Transcription Book Quotes

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The language of light can only be decoded by the heart.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Man Thinking must not be subdued by his instruments. Books are for the scholar's idle times. When he can read God directly, the hour is too precious to be wasted in other men's transcripts of their readings.
Ralph Waldo Emerson
all these memories make me want to go back there
Weezer (Weezer – The Blue Album Guitar TAB Sheet Music Songbook | Authentic Transcriptions for Electric Guitar | Alternative Rock Music Book for Intermediate and Advanced Players (Guitar Recorded Versions))
The world knows the love that’s in its breast as in the flower, the suffering lonely world. — Allen Ginsberg, from “Transcription of Organ Music,” Howl and Other Poems (City Lights Books, 1994)
Allen Ginsberg (Howl and Other Poems)
Dad used to read aloud to us from Dickens and Kipling. My tastes were omnivorous. I read anything I could lay my hands on, but the memory that stays with me is that of my father reading the Jungle Books to us when we were young. Beautiful stories!
A.B. Guthrie Jr.
In Eckankar, we teach Soul Travel. This is one of the aspects of the teachings of the Holy Spirit. Soul Travel simply means the ability to travel as Soul.
Harold Klemp (The Road to Spiritual Freedom, Mahanta Transcripts, Book 17)
Our society is becoming increasingly aliterate, says Cullinan. “An aliterate is a person who knows how to read but who doesn’t choose to read. These are people who glance at the headlines of a newspaper and grab the TV schedule. They do not read books for pleasure, nor do they read extensively for information. An aliterate is not much better off than an illiterate, a person who cannot read at all. Aliterates miss the great novels of the past and present. They also miss probing analyses written about political issues. Most aliterates watch television for their news, but the entire transcript of a television newscast would fill only two columns of the New York Times. Aliterates get only the surface level of the news.”13
Jane M. Healy (Endangered Minds: Why Children Dont Think And What We Can Do About I)
What is clear, however, is that the Bible and most other ancient transcripts, scriptures, legends, and mythologies all recognized and testified to a powerful antediluvian race of superhumans reigning as kings and demigods over the mortal and mundane humans.
Gary Wayne (The Genesis 6 Conspiracy: How Secret Societies and the Descendants of Giants Plan to Enslave Humankind (GARY WAYNE'S GENESIS 6 CONSPIRACY Book 1))
I know people who read interminably, book after book, from page to page, and yet I should not call them 'well-read people'. Of course they 'know' an immense amount; but their brain seems incapable of assorting and classifying the material which they have gathered from books. They have not the faculty of distinguishing between what is useful and useless in a book; so that they may retain the former in their minds and if possible skip over the latter while reading it, if that be not possible, then--when once read--throw it overboard as useless ballast. Reading is not an end in itself, but a means to an end. Its chief purpose is to help towards filling in the framework which is made up of the talents and capabilities that each individual possesses. Thus each one procures for himself the implements and materials necessary for the fulfilment of his calling in life, no matter whether this be the elementary task of earning one's daily bread or a calling that responds to higher human aspirations. Such is the first purpose of reading. And the second purpose is to give a general knowledge of the world in which we live. In both cases, however, the material which one has acquired through reading must not be stored up in the memory on a plan that corresponds to the successive chapters of the book; but each little piece of knowledge thus gained must be treated as if it were a little stone to be inserted into a mosaic, so that it finds its proper place among all the other pieces and particles that help to form a general world-picture in the brain of the reader. Otherwise only a confused jumble of chaotic notions will result from all this reading. That jumble is not merely useless, but it also tends to make the unfortunate possessor of it conceited. For he seriously considers himself a well-educated person and thinks that he understands something of life. He believes that he has acquired knowledge, whereas the truth is that every increase in such 'knowledge' draws him more and more away from real life, until he finally ends up in some sanatorium or takes to politics and becomes a parliamentary deputy. Such a person never succeeds in turning his knowledge to practical account when the opportune moment arrives; for his mental equipment is not ordered with a view to meeting the demands of everyday life. His knowledge is stored in his brain as a literal transcript of the books he has read and the order of succession in which he has read them. And if Fate should one day call upon him to use some of his book-knowledge for certain practical ends in life that very call will have to name the book and give the number of the page; for the poor noodle himself would never be able to find the spot where he gathered the information now called for. But if the page is not mentioned at the critical moment the widely-read intellectual will find himself in a state of hopeless embarrassment. In a high state of agitation he searches for analogous cases and it is almost a dead certainty that he will finally deliver the wrong prescription.
Adolf Hitler
the printers who set the books in type still depended on accurate, readable, handwritten transcriptions, often of manuscripts that were illegible to all but a few.
Stephen Greenblatt (The Swerve: How the World Became Modern)
Zinn based his famous opening pages on a controversial book. And while Koning’s work was treated dismissively, Zinn’s transcriptions of Koning’s material to his own book are taken as groundbreaking historical revelations. And few know that they are little more than transcriptions.
Mary Grabar (Debunking Howard Zinn: Exposing the Fake History That Turned a Generation against America)
Heisenberg repeated his story about the German bomb program to anyone who would listen for the rest of his life. Goudsmit, who had access to the Farm Hall reports and had seen the pathetic remnants of the Nazi nuclear program firsthand, knew Heisenberg’s story was a fabrication. But, with the existence of the Farm Hall transcripts itself classified, Goudsmit could state only that Heisenberg was lying, without explaining how he knew. The first popular account of the Manhattan Project, Brighter Than a Thousand Suns, written by the Swiss journalist Robert Jungk in 1958, repeated Heisenberg’s story almost verbatim. So did The Virus House, the first book dedicated solely to the history of the German bomb program, which relied heavily on interviews from Heisenberg and his fellow former Farm Hall detainees. (The author, David Irving, was later revealed to be a Holocaust denier.)
Adam Becker (What Is Real?: The Unfinished Quest for the Meaning of Quantum Physics)
interview from Ross E. Cheit about The Witch-Hunt Narrative: Politics, Psychology, and the Sexual Abuse of Children (Oxford University Press, February 2014). In the foreword to your book you mention a book titled Satan’s Silence was the catalyst for your research. Tell us about that. Cheit: Debbie Nathan and Michael Snedeker solidified the witch-hunt narrative in their 1995 book, Satan’s Silence: Ritual Abuse and the Making of a Modern American Witch Hunt, which included some of these cases. I was initially skeptical of the book’s argument for personal reasons. It seemed implausible to me that we had overreacted to child abuse because everything in my own personal history said we hadn’t. When I read the book closely, my skepticism increased. Satan’s Silence has been widely reviewed as meticulously researched. As someone with legal training, I looked for how many citations referred to the trial transcripts. The answer was almost none. Readers were also persuaded by long list of [presumably innocent] convicted sex offenders to whom they dedicated the book. If I’m dedicating a book to fifty-four people, all of whom I think have been falsely convicted, I’m going to mention every one of these cases somewhere in the book. Most weren’t mentioned at all beyond that dedication. The witch-hunt narrative is so sparsely documented that it’s shocking.
Ross E. Cheit
Montreal Transcript, January 1848: From Grosse Île, the great charnel house of victimised humanity, up to Port Sarnia – along the borders of our magnificent river, upon the shores of Lakes Ontario and Erie, and wherever the tide of immigration has extended, are to be found the resting places of the sons and daughters of Erin – one unbroken chain of graves where repose fathers and mothers, sisters and brothers in one comingled heap, without a tear bedewing the soil or a stone to mark the spot.
Charles Egan (The Exile Breed: The Pitiless Epic of the Irish Famine Diaspora (The Irish Famine Series Book 2))
..:The purpose of a flashlight is to brighten our path when finding ourselves walking in darkness. So is every book written. Specially the BIBLE. They were written and were left behind as a guide to a brighter and better future for us. But without activation, the flashlight will serve not its purpose. So is the case if we take not the time to dig into the manuals and transcripts. If we take not the time to dig in into the manual of our lives. It'll all be worthless and will leads us to a mediocre life full of darkness:..
Rafael Garcia
We have looked at three things that will never appear on a transcript, and yet are vital to the classical tradition of education. First, the primary purpose of education is wisdom and virtue, and every part of the program should serve to teach learners how to think and act rightly. Second, humility is vital to the pursuit of virtue because it keeps us teachable. Third, our approach to knowledge should be relational, synthetic, so that we develop a foundational understanding of the unity of knowledge and our own place in the universe.
Karen Glass (Classical Considerations: Charlotte Mason's Links to the Classical Tradition (Encore Book 3))
Here’s how I’ve always pictured mitigated free will: There’s the brain—neurons, synapses, neurotransmitters, receptors, brainspecific transcription factors, epigenetic effects, gene transpositions during neurogenesis. Aspects of brain function can be influenced by someone’s prenatal environment, genes, and hormones, whether their parents were authoritative or their culture egalitarian, whether they witnessed violence in childhood, when they had breakfast. It’s the whole shebang, all of this book. And then, separate from that, in a concrete bunker tucked away in the brain, sits a little man (or woman, or agendered individual), a homunculus at a control panel. The homunculus is made of a mixture of nanochips, old vacuum tubes, crinkly ancient parchment, stalactites of your mother’s admonishing voice, streaks of brimstone, rivets made out of gumption. In other words, not squishy biological brain yuck. And the homunculus sits there controlling behavior. There are some things outside its purview—seizures blow the homunculus’s fuses, requiring it to reboot the system and check for damaged files. Same with alcohol, Alzheimer’s disease, a severed spinal cord, hypoglycemic shock. There are domains where the homunculus and that brain biology stuff have worked out a détente—for example, biology is usually automatically regulating your respiration, unless you must take a deep breath before singing an aria, in which case the homunculus briefly overrides the automatic pilot. But other than that, the homunculus makes decisions. Sure, it takes careful note of all the inputs and information from the brain, checks your hormone levels, skims the neurobiology journals, takes it all under advisement, and then, after reflecting and deliberating, decides what you do. A homunculus in your brain, but not of it, operating independently of the material rules of the universe that constitute modern science. That’s what mitigated free will is about. I see incredibly smart people recoil from this and attempt to argue against the extremity of this picture rather than accept its basic validity: “You’re setting up a straw homunculus, suggesting that I think that other than the likes of seizures or brain injuries, we are making all our decisions freely. No, no, my free will is much softer and lurks around the edges of biology, like when I freely decide which socks to wear.” But the frequency or significance with which free will exerts itself doesn’t matter. Even if 99.99 percent of your actions are biologically determined (in the broadest sense of this book), and it is only once a decade that you claim to have chosen out of “free will” to floss your teeth from left to right instead of the reverse, you’ve tacitly invoked a homunculus operating outside the rules of science. This is how most people accommodate the supposed coexistence of free will and biological influences on behavior. For them, nearly all discussions come down to figuring what our putative homunculus should and shouldn’t be expected to be capable of.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
[Phone interview transcript between author Roorda & Vershawn A. Young, author of Your Average Nigga: Performing Race, Literacy, and Masculinity, a book based on his Ph.D dissertation] Now the subtitle, Performing Race, Literacy, and Masculinity, what does that cover? It covers the range of enactments in speech, in dress, in the way we behave, the way that we interact with other people. Basically, it is the range of enactments that black people have to go through to be successful in America. I call it the burden of racial performance that black people are required, not only by whites but by other blacks as well, to prove through their behaviors, their speech, and their actions the kind of black person that they are. Really, there are only two kinds you can be. In the words of comedian Chris Rock, you can either be a black person, which is a respectable, bourgeois, middle-class black person, or you can be a nigger. As Chris Rock says in his show, "I love black people, but I hate niggers." So . . . when a black person walks into a room, always in the other person's mind is the question "What kind of black person is this in front of me?" They are looking for clues in your speech, in your demeanor, in your behavior, and in everything that you do -- it is like they are hyperattentive to your ways of being in order to say, "Okay, this is a real black person. I can trust them. I'll let them work here. Or, nope: this is a nigger, look at the spelling of their name: Shaniqua or Daquandre." We get discriminated against based on our actions. So that is what the subtitle was trying to suggest in performing race. And in performing literacy, just what is the prescribed means for increasing our class status? A mind-set: "Okay, black people, you guys have no excuse. You can go to school and get an education like everybody else." I wanted to pay attention to the ways in which school perpetuated a structural racism through literacy, the way in which it sort of stigmatizes and oppresses blackness in a space where it claims it is opening up opportunities for black people.
Rhonda M. Roorda (In Their Voices: Black Americans on Transracial Adoption)
...[T]hough the whole point of his "Current Shorthand" is that it can express every sound in the language perfectly, vowels as well as consonants, and that your hand has to make no stroke except the easy and current ones with which you write m, n, and u, l, p, and q, scribbling them at whatever angle comes easiest to you, his unfortunate determination to make this remarkable and quite legible script serve also as a Shorthand reduced it in his own practice to the most inscrutable of cryptograms. His true objective was the provision of a full, accurate, legible script for our noble but ill-dressed language; but he was led past that by his contempt for the popular Pitman system of Shorthand, which he called the Pitfall system. The triumph of Pitman was a triumph of business organization: there was a weekly paper to persuade you to learn Pitman: there were cheap textbooks and exercise books and transcripts of speeches for you to copy, and schools where experienced teachers coached you up to the necessary proficiency. Sweet could not organize his market in that fashion. He might as well have been the Sybil who tore up the leaves of prophecy that nobody would attend to. The four and six-penny manual, mostly in his lithographed handwriting, that was never vulgarly advertized, may perhaps some day be taken up by a syndicate and pushed upon the public as The Times pushed the Encyclopaedia Britannica; but until then it will certainly not prevail against Pitman.
George Bernard Shaw
A word of explanation about how the information in this book was obtained, evaluated and used. This book is designed to present, as best my reporting could determine, what really happened. The core of this book comes from the written record—National Security Council meeting notes, personal notes, memos, chronologies, letters, PowerPoint slides, e-mails, reports, government cables, calendars, transcripts, diaries and maps. Information in the book was supplied by more than 100 people involved in the Afghanistan War and national security during the first 18 months of President Barack Obama’s administration. Interviews were conducted on “background,” meaning the information could be used but the sources would not be identified by name. Many sources were interviewed five or more times. Most allowed me to record the interviews, which were then transcribed. For several sources, the combined interview transcripts run more than 300 pages. I have attempted to preserve the language of the main characters and sources as much as possible, using their words even when they are not directly quoted, reflecting the flavor of their speech and attitudes. Many key White House aides were interviewed in-depth. They shared meeting notes, important documents, recollections of what happened before, during and after meetings, and assisted extensively with their interpretations. Senior and well-placed military, intelligence and diplomatic officials also provided detailed recollections, read from notes or assisted with documents. Since the reporting was done over 18 months, many interviews were conducted within days or even hours after critical discussions. This often provided a fresher and less-calculated account. Dialogue comes mostly from the written record, but also from participants, usually more than one. Any attribution of thoughts, conclusions or feelings to a person was obtained directly from that person, from notes or from a colleague whom the person told. Occasionally, a source said mid-conversation that something was “off-the-record,” meaning it could not be used unless the information was obtained elsewhere. In many cases, I was able to get the information elsewhere so that it could be included in this book. Some people think they can lock up and prevent publication of information by declaring it “off-the-record” or that they don’t want to see it in the book. But inside any White House, nearly everyone’s business and attitudes become known to others. And in the course of multiple, extensive interviews with firsthand sources about key decision points in the war, the role of the players became clear. Given the diversity of sources, stakes and the lives involved, there is no way I could write a sterilized or laundered version of this story. I interviewed President Obama on-the-record in the Oval Office for one hour and 15 minutes on Saturday, July 10, 2
Bob Woodward (Obama's Wars)
Quant à l’oeuvre, les problèmes qu’elle soulève sont plus difficiles encore. En apparence pourtant, quoi de plus simple ? Une somme de textes qui peuvent être dénotés par le signe d’un nom propre. Or cette dénotation (même si on laisse de côté les problèmes de l’attribution) n’est pas une fonction homogène : le nom d’un auteur dénote-t-il de la même façon un texte qu’il a lui-même publié sous son nom, un texte qu’il a présenté sous un pseudonyme, un autre qu’on aura retrouvé après sa mort à l’état d’ébauche, un autre encore qui n’est qu’un griffonnage, un carnet de notes, un « papier » ? La constitution d’une oeuvre complète ou d’un opus suppose un certain nombre de choix qu’il n’est pas facile de justifier ni même de formuler : suffit-il d’ajouter aux textes publiés par l’auteur ceux qu’il projetait de donner à l’impression, et qui ne sont restés inachevés quer par le fait de la mort ? Faut-il intégrer aussi tout ce qui est brouillon, fait de la mort ? Faut-il intégrer aussi tout ce qui est brouillon, premier dessein, corrections et ratures des livres ? Faut-il ajouter les esquisses abandonnées? Et quel status donner aux lettres, aux notes, aux conversations rapportées, aux propos transcrits par les auditeurs, bref à cet immense fourmillement de traces verbales qu’un individu laisse autour de lui au moment de mourir, et qui parlent dans un entrecroisement indéfini tant de langages différents ? En tout cas le nom « Mallarmé » ne se réfère pas de la même façon aux thèmes anglais, aux trauctions d’Edgar Poe, aux poèmes, ou aux réponses à des enquêtes ; de même, ce n’est pas le même rapport qui existe entre le nom de Nietzsche d’une part et d’autre par les autobiographies de jeunesse, les dissertations scolaires, les articles philologiques, Zarathoustra, Ecce Homo, les lettres, les dernières cartes postales signées par « Dionysos » ou « Kaiser Nietzsche », les innombrables carnets où s’enchevêtrent les notes de blanchisserie et les projets d’aphorismes. En fait, si on parle si volontiers et sans s’interroger davantage de l’« oeuvre » d’un auteur, c’est qu’on la suppose définie par une certaine fonction d’expression. On admet qu’il doit y avoir un niveau (aussi profond qu’il est nécessaire de l’imaginer) auquel l’oeuvre se révèle, en tous ses fragments, même les plus minuscules et les plus inessentiels, comme l’expression de la pensée, ou de l’expérience, ou de l’imagination, ou de l’inconscient de l’auteur, ou encore des déterminations historiques dans lesquelles il était pris. Mais on voit aussitôt qu’une pareille unité, loin d’être donné immédiatement, est constituée par une opération ; que cette opération est interprétative (puisqu’elle déchiffre, dans le texte, la transcription de quelque chose qu’il cache et qu’il manifeste à la fois); qu’enfin l’opération qui détermine l’opus, en son unité, et par conséquent l’oeuvre elle-même ne sera pas la même s’il s’agit de l’auteur du Théâtre et son double ou de l’auteur du Tractatus et donc, qu’ici et là ce n’est pas dans le même sens qu’on parlera d’une « oeuvre ». L’oeuvre ne peut être considérée ni comme unité immédiate, ni comme une unité certaine, ni comme une unité homogène.
Michel Foucault (The Archaeology of Knowledge and The Discourse on Language)
Babel led to an explosion in the number of languages. That was part of Enki's plan. Monocultures, like a field of corn, are susceptible to infections, but genetically diverse cultures, like a prairie, are extremely robust. After a few thousand years, one new language developed - Hebrew - that possessed exceptional flexibility and power. The deuteronomists, a group of radical monotheists in the sixth and seventh centuries B.C., were the first to take advantage of it. They lived in a time of extreme nationalism and xenophobia, which made it easier for them to reject foreign ideas like Asherah worship. They formalized their old stories into the Torah and implanted within it a law that insured its propagation throughout history - a law that said, in effect, 'make an exact copy of me and read it every day.' And they encouraged a sort of informational hygiene, a belief in copying things strictly and taking great care with information, which as they understood, is potentially dangerous. They made data a controlled substance... [and] gone beyond that. There is evidence of carefully planned biological warfare against the army of Sennacherib when he tried to conquer Jerusalem. So the deuteronomists may have had an en of their very own. Or maybe they just understood viruses well enough that they knew how to take advantage of naturally occurring strains. The skills cultivated by these people were passed down in secret from one generation to the next and manifested themselves two thousand years later, in Europe, among the Kabbalistic sorcerers, ba'al shems, masters of the divine name. In any case, this was the birth of rational religion. All of the subsequent monotheistic religions - known by Muslims, appropriately, as religions of the Book - incorporated those ideas to some extent. For example, the Koran states over and over again that it is a transcript, an exact copy, of a book in Heaven. Naturally, anyone who believes that will not dare to alter the text in any way! Ideas such as these were so effective in preventing the spread of Asherah that, eventually, every square inch of the territory where the viral cult had once thrived was under the sway of Islam, Christianity, or Judaism. But because of its latency - coiled about the brainstem of those it infects, passed from one generation to the next - it always finds ways to resurface. In the case of Judaism, it came in the form of the Pharisees, who imposed a rigid legalistic theocracy on the Hebrews. With its rigid adherence to laws stored in a temple, administered by priestly types vested with civil authority, it resembled the old Sumerian system, and was just as stifling. The ministry of Jesus Christ was an effort to break Judaism out of this condition... an echo of what Enki did. Christ's gospel is a new namshub, an attempt to take religion out of the temple, out of the hands of the priesthood, and bring the Kingdom of God to everyone. That is the message explicitly spelled out by his sermons, and it is the message symbolically embodied in the empty tomb. After the crucifixion, the apostles went to his tomb hoping to find his body and instead found nothing. The message was clear enough; We are not to idolize Jesus, because his ideas stand alone, his church is no longer centralized in one person but dispersed among all the people.
Neal Stephenson (Snow Crash)
What Is True Prayer? Spiritual exercises are the way to become more aware of this life. Spiritual exercises, contemplation, and prayer of the right kind are all the same. Basically, it’s opening your heart to God or the Holy Spirit and listening. Correct prayer is listening to God. If a person is going to err in prayer, it’s through too much telling or talking to God. There’s nothing wrong with telling or asking; there’s nothing wrong with talking to God. But after you’ve asked your question, listen. Be quiet and listen. Listening is true prayer, prayer of the highest sort. Even prayer where you’re asking God something is of a high sort, or it can be. But sometimes people carry it to extremes. When I was a child, my parents had us say our childhood prayers at bedtime. As I grew up and went to divinity school, I would still say my prayers at night. Not that those of us at divinity school were very righteous. A very small percentage were truly pious, and the rest of us were about average. We got along. We knew God was there. We did our lessons; we did our Bible study and science and math. There were also those in divinity school who were quite nonpious. I used to say my prayers nightly, but away from home I could try out my wings a little bit. Some nights I’d just lie there and ask God for all kinds of things. I’d ask God for riches. I’d ask God to get rid of my toothaches. They came from all the sugar I ate; I hadn’t made the connection between sugar and tooth decay. Every Sunday I’d go to the bakery and buy all this wonderful chocolate, all these jelly-filled rolls—I’d just stuff myself. I’d buy enough for my friends too. It took me years to figure out what I was doing, and I think the toothaches helped. Life has a way of teaching us better. This is what I learned about prayer, that sometimes there is a wrong sort of prayer: you ask God to take away a toothache when basically you should stop eating the things that give you the toothache. But that’s how we learn. People ask God to make them rich, and at the same time they squander their money. They have done this their whole lives. What kind of a prayer is that? It’s a prayer of irresponsibility. You’re not taking responsibility for your own welfare. I’m not talking about people who through the circumstances of life find themselves in a bad situation or after being retired for twenty years find that inflation has eaten into their savings and it’s very difficult for them to take care of themselves. These are very real problems. If these people ask God for help, you would expect that. But mostly, true prayer is listening to God.
Harold Klemp (Our Spiritual Wake-Up Calls (Mahanta Transcripts Book 15))
In effect, writers give us a transcript of how the brain works because they look at the images turning up in their own minds with such concentration and dedication.
Elaine Scarry (Dreaming by the Book)
Like A Stone" On a cobweb afternoon in a room full of emptiness By a freeway, I confess I was lost in the pages Of a book full of death, reading how we'll die alone And if we're good, we'll lay to rest anywhere we want to go In your house I long to be Room by room patiently I'll wait for you there like a stone I'll wait for you there alone And on my deathbed I will pray to the gods and the angels Like a pagan to anyone who will take me to heaven To a place I recall, I was there so long ago The sky was bruised, the wine was bled, and there you led me on In your house I long to be Room by room, patiently I'll wait for you there like a stone I'll wait for you there alone, alone And on I read until the day was gone And I sat in regret of all the things I've done For all that I've blessed, and all that I've wronged In dreams until my death I will wander on In your house I long to be Room by room, patiently I'll wait for you there like a stone I'll wait for you there alone, alone Audioslave (2002)
Audioslave (Audioslave Guitar Recorded Versions Songbook | Electric Guitar Sheet Music TAB for Alternative Rock and Grunge | Guitar Tab Transcriptions for Intermediate Players and Rock Music Enthusiasts)
The books of the Bible are literary pieces, carefully crafted to achieve their purposes, not transcripts or merely cut-and-paste collections put together naively, haphazardly, or even chronologically.
William W. Klein (Introduction to Biblical Interpretation)
All of our testimony from psychiatrists and children themselves show that it's very upsetting, that it has a bad moral effect, and that it is directly responsible for a substantial amount of juvenile delinquency and child crime." In fact, both the expert testimony and the documentary evidence submitted at the hearings varied significantly in their judgments, and the committee spoke with no children; it had set a policy of precluding the testimony of minors. The writer of the program, A. J. Fenady, had not seen a transcript of the hearings before preparing Coates's questions and "basically threw the guy some softballs," he said, because "[Kefauver] wanted to use this soapbox to run for president" in the 1956 election. "The comic-book scare was the big thing he had going for him," Fenady recalled, "and he knew how to use it.
David Hajdu (The Ten-Cent Plague: The Great Comic-Book Scare and How it Changed America)
As I write this, I’m sitting in a café in Paris overlooking the Luxembourg Garden, just off of Rue Saint-Jacques. Rue Saint-Jacques is likely the oldest road in Paris, and it has a rich literary history. Victor Hugo lived a few blocks from where I’m sitting. Gertrude Stein drank coffee and F. Scott Fitzgerald socialized within a stone’s throw. Hemingway wandered up and down the sidewalks, his books percolating in his mind, wine no doubt percolating in his blood. I came to France to take a break from everything. No social media, no email, no social commitments, no set plans . . . except one project. The month had been set aside to review all of the lessons I’d learned from nearly 200 world-class performers I’d interviewed on The Tim Ferriss Show, which recently passed 100,000,000 downloads. The guests included chess prodigies, movie stars, four-star generals, pro athletes, and hedge fund managers. It was a motley crew. More than a handful of them had since become collaborators in business and creative projects, spanning from investments to indie film. As a result, I’d absorbed a lot of their wisdom outside of our recordings, whether over workouts, wine-infused jam sessions, text message exchanges, dinners, or late-night phone calls. In every case, I’d gotten to know them well beyond the superficial headlines in the media. My life had already improved in every area as a result of the lessons I could remember. But that was the tip of the iceberg. The majority of the gems were still lodged in thousands of pages of transcripts and hand-scribbled notes. More than anything, I longed for the chance to distill everything into a playbook. So, I’d set aside an entire month for review (and, if I’m being honest, pain au chocolat), to put together the ultimate CliffsNotes for myself. It would be the notebook to end all notebooks. Something that could help me in minutes but be read for a lifetime.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
When I use the term the law of God here, I am not referring specifically to the Law given to the nation of Israel through Moses. Rather, I am using the term in a more general sense to refer to the transcript of God’s nature and the rule of obedience that He requires of all human beings. It includes all of the ethical commands scattered throughout the Bible. The standard of obedience required by the law is absolute perfection, for James 2:10 tells us, “For whoever keeps the whole law and yet stumbles at just one point is guilty of breaking all of it.” The apostle Paul said essentially the same thing when he wrote, “All who rely on observing the law are under a curse, for it is written: ‘Cursed is everyone who does not continue to do everything written in the Book of the Law’” (Galatians 3:10). Only perfect obedience is acceptable to God. Years ago Ivory soap had a slogan, “Ninety-nine-and-forty-four-onehundredths-percent pure.” Apparently that is quite an accomplishment for soap, but that is not good enough for God. Only 100 percent is acceptable. Yet the average person walking around
Jerry Bridges (The Discipline of Grace)
Waxman devised something far more attention-grabbing and dramatic. The following Sunday, Burton was booked for an encore appearance on Meet the Press. The show’s host, Tim Russert, was quietly made aware of the discrepancy between the two sets of Hubbell transcripts.* On Sunday, when the cameras began rolling, Burton became an unwitting captive as Russert, the dean of Washington journalism and a maestro of the prosecutorial interview, confronted the chairman on air with evidence of the doctored transcripts. The uproar was immediate and intense. Gingrich, humiliated, condemned Burton’s committee as “the circus.” Republicans fumed at the embarrassment Burton had brought on them and demanded he atone for it. The Washington Post splashed the story across its front page: “Burton Apologizes to GOP.” The
Joshua Green (Devil's Bargain: Steve Bannon, Donald Trump, and the Storming of the Presidency)
a transcription of a prophecy from an ancient account of Christianity’s earliest saints; the book itself had come from the personal library of one of the university’s eighteenth-century presidents, the Scottish clergyman and theologian, John Witherspoon. Though the sentiments sounded like something from the book of Revelations, the words were attributed to none other than “the Holy Desert Anchorite,” a reference, quite plainly, to Saint Anthony of Egypt. “And there, in the barren soil of sand, home to snakes and scorpions, the seeds of destruction shall be planted and grow.
Robert Masello (The Einstein Prophecy)
breaking
Gray Jones (How To Break In To TV Writing: Insider Interviews (TV Writer Podcast Transcripts Book 1))
Nous devons à un chercheur marocain, M. Fawzi Skali, la transcription des enregistrements de conversations qu'il a eues, au cours de l'été 1986, avec divers notables religieux dans le cadre d'une enquête sur la « géographie spirituelle » de Fès. Parmi les personnes interrogées figure un ancien professeur à la Qarawiyyîn. Questionné sur le soufisme, il se déclare fort hostile aux « soufis extrémistes » (ghulât) parmi lesquels il compte Hallâj, Ibn Arabî, Ibn Sab`în... et Muhammad al-Kattânî, l’auteur déjà cité de la Salwat al-anfâs. Mais il affirme en même temps goûter les poèmes d’Ibn al-Fârid, de Shushtarî ou d’Al-Harrâq qu’on récite dans les séances : « Ils contiennent, dit-il, des sens si subtils, si spirituels ! » La cohabitation chez le même homme de ces deux attitudes logiquement contradictoires est un fait que l’on peut souvent observer chez des musulmans qui, touchés par les courants réformistes, se présentent comme hostiles au soufisme ou, à tout le moins, comme partisans d’un soufisme « modéré » dont Ibn Arabî est bien évidemment exclu.
Michel Chodkiewicz (An Ocean Without Shore: Ibn Arabi, the Book, and the Law)
rare and costly books for a twelve-month together; in certain cases, advice and counsel; in other cases, the revising of proof sheets, the translation from foreign tongues, and the transcription of Elizabethan and Jacobean documents: — To the Rev. F. A. Russell, York, formerly of India; the Rev. Edmond Nolan, B.A., St. Edmund’s House, Cambridge; the Rev. Richard Sharp, S.J., Skipton-in-Craven, Yorks.; the
Henry Hawkes Spinks Jr. (The Gunpowder Plot and Lord Mounteagle's Letter Being a Proof, with Moral Certitude, of the Authorship of the Document: Together with Some Account of the ... Conspirators, Including Guy Fawkes)
It's a great paradox: we come from a lost world we can only glimpse when it disappears. Our image of orality comes from books. We gain our familiarity with winged words through their opposite, words fixed in writing and therefore made motionless. Once transcribed, these stories lost their fluidity, their flexibility, the freedom of improvisation, and , in many cases, their characteristic language forever. For this legacy to be saved, it had to be mortally wounded. It is wounded yet remains fascinating. The wealth of imagination at the dawn of our culture has survived without fully fading into the mists of time. We hear its distant echoes in the transcription of mythologies, fables, sagas, folk songs, and traditional tales. Transformed, recast, and reinterpreted, we find it in The Iliad and The Odyssey, the Greek tragedies, the Torah (and the Old Testament), The Ramayana, The Edda, And The Thousand and One Nights, And it's precisely these exiled stories - literary refugees in the foreign land of written texts - that5 make up the backbone of our culture.
Irene Vallejo
[Editor’s Note: Snorri Sturluson has had issues with accuracy in the past. To ensure this is not an issue with this and other interviews recorded in this book, a raven scribe accompanied him to his meetings. The transcripts therefore include impartial observations as well as the conversations themselves.] SNORRI STURLUSON: Thank you, my lord, for agreeing to talk with me. I’m certain readers will be extremely interested in whatever you say. ODIN: Probably. SS: May I ask my first question? O: You just did. SS [laughing delightedly]: Oh, you got me that time! Wise and witty, all in one package! But now to the question. Odin, tell us, in your own words…what was it like when you lost your eye? O [cheerfully]: I didn’t lose it, Snorri. I gouged it out with my own fingers. SS [looking green]: In…deed. And, erm, what was that like? O: Not fun. But I got something worthwhile in exchange for it. SS: And that was? O: This cool eye patch. SS: Ah. Nothing else?
Rick Riordan (Hotel Valhalla Guide to the Norse Worlds: Your Introduction to Deities, Mythical Beings & Fantastic Creatures (Magnus Chase and the Gods of Asgard))
that education is not a race. That busyness does not equal betterment. That a perfect transcript is not worth the cost of a lost childhood. And that no battery of tests can assess what most matters in life: Integrity. Determination. Empathy. Resourcefulness. Connectedness. A thirst for knowledge. Passion. Creativity. Adaptability. The aptitude to read not just books but also faces. Confidence and kindness. Respect. These are the qualities that adults who are truly prepared and engaged possess. They are beyond measure. And they are what we must actively cultivate in our children.
Vicki Abeles (Beyond Measure: Rescuing an Overscheduled, Overtested, Underestimated Generation)
It is an ideal which I hope to live for and to achieve. But, if needs be, it is an ideal for which I am prepared to die.
Iain Morley (The Devil's Pupil: Famous trial transcripts (annotated) to make you better in court - seriously (The Devil's Advocate Bookshelf Book 2))
Paphlagon was eerily calm—almost jolly. “If one were to examine a transcript of that, one would see an extraordinary, and quite lengthy, catalog of every rhetorical trick in the Sphenic book. We’ve seen appeals to mob sentiment: ‘no one believes in the HTW any more,’ ‘everyone thinks Protism is crazy.’ We’ve seen appeals to authority: ‘refuted in the Twenty-ninth Century by no less than Saunt So-and-so.’ Efforts to play on our personal insecurity: ‘how can any person of sound mind take this seriously?’ And many other techniques that I have forgotten the names of, as it has been so long since I studied the Sphenics. So. I must begin by applauding the rhetorical mastery that has given the rest of us an opportunity to enjoy this excellent meal and rest our voices. But I would be remiss if I did not point out that Fraa Lodoghir has yet to offer up a single argument, worthy of the name,
Neal Stephenson (Anathem)
Pekwa Nicholas Mohlala BA GA MOHLALA IN SCHOONOORD HISTORY SOURCES AND RESEARCHERS Our sources for our ongoing research on the history of Ba Ga Mohlala in Schoonoord The main sources that we use in our ongoing researches on the history of Ba Ga Mohlala in Schoonoord are government official records, archival records, and oral evidence. There are few archival records on the history on the history of Ba Ga Mohlala in general, Banareng, and Batlokwa Ba Lethebe. There are also very few published documents (especially books and others forms of researched publications) on Ba Ga Mohlala in general, Banareng, and Batlokwa Ba Lethebe, and this is one of the principal motivations for the need to record the history of Ba Ga Mohlala in general, Banareng, and Batlokwa Ba Lethebe. Therefore, the bulk of secondary are the available general works of South African History, and most of such works deal scantily with the history of Ba Ga Mohlala, Banareng, and Batlokwa Ba Lethebe, that is because those general works mainly deal with South African tribes in general rather  than Ba Ga Mohlala, Banareng, and Batlokwa Ba Lethebe in particular. As such those sources are used to contextualize the history of Ba Ga Mohlala, Banareng, and Batlokwa Ba Lethebe, and are mostly used to develop theorical framework. Oral evidence forms an important part of our researches. That is because most of the history of clans, and tribes in South Africa, such as Ba Ga Mohlala, Banareng, and Batlokwa Ba Lethebe was not written and it is expected that very few written records do exist on their history. As a result, the few written records which are available are used in conjunction with oral evidence. Most importantly, the other sources which have been mentioned thus far are used to corroborate oral information, and vice versa. Thus, the combination of all these sources result in a more balanced and objective study of the history of Ba Ga Mohlala, Banareng, and Batlokwa Ba Lethebe. Because oral information is one of the core sources of our studies in the history of Ba Ga Mohlala, Banareng, and Batlokwa Ba Lethebe, best practices in oral research are thoroughly  followed in order to achieve the best possible outcome possible. Like any other forms of collecting evidence, and as well as other sources of information, oral evidence has its own problem areas and some benefits, and there are also processes of dealing with those problem areas. There are three main problem areas of oral history. Firstly, the limitations of the interviewee which include, unreliability of memory, deliberate falsification, unfairness through vindictiveness, excessive discretion, superficiality and gossip, oversimplification, distortion of interviewee's role, lack of perspective, distortion due to to personal feelings, self-consciousness, influence of hindsight, and repetition of published evidence. Secondly, the interviewer has limitations which include, unrepresantative sampling, biased questioning, difference and bias towards the intreviews, and interviews as a replacement for reading documents. The third and last problem areas of oral is about the limitations inherent in the nature of intetviewing itself which include, misinterpretation of what the interviewee have said, inability of oral history to verified by others, interview transcripts missing the essence of the interview, impossibility of true communication, and dependence on survivors and those who agree to be interviewed.
Pekwa Nicholas Mohlala
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Logan Chance (Playboy)
Zinn’s transcriptions of Koning’s material to his own book are taken as groundbreaking historical revelations. And few know that they are little more than transcriptions.
Mary Grabar (Debunking Howard Zinn: Exposing the Fake History That Turned a Generation against America)
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