Meet The Browns Quotes

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Remember that everyone you meet is afraid of something, loves something and has lost something.
H. Jackson Brown Jr.
Every person that you meet knows something you don't; learn from them.
H. Jackson Brown Jr.
Unless you stop him. Perhaps next we meet." "You'll be just as annoying?" I guessed. He fixed my with those warm brown eyes. "Or perhaps you could bring me up to speed on those modern courtship rituals." I sat there stunned until he gave me a glimpse of a smile-just enough to let me know he was teasing. Then he disappeared. "Oh, very funny!" I yelled.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
You meet a man, you know him. You meet a woman, she knows you.
Pierce Brown (Golden Son (Red Rising Saga, #2))
Research shows that playing cards once a week or meeting friends every Wednesday night at Starbucks adds as many years to our lives as taking beta blockers or quitting a pack-a-day smoking habit.
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
Each of us is leading a difficult life, and when we meet people we are seeing only a tiny part of the thinnest veneer of their complex, troubled existences. To practise anything other than kindness towards them, to treat them in any way save generously, is to quietly deny their humanity.
Derren Brown (Confessions of a Conjuror)
Dehumanizing and holding people accountable are mutually exclusive. Humiliation and dehumanizing are not accountability or social justice tools, they’re emotional off-loading at best, emotional self-indulgence at worst. And if our faith asks us to find the face of God in everyone we meet, that should include the politicians, media, and strangers on Twitter with whom we most violently disagree. When we desecrate their divinity, we desecrate our own, and we betray our faith.
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
My name is Darrow, leader of House Mars. I’m here to meet with your Primus, if you have one. If you don’t, your leader will suffice. And if you don’t have one of those either, take me to whoever has the biggest balls.” Silence.
Pierce Brown (Red Rising (Red Rising Saga, #1))
And if our faith asks us to find the face of God in everyone we meet, that should include the politicians, media, and strangers on Twitter with whom we most violently disagree. When we desecrate their divinity, we desecrate our own, and we betray our faith.
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
Then the best thing I can do is—" He froze. The brown eyes that had been narrowed with aggravation suddenly went wide with...what? Amazement? Awe? Or perhaps that stunned feeling I kept having when I saw him? Because suddenly, I was pretty sure he was experiencing the same thing I had earlier. He'd seen me plenty of times in Siberia. He'd seen me just the other night at the warehouse. But now...now he was truly viewing me with his own eyes. Now that he was no longer Strigoi, his whole world was different. His outlook and feelings were different. Even his soul was different. It was like one of those moments when people talked about their lives flashing before their eyes. Because as we stared at one another, every part of our relationship replayed in my mind's eye. I remembered how strong and invincible he'd been when we first met, when he'd come to bring Lissa and me back to the folds of Moroi society. I remembered the gentleness of his touch when he's bandaged my bloodies and bettered hands. I remembered him carrying me in his arms after Victor's daughter Natalie had attacked me. Most of all, I remembered the night we'd been together in the cabin, just before the Strigoi had taken him. A year. We'd known each other only a year but we'd lived a lifetime in it. And he was realizing that too, I knew as he studied me. His gaze was all-powerful, taking in every single one of my features and filing them away. Dimly, I tried to recall what I looked like today. I still wore the dress from the secret meeting and knew it looked good on me. My eyes were probably bloodshot from crying earlier, and I'd only had time for a quick brushing of my hair before heading off with Adrian. Somehow, I doubted any of it mattered. The way Dimitri was looking at me...it confirmed everything I'd suspected. The feelings he'd had for me before he'd been turned-the feelings that had become twisted while a Strigoi—were all still there. They had to be. Maybe Lissa was his savior. Maybe the rest of the Court thought she was a goddess. I knew, right then, that no matter how bedraggled I looked or how blank he tried to keep his face, I was a goddess to him.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
We put so much of our time and energy into making sure that we meet everyone’s expectations and into caring about what other people think of us, that we are often left feeling angry, resentful and fearful.
Brené Brown (I Thought It Was Just Me: Women Reclaiming Power and Courage in a Culture of Shame)
Remember that everyone you meet is afraid of something, loves something and has lost something. People take different roads seeking fulfillment and happiness. Just because they're not on your road doesn't mean they've gotten lost. If you know someone who tries to drown their sorrows, you might tell them sorrows know how to swim...
H. Jackson Brown Jr. (The Complete Life's Little Instruction Book)
Dear Max - You looked so beautiful today. I'm going to remember what you looked like forever. ... And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy. But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right. Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it. The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray. I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while. ... You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet. ... At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you. But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock. Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again. Please make us only go through this once. ... I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me. ... You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without. ... Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it. Good-bye, my love. Fang P.S. Tell everyone I sure will miss them
James Patterson
Wesley looked down at her and Nora could barely meet his brown eyes, which bored into her with the fiery love of a guardian angel. God probably had eyes like Wesley's.....anyone who looked into them wanted to immediately apologize for any and all sins ever committed.
Tiffany Reisz (The Prince (The Original Sinners, #3))
I had the firm conviction that, if I went about looking for adventure, adventure would meet me halfway. It is a theory of mine that one always gets what one wants.
Agatha Christie (The Man in the Brown Suit)
I don’t care if you’re gently bred, roughly bred, or a loaf of brown bread with butter. You’re educated, you understand propriety, and you’re . . . breathing.
Tessa Dare (The Governess Game (Girl Meets Duke, #2))
Our Euripides the human, With his droppings of warm tears, and his touchings of things common Till they rose to meet the spheres.
Elizabeth Barrett Browning
Although I never found a church where I felt completely at home again, I made a new home in the world. I renewed my membership in the priesthood of all believers, who may not have as much power as we would like, but whose consolation prize is the freedome to meet God after work, well away from all centers of religious command, wherever God shows up.
Barbara Brown Taylor (Leaving Church: A Memoir of Faith)
Every epic collapse, the provost believed, could be traced back to a single moment—a chance meeting, a bad decision, an indiscreet glance.
Dan Brown (Inferno (Robert Langdon, #4))
Nobody likes me!" "I wish I could like you, Charlie Brown, but I can't... If I were to like you, it would be admitting that I was lowering my standards! You wouldn't want me to do that, would you? Be reasonable! I have standards that I have set up for liking people, and you just don't meet those standards! It wouldn't be reasonable for me to like you!" "I hate myself for being so unreasonable!
Charles M. Schulz (The Complete Peanuts, Vol. 6: 1961-1962)
I’ve learned that when a man with money meets a man with experience, the man with experience ends up with the money and the man with the money ends up with experience.
H. Jackson Brown Jr. (Live and Learn and Pass It on: People Ages 5 to 95 Share What They'Ve Discovered About Life, Love, and Other Good Stuff (Live & Learn & Pass It on))
Ladies and gentlemen.” He [Jabba] sighed. “Meet the kamikaze of computer invaders...the worm.
Dan Brown (Digital Fortress)
But it's there. Dread. Every day is an opportunity to fuck up. Every decision, every meeting, every report. There's no success, only the temporary aversion of failure. Dread. From the buzz and jingle of my alarm until I finally get back to sleep. Dread.
Natasha Brown (Assembly)
Go to other countries. Not a typical backpacking tour. Planned tour means you will hang with Americans on bikes and flirt with drunk Germans and someone will steal your Levi’s in the hostel and a guy from Poland will sock you in the face while bad techno plays everywhere and you will learn nothing except that your face hurts and not everyone showers. Get into other cultures and talk politics and love. Meeting other people is the only way to know if you believe what you believe cause it’s been handed to you, or if it really rings true in your heart. Getting lost should be seen as a sweet chance to be found. Remember, you belong everywhere.
Derrick Brown
Inside me, Red meets Gold.
Pierce Brown (Golden Son (Red Rising Saga, #2))
But it’s there. Dread. Every day is an opportunity to fuck up. Every decision, every meeting, every report. There’s no success, only the temporary aversion of failure. Dread.
Natasha Brown (Assembly)
Remember that everyone you meet is afraid of something, loves something, and has lost something.” –H. Jackson Brown, Jr.
Michael S. Sorensen (I Hear You: The Surprisingly Simple Skill Behind Extraordinary Relationships)
I know plenty of people who find God most reliably in books, in buildings, and even in other people. I have found God in all of these places too, but the most reliable meeting place for me has always been creation. Since I first became aware of the Divine Presence in that lit-up field in Kansas, I have known where to go when my own flame is guttering. To lie with my back flat on the fragrant ground is to receive a transfusion of the same power that makes the green blade rise. To remember that I am dirt and to dirt I shall return is to be given my life back again, if only for one present moment at a time. Where other people see acreage, timber, soil, and river frontage, I see God's body, or at least as much of it as I am able to see. In the only wisdom I have at my disposal, the Creator does not live apart from creation but spans and suffuses it. When I take a breath, God's Holy Spirit enters me. When a cricket speaks to me, I talk back. Like everything else on earth, I am an embodied soul, who leaps to life when I recognize my kin. If this makes me a pagan, then I am a grateful one.
Barbara Brown Taylor (Leaving Church: A Memoir of Faith)
I want to write about people I love, and put them into a fictional world spun out of my own mind, not the world we actually have, because the world we actually have does not meet my standards," Dick wrote of these stories. "In my writing I even question the universe; I wonder out loud if it is real, and I wonder out loud if all of us are real.
Philip K. Dick (The Collected Stories of Philip K. Dick 1: The Short Happy Life of the Brown Oxford)
The expression on James' face was priceless. "The pizza man wants to meet me?
Sue Brown (Final Admission)
Stacey was holding the throw pillow to her mouth now, and all that was visible were her huge, dark brown eyes. When she spoke, her voice was muffled."Who is that?" I started to explain, but Cayman bowed in her direction extending his arm with a flourish."Only the most handsome and smartest and downright most charming demon there is."But I know that's a mouthful, so you can call me Cayman." "Um." Her gaze darted around the room."Okay.
Jennifer L. Armentrout (Every Last Breath (The Dark Elements, #3))
Religion is not the place where the problem of man's egotism is automatically solved. Rather, it is there that the ultimate battle between human pride and God's grace takes place. Human pride may win the battle, and then religion can and does become one more instrument of human sin. But if there the self does meet God and His grace, and so surrenders to something beyond its self-interest, then Christian faith can prove to be the needed and rare release from human self-concern.
Langdon Gilkey
...this museum must celebrate the OTHER lesson history has taught us - that tyranny and oppression are no match for compassion...that the fanatical shouts of the bullies of the world are invariably silenced by the unified voices of decency that rise up to meet them. It is THESE voices - these choirs of empathy, tolerance and compassion - that I pray one day will sing from this mountaintop.
Dan Brown (Origin (Robert Langdon, #5))
Pain isn’t singular. We’re not alone, no matter how much it seems that way. Someone out there feels it too, and if we ever meet, we could bring our broken pieces together. We could bind them and form one heart.” He looked into her brown eyes. “We could be Bound.
B.B. Reid (Lilac)
she appeared in a dashing fur coat and very high heels, with a bottle of bootleg whiskey in a brown paper bag from which she drank all during the meeting, erupting into wild laughter
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
If the goal was to increase the love, rather than winning or dominating a constant opponent, I think we could actually imagine liberation from constant oppression. We would suddenly be seeing everything we do, everyone we meet, not through the tactical eyes of war, but through eyes of love. We would see that there's no such thing as a blank canvas, an empty land or a new idea - but everywhere there is complex, ancient, fertile ground full of potential.
Adrienne Maree Brown (Emergent Strategy: Shaping Change, Changing Worlds (Emergent Strategy, #0))
The thing about the Lexington International Bank ladder was that it was very long, and climbing it was very exhausting, and so Andrew Brown didn't have a lot of time to think about whether he really wanted to get to the top of it—and besides, since so many other people were climbing too, the view from the top must be worth it. So he kept going. He worked hard. He put his heart and mind and soul into it. There was an opening for a position half a rung higher than he already was. With a promotion, he might get two hours a week of a secretary's time. He'd go to more important meetings, with more senior people, and have the opportunity to impress them, and if he did he might be promoted again and then... well, of course eventually he'd be running the whole office. It's important to have a dream: otherwise you might notice where you really are.
Naomi Alderman (Doctor Who: Borrowed Time)
His words were still clear in her mind from that first meeting. "Whoever eats this will love you." She looked into the mirror, at her birthmark, bright as blood, at her kiss-stung lips, at the absurd smile stretching across her face. Carefully separating out the crushed pieces of shell, she pulled the dried pulp free from its cage of veins. Piece by piece, she put the sweet brown fruit in her own mouth and swallowed it down.
Holly Black
I look forward to the day when we can meet one another in our true nakedness, stripped free of unresolved emotions, pain-induced projections, the distortions of duality. For too long we have been on opposite sides of the river, the bridge between our hearts washed away by a flood of pain. But the time has come to construct a new bridge, one that comes into being with each step we take, one that is fortified with benevolent intentions and authentic self-revealing. As we walk toward one
Jeff Brown (Love It Forward)
I call it magic, the crossing of our paths with the paths of others, how quickly, how completely, these magic meetings can turn us into directions we never dreamed of.
Dee Brown (Creek Mary's Blood)
Each person dying floats aside. Making room for the one that's coming. Perhaps they meet on their journey. Perhaps they wave as each heads on home
Jacqueline Woodson (Brown Girl Dreaming)
What kept Minli from becoming dull and brown like the rest of the village were the stories her father told her every night at dinner. She glowed with such wonder and excitement
Grace Lin (Where the Mountain Meets the Moon (Newbery Honor Book))
I want to live where soul meets body And let the sun wrap its arms around me And bathe my skin in water cool and cleansing And feel, feel what its like to be new And I cannot guess what we'll discover When we turn the dirt with our palms cupped like shovels But I know our filthy hands can wash one another’s And not one speck will remain And I do believe it’s true That there are roads left in both of our shoes But if the silence takes you Then I hope it takes me too So brown eyes I hold you near Cause you’re the only song I want to hear
Death Cab for Cutie
They’d been told they would be meeting with only two members of the Triumvirate, but three people stood by the pool. Jesper knew the one-eyed girl in the red-and-blue kefta must be Genya Safin, and that meant the shockingly gorgeous girl with the thick fall of ebony hair was Zoya Nazyalensky. They were accompanied by a fox-faced man in his twenties wearing a teal frock coat, brown leather gloves, and an impressive set of Zemeni revolvers slung around his hips. If these people were what Ravka had to offer, maybe Jesper should consider a visit.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I wish it were different. I wish that we privileged knowledge in politicians, that the ones who know things didn't have to hide it behind brown pants, and that the know-not-enoughs were laughed all the way to the Maine border on their first New Hampshire meet and greet. I wish that in order to secure his party's nomination, a presidential candidate would be required to point at the sky and name all the stars; have the periodic table of the elements memorized; rattle off the kings and queens of Spain; define the significance of the Gatling gun; joke around in Latin; interpret the symbolism in seventeenth-century Dutch painting; explain photosynthesis to a six-year-old; recite Emily Dickinson; bake a perfect popover; build a shortwave radio out of a coconut; and know all the words to Hoagy Carmichael's "Two Sleepy People," Johnny Cash's "Five Feet High and Rising," and "You Got the Silver" by the Rolling Stones. After all, the United States is the greatest country on earth dealing with the most complicated problems in the history of the world--poverty, pollution, justice, Jerusalem. What we need is a president who is at least twelve kinds of nerd, a nerd messiah to come along every four years, acquire the Secret Service code name Poindexter, install a Revenge of the Nerds screen saver on the Oval Office computer, and one by one decrypt our woes.
Sarah Vowell (The Partly Cloudy Patriot)
Or my eyes go back to seeing it that way. When I entered the cave hoping for a glimpse of celestial brightness, it never occurred to me that it might be so small. But here it is, not much bigger than a mustard seed—everything I need to remember how much my set ideas get in my way. While I am looking for something large, bright, and unmistakably holy, God slips something small, dark, and apparently negligible in my pocket. How many other treasures have I walked right by because they did not meet my standards? At least one of the day’s lessons is about learning to let go of my bright ideas about God so that my eyes are open to the God who is.
Barbara Brown Taylor (Learning to Walk in the Dark: Because Sometimes God Shows Up at Night)
They decide as soon as they meet you. Ten seconds in. If you’re poor. If you’re brown. If you’re black. If you’ve got an accent. If your skirt’s too short. If your nose is ugly—sorry, Cherie. If you’re chewing gum. If you’re breathing funny. If nobody from your family is there. If you’re any of that? Or all of that? Have a nice life, because you’re out of there.
Nova Ren Suma (The Walls Around Us)
When you go for romantic, you go all out, don’t you?” “Only way to go.” Zane knelt and crawled onto the blanket, straightened the edges out where they’d blown over, then turned around, still on one knee, and held his hand out. Ty took it, meeting Zane’s eyes in the flickering light. Zane hesitated, looking up at him with brown eyes that seemed to have gone liquid in the low light. Time seemed to slow. Ty found himself short of breath, and he had no idea why. Zane bent his head to kiss Ty’s fingers, breaking the little spell he’d cast, and then he tugged Ty down to join him on the blanket.
Abigail Roux (Stars & Stripes (Cut & Run, #6))
Jerott’s eyes and Philippa’s met. ‘When I meet my friend,’ said Jerott Blyth carefully, ‘there is likely to be a detonation which will take the snow off Mont Blanc. I advise you to seek other auspices. Philippa, I think we should go down below.’ ‘To swim?’ said that unprepossessing child guilelessly. ‘I can stand on my head.’ ‘Oh, Christ,’ said Jerott morosely. ‘Why in hell did you come?’ The brown eyes within the damp, dun-coloured hair inspected him narrowly. ‘Because you need a woman,’ said Philippa finally. ‘And I’m the nearest thing to it that you’re likely to get. It was very short notice.
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
GO BACK TO DALLAS!” the man sitting somewhere behind us yelled again, and the hold Aiden still had on the back of my neck tightened imperceptibly. “Don’t bother, Van,” he demanded, pokerfaced. “I’m not going to say anything,” I said, even as I reached up with the hand furthest away from him and put it behind my head, extending my middle finger in hopes that the idiot yelling would see it. Those brown eyes blinked. “You just flipped him off, didn’t you?” Yeah, my mouth dropped open. “How do you know when I do that?” My tone was just as astonished as it should be. “I know everything.” He said it like he really believed it. I groaned and cast him a long look. “You really want to play this game?” “I play games for a living, Van.” I couldn’t stand him sometimes. My eyes crossed in annoyance. “When is my birthday?” He stared at me. “See?” “March third, Muffin.” What in the hell? “See?” he mocked me. Who was this man and where was the Aiden I knew? “How old am I?” I kept going hesitantly. “Twenty-six.” “How do you know this?” I asked him slowly. “I pay attention,” The Wall of Winnipeg stated. I was starting to think he was right. Then, as if to really seal the deal I didn’t know was resting between us, he said, “You like waffles, root beer, and Dr. Pepper. You only drink light beer. You put cinnamon in your coffee. You eat too much cheese. Your left knee always aches. You have three sisters I hope I never meet and one brother. You were born in El Paso. You’re obsessed with your work. You start picking at the corner of your eye when you feel uncomfortable or fool around with your glasses. You can’t see things up close, and you’re terrified of the dark.” He raised those thick eyebrows. “Anything else?” Yeah, I only managed to say one word. “No.” How did he know all this stuff? How? Unsure of how I was feeling, I coughed and started to reach up to mess with my glasses before I realized what I was doing and snuck my hand under my thigh, ignoring the knowing look on Aiden’s dumb face. “I know a lot about you too. Don’t think you’re cool or special.” “I know, Van.” His thumb massaged me again for all of about three seconds. “You know more about me than anyone else does.” A sudden memory of the night in my bed where he’d admitted his fear as a kid pecked at my brain, relaxing me, making me smile. “I really do, don’t I?” The expression on his face was like he was torn between being okay with the idea and being completely against it. Leaning in close to him again, I winked. “I’m taking your love of MILF porn to the grave with me, don’t worry.” He stared at me, unblinking, unflinching. And then: “I’ll cut the power at the house when you’re in the shower,” he said so evenly, so crisply, it took me a second to realize he was threatening me… And when it finally did hit me, I burst out laughing, smacking his inner thigh without thinking twice about it. “Who does that?” Aiden Graves, husband of mine, said it, “Me.” Then the words were out of my mouth before I could control them. “And you know what I’ll do? I’ll go sneak into bed with you, so ha.” What the hell had I just said? What in the ever-loving hell had I just said? “If you think I’m supposed to be scared…” He leaned forward so our faces were only a couple of inches away. The hand on my neck and the finger pads lining the back of my ear stayed where they were. “I’m not
Mariana Zapata (The Wall of Winnipeg and Me)
How wonderful it would be to meet an angel, I mused, but then I immediately realised I already had. Not an archangel like Saint Michael, but my human angel from Detroit, wearing an overcoat and no hat, with lank brown hair and eyes the coler of water.
Patti Smith (M Train)
shame is the voice of perfectionism. Whether we’re talking about appearance, work, motherhood, health or family, it’s not the quest for perfection that is so painful; it’s failing to meet the unattainable expectations that lead to the painful wash of shame.
Brené Brown (I Thought It Was Just Me: Women Reclaiming Power and Courage in a Culture of Shame)
A brown, rocklike fist rose out of the mass and descended with considerable force, meeting decisively with some bony protuberance, by the sound of the resultant crack.
Diana Gabaldon (Outlander (Outlander, #1))
I heard your whispered fantasies so clear Softly told in my ear I opened my eyes you weren't there So real my dream, I was so aware But we'll meet again so certainly In our whispered fantasy
Astrid Brown (Whispered Fantasies)
It was not until I began meeting people of other faiths in their most sacred spaces that I learned how bruised some of them were by Christian evangelism. Worshippers at the Hindu Temple returned to the parking lot after one of their major festivals to find Christians by their cars with pamphlets demeaning their holiday. Muslims were used to Christians saying malicious things about the Qur'an. Native Americans were tired of being asked what God they prayed to. The shared consensus is that Christian evangelists are not very good listeners. They assume they are speaking to people with no knowledge of God themselves. They are disrespectful to other people's faith.
Barbara Brown Taylor (Holy Envy: Finding God in the Faith of Others)
Hey. Do you want a cracker?" a velvet voice asked me. I didn't look up, I wasn't sure if he was even talking to me. Why would an attractive senior be talking to me? "Hey, I'm talking to you," he said, a chuckle in his voice. I slowly lifted my head peering at him from under my long lashes. His dark brown hair swept across his forehead, and his deep blue eyes made me gasp. He wore the ultimate laid back style, a white t-shirt and jeans. All he needed was a black leather jacket, and he would be the bad boy from my book. The smile on his face was breathtaking and I found myself unable to speak.
Felicia Tatum (Mangled Hearts (Scarred Hearts, #1))
Even in her nightgown, without her makeup on, Aracely was a slice of color against the window. Her hair was as bright as the fruit of a nectarine. The brown of her skin looked like raw gold stripped from quartz. And she stood tall enough that she looked like she could meet the gaze of the sky out on the horizon.
Anna-Marie McLemore (When the Moon Was Ours)
When the zebra-striped lizards return, bulbous eyes twisting in every direction, they carry a platter garnished with dried fruit and something that resembles a duck. It’s plucked and roasted but still has its head intact. A warm, herbal scent tickles my nose. At least it’s cooked. "May I introduce you all to the main course?” Morpheus spreads out an arm with dramatic flair. “Dinner, meet your worthy adversaries, the hungry guests.” My tongue dries to sandpaper as the bird’s eyes pop open, and it hobbles to stand on webbed feet, flesh brown and glistening with glaze and oil. There’s a bell hung around its neck, and it jingles as the duck bows to greet everyone. This cannot be happening. Morpheus drags the heavy mallet from beside his chair and pounds it on the table like a judge’s gavel. “Now that we’re all acquainted, let the walloping begin.” Gossamer launches from Morpheus’s shoulder and leaves the room with the other sprites as mass confusion erupts. All the guests leap to their feet, mallets in hand, to chase the jingling duck.
A.G. Howard (Splintered (Splintered, #1))
She grabbed her briefcase and took a step toward him. “You don’t have a last name?” “Everyone has a last name.” His hand hovered in the air, waiting. He was forcing her to cross the marble floor to meet him, and like a Luna moth drawn to a midnight moon, she drifted toward him. When she reached him, she took his hand and looked up into his face. “Is it Jones? Smith? Or Brown?” His lips twitched. “None of the above.” “And you won’t tell me?” “It’s not necessary information.” She tilted her head, studying his angular features. “You don’t look like an Adrian.” His smile broadened. “Imagine that.” “More like a Carlos, or a Juan, or a Diego.” “Those are Hispanic names.” “Aren’t you Hispanic?” “I’m anything you want me to be.
Shelby Reed (The Fifth Favor)
The second man I meet is Andrew, and he has dirty fingernails so I can't notice if he is nice or not. I can even eat my brown sugar and butter crêpes because, oy gevalt, I'm so distracted by these fingernails. I mean, what was he doing before he came on this date? Competitive gardening? Burying the last woman he dated?
Gabrielle Zevin (Young Jane Young)
A second red-orange spearhead leaps straight at O'Shaughnessy. The whole world seems to stand still. Then the gun behind it crashes, and there's a cataclysm of pain all over him, and a shock goes through him as if he ran head-on into a stone wall. A voice from the car says blurredly, while the ground rushes up to meet him, 'Finish him up, you guys! I'm getting so I don't trust their looks no more, no matter how stiff they act!' ("Jane Brown's Body")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
Like the bad guy said, never give an artist a Browning; they’re some of the most dangerous folks you can meet… Artists almost always want an audience, the spectacle of destruction. That name — Dadaist. It’s a dead giveaway. Expect a senseless act of mass violence, the theater of cruelty. About all I can do is try and keep him talking while you get in position to kill him. And don’t give him anything he might mistake for an audience.” --Charles Stross, “Iron Sunrise.
Charles Stross (Iron Sunrise (Eschaton, #2))
I look forward to the day when we can meet one another in our true nakedness, stripped free of unresolved emotions, pain-induced projections, the distortions of duality. For too long we have been on opposite sides of the river, the bridge between our hearts washed away by a flood of pain. But the time has come to construct a new bridge, one that comes into being with each step we take, one that is fortified with benevolent intentions and authentic self-revealing. As we walk toward one another, our emotional armor falls to the ground, transforming into the light at its source. And when we are ready, we walk right into the Godself at the center of the bridge, puzzled that we ever imagined ourselves separate.
Jeff Brown (Love It Forward)
He slouches,' DeeDee contributes. 'True--he needs to work on his posture,' Thelma says. 'You guys,' I say. 'I'm serious,' Thelma says. 'What if you get married? Don't you want to go to fancy dinners with him and be proud?' 'You guys. We are not getting married!' 'I love his eyes,' Jolene says. 'If your kids get his blue eyes and your dark hair--wouldn't that be fabulous?' 'The thing is,' Thelma says, 'and yes, I know, this is the tricky part--but I'm thinking Bliss has to actually talk to him. Am I right? Before they have their brood of brown-haired, blue-eyed children?' I swat her. "I'm not having Mitchell's children!' 'I'm sorry--what?' Thelma says. Jolene is shaking her head and pressing back laughter. Her expressing says, Shhh, you crazy girl! But I don't care. If they're going to embarrass me, then I'll embarrass them right back. 'I said'--I raise my voice--'I am not having Mitchell Truman's children!' Jolene turns beet red, and she and DeeDee dissolve into mad giggles. 'Um, Bliss?' Thelma says. Her gaze travels upward to someone behind me. The way she sucks on her lip makes me nervous. 'Okaaay, I think maybe I won't turn around,' I announce. A person of the male persuasion clears his throat. 'Definitely not turning around,' I say. My cheeks are burning. It's freaky and alarming how much heat is radiating from one little me. 'If you change your mind, we might be able to work something out,' the person of the male persuasion says. 'About the children?' DeeDee asks. 'Or the turning around?' 'DeeDee!' Jolene says. 'Both,' says the male-persuasion person. I shrink in my chair, but I raise my hand over my head and wave. 'Um, hi,' I say to the person behind me whom I'm still not looking at. 'I'm Bliss.' Warm fingers clasp my own. 'Pleased to meet you,' says the male-persuasion person. 'I'm Mitchell.' 'Hi, Mitchell.' I try to pull my hand from his grasp, but he won't let go. 'Um, bye now!' I tug harder. No luck. Thelma, DeeDee, and Jolene are close to peeing their pants. Fine. I twist around and give Mitchell the quickest of glances. His expressions is amused, and I grow even hotter. He squeezes my hand, then lets go. 'Just keep me in the loop if you do decide to bear my children. I'm happy to help out.' With that, he stride jauntily to the food line. Once he's gone, we lost it. Peals of laughter resound from our table, and the others in the cafeteria look at us funny. We laugh harder. 'Did you see!' Thelma gasps. 'Did you see how proud he was?' 'You improve his posture!' Jolene says. 'I'm so glad, since that was my deepest desire,' I say. 'Oh my God, I'm going to have to quit school and become a nun.' 'I can't believe you waved at him,' DeeDee says. 'Your hand was like a little periscope,' Jolene says. 'Or, no--like a white surrender flag.' 'It was a surrender flag. I was surrendering myself to abject humiliation.' 'Oh, please,' Thelma says, pulling me into a sideways hug. 'Think of it this way: Now you've officially talked to him.
Lauren Myracle (Bliss (Crestview Academy, #1))
Most importantly,” he said, “this museum must celebrate the other lesson history has taught us—that tyranny and oppression are no match for compassion…that the fanatical shouts of the bullies of the world are invariably silenced by the unified voices of decency that rise up to meet them. It is these voices—these choirs of empathy, tolerance, and compassion—that I pray one day will sing from this mountaintop.
Dan Brown (Origin (Robert Langdon, #5))
It's my latest recipe." She beamed. "Roast leaf." "It's gone off. That's not like any roast beef sandwich I've ever tasted." "No, no. Not roast beef. Roast leaf." He stared at her. "I'm a vegetarian," she explained. "I don't eat meat. So I create my own substitutions with vegetables. Roast leaf, for example. I start with whatever greens are in the market, boil and mash them with salt, then press them into a roast for the oven. According to the cookery book, it's every bit as satisfying as the real thing." "Your cookery book is a book if lies." To her credit, she took it gamely. "I'm still perfecting the roast leaf. Perhaps it needs more work. Try the others. The ones on brown bread are tuna-ish- brined turnip flakes in place of fish- and the white bread is sham. Sham is everyone's favorite. Doesn't the color look just like ham? The secret is beetroot.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
A day goes by. Every shiver of grass counts. The shallows and dapples in air that give grass life are like water. The bobcat returns nightly. During easy jags of sleep the dog’s dream-paws chase coyotes. I ride to the sheep. Empty sky, an absolute blue. Empty heart. Sunburned face blotches brown. Another layer of skin to peel, to meet myself again in the mirror. A plane passes overhead—probably the government trapper. I’m waving hello, but he speeds away.
Gretel Ehrlich (The Solace of Open Spaces: Essays)
Q: Why is it we all so desperately want to be loved? Krishnamurti: Because we are so desperately empty, lonely. Q: But you say that loving is more important than being loved. Krishnamurti: Yes, of course – which means one must understand this emptiness, this loneliness in oneself. A mind that is self-concerned with its own ambitions, greeds, fears, guilt, suffering has no capacity to love. A mind that is divided in itself, that lives in fragments, obviously cannot love. Division implies sorrow; it is the root cause of sorrow – division between ‘you’ and ‘me’, ‘we’ and ‘they’, the black, the white, the brown and so on. So wherever there is division, fragmentation, love cannot be, because goodness is a state of non-division. The world itself is indivisible.
J. Krishnamurti (Meeting Life: Writings and Talks on Finding Your Path Without Retreating from Society)
The problem with every sacred text is that it has human readers. Consciously or unconsciously, we interpret it to meet our own needs. There is nothing wrong with this unless we deny that we are doing it, as when someone tells me that he is not 'interpreting' anything but simply reporting what is right there on the page. This is worrisome, not only because he is reading a translation from the original Hebrew or Greek that has already involved a great deal of interpretation, but also because it is such a short distance between believing you possess an error-free message from God and believing that you are an error-free messenger of God. The literalists I like least are the ones who do not own a Bible. The literalists I like most are the ones who admit that they do not understand every word God has revealed in the Bible, though they still believe God has revealed it. I can respect that. I can respect almost anyone who admits to being human while reading a divine text. After that, we can talk - about we highlight some teachings and ignore others, about how we decide which ones are historically conditioned and which ones are universally true, about who has influenced our reading of scripture and how our social location affects what we hear. The minute I believe I know the mind of God is the minute someone needs to tell me to sit down and tell me to breathe into a paper bag.
Barbara Brown Taylor (Holy Envy: Finding God in the Faith of Others)
The divine is in the present and you must be present to experience it. When you vacate the present and recede into your mind, allowing worries or work to remove you from the moment, you leave the plain upon which the divine dwells. When you are constantly under the anesthetic of digital distraction, you withdraw; you are no longer conscious, and therefore are in no fit state to commune with the sacred. If you wish to hear the answers you seek, you must be present to hear them. If you wish to partake in the insights there to be known, you must be present to receive them. If you wish to know the divine, you must be present to meet it. …you must be present.
L.M. Browning (Seasons of Contemplation: A Book of Midnight Meditations)
She fought every day of her life to make things better, dedicating her life to others, wanting justice for all. She was torn down for it, her reputation ravaged. Yet she squared her shoulders and dusted herself off after every single setback. She went back out there to meet that hostile world, with her hoop skirts swishing and her brown eyes gleaming, ready to fight another day. And yes, they called her crazy. But if that’s crazy, we should stand back and admire. For just look at what “crazy” can do.
Kate Moore (The Woman They Could Not Silence: One Woman, Her Incredible Fight for Freedom, and the Men Who Tried to Make Her Disappear)
I am in love with everything around me, the dotted white lines moving across my teacher's blackboard, the smell of chalk, the flag jutting out from the wall and slowly swaying above. There is nothing more beautiful that P.S. 106. Nothing more perfect than my first-grade classroom. No one more kind than Ms. Feilder, who meets me at the door each morning, takes my hand from my sister's, smiles down and says, Now that Jacqueline is here, the day can begin. And I believe her. Yes, I truly believe her.
Jacqueline Woodson (Brown Girl Dreaming)
And then there was Joss. I met him in a dimly lit office, where he regaled me with tales of adventure, swashbuckling, shootings, spaceships, and narrow escapes. Um, where do I sign? He gave me a new identity, a costume, a gun, and a long brown duster for a cape. I remember that meeting so well; it was like a superhero "origin" issue. I remember Joss looking at Polaroid photos of my first costume fitting, holding up the one with the duster and gun saying, "Action figure, anyone?" Never in my wildest. Like some sort of super-team benefactor, Joss made superheroes out of all of us, complete with a super-hideout spaceship. During filming, we'd all retreat to our dressing room trailers and emerge like Supermen with our alter egos. The boots, the suspenders, gun holstered low on my hip... with a flick and a spin of that wicked awesome coat over my shoulders, I became someone else.
Nathan Fillion
If T. S. Eliot had stayed in St Louis, he would never have held that April was the cruelest month. Well, unless he was a Browns fan. At this moment, in the ragged middle of February, it begins: beneath the snow, roots quicken. In the Deep South, already trees begin to bud. And all over the land – indeed, all over the world, in Japan, in the Caribbean, in Australia – a certain class of mammal, fubsy, amiable, sweet-natured, begins to twitch and wake from hibernation: the baseball fan. Is it the lengthening of the days? Is it some subtle signal that causes them to begin to emerge from a stupor only lightly disturbed by meetings of the Hot Stove League? Naw. It is the magic phrase, ‘pitchers and catchers to report….
Markham Shaw Pyle
My Last Duchess That’s my last Duchess painted on the wall, Looking as if she were alive. I call That piece a wonder, now: Fra Pandolf’s hands Worked busily a day, and there she stands. Will’t please you sit and look at her? I said “Fra Pandolf” by design, for never read Strangers like you that pictured countenance, The depth and passion of its earnest glance, But to myself they turned (since none puts by The curtain I have drawn for you, but I) And seemed as they would ask me, if they durst, How such a glance came there; so, not the first Are you to turn and ask thus. Sir, ’twas not Her husband’s presence only, called that spot Of joy into the Duchess’ cheek: perhaps Fra Pandolf chanced to say “Her mantle laps Over my lady’s wrist too much,” or “Paint Must never hope to reproduce the faint Half-flush that dies along her throat”: such stuff Was courtesy, she thought, and cause enough For calling up that spot of joy. She had A heart—how shall I say?—too soon made glad, Too easily impressed; she liked whate’er She looked on, and her looks went everywhere. Sir, ’twas all one! My favour at her breast, The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace—all and each Would draw from her alike the approving speech, Or blush, at least. She thanked men,—good! but thanked Somehow—I know not how—as if she ranked My gift of a nine-hundred-years-old name With anybody’s gift. Who’d stoop to blame This sort of trifling? Even had you skill In speech—(which I have not)—to make your will Quite clear to such an one, and say, “Just this Or that in you disgusts me; here you miss, Or there exceed the mark”—and if she let Herself be lessoned so, nor plainly set Her wits to yours, forsooth, and made excuse, —E’en then would be some stooping; and I choose Never to stoop. Oh sir, she smiled, no doubt, Whene’er I passed her; but who passed without Much the same smile? This grew; I gave commands; Then all smiles stopped together. There she stands As if alive. Will’t please you rise? We’ll meet The company below, then. I repeat, The Count your master’s known munificence Is ample warrant that no just pretence Of mine for dowry will be disallowed; Though his fair daughter’s self, as I avowed At starting, is my object. Nay, we’ll go Together down, sir. Notice Neptune, though, Taming a sea-horse, thought a rarity, Which Claus of Innsbruck cast in bronze for me!
Robert Browning (My Last Duchess and Other Poems (Dover Thrift Editions: Poetry))
Who is he?” Eleanor lowered her voice, the name rolling off her tongue like a dark secret. “Dante Berlin.” I laughed. “Dante? Like the Dante who wrote the Inferno? Did he pick that name just to cultivate his ‘dark and mysterious’ persona?” Eleanor shook her head in disapproval. “Just wait till you see him. You won’t be laughing then.” I rolled my eyes. “I bet his real name is something boring like Eugene or Dwayne.” I expected Eleanor to laugh or say something in return, but instead she gave me a concerned look. I ignored it. “He sounds like a snob to me. I bet he’s one of those guys who know they’re good-looking. He probably hasn’t even read the Inferno. It’s easy to pretend you’re smart when you don’t to anyone.” Eleanor still didn’t respond. “Shh . . .” she muttered under her breath. But before I could say “What?” I heard a cough behind me. Oh God, I thought to myself, and slowly turned around. “Hi,” he said with a half grin that seemed to be mocking me. And that’s how I met Dante Berlin. So how do you describe someone who leaves you speechless? He was beautiful. Not Monet beautiful or white sandy beach beautiful or even Grand Canyon beautiful. It was both more overwhelming and more delicate. Like gazing into the night sky and feeling incredibly small in comparison. Like holding a shell in your hand and wondering how nature was able to make something so complex yet to perfect: his eyes, dark and pensive; his messy brown hair tucked behind one ear; his arms, strong and lean beneath the cuffs of his collared shirt. I wanted to say something witty or charming, but all I could muster up was a timid “Hi.” He studied me with what looked like a mix of disgust and curiosity. “You must be Eugene,” I said. “I am.” He smiled, then leaned in and added, “I hope I can trust you to keep my true identity a secret. A name like Eugene could do real damage to my mysterious persona.” I blushed at the sound of my words coming from his lips. He didn’t seem anything like the person Eleanor had described. “And you are—” “Renee,” I interjected. “I was going to say, ‘in my seat,’ but Renee will do.” My face went red. “Oh, right. Sorry.” “Renee like the philosopher Rene Descartes? How esoteric of you. No wonder you think you know everything. You probably picked that name just to cultivate your overly analytical persona.” I glared at him. I knew he was just dishing back my own insults, but it still stung. “Well, it was nice meeting you,” I said curtly, and pushed past him before he could respond, waving a quick good-bye to Eleanor, who looked too stunned to move. I turned and walked to the last row, using all of my self-control to resist looking back.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Then I get up and turn on the light. (Did anyone notice I was in here in the dark? Did they see the lack of light under the crack and notice it like a roach? Did Nia see?) Then I look in the mirror. I look so normal. I look like I’ve always looked, like I did before the fall of last year. Dark hair and dark eyes and one snaggled tooth. Big eyebrows that meet in the middle. A long nose, sort of twisted. Pupils that are naturally large—it’s not the pot—which blend into the dark brown to make two big saucer eyes, holes in me. Wisps of hair above my upper lip. This is Craig.
Ned Vizzini (It's Kind of a Funny Story)
I face Aurae. “It’s been a journey,” I mumble. “I wanted to say thank you. For bringing us here. For giving me The Path to the Vale. I was spiraling. People have saved my life before, but I think you saved my soul.” “And you saved Cassius’s,” she says. “It wasn’t me that did it. I liked him very much. In another life, I might have loved him. But he didn’t need a woman’s love. He needed a brother’s. The way he talked about you. Well…” Her eyes swim with tears. “Lysander was an obligation. You were an aspiration. He was so afraid on our journey to the Core. So nervous to see you and be rejected. But when he saw you respected him, valued him, he shined like a star. His path led back to you, because you made him feel loved. That is all that matters, Darrow. When he died, he knew he was loved. So when you think of him, when you feel sad, remember that.” She kisses me on the cheek. “If we do not meet again, I will see you in the Vale with Cassius. You know the path.
Pierce Brown (Light Bringer (Red Rising Saga, #6))
ent. When Spring unfolds the beechen leaf, and sap is in the bough; When light is on the wild-wood stream, and wind is on the brow; When stride is long, and breath is deep, and keen the mountain-air, Come back to me! Come back to me, and say my land is fair! entwife. When Spring is come to garth and field, and corn is in the blade; When blossom like a shining snow is on the orchard laid; When shower and Sun upon the Earth with fragrance fill the air, I’ll linger here, and will not come, because my land is fair. ent. When Summer lies upon the world, and in a noon of gold Beneath the roof of sleeping leaves the dreams of trees unfold; When woodland halls are green and cool, and wind is in the West, Come back to me! Come back to me, and say my land is best! entwife. When Summer warms the hanging fruit and burns the berry brown; 622 the two towers When straw is gold, and ear is white, and harvest comes to town; When honey spills, and apple swells, though wind be in the West, I’ll linger here beneath the Sun, because my land is best! ent. When Winter comes, the winter wild that hill and wood shall slay; When trees shall fall and starless night devour the sunless day; When wind is in the deadly East, then in the bitter rain I’ll look for thee, and call to thee; I’ll come to thee again! entwife. When Winter comes, and singing ends; when darkness falls at last; When broken is the barren bough, and light and labour past; I’ll look for thee, and wait for thee, until we meet again: Together we will take the road beneath the bitter rain! both. Together we will take the road that leads into the West, And far away will find a land where both our hearts may rest.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
Perfect and bulletproof are seductive, but they don’t exist in the human experience. We must walk into the arena, whatever it may be—a new relationship, an important meeting, our creative process, or a difficult family conversation—with courage and the willingness to engage. Rather than sitting on the sidelines and hurling judgment and advice, we must dare to show up and let ourselves be seen. This is vulnerability. This is daring greatly.
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
Can I pretend to be as cold as Augustus? I now know why he did not flinch in hanging my wife. And I am beginning to understand why Golds rule. They can do what I cannot. Though I am alone, I know I will soon find others. They want me to soak in the guilt for now. They want me lonely, mournful, so that when I meet the others, the winners, I will be relieved. The murders will bind us, and I’ll find the company of the winners a salve to my guilt. I do not love my fellow students, but I will think I do. I will want their comfort, their reassurances that I am not evil. And they will want the same. This is meant to make us a family—one with cruel secrets. I am right.
Pierce Brown (Red Rising (Red Rising Saga, #1))
also have a new meeting minutes process. Everyone takes their own notes, but one person in the meeting volunteers to capture minutes. These are narrowed down to: Date: Meeting intention: Attendees: Key decisions: Tasks and ownership: The great thing about this new practice is that everyone in the meeting is responsible for stopping to say “Let’s capture this in the minutes”—not just the minute taker. And we now stop meetings five minutes early to review and agree on the minutes before we leave. Before we walk out of the meeting, the minute taker Slacks them to all of us and puts them in any other relevant channel so there isn’t any clean-up or synthesizing guesswork after we’ve dispersed.
Brené Brown (Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.)
Protests and looting naturally capture attention. But the real rage smolders in meetings where officials redraw precincts to dilute African American voting strength or seek to slash the government payrolls that have long served as sources of black employment. It goes virtually unnoticed, however, because white rage doesn’t have to take to the streets and face rubber bullets to be heard. Instead, white rage carries an aura of respectability and has access to the courts, police, legislatures, and governors, who cast its efforts as noble, though they are actually driven by the most ignoble motivations. White rage recurs in American history. It exploded after the Civil War, erupted again to undermine the Supreme Court’s Brown v. Board of Education decision, and took on its latest incarnation with Barack Obama’s ascent to the White House. For every action of African American advancement, there’s a reaction, a backlash. The
Jesmyn Ward (The Fire This Time: A New Generation Speaks about Race)
I have a system with bathrooms. I spend a lot of time in them. They are sanctuaries, public places of peace spaced throughout the world for people like me. When I pop into Aaron’s, I continue my normal routine of wasting time. I turn the light off first. Then I sigh. Then I turn around, face the door I just closed, pull down my pants, and fall on the toilet— I don’t sit; I fall like a carcass, feeling my butt accommodate the rim. Then I put my head in my hands and breathe out as I, well, y’know, piss. I always try to enjoy it, to feel it come out and realize that it’s my body doing something it has to do, like eating, although I’m not too good at that. I bury my face in my hands and wish that it could go on forever because it feels good. You do it and it’s done. It doesn’t take any effort or any planning. You don’t put it off. That would be really screwed up, I think. If you had such problems that you didn’t pee. Like being anorexic, except with urine. If you held it in as self-punishment. I wonder if anyone does that? I finish up and flush, reaching behind me, my head still down. Then I get up and turn on the light. (Did anyone notice I was in here in the dark? Did they see the lack of light under the crack and notice it like a roach? Did Nia see?) Then I look in the mirror. I look so normal. I look like I’ve always looked, like I did before the fall of last year. Dark hair and dark eyes and one snaggled tooth. Big eyebrows that meet in the middle. A long nose, sort of twisted. Pupils that are naturally large—it’s not the pot— which blend into the dark brown to make two big saucer eyes, holes in me. Wisps of hair above my upper lip. This is Craig. And I always look like I’m about to cry. I put on the hot water and splash it at my face to feel something. In a few seconds I’m going to have to go back and face the crowd. But I can sit in the dark on the toilet a little more, can’t I? I always manage to make a trip to the bathroom take five minutes.
Ned Vizzini (It's Kind of a Funny Story)
I sit in the center row of the SUV, fuming on the way back to the hotel. “Can I offer you a bit of advice, Prince Nicholas?” Tommy asks. I may have been mumbling out loud. “Shut up, Tommy,” Logan says from the driver’s seat... “It’s all right.” I meet Tommy’s light brown eyes in the rearview mirror, where he sits behind me. “Offer away.” He scratches his head. “I think the lass was embarrassed.” “Embarrassed?” “Aye. It’s like my younger sister, Janey. She’s a good-looking girl, but one day she had a zit on her forehead that was so big it made her look like a dickicorn. And she was walking—” James, in the front passenger seat, reads my mind. “What the fuck is a dickicorn?” “It’s an expression,” Tommy explains. James angles around to look at Tommy, his blue eyes crinkled. “An expression for what?” “For…someone with something big coming out o’ their forehead that looks like a cock.” “Wouldn’t it be a unicock, then?” James wonders. “For Christ’s sake,” Logan cuts in. “Would you forget about the fuckin’ unicorn or dickicock or whatever the hell it is—” “It doesn’t make any sense!” James argues. “—and let Tommy finish his story? We’re never gonna hear the end at this rate.” James throws up his hands, grumbling. “Fine. But it still doesn’t make any sense.” For the record, my semantic vote goes to unidick
Emma Chase (Royally Screwed (Royally, #1))
I thought everything I knew about you might have been a lie, but since meeting him and your parents, I've realized that the parts of you I knew weren't untrue; they were only part-truths. There were lots of things about you that I didn't know, and learning those things has actually been comforting in a way. They make me feel closer to you. And I can see that actually there's one real truth, and that is you loved me enough to do anything it took to protect me. I think that's something I've known my whole life. I'm thankful for it.
Jennifer Brown (Torn Away)
I’m gay.” There was a long pause after my revelation, then. “Are you sure?” “Of course I’m fucking sure. Why else would I say it? I’m a nance, a poof, a queer, a shit stabber.” There was an embarrassed silence. “Don’t worry. It isn’t catching.” I struggled out of the deckchair. “You don’t have to be friends with me anymore.” “Sorry, Gil. I dunno what to say.” He raked at his hair. “Do you fancy me then?” “No.” “Why not?” “Cos you’re fucking ugly. Look, Lee. Being gay doesn’t mean you fancy every lad you clap eyes on. You don’t fancy every lass you meet.
Gillibran Brown (Christmas at Leo's (Memoirs of a Houseboy, #5))
Gabe watched her move to the center of the green. In one gloved hand, she clutched a leash. The other end of the leash was attached to... something furry and brown that rolled. "What is that?" "That would be mongrel with two lamed hind legs. Apparently, Her Ladyship's friend devised a little chariot for his rear half, and the dog careens around the neighborhood like a yapping billiard ball. If you think that's strange, wait until you see the goat." "Hold a moment. There's a goat?" "Oh, yes. She grazes it on the square every afternoon. Doesn't precisely elevate the atmosphere of Bloom Square, now does it?" "I see the problem." "I'm only getting started. Her Ladyship has single-handedly set us back a month on the improvements." Hammond pulled a collection of letters from a folio. He held one aloft and read from it. "'Dear Mr. Hammond, I must request that you delay completion of the parquet flooring. The fumes from the lacquer are dizzying the hens. Sincerely yours, Lady Penelope Campion.'" He withdrew another. "'Dear Mr. Hammond, I'm afraid your improvements to the mews must be temporarily halted. I've located a litter of newborn kittens in the hayloft. Their mother is looking after them, but as their eyes are not yet open, they should not be displaced for another week. Thank you for your cooperation. Gratefully yours, Lady Penelope Campion.'" Gabe sensed a theme. "Oh, and here's my favorite." Hammond shook open a letter and cleared his throat for dramatic effect. "'Dear Mr. Hammond, if it is not too great an imposition, might I ask that your workers refrain from performing heavy labor between nine o'clock in the morning and half-three in the afternoon? Hedgehogs are nocturnal animals, and sensitive to loud noises. My dear Freya is losing quills. I feel certain this will concern you as much as it does me. Neighborly yours, Lady Penelope Campion.'" He tossed the folio of letters onto the table, where they landed with a smack. "Her hedgehog. Really.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
For those willing to keep heaving themselves toward the light, things can change. What has been lost gradually becomes less important than what is to be found. Curiosity pokes its green head up through the asphalt of grief, and fear of the unknown takes on an element of wonder as the disillusioned turn away from the God who was supposed to be in order to seek the God who is. Every letdown becomes a lesson and a lure. Did God fail to come when I called? Then perhaps God is not a minion. So who is God? Did God fail to punish my adversary? Then perhaps God is not a policeman. So who is God? Did God fail to make everything turn out all right? Then perhaps God is not a fixer. So who is God? Over and over, my disappointments draw me deeper into the mystery of God’s being and doing. Every time God declines to meet my expectations, another of my idols is exposed.
Barbara Brown Taylor (The Preaching Life (Dan Josselyn Memorial Publication (Paperback)))
expression on his face. He’s in his early thirties, tall and broad-shouldered, dressed in jeans, a black polo shirt, and black flip-flops. With his short brown hair, reddish goatee, and sideburns, McHugh looks like a typical Gen Xer, but he speaks in the soothing, considered tones of a college professor. McHugh doesn’t preach or worship at Saddleback, but we’ve chosen to meet here because it’s such an important symbol of evangelical culture. Since services are just about to start, there’s little time to chat. Saddleback offers six different “worship venues,” each housed in its own building or tent and set to its own beat: Worship Center,
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Poem: Roses And Rue (To L. L.) Could we dig up this long-buried treasure, Were it worth the pleasure, We never could learn love's song, We are parted too long. Could the passionate past that is fled Call back its dead, Could we live it all over again, Were it worth the pain! I remember we used to meet By an ivied seat, And you warbled each pretty word With the air of a bird; And your voice had a quaver in it, Just like a linnet, And shook, as the blackbird's throat With its last big note; And your eyes, they were green and grey Like an April day, But lit into amethyst When I stooped and kissed; And your mouth, it would never smile For a long, long while, Then it rippled all over with laughter Five minutes after. You were always afraid of a shower, Just like a flower: I remember you started and ran When the rain began. I remember I never could catch you, For no one could match you, You had wonderful, luminous, fleet, Little wings to your feet. I remember your hair - did I tie it? For it always ran riot - Like a tangled sunbeam of gold: These things are old. I remember so well the room, And the lilac bloom That beat at the dripping pane In the warm June rain; And the colour of your gown, It was amber-brown, And two yellow satin bows From your shoulders rose. And the handkerchief of French lace Which you held to your face - Had a small tear left a stain? Or was it the rain? On your hand as it waved adieu There were veins of blue; In your voice as it said good-bye Was a petulant cry, 'You have only wasted your life.' (Ah, that was the knife!) When I rushed through the garden gate It was all too late. Could we live it over again, Were it worth the pain, Could the passionate past that is fled Call back its dead! Well, if my heart must break, Dear love, for your sake, It will break in music, I know, Poets' hearts break so. But strange that I was not told That the brain can hold In a tiny ivory cell God's heaven and hell.
Oscar Wilde (Selected Poems)
Do you want to know what finally changed things for me?” “What?” My voice is barely above a whisper. Dappled sunlight falls across his face, highlighting his flushed cheeks. “I met someone. She’s about five-six, golden brown hair, devastating smile. The kind that warms you from the inside out. And she made me so mad. Not two weeks after I started the job, she called to grill me about a story I posted on Facebook. She insisted I edit it because I didn’t get the wording right.” He adopts a mock falsetto voice. “ ‘It isn’t the “Panama Canal” cruise. It’s “Panama Canal and the Wonders of Azuero.” Fix it, please.’ ” My muscles go limp and my knees nearly buckle. Because he’s talking about me. “Finally, someone who wasn’t walking on eggshells. She actually snapped at me, and it was like she snapped me out of my fog. I may have been unnecessarily combative after that, just to get a rise out of her, but I started to feel again. Irritation, at first, but then more. After a while, I began getting out of the house. Seeing a therapist. Playing hockey. I adopted Winnie—best decision ever. I actually started looking forward to waking up in the morning.” Graeme steps closer, but I’m glued to the spot. Heat sizzles through my veins when he reaches up to run his knuckles along my cheek. “And staff meeting Thursdays? They became my favorite day of the week. Because I got to see her face.” My heart is hammering and my lungs seize. The sound of guests approaching rumbles closer, but I don’t look away. I swallow past the lump that’s lodged in my throat. “After this cruise, they’re my favorite day of the week too.” Reaching up, I run my fingers lightly along the hand that’s cupping my cheek. Graeme’s eyes widen and his lips part. Gathering every ounce of resolve I can muster, I step away just as Nikolai and Dwight crest a nearby hill. We continue through the highlands, fastening our platonic coworker facades into place. But an unspoken understanding hangs in the space between us, heavy and undeniable… This just went way past any bet.
Angie Hockman (Shipped)
Margaret, the eldest of the four, was sixteen, and very pretty, being plump and fair, with large eyes, plenty of soft brown hair, a sweet mouth, and white hands, of which she was rather vain. Fifteen-year-old Jo was very tall, thin, and brown, and reminded one of a colt, for she never seemed to know what to do with her long limbs, which were very much in her way. She had a decided mouth, a comical nose, and sharp, gray eyes, which appeared to see everything, and were by turns fierce, funny, or thoughtful. Her long, thick hair was her one beauty, but it was usually bundled into a net, to be out of her way. Round shoulders had Jo, big hands and feet, a flyaway look to her clothes, and the uncomfortable appearance of a girl who was rapidly shooting up into a woman and didn't like it. Elizabeth, or Beth, as everyone called her, was a rosy, smooth-haired, bright-eyed girl of thirteen, with a shy manner, a timid voice, and a peaceful expression which was seldom disturbed. Her father called her 'Little Miss Tranquility', and the name suited her excellently, for she seemed to live in a happy world of her own, only venturing out to meet the few whom she trusted and loved. Amy, though the youngest, was a most important person, in her own opinion at least. A regular snow maiden, with blue eyes, and yellow hair curling on her shoulders, pale and slender, and always carrying herself like a young lady mindful of her manners. What the characters of the four sisters were we will leave to be found out.
Louisa May Alcott (Little Women)
Now, my all-time favorite accolade from a book reviewer was when Fernanda Pivano, Italy’s best-known critic, wrote in a leading Italian newspaper that “Tom Robbins is the most dangerous writer in the world.” I never read my reviews, even in English, but others sometimes pass choice bits along, so when I had occasion to meet the legendary Signora Pivano at a reception in Milan, I asked her what she meant by that wonderfully flattering remark. She replied, “Because you are saying zat love is zee only thing that matters and everything else eese a beeg joke.” Well, being uncertain, frankly, that is what I’d been saying, I changed the subject and inquired about her recent public denial that she’d ever gone to bed with Ernest Hemingway, whom she’d shown around Italy in the thirties. “Why didn’t you sleep with Hemingway?” I inquired. Signora Pivano sighed, closed her large brown eyes, shook her gray head, and answered in slow, heavily accented English, “I was a fool.” Okay, back to the New York Cinematheque. Why did I choose to go watch a bunch of jerky, esoteric, often self-indulgent 16mm movies rather than sleep with the sexy British actress? Move over, Fernanda, there’s room for two fools on your bus.
Tom Robbins (Tibetan Peach Pie: A True Account of an Imaginative Life)
Go, sit upon the lofty hill, And turn your eyes around, Where waving woods and waters wild Do hymn an autumn sound. The summer sun is faint on them -- The summer flowers depart -- Sit still -- as all transform'd to stone, Except your musing heart. How there you sat in summer-time, May yet be in your mind; And how you heard the green woods sing Beneath the freshening wind. Though the same wind now blows around, You would its blast recall; For every breath that stirs the trees, Doth cause a leaf to fall. Oh! like that wind, is all the mirth That flesh and dust impart: We cannot bear its visitings, When change is on the heart. Gay words and jests may make us smile, When Sorrow is asleep; But other things must make us smile, When Sorrow bids us weep! The dearest hands that clasp our hands, -- Their presence may be o'er; The dearest voice that meets our ear, That tone may come no more! Youth fades; and then, the joys of youth, Which once refresh'd our mind, Shall come -- as, on those sighing woods, The chilling autumn wind. Hear not the wind -- view not the woods; Look out o'er vale and hill- In spring, the sky encircled them -- The sky is round them still. Come autumn's scathe -- come winter's cold -- Come change -- and human fate! Whatever prospect Heaven doth bound, Can ne'er be desolate.
Elizabeth Barrett Browning
They have found a house in the stay-away zone, under the barrage balloons south of London. The town, evacuated in '40, is still "regulated"—still on the Ministry's list. Roger and Jessica occupy the place illegally, in a defiance they can never measure unless they're caught. Jessica has brought an old doll, seashells, her aunt's grip filled with lace knickers and silk stockings. Roger's managed to scare up a few chickens to nest in the empty garage. Whenever they meet here, one always remembers to bring a fresh flower or two. The nights are filled with explosion and motor transport, and wind that brings them up over the downs and a smack of the sea. Day begins with a hot cup and a cigarette over a little table with a weak leg that Roger has repaired, provisionally, with brown twine. There's never much talk but touches and looks, smiles together, curses for parting. It is marginal, hungry, chilly-most times they're too paranoid to risk a fire—but it's something they want to keep, so much that to keep it, they will take on more than propaganda has ever asked them for. They are in love. Fuck the war.
Thomas Pynchon (Gravity’s Rainbow)
The Legend of Rainbow Bridge by William N. Britton Just this side of heaven is a place called Rainbow Bridge When a pet dies who has been especially close to a person here on earth, that pet goes to a Rainbow Bridge. There are beautiful meadows and grassy hills there for all our special friends so they can run and play together. There is always plenty of their favorite food to eat, plenty of fresh spring water for them to drink, and every day is filled with sunshine so our little friends are warm and comfortable. All the pets that had been ill or old are now restored to health and youth. Those that had been hurt or maimed are now whole and strong again, just as we remember them in our dreams of days gone by. The pets we loved are happy and content except for one small thing. Each one misses someone very special who was left behind. They all run and play together, but the day comes when one of them suddenly stops and looks off into the distant hills. It is as if they heard a whistle or were given a signal of some kind. Their eyes are bright and intent. Their body beings to quiver. All at once they break away from the group, flying like a deer over the grass, their little legs carrying them faster and faster. You have been spotted, and when you and your special friend finally meet, you hug and cling to them in joyous reunion, never to be parted again. Happy kisses rain upon your face. Your hands once again caress the beloved head. You look once more into the trusting eyes of your pet so long gone from your life, but never gone from your heart. Then with your beloved pet by your side, you will cross the Rainbow Bridge together. Your Sacred Circle is now complete again.
Sylvia Browne (All Pets Go To Heaven: The Spiritual Lives of the Animals We Love)
BRIDE SONG Too late for love, too late for joy, Too late, too late! You loitered on the road too long, You trifled at the gate: The enchanted dove upon her branch Died without a mate; The enchanted princess in her tower Slept, died, behind the grate; Her heart was starving all this while You made it wait. Ten years ago, five years ago, One year ago, Even then you had arrived in time, Though somewhat slow; Then you had known her living face Which now you cannot know: The frozen fountain would have leaped, The buds gone on to blow, The warm south wind would have awaked To melt the snow. Is she fair now as she lies? Once she was fair; Meet queen for any kingly king, With gold-dust on her hair, Now these are poppies in her locks, White poppies she must wear; Must wear a veil to shroud her face And the want graven there: Or is the hunger fed at length, Cast off the care? We never saw her with a smile Or with a frown; Her bed seemed never soft to her, Though tossed of down; She little heeded what she wore, Kirtle, or wreath, or gown; We think her white brows often ached Beneath her crown, Till silvery hairs showed in her locks That used to be so brown. We never heard her speak in haste; Her tones were sweet, And modulated just so much As it was meet: Her heart sat silent through the noise And concourse of the street. There was no hurry in her hands, No hurry in her feet; There was no bliss drew nigh to her, That she might run to greet. You should have wept her yesterday, Wasting upon her bed: But wherefore should you weep today That she is dead? Lo we who love weep not today, But crown her royal head. Let be these poppies that we strew, Your roses are too red: Let be these poppies, not for you Cut down and spread.
Christina Rossetti (Poems of Christina Rossetti)
How different it could all have been … Taylor Swift was never meant to be a singer-songwriter; she was supposed to become a stockbroker. Her parents even chose her Christian name with a business path in mind. Her mother, Andrea, selected a gender-neutral name for her baby girl so that when she grew up and applied for jobs in the male-dominated finance industry no one would know if she were male or female. It was a plan that came from a loving place, but it was not one that would ever be realised. Instead, millions and millions of fans across the world would know exactly which gender Andrea’s firstborn was, without ever meeting her. In Taylor’s track ‘The Best Day’, which touchingly evokes a childhood full of wonder, she sings of her ‘excellent’ father whose ‘strength is making me stronger’. That excellent father is Scott Kingsley Swift, who studied business at the University of Delaware. He lived in the Brown residence hall. There, he made lots of friends, one of whom, Michael DiMuzio, would later cross paths with Taylor professionally. Scott graduated with a first-class degree and set about building his career in similarly impressive style. Perhaps a knack for business is in the blood: his father and grandfather also worked in finance. Scott set up his own investment-banking firm called the Swift
Chas Newkey-Burden (Taylor Swift: The Whole Story)
I sprinkle some flour on the dough and roll it out with the heavy, wooden rolling pin. Once it’s the perfect size and thickness, I flip the rolling pin around and sing into the handle—American Idol style. “Calling Gloriaaaaaaaaaaaaaaaaaaa . . .” And then I turn around. “AHHHHHHHHHHHHHH!” Without thinking, I bend my arm and throw the rolling pin like a tomahawk . . . straight at the head of the guy who’s standing just inside the kitchen door. The guy I didn’t hear come in. The guy who catches the hurling rolling pin without flinching—one-handed and cool as a gorgeous cucumber—just an inch from his perfect face. He tilts his head to the left, looking around the rolling pin to meet my eyes with his soulful brown ones. “Nice toss.” Logan St. James. Bodyguard. Totally badass. Sexiest guy I have ever seen—and that includes books, movies and TV, foreign and domestic. He’s the perfect combo of boyishly could-go-to-my-school kind of handsome, mixed with dangerously hot and tantalizingly mysterious. If comic-book Superman, James Dean, Jason Bourne and some guy with the smoothest, most perfectly pitched, British-Scottish-esque, Wessconian-accented voice all melded together into one person, they would make Logan fucking St. James. And I just tried to clock him with a baking tool—while wearing my Rick and Morty pajama short-shorts, a Winnie-the-Pooh T-shirt I’ve had since I was eight and my SpongeBob SquarePants slippers. And no bra. Not that I have a whole lot going on upstairs, but still . . . “Christ on a saltine!” I grasp at my chest like an old woman with a pacemaker. Logan’s brow wrinkles. “Haven’t heard that one before.” Oh fuck—did he see me dancing? Did he see me leap? God, let me die now. I yank on my earbuds’ cord, popping them from my ears. “What the hell, dude?! Make some noise when you walk in—let a girl know she’s not alone. You could’ve given me a heart attack. And I could’ve killed you with my awesome ninja skills.” The corner of his mouth quirks. “No, you couldn’t.” He sets the rolling pin down on the counter. “I knocked on the kitchen door so I wouldn’t frighten you, but you were busy with your . . . performance.” Blood and heat rush to my face. And I want to melt into the floor and then all the way down to the Earth’s core.
Emma Chase (Royally Endowed (Royally, #3))