Unread Book Quotes

Books should go where they will be most appreciated, and not sit unread, gathering dust on a forgotten shelf, don't you agree?

She thought of the library, so shining white and new; the rows and rows of unread books; the bliss of unhurried sojourns there and of going out to a restaurant, alone, to eat.

You should date a girl who reads. Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve. Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn. She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book. Buy her another cup of coffee. Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice. It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does. She has to give it a shot somehow. Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world. Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two. Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series. If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are. You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype. You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots. Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads. Or better yet, date a girl who writes.

All the books we own, both read and unread, are the fullest expression of self we have at our disposal. ... But with each passing year, and with each whimsical purchase, our libraries become more and more able to articulate who we are, whether we read the books or not.

An unread book does nobody any good. Stories happen in the mind of a reader, not among symbols printed on a page.

As the hours crept by, the afternoon sunlight bleached all the books on the shelves to pale, gilded versions of themselves and warmed the paper and ink inside the covers so that the smell of unread words hung in the air.

Collect books, even if you don't plan on reading them right away. Nothing is more important than an unread library.

The unread story is not a story; it is little black marks on wood pulp. The reader, reading it, makes it live: a live thing, a story.

I am a product [...of] endless books. My father bought all the books he read and never got rid of any of them. There were books in the study, books in the drawing room, books in the cloakroom, books (two deep) in the great bookcase on the landing, books in a bedroom, books piled as high as my shoulder in the cistern attic, books of all kinds reflecting every transient stage of my parents' interest, books readable and unreadable, books suitable for a child and books most emphatically not. Nothing was forbidden me. In the seemingly endless rainy afternoons I took volume after volume from the shelves. I had always the same certainty of finding a book that was new to me as a man who walks into a field has of finding a new blade of grass.

The writer Umberto Eco belongs to that small class of scholars who are encyclopedic, insightful, and nondull. He is the owner of a large personal library (containing thirty thousand books), and separates visitors into two categories: those who react with “Wow! Signore, professore dottore Eco, what a library you have ! How many of these books have you read?” and the others - a very small minority - who get the point that a private library is not an ego-boosting appendage but a research tool. Read books are far less valuable than unread ones. The library should contain as much of what you don’t know as your financial means, mortgage rates and the currently tight real-estate market allows you to put there. You will accumulate more knowledge and more books as you grow older, and the growing number of unread books on the shelves will look at you menancingly. Indeed, the more you know, the larger the rows of unread books. Let us call this collection of unread books an antilibrary.

An unread book does nobody any good

The truly cultured are capable of owning thousands of unread books without losing their composure or their desire for more.

We lusty bibliophiles know that reading, unlike just about anything else, is both good for you and loads of fun.

A library at night is full of sounds: the unread books can't stand it any longer and announce their contents, some boasting, some shy, some devious.

Nina had looked around and realized she would never run out of things to read, and that certainty filled her with peace and satisfaction. It didn't matter what hit the fan; as long as there were unread books in the world, she would be fine.

Please be SILENT and LISTEN. I am the SCHOOLMASTER and you are in the CLASSROOM. Just like ELEVEN PLUS TWO equals TWELVE PLUS ONE, And even a FUNERAL can be REAL FUN, You will find my DICTIONARY is quite INDICATORY. If you want to read my story, just look... THEN UNREAD.

Read books are far less valuable than unread ones. The library should contain as much of what you do not know as your financial means, mortgage rates, and the currently tight real-estate market alow you to put there.

That was one thing about books: once you read them they couldn’t be unread.

a happy birthday this evening, I sat by an open window and read till the light was gone and the book was no more than a part of the darkness. I could easily have switched on a lamp, but I wanted to ride the day down into night, to sit alone, and smooth the unreadable page with the pale gray ghost of my hand

I suddenly had a little epiphany: all the books we own, both read and unread, are the fullest expression of self we have at our disposal.

Always be reading. Go to the library. There’s magic in being surrounded by books. Get lost in the stacks. Read bibliographies. It’s not the book you start with, it’s the book that book leads you to. Collect books, even if you don’t plan on reading them right away. Filmmaker John Waters has said, “Nothing is more important than an unread library.” Don’t worry about doing research. Just search.

There was that special smell made up of paper, ink, and dust; the busy hush; the endless luxury of thousands of unread books. Best of all was the eager itch of anticipation as you went out the door with your arms loaded down with books.

Remember that the book which bores you when you are twenty or thirty will open doors for you when you are forty or fifty-and vise versa. Don’t read a book out of its right time for you.

Can you smell it? The scent of new books. Unread adventures. Friends you haven't met yet, hours of magical escapism awaiting you.

Each thing I do, I rush through so I can do something else. In such a way do the days pass---a blend of stock car racing and the never ending building of a gothic cathedral. Through the windows of my speeding car I see all that I love falling away: books unread, jokes untold, landscapes unvisited...

So many broken promises, each day an aborted wish, a lost object, a misplaced unread book, cluttering the room like an attic with discarded possessions.

Even when reading is impossible, the presence of books acquired produces such an ecstasy that the buying of more books than one can read is nothing less than the soul reaching towards infinity... We cherish books even if unread, their mere presence exudes comfort, their ready access reassurance.

A library of mostly unread books is far more inspiring than a library of books already read. There’s nothing more exciting than finishing a book, and walking over to your shelves to figure out what you’re going to read next." [The Wonderful and Terrible Habit of Buying Too Many Books, PWxyz (news blog of Publishers Weekly), February 16th, 2012]

Those of you who are more than casually familiar with books -- those of you who spend your free afternoons in fusty bookshops, who offer furtive, kindly strokes along the spines of familiar titles -- understand that page riffling is an essential element in the process of introducing oneself to a new book. It isn't about reading the words; it's about reading the smell, which wafts from the pages in a cloud of dust and wood pulp. It might smell expensive and well bound, or it might smell of tissue-thin paper and blurred two-colour prints, or of fifty years unread in the home of a tobacco-smoking old man. Books can smell of cheap thrills or painstaking scholarship, or literary weight or unsolved mysteries.

Collect books, even if you don’t plan on reading them right away. Filmmaker John Waters has said, “Nothing is more important than an unread library.

The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed, or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it.

‎"It’s not as if I don’t have anything to read; there’s a tower of perfectly good unread books next to my bed, not to mention the shelves of books in the living room I’ve been meaning to reread. I find myself, maddeningly, hungry for the next one, as yet unknown. I no longer try to analyze this hunger; I capitulated long ago to the book lust that’s afflicted me most of my life.

When I re-read, I know what I'm getting. It's like revisiting an old friend. An unread book holds wonderful unknown promise, but also threatens disappointment. A re-read is a known quantity.

books should go where they will be most appreciated, not sit unread, gathering dust on a foreign shelf, don't you agree?

Books, including those written by famous authors, may sit unread on forgotten shelves, attracting dust rather than readers’ attention.

Long ago I fell back on books as the only permanent consolers. They are the one stainless and unimpeachable achievement of the human race. It saddens me to think that I shall have to die with thousands of books unread that would have given me noble and unblemished happiness.

It made the Baudelaire sisters a little sad to see all those books sitting in the library unread and unnoticed, like stray dogs or lost children that nobody wanted to take home.

For the last several days I've had the sudden and general urge to buy a new book. I've stopped off at a few bookstores around the city, and while I've looked at hundreds and hundreds of books in that time, I have not found the one book that will satisfy my urge. It's not as if I don't have anything to read; there's a tower of perfectly good unread books next to my bed, not to mention the shelves of books in the living room I've been meaning to reread. I find myself, maddeningly, hungry for the next one, as yet unknown. I no longer try to analyze this hunger; I capitulated long ago to the book lust that's afflicted me most of my life. I know enough about the course of the disease to know I'll discover something soon.

Every new book we read in our brief and busy lives means that a classic is left unread.

Manage me, I'm a mess Turn a page, I'm a book Half unread

Nora wasn't a football fan. Who had time to watch football when there were so many fantastic books in the world yet unread?

An unread book is a world unexplored

He wondered what percentage of the world's art was actually kept in bank vaults and the like. Like unread books and unplayed music, did it matter that art went unseen?

Like all collectors, I exist in a perpetual state of want that bears no reasonable relationship to the quantity of unread books mounting up on my shelves.

Book should go where they will be most appreciated, and not sit unread, gathering dust on a forgotten shelf, don't you agree?

Zaid's finest moment, however, comes in his second paragraph, when he says that "the truly cultured are capable of owning thousands of unread books without losing their composure or their desire for more." That's me! And you, probably! That's us!

Behind the counter, I slouched on my stool in the sun and sucked up the summer as If I could hold every drop of it inside of me. As the hours crept by, the afternoon sunlight bleached all the books on the shelves to pale, gilded versions of themselfs and warmed the paper and ink indside the covers so that the smell of unread words hung in the air.

Perhaps you could take only one book with you to read at the gardens. After all, you'll only be there for the afternoon." Hazel choked on her tea. "One book? One book? Now you're being absurd. What if I finish it? Or what if I find it impossibly dull, what then? What am I supposed to read if I either complete the book I brought or I otherwise discover it to be unreadable? It what if it no longer holds my attention? Someone could spill tea on it. There. Think of that. Someone could spill tea on my one book, and then I would be marooned. Honestly, Iona, you must use your head.

I thought with melancholy how an author spends months writing a book, and maybe puts his heart’s blood into it, and then it lies about unread till the reader has nothing else in the world to do.

You may have wanted to read it when you bought it, but if you haven’t read it by now, the book’s purpose was to teach you that you didn’t need it. There’s no need to finish reading books that you only got halfway through. Their purpose was to be read halfway. So get rid of all those unread books. It will be far better for you to read the book that really grabs you right now than one that you left to gather dust for years.

Destroying species is like tearing pages out of an unread book, written in a language humans hardly know how to read, about the place where they live.

People sometimes act as though owning books you haven't read constitutes a charade or pretense, but for me, there's a lovely mystery and pregnancy about a book that hasn't given itself over to you yet--sometimes I'm the most inspired by imagining what the contents of an unread book might be. ~ Jonathan Lethem, author of The Fortress of Solitude

I wonder at times if we're not all blind. It just seems there are an abundance of books unread, paint strokes not admired, and performances unattended. So much attention painstakingly sought and not given.

Nevertheless we cherish all books, especially the unread ones, for who knows what secrets they might yield one day? —p.397, as by Larry Zagorski, in his short story "The City of the Sun

If you missed your chance to read a particular book, even if it was recommended to you or is one you have been intending to read for ages, this is your chance to let it go. You may have wanted to read it when you bought it, but if you haven't read it by now, the book's purpose was to teach you that you didn't need it. There is no need to finish reading books that you only got halfway through. Their purpose was to be read halfway. So get rid of all those unread books. It will be far better for you to read the book that really grabs you right now than one that you left to gather dust for years.

Flora had also learned the degraded art of 'tasting' unread books, and now, whenever her skimming eye lit on a phrase about heavy shapes, or sweat, or howls or bedposts, she just put the book back on the shelf, unread.

Why should injustice, the darkness of justice, exist and not be an imperfect entry in a book unread for centuries? Until it is so forgotten, that no one remembers it was ever there.

At the best of times his face was unreadable. Now his face was a book written in a language long forgotten, in an alphabet unimagined. Silas wrapped the shadows around him like a blanket, and stared after the way the boy had gone, and did not move to follow.

Corliss wondered what happens to a book that sits unread on a library shelf for thirty years. Can a book rightfully be called a book if it never gets read?... 'How many books never get checked out," Corliss asked the librarian. 'Most of them,' she said. Corliss never once considered the fate of library books. She loved books. How could she not worry about the unread? She felt like a disorganized scholar, an abusive mother, and a cowardly soldier. 'Are you serious?' Corliss asked. 'What are we talking about here? If you were guessing, what is the percentage of books in this library that never get checked out?' 'We're talking sixty percent of them. Seriously. Maybe seventy percent. And I'm being optimistic. It's probably more like eighty or ninety percent. This isn't a library, it's an orphanage.' The librarian talked in a reverential whisper. Corliss knew she'd misjudged this passionate woman. Maybe she dressed poorly, but she was probably great in bed, certainly believed in God and goodness, and kept an illicit collection of overdue library books on her shelves.

It is usually unbearably painful to read a book by an author who knows way less than you do, unless the book is a novel.

Unread books are like unopened doors.

Manage me, I am a mess, swept under the rug of yesterday’s home improvement, a whimsical urge tossed aside for the easy reassurance of home and comfort. I am the photograph tucked away as a book-mark, in a book left half unread, once reopened to find memories crawling back into peripheral sight, faded, creased and lonely. I long to be admired, long to be held, torn and laughed at, laughed with, like a distant relative or an old friend breathing in their last breath. I missed the moment when time collapsed and memory was erased, replaced by finicky social experiments, lost in the blur of intoxication, sucked through multi-colored bendy-straws, making way for a spinning world where hub-caps stood still, but our vision didn’t. If I could leave you with only one thing, it would be small, foldable, and made from trees, with a few careless words, scribbled in blue; Take a minute to learn me, take a moment to love me, because I need your love to live,and without it, I am nothing.

I hear you don't write any more," he says... "Not true," I inform him. "You should see the margins of my student papers." "Not the same as writing a book though, right?" "Almost identical," I assure him. "Both go largely unread.

Forget her? Impossible. Mia Rose flowed through me, inked across every page of my soul which made me whole. Did he not know you couldn’t unread a book? If there was a chance, I’d find it. I’d want to read her over and over as if it were the first time all over again.

Read books are far less valuable than unread ones.

Books should go where they will be most appreciated, and not sit unread, gathering dust on a forgotten shelf

To put an end to the spirit of inquiry that has characterized the West it is not necessary to burn the books. All we have to do is to leave them unread for a few generations.

She praised his book and he embraced her from gratitude rather than lust, but she didn't let go. Neither did he. She kissed his cheek, his earlobe. For months they'd run their fingers around the hem of their affection without once acknowledging the fabric. The circumference of the world tightened to what their arms encompassed. She sat on the desk, between the columns of read and unread manuscript, and pulled him toward her by his index fingers.

Every word, every step, every action is irreversible. If we step in front of a moving car, if we sign a contract we haven’t read, if we betray the person we love, the best we can do is try to clean up the mess. But no matter how hard we scrub, the stain on reality will never come out. The word you just read can never be unread.

I expect to see the coming decades transform the planet into an art form; the new man, linked in a cosmic harmony that transcends time and space, will sensuously caress and mold and pattern every facet of the terrestrial artifact as if it were a work of art, and man himself will become an organic art form. There is a long road ahead, and the stars are only way stations, but we have begun the journey. To be born in this age is a precious gift, and I regret the prospect of my own death only because I will leave so many pages of man’s destiny — if you will excuse the Gutenbergian image — tantalizingly unread. But perhaps, as I’ve tried to demonstrate in my examination of the postliterate culture, the story begins only when the book closes.

To delight a child, to add a new joy to the crowded miracles of childhood, is no less worth doing than to leave a Sistine Chapel to astound a somewhat bored procession of tourists; or to have written a classic that sells by the thousands and is possessed unread by all save an infinitesimal percentage of its owners. It is, then, not an ignoble thing to do one’s very best to give our coming rulers – children – a taste of the Kingdom of Art.

The bookshop felt damp and chilly, but it was still and unsupervised bookshop, and Anna felt a frisson of excitement as she scanned the shelves with greedy eyes. Libraries weren't quite the same, she'd found; something about the prosaic smell of other people's houses and fingers seeping off the pages diluted that sense of magical worlds, but untouched, unread, unexplored books were something else.

Your days are like pages, the chapters unread. You have to keep turning your book has no end.

Nothing leaves a scar upon an Authors heart more than a book they've written with purpose going unread.

The apartment was entirely, was only, for her: a wall of books, both read and unread, all of them dear to her not only in themselves, their tender spines, but in the moments or periods they evoked… Her self, then, was represented in her books; her times in her records; and the rest of the room she thought of as a pure, blank slate.

written works do not produce fast reactions as pictures and sculptures and music do. it takes no effort to see or hear. but to read - to grasp what the writer has done - requires commitment. engagement. as is the case with most art, the relationship between the maker and the audience is remote in time and space. the writer is nowhere to be seen when the reader takes up the book, or even dead. but most often, books go unread...thus the writer, knowing this as writers do, is even more alone...yet writers write. and knowing what they know makes their isolation almost a sacrament.

I keep collecting books I know I'll never, never read; My wife and daughter tell me so, And yet I never heed. "Please make me," says some wistful tome, "A wee bit of yourself." And so I take my treasure home, And tuck it in a shelf. And now my very shelves complain; They jam and over-spill. They say: "Why don't you ease our strain?" "Some day," I say, "I will." So book by book they plead and sigh; I pick and dip and scan; Then put them back, distressed that I Am such a busy man. Now, there's my Boswell and my Sterne, my Gibbon and Defoe; To savor Swift I'll never learn, Montaigne I may not know. On Bacon I will never sup, For Shakespeare I've no time; Because I'm busy making up These jingly bits of rhyme. Chekov is caviar to me, While Stendhal makes me snore; Poor Proust is not my cup of tea, And Balzac is a bore. I have their books, I love their names, And yet alas! they head, With Lawrence, Joyce and Henry James, My Roster of Unread. I think it would be very well If I commit a crime, And get put in a prison cell And not allowed to rhyme; Yet given all these worthy books According to my need, I now caress with loving looks, But never, never read." (from, Book Lover)

He was not above calling a book unreadable. But their literary merit wasn’t important at this moment. They were words strung together to represent the firing of neurons and the transferring of information through synapses. They were human minds set into paper, and Sebastian loved every single one of them, even the ones he found disposable.

Living wild species are like a library of books still unread. Our heedless destruction of them is akin to burning that library without ever having read its books.

Hello, nice to meet you, I sell unreadable books to weird old people - want to get dinner?

Manage me, I'm a mess Turn a page, I'm a book half unread I wanna be laughed at, laughed with just because I wanna feel weightless and that should be enough

No matter how valuable these books, it seems a bit sad to let them go unread,

I go on writing in both respectable and despised genres because I respect them all, rejoice in their differences, and reject only the prejudice and ignorance that dismisses any book, unread, as not worth reading." -- "On Despising Genres," essay

Books are a way we leave a mark on the world, aren’t they? They say we were here, we loved and we grieved and we laughed and we made mistakes and we existed. They can be burned halfway across the world, but the words cannot be unread, the stories cannot be untold. They do live on in this library, but more importantly they are immortalized in anyone who has read them.

There are two kinds of people in the world, those who re-read and those who don’t. No, don’t be silly, there are far more than two kinds of people in the world. There are even people who don’t read at all. (What do they think about on buses?) But there are two kinds of readers in the world, though, those who re-read and those who don’t. Sometimes people who don’t re-read look at me oddly when I mention that I do. “There are so many books,” they say, “and so little time. If I live to be a mere Methuselah of 800, and read a book a week for 800 years, I will only have the chance to read 40,000 books, and my readpile is already 90,000 and starting to topple! If I re-read, why, I’ll never get through the new ones.” This is in fact true, they never will. And my readpile is also, well, let’s just say it’s pretty large, and that’s just the pile of unread books in my house, not the list of books I’d theoretically like to read someday, many of which have not even been written yet.

...it all remained unreadable for him, though reading, he felt, was not a natural thing and should not be done to people. In general, people were not road maps. People were not hieroglyphs or books. They were not stories. A person was a collection of accidents. A person was an infinite pile of rocks with things growing underneath.

Sebastian ran a finger over the spines of the books on the shelf. It did not matter to him what the titles were. They were books. They were filled with thoughts. Their relevance was debatable; he was sure some were exceptional while others were the works of lesser minds. He was not above calling a book unreadable. But their literary merit wasn’t important at this moment. They were words strung together to represent the firing of neurons and the transferring of information through synapses. They were human minds set into paper, and Sebastian loved every single one of them, even the ones he found disposable.

Or perhaps it was the crying woman's mention of the unread library books, because truly there was nothing sadder, except a gift that a person has hand made for you, a scarf or a poncho, that, try as you might, you cannot ever see your way into wearing. This is when the cold indifference of the world envelops you, and makes you feel invigorated by emotion but also acutely alone.

I wonder what you would say if you saw me now. You were the one who passed on, but I'm the one who forgot what it was to live. I barely sleep & all the flesh is falling off my bones& my books-all my beloved books- are coated in inches of dust, unread. Here I am, somehow managing to be more haunted house than girl. - ghost-daughter

Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.

Reading was only part of the thrill that a book represented. I got a dizzy pleasure from the weight and feel of a new book in my hand, a sensual delight from the smell and crispness of the pages. I loved the smoothness and bright colors of their jackets. For me, a stacked, unread pyramid of books was one of the sexiest architectural designs there was, because what I loved most about books was their promise, the anticipation of what lay between the covers, waiting to be found.

Did he remember those days when his children were almost certainly six? When there was a pitter-pat in the hallways an hour before dawn? When every object smaller than an apple was nowhere to be found, until it was right underfoot? When books went unread, letters unanswered, and every train of thought was left incomplete? He remembered them as if they were yesterday

The best thing about conceptual poetry is that it doesn’t need to be read. You don’t have to read it. As a matter of fact, you can write books, and you don’t even have to read them. My books, for example, are unreadable. All you need to know is the concept behind them. Here’s every word I spoke for a week. Here’s a year’s worth of weather reports... and without ever having to read these things, you understand them.

The apartment was entirely, was only, for her: a wall of books, both read and unread, all of them dear to her not only in themselves, their tender spines, but in the moments or periods they evoked. She had kept some books since college that she had acquired for courses and never read—Fredric Jameson, for example, and Kant’s Critique of Judgment—but which suggested to her that she was, or might be, a person of seriousness, a thinker in some seeping, ubiquitous way; and she had kept, too, a handful of children’s books taken fro her now-dismantled girlhood room, like Charlotte’s Web and the Harriet the Spy novels, that conjured for her an earlier, passionately earnest self, the sober child who read constantly in the back of her parents’ Buick, oblivious to her brother punching her knee, oblivious to her parents’ squabbling, oblivious to the traffic and landscapes pressing upon her from outside the window. She had, in addition to her books, a modest shelf of tapes and CDs that served a similar, though narrower, function…she was aware that her collection was comprised largely of mainstream choices that reflected—whether popular or classical—not so much an individual spirit as the generic tastes of her times: Madonna, the Eurythmics, Tracy Chapman from her adolescence; Cecilia Bartoli, Anne-Sophie Mutter, Mitsuko Uchida; more recently Moby and the posthumously celebrated folk-singing woman from Washington, DC, who had died of a melanoma in her early thirties, and whose tragic tale attracted Danielle more than her familiar songs. Her self, then, was represented in her books; her times in her records; and the rest of the room she thought of as a pure, blank slate.

Listen carefully: you do not need to have a "productive" homeschool day to please the Savior. You do not need to have a clean house to please the Savior. You do not even need to have well-behaved kids to please Him. It doesn't matter if you hit every math problem, get through an entire spelling lesson, or whether your child loves learning the way you want him to. It doesn't matter! What matters is that we seek to imitate Christ. That we order our loves so that our hearts better reflect His.  Many days, checklists will go untouched, books will go unread, ducks will not line up in a row, no matter how much we strive. So cease striving. "It is our part to offer what we can, His to finish what we cannot." —— St. Jerome

One book? One book? Now you’re being absurd. What if I finish it? Or what if I find it impossibly dull, what then? What am I supposed to read if I either complete the book I brought or I otherwise discover it to be unreadable? Or what if it no longer holds my attention? Someone could spill tea on it. There. Think of that. Someone could spill tea on my one book, and then I would be marooned. Honestly, Iona, you must use your head.” “Two books then, miss.

My attic study is full of books, around a thousand of them, of which I might have read a half, the others lie in wait; some were bought years ago and are destined to remain unread, others were consumed as soon as I brought them home. Some , more ancient acquisitions, glare back at me accusingly, claiming their right to be read, to be given the chance to relieve me of some particularly acute area of ignorance , of which I possess legion, there is never enough time to read all these books , there never will be time enough, there is never enough time in one life to read everything.

Why me?” I asked. “Why did an unknown Caerith scribe from ages past see fit to set down a prophecy of my life? I am just a whore’s bastard made a thief and a murderer because there was no other place for me in this land. I am a pariah to be shunned by churl and noble alike. This land and its people have no use for me, save to earn an ugly death and an unmarked grave fighting their wars.” “The life of a pariah can be as meaningful as that of a king,” she replied, her voice softer now and I discerned a weariness in the way her shoulders slumped. “Every life is significant, but some are… more so. You, it transpires, were the key to unlocking the secrets of this book, and with that key my people will unlock further secrets. We have so many books, all unread since the Fall. Now the precious knowledge they contain will belong to us once more. You should be proud.

Like any overt school of mysticism, a movement seeking to achieve a vicious goal has to invoke the higher mysteries of an incomprehensible authority. An unread and unreadable book serves this purpose. It does not count on men’s intelligence, but on their weaknesses, pretensions and fears. It is not a tool of enlightenment, but of intellectual intimidation. It is not aimed at the reader’s understanding, but at his inferiority complex. An intelligent man will reject such a book with contemptuous indignation, refusing to waste his time on untangling what he perceives to be gibberish—which is part of the book’s technique: the man able to refute its arguments will not (unless he has the endurance of an elephant and the patience of a martyr). A young man of average intelligence—particularly a student of philosophy or of political science—under a barrage of authoritative pronouncements acclaiming the book as “scholarly,” “significant,” “profound,” will take the blame for his failure to understand. More often than not, he will assume that the book’s theory has been scientifically proved and that he alone is unable to grasp it; anxious, above all, to hide his inability, he will profess agreement, and the less his understanding, the louder his agreement—while the rest of the class are going through the same mental process. Most of them will accept the book’s doctrine, reluctantly and uneasily, and lose their intellectual integrity, condemning themselves to a chronic fog of approximation, uncertainty, self doubt. Some will give up the intellect (particularly philosophy) and turn belligerently into “pragmatic,” anti-intellectual Babbitts. A few will see through the game and scramble eagerly for the driver’s seat on the bandwagon, grasping the possibilities of a road to the mentally unearned. Within a few years of the book’s publication, commentators will begin to fill libraries with works analyzing, “clarifying” and interpreting its mysteries. Their notions will spread all over the academic map, ranging from the appeasers, who will try to soften the book’s meaning—to the glamorizers, who will ascribe to it nothing worse than their own pet inanities—to the compromisers, who will try to reconcile its theory with its exact opposite—to the avant-garde, who will spell out and demand the acceptance of its logical consequences. The contradictory, antithetical nature of such interpretations will be ascribed to the book’s profundity—particularly by those who function on the motto: “If I don’t understand it, it’s deep.” The students will believe that the professors know the proof of the book’s theory, the professors will believe that the commentators know it, the commentators will believe that the author knows it—and the author will be alone to know that no proof exists and that none was offered. Within a generation, the number of commentaries will have grown to such proportions that the original book will be accepted as a subject of philosophical specialization, requiring a lifetime of study—and any refutation of the book’s theory will be ignored or rejected, if unaccompanied by a full discussion of the theories of all the commentators, a task which no one will be able to undertake. This is the process by which Kant and Hegel acquired their dominance. Many professors of philosophy today have no idea of what Kant actually said. And no one has ever read Hegel (even though many have looked at every word on his every page).

He couldn’t have known it, but among the original run of The History of Love, at least one copy was destined to change a life. This particular book was one of the last of the two thousand to be printed, and sat for longer than the rest in a warehouse in the outskirts of Santiago, absorbing the humidity. From there it was finally sent to a bookstore in Buenos Aires. The careless owner hardly noticed it, and for some years it languished on the shelves, acquiring a pattern of mildew across the cover. It was a slim volume, and its position on the shelf wasn’t exactly prime: crowded on the left by an overweight biography of a minor actress, and on the right by the once-bestselling novel of an author that everyone had since forgotten, it hardly left its spine visible to even the most rigorous browser. When the store changed owners it fell victim to a massive clearance, and was trucked off to another warehouse, foul, dingy, crawling with daddy longlegs, where it remained in the dark and damp before finally being sent to a small secondhand bookstore not far from the home of the writer Jorge Luis Borges. The owner took her time unpacking the books she’d bought cheaply and in bulk from the warehouse. One morning, going through the boxes, she discovered the mildewed copy of The History of Love. She’d never heard of it, but the title caught her eye. She put it aside, and during a slow hour in the shop she read the opening chapter, called 'The Age of Silence.' The owner of the secondhand bookstore lowered the volume of the radio. She flipped to the back flap of the book to find out more about the author, but all it said was that Zvi Litvinoff had been born in Poland and moved to Chile in 1941, where he still lived today. There was no photograph. That day, in between helping customers, she finished the book. Before locking up the shop that evening, she placed it in the window, a little wistful about having to part with it. The next morning, the first rays of the rising sun fell across the cover of The History of Love. The first of many flies alighted on its jacket. Its mildewed pages began to dry out in the heat as the blue-gray Persian cat who lorded over the shop brushed past it to lay claim to a pool of sunlight. A few hours later, the first of many passersby gave it a cursory glance as they went by the window. The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it. And that’s what happened. One afternoon a tall young man saw the book in the window. He came into the shop, picked it up, read a few pages, and brought it to the register. When he spoke to the owner, she couldn’t place his accent. She asked where he was from, curious about the person who was taking the book away. Israel, he told her, explaining that he’d recently finished his time in the army and was traveling around South America for a few months. The owner was about to put the book in a bag, but the young man said he didn’t need one, and slipped it into his backpack. The door chimes were still tinkling as she watched him disappear, his sandals slapping against the hot, bright street. That night, shirtless in his rented room, under a fan lazily pushing around the hot air, the young man opened the book and, in a flourish he had been fine-tuning for years, signed his name: David Singer. Filled with restlessness and longing, he began to read.