pale blue with white lettering. YOU CAN’T REACH WHAT’S IN FRONT OF YOU UNTIL YOU LET GO OF WHAT’S BEHIND YOU. I stare at this in disbelief. Why is there a motivational button stuck to my shirt? YOU CAN’T REACH WHAT’S IN FRONT OF YOU UNTIL YOU LET GO OF WHAT’S BEHIND YOU. The statement is crap, because some of us will never be able to let go of what chases us. YOU CAN’T REACH WHAT’S IN FRONT OF YOU UNTIL YOU LET GO OF WHAT’S BEHIND YOU. The words nearly scream at me. Against my will, I smile. This is so weird, a button showing up on my shirt. So random. And yet, I admit, sort of wonderful. It’s a nice sentiment, and I should probably take it to heart. This button is probably smarter than I am.
Jessica Park (180 Seconds)
On July 6, 2016, a month after my statement was released, Philando Castile, a young black man, was driving home from the grocery store when a police officer pulled him over pulled him over for a broken taillight and shot him seven times. His fiancee in the passenger seat recorded him slumping over, his white shirt stained red like a Japanese flag, while a four-year old girl sat in the back. I thought, Evidence, this is it, the case that gets the verdict. It's right there, you can't turn away from it, can't reason your way out. But on June 16, 2018, the jury returned a not guilty verdict. In Oakland, people stormed the highways. Some called it chaos, but I saw reason. My testimony was incomplete because I'd blacked out. Philando couldn't testify because he was dead, couldn't even attend his own trial. I wish the prosecutor had called Philando to the stand, forced the jury to stare at the empty witness box, his name echoing into the silence, proceeded with questions. What were your nicknames for the little girl? Did your arms get tired when you carried her? Did you know, while getting dressed that morning, those were the clothes you would die in? What kind of cake did you want at your wedding?
Chanel Miller (Know My Name)
The street sprinkler went past and, as its rasping rotary broom spread water over the tarmac, half the pavement looked as if it had been painted with a dark stain. A big yellow dog had mounted a tiny white bitch who stood quite still. In the fashion of colonials the old gentleman wore a light jacket, almost white, and a straw hat. Everything held its position in space as if prepared for an apotheosis. In the sky the towers of Notre-Dame gathered about themselves a nimbus of heat, and the sparrows – minor actors almost invisible from the street – made themselves at home high up among the gargoyles. A string of barges drawn by a tug with a white and red pennant had crossed the breadth of Paris and the tug lowered its funnel, either in salute or to pass under the Pont Saint-Louis. Sunlight poured down rich and luxuriant, fluid and gilded as oil, picking out highlights on the Seine, on the pavement dampened by the sprinkler, on a dormer window, and on a tile roof on the Île Saint-Louis. A mute, overbrimming life flowed from each inanimate thing, shadows were violet as in impressionist canvases, taxis redder on the white bridge, buses greener. A faint breeze set the leaves of a chestnut tree trembling, and all down the length of the quai there rose a palpitation which drew voluptuously nearer and nearer to become a refreshing breath fluttering the engravings pinned to the booksellers’ stalls. People had come from far away, from the four corners of the earth, to live that one moment. Sightseeing cars were lined up on the parvis of Notre-Dame, and an agitated little man was talking through a megaphone. Nearer to the old gentleman, to the bookseller dressed in black, an American student contemplated the universe through the view-finder of his Leica. Paris was immense and calm, almost silent, with her sheaves of light, her expanses of shadow in just the right places, her sounds which penetrated the silence at just the right moment. The old gentleman with the light-coloured jacket had opened a portfolio filled with coloured prints and, the better to look at them, propped up the portfolio on the stone parapet. The American student wore a red checked shirt and was coatless. The bookseller on her folding chair moved her lips without looking at her customer, to whom she was speaking in a tireless stream. That was all doubtless part of the symphony. She was knitting. Red wool slipped through her fingers. The white bitch’s spine sagged beneath the weight of the big male, whose tongue was hanging out. And then when everything was in its place, when the perfection of that particular morning reached an almost frightening point, the old gentleman died without saying a word, without a cry, without a contortion while he was looking at his coloured prints, listening to the voice of the bookseller as it ran on and on, to the cheeping of the sparrows, the occasional horns of taxis. He must have died standing up, one elbow on the stone ledge, a total lack of astonishment in his blue eyes. He swayed and fell to the pavement, dragging along with him the portfolio with all its prints scattered about him. The male dog wasn’t at all frightened, never stopped. The woman let her ball of wool fall from her lap and stood up suddenly, crying out: ‘Monsieur Bouvet!
Georges Simenon
I opened the door with a smile on my face that soon melted when I saw his messy appearance. The doorframe held him up as he leaned all of his weight against it. Expressionless, bloodshot eyes stared back at me as he lifted his hand and ran it roughly down his unshaved face. His hair was disheveled and there was blood on the front of his shirt. Panic rose up as I took him in. I rushed to him and ran my fingers down his body, as I checked for injuries. “You’re bleeding! Oh my God, Devin! What happened? Are you OK?” “It’s not my blood,” he slurred. I took a better look at his gorgeous face. His unfocused eyes attempted to meet mine and it was then that the smell of liquor reached me. “You’re drunk?” “Abso-fucking-lutely.” He attempted to move toward me and almost fell over. I wrapped my arms around him and helped him into my apartment. Once we made it to the couch I let him collapse onto the cushion before I went straight to work on his clothes. I removed his blood-stained shirt first and threw it to the side. Quickly checked him over again just to be sure that he wasn’t injured somewhere. His skin felt cold and clammy against my fingertips. His knuckles were busted open, so I went to the bathroom and got a wet towel and the first aid kit. I cleaned his fingers then wrapped them up. I felt fingers in my hair and looked up to see a very drunk Devin staring back at me. “You’re so fucking beautiful,” he whispered as his heavy head fell against the back of my couch again. Shaking my head, I dropped onto my knees on the floor and removed his boots. Once I was done getting Devin out of his shoes, I went to the hallway closet and pulled out a blanket for him. When I got back to the couch, he was standing there looking back at me in all his tattooed, muscled glory. He was still leaning a bit to the side when his eyes locked on mine. “Come here,” he rasped. He looked as if he was about to crumble and I couldn’t tell if it was the alcohol or if something was really breaking him down. “Are you OK, baby?” I asked. He closed his eyes and sighed. “I love it when you call me baby.” I went to him and he groaned as I softly ran my hands up his chest and put my arms around his neck. On my tiptoes, I softly kissed the line of his neck and his chin. “Tell me what happened, Devin.” When he finally opened his eyes, he looked at me differently. The calm and collected Devin was gone and an anxiety-ridden shell of a man stood before me. His shoulders felt tense beneath my fingers and his eyes held a crazed demeanor. “I need you, Lilly.” He captured my face softly in his hands as he slurred the words. “Please tell me what happened?” “Make it go away, baby,” he whispered as he leaned in and started to kiss me. I let him as I melted against his body. He collapsed against the couch once more, but this time he took me with him. Not once did he break our kiss, and soon, I felt his velvet tongue against mine. I kissed him back and let my fingers play in the hair at the back of his neck. He broke the kiss and started down the side of my neck. “I need you, Lilly,” he repeated against my skin. “I’m here.” I bit at my bottom lip to stop myself from moaning. “Please, just make it all go away,” he drunkenly begged. “I don’t know what’s going on, but tell me what to do to make it better. I want to make it better, Devin.” I stopped him and stared into his eyes as I waited for his response. “Don’t leave me,” he said desperately. “I’m not going anywhere. I’m here. I’ll do whatever it takes to make it better.” I wanted to cry. He looked so hurt and afraid. It was strange to see such a strong, confident man so lost and unsure. He flipped me onto my back on the couch and crawled on top of me. His movements were less calculated—slower than usual. “I want you. I need to be inside you,” he said aggressively.
Tabatha Vargo (On the Plus Side (Chubby Girl Chronicles, #1))
Splatters of mud stained Rothbury's fine lawn shirt, which clung slickly to the broad expanse of his back like a second skin. Having rolled up his sleeves at the onset of his task, his muscled arms were now streaked with mud and rain as were the tall boots and tight black breeches that hugged the sinewy muscles of his long, undoubtedly strong legs. Her admiring gaze alighted upon his golden-brown hair, which now looked more brown than golden as it was wet with perspiration and mist. A few locks lay plastered to his neck in wispy whorls. Charlotte suddenly felt overly warm. Seeing him... wet... somehow embarrassed her. It felt dark, intimate. Truly, if it weren't for the mud- and clothes- she rather thought this would be what he looked like after a bath. A shiver ran down her arms as her eyes drifted to the dewy trails of rain droplets that ran over his slightly bristled jaw and neck, disappearing in the nest of his loosely tied cravat. And then her hungry gaze raised... and connected with Rothbury's. All thoughts flew straight out of her head. Looking at her from over his shoulder, he straightened, his smile twisting with arrogance. Despite the chill in the air, her cheeks felt as if they were on fire. How long had he been watching her in-depth perusal? Long enough, she supposed, if the heated gleam in his eyes was any indication at all. She blinked, shaking her head hurriedly, hoping by that action she was silently telling him, "No, I definitely was not looking at you." He answered her gesture by nodding slowly, telling her he knew exactly what she had been doing and that he had caught her in the act. She gave her head another insistent shake. Still looking at her from over his shoulder, he sauntered back to the carriage, his smile broadening. He lifted his shoulder as if to say, "I don't care. Look all you want." She shook her head again, tightly. He winked. She gulped. And then he set back to work with the other men to free the carriage.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Did you eat?” he asked as he backed out of the parking lot. “No.” “Do you want to stop somewhere?” “Like Burger King?” “I was thinking something a little nicer.” “I’m wearing sweaty clothes and sneakers.” Briefly taking his eyes off the road, he glanced at her. “I think you look nice.” “Says the man in a dress shirt and tie.” “Trust me, you could wear a sack and I’d still be the inappropriate factor in the equation. Let’s stop and have dinner. We’ll go someplace small and quiet.” She sighed. “Fine. But you have to take off your tie and un-tuck your shirt.” “What?” “Either that or I’m not going. I look like a slob.” His fingers noticeably tightened on the wheel. “Fine.” When they arrived at the restaurant, a little corner place with outdoor seating and Italian cuisine, Elliot stood at the car door and loosened his tie. After unclasping the top button of his shirt, he frowned at his hips. “My shirttails will be wrinkled. Can’t this be enough?” She laughed at how uncomfortable the idea of wrinkles made him. “Fine.” Untwisting the clip in her hair, she flipped her head over and shook out her waves, hoping to hide the fact that she was in an old tank top with a bleach stain on the side. Flipping back, she paused as she caught him staring. “What?” His eyes were wide behind his glasses. “Nothing.” He shook his head and looked away. He took her hand and escorted her into the restaurant. The smell of delicious pasta cranked up her hunger. The hostess greeted them, and before Nadia could manage a word, Elliot asked for a private table in the back. They were escorted to the rear of the restaurant, far away from all other patrons. “Do they know you here?” He seemed to have some pull. “No, but if you make a direct request people don’t often tell you no.” She raised a brow. “I’ll have to remember that trick.” For as gentle as he was, he had a knack for being equally commanding. His clout was subtle but undeniable. She wondered if he even realized the influence he held over others. He wore authority very well.
Lydia Michaels (Untied (Mastermind, #2))
Because I like you,” she blurted out, and realized that for once it was true. It was a rather unsettling revelation. “You’re . . . , well, you.” Not just a body on a balcony, not just a pair of lips to blot out boredom, but Alex, Alex who argued with her and watched out for her and woke absurdly early in the mornings to ride with her every day, whether he had the time to do so or not. Perhaps this wasn’t such a good idea after all. Alex didn’t seem to think so, either. His dark eyes were intent on her face, watching her in that way of his, as though he were learning her from the inside out, peering into every little dark nook and cranny of her soul. There were plenty of those to choose from. Dark nooks were one of Penelope’s specialties. He might have wanted her last night, in the still of the bungalow, with the lingering scent of moonflowers on the breeze, but not in daylight, when he saw her again for what she was, brash, impetuous, with her face gone unfashionably tan and curry stains on her habit. He was undoubtedly mustering the words with which to turn her down politely. Penelope suddenly, very desperately, didn’t want to hear them. She jumped to her feet, leaning over to gather up the empty tins. “Or we can just ride on,” she said brusquely, not looking at him. A lean brown hand closed around her wrist. Penelope regarded it blankly, as though not quite sure what it was doing there, alien against the white lace frill of her sleeve. Slowly, her breath catching somewhere in the vicinity of her corset, she lifted her eyes to Alex’s face. What she saw banished any doubts she might have had. In his eyes blazed a reflection of the desire she felt in her own. Nothing more needed to be said. Without a word, he drew her down beside him on the blanket, the blanket that had seemed so prosaic only moments before, but now presented the prospect of a host of exotic and illicit possibilities. Penelope plunked down hard on her knees, catching at his shoulders for balance as she tilted her head down to kiss him, enjoying the unusual advantage of height. “Are you sure?” he murmured, his teeth tugging at her earlobe, even as his hands moved intimately up and down her torso. In answer, Penelope pushed hard at his shoulders, sending him toppling back onto the blanket, narrowly missing sheer disaster with a fork. She followed him down, bracing herself on her elbows and scattering kisses across his upturned face as he busied himself with the buttons on her riding jacket. The fabric parted, and his hands slid beneath, burning through the linen of her blouse, drawing her down on top of him with drugging kisses that made the noon sky dim to dusk and the rustling of the tree leaves blur in her ears. Penelope wriggled her hands beneath his shirt, feeling the hard edges of muscle beneath, delighting in the way they contracted with each labored breath, with a flick of her tongue against the hollow of his throat and an exploratory expedition taken by her lips along his collarbone.
Lauren Willig (The Betrayal of the Blood Lily (Pink Carnation, #6))
When a little of his strength returned he moved onto his side, taking her with him, still a part of her. Her hair spilled over his naked chest like a rumpled satin waterfall, and he lifted a shaking hand to smooth it off her face, feeling humbled and blessed by her sweetness and unselfish ardor. Several minutes later Elizabeth stirred in his arms, and he tipped her chin up so that he could gaze into her eyes. “Have I ever told you that you are magnificent? She started to shake her head, then suddenly remembered that he had told her she was magnificent once before, and the recollection brought poignant tears to her eyes. “You did say that to me,” she amended, brushing her fingers over his smooth shoulder because she couldn’t seem to stop touching him. “You told me that when we were together-“ “In the woodcutter’s cottage,” he finished for her, recalling the occasion as well. In reply she had chided him for acting as if he also thought Charise Dumont was magnificent, Ian remembered, regretting all the time they had lost since then…the days and nights she could have been in his arms as she was now. “Do you know how I spent the rest of the afternoon after you left the cottage?” he asked softly. When she shook her head, he said with a wry smile, “I spent it pleasurably contemplating tonight. At the time, of course, I didn’t realize tonight was years away.” He paused to draw the sheet up over her back so she wouldn’t be chilled, then he continued in the same quiet voice, “I wanted you so badly that day that I actually ached while I watched you fasten that shirt you were wearing. Although,” he added dryly, “that particular condition, brought on by that particular cause, has become my normal state for the last four weeks, so I’m quite used to it now. I wonder if I’ll miss it,” he teased. “What do you mean?” Elizabeth asked, realizing that he was perfectly serious despite his light tone. “The agony of unfulfilled desire,” he explained, brushing a kiss on her forehead, “brought on by wanting you.” “Wanting me?” she burst out, rearing up so abruptly that she nearly overturned him as she leaned up on an elbow, absently clutching the sheet to her breasts. “Is this-what we’ve just done, I mean-“ “The Scots think of it as making love,” he interrupted gently. “Unlike most English,” he added with flat scorn, “who prefer to regard it as ‘performing one’s marital duty.’” “Yes,” Elizabeth said absently, her mind on his earlier remark about wanting her until it caused him physical pain, “but is this what you meant all those times you’ve said you wanted me?” His sensual lips quirked in a half smile. “Yes.” A rosy blush stained her smooth cheeks, and despite her effort to sound severe, her eyes were lit with laughter. “And the day we bargained about the betrothal, and you told me I had something you wanted very badly, what you wanted to do with me…was this?” “Among other things,” he agreed, tenderly brushing his knuckles over her flushed cheek. “If I had known all this,” she said with a rueful smile, “I’m certain I would have asked for additional concessions.” That startled him-the thought that she would have tried to drive a harder bargain if she’d realized exactly how much and what sort of power she really held. “What kind of additional concessions?” he asked, his face carefully expressionless. She put her cheek against his shoulder, her arms curving around him. “A shorter betrothal,” she whispered. “A shorter courtship, and a shorter ceremony.
Judith McNaught (Almost Heaven (Sequels, #3))
What I have been doing lately from my WIP "In Hiding" is available on my website. *Strong language warning* Wayne sat in the hygienic emergency room trying to ignore the bitch of a headache that began radiating at the back of his skull. His worn jeans, a blood-stained t-shirt, and his makeshift bandage sat on a nearby chair. The hysteria created by his appearance in the small hospital ward had died down. A local cop greeted him as soon as he was escorted to the examination room. The conversation was brief, once he revealed he was a bail enforcer the topic changed from investigation to shooting the bull. The experienced officer shook his hand before leaving then joked he hoped this would be their only encounter. The ER doc was a woman about his age. Already the years of long hours, rotating shifts and the rarity of a personal life showed on her face. Her eyelids were pink-rimmed, her complexion sallow; all were earmarks of the effect of long-term exhaustion. Wayne knew it all too well as he rubbed his knuckle against his own grainy eyes. Despite this, she attended to him with an upbeat demeanor and even slid in some ribbing at his expense. He was defenseless, once the adrenaline dropped off Wayne felt drained. He accepted her volleys without a response. All he mustered was a smile and occasional nod as she stitched him up. Across the room, his cell toned, after the brief display of the number a woman’s image filled the screen. Under his breath, he mumbled, “Shit.” He intends for his exclamation to remain ignored, having caught it the doctor glanced his direction with a smile. Without invitation, she retrieved his phone handing it to him without comment. Wayne noted the raised eyebrow she failed to hide. The phone toned again as he glanced at the flat image on the device. The woman’s likeness was smiling brightly, her blue eyes dancing. Just looking at her eased the pain in his head. He swiped the screen and connected the call as the doctor finished taping his injury. Using his free uninjured arm, he held the phone away from him slightly, utilizing the speaker option. “Hey Baby.” “What the hell, Wayne!” Her voice filled the small area, in his peripheral vision he saw the doc smirk. Turning his head, he addressed the caller. “Babe, I was getting ready to call.” The excuse sounded lame, even to him. “Why the hell do I have to hear about this secondhand?” Wayne placed the phone to his chest, loudly he exclaimed; “F***!” The ER doc touched his arm, “I will give you privacy.” Wayne gave her a grateful nod. With a snatch, she grabbed the corner of the thin curtain suspended from the ceiling and pulled it close. Alone again, he refocused on the call. The woman on the other end had continued in her tirade without him. When he rejoined the call mid-rant, she was issuing him a heartfelt ass-chewing. “...bullshit Wayne that I have to hear about this from my cousin. We’ve talked about this!” “Honey...” She interrupts him before he can explain himself. “So what the hell happened?” Wisely he waited for silence to indicate it was his turn to speak. “Lou, Honey first I am sorry. You know I never meant to upset you. I am alright; it is just a flesh wound.” As he speaks, a sharp pain radiates across his side. Gritting his teeth, Wayne vows to continue without having the radiating pain affect his voice. “I didn’t want you to worry Honey; you know calling Cooper first is just business.” Silence. The woman miles away grits her teeth as she angrily brushes away her tears. Seated at the simple dining table, she takes a napkin from the center and dabs at her eyes. Mentally she reminds herself of her promise that she was done crying over this man. She takes an unsteady breath as she returns her attention to the call. “Lou, you still there?” There is something in his voice, the tender desperation he allows only her to see. Furrowing her brow she closes her eyes, an errant tear coursed down her cheek.
Caroline Walken
Remy looked down at the blood disinterestedly and clucked his tongue. “Maudit! I just stole this shirt,” he murmured as he pulled at the sleeve and examined the growing stain. “Stitches must have come out.
Abigail Roux (The Archer)
Despite an icy northeast wind huffing across the bay I sneak out after dark, after my mother falls asleep clutching her leather Bible, and I hike up the rutted road to the frosted meadow to stand in mist, my shoes in muck, and toss my echo against the moss-covered fieldstone corners of the burned-out church where Sunday nights in summer for years Father Thomas, that mad handsome priest, would gather us girls in the basement to dye the rose cotton linen cut-outs that the deacon’s daughter, a thin beauty with short white hair and long trim nails, would stitch by hand each folded edge then steam-iron flat so full of starch, stiffening fabric petals, which we silly Sunday school girls curled with quick sharp pulls of a scissor blade, forming clusters of curved petals the younger children assembled with Krazy glue and fuzzy green wire, sometimes adding tissue paper leaves, all of us gladly laboring like factory workers rather than have to color with crayon stubs the robe of Christ again, Christ with his empty hands inviting us to dine, Christ with a shepherd's staff signaling to another flock of puffy lambs, or naked Christ with a drooping head crowned with blackened thorns, and Lord how we laughed later when we went door to door in groups, visiting the old parishioners, the sick and bittersweet, all the near dead, and we dropped our bikes on the perfect lawns of dull neighbors, agnostics we suspected, hawking our handmade linen roses for a donation, bragging how each petal was hand-cut from a pattern drawn by Father Thomas himself, that mad handsome priest, who personally told the Monsignor to go fornicate himself, saying he was a disgruntled altar boy calling home from a phone booth outside a pub in North Dublin, while I sat half-dressed, sniffing incense, giddy and drunk with sacrament wine stains on my panties, whispering my oath of unholy love while wiggling uncomfortably on the mad priest's lap, but God he was beautiful with a fine chiseled chin and perfect teeth and a smile that would melt the Madonna, and God he was kind with a slow gentle touch, never harsh or too quick, and Christ how that crafty devil could draw, imitate a rose petal in perfect outline, his sharp pencil slanted just so, the tip barely touching so that he could sketch and drink, and cough without jerking, without ruining the work, or tearing the tissue paper, thin as a membrane, which like a clean skin arrived fresh each Saturday delivered by the dry cleaners, tucked into the crisp black vestment, wrapped around shirt cardboard, pinned to protect the high collar.
Bob Thurber (Nothing But Trouble)
What other people see is a bossy, spoiled little boy. They don't know that sometimes the smallest of changes, like a drop of orange pop on his white t-shirt, can bother him so much he can't wear it any longer, that the stain physically pains him, like the spot becomes a wound bleeding not from the inside out but the outside in.
Riel Nason The Town that Drowned
What other people see is a bossy, spoiled little boy. They don't know that the smallest of changes, like a drop of orange pop on his white t-shirt, can bother him so much he can't wear it any longer, the stain physically pains him, like the spot becomes a wound bleeding not from the inside out but the outside in.
Riel Nason The Town that Drowned
I noticed some scratch marks and faded blood stains high up on a wall. “What happened there?” “An inmate must have tried to escape. I saw a guy use two suction devices like the ones used to carry glass sheets to help lever himself up. He reached half way before being spotted by a blue shirt.” “What happened to him?” “The blue shirt called a guard. He was ordered to come down, but didn’t. They shot him in the leg, he fell and later in the cell, he removed a blade from a disposable razor, slashed his left wrist then wrote a suicide note on the wall with his right hand – in his own blood. Suicide is really common in here and nobody bats an eyelid.
Simon Palmer
I’ve got semen stains on my shirt, and spaghetti stains on my underwear. Ah, but that’s life, no?
Jarod Kintz (Ah, but that's life, no?)
The Oxi Technique By now you know that I love OxiClean in a deeply unnatural way. If you promise not to slap a scarlet A on me for being some sort of sexual deviant, I’ll admit that sometimes I whisper sweet nothings to my bucket of Oxi. So it will surprise you not to learn that I consider Oxi to be one of the best products out there when it comes to getting ugly yellow pit stains out from shirts. But a curious thing happened when I started recommending it to people for this purpose: some would come back to let me know that the Oxi didn’t do a thing to help cure their pit stains, while others were practically rapturous describing the miracle visited unto their white T-shirts.
Jolie Kerr (My Boyfriend Barfed in My Handbag . . . and Other Things You Can't Ask Martha)
Duncan's best friend, a lean, full-blooded Arapaho answering to the name Benjamin Lonetree, knelt in the dirt above the bloody body of Woody McCune, the Circle D's foreman and Fiona's covert lover.  Benjamin was naked except for stained moccasins and a ragged loincloth which just about covered his privates. His long hair fell in black braids along sienna painted cheeks. He gripped Woody's shirt in one hand and a Bowie knife in the other. He looked up at Fiona and, grinning an evil grin, ran the blade across Woody's throat. The foreman fell to earth in a dusty cloud, his eyes surprised and terrified. Benjamin held his bright wet knife to the sky and howled an Arapaho war cry.
A.L. Haskett (Duncan Delaney and the Cadillac of Doom)
spraying the stains with spot remover and working it in, the shirt followed. She was about to drop in her pants when the heft alerted her she hadn't removed her cell phone from the pocket. "Wouldn't that have been just great." She took
Morgan Hannah MacDonald (Nightscream (The Thomas Family, #2))