Stag Quotes

I had spared the stag's life. The power of that life belonged to me as surely as it belonged to the man who had taken it.

Who am I? the monster repeated, still roaring. I am the spine that the mountains hang upon! I am the tears that the rivers cry! I am the lungs that breathe the wind! I am the wolf that kills the stag, the hawk that kills the mouse, the spider that kills the fly! I am the stag, the mouse and the fly that are eaten! I am the snake of the world devouring its tail! I am everything untamed and untameable! It brought Conor up close to its eye. I am thils wild earth, come for you, Conor O'Malley. "You look like a tree," Conor said.

Faerie might be beautiful, but its beauty is like a golden stag’s carcass, crawling with maggots beneath his hide, ready to burst.

To really touch something, she is learning—the bark of a sycamore tree in the gardens; a pinned stag beetle in the Department of Etymology; the exquisitely polished interior of a scallop shell in Dr. Geffard’s workshop—is to love it.

Ava's not my date. I came stag." "Stag. You. Why?" "So my date wouldn't get offended when I wanted to dance with you," he says.

The other package has pieces of dried stag stick. The pups like chewing on those." "What's a stag stick?" Meg asked, taking the packages. He stared at her for a moment. Then he put a fist below his belt and popped out a thumb. "Oh," Meg said. "Oh.

At first, she bucked like a wild stag beneath me, and she tried to scream, but the pillow did a good job of muffling her voice.  Before long, the bucking stopped, and my wife’s corpse, blue without oxygen, appeared below me like a hideous phantom.

I did not know him, I knew my idea of him.

Get moving. We need to find that stag so I don’t have to chop your head off.” “I never said you had to chop my head off,” I grumbled, rubbing the sleep from my eyes and stumbling after him. “Run you through with a sword, then? Firing squad?” “I was thinking something quieter, like maybe a nice poison.” “All you said was that I had to kill you. You didn’t say how.” I stuck my tongue out at his back, but I was glad to see him so energized, and I suppose it was a good thing that he could joke about it all. At least, I hoped he was joking.

Why she had named Brannon after the oldest legends from her family’s bloodline: of a Fae King from another world, fire in his veins, who had created stags with the power of flame to be his sacred guards.

I did not deceive him, he did not deceive me, I did not leave him, he did not leave me, I freed him, he freed me.

What do you know about women?" They smell nice, they don't like to be told they can't do something, and, when they're naked, they hold some sort of mystical power that overrides our brains and makes us do and say things that would normally be inconceivable.

The stag’s enormous head turned slightly—toward the wagon, toward the small window. The Lord of the North. So the people of Terrasen will always know how to find their way home, she’d once told Ansel as they lay under a blanket of stars and traced the constellation of the stag. So they can look up at the sky, no matter where they are, and know Terrasen is forever with them.

Morozova’s stag. Rusalye. The firebird. Legends come to life before my eyes, just to die in front of me.

If a girl is traveling in the steppe and she sees nothing but a single moving dot in the great distance, the dot sees her. Stag, man, wolf.

The two stag men entered the round tent and after a few moments reappeared, followed by a man of medium build who was dressed in light blue. His clothing shimmered, reflecting the firelight. Raimund knew immediately that this was the man from his dreams.

Basil Stag Hare tut-tutted severely as he remarked to Ambrose Spike, 'Tch, tch. Dreadful table manners. Just look at those three wallahs, kicking up a hullaballoo like that! Eating's a serious business.

it is forbidden to love where we are not loved

The stag had been showing me my strength-not just the price of mercy but the power it bestowed. And mercy was something the Darkling would never understand.

There's just one move a man needs to know in order to rock it on the dance floor." "Yeah? What's the move?" "STAG" "What's stag?" "The only one of Logan's crazy acronyms I live my life by-STAG. Stand there and grind.

I heard from my dear friend Tiberius Ogden, that you can produce a Patronus? For a bonus point...? Harry raised his wand, looked directly at Umbridge, and imagined her being sacked. Expecto Patronum! The silver stag erupted from the end of his wand and cantered the length of the hall.

The Stag, the Lord of the North. So the people of Terrasen will always know how to find their way home. So they can look up at the sky, no matter where they are and know Terrasen is forever with them.

Put on your pretty clothes and wait for the next kiss, the next kind word. Wait for the stag. Wait for the collar. Wait to be made into a murderer and a slave.

What would have become of Hercules do you think if there had been no lion, hydra, stag or boar - and no savage criminals to rid the world of? What would he have done in the absence of such challenges? Obviously he would have just rolled over in bed and gone back to sleep. So by snoring his life away in luxury and comfort he never would have developed into the mighty Hercules. And even if he had, what good would it have done him? What would have been the use of those arms, that physique, and that noble soul, without crises or conditions to stir into him action?

And now a chill settled over them where they stood, and Harry heard the rasping breath of the dementors that patrolled the outer trees. They would not affect him now. The fact of his own survival burned inside him, a talisman against them, as though his father's stag kept guardian in his heart.

High on a stag the Goddess held her seat, And there were little hounds about her feet; Below her feet there was a sickle moon, Waxing it seemed, but would be waning soon. Her statue bore a mantle of bright green, Her hand a bow with arrows cased and keen; Her eyes were lowered, gazing as she rode Down to where Pluto has his dark abode.

The most dreadful part of all," the old stag answered, "is that the dogs believe what the hound just said. They believe it, they pass their lives in fear, they hate Him and themselves and yet they'd die for His sake.

The study was slowly lit up as the candle was brought in. The familiar details came out: the stag's horns, the bookshelves, the looking-glass, the stove with its ventilator, which had long wanted mending, his father's sofa, a large table, on the table an open book, a broken ash-tray, a manuscript-book with his handwriting. As he saw all this, there came over him for an instant a doubt of the possibility of arranging this new life, of which he had been dreaming on the road. All these traces of his life seemed to clutch him, and to say to him: 'No, you're not going to get away from us, and you're not going to be different, but you're going to be the same as you've always been; with doubts, everlasting dissatisfaction with yourself, vain efforts to amend, and falls, and everlasting expectations, of a happiness which you won't get, and which isn't possible for you.

Some people think I should be over my ex by now — maybe I thought I might have been over him more by now. Maybe I’m half over who he was, but not who I thought he was, and not over the wound, sudden deathblow as if out of nowhere, though it came from the core of our life together.

He was said to have survived starvation by eating human flesh, after which he had the strength to tear out the antlers of a living stag with his bare hands.

each hour is a room of shame, and I am swimming, swimming, holding my head up, smiling, joking, ashamed, ashamed, like being naked with the clothed, or being a child, having to try to behave while hating the terms of your life.

let’s part equals, as we were in every bed, pure equals of the earth

And then a silver hare, a boar, and a fox soared past Harry, Ron, and Hermione's heads: The dementors fell back before the creatures' approach. Three more people had arrived out of the darkness to stand beside them, their wands outstretched, continuing to cast their Patronuses: Luna, Ernie, and Seamus. "That's right," said Luna encouragingly, as if they were back in the Room of Requirement and this was simply spell practice for the D.A. "That's right, Harry... come on, think of something happy..." "Something happy?" he said, his voice cracked. "We're all still here," she whispered, "we're still fighting. Come on, now..." There was a silver spark, then a wavering light, and then, with the greatest effort it had ever cost him, the stag burst from the end of Harry's wand.

We're all monsters to someone or something by some definition. It's the context of the situation that matters.

Capital," cried Basil. "I could eat a stag, antlers and all. I say they they do make a wonderful nosebag for us wounded heroes, y'know.

The hunter…became the hunted,” she translated haltingly. “The hounds…were struck with a wolf’s frenzy…and tore him to pieces as they would a stag.

I dreamt I saw a shadow with a burning heart butchering a golden stag, aye. I dreamt of a man without a face, waiting on a bridge that swayed and swung. On his shoulder perched a drowned crow with seaweed hanging from his wings. I dreamt of a roaring river and a woman that was a fish. Dead she drifted, with red tears on her cheeks, but when her eyes did open, oh, I woke from terror. All this I dreamt, and more.

If anyone or anything frightens you, shout.” “Shout what?” He made an aimless gesture. “‘Help,’ I suppose. Or ‘Fire’ or ‘Murder.’ In a pinch, ‘James’ would suffice.” She nodded. “‘Come to me, you magnificent stag,’ it is.

You all have a gift. It's free. It's the gift of song.

He fell in love with her because I didn't suit him anymore - nor him, me, though I could not see it, but he saw it for me.

I had nothing to contribute. I played no part. I was on the edge. Different. Alone. Everything around me, grey. It was the same old feeling, back again. I was in the middle of the group but I might as well have been a million miles away from these people.

If I could choose, a place to die,” it would never have been in your arms, old darling

When the lion had eaten its fill, and the jackals had taken their share, the ants came along and finished up the meat from the bones of the haughty stag.

That’s the stag,” Celaena breathed. “The Lord of the North.” “Why does he get a fancy title? What about the swan and the dragon?” Celaena snorted, but the smile faded when she stared at the familiar constellation. “Because the stag remains constant—no matter the season, he’s always there.” “Why?” Celaena took a long breath. “So the people of Terrasen will always know how to find their way home. So they can look up at the sky, no matter where they are, and know Terrasen is forever with them.

If the thirsty stag runs to the brook, it's only because he isn't aware of the cruel bow...If the unicorn runs to its chaste nest, it's only because he doesn't see the noose prepared for him.

as if languagelessness was a step up, in evolution, from the chatter of consciousness.

I was done with hesitation. It wasn't just that we'd run out of options, or that so much was riding on the firebird's power. I'd simply grown ruthless enough or selfish enough to take another creature's life. But I missed the girl who had shown the stag mercy, who had been strong enough to turn away from the lure of power, who had believed in something more. Another casualty of this war.

Pride, she thought drearily, was a cold bedfellow.

Mal was quiet for a long moment. Then he said, “I’m not sure who my first kill was. We were hunting the stag when we ran into a Fjerdan patrol on the northern border. I don’t think the fight lasted more than a few minutes, but I killed three men. They were doing a job, same as I was, trying to get through one day to the next, then they were bleeding in the snow. No way to tell who was the first to fall, and I’m not sure it matters. You keep them at a distance. The faces start to blur.” “Really?” “No.

So she moved away from the carving of the mythical stag, instantly cold as she severed contact with the delightful heat living within the stone. Part of her could have sworn that ancient, strange power was sad to see her go.

Emma still had a lot to learn about me. The only place I went stag was the bathroom.

The stag’s antlers are gold and covered with candles, twisting and burning like a crown of flame and wax.

There Was an Old Woman Called Nothing-at-All, Who Lived in a Dwelling Exceedingly Small; A Man Stretched His Mouth to the Utmost Extent, And Down at One Gulp House and Old Woman Went.

He looked down at me. The cold air had put a flush in his cheeks, and the lamplight shone in his gray eyes. “Alina, if I tell you that I still believe we can find the stag, would you think I’m mad?” “Why would you care what I think?” He looked genuinely baffled. “I don’t know,” he said. “But I do.” And then he kissed me.

Because the stag remains constant–no matter the season, he's always there." "Why?" Celaena took a long breath. "So the people of Terrasen will always know how to find their way home, So they can look up at the sky, no matter where they are, and know Terrasen is forever with them.

Brush snapped. The stag shambled forth from the outer darkness. It loomed above Scobie, its fur rank and steaming. Black blood oozed from gashes along its flanks. Beneath a great jagged crown of antlers its eyes were black, its teeth yellow and broken. Scobie fell to his knees, palms raised in supplication. The stag nuzzled his matted hair and its long tongue lapped at the muddy tears and the streaks of drying blood upon the man’s upturned face. Its muzzle unhinged. The teeth closed and there was a sound like a ripe cabbage cracking apart.

Paris and Helen He called her: golden dawn She called him: the wind whistles He called her: heart of the sky She called him: message bringer He called her: mother of pearl barley woman, rice provider, millet basket, corn maid, flax princess, all-maker, weef She called him: fawn, roebuck, stag, courage, thunderman, all-in-green, mountain strider keeper of forests, my-love-rides He called her: the tree is She called him: bird dancing He called her: who stands, has stood, will always stand She called him: arriver He called her: the heart and the womb are similar She called him: arrow in my heart.

She scanned the night sky until she located the Stag, the Lord of the North. The unmoving star atop the stag's head—the eternal crown—pointed the way the way to Terrasen. She'd been told that the great rulers of Terrasen turned into those bright stars so their people would never be alone—and would always know the way home. She hadn't set foot there in ten years. While he'd been her master, Arobynn hadn't let her, and afterward she hadn't dared. She had whispered the truth that day at Nehemia's grave. She'd been running for so long that she didn't know what it was to stand and fight.

It was the egret, flying out of the lemon grove, that started it. I won’t pretend I saw it straight away as the conventional herald of adventure, the white stag of the fairy-tale, which, bounding from the enchanted thicket, entices the prince away from his followers, and loses him in the forest where danger threatens with the dusk.

Cynthia was so furious that evening, she opened a single-vineyard Merlot from Stag’s Leap that she’d been saving, and paired it with a bowl of macaroni and cheese from a box.

And you couldn’t say, could you, that the touch you had from me was other than the touch of one who could love for life—whether we were suited or not—for life, like a sentence. And now that I consider, the touch that I had from you became not the touch of the long view, but like the tolerant willingness of one who is passing through.

There are two reasons why man loses contact with the regulating center of his soul. One of them is that some single instinctive drive or emotional image can carry him into a one-sidedness that makes him lose his balance. This also happens to animals; for example, a sexually excited stag will completely forget hunger and security. This one-sidedness and consequent loss of balance are much dreaded by primitives, who call it, "loss of soul." Another threat to the inner balance comes from excessive daydreaming, which in a secret way usually circles around particular complexes. In fact, daydreams arise just because they connect a man with his complexes; at the same time they threaten the concentration and continuity of his consciousness. The second obstacle is exactly the opposite, and is due to an over-consolidation of ego-consciousness. Although a disciplined consciousness is necessary for the performance of civilized activities (we know what happens if a railway signalman lapses into daydreaming), it has the serious disadvantage that it is apt to block the reception of impulses and messages coming from the center. This is why so many dreams of civilized people are concerned with restoring this receptivity by attempting to correct the attitude of consciousness toward the unconscious center of Self.

The stag is nowhere to be seen, and Flora reaches up to flick her wet hair out of her eyes, her chest heaving as she scans the landscape. Then she says, “You know what? It’s actually unicorns who are our national animal, not stags. Just remembered.” Teeth chattering, I glare at her. “Well, maybe one will turn up.

The beasts of the field and forest had a Lion as their king. He was neither wrathful, cruel, nor tyrannical, but just and gentle as a king could be. During his reign he made a royal proclamation for a general assembly of all the birds and beasts, and drew up conditions for a universal league, in which the Wolf and the Lamb, the Panther and the Kid, the Tiger and the Stag, the Dog and the Hare, should live together in perfect peace and amity. The Hare said, “Oh, how I have longed to see this day, in which the weak shall take their place with impunity by the side of the strong.” And after the Hare said this, he ran for his life.

My name is Lord of the Forest”, said the stag. Regan nodded. Every stag she'd ever met had been named Lord of the Forest, even when there was another stag only a few feet away. Deer didn't understand irony.

What exactly is a monster?

It's unbelievable really, the reviving power of a hot bath, a cup of tea and a roaring fire.

You have to have been out on a long patrol to appreciate this properly. You need to have looked forward to your day of guard duty, for the privilege of standing two hours out of each six with your spine against bulkhead thirty and your ears cocked for just the sound of a female voice. I suppose it's actually easier in the all-stag ships... but I'll take the Rodger Young. It's good to know that the ultimate reason you are fighting actually exists and that they are not just a figment of the imagination.

What’s a stag stick?” Meg asked, taking the packages. He stared at her for a moment. Then he put a fist below his belt and popped out a thumb. “Oh,” Meg said. “Oh.” He spun around and ran back to the Market Square. She closed the door, looked at the packages in her hands, and said, “Eeewwww.

But if it so happens ... a work ... under pain of otherwise becoming shameful or false, requires fantasy ... [and that] certain limbs or elements of a figure are altered by borrowing from other species, for example transforming into a dolphin the hinder end of a griffon or a stag ... these alterations will be excellent and the substitution, however unreal it may seem, deserves to be declared a fine invention in the genre of the monstrous. When a painter introduces into this kind of work of art chimerae and other imaginary beings in order to divert and entertain the senses and also to captivate the eyes of mortals who long to see unclassified and impossible things, he shows himself more respectful of reason than if he produced the usual figures of men or of animals.

Automn ill and adored You die when the hurricane blows in the roseries When it has snowed In the orchard trees Poor automn Dead in whiteness and riches Of snow and ripe fruits Deep in the sky The sparrow hawks cry Over the sprites with green hair dwarfs Who've never been loved Inthe far tree-lines The stags are groaning And how I love O season how I love your rumbling The falling fruits that no one gathers The wind in the forest that are tumbling All their tears in automn leaf by leaf The leaves You press A crowd That flows The life That goes

His head was heavy on my breast, heavy as the child in my own childish arms, heavy as the King Stag who had come to me in triumph. Morgaine, my mother had called impatiently, take care of the baby... and all my life I had borne him with me.

If there was only one solution to every problem, the world would be insanely dull, don't you think, sweetheart?

I think that’s when I realised he was crazy: he was still being chivalrous, waiting until I was quite ready for him to kill me.

Was he a sentiment hanging unspoken or a path not taken or a closed door left unopened? Or was he a deer, glimpsed amongst the trees and then gone, disturbing not a single branch in his departure? The stag is a shot left untaken. An opportunity lost. Stolen like a kiss. In these new forgetful times with their changed ways sometimes the stag will pause a moment longer. He waits though once he never waited, would never dream to wait or wait to dream. He waits now. For someone to take the shot. For someone to pierce his heart. To know he is remembered.

Debarred from public worship, David was heartsick. Ease he did not seek, honour he did not covet, but the enjoyment of communion with God was an urgent need of his soul; he viewed it not merely as the sweetest of all luxuries, but as an absolute necessity, like water to a stag. Like the parched traveler in the wilderness, whose skin bottle is empty, and who finds the wells dry, he must drink or die – he must have his God or faint. His soul, his very self, his deepest life, was insatiable for a sense of the divine presence. . . . Give him his God and he is as content as the poor deer which at length slakes its thirst and is perfectly happy; but deny him his Lord, and his heart heaves, his bosom palpitates, his whole frame is convulsed, like one who gasps for breath, or pants with long running. Dear friend, dost thou know what this is, by personally having felt the same? It is a sweet bitterness. The next best thing to living in the light of the Lord’s love is to be unhappy till we have it, and to pant hourly after it – hourly, did I say? Thirst is a perpetual appetite, and not to be forgotten, and even thus continually is the heart’s longing after God. When it is as natural for us to long for God as for an animal to thirst, it is well with our souls, however painful our feelings

Harry flung himself out from behind the bush and pulled out his wand. "EXPECTO PATRONUM!" he yelled. And out of the end of his wand burst, not a shapeless cloud of mist, but a blinding, dazzling, silver animal. He screwed up his eyes, trying to see what it was. It looked like a horse. It was galloping silently away from him, across the black surface of the lake. He saw it lower its head and charge at the swarming dementors. . . . Now it was galloping around and around the black shapes on the ground, and the dementors were falling back, scattering, retreating into the darkness. . . . They were gone. The Patronus turned. It was cantering back toward Harry across the still surface of the water. It wasn't a horse. It wasn't a unicorn, either. It was a stag. It was shining brightly as the moon above. . . it was coming back to him. . . . It stopped on the bank. Its hooves made no mark on the soft ground as it stared at Harry with its large, silver eyes. Slowly, it bowed its antlered head. And Harry realized. . . "Prongs," he whispered. But as his trembling fingertips stretched toward the creature, it vanished.

I've said that he and I had been crazy for each other. But maybe my ex and I were not crazy for each other. Maybe we were sane for each other, as if our desire was almost not even personal - it was personal, but that hardly mattered, since there seemed to be no other woman or man in the world.

And there—standing in a copse of thorns—was a white stag. Celaena’s breath hitched. She clenched the bars of the small window as the creature looked at them. His towering antlers seemed to glow in the moonlight, crowning him in wreaths of ivory. “Gods above,” one of the guards whispered. The stag’s enormous head turned slightly—toward the wagon, toward the small window. The Lord of the North.

The Green Man has also become synonymous with Cernunnos, the Celtic horned God, often portrayed in Celtic art as part man, part stag, who roams the greenwood wild and free. He is a character of strength and power, but often sadly mistaken for the devil by the Christian fraternity due to his horned appearance.

It is true I have not seen the earth nor men, but in your books I have drunk fragrant wine, I have sung songs, I have hunted stags and wild boars in the forests, have loved women ... Beauties as ethereal as clouds, created by the magic of your poets and geniuses, have visited me at night, and have whispered in my ears wonderful tales that have set my brain in a whirl. In your books I have climbed to the peaks of Elburz and Mont Blanc, and from there I have seen the sun rise and have watched it at evening flood the sky, the ocean, and the mountain-tops with gold and crimson. I have watched from there the lightning flashing over my head and cleaving the storm-clouds. I have seen green forests, fields, rivers, lakes, towns. I have heard the singing of the sirens, and the strains of the shepherds' pipes; I have touched the wings of comely devils who flew down to converse with me of God ... In your books I have flung myself into the bottomless pit, performed miracles, slain, burned towns, preached new religions, conquered whole kingdoms ...

You could charm the pants off absolutely anyone," I told him quietly. He smirked. "I take it that means you like the idea?" "I love the idea. I love everything you've said. But I know Ellie's excited about this, so we're going to give our friends what they want." "Adam mentioned strippers," Braden warned me, his eyes twinkling. "If Adam books a stripper for you, I'll force Ellie to book a stripper for me. Chuckling, Braden relaxed back in his chair. "Let’s agree to no strippers." I raised my glass of water and waited for Braden to do the same. "To no strippers." "To no strippers," he repeated. "And let’s just make this a motto for our marriage.

She put a hand on the huntress’s shoulder and asked, "Is everything as it should be?” There were tears in Kaisa’s eyes, and they ran down her cheeks as she answered, ”Yes.” Ash looked back at the carcass of the stag, and saw that the dogs were being held off now, and one of the men was approaching with his kit of knives to begin the butchering. “Why do you do this if it affects you so?” asked Ash. Kaisa looked down at the ground and said, ”It is the way of life. It ends.

Forgiveness is what makes adults different to children: children just forget, adults forgive.

From what the Headmaster told me this morning, you saved a lot of lives last night, Harry. If I'm proud of anything, it's how much you've learned. Tell me about your Patronus." "How d'you know about that?" said Harry, distracted. "What else could have driven the Dementors back?" Harry told Lupin what had happened. When he'd finished, Lupin was smiling again. "Yes, your father was always a stag when he transformed," he said. "You guessed right... that's why we called him Prongs.

I want to relearn the intervals, to journey with a man among the thirds and fifths, augumented, diminshed, with a light touch, sforzando, rallentando, agitato, the usual adores and dotes - and of course what I reaaly want is some low notes.

The land that the Unsea covers was once green and good, fertile and rich. Now it is dead and barren, crawling with abominations. The Darkling will push its boundaries north into Fjerda, south to the Shu Han. Those who do not bow to him will see their kingdoms turned to desolate wasteland and their people devoured by ravening volcra.” I gaped at her in horror, shocked by the images she had conjured. The old woman had clearly lost her mind. “Baghra,” I said gently, “I think you have some kind of fever.” Or you’ve gone completely senile. “Finding the stag is a good thing. It means I can help the Darkling destroy the Fold.” “No!” she cried, and it was almost a howl. “He never intended to destroy it. The Fold is his creation.” I

Through steep, and sheer, and inaccessible, through difficult and through impossible places, they track him, and he flees the hunt he has so often led, longing to cry out to the pack behind him, "It's me! Actaeon! Recognize your master!" But the words betray him and the air resounds with baying. ...torn by their teeth, he makes a sound no man would make and no stag either, a cry that echoes through those well-know heights; and kneeling like a supplicant at prayer, he turns towards them pleading with his eyes, as a man would with his hands.

As Darwin noted, “It is certain that with almost all animals there is a struggle between the males for the possession of the female.” When males of a species battle it out directly, be it through the clashing antlers of deer, the stabbing horns of the stag beetle, the head butting of stalk-eyed flies, or the bloody battles of massive elephant seals, they win access to females by driving off competitors. Selection will favor any trait that promotes such victories so long as the increased chance of getting mates more than offsets any reduced survival. This kind of selection produces armaments: stronger weapons, larger body size, or anything that helps a male win physical contests.

What’s Baghra’s power, anyway?” I asked, the thought occurring to me for the first time. She was an amplifier like the Darkling, but he had his own power, too. “I’m not sure,” he said. “I think she was a Tidemaker. No one around here is old enough to remember.” He looked down at me. The cold air had put a flush in his cheeks, and the lamplight shone in his gray eyes. “Alina, if I tell you that I still believe we can find the stag, would you think I’m mad?” “Why would you care what I think?” He looked genuinely baffled. “I don’t know,” he said. “But I do.” And then he kissed me. It happened so suddenly that I barely had time to react. One moment, I was staring into his slate-colored eyes, and the next, his lips were pressed to mine. I felt that familiar sense of surety melt through me as my body sang with sudden heat and my heart jumped into a skittery dance. Then, just as suddenly, he stepped back. He looked as surprised as I felt. “I

Not to waste the spring I threw down everything, And ran into the open world To sing what I could sing... To dance what I could dance! And join with everyone! I wandered with a reckless heart beneath the newborn sun. First stepping through the blushing dawn, I crossed beneath a garden bower, counting every hermit thrush, counting every hour. When morning's light was ripe at last, I stumbled on with reckless feet; and found two nymphs engaged in play, approaching them stirred no retreat. With naked skin, their weaving hands, in form akin to Calliope's maids, shook winter currents from their hair to weave within them vernal braids. I grabbed the first, who seemed the stronger by her soft and dewy leg, and swore blind eyes, Lest I find I, before Diana, a hunted stag. But the nymphs they laughed, and shook their heads. and begged I drop beseeching hands. For one was no goddess, the other no huntress, merely two girls at play in the early day. "Please come to us, with unblinded eyes, and raise your ready lips. We will wash your mouth with watery sighs, weave you springtime with our fingertips." So the nymphs they spoke, we kissed and laid, by noontime's hour, our love was made, Like braided chains of crocus stems, We lay entwined, I laid with them, Our breath, one glassy, tideless sea, Our bodies draping wearily. We slept, I slept so lucidly, with hopes to stay this memory. I woke in dusty afternoon, Alone, the nymphs had left too soon, I searched where perched upon my knees Heard only larks' songs in the trees. "Be you, the larks, my far-flung maids? With lilac feet and branchlike braids... Who sing sweet odes to my elation, in your larking exaltation!" With these, my clumsy, carefree words, The birds they stirred and flew away, "Be I, poor Actaeon," I cried, "Be dead… Before they, like Hippodamia, be gone astray!" Yet these words, too late, remained unheard, By lark, that parting, morning bird. I looked upon its parting flight, and smelled the coming of the night; desirous, I gazed upon its jaunt, as Leander gazes Hellespont. Now the hour was ripe and dark, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I'll say it once and true… From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.

For fifteen years I have been intently studying earthly life. It is true I have not seen the earth nor men, but in your books I have drunk fragrant wine, I have sung songs, I have hunted stags and wild boars in the forests, have loved women ... Beauties as ethereal as clouds, created by the magic of your poets and geniuses, have visited me at night, and have whispered in my ears wonderful tales that have set my brain in a whirl. In your books I have climbed to the peaks of Elburz and Mont Blanc, and from there I have seen the sun rise and have watched it at evening flood the sky, the ocean, and the mountain-tops with gold and crimson. I have watched from there the lightning flashing over my head and cleaving the storm-clouds. I have seen green forests, fields, rivers, lakes, towns. I have heard the singing of the sirens, and the strains of the shepherds' pipes; I have touched the wings of comely devils who flew down to converse with me of God ... In your books I have flung myself into the bottomless pit, performed miracles, slain, burned towns, preached new religions, conquered whole kingdoms ...

Those who want to hear the voice of pagan gods in wind and thunder, who want to see fairies dance in the moonlight, who can believe that faith can move mountains, can follow the thread on the pages of this book. It is a fragile thread; it cannot bear the weight of facts and dates.

Contemporary writers use animal-transformation themes to explore issues of gender, sexuality, race, culture, and the process of transformation...just as storytellers have done, all over the world, for many centuries past. One distinct change marks modern retellings, however, reflecting our changed relationship to animals and nature. In a society in which most of us will never encounter true danger in the woods, the big white bear who comes knocking at the door [in fairy tales] is not such a frightening prospective husband now; instead, he's exotic, almost appealing. Whereas once wilderness was threatening to civilization, now it's been tamed and cultivated; the dangers of the animal world have a nostalgic quality, removed as they are from our daily existence. This removal gives "the wild" a different kind of power; it's something we long for rather than fear. The shape-shifter, the were-creature, the stag-headed god from the heart of the woods--they come from a place we'd almost forgotten: the untracked forests of the past; the primeval forests of the mythic imagination; the forests of our childhood fantasies: untouched, unspoiled, limitless. Likewise, tales of Animal Brides and Bridegrooms are steeped in an ancient magic and yet powerfully relevant to our lives today. They remind us of the wild within us...and also within our lovers and spouses, the part of them we can never quite know. They represent the Others who live beside us--cat and mouse and coyote and owl--and the Others who live only in the dreams and nightmares of our imaginations. For thousands of years, their tales have emerged from the place where we draw the boundary lines between animals and human beings, the natural world and civilization, women and men, magic and illusion, fiction and the lives we live.

Because this painting has never been restored there is a heightened poignance to it somehow; it doesn’t have the feeling of unassailable permanence that paintings in museums do. There is a small crack in the lower left, and a little of the priming between the wooden panel and the oil emulsions of paint has been bared. A bit of abrasion shows, at the rim of a bowl of berries, evidence of time’s power even over this—which, paradoxically, only seems to increase its poetry, its deep resonance. If you could see the notes of a cello, when the bow draws slowly and deeply across its strings, and those resonant reverberations which of all instruments’ are nearest to the sound of the human voice emerge—no, the wrong verb, they seem to come into being all at once, to surround us, suddenly, with presence—if that were made visible, that would be the poetry of Osias Beert. But the still life resides in absolute silence. Portraits often seem pregnant with speech, or as if their subjects have just finished saying something, or will soon speak the thoughts that inform their faces, the thoughts we’re invited to read. Landscapes are full of presences, visible or unseen; soon nymphs or a stag or a band of hikers will make themselves heard. But no word will ever be spoken here, among the flowers and snails, the solid and dependable apples, this heap of rumpled books, this pewter plate on which a few opened oysters lie, giving up their silver. These are resolutely still, immutable, poised for a forward movement that will never occur. The brink upon which still life rests is the brink of time, the edge of something about to happen. Everything that we know crosses this lip, over and over, like water over the edge of a fall, as what might happen does, as any of the endless variations of what might come true does so, and things fall into being, tumble through the progression of existing in time. Painting creates silence. You could examine the objects themselves, the actors in a Dutch still life—this knobbed beaker, this pewter salver, this knife—and, lovely as all antique utilitarian objects are, they are not, would not be, poised on the edge these same things inhabit when they are represented. These things exist—if indeed they are still around at all—in time. It is the act of painting them that makes them perennially poised, an emergent truth about to be articulated, a word waiting to be spoken. Single word that has been forming all these years in the light on the knife’s pearl handle, in the drops of moisture on nearly translucent grapes: At the end of time, will that word be said?

Master Nathaniel looked at him. The fixed stare, the slightly-open mouth, the rigid motionless body, fettered by a misery too profound for restlessness — how well he knew the state of mind these things expressed! But there must surely be relief in thus allowing the mood to mould the body's attitude to its own shape. He had no need now to ask his son for explanations. He knew so well both that sense of emptiness, that drawing in of the senses (like the antennae of some creature when danger is no longer imminent, but there), so that the physical world vanishes, while you yourself at once swell out to fill its place, and at the same time shrink to a millionth part of your former bulk, turning into a mere organ of suffering without thought and without emotions; he knew also that other phase, when one seems to be flying from days and months, like a stag from its hunters — like the fugitives, on the old tapestry, from the moon. But when it is another person who is suffering in this way, in spite of one's pity, how trivial it all seems! How certain one is of being able to expel the agony with reasoning and persuasion!

Dan, who was writing a book on the radical activity of the twenties and thirties, took the occasion of our trip to ask me about them. The whole thing seems to me so stale that I can't imagine anybody's now wanting to write about it, but we ran over the personalities and I told him a lot of stories. It seemed to me like that grisly museum of the early 1900's that I had had him visit at Niagara Falls: old stuffed two-headed calves, motheaten panthers attacking a stag, dried-up corpses from Indian graves, big bags made of rubber tires in which people had tried to shoot the falls--and around it all-powerful industrial life that no show of resistance could stop, which had ruined the landscape of the river and was crowding out everything else.

The curtain rises. A vista opens across the lake. The moon hangs low above the horizon and is reflected in the water. NINA, dressed in white, is seen seated on a great rock. NINA. All men and beasts, lions, eagles, and quails, horned stags, geese, spiders, silent fish that inhabit the waves, starfish from the sea, and creatures invisible to the eye—in one word, life—all, all life, completing the dreary round imposed upon it, has died out at last. A thousand years have passed since the earth last bore a living creature on her breast, and the unhappy moon now lights her lamp in vain. No longer are the cries of storks heard in the meadows, or the drone of beetles in the groves of limes. All is cold, cold. All is void, void, void. All is terrible, terrible—[A pause] The bodies of all living creatures have dropped to dust, and eternal matter has transformed them into stones and water and clouds; but their spirits have flowed together into one, and that great world-soul am I! In me is the spirit of the great Alexander, the spirit of Napoleon, of Caesar, of Shakespeare, and of the tiniest leech that swims. In me the consciousness of man has joined hands with the instinct of the animal; I understand all, all, all, and each life lives again in me.

When I feel comfortable enough that he is not going to trip me, I manage to look down, and see that his feet are gliding gracefully on the floor in his bloack loafers. He's even doing this very hot rhythmitic figure eight with his hips. Maybe it's the music that's growing on me, or it's that I'm giddy from not having had anything to eat except half a miniquiche, but after a moment or so, I start to move my hips, too. And suddenly, I'm breathless again, but in a good way. Once Pip gets into the groove, he stops looking at the instructor and his eyes fasten on me. So close like this, they're shocking in their brilliance, so light blue as to be almost white. Like silver medallions moving back and forth on a chain, they're hypnotizing. Where did they come from? I swear they weren't so beautiful a day ago, when we were sitting in the food court, talking about ewl and popping stag mints. " Where did you learn to do this?" I whisper in his ear, still unable to break from his gaze. " Faries love to dance. This is similar to one of theirs," he explains as he slows to near a stop. His eyes focous on Fit Lady again, and before I can ask what he's doing, he expertly glides his leg out from underneath his body, dragging his foot on the ground. " Yours should follow him," Fit Lady says, watching my legs. ...then I feel her hand on my leg, pulling it up into the air. I toddle about on one leg like a top that's about to fall, so Pip steadies me, and I hold on so tight to his arms with my sweaty hands as to cut off his circualtion. But he doesn't seem to mind. I watch as she grips my leg at the knee and pulls it, higher, higher … almost to Pip's hip level, then force me to extend and curve it around him. Ow, I am not a pretzel. " What are you doing?" " Gancho," she says. " Just take your leg up and wrap it around his body." " Wait. Wh- wh-at?" He's still staring at me with those amazing eyes as I push him away, falling back onto my elbows with a deafening crack.

I saw and heard all sorts of things in my fever; I was riding a merry-go-round, I wanted to get off but I couldn’t. I was one of many little children sitting in fire engines and hollowed-out swans, on dogs, cats, pigs, and stags, riding round and round. I wanted to get off but I wasn’t allowed to. All the little children were crying, like me they wanted to get out of the fire engines and hollowed-out swans, down from the backs of the cats, dogs, pigs, and stags, they didn’t want to ride on the merry-go-round any more, but they weren’t allowed to get off. The Heavenly Father was standing beside the merry-go-round and every time it stopped, he paid for another turn. And we prayed: “Oh, our Father who art in heaven, we know you have lots of loose change, we know you like to treat us to rides on the merry-go-round, we know you like to prove to us that this world is round. Please put your pocket-book away, say stop, finished, fertig, basta, stoi, closing time—we poor little children are dizzy, they’ve brought us, four thousand of us, to K"asemark on the Vistula, but we can’t get across, because your merry-go-round, your merry-go-round…” But God our Father, the merry-go-round owner, smiled in his most benevolent manner and another coin came sailing out of his purse to make the merry-go-round keep on turning, carrying four thousand children with Oskar in their midst, in fire engines and hollowed-out swans, on cats, dogs, pigs, and stags, round and round in a ring, and every time my stag—I’m still quite sure it was a stag—carried us past our Father in heaven, the merry-go-round owner, he had a different face: He was Rasputin, laughing and biting the coin for the next ride with his faith healer’s teeth; and then he was Goethe, the poet prince, holding a beautifully embroidered purse, and the coins he took out of it were all stamped with his father-in-heaven profile; and then again Rasputin, tipsy, and again Herr von Goethe, sober. A bit of madness with Rasputin and a bit of rationality with Goethe. The extremists with Rasputin, the forces of order with Goethe.