Stag Time Quotes

There are two reasons why man loses contact with the regulating center of his soul. One of them is that some single instinctive drive or emotional image can carry him into a one-sidedness that makes him lose his balance. This also happens to animals; for example, a sexually excited stag will completely forget hunger and security. This one-sidedness and consequent loss of balance are much dreaded by primitives, who call it, "loss of soul." Another threat to the inner balance comes from excessive daydreaming, which in a secret way usually circles around particular complexes. In fact, daydreams arise just because they connect a man with his complexes; at the same time they threaten the concentration and continuity of his consciousness. The second obstacle is exactly the opposite, and is due to an over-consolidation of ego-consciousness. Although a disciplined consciousness is necessary for the performance of civilized activities (we know what happens if a railway signalman lapses into daydreaming), it has the serious disadvantage that it is apt to block the reception of impulses and messages coming from the center. This is why so many dreams of civilized people are concerned with restoring this receptivity by attempting to correct the attitude of consciousness toward the unconscious center of Self.

Was he a sentiment hanging unspoken or a path not taken or a closed door left unopened? Or was he a deer, glimpsed amongst the trees and then gone, disturbing not a single branch in his departure? The stag is a shot left untaken. An opportunity lost. Stolen like a kiss. In these new forgetful times with their changed ways sometimes the stag will pause a moment longer. He waits though once he never waited, would never dream to wait or wait to dream. He waits now. For someone to take the shot. For someone to pierce his heart. To know he is remembered.

What’s Baghra’s power, anyway?” I asked, the thought occurring to me for the first time. She was an amplifier like the Darkling, but he had his own power, too. “I’m not sure,” he said. “I think she was a Tidemaker. No one around here is old enough to remember.” He looked down at me. The cold air had put a flush in his cheeks, and the lamplight shone in his gray eyes. “Alina, if I tell you that I still believe we can find the stag, would you think I’m mad?” “Why would you care what I think?” He looked genuinely baffled. “I don’t know,” he said. “But I do.” And then he kissed me. It happened so suddenly that I barely had time to react. One moment, I was staring into his slate-colored eyes, and the next, his lips were pressed to mine. I felt that familiar sense of surety melt through me as my body sang with sudden heat and my heart jumped into a skittery dance. Then, just as suddenly, he stepped back. He looked as surprised as I felt. “I

Not to waste the spring I threw down everything, And ran into the open world To sing what I could sing... To dance what I could dance! And join with everyone! I wandered with a reckless heart beneath the newborn sun. First stepping through the blushing dawn, I crossed beneath a garden bower, counting every hermit thrush, counting every hour. When morning's light was ripe at last, I stumbled on with reckless feet; and found two nymphs engaged in play, approaching them stirred no retreat. With naked skin, their weaving hands, in form akin to Calliope's maids, shook winter currents from their hair to weave within them vernal braids. I grabbed the first, who seemed the stronger by her soft and dewy leg, and swore blind eyes, Lest I find I, before Diana, a hunted stag. But the nymphs they laughed, and shook their heads. and begged I drop beseeching hands. For one was no goddess, the other no huntress, merely two girls at play in the early day. "Please come to us, with unblinded eyes, and raise your ready lips. We will wash your mouth with watery sighs, weave you springtime with our fingertips." So the nymphs they spoke, we kissed and laid, by noontime's hour, our love was made, Like braided chains of crocus stems, We lay entwined, I laid with them, Our breath, one glassy, tideless sea, Our bodies draping wearily. We slept, I slept so lucidly, with hopes to stay this memory. I woke in dusty afternoon, Alone, the nymphs had left too soon, I searched where perched upon my knees Heard only larks' songs in the trees. "Be you, the larks, my far-flung maids? With lilac feet and branchlike braids... Who sing sweet odes to my elation, in your larking exaltation!" With these, my clumsy, carefree words, The birds they stirred and flew away, "Be I, poor Actaeon," I cried, "Be dead… Before they, like Hippodamia, be gone astray!" Yet these words, too late, remained unheard, By lark, that parting, morning bird. I looked upon its parting flight, and smelled the coming of the night; desirous, I gazed upon its jaunt, as Leander gazes Hellespont. Now the hour was ripe and dark, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I'll say it once and true… From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.

Now I see I've been hoping, each time we meet, that he would praise me for how well I took it, but it's not to be.

I felt the weight of the collar around my neck, the steady rhythm of the stag's ancient heart beating in time with mine. My power rose up in me, solid and without hesitation, a sword in my hand.

Because this painting has never been restored there is a heightened poignance to it somehow; it doesn’t have the feeling of unassailable permanence that paintings in museums do. There is a small crack in the lower left, and a little of the priming between the wooden panel and the oil emulsions of paint has been bared. A bit of abrasion shows, at the rim of a bowl of berries, evidence of time’s power even over this—which, paradoxically, only seems to increase its poetry, its deep resonance. If you could see the notes of a cello, when the bow draws slowly and deeply across its strings, and those resonant reverberations which of all instruments’ are nearest to the sound of the human voice emerge—no, the wrong verb, they seem to come into being all at once, to surround us, suddenly, with presence—if that were made visible, that would be the poetry of Osias Beert. But the still life resides in absolute silence. Portraits often seem pregnant with speech, or as if their subjects have just finished saying something, or will soon speak the thoughts that inform their faces, the thoughts we’re invited to read. Landscapes are full of presences, visible or unseen; soon nymphs or a stag or a band of hikers will make themselves heard. But no word will ever be spoken here, among the flowers and snails, the solid and dependable apples, this heap of rumpled books, this pewter plate on which a few opened oysters lie, giving up their silver. These are resolutely still, immutable, poised for a forward movement that will never occur. The brink upon which still life rests is the brink of time, the edge of something about to happen. Everything that we know crosses this lip, over and over, like water over the edge of a fall, as what might happen does, as any of the endless variations of what might come true does so, and things fall into being, tumble through the progression of existing in time. Painting creates silence. You could examine the objects themselves, the actors in a Dutch still life—this knobbed beaker, this pewter salver, this knife—and, lovely as all antique utilitarian objects are, they are not, would not be, poised on the edge these same things inhabit when they are represented. These things exist—if indeed they are still around at all—in time. It is the act of painting them that makes them perennially poised, an emergent truth about to be articulated, a word waiting to be spoken. Single word that has been forming all these years in the light on the knife’s pearl handle, in the drops of moisture on nearly translucent grapes: At the end of time, will that word be said?

It was early evening twilight when we came around a corner… and there in the road was a red deer stag. He leapt up the bank beside the road and then paused, looking back over his shoulder as we passed. Like a scene in a dream I watched him as he watched me. He was so close… so still and so beautiful. There was an instant of knowing that my heart was as trapped in this beautiful wildness as my eyes were caught in his calm curious gaze. It was a slowly growing realisation that I had fallen in love a third time… with this lovely, cold strange world of water and stone, sharp light and deep shadows. And I would never be the same again.

Master Nathaniel looked at him. The fixed stare, the slightly-open mouth, the rigid motionless body, fettered by a misery too profound for restlessness — how well he knew the state of mind these things expressed! But there must surely be relief in thus allowing the mood to mould the body's attitude to its own shape. He had no need now to ask his son for explanations. He knew so well both that sense of emptiness, that drawing in of the senses (like the antennae of some creature when danger is no longer imminent, but there), so that the physical world vanishes, while you yourself at once swell out to fill its place, and at the same time shrink to a millionth part of your former bulk, turning into a mere organ of suffering without thought and without emotions; he knew also that other phase, when one seems to be flying from days and months, like a stag from its hunters — like the fugitives, on the old tapestry, from the moon. But when it is another person who is suffering in this way, in spite of one's pity, how trivial it all seems! How certain one is of being able to expel the agony with reasoning and persuasion!

And to live in those rooms, where one of his smiles might emerge, like something almost from another place, another time, another set of creatures, was to feel blessed, and to be held in mysteriousness, and a little in mourning.

When he loved me, I looked out at the world as if from inside a profound dwelling, like a burrow or a well, I'd gaze up, at noon, and see Orion shining—when I thought he loved me, when I thought we were joined not just for breath's time, but for the long continuance

It was something he had never quite understood about himself. He had seen thousands of men die in nearly ten years of war and could look on it at times with a near-total detachment, but an animal suffering - be it a horse or needra injured in battle, or the stag now dying - moved him deeply.

Mirrors! - Who has ever known you, Described you? Entered into your very Being? Holes which appear in time, are filled-in, Like clear pores of a sieve. You, squanderers of empty drawing-rooms, In the dusk broad as the great forests ... And when the lustre shoots like a stag’s antlers Down through ways untrodden inside you. Sometimes you engulf paintings, - Are stuffed with them, - Then some are timorously despatched, go past. But the most beautiful shall remain within you, Held there till pure Narcissus is unbound and penetrates Down to a visage comprised in you.

(a paper star folded from a page removed from a book) There is a stag in the snow. Blink and he will vanish. Was he a stag at all or was he something else? Was he a sentiment hanging unspoken or a path not taken or a closed door left unopened? Or was he a deer, glimpsed amongst the trees and then gone, disturbing not a single branch in his departure? The stag is a shot left untaken. An opportunity lost. Stolen like a kiss. In these new forgetful times with their changed ways sometimes the stag will pause a moment longer. He waits though once he never waited, would never dream to wait or wait to dream. He waits now. For someone to take the shot. For someone to pierce his heart. To know he is remembered.

I’d thought the stag was haunting me, a reminder of my failure and the price my weakness would exact. But I was wrong. The stag had been showing me my strength—not just the price of mercy but the power it bestowed. And mercy was something the Darkling would never understand. I had spared the stag’s life. The power of that life belonged to me as surely as it belonged to the man who had taken it. I gasped as understanding flooded through me, and I felt that invisible grip falter. My power slid back into my hands. Once more, I stood in Baghra’s hut, calling the light for the first time, feeling it rush toward me, taking possession of what was rightfully mine. This was what I had been born for. I would never let anyone separate me from it again.

It is time that nations should be rational, and not be governed like animals, for the pleasure of their riders. To read the history of kings, a man would be almost inclined to suppose that government consisted in stag-hunting, and that every nation paid a million a-year to a huntsman. Man ought to have pride, or shame enough to blush at being thus imposed upon, and when he feels his proper character he will. Upon all subjects of this nature, there is often passing in the mind, a train of ideas he has not yet accustomed himself to encourage and communicate. Restrained by something that puts on the character of prudence, he acts the hypocrite upon himself as well as to others. It is, however, curious to observe how soon this spell can be dissolved. A single expression, boldly conceived and uttered, will sometimes put a whole company into their proper feelings: and whole nations are acted on in the same manner.

You're going to the ball?" Luc asked. "Need an escort?" "I appreciate the offer, but I hear it's all the rage to go stag." He raised his eyebrows. "Besides, I think your brother might take it amiss." "I thought you two were... taking a break?" "I'd like to wait and see. He's only gone for a couple of weeks." "I'll take you," Aidan interrupted again. "I was planning on going, myself." "Dude, I'll take you," echoed Conrad from his seat at the counter. "Thanks guys." I had to smile. This for a witch who was quite literally banned from any and all high school dances. "But, really, I sort of like the idea of going solo." Just then we all looked around as the bell on the front door tinkled again, this time announcing the arrival of Inspector Carlos Romero. "Blessed goddess!" Bronwyn exclaimed, throwing up her hands. "Don't tell me you're here to ask Lily out as well? I'm beginning to feel like a dueña." "No," Carlos said, looking puzzled.

I think she did really try her hardest to get over him. You would, wouldn't you, if someone had hurt you like that? You'd make all kinds of promises to yourself not to let them do something like that again. But wouldn't a small part of you always be wondering "what if" Wouldn't some part of you - a part that you might not want to exist - still be holding out for that happy ending? It's how we're built isn't it? No matter how many times you get slapped in the face you have to believe that the next time would be different. And then in comes the guy who hurt you all those years ago, and he wants to make things better and to prove he's not all talk- this time it will be different. How could she not fall for that? How could she not think that if she chose him it would finally lift the shadow that he'd cast over her life? All that hurt, all that suffering wouldn't have been for nothing then, would it? If he'd come back to you like that, would you have taken him back?

BARRY: Phwoar! This stuff shouldn’t be available on the internet where anybody can see it. GLENDA: Barry, what are you looking at? BARRY: Philosophy. You should see some of the ideas floating around here. GLENDA: As long as it’s only philosophy. BARRY: Only?! They come out with stuff that makes your hair stand on end. Look out there. What do you see? GLENDA: I can see it’s time to paint the fence. BARRY: What fence? GLENDA: Our fence. I don’t expect you to paint next door’s. BARRY: There is no fence out there. We just think there is. GLENDA: And I think it still needs painting. BARRY: It’s all in here. It’s only the way we see things that makes them look as if they’re out there. Actually everything is in our heads. GLENDA: Barry, if you can go out there with a pot of paint and paint it, then it’s out there. BARRY: I hate it when you do that. GLENDA: What? BARRY: Make more sense than philosophy. “The Second Stag Night of Doggy Wilkinson”, Last of the Summer Wine”, season 28 episode 1.

The bee has round it a mysterious inscription, which has been variously interpreted. It contains an allusion to beeswax, and one scholar has suggested that the tesserae were druggists’ tokens for the purpose of advertising the sale of beeswax. Another explanation is that the inscription might be one of the mysterious magic formulae used as charms, and that the tokens might be charms to call the bees home when swarming; but the most plausible solution seems to be that the tesserae were connected with the secret rites of Artemis, especially as the stag of the goddess is the one on the reverse side of the tokens. One of the most important animals connected with the worship of the Asiatic Great-Mother was the lion, and it is a curious fact that we often find a connection between bees and lions. At the old Hittite town of Carchemish behind her a long line of priestesses bearing various articles. We do not suggest that these were called Melissae, but in the jewellry we see how the goddess with her lions merges in or is connected with the ‘Bee-goddess.

And now, for the first time, the Lion was quite silent. He was going to and fro among the animals. And every now and then he would go up to two of them (always two at a time) and touch their noses with his. He would touch two beavers among all the beavers, two leopards among all the leopards, one stag and one deer among all the deer, and leave the rest. Some sorts of animal he passed over altogether. But the pairs which he had touched instantly left their own kinds and followed him. At last he stood still and all the creatures whom he had touched came and stood in a wide circle around him. The others whom he had not touched began to wander away. Their noises faded gradually into the distance. The chosen beasts who remained were now utterly silent, all with their eyes fixed intently upon the Lion. The cat-like ones gave an occasional twitch of the tail but otherwise all were still. For the first time that day there was complete silence, except for the noise of running water. Digory’s heart beat wildly; he knew something very solemn was going to be done. He had not forgotten about his Mother, but he knew jolly well that, even for her, he couldn’t interrupt a thing like this. The Lion, whose eyes never blinked, stared at the animals as hard as if he was going to burn them up with his mere stare. And gradually a change came over them. The smaller ones—the rabbits, moles, and such-like—grew a good deal larger. The very big ones—you noticed it most with the elephants—grew a little smaller. Many animals sat up on their hind legs. Most put their heads on one side as if they were trying very hard to understand. The Lion opened his mouth, but no sound came from it; he was breathing out, a long, warm breath; it seemed to sway all the beasts as the wind sways a line of trees. Far overhead from beyond the veil of blue sky which hid them the stars sang again; a pure, cold, difficult music. Then there came a swift flash like fire (but it burnt nobody) either from the sky or from the Lion itself, and every drop of blood tingled in the children’s bodies, and the deepest, wildest voice they had ever heard was saying: “Narnia, Narnia, Narnia, awake. Love. Think. Speak. Be walking trees. Be talking beasts. Be divine waters.

Mal’s calm, the surety he seemed to carry in his steps. “Do you think it’s out there?” I asked one afternoon when we’d taken shelter in a dense cluster of pines to wait out a storm. “Hard to say. Right now, I could just be tracking a big hawk. I’m going on my gut as much as anything, and that always makes me nervous.” “You don’t seem nervous. You seem completely at ease.” I could hear the irritation in my voice. Mal glanced at me. “It helps that no one’s threatening to cut you open.” I said nothing. The thought of the Darkling’s knife was almost comforting—a simple fear, concrete, manageable. He squinted out at the rain. “And it’s something else, something the Darkling said in the chapel. He thought he needed me to find the firebird. As much as I hate to admit it, that’s why I know I can do it now, because he was so sure.” I understood. The Darkling’s faith in me had been an intoxicating thing. I wanted that certainty, the knowledge that everything would be dealt with, that someone was in control. Sergei had run to the Darkling looking for that reassurance. I just want to feel safe again. “When the time comes,” Mal asked, “can you bring the firebird down?” Yes. I was done with hesitation. It wasn’t just that we’d run out of options, or that so much was riding on the firebird’s power. I’d simply grown ruthless enough or selfish enough to take another creature’s life. But I missed the girl who had shown the stag mercy, who had been strong enough to turn away from the lure of power, who had believed in something more. Another casualty of this war. “It still doesn’t seem real to me,” I said.

I saw and heard all sorts of things in my fever; I was riding a merry-go-round, I wanted to get off but I couldn’t. I was one of many little children sitting in fire engines and hollowed-out swans, on dogs, cats, pigs, and stags, riding round and round. I wanted to get off but I wasn’t allowed to. All the little children were crying, like me they wanted to get out of the fire engines and hollowed-out swans, down from the backs of the cats, dogs, pigs, and stags, they didn’t want to ride on the merry-go-round any more, but they weren’t allowed to get off. The Heavenly Father was standing beside the merry-go-round and every time it stopped, he paid for another turn. And we prayed: “Oh, our Father who art in heaven, we know you have lots of loose change, we know you like to treat us to rides on the merry-go-round, we know you like to prove to us that this world is round. Please put your pocket-book away, say stop, finished, fertig, basta, stoi, closing time—we poor little children are dizzy, they’ve brought us, four thousand of us, to K"asemark on the Vistula, but we can’t get across, because your merry-go-round, your merry-go-round…” But God our Father, the merry-go-round owner, smiled in his most benevolent manner and another coin came sailing out of his purse to make the merry-go-round keep on turning, carrying four thousand children with Oskar in their midst, in fire engines and hollowed-out swans, on cats, dogs, pigs, and stags, round and round in a ring, and every time my stag—I’m still quite sure it was a stag—carried us past our Father in heaven, the merry-go-round owner, he had a different face: He was Rasputin, laughing and biting the coin for the next ride with his faith healer’s teeth; and then he was Goethe, the poet prince, holding a beautifully embroidered purse, and the coins he took out of it were all stamped with his father-in-heaven profile; and then again Rasputin, tipsy, and again Herr von Goethe, sober. A bit of madness with Rasputin and a bit of rationality with Goethe. The extremists with Rasputin, the forces of order with Goethe.

Then she cried quickly, "Stay, brother, stay! do not drink, or you will become a wild beast, and tear me to pieces." Thirsty as he was, the brother conquered his desire to drink at her words, and said, "Dear sister, I will wait till we come to a spring." So they wandered farther, but as they approached, she heard in the bubbling spring the words— "Who drinks of me, a wolf will be." "Brother, I pray you, do not drink of this brook; you will be changed into a wolf, and devour me." Again the brother denied himself and promised to wait; but he said, "At the next stream I must drink, say what you will, my thirst is so great." Not far off ran a pretty streamlet, looking clear and bright; but here also in its murmuring waters, the sister heard the words— "Who dares to drink of me, Turned to a stag will be." "Dear brother, do not drink," she began; but she was too late, for her brother had already knelt by the stream to drink, and as the first drop of water touched his lips he became a fawn. How the little sister wept over the enchanted brother, and the fawn wept also. He did not run away, but stayed close to her; and at last she said, "Stand still, dear fawn; don't fear, I must take care of you, but I will never leave you." So she untied her little golden garter and fastened it round the neck of the fawn; then she gathered some soft green rushes, and braided them into a soft string, which she fastened to the fawn's golden collar, and then led him away into the depths of the forest. After wandering about for some time, they at last found a little deserted hut, and the sister was overjoyed, for she thought it would form a nice shelter for them both. So she led the fawn in, and then went out alone, to gather moss and dried leaves, to make him a soft bed. Every morning she went out to gather dried roots, nuts, and berries, for her own food, and sweet fresh grass for the fawn, which he ate out of her hand, and the poor little animal went out with her, and played about as happy as the day was long. When evening came, and the poor sister felt tired, she would kneel down and say her prayers, and then lay her delicate head on the fawn's back, which was a soft warm pillow, on which she could sleep peacefully. Had this dear

The first signal of the change in her behavior was Prince Andrew’s stag night when the Princess of Wales and Sarah Ferguson dressed as policewomen in a vain attempt to gatecrash his party. Instead they drank champagne and orange juice at Annabel’s night club before returning to Buckingham Palace where they stopped Andrew’s car at the entrance as he returned home. Technically the impersonation of police officers is a criminal offence, a point not neglected by several censorious Members of Parliament. For a time this boisterous mood reigned supreme within the royal family. When the Duke and Duchess hosted a party at Windsor Castle as a thank you for everyone who had helped organize their wedding, it was Fergie who encouraged everyone to jump, fully clothed, into the swimming pool. There were numerous noisy dinner parties and a disco in the Waterloo Room at Windsor Castle at Christmas. Fergie even encouraged Diana to join her in an impromptu version of the can-can. This was but a rehearsal for their first public performance when the girls, accompanied by their husbands, flew to Klosters for a week-long skiing holiday. On the first day they lined up in front of the cameras for the traditional photo-call. For sheer absurdity this annual spectacle takes some beating as ninety assorted photographers laden with ladders and equipment scramble through the snow for positions. Diana and Sarah took this silliness at face value, staging a cabaret on ice as they indulged in a mock conflict, pushing and shoving each other until Prince Charles announced censoriously: “Come on, come on!” Until then Diana’s skittish sense of humour had only been seen in flashes, invariably clouded by a mask of blushes and wan silences. So it was a surprised group of photographers who chanced across the Princess in a Klosters café that same afternoon. She pointed to the outsize medal on her jacket, joking: “I have awarded it to myself for services to my country because no-one else will.” It was an aside which spoke volumes about her underlying self-doubt. The mood of frivolity continued with pillow fights in their chalet at Wolfgang although it would be wrong to characterize the mood on that holiday as a glorified schoolgirls’ outing. As one royal guest commented: “It was good fun within reason. You have to mind your p’s and q’s when royalty, particularly Prince Charles, is present. It is quite formal and can be rather a strain.

I’d ask why you don’t want to be whipped, but I sense there’s a long heartfelt story behind it and I’ll feel sorry for you and I’m not really in the mood to feel pity. Maybe after a few more orgasms, I can fake sympathy. We’re just not there yet, champ.” “I like that nickname,” I said, taking her hand between mine. “Stud works too. King Cock is another favorite.” “How about Cock-A-Doodle-Doo?" “Too cartoony. I need something manlier. Cockinator.” Laughing, Raven yanked her hand away. “How about Robo Cock or White Cock Down? Ooh, Cockageddon.” “Independence Cock,” I suggested, laughing as I drank my juice. “Cock Hard or Cocky. You know the third one where Cocky goes to Russia.” Raven snorted. “Cocks on a Plane. No, Planet of the Cocks.” “Kindergarten Cock,” I said and Raven balked. “Did I take that too far?” “Perv. Oh, how about World War C?” “Too subtle.” “Iron Cock or Cock of Steel. You know, if you’re interested in the superhero route.” “Star Trek and superheroes. I sense the nerd is strong in this one.” “Fuck off. I saw the videogames at your stag shack.” “Wanna come over and play sometime?” I asked, giving her a wink. “Then, after we’re done playing, we can do that videogame thing you mentioned.” “Hang out time like you shared with Judd?” Expression hardening, I glared at her. “I never fucked Judd.” “Why? He’s hot.” Unable to keep up the façade, I laughed. “He’s a pretty fucker, ain’t he?” “Oh, yeah,” she sighed and I stopped laughing. Raven noticed and it was her turn to laugh. “He’s got those beautiful eyes.” “They’re beady rat eyes.” “He’s so strong.” “Puny girly man.” Raven licked her lips. “I bet he hung too.” I showed her my pinkie finger. “He’s barely this big when hard.” “And how do you know that if you two never fucked?” “Fine, we fucked, but we were pretty drunk and he is really pretty.” Raven nearly fell off her chair laughing. I felt intensely proud to make her lose her cool so thoroughly. After calming down, Raven threw up her hand and I high fived her. “You win,” she said, catching her breath. “I’ll play videogames at your place after fucking your brains out. Make you forget all about sexy Judd.

We must send Daisy to London as soon as possible,” Lillian fretted. “It’s the height of the season, and she’s buried in Hampshire away from all the balls and soirées—” “It was her choice to come here,” Marcus reminded her, reaching for her other foot. “She would never forgive herself if she missed the baby’s birth.” “Oh, bother that. I would rather Daisy miss the birth and meet eligible men instead of having to wait here with me until her time runs out and she has to marry Matthew Swift and move with him to New York and then I’ll never see her again—” “I’ve already thought of that,” Marcus said. “Which is why I undertook to invite a number of eligible men to Stony Cross Park for the stag-and-hind hunt.” “You did?” Her head lifted from the pillow. “St. Vincent and I came up with a list and debated the merits of each candidate at length. We settled on an even dozen. Any one of them would do for your sister.” “Oh, Marcus, you are the most clever, most wonderful—” He waved away the praise and shook his head with a grin, remembering the lively arguments. “St. Vincent is damned finicky, let me tell you. If he were a woman, no man would be good enough for him.” “They never are,” Lillian told him impudently. “Which is why we women have a saying…‘Aim high, then settle.’” He snorted. “Is that what you did?” A smile curved her lips. “No, my lord. I aimed high and got far more than I’d bargained for.” And she giggled as he crawled over her prone body and kissed her soundly.

It is while they were waiting to set sail from Aulis for the second time that a tragic series of events, immortalized by the later Greek playwrights, took place. Because the goddess Artemis, for reasons best known to herself, had sent winds that prevented the fleet from sailing, the increasingly impatient Agamemnon took measures that we would regard as rather extreme. He planned to sacrifice his own daughter Iphigenia in order to placate the goddess. The Cypria, however, puts a pleasant spin on these events, stating that Artemis snatched Iphigenia away at the last minute, making her immortal, and left a stag on the altar in her place, much as Isaac was replaced by a ram during the intended sacrifice by Abraham, as related in Genesis 22 of the Hebrew Bible. Euripides

Before the presents, Maximilian and his brother Reinhard would bathe together in the smoke kitchen in a wood tub held together by iron rings. Cursing when one of them had peed in the bathwater, they would lather themselves with a bar of turpentine soap with a stag stamped on its surface, dry their lean white bodies, the genitals still hairless, with a coarse towel beside the glowing red griddle of the wood-burning stove, and put on clean underwear, ironed shirts, and gray wool socks.

When Tina walks closer, as if smelling her scent––the creature's long neck juts up from lapping at Adam's ale. It has a face that is too wide for a human being's and its eyes are like perfectly round fish-eyes! Its gaze is so terrifying that Juniper arches her back instinctively, but is so scared that she is essentially paralyzed by its wide-eyed stare. Those empty crystalline eyes looking unwaveringly forward!   The creature that had once been perceivably angelic is now a walking horror show. Its nose is melded into its face, like a replica of the tender pink nose of a rabbit, and its lips are petite and taut. Drops of dew solidify on its mane, like a fleece of pearls. Juniper feels warm liquid running down her leg. This is the first time, since her dance with near-death, during her early childhood––that she has felt true fear. It looks straight at her, unblinking, like a deer in headlights would. But––the look isn't comparable to the livelihood of a stag or deer or anything resembling an animal or human! The vacant stare is beyond stomach churning. Even when the daylight's reflection on the water casts a shimmer upon its face: the eyes are endlessly deep and abyssal. Feeling as though they completely consume whoever they cast a glance upon. Consuming all of a person's essence, in a single gaze!

The first time he had seen her, the first time he had looked into her eyes, he had thought he saw his Stag of Candles reflected there. He had been trying to find that reflection again ever since, but all he ever saw was himself.

Then every scene I thought of I visited accompanied by a death-spirit, everything was chilled with it, each time I woke, I lay in dreading bliss to feel and hear him sigh and snore.

But now it was time to go beyond comfort, to part.

Dread and sorrow reaching, in time, into every reach

we sweated side by side three times like a spell or a curse

I know you love me too. You just don’t say it because you’re a badass and it’s going to take time to wear you down until you become more wordy. Your actions tell me what your mouth can’t.” He smiled. “Is that so?” “Yep.” He slid down her, gripped the front of her pants, and began to remove them. “Let’s put that to a test. I think I’m very skilled with using my mouth to express my feelings.” She grinned. “Give me your worst.” He paused, holding her gaze. “You’ve become the heart of me, Nala. I’ll only ever give you my best.

Never mind that for a while, she had felt like one of their own—felt, for the first time in a long, long while, like she had a place where she belonged. Where she might learn something more than deceit and how to end lives. But she’d been wrong. Somehow, realizing that hurt far worse than the beating Arobynn had given her. Her lips trembled, but she squared her shoulders and scanned the night sky until she found the Stag and the crowning star that led north. Sighing, Celaena blew out the lantern, mounted Kasida, and rode into the night.

He knew so well both that sense of emptiness, that drawing in of the senses (like the antennae of some creature when danger is no longer imminent, but there), so that the physical world vanishes, while you yourself at once swell out to fill its place, and at the same time shrink to a millionth part of your former bulk, turning into a mere organ of suffering without thought and without emotions; he knew also that other phase, when one seems to be flying from days and months, like a stag from its hunters — like the fugitives, on the old tapestry, from the moon.

The band was playing Something To Remember You By. The stag line was scattered over the floor by the time the band was working on the second chorus of the tune, and when Johnny Dibble suddenly appeared, breathless, at the place where his cronies customarily stood, there were only two young men for him to address. “Jeez,” he said. “Jeezozz H. Kee-rist. You hear about what just happened?” “No. No,” they said. “You didn’t? About Julian English?” “No. No. What was it?” “Julian English. He just threw a highball in Harry Reilly’s face. Jeest!

SIMIVISONIOS (May/Jun) “mid spring” “bright month” EQVOS (Jun/Jul) “horse month” “time of the herds” ELEMBIV[IOS] (Jul/Aug) “stag month” “claim time” (Lugnasad) AEDRINIOS (Aug/Sep) “hot month” (Aed is “fire”) “arbitration time” CANTLOS (Sep/Oct) “song month” (harvest)

When I am out on the boats at night, with the stars all clear, I feel as though I’m caught between two hands of infinity. And they’re holding me still but pulling me into them all at the same time. And when everyone is quiet, just waiting, I feel like the sea has its own voice. Not the one everyone talks about – the voices of the dead or the sirens or the monsters – but its own. And it could tell you the answer to everything if you only knew how to ask it.” Keelan's voice slowed and deepened. “It’s like being in another world out there at night. I don’t know why the day ever has to come. I’ve taken my own boat out a few times, just by myself – that’s the best. Small boat and complete silence. Everything – the sky, the water, the silence – everything so much bigger than you.

Practice & Ash 2. Scales of the Malefic Viper 3. Lucenti Plains 4. Pondering on Ponds 5. Introspection 6. Intermission 1 – Viridia (1/2) 7. Intermission 1 – The Malefic Viper (2/2) 8. Moment of Curiosity 9. Cleaning Up the Plains 10. The Great White Stag 11. No Rest for the Wicked 12. Loot & Healing 13. True Protagonist 14. Into the Dark 15. The Right Way 16. Dark Mana & Dark Tunnels 17. Many Rats! Handle it! 18. Dark Attunement 19. Nest Watcher 20. A Final Gift 21. Willful Ignorance 22. The Balance Broken 23. Beers & Exposition 24. Of Fate & Destiny 25. William & Jake 26. Spring Cleaning = Loot 3.0 27. Valley of Tusks 28. Going with the Flow 29. The Right Way Forward 30. Mana 101 31. A Thoughtful Touch 32. Pigs for Slaughter 33. Limit Break 34. Falling Rocks 35. Horde Leader 36. Next Target: King of the Forest 37. King 38. Eclipse 39. Fall 40. When the Curtains Fall 41. Tutorial Rewards: Titles & Math 42. Tutorial Rewards: Narrowing Down Options 43. Tutorial Rewards: Getting Stuff 44. Intermission 2 - Life after Death (Casper) 45. Records 46. A Godlike Getaway 47. Danger Bath 48. Second Part? 49. Embracing Power 50. Defiance & Gains 51. You know, I'm something of a sage myself 52. Homecoming 53. Intermission 3 - Carmen 54. Intermission 4 - Noboru Miyamoto 55. Intermission 5 - Eron 56. The Blue Marble 57. One Step Mile 58. Pylon of Civilization 59. Intermission 6 - Matteo (1/2) 60. Intermission 6 - Matteo (2/2) 61. The Times They Are A-Changin' 62. Monsters 63. Living with the Consequences 64. Points of View 65. Going Down 66. Two Kinds of People 67. Big Blue Mushroom 68. Delegating (avoiding) Responsibilities 69. Construction Plans 70. First World Problems 71. How to Train Your Dragon Wings 72. Freedom

When Communist Party chiefs in Russia went fishing, scuba divers plunged underwater and put fish on the hooks. When they went hunting, specially bred elk, stag, and deer were made to saunter across the field in point-blank range. Everyone had a wonderful time. When the king of Afghanistan visited the Tajik resort of Tiger Gorge, he blew away the last Turan tiger in the country.

AMANDA: We're being so bad, so terribly bad, we'll suffer for this, I know we shall. ELYOT: Can't be helped. AMANDA: Starting all those awful rows all over again. ELYOT: No, no, we're older and wiser now. AMANDA: What difference does that make? The first moment either of us gets a bit nervy, off we'll go again. ELYOT: Stop shilly-shallying, Amanda. AMANDA: I'm trying to be sensible. ELYOT: You're only succeeding in being completely idiotic. AMANDA: Idiotic indeed! What about you? ELYOT: Now look here Amanda AMANDA[stricken]: Oh my God! ELYOT [rushing to her and kissing her]: Darling, darling, I didn't mean it. AMANDA: I won't move from here unless we have a compact, a sacred, sacred compact never to quarrel again. ELYOT: Easy to make but difficult to keep. AMANDA: No, no, it's the bickering that always starts it. The moment we notice we're bickering, either of us, we must promise on our honor to stop dead. We'll invent some phrase or catchword, which when either of us says it, automatically cuts off all conversation for at least five minutes. ELYOT: Two minutes dear, with an option of renewal. AMANDA: Very well, what shall it be? ELYOT [hurriedly]: Solomon Isaacs. AMANDA: All right, that'll do. ELYOT: Come on, come on. AMANDA: What shall we do if we meet either of them on the way downstairs? ELYOT: Run like stags. AMANDA: What about clothes? ELYOT: I've got a couple of bags I haven't unpacked yet. AMANDA: I've got a small trunk. ELYOT: Send the porter up for it. AMANDA: Oh this is terrible - terrible - ELYOT: Come on, come on, don't waste time. AMANDA: Oughtn't we to leave notes or something? ELYOT: No, no, no, we'll telegraph from somewhere on the road. AMANDA: Darling, I daren't, it's too wicked of us, I simply daren't. ELYOT [seizing her in his arms and kissing her violently]: Now will you behave? AMANDA: Yes, but Elyot darling - ELYOT: Solomon Isaacs!

Tonight, Tam will allow... great and terrible magic to enter his body,' Lucien said, staring at the distant fires. 'The magic will seize control of his mind, his body, his soul, and turn him into the Hunter. It will fill him with his sole purpose; to find the Maiden. From their coupling, magic will be released and spread to the earth, where it will regenerate life for the year to come.' My face became hot, and I fought the urge to fidget. 'Tonight, Tam won't be the faerie you know,' Lucien said. 'He won't even know his name. The magic will consume everything in him but that one basic command- and need.' 'Who... who's the Maiden?' I got out. Lucien snorted. 'No one knows until it's time. After Tam hunts down the white stag and kills it for the sacrificial offering, he'll make his way to that sacred cave, where he'll find the path lined with faerie females waiting to be chosen as his mate for tonight.' 'What?' Lucien laughed. 'Yes- all those female faeries around you were females for Tamlin to pick. It's an honour to be chosen, but it's his instincts that select her.' 'But you were there- and other male faeries.' My face burned so hot that I began sweating. That was why those three horrible faeries had been there- and they'd thought that just by my presence, I was happy to comply with their plans. 'Ah,' Lucien chuckled. 'Well, Tam's not the only one who gets to perform the rite tonight. Once he makes his choice, we're free to mingle. Though it's not the Great Rite, our own dalliances tonight will help the land, too.' He shrugged off that invisible hand a second time, and his eyes fell upon the hills. 'You're lucky I found you when I did, though,' he said. 'Because he would have smelled you, and claimed you, but it wouldn't have been Tamlin who brought you into that cave.' His eyes met mine, and a chill went over me. 'And I don't think you would have liked it. Tonight is not for lovemaking.' I swallowed my nausea. 'I should go,' Lucien said, gazing at the hills. 'I need to return before he arrives at the cave- at least to try to control him when he smells you and can't find you in the crowd.' It made me sick- the thought of Tamlin forcing me, that magic could strip away any sense of self, of right or wrong. But hearing that... that some feral part of him wanted me... My breath was painful. 'Stay in your room tonight, Feyre,' Lucien said. , walking to the garden doors. 'No matter who comes knocking, keep the door locked. Don't come out until morning.

A man-beast?” Portia asked, her eyes widening. “Oh, I do like the sound of this.” She put pencil to paper again. Brooke leaned over her shoulder. “Are you taking notes for your novel or adding to your list?” “That depends,” she said coolly, “on what manner of beast we’re discussing.” She looked to Denny. “Some sort of large, ferocious cat, I hope? All fangs and claws and fur?” “Once again I must disappoint you,” Denny replied. “No fangs, no claws. It’s a stag.” “Oh, prongs! Even better.” More scribbling. “What do they call this . . . this man-beast? Does it have a name?” “Actually,” said Denny, “most people in the region avoid speaking of the creature at all. It’s bad luck, they say, just to mention it. And a sighting of the beast . . . well, that’s an omen of death.” “Excellent. This is all so inspiring.” Portia’s pencil was down to a nub. “So is this a creature like a centaur, divided at the waist? Four hooves and two hands?” “No, no,” Cecily said. “He’s not half man, half beast in that way. He transforms, you see, at will. Sometimes he’s a man, and other times he’s an animal.” “Ah. Like a werewolf,” Portia said. Brooke laughed heartily. “For God’s sake, would you listen to yourselves? Curses. Omens. Prongs. You would honestly entertain this absurd notion? That Denny’s woods are overrun with a herd of vicious man-deer?” “Not a herd,” Denny said. “I’ve never heard tell of more than one.” “We don’t know that he’s vicious,” Cecily added. “He may be merely misunderstood.” “And we certainly can’t call him a man-deer. That won’t do at all.” Portia chewed her pencil thoughtfully. “A werestag. Isn’t that a marvelous title? The Curse of the Werestag.” Brooke turned to Luke. “Rescue me from this madness, Merritt. Tell me you retain some hold on your faculties of reason. What say you to the man-deer?” “Werestag,” Portia corrected. Luke circled the rim of his glass with one thumb. “A cursed, half-human creature, damned to an eternity of solitude in Denny’s back garden?” He shot Cecily a strange, fleeting glance. “I find the idea quite plausible.

One night he left his tent and rambled around aimlessly in the sleeping camp. He wandered to the enclosure where the captives’ tents stood near the banks of the river Rha. The night was cold, silvery with moonlight, and silent; he could hear the river gently lapping against its banks. It was a sweet, soothing sound like the lullaby his mother used to sing. As he listened a change came into the rhythm of the river’s song—now it was sad, yearning . . . and he could hear words. Someone was singing near by. The melody coiled around his heart and drew him, down the grassy slope, down to the river’s edge he went. The soft grass deadened his footsteps and he saw the singer before she heard him. Leaning against a tree so close to the river that her moonlit figure was reflected in the water, stood one of the captive girls. Bendeguz stood motionless, watching and listening. Her deep sad voice seemed to melt the fierceness around his heart, the restlessness left him, he was at peace. The song came to an end. The girl turned away from the river with a sigh . . . she saw Bendeguz. She made a move as if to run away, then shrank against the tree and faced him defiantly. There was contempt in her eyes and pride in the lift of her head. Bendeguz wanted to say: “Do not be afraid,” but now he could not, for there was no fear in her eyes—just cold, proud contempt. He walked closer, he could have touched her, and still she faced him defiantly. “What is your name?” he asked and his voice was gentle. “Alleeta.” “Alleeta . . .” he repeated slowly. “Alleeta, your eyes are as cold as ice. Do you hate me?” She looked at him for a long time then she turned her head away. “No, not now,” she whispered. “Always I have before, but not now.” She was speaking the language of the Huns, yet it wasn’t the same. To Bendeguz the words she spoke were like her elusive reflection in the water, the same words he knew but subtly different. And suddenly the words of her song rang again in his ears: Lead me westward, White Eagle of the Moon, oh, lead me On silvery rays of the Moon— Westward I long to fly . . . . “Alleeta, where did you learn that song—where did you learn the language of my people?” he asked. She looked at him, surprised. “It is the language of my people and it is a song we all know, the Song of the White Eagle.” “The White Eagle!” exclaimed Bendeguz.

What had one time looked a night of winter, and the dark clouds surly, took a change about the threshold of the morning, and the moon came out and stared. The mountains seemed to lift, the glens to deepen; everywhere were shadows dark as ink, inhabited by creatures drowsy and alert - the creeping ones, the squeaking ones, the swooping ones, and in the grassy nooks the big red stags at stamping, roaring on their queens. Glen Coe was loud with running waters falling down the gashes of the bens, the curlew whistling and the echoes of MacTala, son of earth, who taunts. From out its lower end among the clachans and the trees there came a company of men behind a fellow on a horse, all belted, bearing weapons, walking one behind another.

Though the process is swifter this time, it is no less macabre. His body rots and shrivels and falls apart, then bends and reforms into a cervine shape. Muscle and flesh regrow in the blink of an eye until the stag stands before her, pearl white against the dark.