Stag Dance Quotes

We've searched our database for all the quotes and captions related to Stag Dance. Here they are! All 24 of them:

Ava's not my date. I came stag." "Stag. You. Why?" "So my date wouldn't get offended when I wanted to dance with you," he says.
Cynthia Hand (Hallowed (Unearthly, #2))
There's just one move a man needs to know in order to rock it on the dance floor." "Yeah? What's the move?" "STAG" "What's stag?" "The only one of Logan's crazy acronyms I live my life by-STAG. Stand there and grind.
Elle Kennedy (The Score (Off-Campus, #3))
Paris and Helen He called her: golden dawn She called him: the wind whistles He called her: heart of the sky She called him: message bringer He called her: mother of pearl barley woman, rice provider, millet basket, corn maid, flax princess, all-maker, weef She called him: fawn, roebuck, stag, courage, thunderman, all-in-green, mountain strider keeper of forests, my-love-rides He called her: the tree is She called him: bird dancing He called her: who stands, has stood, will always stand She called him: arriver He called her: the heart and the womb are similar She called him: arrow in my heart.
Judy Grahn (The work of a common woman: The collected poetry of Judy Grahn, 1964-1977 ; with an introduction by Adrienne Rich)
It was like that bit in Beauty and the Beast when the Beast dances with Belle. Except there was no Belle. And no music. And no candlelight. Just a beast.
M.A. Bennett (S.T.A.G.S (S.T.A.G.S, #1))
Those who want to hear the voice of pagan gods in wind and thunder, who want to see fairies dance in the moonlight, who can believe that faith can move mountains, can follow the thread on the pages of this book. It is a fragile thread; it cannot bear the weight of facts and dates.
Kate Seredy (The White Stag)
What’s Baghra’s power, anyway?” I asked, the thought occurring to me for the first time. She was an amplifier like the Darkling, but he had his own power, too. “I’m not sure,” he said. “I think she was a Tidemaker. No one around here is old enough to remember.” He looked down at me. The cold air had put a flush in his cheeks, and the lamplight shone in his gray eyes. “Alina, if I tell you that I still believe we can find the stag, would you think I’m mad?” “Why would you care what I think?” He looked genuinely baffled. “I don’t know,” he said. “But I do.” And then he kissed me. It happened so suddenly that I barely had time to react. One moment, I was staring into his slate-colored eyes, and the next, his lips were pressed to mine. I felt that familiar sense of surety melt through me as my body sang with sudden heat and my heart jumped into a skittery dance. Then, just as suddenly, he stepped back. He looked as surprised as I felt. “I
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
Not to waste the spring I threw down everything, And ran into the open world To sing what I could sing... To dance what I could dance! And join with everyone! I wandered with a reckless heart beneath the newborn sun. First stepping through the blushing dawn, I crossed beneath a garden bower, counting every hermit thrush, counting every hour. When morning's light was ripe at last, I stumbled on with reckless feet; and found two nymphs engaged in play, approaching them stirred no retreat. With naked skin, their weaving hands, in form akin to Calliope's maids, shook winter currents from their hair to weave within them vernal braids. I grabbed the first, who seemed the stronger by her soft and dewy leg, and swore blind eyes, Lest I find I, before Diana, a hunted stag. But the nymphs they laughed, and shook their heads. and begged I drop beseeching hands. For one was no goddess, the other no huntress, merely two girls at play in the early day. "Please come to us, with unblinded eyes, and raise your ready lips. We will wash your mouth with watery sighs, weave you springtime with our fingertips." So the nymphs they spoke, we kissed and laid, by noontime's hour, our love was made, Like braided chains of crocus stems, We lay entwined, I laid with them, Our breath, one glassy, tideless sea, Our bodies draping wearily. We slept, I slept so lucidly, with hopes to stay this memory. I woke in dusty afternoon, Alone, the nymphs had left too soon, I searched where perched upon my knees Heard only larks' songs in the trees. "Be you, the larks, my far-flung maids? With lilac feet and branchlike braids... Who sing sweet odes to my elation, in your larking exaltation!" With these, my clumsy, carefree words, The birds they stirred and flew away, "Be I, poor Actaeon," I cried, "Be dead… Before they, like Hippodamia, be gone astray!" Yet these words, too late, remained unheard, By lark, that parting, morning bird. I looked upon its parting flight, and smelled the coming of the night; desirous, I gazed upon its jaunt, as Leander gazes Hellespont. Now the hour was ripe and dark, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I'll say it once and true… From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.
Roman Payne (Rooftop Soliloquy)
Before he danced with his weapons, now he danced with me.
Kara Barbieri (White Stag (Permafrost, #1))
Her father considered the young women who danced naked at stags depraved, but it would never have occurred to him that he who watched and applauded and paid the girls was in any way associated with depravity.
John Steinbeck (The Wayward Bus)
Under the trimmed willows, where brown children are playing And leaves tumbling, the trumpets blow. A quaking of cemeteries. Banners of scarlet rattle through a sadness of maple trees, Riders along rye-fields, empty mills. Or shepherds sing during the night, and stags step delicately Into the circle of their fire, the grove’s sorrow immensely old, Dancing, they loom up from one black wall; Banners of scarlet, laughter, insanity, trumpets
Georg Trakl
There was a nice brown egg, lightly boiled, for each of them, and then sardines on toast, and then buttered toast, and then toast with honey, and then a sugar-topped cake. And when Lucy was tired of eating, the Faun began to talk. He had wonderful tales to tell of life in the forest. He told about the midnight dances and how the Nymphs who lived in the wells and the Dryads who lived in the trees came out to dance with the Fauns; about long hunting parties after the milk-white stag who could give you wishes if you caught him; about feasting and treasure-seeking with the wild Red Dwarfs in deep mines and caverns far beneath the forest floor; and then about summer when the woods were green and old Silenus on his fat donkey would come to visit them, and sometimes Bacchus himself, and then the streams would run with wine instead of water and the whole forest would give itself up to jollification for weeks on end.
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
When I feel comfortable enough that he is not going to trip me, I manage to look down, and see that his feet are gliding gracefully on the floor in his bloack loafers. He's even doing this very hot rhythmitic figure eight with his hips. Maybe it's the music that's growing on me, or it's that I'm giddy from not having had anything to eat except half a miniquiche, but after a moment or so, I start to move my hips, too. And suddenly, I'm breathless again, but in a good way. Once Pip gets into the groove, he stops looking at the instructor and his eyes fasten on me. So close like this, they're shocking in their brilliance, so light blue as to be almost white. Like silver medallions moving back and forth on a chain, they're hypnotizing. Where did they come from? I swear they weren't so beautiful a day ago, when we were sitting in the food court, talking about ewl and popping stag mints. " Where did you learn to do this?" I whisper in his ear, still unable to break from his gaze. " Faries love to dance. This is similar to one of theirs," he explains as he slows to near a stop. His eyes focous on Fit Lady again, and before I can ask what he's doing, he expertly glides his leg out from underneath his body, dragging his foot on the ground. " Yours should follow him," Fit Lady says, watching my legs. ...then I feel her hand on my leg, pulling it up into the air. I toddle about on one leg like a top that's about to fall, so Pip steadies me, and I hold on so tight to his arms with my sweaty hands as to cut off his circualtion. But he doesn't seem to mind. I watch as she grips my leg at the knee and pulls it, higher, higher … almost to Pip's hip level, then force me to extend and curve it around him. Ow, I am not a pretzel. " What are you doing?" " Gancho," she says. " Just take your leg up and wrap it around his body." " Wait. Wh- wh-at?" He's still staring at me with those amazing eyes as I push him away, falling back onto my elbows with a deafening crack.
Cyn Balog (Fairy Tale)
You're going to the ball?" Luc asked. "Need an escort?" "I appreciate the offer, but I hear it's all the rage to go stag." He raised his eyebrows. "Besides, I think your brother might take it amiss." "I thought you two were... taking a break?" "I'd like to wait and see. He's only gone for a couple of weeks." "I'll take you," Aidan interrupted again. "I was planning on going, myself." "Dude, I'll take you," echoed Conrad from his seat at the counter. "Thanks guys." I had to smile. This for a witch who was quite literally banned from any and all high school dances. "But, really, I sort of like the idea of going solo." Just then we all looked around as the bell on the front door tinkled again, this time announcing the arrival of Inspector Carlos Romero. "Blessed goddess!" Bronwyn exclaimed, throwing up her hands. "Don't tell me you're here to ask Lily out as well? I'm beginning to feel like a dueña." "No," Carlos said, looking puzzled.
Juliet Blackwell (A Cast-Off Coven (A Witchcraft Mystery, #2))
THE RETURN OF THE GODS Like a white bird upon the wind, the sail of the boat of Manannan mac Lir (Pronounced Mananarn mak Leer), the Son of the Sea, flew across the sparkling waves filled with the breeze that blew Westward to the Islands of the Blessed. The Sun Goddess above him smiled down with warmth upon her friend. The fish in the ocean danced for him beneath the turquoise water; the porpoises leapt above the waves to greet him. Upon the wind was a smell of sweetness, the smell of apple blossom in the Spring of the morning of the world. And in the prow of the boat sat Lugh (Pronounced Loo) the long-armed; strumming on his harp, he sang the Song of Creation. And as they drew closer to the green hills of Ireland, the holy land of Ireland, the Shee came out of their earth-barrow homes and danced for joy beneath the Sun. For hidden in a crane-skin sack at the bottom of the boat was the Holy Cup of Blessedness. Long had been her journeying through lands strange and far. And all who drank of that Cup, dreamed the dreams of holy truth, and drank of the Wine of everlasting life. And deep within the woods, in a green-clad clearing, where the purple anemone and the white campion bloomed, where primroses still lingered on the shadowed Northern side, a great stag lifted up his antlered head and sniffed the morning. His antlers seven-forked spoke of mighty battles fought and won, red was his coat, the colour of fire, and he trotted out of his greenwood home, hearing on the wind the song of Lugh. And in her deep barrow home, the green clad Goddess of Erin, remembered the tongue that she had forgotten. She remembered the secrets of the weaving of spells, She remembered the tides of woman and the ebb and flow of wave and Moon. She remembered the people who had turned to other Gods and coming out of her barrow of sleep, her sweet voice echoed the verses of Lugh and the chorus of Manannan. And the great stag of the morning came across the fields to her and where had stood the Goddess now stood a white hind. And the love of the God was returned by the Goddess and the larks of Anghus mac Og hovering above the field echoed with ecstasy the Song of Creation. And in the villages and towns the people came out of their houses, hearing the sweet singing and seeking its source. And children danced in the streets with delight. And they went down to the shore, the Eastern shore, where rises the Sun of the Morning, and awaited the coming of Manannan and Lugh, the mast of their boat shining gold in the Sun. The sea had spoken, the Eastern dawn had given up her secret, the Gods were returning, the Old Ones awakening, joy was returning unto the sleeping land.  
Sarah Owen (Paganism: A Beginners Guide to Paganism)
I dreamt I saw a shadow with a burning heart butchering a golden stag, aye. I dreamt of a man without a face, waiting on a bridge that swayed and swung. On his shoulder perched a drowned crow with seaweed hanging from his wings. I dreamt of a roaring river and a woman that was a fish. Dead she drifted, with red tears on her cheeks, but when her eyes did open, oh, I woke from terror. All this I dreamt, and more. Do you have gifts for me, to pay me for my dreams?” “Dreams,” grumbled Lem
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
Of course, the marriage is unorthodox, considering your bride’s family and bloodline.” Ruhn stiffened. “You’ve got some shit to spew about Hypaxia, then let’s hear it.” But Cormac said to the Autumn King, “He doesn’t know?” His father, damn him, seemed bored as he said, “It didn’t seem necessary. My order is law.” Ruhn glanced between them. “What is this?” His father, features tightening with distaste—as if disappointed that Ruhn hadn’t learned it himself—said, “The late Queen Hecuba had two daughters, from different sires. Hypaxia’s sire, Hecuba’s coven learned afterward, was a powerful necromancer from the House of Flame and Shadow. Hypaxia seems to have inherited his gifts alongside her mother’s.” Ruhn blinked. Slowly. Hypaxia could raise and speak to the dead. All right. He could live with that. “Cool.” Flames danced along his father’s hair, dancing over his shoulders. “Her older sister, however, was sired by a shape-shifting male. A stag.” “So?” Cormac snorted. “Hypaxia’s half sister is better known as the Hind.” Ruhn gaped at him. How had he not known this? “She didn’t inherit any witch gifts,” Cormac continued, “and was handed over to her father’s kin. The crown naturally went to Hypaxia. But it seems that since your bride has been crowned queen, the question of her necromancy has become … an issue for the witches.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
The late Queen Hecuba had two daughters, from different sires. Hypaxia’s sire, Hecuba’s coven learned afterward, was a powerful necromancer from the House of Flame and Shadow. Hypaxia seems to have inherited his gifts alongside her mother’s.” Ruhn blinked. Slowly. Hypaxia could raise and speak to the dead. All right. He could live with that. “Cool.” Flames danced along his father’s hair, dancing over his shoulders. “Her older sister, however, was sired by a shape-shifting male. A stag.” “So?” Cormac snorted. “Hypaxia’s half sister is better known as the Hind.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
When Tina walks closer, as if smelling her scent––the creature's long neck juts up from lapping at Adam's ale. It has a face that is too wide for a human being's and its eyes are like perfectly round fish-eyes! Its gaze is so terrifying that Juniper arches her back instinctively, but is so scared that she is essentially paralyzed by its wide-eyed stare. Those empty crystalline eyes looking unwaveringly forward!   The creature that had once been perceivably angelic is now a walking horror show. Its nose is melded into its face, like a replica of the tender pink nose of a rabbit, and its lips are petite and taut. Drops of dew solidify on its mane, like a fleece of pearls. Juniper feels warm liquid running down her leg. This is the first time, since her dance with near-death, during her early childhood––that she has felt true fear. It looks straight at her, unblinking, like a deer in headlights would. But––the look isn't comparable to the livelihood of a stag or deer or anything resembling an animal or human! The vacant stare is beyond stomach churning. Even when the daylight's reflection on the water casts a shimmer upon its face: the eyes are endlessly deep and abyssal. Feeling as though they completely consume whoever they cast a glance upon. Consuming all of a person's essence, in a single gaze!
Junithys (Juniper's Tree, Pt. 1: Apotheosis)
It’s not a gang. It’s a promise. You just promise to love trans girls above all else. The idea—although maybe not the practice—is that a girl could be your worst enemy, the girl you wouldn’t piss on to put out a fire, but if she’s trans, you’re gonna offer her your bed, you’re gonna share your last hormone shot.” “That sounds like some kind of trans girl utopia.” I’m so rattled, it’s not even sarcastic. She laughs. “Please. You’ve met a trans woman before, right? Do you think the words trans women and utopia ever go together in the same sentence? Even when we’re not starved for hormones, we’re still bitches. Crabs in a barrel. Fucking utopia, my ass.” She glances at me. My nervousness must show plainly. I can’t tell if I’m safe or not. “Here’s what it is,” she says, a little more gently. “We aim high, trying to love one another, and then we take what we can get. We settle for looking out for one another. And even if we don’t all love one another, we mostly all respect one another.” After a pause she says, “I remember how I used to be before the contagion. Embarrassed to be seen with another trans woman, for fear that her transness would reveal my transness and we’d both get clocked. T4t is an ideal, I guess, and we fall short of it most of the time. But that’s better than before. All it took was the end of the world to make that happen.
Torrey Peters (Stag Dance)
I recall well how the manly aspects of a person can overgrow and overtake him, cancer-like, to becoming beastly and monstrous—the way canker causes a tree to encrust itself in bark so thick that it comes to appear deformed and tumorous in its own treeness.
Torrey Peters (Stag Dance)
The whole world monitors and mocks my every waking moment!
Torrey Peters (Stag Dance)
I looked down upon the firelit scene, my bare hair tousled by a stiff cold wind, a good head taller than every other reveler, watching them enjoy me from the angle of a god.
Torrey Peters (Stag Dance)
But my face wouldn't comply. I felt my own rigidity, my brick shithouse cladding ─ scowling, fierce, dignified by anger ─ and in that way, I gave myself away. I was not a jack who wore a bush in jest, or lark. I was guileless and obvious: My bush mattered ferociously to me. It was a declaration made despite myself.
Torrey Peters (Stag Dance)
...from the disturbing knowledge that comes from distinguishing in others the parts of yourself that you most hate, I just know...
Torrey Peters (Stag Dance)