Chunk Quotes

We've searched our database for all the quotes and captions related to Chunk. Here they are! All 100 of them:

When life gives you lemons, chunk it right back.
Bill Watterson
Its so hard to talk when you want to kill yourself. That's above and beyond everything else, and it's not a mental complaint-it's a physical thing, like it's physically hard to open your mouth and make the words come out. They don't come out smooth and in conjunction with your brain the way normal people's words do; they come out in chunks as if from a crushed-ice dispenser; you stumble on them as they gather behind your lower lip. So you just keep quiet.
Ned Vizzini (It's Kind of a Funny Story)
I survive all those battles," she growled, "and I get defeated by a stupid chunk of rock!
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
You don’t believe the sky is falling until a chunk of it falls on you.
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
Sometimes life turns out hard, Isabel. Sometimes it just bites right through you. And sometimes, just when you think it's done its worst, it comes back and takes another chunk.
M.L. Stedman (The Light Between Oceans)
For alarmingly large chunks of an average day, I am a moron.
Nick Hornby (Fever Pitch)
Vampires, real vampires, didn't nibble on the necks of nubile young virgins. They tore people to pieces and sucked the blood out of the chunks.
David Wellington (99 Coffins (Laura Caxton, #2))
Me," Artemis blurted. "I'm the nut." Artemis could have sworn the squid winked at him before bringing the five-ton chunk of spacecraft swinging down toward the morsel of meat in its blue shell. "I'm the nut!" Artemis shouted again, a little hysterically, it must be said.
Eoin Colfer (The Atlantis Complex (Artemis Fowl, #7))
That was all part of giving someone a piece of your heart; they ended up taking a whole chunk of your mind and reserving it all for themselves.
Cecelia Ahern (If You Could See Me Now)
Dill said striking a match under a turtle was hateful. "Ain't hateful, just persuades him- 's not like you'd chunk him in the fire," Jem growled. "How do you know a match don't hurt him?" "Turtles can't feel , stupid," said Jem. "Were you ever a turtle, huh?
Harper Lee
So . . . ," I said. "You're saying that by the end of our training, you expect us to be able to use grappling hooks made of energy to smash our enemies with flaming chunks of space debris?" "Yes." "That . . . ," I whispered, "that's the most beautiful thing I've ever heard.
Brandon Sanderson (Skyward (Skyward, #1))
I mentally bless and exonerate anyone who has kicked a chair out from beneath her or swallowed opium in large chunks. My mind has met their environment, here in the void. I understand perfectly.
Suzanne Finnamore (Split: A Memoir of Divorce)
Thankfully the rest of the world assumed that the Irish were crazy, a theory that the Irish themselves did nothing to debunk. They had somehow got it into their heads that each fairy lugged around a pot of gold with him wherever he went. While it was true that LEP had a ransom fund, because of its officers' high-risk occupation, no human had ever taken a chunk of it yet. This didn't stop the Irish population in general from skulking around rainbows, hoping to win the supernatural lottery.
Eoin Colfer (Artemis Fowl (Artemis Fowl, #1))
At the rear of the bus, the driver wrenched a big chunk of smoking metal out of the engine compartment. The bus shuddered, and the engine roared back to life. The passengers cheered. Darn right!" yelled the driver. He slapped the bus with his hat. "Everybody get back on board!
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Any way I slice reality it comes out poorly, and I feel an urge to not exist, something I have never felt before; and now here it comes with conviction, almost panic. I mentally bless and exonerate anyone who has kicked a chair out from beneath her or swallowed opium in large chunks. My mind has met their environment, here in the void. I understand perfectly.
Suzanne Finnamore (Split: A Memoir of Divorce)
The ruins stretch from the river to the base of that mountain over there, about half a kilometre.’ ‘How far is that in regular measurements?’ Percy asked. Frank rolled his eyes. ‘That is a regular measurement in Canada and the rest of the world. Only you Americans –’ ‘About five or six football fields,’ Hazel interceded, feeding Arion a big chunk of gold. Percy spread his hands. ‘That’s all you needed to say.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
A diamond is a chunk of coal that did well under pressure.
Henry Kissinger
I want to try for another record tomorrow. What was that last kind I had? With the chocolate chunks?” “Stracciatella.” “I’m naming my first daughter after it.” “Lucky her.
Jenna Evans Welch (Love & Gelato (Love & Gelato, #1))
What the hell is wrong with you, man? I thought we were cool.” “We were,” Warner says icily. “Until you touched my hair.” “You asked me to give you a haircut—” “I said nothing of the sort! I asked you to trim the edges!” “And that’s what I did.” “This,” Warner says, spinning around so I might inspect the damage, “is not trimming the edges, you incompetent moron—” I gasp. The back of Warner’s head is a jagged mess of uneven hair; entire chunks have been buzzed off.
Tahereh Mafi (Restore Me (Shatter Me, #4))
Ninja chicken isn't he?" You grinned at me, rolling your sleeves up."We'll see about that." You reached into the cage. Instantly Dick was onto your hand, clawing at you, biting chunks with his beak. "Godamn rooster!
Lucy Christopher (Stolen (Stolen, #1))
We passed hieroglyphic scrolls, gold jewelry, sarcophagi, statues of pharaohs, and huge chunks of limestone. Why would someone display a rock? Aren't there enough of those in the world?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Khufu carefully picked out everything that ended with-o—Doritos, Oreos, and some chunks of meat. Buffalo? Armadillo? I was scared to even ask.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
[F]or when you get in love you are made all over again. The person who loves you has picked you out of the great mass of uncreated clay which is humanity to make something out of, and the poor lumpish clay which is you wants to find out what it has been made into. But at the same time, you, in the act of loving somebody, become real, cease to be a part of the continuum of the uncreated clay and get the breath of life in you and rise up. So you create yourself by creating another person, who, however, has also created you, picked up the you-chunk of clay out of the mass. So there are two you's, the one you create by loving and the one the beloved creates by loving you. The farther those two you's are apart the more the world grinds and grudges on its axis. But if you loved and were loved perfectly then there wouldn't be any difference between the two you's or any distance between them. They would coincide perfectly, there would be perfect focus, as when a stereoscope gets the twin images on the card into perfect alignment.
Robert Penn Warren (All the King’s Men)
The thing about old friends is not that they love you, but that they know you. They remember that disastrous New Year's Eve when you mixed White Russians and champagne, and how you wore that red maternity dress until everyone was sick of seeing the blaze of it in the office, and the uncomfortable couch in your first apartment and the smoky stove in your beach rental. They look at you and don't really think you look older because they've grown old along with you, and, like the faded paint in a beloved room, they're used to the look. And then one of them is gone, and you've lost a chunk of yourself. The stories of the terrorist attacks of 2001, the tsunami, the Japanese earthquake always used numbers, the deaths of thousands a measure of how great the disaster. Catastrophe is numerical. Loss is singular, one beloved at a time.
Anna Quindlen (Lots of Candles, Plenty of Cake)
Time isn’t a commodity, something you pass around like a cake. Time is the substance of life. When anyone asks you to give your time, they’re really asking for a chunk of your life. ~ Antoinette Bosco
M.J. DeMarco (The Millionaire Fastlane)
Not enough info makes for a lot of dead cats." "Dead cats?" "You know, 'Curiosity killed the cat.' And I have enough curiosity to start a feline genocide." "Feline genocide?" "Yeah. If you don't explain Apollo, the cat kingdom will crumble. Cats all over the world will suddenly plop down in unmoving masses of fur, their food will dry up in smelly chunks of fish, and when people call, 'Here, kitty kitty kitty,' no cats will come running; they'll just-" Walter suddenly stopped. "What's wrong?" Ashley asked. Walter stared straight ahead. "I just realized . . . if all those things happened, no one would notice the difference." ~Walter~
Bryan Davis
I wondered if kicking him in the head would make the whole explanation pop out of his mouth in one chunk.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
We'd pass icebergs floating in the middle of the ocean. They were gigantic, with strange formations carved into them. They were so haunting and majestic you could feel your heart break, but really they're just chunks of ice and they mean nothing.
Maria Semple (Where'd You Go, Bernadette)
Hero? No! We're pirates! I love heroes but I don't wanna be one! Do you know what heroes are? Say there is a chunk of meat. Pirates will have a banquet and eat it but heroes will share it with other people. I want all the meat!
Monkey D.Luffy
People who don't know me well enough might say I'm delusional and paranoid, but they're just out to get me.
Lance Carbuncle (Smashed, Squashed, Splattered, Chewed, Chunked and Spewed)
One only wishes Wayne LaPierre and his NRA board of directors could be drafted to some of these scenes, where they would be required to put on booties and rubber gloves and help clean up the blood, the brains, and the chunks of intestine still containing the poor wads of half-digested food that were some innocent bystander's last meal.
Stephen King (Guns)
Another chunk of my childhood dreams had just run down the reality drain in the form of a horny unicorn, no less.
Allison Pang (A Brush of Darkness (Abby Sinclair, #1))
Jazz spent a chunk of the day fantasizing about ways to kill his grandmother, plotting them and planning them in the most excruciating, gruesome detail his imagination would allow. It turned out his imagination allowed quite a bit. He spent the rest of the day convincing himself--over and over--not to do it.
Barry Lyga (I Hunt Killers (I Hunt Killers, #1))
I'll tell you something,' she said. 'I'm not sure I ever really liked him.' Adam?' I said. 'I don't blame you.' 'Not Adam,' she said, struggling to swallow a greedily chomped chunk. 'God.
Glen Duncan (I, Lucifer)
Why so many of us knocked us major chunks of our brains with alcohol from time to time remains an interesting mystery. It may be that we were tring to give evolution a shove in the right direction - in the direction of smaller brains.
Kurt Vonnegut Jr. (Galápagos)
Hey!" I yell. Everyone turns around and looks at us. I glance at Six and her eyes are wide. I inhale a deep breath, then turn back to the table. Specifically to Holder. "She fist bumped me,"I say, pointing at Six. "It's not my fault. She hates purses and she fist bumped me, then she made me push her on the damn merry-go-round. After that, she demanded to see where I had sex in the park, then she forced me to sneak into my own bedroom. She's weird and half the time I can't keep up with her, but she thinks I'm funny as hell. And Chunk asked me this morning if I wanted to love her someday, and I realized I've never hoped I could love someone more than I want to love her. So every single one of you who has an issue with us dating is going to have to get over it because..." I pause and turn toward Six. "Because you fist bumped me and I could care less who knows we're together. I'm not going anywhere and I don't want to go anywhere so stop thinking I'm into you because I'm not supposed to be into you." I lift my hands and tilt her face toward mine. "I'm into you because you're awesome. And because you let me accidentally touch your boob." She's smiling wider than I've ever seen her smile. "Daniel Wesley, where'd you learn those smooth moves?" I laugh. "Not moves, Six. Charisma.
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
Every product comes with a time limit. If you delay your product launch, somebody else could launch a similar product in that time, making your product outdated and taking a big chunk of your market share.
Pooja Agnihotri (17 Reasons Why Businesses Fail :Unscrew Yourself From Business Failure)
Just Leo’s luck. A super-hot immortal girl was waiting for him on Ogygia, but he couldn’t figure out how to wire a stupid chunk of rock into the three-thousand-year-old navigation device. Some problems even duct tape couldn’t solve.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Astonishingly, at some point, a sputtering torch was thrust into her hands. Alma did not see who gave it to her. She had never before been entrusted with fire. The torch spit sparks and sent chunks of flaming tar spinning into the air behind her as she bolted across the cosmos-the only body in the heavens who was not held to a strict elliptical path. Nobody stopped her. She was a comet. She did not know that she was not flying.
Elizabeth Gilbert (The Signature of All Things)
She chokes on her drink with her laugh. "Chunk? You call your little sister Chunk?" "We all call her Chunk. She was a fat baby." She laughs. "You have nicknames for everyone," she says. "You call Sky Cheese Tits. You call Holder Hopeless. What do you call me when I'm not around?
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
Depends on the dog. Big country dogs like these? Yeah. It's the fancy city ones that give me trouble. Overbred, Dad says. Makes them skittish and screws up their wiring. I had a Chihuahua attack me last year." He showed me a faint scar on his hand. "Took a good chunk out." I sputtered a laugh. "A Chihuahua?" "Hey, that thing was more vicious than a pit bull. I was at a park with Simon, kicking around a ball. All of a sudden, this little rat dog comes tearing out of nowhere, jumps up, and clamps down on my hand. Wouldn't let go. I'm shaking it, and the owner's yelling at me not to hurt little Tito. I finally get the dog off. I'm bleeding all over that place and the guy never even apologizes.
Kelley Armstrong (The Awakening (Darkest Powers, #2))
I’m not a woman you bring home to Mother, pick out china patterns with, or Mary forefend, breed. I’ve seen a chunk of the universe, true, but there’s still so much more to see. I doubt I’ll ever cure this wanderlust, and I’m content with dedicating my life to failing to sate it... He’s never going to sit at my feet and write me poems, which is good because I hate poetry, except dirty ones that rhyme.
Ann Aguirre (Grimspace (Sirantha Jax, #1))
You strive to have a good heart. But what is a heart? Just a chunk of flesh that a dog can eat.
Ha Jin (Waiting)
You don't believe the sky is falling until a chunk of it falls on you.
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
He steps back, still looking. In the painting, Willem's torso is directed toward the viewer, but his face is turned to the right so that he is almost in profile, and he is leaning towards something or someone and smiling. And because he knows Willem's smiles, he knows that Willem has been captured looking at something he loves, he knows Willem in that instant is happy. Willem's face and neck dominate the canvas and although the background is suggested rather than shown, he knows that Willem is at their table. He knows it from the way that JB has drawn the light and shadows on Willem's face. He has the sense that if he says Willem's name that the face in the painting will turn toward him and answer; he has the sense that if he stretches his hand out and strokes the canvas he will feel beneath his fingertips Willem's hair, his fringe of eyelashes. But he doesn't do this, of course, just looks up at last and sees JB smiling at him, sadly. "The title card's been mounted already," JB says, and he goes slowly to the wall behind the painting and sees its title - "Willem Listening to Jude Tell a Story, Greene Street"-and he feels his beneath abandon him; it feels as if his heart is made of something oozing and cold, like ground meat, and it is being squeezed inside a fist so that chunks of it are falling, plopping to the ground near his feet.
Hanya Yanagihara (A Little Life)
Books lie, he said. God dont lie. No, said the judge. He does not. And these are his words. He held up a chunk of rock. He speaks in stones and trees, the bones of things. The squatters in their rags nodded among themselves and were soon reckoning him correct, this man of learning, in all his speculations, and this the judge encouraged until they were right proselytes of the new order whereupon he laughed at them for fools.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Chunks of his life fell away, so that while we were moving ahead in time, he was moving back.
Jeffrey Eugenides (Middlesex)
[...] the awesome splendor of the universe is much easier to deal with if you think of it as a series of small chunks.
Terry Pratchett (Mort (Discworld, #4; Death, #1))
My captain has no business with a chunk of stone like you. Suck it up and just deal with me instead
Roronoa Zoro
Erick had underestimated the distance, both to the ground and the cliff above me, yet the texture of the cliff wall was better than I'd hoped for. Vines and plants grew dense and well rooted, and there were many rocks and missing chunks of earth. I didn't know whether I could make it to the top on one leg or not, but I thought it was a great day to try.
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
I'd felt obligated to get Ian a Christmas present. A chunk of coal sat in a brightly wrapped box under the tree, his name written in big bold letters on the front of it. Ian might be family, but he still had been a very naughty boy this year.
Jeaniene Frost (The Bite Before Christmas (Argeneau, #15.5; Night Huntress, #6.5))
Problems often look overwhelming at first. The secret is to break problems into small, manageable chunks. If you deal with those, you're done before you know it.
Bill Watterson
He stood and inhaled, then walked a few more feet, stooped, and prodded a chunk of rabbit fur. “I’m definitely thinking something with more body parts,” I said. “Like a head.” He gave a snort of a laugh. “It’s probably around here somewhere, but I suppose you want the parts attached, too.
Kelley Armstrong (The Awakening (Darkest Powers, #2))
At the end of the street was a large glass box with a female mannequin inside it, dressed as a gypsy fortune teller. “Now,” said Wednesday, “at the start of any quest or enterprise it behooves us to consult the Norns.” He dropped a coin into the slot. With jagged, mechanical motions, the gypsy lifted her arm and lowered it once more. A slip of paper chunked out of the slot. Wednesday took it, read it, grunted, folded it up and put it in his pocket. “Aren’t you going to show it to me? I’ll show you mine,” said Shadow. “A man’s fortune is his own affair,” said Wednesday, stiffly. “I would not ask to see yours.” Shadow put his own coin into the slot. He took his slip of paper. He read it. EVERY ENDING IS A NEW BEGINNING. YOUR LUCKY NUMBER IS NONE. YOUR LUCKY COLOUR IS DEAD. Motto: LIKE FATHER, LIKE SON. Shadow made a face. He folded the fortune up and put it inside his pocket.
Neil Gaiman (American Gods)
A big chunk of Western civilization, consciously or otherwise, has given the impression that it's dying to surrender to somebody, anybody. Reasonably enough, Islam figures: Hey, why not us?
Mark Steyn
Will you stop eating it,” I growled. “No,” Andrea said. She was sitting on the ground and chewing on some unidentifiable chunk of bull flesh. “It’s a piece of meat from something a djinn summoned.” “You don’t know that.” “Who else would send a bull made of fire to my house after I helped kill a djinn-possessed giant? Stop eating. It might have been a person,” I told her. “I don’t care.” “Andrea! You don’t know what this will do to the baby!” “It will make it nice and strong.
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
I hate to interrupt such a touching scene but those hellhounds are not going to wait for you two to play kissey face. So, unless you intend to nail a chunk of roast beef to my butt and have me run around as a distraction, I would suggest we prepare for battle." Pg. 113-114
Alexandra Ivy (Embrace the Darkness (Guardians of Eternity, #2))
I don't know, Pepper. I have large chunks of my childhood missing thanks to her and her Benadryl supply.
Mercy Celeste (Wicked Game)
This one is called "Chunky Munky".' Nadia stopped with the spoon halfway to her mouth. 'But isn´t a monkey a small chattering Earth creature that lives in trees?' she asked faintly. 'Are ... are you telling me I´m eating chunks of its flesh?' 'Ugh.' Sophia shivered. 'What a thought! The poor monkeys!' Nadia felt ill. 'Is that why this stuff is called 'I Scream?' Because the animal screams when they make it into dessert?
Evangeline Anderson (Found (Brides of the Kindred, #4))
The prospects were depressing: Adulthood meant that I'd have to stop having fun and do something I didn't really want to do for the rest of my life – which was apparently a considerable chunk of time.
Bruce Campbell (If Chins Could Kill: Confessions of a B Movie Actor)
She went to the window. A fine sheen of sugary frost covered everything in sight, and white smoke rose from chimneys in the valley below the resort town. The window opened to a rush of sharp early November air that would have the town in a flurry of activity, anticipating the tourists the colder weather always brought to the high mountains of North Carolina. She stuck her head out and took a deep breath. If she could eat the cold air, she would. She thought cold snaps were like cookies, like gingersnaps. In her mind they were made with white chocolate chunks and had a cool, brittle vanilla frosting. They melted like snow in her mouth, turning creamy and warm.
Sarah Addison Allen (The Sugar Queen)
Diamonds are nothing more than chunks of coal that stuck to their jobs.
Malcolm Forbes
The dog approached again, cautiously. I found the bologna sandwich, ripped off a chunk, wiped the cheap watery mustard off, then placed it on the sidewalk. The dog walked up to the bit of sandwich, put his nose to it, sniffed, then turned and walked off. This time he didn't look back. He accelerated down the street. No wonder I had been depressed all my life. I wasn't getting proper nourishment.
Charles Bukowski (Ham on Rye)
Livie, I think you’re completely fucked up.” Chunks of cheesecake fly out of my mouth and splatter against the deck’s glass panel as I choke on my fork. My sister has a twisted sense of humor.
K.A. Tucker (One Tiny Lie (Ten Tiny Breaths, #2))
Georgie never thought she’d be old enough to talk about life in big decade-long chunks like this.
Rainbow Rowell (Landline)
Tell me about your family," I said. And so she did. I listened intently as my mother went through each branch of the tree. Years later, after the funeral, Maria had asked me questions about the family - who was related to whom - and I struggled. I couldn't remember. A big chunk of our history had been buried with my mother. You should never let your past disappear that way.
Mitch Albom (For One More Day)
Business success contains the seeds of its own destruction. The more Successful you are, the more people want a chunk of your business and then another chunk and then another until there is nothing
Andrew S. Grove (Only the Paranoid Survive: How to Exploit the Crisis Points that Challenge Every Company and Career)
In order to create you have to believe in your ability to do so and that often means excluding whole chunks of normal life, and, of course, pumping yourself up as much as possible as a way of keeping on. Sort of cheering for yourself in the great football stadium of life." (Barnes & Noble Review, email dialogue with Cameron Martin, Feb. 09, 2009)
T. Coraghessan Boyle
Tragedy never took its full chunk out of you right way. It always took a while to hit you head on, and sink in and for something substantial, some hint of the real feeling, the real reaction, to come to the surface, and this loss was not done taking its toll on us.
R.K. Lilley (Rock Bottom (Tristan & Danika, #2))
Sarah Cynthia Sylvia Stout Would not take the garbage out! She'd scour the pots and scrape the pans, Candy the yams and spice the hams, And though her daddy would scream and shout, She simply would not take the garbage out. And so it piled up to the ceilings: Coffee grounds, potato peelings, Brown bananas, rotten peas, Chunks of sour cottage cheese. It filled the can, it covered the floor, It cracked the window and blocked the door With bacon rinds and chicken bones, Drippy ends of ice cream cones, Prune pits, peach pits, orange peel, Gloppy glumps of cold oatmeal, Pizza crusts and withered greens, Soggy beans and tangerines, Crusts of black burned buttered toast, Gristly bits of beefy roasts. . . The garbage rolled on down the hall, It raised the roof, it broke the wall. . . Greasy napkins, cookie crumbs, Globs of gooey bubble gum, Cellophane from green baloney, Rubbery blubbery macaroni, Peanut butter, caked and dry, Curdled milk and crusts of pie, Moldy melons, dried-up mustard, Eggshells mixed with lemon custard, Cold french fried and rancid meat, Yellow lumps of Cream of Wheat. At last the garbage reached so high That it finally touched the sky. And all the neighbors moved away, And none of her friends would come to play. And finally Sarah Cynthia Stout said, "OK, I'll take the garbage out!" But then, of course, it was too late. . . The garbage reached across the state, From New York to the Golden Gate. And there, in the garbage she did hate, Poor Sarah met an awful fate, That I cannot now relate Because the hour is much too late. But children, remember Sarah Stout And always take the garbage out!
Shel Silverstein
Where were you? What happened?” I carved a chunk out of another lizard’s face. “I just took the kids to fight some ghouls,” Curran said. Oh, so it was fine, then . . . Wait. “You did what?” He kicked a lizard. It flew into the others like a cannonball. “I called Jim before we left the house to talk about ghouls, and he said they found some in the MARTA tunnels. So I grabbed the kids and did a little hunting.” I would kill him. “Just so I get it right, Jim calls you and says, ‘Hey, we found a horde of ghouls in the MARTA tunnels,’ and your first thought was, ‘Great, I’ll take the kids’?” “They had fun.” A careful note crept into his voice. Curran saw the shark fin in the water but wasn’t sure where the bite would be coming from. “You even took the dog.” Grendel chose that moment to try to shove past me. I shoved him back into the Guild and he began running back and forth behind us, growling. “He had fun, too. Look at him. He’s still excited.
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
But all three of them had had to lose things in order to gain other things. Will had lost his shell and his cool and his distance, and he felt scared and vulnerable, but he got to be with Rachel; and Fiona had lost a big chunk of Marcus, and she got to stay away from the casualty ward; and Marcus had lost himself, and got to walk home from school with his shoes on.
Nick Hornby (About a Boy)
As your perspective of the world increases not only is the pain it inflicts on you less but also its meaning. Understanding the world requires you to take a certain distance from it. Things that are too small to see with the naked eye, such as molecules and atoms, we magnify. Things that are too large, such as cloud formations, river deltas, constellations, we reduce. At length we bring it within the scope of our senses and we stabilize it with fixer. When it has been fixed we call it knowledge. Throughout our childhood and teenage years, we strive to attain the correct distance to objects and phenomena. We read, we learn, we experience, we make adjustments. Then one day we reach the point where all the necessary distances have been set, all the necessary systems have been put in place. That is when time begins to pick up speed. It no longer meets any obstacles, everything is set, time races through our lives, the days pass by in a flash and before we know that is happening we are fort, fifty, sixty... Meaning requires content, content requires time, time requires resistance. Knowledge is distance, knowledge is stasis and the enemy of meaning. My picture of my father on that evening in 1976 is, in other words, twofold: on the one hand I see him as I saw him at that time, through the eyes of an eight-year-old: unpredictable and frightening; on the other hand, I see him as a peer through whose life time is blowing and unremittingly sweeping large chunks of meaning along with it.
Karl Ove Knausgård (Min kamp 1 (Min kamp, #1))
Does your friend ever say anything?' the fat man asked. Aloom set down the piece of bread he had just rolled round several chunks of meat and gave an exasperated sigh. 'I heard him say oops! once, when he cut the ears off someone who was asking too many questions.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
Trauma. It doesn't eke itself out over time. It doesn't split itself manageably into bite-sized chunks and distribute itself equally throughout your life. Trauma is all or nothing. A tsunami wave of destruction. A tornado of unimaginable awfulness that whooshes into your life - just for one key moment - and wreaks such havoc that, in just an instant, your whole world will never be the same again.
Holly Bourne (The Manifesto on How to Be Interesting)
Children whose families take them to museums and zoos, who visit historic sites, who travel abroad, or who camp in remote areas accumulate huge chunks of background knowledge without even studying. For the impoverished child lacking the travel portfolio of affluence, the best way to accumulate background knowledge is by either reading or being read to.
Jim Trelease (The Read-Aloud Handbook)
Consider a single piece glowing in your family’s stove. See it, children? That chunk of coal was once a green plant, a fern or reed that lived one million years ago, or maybe two million, or maybe one hundred million. Can you imagine one hundred million years? Every summer for the whole life of that plant, its leaves caught what light they could and transformed the sun’s energy into itself. Into bark, twigs, stems. Because plants eat light, in much the way we eat food. But then the plant died and fell, probably into water, and decayed into peat, and the peat was folded inside the earth for years upon years—eons in which something like a month or a decade or even your whole life was just a puff of air, a snap of two fingers. And eventually the peat dried and became like stone, and someone dug it up, and the coal man brought it to your house, and maybe you yourself carried it to the stove, and now that sunlight—sunlight one hundred million years old—is heating your home tonight . . .
Anthony Doerr (All the Light We Cannot See)
He steps back, still looking. In the painting, Willem’s torso is directed toward the viewer, but his face is turned to the right so that he is almost in profile, and he is leaning toward something or someone and smiling. And because he knows Willem’s smiles, he knows Willem has been captured looking at something he loves, he knows Willem in that instant was happy. Willem’s face and neck dominate the canvas, and although the background is suggested rather than shown, he knows that Willem is at their table; he knows it from the way JB has drawn the light and shadows on Willem’s face. He has the sense that if he says Willem’s name, the face in the painting will turn toward him and answer; he has the sense that if he stretches his hand out and strokes the canvas, he will feel beneath his fingertips Willem’s hair, his fringe of eyelashes. But he doesn’t do this, of course, just looks up at last and sees JB smiling at him, sadly. “The title’s card’s been mounted already,” JB says, and he goes slowly to the wall behind the painting and sees its title—Willem Listening to Jude Tell a Story, Greene Street—and he feels his breath abandon him; it feels as if his heart is made of something oozing and cold, like ground meat, and it is being squeezed inside a fist so that chunks of it are falling, plopping to the ground near his feet.
Hanya Yanagihara (A Little Life)
When you stand inside somebody's library, you get a powerful sense of who they are, and not just who they are now but who they've been. . . . It's a wonderful thing to have in a house. It's something I worry is endangered by the rise of the e-book. When you turn off an e-book, there's no map. All that's left behind is a chunk of gray plastic. ~ Lev Grossman
Leah Price (Unpacking My Library: Writers and Their Books)
The Bed Thing had happened two months ago. I'd wanted to move my bed, and decided to use magic to do it.Instead of scooting over a few feet, the bed had gone flying out the window, taking a big chunk of the wall with it. Mrs. Casnoff had not been amused. Especially since the Bed Thing had followed the Doritos Incident. Jenna had wanted chips; when I'd tried to make them appear, I'd flooded the hallway with Doritos. There were still traces of cheese dust in the floorboards. Before that, there was That Time With The Lotion (the less said about that, the better).
Rachel Hawkins (Demonglass (Hex Hall, #2))
See that?” “No.” “Exactly. Earlier there was a big, huge food chunk right here.” She pointed at her front tooth. “And nobody told me. Nobody. Oh wait, Mark told me after I’d been talking to him for five minutes.” I laughed. “You would’ve told me, right? Tricia should have told me. It’s girl code. I think Tricia likes Mark, too. That’s the problem here.” “Maybe she didn’t see the food.” “Lil, people on the space station saw this chunk of food. It was massive. And right on my front tooth.” “That was rude of the people on the space station not to tell you about it.” “Ha-ha.
Kasie West (P.S. I Like You)
The stark, pedestrian images used by filmmakers (probably out of financial necessity) expressed nothing, symbolically or metaphorically. The only purpose they served was to remind me that a huge chunk of my life is completely over, even though I will probably live 60 more years. There are so many things that will never happen to me again, and I never even noticed when those things stopped occurring. And this does not mean I wish I had my old life back, because I like my new life better; I was just shocked to discover how much of what used to be central to my existence doesn't even matter to me anymore.
Chuck Klosterman (Killing Yourself to Live: 85% of a True Story)
But I guess the nice thing about driving a car is that the physical act of driving itself occupies a good chunk of brain cells that otherwise would be giving you trouble overloading your thinking. New scenery continually erases what came before; memory is lost, shuffled, relabeled and forgotten. Gum is chewed; buttons are pushed; windows are lowered and opened. A fast moving car is the only place where you're legally allowed to not deal with your problems. It's enforced meditation and this is good.
Douglas Coupland
This isn't how it should be, God. Thousands of graves marking thousands of lives--so much focus on death. Did the gravediggers spend their lives just serving the dead? How many Numbers ticked away for the sake of carving headstones no one would read? As I stare at this scene, I decide I don't want a headstone when I die. I don't even want to be buried. I want to disappear--save that chunk of earth for people to live on. This land I stand on is worthless now. No one can build a house here. No one can plant gardens or start a new village. Is that what the people buried beneath me would have wanted? Earth wasn't intended to hold only dead bodies. I stand. God, I need to live.
Nadine Brandes (A Time to Die (Out of Time, #1))
But first,” Morpheus said with a dismissive sweep of his hand, “we have to be sure what we’re up against when we raid the castle. You and Alyssa managed to take out quite a chunk of the opposition with your fancy footwork. We’re here to assess if the numbers match up with the ones Rabid reported. We must ensure that Grenadine doesn’t have any cards hidden up her sleeve.” He slapped Jeb on the back. “See what I did there? ‘Cards up her sleeve’?” He chuckled.
A.G. Howard (The Moth in the Mirror (Splintered, #1.5))
The child comes home and the parent puts the hooks in him. The old man, or the woman, as the case may be, hasn’t got anything to say to the child. All he wants is to have that child sit in a chair for a couple of hours and then go off to bed under the same roof. It’s not love. I am not saying that there is not such a thing as love. I am merely pointing to something which is different from love but which sometimes goes by the name of love. It may well be that without this thing which I am talking about there would not be any love. But this thing in itself is not love. It is just something in the blood. It is a kind of blood greed, and it is the fate of a man. It is the thing which man has which distinguishes him from the happy brute creation. When you got born your father and mother lost something out of themselves, and they are going to bust a hame trying to get it back, and you are it. They know they can’t get it all back but they will get as big a chunk out of you as they can.
Robert Penn Warren (All the King’s Men)
I was also sick of my neighbors, as most Parisians are. I now knew every second of the morning routine of the family upstairs. At 7:00 am alarm goes off, boom, Madame gets out of bed, puts on her deep-sea divers’ boots, and stomps across my ceiling to megaphone the kids awake. The kids drop bags of cannonballs onto the floor, then, apparently dragging several sledgehammers each, stampede into the kitchen. They grab their chunks of baguette and go and sit in front of the TV, which is always showing a cartoon about people who do nothing but scream at each other and explode. Every minute, one of the kids cartwheels (while bouncing cannonballs) back into the kitchen for seconds, then returns (bringing with it a family of excitable kangaroos) to the TV. Meanwhile the toilet is flushed, on average, fifty times per drop of urine expelled. Finally, there is a ten-minute period of intensive yelling, and at 8:15 on the dot they all howl and crash their way out of the apartment to school.” (p.137)
Stephen Clarke (A Year in the Merde)
I just believe that us as women— should not criticize nor pull down other women. And why? Because we’re all just trying our best to be beautiful! We all just want to be loved, we want to be beautiful, we’re all trying to leave our own legacy! The good news is that the universe is unending and that means there is enough space for each woman on earth to leave her own mark and to be her own legacy. To be her own kind of beautiful. So why spend even a second on trying to take away from another woman? Trying to steal, trying to criticize, trying to oppress? There is enough space for every woman and every kind of beautiful, in this vast cosmos! When you waste any amount of time trying to take what is another’s— you are wasting your huge chunk of a galaxy that’s already been given to you!
C. JoyBell C.
It seems silly to worry about the arbitrary moment some person long dead declared to be the end of one year and the beginning of another, as if our attempts to divide time into meaningful chunks actually mean anything. People wait for the countdown to tell them it's okay to believe in themselves again. They end each year with failure, but hope that when the clock strikes twelve, they can begin the new year with a clean slate. They tell themselves that this is the year things will happen, never realizing that things are always happening; they're just happening without them.
Shaun David Hutchinson (We Are the Ants)
The Americans as a nation are killing themselves with their vices and high living. As much as a man ought to eat in half an hour they swallow in three minutes gulping down their food like the [dog] under the table which when a chunk of meat is thrown down to it swallows it before you can say 'twice.' If you want a reform carry out the advice I have just given you. Dispense with your multitudinous dishes, and, depend upon it, you will do much towards preserving your families from sickness, disease and death.
Brigham Young (Journal of Discourses, Volume 13)
What Jack remembered and craved in a way he could neither help nor understand was the time that distant summer on Brokeback when Ennis had come up behind him and pulled him close, the silent embrace satisfying some shared and sexless hunger. They had stood that way for a long time in front of the fire, its burning tossing ruddy chunks of light, the shadow of their bodies a single column against the rock. The minutes ticked by from the round watch in Ennis's pocket, from the sticks in the fire settling into coals. Stars bit through the wavy heat layers above the fire. Ennis's breath came slow and quiet, he hummed, rocked a little in the sparklight and Jack leaned against the steady heartbeat, the vibrations of the humming like faint electricity and, standing, he fell into sleep that was not sleep but something else drowsy and tranced until Ennis, dredging up a rusty but still useable phrase from the childhood time before his mother died, said, "Time to hit the hay, cowboy. I got a go. Come on, you're sleepin on your feet like a horse," and gave Jack a shake, a push, and went off in the darkness. Jack heard his spurs tremble as he mounted, the words "see you tomorrow," and the horse's shuddering snort, grind of hoof on stone. Later, that dozy embrace solidified in his memory as the single moment of artless, charmed happiness in their separate and difficult lives. Nothing marred it, even the knowledge that Ennis would not then embrace him face to face because he did not want to see nor feel that it was Jack he held. And maybe, he thought, they'd never get much farther that that. Let be, let be.
Annie Proulx (Brokeback Mountain)
To be sure, you would like to live in a world where people in white hats bring people in black hats to justice, but you don't. Don't let this discourage you, though. You can accept that life is unfair and still relish it. You aren't in total control of your life, but there is a nice big chunk of your life over which you have complete authority--beat that part to a pulp. Just remember the unfair nature of the world, the randomness of birthright, means people often suffer adversity and enjoy opulence through no effort of their own. If you think the world is just and fair, people who need help may never get it. Realize that even though we are all responsible for our actions, the blame for evil acts rests on the perpetrator and never the victim. No one deserves to be raped or bullied, robbed or murdered. To make the world more just and fair, you have to make it harder for evil to thrive, and you can't do this just by reducing the number of its potential targets.
David McRaney (You Are Not So Smart)
Tortolita, let me tell you a story,” Estevan said. “This is a South American, wild Indian story about heaven and hell.” Mrs. Parsons made a prudish face, and Estevan went on. “If you go visit hell, you will see a room like this kitchen. There is a pot of delicious stew on the table, with the most delicate aroma you can imagine. All around, people sit, like us. Only they are dying of starvation. They are jibbering and jabbering,” he looked extra hard at Mrs. Parsons, “but they cannot get a bit of this wonderful stew God has made for them. Now, why is that?” “Because they’re choking? For all eternity?” Lou Ann asked. Hell, for Lou Ann, would naturally be a place filled with sharp objects and small round foods. “No,” he said. “Good guess, but no. They are starving because they only have spoons with very long handles. As long as that.” He pointed to the mop, which I had forgotten to put away. “With these ridiculous, terrible spoons, the people in hell can reach into the pot but they cannot put the food in their mouths. Oh, how hungry they are! Oh, how they swear and curse each other!” he said, looking again at Virgie. He was enjoying this. “Now,” he went on, “you can go and visit heaven. What? You see a room just like the first one, the same table, the same pot of stew, the same spoons as long as a sponge mop. But these people are all happy and fat.” “Real fat, or do you mean just well-fed?” Lou Ann asked. “Just well-fed,” he said. “Perfectly, magnificently well-fed, and very happy. Why do you think?” He pinched up a chunk of pineapple in his chopsticks, neat as you please, and reached all the way across the table to offer it to Turtle. She took it like a newborn bird.
Barbara Kingsolver (The Bean Trees (Greer Family, #1))
Our twenties can be like living beyond time. When we graduate from school, we leave behind the only lives we have ever known, ones that have been neatly packaged in semester-sized chunks with goals nestled within. Suddenly, life opens up and the syllabi are gone. There are days and weeks and months and years, but no clear way to know when or why any one thing should happen. It can be a disorienting, cave-like existence. As one twentysomething astutely put it, "The twentysomething years are a whole new way of thinking about time. There's this big chunk of time and a whole bunch of stuff that needs to happen somehow.
Meg Jay (The Defining Decade: Why Your Twenties Matter - And How to Make the Most of Them Now)
Sometimes I think my ability to concentrate is being nibbled away by the internet; other times I think it's being gulped down in huge, Jaws-shaped chunks. In those quaint days before the internet, once you made it to your desk there wasn't much to distract you. You could sit there working or you could just sit there. Now you sit down and there's a universe of possibilities – many of them obscurely relevant to the work you should be getting on with – to tempt you. To think that I can be sitting here, trying to write something about Ingmar Bergman and, a moment later, on the merest whim, can be watching a clip from a Swedish documentary about Don Cherry – that is a miracle (albeit one with a very potent side-effect, namely that it's unlikely I'll ever have the patience to sit through an entire Bergman film again). Then there's the outsourcing of memory. From the age of 16, I got into the habit of memorising passages of poetry and compiling detailed indexes in the backs of books of prose. So if there was a passage I couldn't remember, I would spend hours going through my books, seeking it out. Now, in what TS Eliot, with great prescience, called "this twittering world", I just google the key phrase of the half-remembered quote. Which is great, but it's drained some of the purpose from my life. Exactly the same thing has happened now that it's possible to get hold of out-of-print books instantly on the web. That's great too. But one of the side incentives to travel was the hope that, in a bookstore in Oregon, I might finally track down a book I'd been wanting for years. All of this searching and tracking down was immensely time-consuming – but only in the way that being alive is time-consuming.
Geoff Dyer
What's a colony without its dusky natives? Where's the fun if they're all going to die off? Just a big chunk of desert, no more maids, no field-hands, no laborers for the construction or the mining--wait, wait a minute there, yes it's Karl Marx, that sly old racist skipping away with his teeth together and his eyebrows up trying to make believe it's nothing but Cheap Labor and Overseas Markets... Oh, no. Colonies are much, much more. Colonies are the outhouses of the European soul, where a fellow can let his pants down and relax, enjoy the smell of his own shit. Where he can fall on his slender prey roaring as loud as he feels like, and guzzle her blood with open joy. Eh? Where he can just wallow and rut and let himself go in a softness, a receptive darkness of limbs, of hair as woolly as the hair on his own forbidden genitals. Where the poppy, and the cannabis and coca grow full and green, and not to the colors and style of death, as do ergot and agaric, the blight and fungus native to Europe. Christian Europe was always death, Karl, death and repression. Out and down in the colonies, life can be indulged, life and sensuality in all its forms, with no harm done to the Metropolis, nothing to soil those cathedrals, white marble statues, noble thoughts... No word ever gets back. The silences down here are vast enough to absorb all behavior, no matter how dirty, how animal it gets....
Thomas Pynchon (Gravity’s Rainbow)
Then, he angled his large body toward me, eating a big chunk of the distance that had been separating us. The motion had been unexpected, and my breath hitched with surprise. Hyperaware of how close he had come, I stuttered. Suddenly not knowing what to say or if I was expected to say anything at all. Aaron’s arm reached out, the backs of his fingers gracing my temple. My lips parted, tingles spreading down my skin. It was him who lowered his voice then. “Always fighting me.” I looked up at his handsome and stern face, his assessing blue eyes surveying my reaction. “Resisting me.” My heart tripped, making my chest feel like I had just sprinted a mile or two. Aaron’s head dipped, his mouth coming close to where his fingers had been a few seconds ago. Almost as close as it had been when we danced. “It’s like you want me to beg. Is that something you’d enjoy? Me begging?” His voice sounded so … intimate. Hushed. But it was his next words that scattered my thoughts all over the place. “Is that what this is? You like bringing me to my knees?” Whoa.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
Life was like being dragged through concrete in circles, wet and setting concrete that dried with each rotation of my unwilling body. As a child, I was light. It didn’t matter too much; I slid through it, and maybe it even felt like a game, like I was just playing in mud, like nothing about that slipperiness would ever change, not really. But then I got bigger and it started drying on me and eventually I turned into an uneven block, chipping and sparking on the hard ground, tearing off into painful chunks. I wanted to stay empty, like the eagle in the proverb, left to perch, my bones filled with air pockets, but heaviness found me and I couldn’t do anything about it. I couldn’t shake it off; I couldn’t transform it, evaporate or melt it. It was distinct from me, but it hooked itself into my body like a parasite. I couldn’t figure out if something was wrong with me or if this was just my life—if this was just how people felt, like concrete was dragging their flesh off their bones.
Akwaeke Emezi (The Death of Vivek Oji)
I might be able to help, Daigian," Nynaeve said, leaning forward, laying her hand on the other woman's knee. "If I were to attempt a Healing, perhaps..." "No," the woman said curtly. "But—" "I doubt you could help." "Anything can be Healed," Nynaeve said stubbornly, "even if we don't know how yet. Anything save death." "And what would you do, dear?" Daigian asked. [...] "I could do something," Nynaeve said. "This pain you feel, it has to be an effect of the bond, and therefore something to do with the One Power. If the Power causes your pain, then the Power can take that pain away." "And why would I want that?" Daigian asked, in control once again. "Well... well, because it's pain. It hurts." "It should," Daigian said. "Eben is dead. Would you want to forget your pain if you lost that hulking giant of yours? Have your feelings for him cut away like some spoiled chunk of flesh in an otherwise good roast?" Nynaeve opened her mouth, but stopped. Would she? It wasn't that simple—her feelings for Lan were genuine, and not due to a bond. He was her husband, and she loved him. Daigian had been possessive of her Warder, but it had been the affection of an aunt for her favored nephew. It wasn't the same. But would Nynaeve want that pain taken away? She closed her mouth, suddenly realizing the honor in Daigian's words. "I see. I'm sorry.
Robert Jordan (The Gathering Storm (The Wheel of Time, #12))
Oh," he said again and picked up two petals of cherry blossom which he folded together like a sandwich and ate slowly. "Supposing," he said, staring past her at the wall of the house, "you saw a little man, about as tall as a pencil, with a blue patch in his trousers, halfway up a window curtain, carrying a doll's tea cup-would you say it was a fairy?" "No," said Arrietty, "I'd say it was my father." "Oh," said the boy, thinking this out, "does your father have a blue patch on his trousers?" "Not on his best trousers. He does on his borrowing ones." 'Oh," said the boy again. He seemed to find it a safe sound, as lawyers do. "Are there many people like you?" "No," said Arrietty. "None. We're all different." "I mean as small as you?" Arrietty laughed. "Oh, don't be silly!" she said. "Surely you don't think there are many people in the world your size?" "There are more my size than yours," he retorted. "Honestly-" began Arrietty helplessly and laughed again. "Do you really think-I mean, whatever sort of a world would it be? Those great chairs . . . I've seen them. Fancy if you had to make chairs that size for everyone? And the stuff for their clothes . . . miles and miles of it . . . tents of it ... and the sewing! And their great houses, reaching up so you can hardly see the ceilings . . . their great beds ... the food they eat ... great, smoking mountains of it, huge bogs of stew and soup and stuff." "Don't you eat soup?" asked the boy. "Of course we do," laughed Arrietty. "My father had an uncle who had a little boat which he rowed round in the stock-pot picking up flotsam and jetsam. He did bottom-fishing too for bits of marrow until the cook got suspicious through finding bent pins in the soup. Once he was nearly shipwrecked on a chunk of submerged shinbone. He lost his oars and the boat sprang a leak but he flung a line over the pot handle and pulled himself alongside the rim. But all that stock-fathoms of it! And the size of the stockpot! I mean, there wouldn't be enough stuff in the world to go round after a bit! That's why my father says it's a good thing they're dying out . . . just a few, my father says, that's all we need-to keep us. Otherwise, he says, the whole thing gets"-Arrietty hesitated, trying to remember the word-"exaggerated, he says-" "What do you mean," asked the boy, " 'to keep us'?
Mary Norton (The Borrowers (The Borrowers, #1))