Stag Do Quotes

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What do you know about women?" They smell nice, they don't like to be told they can't do something, and, when they're naked, they hold some sort of mystical power that overrides our brains and makes us do and say things that would normally be inconceivable.
Katie MacAlister
What would have become of Hercules do you think if there had been no lion, hydra, stag or boar - and no savage criminals to rid the world of? What would he have done in the absence of such challenges? Obviously he would have just rolled over in bed and gone back to sleep. So by snoring his life away in luxury and comfort he never would have developed into the mighty Hercules. And even if he had, what good would it have done him? What would have been the use of those arms, that physique, and that noble soul, without crises or conditions to stir into him action?
Epictetus (The Discourses)
Capital," cried Basil. "I could eat a stag, antlers and all. I say they they do make a wonderful nosebag for us wounded heroes, y'know.
Brian Jacques (Redwall (Redwall, #1))
Mal was quiet for a long moment. Then he said, “I’m not sure who my first kill was. We were hunting the stag when we ran into a Fjerdan patrol on the northern border. I don’t think the fight lasted more than a few minutes, but I killed three men. They were doing a job, same as I was, trying to get through one day to the next, then they were bleeding in the snow. No way to tell who was the first to fall, and I’m not sure it matters. You keep them at a distance. The faces start to blur.” “Really?” “No.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
He looked down at me. The cold air had put a flush in his cheeks, and the lamplight shone in his gray eyes. “Alina, if I tell you that I still believe we can find the stag, would you think I’m mad?” “Why would you care what I think?” He looked genuinely baffled. “I don’t know,” he said. “But I do.” And then he kissed me.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
You could charm the pants off absolutely anyone," I told him quietly. He smirked. "I take it that means you like the idea?" "I love the idea. I love everything you've said. But I know Ellie's excited about this, so we're going to give our friends what they want." "Adam mentioned strippers," Braden warned me, his eyes twinkling. "If Adam books a stripper for you, I'll force Ellie to book a stripper for me. Chuckling, Braden relaxed back in his chair. "Let’s agree to no strippers." I raised my glass of water and waited for Braden to do the same. "To no strippers." "To no strippers," he repeated. "And let’s just make this a motto for our marriage.
Samantha Young (Castle Hill (On Dublin Street, #3.5))
She put a hand on the huntress’s shoulder and asked, "Is everything as it should be?” There were tears in Kaisa’s eyes, and they ran down her cheeks as she answered, ”Yes.” Ash looked back at the carcass of the stag, and saw that the dogs were being held off now, and one of the men was approaching with his kit of knives to begin the butchering. “Why do you do this if it affects you so?” asked Ash. Kaisa looked down at the ground and said, ”It is the way of life. It ends.
Malinda Lo (Ash)
The land that the Unsea covers was once green and good, fertile and rich. Now it is dead and barren, crawling with abominations. The Darkling will push its boundaries north into Fjerda, south to the Shu Han. Those who do not bow to him will see their kingdoms turned to desolate wasteland and their people devoured by ravening volcra.” I gaped at her in horror, shocked by the images she had conjured. The old woman had clearly lost her mind. “Baghra,” I said gently, “I think you have some kind of fever.” Or you’ve gone completely senile. “Finding the stag is a good thing. It means I can help the Darkling destroy the Fold.” “No!” she cried, and it was almost a howl. “He never intended to destroy it. The Fold is his creation.” I
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
What’s Baghra’s power, anyway?” I asked, the thought occurring to me for the first time. She was an amplifier like the Darkling, but he had his own power, too. “I’m not sure,” he said. “I think she was a Tidemaker. No one around here is old enough to remember.” He looked down at me. The cold air had put a flush in his cheeks, and the lamplight shone in his gray eyes. “Alina, if I tell you that I still believe we can find the stag, would you think I’m mad?” “Why would you care what I think?” He looked genuinely baffled. “I don’t know,” he said. “But I do.” And then he kissed me. It happened so suddenly that I barely had time to react. One moment, I was staring into his slate-colored eyes, and the next, his lips were pressed to mine. I felt that familiar sense of surety melt through me as my body sang with sudden heat and my heart jumped into a skittery dance. Then, just as suddenly, he stepped back. He looked as surprised as I felt. “I
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
Theoretical economists use their mathematical prowess the way the great stags of the forest use their antlers: to do battle with one another and to establish dominance.
M. Mitchell Waldrop (Complexity: The Emerging Science at the Edge of Order and Chaos)
Are ye hungry?" she asked, her voice soothing. His stomach growled. "I could cut the heart out of a stag and eat it raw." She chuckled. "Fortunately, we do no' have to go to such extremes.
Amy Jarecki (Beauty and the Barbarian (Highland Force, #3))
Because this painting has never been restored there is a heightened poignance to it somehow; it doesn’t have the feeling of unassailable permanence that paintings in museums do. There is a small crack in the lower left, and a little of the priming between the wooden panel and the oil emulsions of paint has been bared. A bit of abrasion shows, at the rim of a bowl of berries, evidence of time’s power even over this—which, paradoxically, only seems to increase its poetry, its deep resonance. If you could see the notes of a cello, when the bow draws slowly and deeply across its strings, and those resonant reverberations which of all instruments’ are nearest to the sound of the human voice emerge—no, the wrong verb, they seem to come into being all at once, to surround us, suddenly, with presence—if that were made visible, that would be the poetry of Osias Beert. But the still life resides in absolute silence. Portraits often seem pregnant with speech, or as if their subjects have just finished saying something, or will soon speak the thoughts that inform their faces, the thoughts we’re invited to read. Landscapes are full of presences, visible or unseen; soon nymphs or a stag or a band of hikers will make themselves heard. But no word will ever be spoken here, among the flowers and snails, the solid and dependable apples, this heap of rumpled books, this pewter plate on which a few opened oysters lie, giving up their silver. These are resolutely still, immutable, poised for a forward movement that will never occur. The brink upon which still life rests is the brink of time, the edge of something about to happen. Everything that we know crosses this lip, over and over, like water over the edge of a fall, as what might happen does, as any of the endless variations of what might come true does so, and things fall into being, tumble through the progression of existing in time. Painting creates silence. You could examine the objects themselves, the actors in a Dutch still life—this knobbed beaker, this pewter salver, this knife—and, lovely as all antique utilitarian objects are, they are not, would not be, poised on the edge these same things inhabit when they are represented. These things exist—if indeed they are still around at all—in time. It is the act of painting them that makes them perennially poised, an emergent truth about to be articulated, a word waiting to be spoken. Single word that has been forming all these years in the light on the knife’s pearl handle, in the drops of moisture on nearly translucent grapes: At the end of time, will that word be said?
Mark Doty (Still Life with Oysters and Lemon: On Objects and Intimacy)
I come from a long line of powerful stag shifters. We have rituals. Secret ones, old ones. We don’t necessarily worship the same gods that you do. I think our gods predate this world, but I’ve never confirmed it.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Harry,” said Hermione, “how are we going to get out of here with all those dementors outside the door?” “Patronuses,” said Harry, pointing his wand at his own: The stag slowed and walked, still gleaming brightly, toward the door. “As many as we can muster; do yours, Hermione.” “Expec--Expecto patronum,” said Hermione. Nothing happened. “It’s the only spell she ever has trouble with,” Harry told a completely bemused Mrs. Cattermole. “Bit unfortunate, really…Come on, Hermione…” “Expecto patronum!” A silver otter burst from the end of Hermione’s wand and swam gracefully through the air to join the stag.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Vanger had been one of the really big fish in his day, with a reputation for being an honourable, old-fashioned patriarch who would not bend in a strong wind. A cornerstone of Swedish industry, one of the twenty-point stags of the old school, along with Matts Carlgren of MoDo and Hans Werthén at the old Electrolux.
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
Men and your hunts,” Lilith went on, addressing, it seemed, some larger error in the Duke’s sex. “If you hadn’t been out killing healthy stags and boars in the first place, you could have married and lived and loved. But”—she shrugged—“we do as our instincts dictate, yes? And yours brought you here. To the very edge of your own grave.
Clive Barker (Coldheart Canyon: A Hollywood Ghost Story)
There was once a Horse who used to graze in a meadow which he had all to himself. But one day a Stag came into the meadow, and said he had as good a right to feed there as the Horse, and moreover chose all the best places for himself. The Horse, wishing to be revenged upon his unwelcome visitor, went to a man and asked if he would help him to turn out the Stag. “Yes,” said the man, “I will by all means; but I can only do so if you let me put a bridle in your mouth and mount on your back.” The Horse agreed to this, and the two together very soon turned the Stag out of the pasture: but when that was done, the Horse found to his dismay that in the man he had got a master for good.
Aesop (Aesop's Fables)
If I pass a mirror, I turn away, I do not want to look at her, and she does not want to be seen.
Sharon Olds (Stag's Leap: Poems)
Sometimes I don't see exactly how to go on doing this.
Sharon Olds (Stag's Leap: Poems)
Minute by minute, I do not get up and just go to him—
Sharon Olds (Stag's Leap: Poems)
It is what I do now: not go, not see or touch.
Sharon Olds (Stag's Leap: Poems)
What would have become of Hercules, do you think, if there had been no lion, hydra, stag or boar – and no savage criminals to rid the world of? [33] What would he have done in the absence of such challenges? Obviously he would have just rolled over in bed and gone back to sleep. So by snoring his life away in luxury and comfort he never would have developed into the mighty Hercules.
Epictetus (Discourses and Selected Writings (Classics))
Yes. You do understand, you do. I knew you would. It was that analogy you made to the Quran that got me thinking in the first place. Metaphors: knowledge existing in several states simultaneously and without contradiction. The stag and the doe and the trap. Instead of working with linear strings of ones and zeroes, the computer could work with bundles that were one and zero and every point in between, all at once. If, if, if you could teach it to overcome its binary nature." "That sounds very complicated indeed." "It should be impossible, but it isn't." Alif began typing furiously. "All modern computers are pedants. To them the world is divided into black and white, off and on, right and wrong. But I will teach yours to recognize multiple origin points, interrelated geneses, systems of multivalent cause and effect.
G. Willow Wilson (Alif the Unseen)
I have sieged many a castle in my day, m'lady, but my attack on your keep will be the sweetest of all." She giggled as I kissed every inch of her face. "Oh, we're doing medieval now? Okay, I can do that. I've been to a Renaissance Faire. Avast ye varlet! No quarter!" "That was piratical, dearling, but we'll go with it if you like. Lower your gangplanks and prepare to be boarded!" -Dane and Megan (Stag Party)
Katie MacAlister (Ain't Myth-Behaving)
We joked about putting it off, but underneath the joking, grim and hidden, he wanted to leave me, and he was working toward it and against it, maybe worried he could not do it, longing for it and fearing it, and not speaking of it
Sharon Olds (Stag's Leap: Poems)
When I feel comfortable enough that he is not going to trip me, I manage to look down, and see that his feet are gliding gracefully on the floor in his bloack loafers. He's even doing this very hot rhythmitic figure eight with his hips. Maybe it's the music that's growing on me, or it's that I'm giddy from not having had anything to eat except half a miniquiche, but after a moment or so, I start to move my hips, too. And suddenly, I'm breathless again, but in a good way. Once Pip gets into the groove, he stops looking at the instructor and his eyes fasten on me. So close like this, they're shocking in their brilliance, so light blue as to be almost white. Like silver medallions moving back and forth on a chain, they're hypnotizing. Where did they come from? I swear they weren't so beautiful a day ago, when we were sitting in the food court, talking about ewl and popping stag mints. " Where did you learn to do this?" I whisper in his ear, still unable to break from his gaze. " Faries love to dance. This is similar to one of theirs," he explains as he slows to near a stop. His eyes focous on Fit Lady again, and before I can ask what he's doing, he expertly glides his leg out from underneath his body, dragging his foot on the ground. " Yours should follow him," Fit Lady says, watching my legs. ...then I feel her hand on my leg, pulling it up into the air. I toddle about on one leg like a top that's about to fall, so Pip steadies me, and I hold on so tight to his arms with my sweaty hands as to cut off his circualtion. But he doesn't seem to mind. I watch as she grips my leg at the knee and pulls it, higher, higher … almost to Pip's hip level, then force me to extend and curve it around him. Ow, I am not a pretzel. " What are you doing?" " Gancho," she says. " Just take your leg up and wrap it around his body." " Wait. Wh- wh-at?" He's still staring at me with those amazing eyes as I push him away, falling back onto my elbows with a deafening crack.
Cyn Balog (Fairy Tale)
In his gaze, rooms of the dead; halls of loss; fog- emerald; driven, dirty-rice snow: he was in there somewhere, I looked for him, and he gave me the gift, he let me in, knowing he would never once, in this world or in any other, have to do it again, and I saw him, not as he really was, I was still without the strength of anger, but I saw him see me, even now that dropping down into trust's affection in his gaze, and I held it, some seconds, quiet, and I said, Good-bye, and he said Good-bye
Sharon Olds (Stag's Leap: Poems)
Expecto Patronum!” His voice sounded dim and distant…Another wisp of silver smoke, feebler than the last, drifted from the wand — he couldn’t do it anymore, he couldn’t work the spell — There was laughter inside his head, shrill, high-pitched laughter….He could smell the dementor’s putrid, death-cold breath, filling his own lungs, drowning him….The dementor’s icy fingers were closing on his throat — the high-pitched laughter was growing louder and louder, and a voice spoke inside his head — “Bow to death, Harry….It might even be painless….I would not know….I have never died….” He was never going to see Ron and Hermione again — And their faces burst clearly into his mind as he fought for breath — “EXPECTO PATRONUM!” An enormous silver stag erupted from the tip of Harry’s wand; its antlers caught the dementor in the place where the heart would have been; it was thrown backward, weightless as darkness, and as the stag charged, the dementor swooped away, batlike and defeated.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
BARRY: Phwoar! This stuff shouldn’t be available on the internet where anybody can see it. GLENDA: Barry, what are you looking at? BARRY: Philosophy. You should see some of the ideas floating around here. GLENDA: As long as it’s only philosophy. BARRY: Only?! They come out with stuff that makes your hair stand on end. Look out there. What do you see? GLENDA: I can see it’s time to paint the fence. BARRY: What fence? GLENDA: Our fence. I don’t expect you to paint next door’s. BARRY: There is no fence out there. We just think there is. GLENDA: And I think it still needs painting. BARRY: It’s all in here. It’s only the way we see things that makes them look as if they’re out there. Actually everything is in our heads. GLENDA: Barry, if you can go out there with a pot of paint and paint it, then it’s out there. BARRY: I hate it when you do that. GLENDA: What? BARRY: Make more sense than philosophy. “The Second Stag Night of Doggy Wilkinson”, Last of the Summer Wine”, season 28 episode 1.
Roy Clarke (The Last of the Summer Wine)
The bee has round it a mysterious inscription, which has been variously interpreted. It contains an allusion to beeswax, and one scholar has suggested that the tesserae were druggists’ tokens for the purpose of advertising the sale of beeswax. Another explanation is that the inscription might be one of the mysterious magic formulae used as charms, and that the tokens might be charms to call the bees home when swarming; but the most plausible solution seems to be that the tesserae were connected with the secret rites of Artemis, especially as the stag of the goddess is the one on the reverse side of the tokens. One of the most important animals connected with the worship of the Asiatic Great-Mother was the lion, and it is a curious fact that we often find a connection between bees and lions. At the old Hittite town of Carchemish behind her a long line of priestesses bearing various articles. We do not suggest that these were called Melissae, but in the jewellry we see how the goddess with her lions merges in or is connected with the ‘Bee-goddess.
Hilda M. Ransome (The Sacred Bee in Ancient Times and Folklore (Dover Books on Anthropology and Folklore))
Sweet to me your voice, said Caolcrodha Mac Morna, brother to sweet-worded sweet-toothed Goll from Sliabh Riabhach and Brosnacha Bladhma, relate then the attributes that are to Finn's people. [...] I will relate, said Finn. Till a man has accomplished twelve books of poetry, the same is not taken for want of poetry but is forced away. No man is taken till a black hole is hollowed in the world to the depth of his two oxters and he put into it to gaze from it with his lonely head and nothing to him but his shield and a stick of hazel. Then must nine warriors fly their spears at him, one with the other and together. If he be spear-holed past his shield, or spear-killed, he is not taken for want of shield-skill. No man is taken till he is run by warriors through the woods of Erin with his hair bunched-loose about him for bough-tangle and briar-twitch. Should branches disturb his hair or pull it forth like sheep-wool on a hawthorn, he is not taken but is caught and gashed. Weapon-quivering hand or twig-crackling foot at full run, neither is taken. Neck-high sticks he must pass by vaulting, knee-high sticks by stooping. With the eyelids to him stitched to the fringe of his eye-bags, he must be run by Finn's people through the bogs and the marsh-swamps of Erin with two odorous prickle-backed hogs ham-tied and asleep in the seat of his hempen drawers. If he sink beneath a peat-swamp or lose a hog, he is not accepted of Finn's people. For five days he must sit on the brow of a cold hill with twelve-pointed stag-antlers hidden in his seat, without food or music or chessmen. If he cry out or eat grass-stalks or desist from the constant recital of sweet poetry and melodious Irish, he is not taken but is wounded. When pursued by a host, he must stick a spear in the world and hide behind it and vanish in its narrow shelter or he is not taken for want of sorcery. Likewise he must hide beneath a twig, or behind a dried leaf, or under a red stone, or vanish at full speed into the seat of his hempen drawers without changing his course or abating his pace or angering the men of Erin. Two young fosterlings he must carry under the armpits to his jacket through the whole of Erin, and six arm-bearing warriors in his seat together. If he be delivered of a warrior or a blue spear, he is not taken. One hundred head of cattle he must accommodate with wisdom about his person when walking all Erin, the half about his armpits and the half about his trews, his mouth never halting from the discoursing of sweet poetry. One thousand rams he must sequester about his trunks with no offence to the men of Erin, or he is unknown to Finn. He must swiftly milk a fat cow and carry milk-pail and cow for twenty years in the seat of his drawers. When pursued in a chariot by the men of Erin he must dismount, place horse and chariot in the slack of his seat and hide behind his spear, the same being stuck upright in Erin. Unless he accomplishes these feats, he is not wanted of Finn. But if he do them all and be skilful, he is of Finn's people.
Flann O'Brien (At Swim-Two-Birds)
Mal’s calm, the surety he seemed to carry in his steps. “Do you think it’s out there?” I asked one afternoon when we’d taken shelter in a dense cluster of pines to wait out a storm. “Hard to say. Right now, I could just be tracking a big hawk. I’m going on my gut as much as anything, and that always makes me nervous.” “You don’t seem nervous. You seem completely at ease.” I could hear the irritation in my voice. Mal glanced at me. “It helps that no one’s threatening to cut you open.” I said nothing. The thought of the Darkling’s knife was almost comforting—a simple fear, concrete, manageable. He squinted out at the rain. “And it’s something else, something the Darkling said in the chapel. He thought he needed me to find the firebird. As much as I hate to admit it, that’s why I know I can do it now, because he was so sure.” I understood. The Darkling’s faith in me had been an intoxicating thing. I wanted that certainty, the knowledge that everything would be dealt with, that someone was in control. Sergei had run to the Darkling looking for that reassurance. I just want to feel safe again. “When the time comes,” Mal asked, “can you bring the firebird down?” Yes. I was done with hesitation. It wasn’t just that we’d run out of options, or that so much was riding on the firebird’s power. I’d simply grown ruthless enough or selfish enough to take another creature’s life. But I missed the girl who had shown the stag mercy, who had been strong enough to turn away from the lure of power, who had believed in something more. Another casualty of this war. “It still doesn’t seem real to me,” I said.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Everything is estimated by the standard of its own good. The vine is valued for its productiveness and the flavour of its wine, the stag for his speed. We ask, with regard to beasts of burden, how sturdy of back they are; for their only use is to bear burdens. If a dog is to find the trail of a wild beast, keenness of scent is of first importance; if to catch his quarry, swiftness of foot; if to attack and harry it, courage. In each thing that quality should be best for which the thing is brought into being and by which it is judged. And what quality is best in man? It is reason; by virtue of reason he surpasses the animals, and is surpassed only by the gods. Perfect reason is therefore the good peculiar to man; all other qualities he shares in some degree with animals and plants. Man is strong; so is the lion. Man is comely; so is the peacock. Man is swift; so is the horse. I do not say that man is surpassed in all these qualities. I am not seeking to find that which is greatest in him, but that which is peculiarly his own. Man has body; so also have trees. Man has the power to act and to move at will; so have beasts and worms. Man has a voice; but how much louder is the voice of the dog, how much shriller that of the eagle, how much deeper that of the bull, how much sweeter and more melodious that of the nightingale! What then is peculiar to man? Reason. When this is right and has reached perfection, man's felicity is complete. Hence, if everything is praiseworthy and has arrived at the end intended by its nature, when it has brought its peculiar good to perfection, and if man's peculiar good is reason; then, if a man has brought his reason to perfection, he is praiseworthy and has readied the end suited to his nature. This perfect reason is called virtue, and is likewise that which is honourable.
Epictetus (Stoic Six Pack (Illustrated): Meditations of Marcus Aurelius, Golden Sayings, Fragments and Discourses of Epictetus, Letters from a Stoic and The Enchiridion: ... Letters from a Stoic and The Enchiridion)
I think she did really try her hardest to get over him. You would, wouldn't you, if someone had hurt you like that? You'd make all kinds of promises to yourself not to let them do something like that again. But wouldn't a small part of you always be wondering "what if" Wouldn't some part of you - a part that you might not want to exist - still be holding out for that happy ending? It's how we're built isn't it? No matter how many times you get slapped in the face you have to believe that the next time would be different. And then in comes the guy who hurt you all those years ago, and he wants to make things better and to prove he's not all talk- this time it will be different. How could she not fall for that? How could she not think that if she chose him it would finally lift the shadow that he'd cast over her life? All that hurt, all that suffering wouldn't have been for nothing then, would it? If he'd come back to you like that, would you have taken him back?
Mike Gayle (The Stag and Hen Weekend)
Then she cried quickly, "Stay, brother, stay! do not drink, or you will become a wild beast, and tear me to pieces." Thirsty as he was, the brother conquered his desire to drink at her words, and said, "Dear sister, I will wait till we come to a spring." So they wandered farther, but as they approached, she heard in the bubbling spring the words— "Who drinks of me, a wolf will be." "Brother, I pray you, do not drink of this brook; you will be changed into a wolf, and devour me." Again the brother denied himself and promised to wait; but he said, "At the next stream I must drink, say what you will, my thirst is so great." Not far off ran a pretty streamlet, looking clear and bright; but here also in its murmuring waters, the sister heard the words— "Who dares to drink of me, Turned to a stag will be." "Dear brother, do not drink," she began; but she was too late, for her brother had already knelt by the stream to drink, and as the first drop of water touched his lips he became a fawn. How the little sister wept over the enchanted brother, and the fawn wept also. He did not run away, but stayed close to her; and at last she said, "Stand still, dear fawn; don't fear, I must take care of you, but I will never leave you." So she untied her little golden garter and fastened it round the neck of the fawn; then she gathered some soft green rushes, and braided them into a soft string, which she fastened to the fawn's golden collar, and then led him away into the depths of the forest. After wandering about for some time, they at last found a little deserted hut, and the sister was overjoyed, for she thought it would form a nice shelter for them both. So she led the fawn in, and then went out alone, to gather moss and dried leaves, to make him a soft bed. Every morning she went out to gather dried roots, nuts, and berries, for her own food, and sweet fresh grass for the fawn, which he ate out of her hand, and the poor little animal went out with her, and played about as happy as the day was long. When evening came, and the poor sister felt tired, she would kneel down and say her prayers, and then lay her delicate head on the fawn's back, which was a soft warm pillow, on which she could sleep peacefully. Had this dear
Hamilton Wright Mabie (Fairy Tales Every Child Should Know)
You don't ever know what anyone's really like,' I said 'Cause you do.' 'How?' 'They tell you; you tell them.' 'That's assuming you're honest. What if you lie?' 'Why would you want to lie?
Tim Relf (Stag)
I’d ask why you don’t want to be whipped, but I sense there’s a long heartfelt story behind it and I’ll feel sorry for you and I’m not really in the mood to feel pity. Maybe after a few more orgasms, I can fake sympathy. We’re just not there yet, champ.” “I like that nickname,” I said, taking her hand between mine. “Stud works too. King Cock is another favorite.” “How about Cock-A-Doodle-Doo?" “Too cartoony. I need something manlier. Cockinator.” Laughing, Raven yanked her hand away. “How about Robo Cock or White Cock Down? Ooh, Cockageddon.” “Independence Cock,” I suggested, laughing as I drank my juice. “Cock Hard or Cocky. You know the third one where Cocky goes to Russia.” Raven snorted. “Cocks on a Plane. No, Planet of the Cocks.” “Kindergarten Cock,” I said and Raven balked. “Did I take that too far?” “Perv. Oh, how about World War C?” “Too subtle.” “Iron Cock or Cock of Steel. You know, if you’re interested in the superhero route.” “Star Trek and superheroes. I sense the nerd is strong in this one.” “Fuck off. I saw the videogames at your stag shack.” “Wanna come over and play sometime?” I asked, giving her a wink. “Then, after we’re done playing, we can do that videogame thing you mentioned.” “Hang out time like you shared with Judd?” Expression hardening, I glared at her. “I never fucked Judd.” “Why? He’s hot.” Unable to keep up the façade, I laughed. “He’s a pretty fucker, ain’t he?” “Oh, yeah,” she sighed and I stopped laughing. Raven noticed and it was her turn to laugh. “He’s got those beautiful eyes.” “They’re beady rat eyes.” “He’s so strong.” “Puny girly man.” Raven licked her lips. “I bet he hung too.” I showed her my pinkie finger. “He’s barely this big when hard.” “And how do you know that if you two never fucked?” “Fine, we fucked, but we were pretty drunk and he is really pretty.” Raven nearly fell off her chair laughing. I felt intensely proud to make her lose her cool so thoroughly. After calming down, Raven threw up her hand and I high fived her. “You win,” she said, catching her breath. “I’ll play videogames at your place after fucking your brains out. Make you forget all about sexy Judd.
Bijou Hunter (Damaged and the Outlaw (Damaged, #4))
We must send Daisy to London as soon as possible,” Lillian fretted. “It’s the height of the season, and she’s buried in Hampshire away from all the balls and soirées—” “It was her choice to come here,” Marcus reminded her, reaching for her other foot. “She would never forgive herself if she missed the baby’s birth.” “Oh, bother that. I would rather Daisy miss the birth and meet eligible men instead of having to wait here with me until her time runs out and she has to marry Matthew Swift and move with him to New York and then I’ll never see her again—” “I’ve already thought of that,” Marcus said. “Which is why I undertook to invite a number of eligible men to Stony Cross Park for the stag-and-hind hunt.” “You did?” Her head lifted from the pillow. “St. Vincent and I came up with a list and debated the merits of each candidate at length. We settled on an even dozen. Any one of them would do for your sister.” “Oh, Marcus, you are the most clever, most wonderful—” He waved away the praise and shook his head with a grin, remembering the lively arguments. “St. Vincent is damned finicky, let me tell you. If he were a woman, no man would be good enough for him.” “They never are,” Lillian told him impudently. “Which is why we women have a saying…‘Aim high, then settle.’” He snorted. “Is that what you did?” A smile curved her lips. “No, my lord. I aimed high and got far more than I’d bargained for.” And she giggled as he crawled over her prone body and kissed her soundly.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Sometimes, something happens in your life that makes you realise that it’s not all about the big party, the extravagant stag do and the overpriced Champagne. It’s about the commitment that you are making to each other, that’s what really counts.’ Not
Lacey London (Meet Clara Morgan (Clara Andrews, #3))
I dreamt I saw a shadow with a burning heart butchering a golden stag, aye. I dreamt of a man without a face, waiting on a bridge that swayed and swung. On his shoulder perched a drowned crow with seaweed hanging from his wings. I dreamt of a roaring river and a woman that was a fish. Dead she drifted, with red tears on her cheeks, but when her eyes did open, oh, I woke from terror. All this I dreamt, and more. Do you have gifts for me, to pay me for my dreams?” “Dreams,” grumbled Lem
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
What would have become of Hercules, do you think, if there had been no lion, hydra, stag or boar - and no savage criminals to rid the world of? What would he have done in the absence of such challenges?” – Epictetus
Jonas Salzgeber (The Little Book of Stoicism: Timeless Wisdom to Gain Resilience, Confidence, and Calmness)
In building, you see, you know beforehand what it’s going to be like; at least, I suppose you do. I mean, it would never do to start off building a house and find you’ve built a bridge, or something, when it was all finished. It’s more like hunting, really,” said Barbara, warming up to her subject. “Yes, it’s really rather like hunting. You start out to hunt a stag and you find the tracks of a tiger. It’s an adventure, you see, that’s the beauty of it. You don’t know a bit what you’re going to find until you come to the end, and, even then, you don’t know what you’ve found. At least you know what you’ve found for yourself but you don’t know if you’ve found anything for anybody else, but that doesn’t matter, really.
D.E. Stevenson (Miss Buncle Married (Miss Buncle #2))
And they do not know language, they are waiting for him
Sharon Olds (Stag's Leap: Poems)
And so he went into another world—this world, where I do not see or hear him
Sharon Olds (Stag's Leap: Poems)
I do not let go of him yet, but hold the string and watch my idea of him pull away and stay, and pull away, my silver kite.
Sharon Olds (Stag's Leap: Poems)
We hunt the White Stag, like Quentin did. We catch it or shoot it or whatever you do with it. We get three wishes. We wish Fillory would last forever and not die. Done. Mischief managed.” Eliot
Lev Grossman (The Magician's Land (The Magicians, #3))
Hawkeye never killed a living thing without good cause, and whenever he shot a stag to eat, he always paused to thank it for its life to save his own.” The Old Man leaned back. “That spoke to me as a kid in a slaughterhouse. So I started doing like Hawkeye. I still do. Other people say grace. Me, I say thanks to what I’m eating. Its life for mine.
Lynda Rutledge (West with Giraffes)
The majority of the crowd had looked human from a distance, but once she was among them, she had her doubts. Some were human shaped but had green or blue skin. A number had horns rising from their foreheads, short and pointed as antelopes'. One woman walked by with a rack of antlers that would do any stag proud, and small black birds seated on each tine, wearing silver collars around their necks. Others were not even human shaped. A trio of boards in starched collars, walking on their hind legs, went grunting past. Six white rats, each nearly three feet tall, carried a palanquin on their shoulders. And who could guess what lay beneath the pale braids that covered that figure from head to toe?
T. Kingfisher (Nettle & Bone)
What would have become of Hercules, do you think, if there had been no lion, hydra, stag or boar—and no savage criminals to rid the world of? What would he have done in the absence of such challenges?
Jonas Salzgeber (The Little Book of Stoicism: Timeless Wisdom to Gain Resilience, Confidence, and Calmness)
Andrew’s his best man—he’ll put on the world’s poshest stag do. They’ll be eating caviar off the abs of a high-priced rentboy, one wee dab on each part of his six-pack.
Avery Cockburn (Glasgow Lads: Books 1-3)
there was a recent experiment where men on stag dos were separated from the group and asked about their night. The majority of men individually said they weren’t enjoying themselves but were doing it for the others!
Sara Pascoe (Sex Power Money)
Bryce rode the elevator up to her floor, mulling everything over in the silence. She’d meant what she said to Hunt—she didn’t think her father was behind Danika’s and the pack’s deaths. She had little doubt he’d killed others, though. And would do anything to keep his crown. The Autumn King was a courtesy title in addition to her father’s role as a City Head—as for all the seven Fae Kings. No kingdom was truly their own. Even Avallen, the green isle ruled by the Stag King, still bowed to the Republic. The Fae had coexisted with the Republic since its founding, answerable to its laws, but ultimately left to govern themselves and retain their ancient titles of kings and princes and the like. Still respected by all—and feared. Not as much as the angels, with their destructive, hideous storm-and-sky powers, but they could inflict pain if they wished. Choke the air from your lungs or freeze you or burn you from the inside out. Solas knew Ruhn and his two friends could raise Hel when provoked.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
According to the FBI, there are two categories of serial killer keepsakes: the “souvenir” and the “trophy.” The first presumably serves the same function that a statuette of the Eiffel Tower does for a tourist who has just vacationed in Paris—it reminds the killer of how much fun he had and allows him to relive the experience in fantasy until he can do it again. Trophies, on the other hand, are analogous to the mounted moose head or stag antlers that a hunter might proudly display over the fireplace—prideful evidence of the killer’s lethal skill.
Harold Schechter (The Serial Killer Files: The Who, What, Where, How, and Why of the World's Most Terrifying Murderers)
It might be wondered whether any specific weighting type was crucial in producing convergence, but under this same population, any three of the weighting systems (again, randomly assigned) resulted in fixation on R2, giving some reason to believe that the convergence dynamic is not driven by specific types. Moreover, it was typically the case that a more diverse assortment of weighting types (all four) produced convergence quicker than populations with less diversity. Combinations of types certainly can have an effect; omitting the Highly Conditional Cooperators, for example, slowed down convergence. This is interesting. In many ways, Highly Conditional Cooperators seem an impediment to moral convergence. They can be understood as viewing moral action as a Stag Hunt or Assurance Game, in which most other must play 'Act Morally' before they do. One might expect them to play the 'risk dominant' equilibrium. But as part of a social process, they can perform a critical role, spurring the completion of convergence, preventing it from 'sputtering out.
Gerald F. Gaus (The Open Society and Its Complexities (Philosophy, Politics, and Economics))
AMANDA: We're being so bad, so terribly bad, we'll suffer for this, I know we shall. ELYOT: Can't be helped. AMANDA: Starting all those awful rows all over again. ELYOT: No, no, we're older and wiser now. AMANDA: What difference does that make? The first moment either of us gets a bit nervy, off we'll go again. ELYOT: Stop shilly-shallying, Amanda. AMANDA: I'm trying to be sensible. ELYOT: You're only succeeding in being completely idiotic. AMANDA: Idiotic indeed! What about you? ELYOT: Now look here Amanda AMANDA[stricken]: Oh my God! ELYOT [rushing to her and kissing her]: Darling, darling, I didn't mean it. AMANDA: I won't move from here unless we have a compact, a sacred, sacred compact never to quarrel again. ELYOT: Easy to make but difficult to keep. AMANDA: No, no, it's the bickering that always starts it. The moment we notice we're bickering, either of us, we must promise on our honor to stop dead. We'll invent some phrase or catchword, which when either of us says it, automatically cuts off all conversation for at least five minutes. ELYOT: Two minutes dear, with an option of renewal. AMANDA: Very well, what shall it be? ELYOT [hurriedly]: Solomon Isaacs. AMANDA: All right, that'll do. ELYOT: Come on, come on. AMANDA: What shall we do if we meet either of them on the way downstairs? ELYOT: Run like stags. AMANDA: What about clothes? ELYOT: I've got a couple of bags I haven't unpacked yet. AMANDA: I've got a small trunk. ELYOT: Send the porter up for it. AMANDA: Oh this is terrible - terrible - ELYOT: Come on, come on, don't waste time. AMANDA: Oughtn't we to leave notes or something? ELYOT: No, no, no, we'll telegraph from somewhere on the road. AMANDA: Darling, I daren't, it's too wicked of us, I simply daren't. ELYOT [seizing her in his arms and kissing her violently]: Now will you behave? AMANDA: Yes, but Elyot darling - ELYOT: Solomon Isaacs!
Noël Coward (Private Lives: An Intimate Comedy in Three Acts)
I’m not going to marry Denny.” He paused. “You have told him this?” “Not yet. I will tell him soon.” “When did you decide?” “Last night.” She lifted her face to his and read pure male arrogance in the set of his brow, the little quirk at the corner of his lips. How like him, to think that disastrous kiss had changed everything. “No, not in the drawing room. I knew it later, in the forest.” He clucked his tongue. “Ah, Cecy. Don’t tell me you’ve fallen in love with the werestag? I fear he will make you a prickly husband.” “Don’t be absurd. And stop deriding me for my honesty, while you hide behind that ironic smirk.” His eyes hardened, and he set his jaw. Curse him, he still wouldn’t let her in. Exasperated, she pushed back the piano bench and stood. “Of course I do not mean to wed a werestag,” she said, crossing to the window. “But that encounter showed me what I truly desire. I want the man who will be there when I need him. The man who will protect me, fight for me.” “I have fought for you, Cecily.” His voice was low, and resonant with emotion. “I have fought for you, protected you. I have suffered and bled for you.” He approached her, covering the Aubusson carpet with a lithe grace that made her weak in the knees. For a moment, she was reminded of the majestic white stag: the innate pride that forbade him to heed her commands; the sheer, wild beauty of his form. They were so alike, he and Luke. Cecily’s breath caught. What did he mean, he had fought for her, bled for her? Was he referring to last— “I have fought for you,” he repeated, thumping a fist to his chest. “Risked my life on battlefields— for you, and for Denny, and for Brooke and Portia and every last soul who calls England home. Is that not enough?” Mere inches separated them now. She swayed forward, carving the distance in half. Her heart drummed in her breast as she whispered, “No.” His eyes flared. “Cecy . . .” “It’s not enough.” She lifted one hand to his neck, curling her fingers into the velvety hair at his nape. Yes, every bit as soft as it looked. “I want more.” If their game was taunting, victory was hers. Grasping her by the hips, he crushed her to the wall and kissed her with abandon.
Tessa Dare (The Legend of the Werestag)
Bali is to Australians what Ibiza is to twelve blokes from Blackpool on a stag do – one long, rowdy, epically-cheap piss-up.
Tony James Slater (Kamikaze Kangaroos!: A trip around Oz in a van called Rusty)
During the year before Shara and I got married, I managed to persuade the owners of a small island, situated in Poole Harbor, to let me winter house-sit the place in return for free lodging. It was a brilliant deal. Chopping logs, keeping an eye on the place, doing a bit of maintenance, and living like a king on a beautiful twenty-acre island off the south coast of England. Some months earlier, I had been walking along a riverbank outside of London when I had spotted a little putt-putt fishing boat with an old 15 hp engine on the back. She was covered in mold and looked on her last legs, but I noticed her name, painted carefully on the side. She was called Shara. What were the chances of that? I bought her on the spot, with what was pretty well my last £800. Shara became my pride and joy. And I was the only person who could get the temperamental engine to start! I used the boat, though, primarily, as my way of going backward and forward to the small island. I had done some properly dicey crossings in Shara during the middle of that winter. Often done late at night, after an evening out, the three-mile crossing back to the island could be treacherous in bad weather. Freezing waves would crash over the bows, threatening to swamp the boat, and the old engine would often start cutting in and out. I had no nav-lights, no waterproofs, no life jacket, and no radio. And that meant no backup plan--which is bad. Totally irresponsible. But totally fun. I held my stag weekend over there with my best buddies--Ed, Mick, Neil, Charlie, Nige (one of Shara’s uni friends who has become such a brilliant buddy), Trucker, Watty, Stan, and Hugo--and it was a wild one. Charlie ended up naked on a post in the middle of the harbor, we got rescued twice having broken down trying to water-ski behind the underpowered Shara, and we had a huge bonfire while playing touch-rugby by firelight. Perfect.
Bear Grylls (Mud, Sweat and Tears)
A man-beast?” Portia asked, her eyes widening. “Oh, I do like the sound of this.” She put pencil to paper again. Brooke leaned over her shoulder. “Are you taking notes for your novel or adding to your list?” “That depends,” she said coolly, “on what manner of beast we’re discussing.” She looked to Denny. “Some sort of large, ferocious cat, I hope? All fangs and claws and fur?” “Once again I must disappoint you,” Denny replied. “No fangs, no claws. It’s a stag.” “Oh, prongs! Even better.” More scribbling. “What do they call this . . . this man-beast? Does it have a name?” “Actually,” said Denny, “most people in the region avoid speaking of the creature at all. It’s bad luck, they say, just to mention it. And a sighting of the beast . . . well, that’s an omen of death.” “Excellent. This is all so inspiring.” Portia’s pencil was down to a nub. “So is this a creature like a centaur, divided at the waist? Four hooves and two hands?” “No, no,” Cecily said. “He’s not half man, half beast in that way. He transforms, you see, at will. Sometimes he’s a man, and other times he’s an animal.” “Ah. Like a werewolf,” Portia said. Brooke laughed heartily. “For God’s sake, would you listen to yourselves? Curses. Omens. Prongs. You would honestly entertain this absurd notion? That Denny’s woods are overrun with a herd of vicious man-deer?” “Not a herd,” Denny said. “I’ve never heard tell of more than one.” “We don’t know that he’s vicious,” Cecily added. “He may be merely misunderstood.” “And we certainly can’t call him a man-deer. That won’t do at all.” Portia chewed her pencil thoughtfully. “A werestag. Isn’t that a marvelous title? The Curse of the Werestag.” Brooke turned to Luke. “Rescue me from this madness, Merritt. Tell me you retain some hold on your faculties of reason. What say you to the man-deer?” “Werestag,” Portia corrected. Luke circled the rim of his glass with one thumb. “A cursed, half-human creature, damned to an eternity of solitude in Denny’s back garden?” He shot Cecily a strange, fleeting glance. “I find the idea quite plausible.
Tessa Dare (How to Catch a Wild Viscount)
Of course I do not mean to wed a werestag,” she said, crossing to the window. “But that encounter showed me what I truly desire. I want the man who will be there when I need him. The man who will protect me, fight for me.” “I have fought for you, Cecily.” His voice was low, and resonant with emotion. “I have fought for you, protected you. I have suffered and bled for you.” He approached her, covering the Aubusson carpet with a lithe grace that made her weak in the knees. For a moment, she was reminded of the majestic white stag: the innate pride that forbade him to heed her commands; the sheer, wild beauty of his form. They were so alike, he and Luke. Cecily’s breath caught. What did he mean, he had fought for her, bled for her? Was he referring to last— “I have fought for you,” he repeated, thumping a fist to his chest. “Risked my life on battlefields—for you, and for Denny, and for Brooke and Portia and every last soul who calls England home. Is that not enough?” Mere inches separated them now. She swayed forward, carving the distance in half. Her heart drummed in her breast as she whispered, “No.” His eyes flared. “Cecy . . .” “It’s not enough.” She lifted one hand to his neck, curling her fingers into the velvety hair at his nape. Yes, every bit as soft as it looked. “I want more.” If
Tessa Dare (How to Catch a Wild Viscount)
One night he left his tent and rambled around aimlessly in the sleeping camp. He wandered to the enclosure where the captives’ tents stood near the banks of the river Rha. The night was cold, silvery with moonlight, and silent; he could hear the river gently lapping against its banks. It was a sweet, soothing sound like the lullaby his mother used to sing. As he listened a change came into the rhythm of the river’s song—now it was sad, yearning . . . and he could hear words. Someone was singing near by. The melody coiled around his heart and drew him, down the grassy slope, down to the river’s edge he went. The soft grass deadened his footsteps and he saw the singer before she heard him. Leaning against a tree so close to the river that her moonlit figure was reflected in the water, stood one of the captive girls. Bendeguz stood motionless, watching and listening. Her deep sad voice seemed to melt the fierceness around his heart, the restlessness left him, he was at peace. The song came to an end. The girl turned away from the river with a sigh . . . she saw Bendeguz. She made a move as if to run away, then shrank against the tree and faced him defiantly. There was contempt in her eyes and pride in the lift of her head. Bendeguz wanted to say: “Do not be afraid,” but now he could not, for there was no fear in her eyes—just cold, proud contempt. He walked closer, he could have touched her, and still she faced him defiantly. “What is your name?” he asked and his voice was gentle. “Alleeta.” “Alleeta . . .” he repeated slowly. “Alleeta, your eyes are as cold as ice. Do you hate me?” She looked at him for a long time then she turned her head away. “No, not now,” she whispered. “Always I have before, but not now.” She was speaking the language of the Huns, yet it wasn’t the same. To Bendeguz the words she spoke were like her elusive reflection in the water, the same words he knew but subtly different. And suddenly the words of her song rang again in his ears: Lead me westward, White Eagle of the Moon, oh, lead me On silvery rays of the Moon— Westward I long to fly . . . . “Alleeta, where did you learn that song—where did you learn the language of my people?” he asked. She looked at him, surprised. “It is the language of my people and it is a song we all know, the Song of the White Eagle.” “The White Eagle!” exclaimed Bendeguz.
Kate Seredy (The White Stag)
Who are you? Who are your people?” Alleeta lifted her head proudly. She stood like a white flame before him. “I am the daughter of King Ashkenaz and my people are the Cimmerians, homeless wanderers upon the earth. Lost in the wilderness, downtrodden by the Scythians, slain by the enemy’s swords, and torn by the fangs of famine for longer years than I can remember, we have never lost hope. We believed that some day we would find the land of peace, believed that some day the leader promised to us by our great forefather Gomer would come and lead us to that land—the leader who shall be called the White Eagle. And now we have been taken as slaves by you, Bendeguz, and hope is dead in our hearts. The White Eagle is but a song.” Bendeguz listened to her rushing words in silence. Then he said: “Alleeta, do you know what my people call me?” “Your name is Bendeguz—I know.” He held out his hand to her. “Alleeta, listen to me. My name is Bendeguz, the White Eagle! My people are also seeking a land of peace, promised to them by our forefather, Nimrod. We have been slain by swords and torn by famine on the way; now we kill and destroy not because we want to but because nothing must stand in our way, we must and we will reach the land of our destiny.” While he spoke these words, Alleeta came slowly closer to him and took his hand. He closed his strong fingers on her hand and went on: “Tomorrow, Alleeta, your people shall be free. Tell them that they may leave us, or stay with us not as slaves but as our brothers. Tell them that our strength will be their strength, that we will never forsake them.” She had been looking into his eyes intently, searching. Now she smiled. “I can speak for my people now, Bendeguz. I will follow wherever you go. We will follow the White Eagle of the Moon westward . . . always.” She stepped back and slipped away between the dark trees. She might have been a dream, but her voice floated back to Bendeguz, growing fainter and fainter: Lead me westward, White Eagle of the Moon, oh, lead me . . . Bendeguz, back in his tent, was also singing softly: On silvery rays of the Moon Westward I long to fly . . . And, as he drifted into sleep, his last thought was: “Westward . . . but not alone, not alone any more.
Kate Seredy (The White Stag)
Frank had fighting in the jar that day, but I can remember other bug fights we staged later on: one stag beetle against a hundred red ants, one centipede against three spiders, red ants against black ants. They won’t fight unless you keep shaking the jar. And that’s what Frank was doing, shaking, shaking the jar.
Kurt Vonnegut Jr. (Cat's Cradle)
What in the three worlds are you doing?” I took stock of the mess of torn pages scattered around me like the fanned-out train of a dress. “Making paper animals. I’m taking requests for the next ten minutes only.” “A spider.” “How about a horse?” “A caterpillar.” “Can I tempt you with a horse?” He stared at me, unimpressed. “A stag.” “I’m sorry, did you say horse?” He pressed a finger between his brows, pushing upward as he sighed. “A fucking horse, then.” I flung the mangled paper I had been holding at him. “Enjoy
Jane Washington (A Dream of Embers (A Tempest of Shadows, #3))