Debut Inspirational Quotes

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I wrote a book. It sucked. I wrote nine more books. They sucked, too. Meanwhile, I read every single thing I could find on publishing and writing, went to conferences, joined professional organizations, hooked up with fellow writers in critique groups, and didn’t give up. Then I wrote one more book.
Beth Revis
Dance like the whole world is your stage and every day is your debut.
Emilyann Allen
Though the heart may be cracked wide, pain can still seep in.
Rachelle Rea Cobb (The Sound of Diamonds (Steadfast Love, #1))
The planet you inhabit is a single plane of infinite dimensions, stretched like a guitar string, and standing before you like a concubine waiting for your command.
Thomas Lloyd Qualls (Waking Up at Rembrandt's)
Ansar is an Arabic term that means helpers or supporters. They were the citizens of Medina who helped Prophet Mohammed upon His arrival to the Holy city. While 'Hussain' is a derivation of 'Hassan' that means 'GOOD' (I also owe this one to Khaled Hosseini). That's how my favorite character in my debut novel 'When Strangers meet..' gets his name... HUSSAIN ANSARI, because he is the one who helps Jai realize the truth in the story and inspires his son, Arshad, to have FAITH in Allah.
K. Hari Kumar (When Strangers meet..)
Monday's Motivation taken from my debut novel, "Anna Bell- The Sometimes Loner with an Unbreakable Spirit." "Sadly, with this and other experience Anna has encountered over the years, she has learnt one vital and very important lesson; that not all those you love and are loyal to, will always feel the same towards you or reciprocate." Have you ever felt that way, that persons you were once loyal to, were actually the first ones to throw you under the bus? If that was ever your experience, you're not alone but can rise above it no matter what. #annabell #reallifeexperience
M.A. Williamson (Anna Bell: The Sometimes Loner with an Unbreakable Spirit)
I cannot recommend Ellie Augsburger at Creative Digital Studios enough! She produced amazing work for my debut novel. I am NOT an artistic person...at all. Ellie took my bumbling rambling (frankly poor) ideas and translated them into beautiful representative images of my work. I would have been lost without her! Not only did she create my cover (print and eBook) but she also created the images for my section breaks, Facebook banner, Twitter page, and my website. As I write my sophomore effort, Ellie will be my go to for all of my design needs. If you are looking for a creative, inspiring, helpful, knowledgeable, FANTASTIC designer look no further than Ellie Augsburger at Creative Digital Studios.
Norma Jeanne Karlsson
Right when Marston and Peter must have been meeting with Gaines and Mayer to talk about what Wonder Woman ought to look like, a new superhero made his debut. Captain America.19 He quickly became Timely Comics’ most popular character. Captain America Comics #1 (March 1941) (illustration credit 23.7) Marston wanted his comic book’s “under-meaning,” about “a great movement now under way—the growth in the power of women,” to be embodied in the way Wonder Woman carried herself, how she dressed, and what powers she wielded. She had to be strong, and she had to be independent. Everyone agreed about the bracelets (inspired by Olive Byrne’s): it helped Gaines with his public relations problem that she could stop bullets with them; that was good for the gun problem. Also, this new superhero had to be uncommonly beautiful; she’d wear a tiara, like the crown awarded at the Miss America pageant. Marston wanted her to be opposed to war, but she had to be willing to fight for democracy. In fact, she had to be superpatriotic. Captain America wore an American flag: blue tights, red gloves, red boots, and, on his torso, red and white stripes and a white star. Like Captain America—because of Captain America—Wonder Woman would have to wear red, white, and blue, too. But, ideally, she’d also wear very little. To sell magazines, Gaines wanted his superwoman to be as naked as he could get away with.
Jill Lepore (The Secret History of Wonder Woman)
With the news that he would soon be a daddy again, Steve seemed inspired to work even harder. Our zoo continued to get busier, and we had trouble coping with the large numbers. The biggest draw was the crocodiles. Crowds poured in for the croc shows, filling up all the grandstands. The place was packed. Steve came up with a monumental plan. He was a big fan of the Colosseum-type arenas of the Roman gladiator days. He sketched out his idea for me on a piece of paper. “Have a go at this, it’s a coliseum,” he declared, his eyes wide with excitement. He drew an oval, then a series of smaller ovals in back of it. “Then we have crocodile ponds where the crocs could live. Every day a different croc could come out for the show and swim through a canal system”--he sketched rapidly--“then come out in the main area.” “Canals,” I said. “Could you get them to come in on cue?” “Piece of cake!” he said. “And get this! We call it…the Crocoseum!” His enthusiasm was contagious. Never mind that nothing like this had ever been done before. Steve was determined to take the excitement and hype of the ancient Roman gladiators and combine it with the need to show people just how awesome crocs really were. But it was a huge project. There was nothing to compare it to, because nothing even remotely similar had ever been attempted anywhere in the world. I priced it out: The budget to build the arena would have to be somewhere north of eight million dollars, a huge expense. Wes, John, Frank, and I all knew we’d have to rely on Steve’s knowledge of crocodiles to make this work. Steve’s enthusiasm never waned. He was determined. This would become the biggest structure at the zoo. The arena would seat five thousand and have space beneath it for museums, shops, and a food court. The center of the arena would have land areas large enough for people to work around crocodiles safely and water areas large enough for crocs to be able to access them easily. “How is this going to work, Steve?” I asked, after soberly assessing the cost. What if we laid out more than eight million dollars and the crocodiles decided not to cooperate? “How are you going to convince a crocodile to come out exactly at showtime, try to kill and eat the keeper, and then go back home again?” I bit my tongue when I realized what was coming out of my mouth: advice on crocodiles directed at the world’s expert on croc behavior. Steve was right with his philosophy: Build it, and they will come. These were heady times. As the Crocoseum rose into the sky, my tummy got bigger and bigger with our new baby. It felt like I was expanding as rapidly as the new project. The Crocoseum debuted during an Animal Planet live feed, its premiere beamed all over the world. The design was a smashing success. Once again, Steve had confounded the doubters.
Terri Irwin (Steve & Me)
Let me tell something... My kin may be insentient, as you proclaimed, but I have read our history. I know what we used to be afraid of. We all feared that by breaking down, we wouldn't be able to rise and thrive again. But you know what they say? It is the broken ones that always become masters at mending... It is the bird with the broken wings that sings the sweetest and most beautiful songs...
Victoria Moschou (Guardian of the Auras (The Auras' Chest, #1))
Let me tell you something... My kin may be insentient, as you proclaimed, but I have read our history. I know what we used to be afraid of. We all feared that by breaking down, we wouldn't be able to rise and thrive again. But you know what they say? It is the broken ones that always become masters at mending... It is the bird with the broken wings that sings the sweetest and most beautiful songs...
Victoria Moschou (Guardian of the Auras (The Auras' Chest, #1))
You do not change people, dearie. It's the people that change themselves.
Victoria Moschou (Guardian of the Auras (The Auras' Chest, #1))
People are afraid of the things they don't understand. Don't let them impose their way of thinking on you. And above all... Don't let them steal your happiness! If that's what makes you happy, pursue it!
Victoria Moschou (Guardian of the Auras (The Auras' Chest, #1))
Black Sabbath’s self-titled debut album stands as a death knell for the idealistic hippie dreams of the Sixties. Inspired by horror movies, bad dreams, drug come-downs and the terminal grind of the factory floor, it was designed to unnerve and unsettle
Paul Brannigan (Birth School Metallica Death, Volume 1: The Biography)
I’d spend a lot of energy reframing the gory details and just couldn’t slip and allow them to see my real truth.
Lisa Weldon (Twenty Pieces: A walk through love, loss and midlife reinvention)
And Weezer’s staying power on the rock scene is a testament to their superior virtuosity and exemplary songwriting abilities. In the aftermath of the group’s debut album, Rivers Cuomo turned inwards and penned what would become the divisive Pinkerton, a caustic, grungy album whose naked declarations of personal angst made it a favorite of over-programmed high school students and helped inspire the Emo boom that would crest in the early 2000s.
Kevin Craft (Grunge, Nerds, and Gastropubs: A Mass Culture Odyssey (Kindle Single))
At nearly 60, I had no choice but to get back in the game. Reviving my career was daunting, but it was the only lifeline I had.
Lisa Weldon (Twenty Pieces: A walk through love, loss and midlife reinvention)
Nike’s policy of yanking best-selling shoes from the shelves every ten months has inspired some truly operatic bursts of profanity on running message boards. The Nike Pegasus, for instance, debuted in 1981, achieved its sleek, waffled apotheosis in ’83, and then—despite being the most popular running shoe of all time—was suddenly discontinued in ’98, only to reappear as a whole new beast in 2000. Why so much surgery? Not to improve the shoe, as a former Nike shoe designer who worked on the original Pegasus told me, but to improve revenue; Nike’s aim is to triple sales by enticing runners to buy two, three, five pairs at a time, stockpiling in case they never see their favorites again.
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
D. H. Trujillo is a fiction author born in Colorado of Pueblo and Mexican descent. The desert is her happy place and serves as inspiration for many of her works. She holds a bachelor of anthropology from the University of Hawai‘i and a master of forensic behavioral science from Alliant International University. She currently resides in Baltimore, Maryland, with her husband, two spooky black cats, an elder chihuahua named after jeans, and the plethora of ghosts inhabiting her 1949 home. Her debut romance novel, Lizards Hold the Sun, was released under the name Dani Trujillo
Shane Hawk (Never Whistle at Night: An Indigenous Dark Fiction Anthology)
I never want my debut work to be the best, or the one I'm remembered for
Lashon Byrd
Even as I wrote my debut, I felt inspired and strengthened to magnify the world’s interruptions, those double takes in black women’s lives that deserve further introspection and analysis, no matter how messy or contradictory they may be.
Glory Edim (Well-Read Black Girl: Finding Our Stories, Discovering Ourselves)
2006 Apprentice episode, Trump announced the debut of a new property: Trump SoHo. “When it’s completed in 2008,” Trump declared, “this brilliant $370 million work of art will be an awe-inspiring masterpiece.”14
Sarah Kendzior (Hiding in Plain Sight: The Invention of Donald Trump and the Erosion of America)
Do you remember how our mothers kept telling us that we should be proud of who we were because we’d have to live with that self every single day for the rest of our lives? How we should always be the masters of our thoughts, embrace everything, both positive and negative, but never let our judgement be clouded, still learn from our mistakes and experiences?
Victoria Moschou (Guardian of the Auras (The Auras' Chest, #1))
Your dreams (no matter how big) will forever be dreams if you don’t find the courage and persistence in bringing them to life.
Isha Panesar
That everyone in the corporate food chain, up to Price and even Bezos, was convinced of the need to work with theaters on their terms and not put their movies on Amazon Prime until five months after they debuted on the big screen proved the company was all-in on art-house movies. It was, in fact, the core of Amazon’s strategy. Rather than serve everyone everything they might want, as Netflix was doing with its mix of Adam Sandler comedies, Will Smith action flicks, and some indies, Amazon wanted to build a distinct identity for its Prime Video service. By making a particular kind of movie, everyone at Amazon figured, they would build an identity for their service, one that made it noticeably different from what almost everyone else in Hollywood was doing. Sure, many people wouldn’t be interested in the weird, depressing, or simply outré works that it was releasing, but at least those who were into it would love it. Amazon executives distinctly didn’t want a studio that was as bland as the company’s selection of USB cables. “We don’t want something that 80 percent of the audiences eventually gets around to watching,” said Hope. “We want the thing that 20 percent of the audience is so passionate about, they’ll break up with you if you don’t feel the same way. We want to inspire an urgent need to see.” In addition, the people who go to art-house movies tend to be upscale, well-educated people who live in cities and who like to shop online. If the ultimate goal of Amazon’s movie business was to attract, retain, and engage Prime subscribers, it only made sense to draw people who would buy the most computers, books, and Kindles online. “They are often very good retail customers,” Price said sheepishly. “So that’s not a bad thing.
Ben Fritz (The Big Picture: The Fight for the Future of Movies)
Sami Abouzid Singer | Songwriter | Music Producer | Author | Publisher Profile: A versatile and accomplished artist with over two decades of experience in the music industry. Sami Abouzid is a singer, songwriter, music producer, and music arranger who has established himself as a creative force in both the music and literary worlds. Renowned for his original compositions and innovative soundscapes, Sami is also a published author with a passion for storytelling. Professional Experience: Founder & CEO White Horse Records (2003–Present) • Established an independent record label to promote original music and artistic innovation. • Managed all aspects of production, marketing, and distribution for multiple projects. Band Leader Romantic Star (2003–Present) • Formed and led the band, releasing music that resonated with audiences worldwide. • Released debut album Romantic Dreams, featuring the hit song “Vanessa,” which gained airplay on multiple U.S. radio stations. Soundtrack Composer (2013–Present) • Transitioned into the world of soundtracks, starting with Isabella in 2013. • Composed, arranged, and produced 657 original soundtracks, known for their emotional depth and cinematic quality. Music Artist (2001–Present) • Released 54 albums and 50 singles available in stores worldwide. • Composed, arranged, mixed, mastered, performed, and produced all his music independently. Books Authored: • Love, Life, and Music – A reflection on creativity and personal experiences. • Scarlett Johansson Forever – A tribute to art, passion, and inspiration. • Arabic Poetry – A collection of poetic works exploring love and emotion. Skills & Expertise: • Music Composition, Arrangement, Mixing, and Mastering • Songwriting and Lyric Creation • Soundtrack Development for Film and Media • Publishing and Record Label Management • Literary Writing and Poetry Notable Achievements: • Pioneered a new era of music with over 700 compositions, soundtracks, albums, and singles. • Gained international recognition with music featured on major radio stations in the U.S. • Successfully bridged the gap between music and literature, creating a lasting artistic legacy.
Sami abouzid
Hope is never the loudest voice-it's the quiet hum beneath despair, the fragile thread we follow when the world seems intent on unraveling.
Justice Aaron Fowler (The Despondent)