Stable Girl Quotes

We've searched our database for all the quotes and captions related to Stable Girl. Here they are! All 100 of them:

Bianca, camp is cool! It's got a pegasus stable and a sword-fighting arena and… I mean, what do you get by joining the Hunters?" To begin with," Zoe said, "immortality." I stared at her, then at Artemis. "She's kidding, right?" Zoe rarely kids about anything," Artemis said. "My Hunters follow me on my adventures. They are my maidservants, my companions, my sisters-in-arms. Once they swear loyalty to me, they are indeed immortal… unless they fall in battle, which is unlikely. Or break their oath." What oath?" I said. To foreswear romantic love forever," Artemis said. To never grow up, never get married. To be a maiden eternally." Like you?" The goddess nodded. I tried to imagine what she was saying. Being immortal. Hanging out with only middle-school girls forever. I couldn't get my mind around it.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
There is the vanity training, the obedience training, the self-effacement training, the deference training, the dependency training, the passivity training, the rivalry training, the stupidity training, the placation training. How am I to put this together with my human life, my intellectual life, my solitude, my transcendence, my brains, and my fearful, fearful ambition? I failed miserably and thought it was my own fault. You can't unite woman and human any more than you can unite matter and anti-matter; they are designed to not to be stable together and they make just as big an explosion inside the head of the unfortunate girl who believes in both.
Joanna Russ (The Female Man)
There is a type of girl who, while incapable of cleaning her bedroom even at knife point, will fight for the privilege of being allowed to spend the day shoveling manure in a stable.
Terry Pratchett (Soul Music (Discworld, #16; Death, #3))
Trans women are juvenile elephants. We are much stronger and more powerful than we understand. We are fifteen thousand pounds of muscle and bone forged from rage and trauma, armed with ivory spears and faces unique in nature, living in grasslands where any of the ubiquitous humans may or may not be a poacher. With our strength, we can destroy each other with ease. But we are a lost generation. We have no elders, no stable groups, no one to teach us to countenance pain. No matriarchs to tell the young girls to knock it off or show off their own long lives lived happily and well.
Torrey Peters (Detransition, Baby)
Ruth believes that boys are not found around stables because what they like is taking things apart and putting them together again, and for this purpose horses are not so satisfactory as cars, motorcycles, and even bicycles, while girls adore horses because they are biological and have functions.
Wallace Stegner (All the Little Live Things)
You come back to train with Botkin. I hit big girl same as little girl." "That's very egalitarian of you." I said, and hurried Tamar out of the stables before Botkin decided to show me just how fair-minded he could be.
Leigh Bardugo
•Girls can do anything boys can do. •Street smarts are as important as book smarts. •“Your mother is smarter than me and I am fine with it.” •Don’t work too hard. •You can have a chaotic childhood and still provide a stable home.
Amy Poehler (Yes Please)
The image of a wood has appeared often enough in English verse. It has indeed appeared so often that it has gathered a good deal of verse into itself; so that it has become a great forest where, with long leagues of changing green between them, strange episodes of poetry have taken place. Thus in one part there are lovers of a midsummer night, or by day a duke and his followers, and in another men behind branches so that the wood seems moving, and in another a girl separated from her two lordly young brothers, and in another a poet listening to a nightingale but rather dreaming richly of the grand art than there exploring it, and there are other inhabitants, belonging even more closely to the wood, dryads, fairies, an enchanter's rout. The forest itself has different names in different tongues- Westermain, Arden, Birnam, Broceliande; and in places there are separate trees named, such as that on the outskirts against which a young Northern poet saw a spectral wanderer leaning, or, in the unexplored centre of which only rumours reach even poetry, Igdrasil of one myth, or the Trees of Knowledge and Life of another. So that indeed the whole earth seems to become this one enormous forest, and our longest and most stable civilizations are only clearings in the midst of it.
Charles Williams (The Figure of Beatrice: A Study in Dante)
Take a bath first." she implored. "You're not fit the house. I should take you out to the stables and scrub you like one of the horses, with carbolic soap and a birch brush." "Oh, you nuaghty girl. . .yes, let's do that.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the center of a group and then excited with triumph glide on through the sea-change of faces and voices and color under the constantly changing light.
F. Scott Fitzgerald (The Great Gatsby)
Sazed, I've raised some fifteen daughters," Tindwyl said, entering the room. "No teenage girl is stable. Some are just better at hiding it than others.
Brandon Sanderson (The Well of Ascension (Mistborn, #2))
the wicked woman’s son was evidently making love to the girl. Both were standing by the old window-seat,
J. Sheridan Le Fanu (A Stable for Nightmares or Weird Tales)
My brother the vampire, whose kiss was a slow death sentence, had a stable and loving relationship with a girl who was crazy about him. By contrast, I could barely talk to a woman, at least about anything pertaining to a relationship. Given that my only long-term girlfriends had faked their own death, died, and broken free of enslaving enchantments to end the relationship, the empirical evidence seemed to indicate that he knew something I didn’t. Keep your life tonight, Harry. Complicate it tomorrow.
Jim Butcher (Cold Days (The Dresden Files, #14))
God never intended for us to rely on others for our sense of well- being. Only He is equipped to provide that. His perfectly stable, unshifting, unconditional love is the only real measure of my worthiness.
Lysa TerKeurst (Becoming More Than a Good Bible Study Girl: Uncovering a Deeper Relationship with God and Living with Purpose after Sunday School Is Over)
The Yew girl wears a tunic and pants. Why not you? Jespyr’s entirely more fearsome than I am. I glanced down at my legs. I look like a bloody stable boy. How you look is—and perhaps always has been—utterly irrelevant.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
For a moment we glared at each other, stubborn as cats on the stable wall, full of mutual resentment and something darker, the old sense between sisters that there is only really room in the world for one girl. The sense that every fight could be to the death.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
But for a mother who was submissive to the degree my mother was, it was OK to kill girls. For a father like mine, it was normal to chop off his daughters hair with sheep shears, and to beat her with a belt or a cane or tie her up in the stable all night with the cows.
Souad (Burned Alive)
As a self-described Guadalupe girl, Lupe was sensitive to Guadalupe being overshadowed by the “Mary Monster.” Lupe not only meant that Mary was the most dominant of the Catholic Church’s “stable” of virgins; Lupe believed that the Virgin Mary was also “a domineering virgin.
John Irving (Avenue of Mysteries)
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
F. Scott Fitzgerald (The Great Gatsby)
I’m not used to being around people who are happy, or stable, or normal.
Babe Walker (Psychos: A White Girl Problems Book)
No teenage girl is stable. Some are just better at hiding it than others.
Brandon Sanderson (Mistborn Trilogy (Mistborn, #1-3))
Stable biological facts have contingent social effects in a given society in conjunction with other social aspects. A society can always choose to mitigate those effects by instigating different social arrangements and structures.
Kathleen Stock (Material Girls: Why Reality Matters for Feminism)
Oh, yes, Alice did know that she forgot things, but not how badly, or how often. When her mind started to dazzle and to puzzle, frantically trying to lay hold of something stable, then she always at once allowed herself -- as she did now -- to slide back into her childhood, where she dwelt pleasurably on some scene or other that she had smoothed and polished and painted over and over again with fresh colour until it was like walking into a story that began, 'Once upon a time there was a little girl called Alice, with her mother, Dorothy. One morning Alice was in the kitchen with Dorothy, who was making her favourite pudding, apple with cinnamon and brown sugar and sour cream, and little Alice said, 'Mummy, I am a good girl, aren't I?
Doris Lessing (The Good Terrorist)
But I'm not in danger of becoming "that girl." The one who throws away her college education in favor of marrying some guy right out of high school. The one who sacrifices everything she wants in order to make his dreams come true, to make him happy. The one who hangs on his every smile, his every word, bears his children, cooks his dinner, and snuggles up to him at night. Nope, definitely not in danger of becoming her. Because Galen doesn't want me. If that kiss were real, I might have thrown scholarships to the wind and followed him to our private island or his underwater kingdom. I might have even cooked him fish. Sure, Galen would love for me to do all those things. With his brother. So it's a good thing I'm being proactive about my own recovery by going on a date, even if it is a rebound-and even if I'm rebounding from a relationship that didn't actually exist. My feelings were real. That's all that matters, isn't it? There's no stipulation in the broken-heart rule book that states the relationship had to actually be authentic, right? Sure, I'm gray-shading the line that separates stable and crazy, but the point is, there is a line. And I haven't completely crossed over to lunatic.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
There was a boy down at the stables." She laughed suddenly with her back comfortably nestled against Grant's chest. "Oh,Lord,he was a bit like Will, all sharp,awkward edges." "You were crazy about him." "I'd spend hours mucking out stalls and grooming horses just to get a glimpse of him.I wrote pages and pages about him in my diary and one very mushy poem." "And kept it under your pillow." "Apparently you've had a nodding aquaintance with twelve-year-old girls." He thought of Shelby and grinned, resting his chin on the top of her head. Her hair smelled as though she'd washed it with rain-drenched wildflowers. "How long did it take you to get him to kiss you?" She laughed. "Ten days.I thought I'd discovered the answer to the mysteries of the universe.I was a woman." "No female's more sure of that than a twelve-year-old.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Safely past the livery stable, we crossed back over Maple Street. We usually met a relative or two. Sometimes it was Uncle Fred, my father’s oldest brother, who had a fascinating bald head. After we passed him, Mother said, “You mustn’t stare at Uncle Fred’s bald head. You might hurt his feelings.” How could I hurt his feelings when I so admired his bald head? I once tried to cut off my own hair so I could be bald, too.
Beverly Cleary (A Girl from Yamhill: A Memoir)
Wide awake is Mary. My, how young she looks! Her head rests on the soft leather of Joseph’s saddle. The pain has been eclipsed by wonder. She looks into the face of the baby. Her son. Her Lord. His Majesty. At this point in history, the human being who best understands who God is and what he is doing is a teenage girl in a smelly stable. She can’t take her eyes off him. Somehow Mary knows she is holding God. So this is he. She remembers the words of the angel. “His kingdom will never end.”1
Max Lucado (God Came Near: God's Perfect Gift)
It would be an especially difficult vocation for a girl like her: she’s so tender-hearted, so sensitive. She’s been protected from the worst in human nature: how would she cope, once brought face to face with that worst? She ought to choose a safer career path, such as medicine, or perhaps dentistry. And marry a stable and loving husband eventually, of course. She shouldn’t fritter herself away on a world of illusions—of vanishing rainbows, of bursting bubbles, of cloud-capped towers—the way he himself has done.
Margaret Atwood (Hag-Seed)
Suddenly with a single bound he leaped into the room. Winning a way past us before any of us could raise a hand to stay him. There was something so pantherlike in the movement, something so unhuman, that it seemed to sober us all from the shock of his coming. The first to act was Harker, who with a quick movement, threw himself before the door leading into the room in the front of the house. As the Count saw us, a horrible sort of snarl passed over his face, showing the eyeteeth long and pointed. But the evil smile as quickly passed into a cold stare of lion-like disdain. His expression again changed as, with a single impulse, we all advanced upon him. It was a pity that we had not some better organized plan of attack, for even at the moment I wondered what we were to do. I did not myself know whether our lethal weapons would avail us anything. Harker evidently meant to try the matter, for he had ready his great Kukri knife and made a fierce and sudden cut at him. The blow was a powerful one; only the diabolical quickness of the Count's leap back saved him. A second less and the trenchant blade had shorn through his heart. As it was, the point just cut the cloth of his coat, making a wide gap whence a bundle of bank notes and a stream of gold fell out. The expression of the Count's face was so hellish, that for a moment I feared for Harker, though I saw him throw the terrible knife aloft again for another stroke. Instinctively I moved forward with a protective impulse, holding the Crucifix and Wafer in my left hand. I felt a mighty power fly along my arm, and it was without surprise that I saw the monster cower back before a similar movement made spontaneously by each one of us. It would be impossible to describe the expression of hate and baffled malignity, of anger and hellish rage, which came over the Count's face. His waxen hue became greenish-yellow by the contrast of his burning eyes, and the red scar on the forehead showed on the pallid skin like a palpitating wound. The next instant, with a sinuous dive he swept under Harker's arm, ere his blow could fall, and grasping a handful of the money from the floor, dashed across the room, threw himself at the window. Amid the crash and glitter of the falling glass, he tumbled into the flagged area below. Through the sound of the shivering glass I could hear the "ting" of the gold, as some of the sovereigns fell on the flagging. We ran over and saw him spring unhurt from the ground. He, rushing up the steps, crossed the flagged yard, and pushed open the stable door. There he turned and spoke to us. "You think to baffle me, you with your pale faces all in a row, like sheep in a butcher's. You shall be sorry yet, each one of you! You think you have left me without a place to rest, but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already. And through them you and others shall yet be mine, my creatures, to do my bidding and to be my jackals when I want to feed. Bah!" With a contemptuous sneer, he passed quickly through the door, and we heard the rusty bolt creak as he fastened it behind him. A door beyond opened and shut. The first of us to speak was the Professor. Realizing the difficulty of following him through the stable, we moved toward the hall. "We have learnt something… much! Notwithstanding his brave words, he fears us. He fears time, he fears want! For if not, why he hurry so? His very tone betray him, or my ears deceive. Why take that money? You follow quick. You are hunters of the wild beast, and understand it so. For me, I make sure that nothing here may be of use to him, if so that he returns.
Bram Stoker (Dracula)
Here's my bright idea for life on earth: better management. The CEO has lost touch with the details. I'm worth as much, but I care; I come down here, I show my face, I'm a real regular. A toast: To our boys and girls in the war, grinding through sand, to everybody here, our host who's mostly mist, like methane rising from retreating ice shelves. Put me in command. For every town, we'll have a marching band. For each thoroughbred, a comfortable stable; for each worker, a place beneath the table. For every forward step a stumbling. A shadow over every starlit thing.
Kim Addonizio (Lucifer at the Starlite: Poems)
How nice that our former stable boy has begotten a namesake from my elder daughter,” the countess remarked acidly. “This will be the first of many brats, I am sure. Regrettably there is still no heir to the earldom…which is your responsibility, I believe. Come to me with news of your impending marriage to a bride of good blood, Westcliff, and I will evince some satisfaction. Until then, I see little reason for congratulations.” Though he displayed no emotion at his mother’s hard-hearted response to the news of Aline’s child, not to mention her infuriating preoccupation with the begetting of an heir, Marcus was hard-pressed to hold back a savage reply. In the midst of his darkening mood, he became aware of Lillian’s intent gaze. Lillian stared at him astutely, a peculiar smile touching her lips. Marcus arched one brow and asked sardonically, “Does something amuse you, Miss Bowman?” “Yes,” she murmured. “I was just thinking that it’s a wonder you haven’t rushed out to marry the first peasant girl you could find.” “Impertinent twit!” the countess exclaimed. Marcus grinned at the girl’s insolence, while the tightness in his chest eased. “Do you think I should?” he asked soberly, as if the question was worth considering. “Oh yes,” Lillian assured him with a mischievous sparkle in her eyes. “The Marsdens could use some new blood. In my opinion, the family is in grave danger of becoming overbred.” “Overbred?” Marcus repeated, wanting nothing more than to pounce on her and carry her off somewhere. “What has given you that impression, Miss Bowman?” “Oh, I don’t know…” she said idly. “Perhaps the earth-shattering importance you attach to whether one should use a fork or spoon to eat one’s pudding.” “Good manners are not the sole province of the aristocracy, Miss Bowman.” Even to himself, Marcus sounded a bit pompous. “In my opinion, my lord, an excessive preoccupation with manners and rituals is a strong indication that someone has too much time on his hands.” Marcus smiled at her impertinence. “Subversive, yet sensible,” he mused. “I’m not certain I disagree.” “Do not encourage her effrontery, Westcliff,” the countess warned. “Very well—I shall leave you to your Sisyphean task.” “What does that mean?” he heard Daisy ask. Lillian replied while her smiling gaze remained locked with Marcus’s. “It seems you avoided one too many Greek mythology lessons, dear. Sisyphus was a soul in Hades who was damned to perform an eternal task…rolling a huge boulder up a hill, only to have it roll down again just before he reached the top.” “Then if the countess is Sisyphus,” Daisy concluded, “I suppose we’re…” “The boulder,” Lady Westcliff said succinctly, causing both girls to laugh. “Do continue with our instruction, my lady,” Lillian said, giving her full attention to the elderly woman as Marcus bowed and left the room. “We’ll try not to flatten you on the way down.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
The Honeywell girls knew Latin and Greek, European languages and history, philosophy and economics, and even a smattering of biology (scandalous indeed). Alice, Astrid’s younger sister by three years, excelled at maths, of all things, and helped Astrid keep the estate books in order. Ardyce and Antonia, the two youngest, liked to chatter to each other in ancient Greek and reenact scenes from Homeric epics in the stable yard. Astrid, unsurprisingly, enjoyed spouting political theory the most, and had firm opinions on the matter of women’s place in society. She was a bluestocking and proud of it.
Maggie Fenton (The Duke's Holiday (The Regency Romp Trilogy, #1))
Ames, having explained the condition of juvenile elephants, drew this metaphor: Trans women are juvenile elephants. We are much stronger and more powerful than we understand. We are fifteen thousand pounds of muscle and bone forged from rage and trauma, armed with ivory spears and faces unique in nature, living in grasslands where any of the ubiquitous humans may or may not be a poacher. With our strength, we can destroy each other with ease. But we are a lost generation. We have no elders, no stable groups, no one to teach us to countenance pain. No matriarchs to tell the young girls to knock it off or show off their own long lives lived happily and well. Those older generations of trans women died of HIV, poverty, suicide, repression, or disappeared to pathologized medicalization and stealth lives - and that's if they were lucky enough to be white. They left behind only scattered exhausted voices to tell the angry lost young when and how the pain might end - to tell us what will be lost when we lash out with our considerable strength, or use the fragile shards of what remain of our social networks to ostracize, punish, and retaliate against those who behave in a traumatized manner. "And so we become what we have seen. How could we know not to? Have you seen many orphaned juvenile elephants behaving otherwise?
Torrey Peters (Detransition, Baby)
He said we had to find a way to reach Muslims who “didn’t think it was such a great thing to have a McDonald’s down the street and American pop culture on their television.” All people, he said, want to maintain their identity in the modern world. “We should acknowledge that not everything we see is positive—there’s a mindless violence, a crude sexuality, a lack of reverence for life, a glorification of materialism.” That said, he wanted to make several statements of belief in human progress—that countries succeed when they are tolerant of different religious beliefs; that governments that give voice to their people and respect the rule of law are more stable and satisfying; and that countries where women are empowered are more successful. “When I was a kid in Indonesia,” he said, “I remember seeing girls swimming outside all the time. No one covered their hair. That was before the Saudis started building madrassas.” This was a theme he’d come back to again and again. He told a story about how his mother once worked in Pakistan. She was riding on an elevator. Her hair was uncovered and her ankles were showing. Yet even though she was older, “this guy in the elevator with her couldn’t stand to be in that type of space with a woman who was uncovered. By the time the door opened he was sweating.” He paused for effect. “When men are that repressed, they do some crazy shit.
Ben Rhodes (The World As It Is: Inside the Obama White House)
Lucien found him a week later. Gavriel had taken the stagecoach away from Paris and found himself a small hostelry outside Marseille. He had lain down the night before, sweating and shaking, hearing the heartbeats of humans like drums through the walls. Cold crept deeper and deeper into his skin until it finally froze his heart. When Lucien opened the front door and saw the common room streaked with scarlet, the bodies of the innkeeper and his wife, the barely grown children who worked in the kitchens and stables, he smiled. Gavriel, crouched over a body, looked up at him with a despair so deep that it was barely a feeling at all. Of course, Lucien had killed the girl Gavriel had tried to spare. He told Gavriel all about it on their ride back to Paris.
Holly Black (The Coldest Girl in Coldtown)
She followed the truck down the highway, and finally onto a road which wound through the barren hills at the foot of the mountains. It was nearly sunset when the girls entered a rocky pass and came out high above a valley. At the far side loomed a huge mountain with a group of low buildings nestled at its foot. Bess pointed to them. “There’s the ranch, and that’s Shadow Mountain.” “I see how they got their names,” said Nancy. “The great peak throws its shadow over the whole valley.” Half an hour later, they drove through a weather-beaten wooden gate into the ranch yard. Nancy pulled up to the ranch house, a long, one-story adobe building with a vine-covered portico across the front. To the north of the house were the corral and stable. Beyond these stretched a large meadow, bordered by a wire fence. In the opposite direction lay the bunkhouse, and south of this, some distance away, a smaller, enclosed meadow. In it cattle were grazing.
Carolyn Keene (The Secret of Shadow Ranch (Nancy Drew, #5))
I think it’s important to reiterate here that I didn’t start out wanting to be a gardener, or a designer for that matter. It was all trial and error and figuring things out. And sometimes you’ve got to try something outside of your comfort zone to figure out what it is that you truly love. Well, you could say that about you and me right from the start. You were never looking for the loud guy, and I certainly wasn’t looking for the quiet girl. Now I look back and go, “If I would’ve ended up with that quiet guy or that stable guy or that safe guy, I would never have been able to pursue any of these dreams, because no one would have pushed me to these new places I discovered in myself.” Those other types of guys might have allowed me to stay in that safe place. They wouldn’t have drawn you out. That’s interesting. And if I had wound up with some cheerleader who was always the life of the party, I don’t think I would have found my way, either. I needed you for that. Nowadays when I think about the name Magnolia, I think about it in terms that refer to much more than the blossoming of our business. I think about the buds on the three, and how they really are just the tightest buds--they look like rocks, almost. And I feel like when Chip and I met, that tight little bud was me. I was risk averse, and in some ways, I don’t think I saw the beauty or the potential in myself. Then I wound up with Chip Gaines and-- You bloomed? I did. If I hadn’t married Chip, I might not have ever bloomed. I can’t imagine what my life would be if we hadn’t traveled this road. We celebrated our twelfth anniversary recently, and my dad said something that I thought was really beautiful. He said, “Chip, I always thought, when I was out on the baseball field hitting you those grounders, that I was training you to be the next greatest baseball player. But now, looking back and seeing the person you’ve become, I was really training you to be the next greatest dad.
Joanna Gaines (The Magnolia Story)
From chapter three of THE GREAT GATSBY by Scott Fitzgerald: “By seven o’clock the orchestra has arrived . . . the bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter . . . The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. . . . already there are wanderers, confident girls who weave here and there among the stouter and more stable . . . excited with triumph glide on through the sea-change of faces and voices and color under the constantly changing light. “Suddenly one of these gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvass platform. . . . There is a burst of chatter as the erroneous news goes around that she is Gilda Gray’s understudy from the Follies. The party has begun.
F. Scott Fitzgerald (The Great Gatsby)
Thich Nhat Hanh was caring for a young girl, Thuy, when after playing they came in for something to drink. Thich Nhat Hanh offered them apple juice that had been shared from a neighbor. When he poured Thuy the juice it was toward the end and had a lot of pulp in it. She left it and went to play and came back very thirsty. He pointed to the glass of apple juice which was now clear as the pulp had settled to the bottom with time and stillness -- practicing sitting meditation, as he told the girl. And she understood! "She said, Now I understand why you practice sitting meditation -- you want to be clear." "I said, "Yes, you understand what sitting meditation means. If you know how to sit, how to put yourself in a stable physical position, if you know how to handle your in-breath and out-breath, then after some time you become peaceful and clear." "That is why we like to do sitting meditation every day. We imitate the glass of apple juice, or the apple juice imitates us!" Planting Seeds - (2011, p.17)
Thich Nhat Hanh
My grades were dropping. My grades aren’t too good to begin with, but they’re pretty stable. Your average C work with an occasional B or D thrown in. I’ve been known to fail tests, but when I dropped to a solid D average, no one seemed surprised or even said anything and that surprised me. Ordinarily, my parents would have hit the roof, and my teachers would have called me in for conferences. They’d have said things like, “We know you can do better. You’re a smart girl. You have a high I.Q.” (That’s true. I do.) Or, “We know you can do better. You’re Janine’s sister.” That was the killer. It was also the point. I’m Janine’s sister, not Janine. Anyway, except for feeling tired all the time, I wasn’t sure why my grades had gone down. I did my homework more often than usual. I read all the chapters that were assigned to us. But I’ll admit that it was hard to concentrate. Maybe that was because suddenly it had become hard not to think about Mimi. For awhile, I tried to shut her out of my mind. Now I couldn’t. But why didn’t someone say something to me? Why did they let my grades slide? Just because Mimi had died? Mimi would have wanted me to do well in school, if I could.
Ann M. Martin (Claudia and the Sad Good-bye (The Baby-sitters Club, #26))
It was dusk when Ian returned, and the house seemed unnaturally quiet. His uncle was sitting near the fire, watching him with an odd expression on his face that was half anger, half speculation. Against his will Ian glanced about the room, expecting to see Elizabeth’s shiny golden hair and entrancing face. When he didn’t, he put his gun back on the rack above the fireplace and casually asked, “Where is everyone?” “If you mean Jake,” the vicar said, angered yet more by the way Ian deliberately avoided asking about Elizabeth, “he took a bottle of ale with him to the stable and said he was planning to drink it until the last two days were washed from his memory.” “They’re back, then?” “Jake is back,” the vicar corrected as Ian walked over to the table and poured some Madeira into a glass. “The servingwomen will arrive in the morn. Elizabeth and Miss Throckmorton-Jones are gone, however.” Thinking Duncan meant they’d gone for a walk, Ian flicked a glance toward the front door. “Where have they gone at this hour?” “Back to England.” The glass in Ian’s hand froze halfway to his lips. “Why?” he snapped. “Because Miss Cameron’s uncle has accepted an offer for her hand.” The vicar watched in angry satisfaction as Ian tossed down half the contents of his glass as if he wanted to wash away the bitterness of the news. When he spoke his voice was laced with cold sarcasm. “Who’s the lucky bridegroom?” “Sir Francis Belhaven, I believe.” Ian’s lips twisted with excruciating distaste. “You don’t admire him, I gather?” Ian shrugged. “Belhaven is an old lecher whose sexual tastes reportedly run to the bizarre. He’s also three times her age.” “That’s a pity,” the vicar said, trying unsuccessfully to keep his voice blank as he leaned back in his chair and propped his long legs upon the footstool in front of him. “Because that beautiful, innocent child will have no choice but to wed that old…lecher. If she doesn’t, her uncle will withdraw his financial support, and she’ll lose that home she loves so much. He’s perfectly satisfied with Belhaven, since he possesses the prerequisites of title and wealth, which I gather are his only prerequisites. That lovely girl will have to wed that old man; she has no way to avoid it.” “That’s absurd,” Ian snapped, draining his glass. “Elizabeth Cameron was considered the biggest success of her season two years ago. It was pubic knowledge she’d had more than a dozen offers. If that’s all he cares about, he can choose from dozens of others.” Duncan’s voice was laced with uncharacteristic sarcasm. “That was before she encountered you at some party or other. Since then it’s been public knowledge that she’s used goods.” “What the hell is that supposed to mean?” “You tell me, Ian,” the vicar bit out. “I only have the story in two parts from Miss Throckmorton-Jones. The first time she spoke she was under the influence of laudanum. Today she was under the influence of what I can only describe as the most formidable temper I’ve ever seen. However, while I may not have the complete story, I certainly have the gist of it, and if half what I’ve heard is true, then it’s obvious that you are completely without either a heart or a conscience! My own heart breaks when I imagine Elizabeth enduring what she has for nearly two years. When I think of how forgiving of you she has been-“ “What did the woman tell you?” Ian interrupted shortly, turning and walking over to the window.
Judith McNaught (Almost Heaven (Sequels, #3))
Right about here will do,” I decided.  I cast a magelight to illuminate the place.  The first faint glow of dawn was arising along the horizon in the east, but it was still as dark as a miner’s butt.  “When my father heard that I was having a girl, he gave me some advice,” I said, stripping off my mantle.  “As the father of five daughter’s himself, he was full of sage wisdom on the subject of raising girls.” “Are they any different than raising boys?” “Worlds apart,” I nodded.  “But he said there are some things that you can count on with girls,” I continued, philosophically.  “When a young father has a girl, he’s strong.  By the time she grows into a lovely young woman, age takes a toll on a man.  He’s not as strong.  “So . . . when a young woman enters courting age, you might not be as hale as you are now, my friend.  And you will find the nights colder in your bones.” “You . . . you fear I won’t have the strength to show him the door?”  He still looked confused.  And a little drunk.  As big as he is, Arborn is a lightweight when it comes to his cups.   “Oh, no.  When the wrong sort of suitor shows interest in your daughter,” I explained, as I took out the hoxter wand, “then passion can provide the strength you need to contend with the situation.  “But passion fades, when the deed is done.  And then you are left with but your decrepit strength, and a long night of work ahead.”  I manifested two shovels from the hoxter.  “My father told me that the wise father of any daughter has the foresight to dig the hole while he’s still young and strong.  It saves the trouble of a long night, when you are old and weary.” “A hole?  For . . .?” “My father assures me this is effective: for someone who is not impressed by being shown a hole an attentive father dug before he was born and intended for him, at need,” I supplied.  “Mine is behind the stable at the castle.  If a young man is worrisome, I’ll show him the hole, and explain the purpose.  You have three daughters.  That’s three holes.  I’ll help you dig.
Terry Mancour (Necromancer (The Spellmonger #10))
Cansrel could sit with Fire and do something no one else could: give her lessons to improve the skill of her mind. They could communicate without saying a word, they could touch each other from opposite ends of the house. Fire’s true father was like her—was, in fact, the only person in the world like her. He always asked the same question when he first arrived: “My darling monster girl! Was anyone mean to you while I was gone?” Mean? Children threw stones at her in the road. She was tripped sometimes, slapped, taunted. People who liked her hugged her, but they hugged her too hard and were too free with their hands. And still, Fire learned very young to answer no to his question—to lie, and to guard her mind from him so he wouldn’t know she was lying. This was the beginning of another of her confusions, that she would want his visits so much but fall immediately to lying once he came. When she was four she had a dog she’d chosen from a litter born in Brocker’s stables. She chose him, and Brocker let her have him, because the dog had three functional legs and one that dragged, and would never be any use as a worker. He was inky gray and had bright eyes. Fire called him Twy, which was short for Twilight. Twy was a happy, slightly brainless fellow with no idea he was missing something other dogs had. He was excitable, he jumped around a lot, and had a tendency on occasion to nip his favorite people. And nothing worked him into a greater frenzy of excitement, anxiety, joy, and terror than the presence of Cansrel. One day in the garden Cansrel burst upon Fire and Twy unexpectedly. In confusion, Twy leapt against Fire and bit her more than nipped her, so hard that she cried out. Cansrel ran to her, dropped to his knees, and took her into his arms, letting her fingers bleed all over his shirt. “Fire! Are you all right?” She clung to him, because for just a moment Twy had scared her. But then, as her own mind cleared, she saw and felt Twy throwing himself against a pitch of sharp stone, over and over. “Stop, Father! Stop it!” Cansrel pulled a knife from his belt and advanced on the dog. Fire shrieked and grabbed at him. “Don’t hurt him, Father, please! Can’t you feel that he didn’t mean it?
Kristin Cashore (Fire)
If it were any of the other Sharpes, he wouldn’t balk. But the idea of spending serveral hours in her company was both intoxicating and terrifying. “If you don’t let me go along,” she continued, “I’ll just follow you. He scowled at her. She probably would; the woman was as stubborn as she was beautiful. “And don’t think you can outride me, either,” she added. “Halstead Hall has a very good stable, and lady Bell is one of our swiftest mounts.” “Lady Bell?” he said sarcastically. “Not Crack Shot or Pistol?” She glared over at him. “Lady Bell was my favorite doll when I was a girl, the last one Mama gave me before she died. I used to play with it whenever I wanted to remember her. The doll got so ragged that I threw her away when I outgrew her.” Her voice lowered. “I regretted that later, but by then it was too late.” The idea of her playing with a doll to remember her late mother made his throat tighten and his heart falter. “Fine,” he bit out. “You can go with me to High Wycombe.” Surprise turned her cheeks rosy. “Oh, thank you, Jackson! You won’t regret it, I promise you!” “I already regret it,” he grumbled. “And you must do as I say. None of your going off half-cocked, do you hear?” “I never go off half-cocked!” “No, you just walk around with a pistol packed full of powder, thinking you can hold men at bay with it.” She tossed her head. “You’ll never let me forget that, will you?” “Not as long as we both shall live.” The minute the words left his lips, he could have kicked himself. They sounded too much like a vow, one he’d give anything for the right to make. Fortunately, she didn’t seem to have noticed. Instead, she was squirming and shimmying about on her saddle. “Are you all right?” he asked. “I’ve got a burr caught in my stocking that keeps rubbing against my leg. I’m just trying to work it out. Don’t mind me.” His mouth went dry at her mention of stockings. It brought yesterday’s encounter vividly into his mind, how he’d lifted her skirts to reach the smooth expanse of calf encased in silk. How he’d run his hands up her thighs as his mouth had tasted- God save him. He couldn’t be thinking about such things while riding. He shifted uncomfortably in the saddle as they reached the road and settled into a comfortable pace. The road was busy at this early hour. The local farmers were driving their carts to market or town, and laborers were headed for the fields. To Jackson’s relief, that made it easy not to talk. Conversaing with her was bound to be difficult, especially if she started consulting him about her suitors.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Archer arrived early the next morning. Grey was still asleep on the sofa in his study when he heard tapping on the window. He opened his eyes and immediately regretted it as the sharp light of day pierced his brain. Squinting, he tried to focus on his brother, since he already knew who his visitor was. Only one person ever announced himself so annoyingly. “Open the bloody window, Grey!” Grumbling, Grey slowly rose into a full sitting position. His back and neck were stiff and his head felt as though someone had kicked it repeatedly from all sides. And his mouth! Christ, he didn’t want to even think about what might have died inside it. He staggered to the window, unlatched it and swung it open. “What the hell do you want?” Wide-eyed, Archer made a tsking noise. “Is that any way to greet your favorite brother?” “You’re not my favorite,” Grey scowled. Unaffected, Archer easily adapted. “Is that any way to greet your second-favorite brother?” Grey grinned, he couldn’t help it. Archer had always had a knack for making him smile, just as he had a knack for pissing him off as well. “I’m hung over and feel like shite. What do you want?” “You look like shite. What’s this I hear about you making an appearance at Saint’s Row last night?” “Rose tell you that?” “She did. I’m surprised you took such a risk just to see her.” Grey thought of her in that teal gown, the lights illuminating the luster of her skin. “It was worth it.” “Worth it, eh? So worth it you immediately came home and got sloshed.” “Something like that. And then Rose came home and I got even more sloshed.” Archer’s expression turned to concern as he leaned against the window frame. “What happened?” Grey shrugged. He’d already revealed more than he’d wanted. “Suffice it to say she now knows what kind of man I am.” His brother snorted. “That girl has always known exactly what kind of man you are.” The words were plain enough, but there was a cryptic edge to them that had Grey puzzled. “What the hell does that mean?” Arch shook his head. “Come to the stables with me. I want to show you something.” He looked down at himself. He was wearing the same clothes he’d worn last night and he was wrinkled beyond hope. Not to mention that he smelled like a distillery-an unwashed one at that. And his mask was up in his room. What if someone happened by and saw him… He wasn’t a coward. He just didn’t wish to be seen looking less than his best. An oath punctuated the early morning air. Grey was grabbed by the front of the shirt and yanked-hard. His only course of action was to brace one booted foot on the bottom sill to keep from falling. Of course, that action only succeeded in making it easier for Archer to haul him completely out onto the lawn. He landed hard on both feet, the impact going straight to his ready-to-implode skull. “What the hell?” Fist cocked, Grey punched his brother in the shoulder. “Jesus, man! What are you about?” Archer punched him back. It hurt, and oddly enough it seemed to wake him up-clear the fog and some of the pressure surrounding his brain. “I’m trying to help you, you bugger.” “To do what?” Grey demanded. “Die?
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
The flowers in the desert which bloomed and died were just different versions of their own small lives.
Sharon Kendrick (The Playboy Sheikh's Virgin Stable-Girl (The Royal House of Karedes #2))
Perhaps it's better after all that you stop writing to him. You seem rather fixed on him. I hope you have no thought that Christopher would ever..." She paused delicately. "Never mind." "I know what you were going to say," Beatrix had said in a matter-of-fact manner. "Of course I have no illusions about that. I haven't forgotten that he once compared me to a horse." "He did not compare you to a horse," Prudence said. "He merely said you belonged in the stables. However, he is a sophisticated man, and he would never be happy with a girl who spends most of her time with animals." "I much prefer the company of animals to that of any person I know," Beatrix shot back. Instantly she regretted the tactless statement, especially as she saw that Prudence had taken it as a personal affront. "I'm sorry. I didn't mean-" "Perhaps you had better leave, then, and go to your pets," Prudence had said in a frosty tone. "You'll be happier conversing with someone who can't talk back to you." Chastened and vexed, Beatrix had left Mercer House. But not before Prudence had said, "For all our sakes, Bea, you must promise me never to tell Captain Phelan that you wrote the letters. There would be no point in it. Even if you told him, he wouldn't want you. It would only be an embarrassment, and a source of resentment. A man like that would never forgive such a deception.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
and unlike every other indie label, they didn’t already have a black female artist in their stable—it was like some kind of quota with these labels and they all claimed they could only have one, like they were all Highlander and shit.
Ernessa T. Carter (The Awesome Girl's Guide to Dating Extraordinary Men)
And yet, why do you think Jesus Christ came into this world through a pregnant, unwed teenage girl in a patriarchal shame-and-honor culture? God didn’t have to do it that way. But I think it was his way of saying, “I don’t do things the way the world expects, but in the opposite way altogether. My power is made perfect in weakness. My Savior-Prince will be born not into a cradle in a royal palace but into a feed trough in a stable --not to powerful and famous people but to disgraced peasants. And that is all part of the pattern.
Timothy J. Keller (Encounters with Jesus: Unexpected Answers to Life's Biggest Questions)
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Desirina Boskovich (2084)
It had been often commented upon that Vibe offspring tended to be crazy as bedbugs. ‘Fax’s brother Cragmont had run away with a trapeze girl, then brought her back to New York to get married, the wedding being actually performed on trapezes, groom and best man, dressed in tails and silk opera hats held on with elastic, swinging upside down by their knees in perfect synchrony across the perilous Æther to meet the bride and her father, a carnival “jointee” or concessionaire, in matched excursion from their own side of the ring, bridesmaids observed at every hand up twirling by their chins in billows of spangling, forty feet above the faces of the guests, feathers dyed a deep acid green sweeping and stirring the cigar smoke rising from the crowd. Cragmont Vibe was but thirteen that circus summer he became a husband and began what would become, even for the day, an enormous family. The third brother, Fleetwood, best man at this ceremony, had also got out of the house early, fast-talking his way onto an expedition heading for Africa. He kept as clear of political games as of any real scientific inquiry, preferring to take the title of “Explorer” literally, and do nothing but explore. It did not hurt Fleetwood’s chances that a hefty Vibe trust fund was there to pick up the bills for bespoke pith helmets and meat lozenges and so forth. Kit met him one spring weekend out at the Vibe manor on Long Island. “Say, but you’ve never seen our cottage,” ‘Fax said one day after classes. “What are you doing this weekend? Unless there’s another factory girl or pizza princess or something in the works.” “Do I use that tone of voice about the Seven Sisters material you specialize in?” “I’ve nothing against the newer races,” ‘Fax protested. “But you might like to meet Cousin Dittany anyway.” “The one at Smith.” “Mount Holyoke, actually.” “Can’t wait.” They arrived under a dourly overcast sky. Even in cheerier illumination, the Vibe mansion would have registered as a place best kept clear of—four stories tall, square, unadorned, dark stone facing looking much older than the known date of construction. Despite its aspect of abandonment, an uneasy tenancy was still pursued within, perhaps by some collateral branch of Vibes . . . it was unclear. There was the matter of the second floor. Only the servants were allowed there. It “belonged,” in some way nobody was eager to specify, to previous occupants. “Someone’s living there?” “Someone’s there.” . . . from time to time, a door swinging shut on a glimpse of back stairway, a muffled footfall . . . an ambiguous movement across a distant doorframe . . . a threat of somehow being obliged to perform a daily search through the forbidden level, just at dusk, so detailed that contact with the unseen occupants, in some form, at some unannounced moment, would be inevitable . . . all dustless and tidy, shadows in permanent possession, window-drapes and upholstery in deep hues of green, claret, and indigo, servants who did not speak, who would or could not meet one’s gaze . . . and in the next room, the next instant, waiting . . . “Real nice of you to have me here, folks,” chirped Kit at breakfast. “Fellow sleeps like a top. Well, except . . .” Pause in the orderly gobbling and scarfing. Interest from all around the table. “I mean, who came in the room in the middle of the night like that?” “You’re sure,” said Scarsdale, “it wasn’t just the wind, or the place settling.” “They were walking around, like they were looking for something.” Glances were exchanged, failed to be exchanged, were sent out but not returned. “Kit, you haven’t seen the stables yet,” Cousin Dittany offered at last. “Wouldn’t you like to go riding?
Thomas Pynchon (Against the Day)
By the mid-2000s, it was clear that girls raised in harsh, poor, or chaotic homes reached puberty earlier than those raised in more stable homes.
Keith Payne (The Broken Ladder: How Inequality Affects the Way We Think, Live, and Die)
What's wrong?" "What makes you think something's wrong?" "Oh, I don't know. Maybe that you're frowning so hard that you're going to get wrinkles if you don't stop." Leaning closer, Zane reached out and ran one finger between her brows. There he went again, confusing her with his little touches. "Remember that summer you were a junior in college?" "I guess." "You were dating one of the waitresses." Missy used the word 'dating' as a euphemism for what Zane had really been doing with the girl. He smiled. "Yeah, I remember now." "I saw you get into your car with her one night. My Mom had asked me to run out to our car to get her sweater because the AC in the dining room was so cold and we were sitting right under the vent. Anyway, sitting in the car with you, reminded me of that time." Except Zane hadn't been able to keep his hands off the waitress. He'd been pawing at her during the walk to the car and hadn't stopped once they sat inside. Missy was sure they didn't make it much farther than the driveway that led to the stables, before he pulled over to have sex with her. Yet, with Missy, he was more concerned about making sure her coat was buttoned up tight and her seat belt fastened. "I'd completely forgotten about her. Funny, I can't even remember her name.
Cat Johnson (Saved by a SEAL (Hot SEALs, #2))
I didn’t see Danny come in or run towards me. He was just suddenly there, pulling me up by my arm so hard that I gasped. I felt his grip on my skin long after he let go. We ran down the steps where Mom met us, coughing. She was followed by a thick black cloud of smoke. I had never felt smoke that hot in my life. I tasted ash when I breathed in. “Go! Get out!” she choked, waving us towards the front door. We ran out into the night in our pajamas. “Run to Violet’s!” Mom called behind us. - The Stable House
Laura Smith
Did I ever tell you that we used to keep our horses where your house is?” “Yeah,” I mumbled. She continued her story, “My brothers used to get up early every morning and go across the street, well, there wasn’t a street there yet. It was just a dirt road, and they used to get up and clean the stables and feed the horses every morning. I would go over there once they had finished and give the horses a brush, even though none of those horses were mine. I had always wanted my own horse, but I never got one. When my father got older, he got rid of the horses and sold the land, all but this yard here." She spread her hand over the yard as she said this. "I grew up and got married and had to move away. My husband and I lived in an apartment above a bread store. And it was so cramped, let me tell you. There was nowhere to move around and no yard to take care of. It was terrible. I’m not saying I wanted my husband to die. I’d never have wished that in a million years. But I was so relieved to come home after two years, and I've lived here ever since." I had stopped raking, turned and looked at her. "I know why you don’t want to leave this street," she said, "You’ve been in that house your whole life, just like me. And no matter where you go it’s not going to seem like home. But just like me, you’re going to come back. You have to remind yourself of that. And I did hate being away from home, but it was the most memorable time in my life, being away. It was an adventure as much as it was scary. But when I came home, I learned to get out more. I went to beauty school and got a job at the salon and took trips with friends. I like to get away from the house so that I can come back and still appreciate it. And you will too after you come back.” I nodded at Violet. What she was saying made sense. “I’ll go,” I said, “Tell them I’ll go.” - The Stable House
Laura Smith
I had heard this dog barking over the music earlier, but this was the first time I had seen him. He was a giant, brown Great Dane who was either annoyed or excited by everything that was going on. He made a beeline for the girls who had just stepped back onto the sidewalk. Ruby was the first of them to spot him coming at them and began to scream and run backwards. The rest of the group froze in place. The dog was barking like crazy as it charged at them. He circled Ruby once and then pounced on her. Ruby screamed and swatted at the dog with her bucket and then took off down the sidewalk. “Ruby!” I screamed, “Don’t run!” - The Stable House
Laura Smith
I'd like to think that there's a hard, bright line separating someone like him from someone like me, but if there isn't? What if we're all dancing on a line between stable and undone?
Katie Bayerl (A Psalm for Lost Girls)
The Way the Cards Fall " Why did you stay away so long? I’ve buried another husband, since I last saw you holding to the horizon. I hear where you now live it snows year-round. The pear & apple trees have even missed you– dead branches scattered about like war. Come closer, my eyes have grown night-dim. Across the field white boxes of honeybees silent as dirt, silent as your missent postcards. Evening sunlight’s faded my hair, the old stable’s slouched to the ground. I dug a hole for that calico, Cyclops, two years ago. Now milkweed & blackberries are keepers of the cornfield. That’s how the cards fall; & Anna, that beautiful girl you once loved enough to die over & over again for, now lives in New Orleans on both sides of Bourbon Street.
Yusef Komunyakaa (Neon Vernacular: New and Selected Poems)
Wyatt’s lips flatten into a serious line. His voice goes low, laced with passion. “Marrying one woman doesn’t mean spending your life with one woman, because the funny girl you fall in love with on a first date at twenty-eight eventually becomes the fascinating creature you propose to at thirty, then evolves into the stunning bride you wait for at the end of an aisle at thirty-two, and finally grows into the astounding mother to your children at thirty-four. By forty, she has blossomed into the businesswoman, the force to be reckoned with. By the time you’re fifty or sixty or seventy or a hundred, she’s been everything — your wife, your lover, your friend, your companion, your sous-chef, your travel partner, your life coach, your confidant, your cheerleader, your critic, your most stalwart advisor. She grows with you. She changes with you. She is always stable, but never stagnant. She is not one woman. She is a thousand versions of herself, a multitude of layers, an infinite ocean whose depths you plumb over a lifetime, whose many treasures and intricacies, quirks and idiosyncrasies you need an entire marriage to explore.” His voice softens. “A man should be so lucky to spend his life stuck with one woman such as that.” -Julie Johnson, "The Monday Girl
Julie Johnson
briefly how she had managed to unlock the back door and why she should have seemed so resentful of him. She had, he decided, been musing and had made her way to this particular room for that purpose. Her pose over there by the window had betrayed as much and his sudden appearance breaking into her reflections, had startled her, so that, in a sense, her anger had been counterfeit. He remained standing where she had stood, wondering if she would circle the west wing and appear at the crest of the drive, but when he heard or saw something of her he fell to thinking about women in general and his relations with them in the past. His experience with women had been limited but although technically still a virgin he was not altogether innocent. There had been a very forward fourteen-year-old called Cherry, who had lived in an adjoining house in Croydon, when he came home for school holidays and Cherry had succeeded in bewitching but ultimately terrifying him, for one day when they were larking about in the stable behind her house, she had hinted at the mysterious differences between the sexes and when, blushing, he had encouraged her to elaborate, she had promptly hoisted her skirt and pulled down her long cotton drawers, whereupon he had fled as though the Devil was after him and had never sought her company again, although he watched her closely in church on successive Sundays, expecting any moment to see forked lightning descend on her in the middle of ‘For all the Saints’. Then there had been a little clumsy cuddling at Christmas parties, and after that a flaxen-haired girl called Daphne whom he had mooned over as an adolescent and had thought of a good deal in the Transvaal but now he had almost forgotten what Daphne looked like and had not recalled her name until now. Finally there had been an abortive foray
R.F. Delderfield (A Horseman Riding By: The Complete Series)
In order to construct a flawless imitation, the first step was to gather as much video data as possible with a web crawler. His ideal targets were fashionable Yoruba girls, with their brightly colored V-neck buba and iro that wrapped around their waists, hair bundled up in gele. Preferably, their videos were taken in their bedrooms with bright, stable lighting, their expressions vivid and exaggerated, so that AI could extract as many still-frame images as possible. The object data set was paired with another set of Amaka’s own face under different lighting, from multiple angles and with alternative expressions, automatically generated by his smartstream. Then, he uploaded both data sets to the cloud and got to work with a hyper-generative adversarial network. A few hours or days later, the result was a DeepMask model. By applying this “mask,” woven from algorithms, to videos, he could become the girl he had created from bits, and to the naked eye, his fake was indistinguishable from the real thing. If his Internet speed allowed, he could also swap faces in real time to spice up the fun. Of course, more fun meant more work. For real-time deception to work, he had to simultaneously translate English or Igbo into Yoruba, and use transVoice to imitate the voice of a Yoruba girl and a lip sync open-source toolkit to generate corresponding lip movement. If the person on the other end of the chat had paid for a high-quality anti-fake detector, however, the app might automatically detect anomalies in the video, marking them with red translucent square warnings
Kai-Fu Lee (AI 2041: Ten Visions for Our Future)
stables
Diana Molly (Books for Girls : The Princess Adventures 2: Diary of a princess : Sarah)
When they reached the ranch, Dave parked the truck at the stable. The girls heard laughter coming from the corral and saw Tex Britten perched on the fence. Bess was mounted on a brown quarter horse and holding a coiled lariat. “Watch me!” she called. “I’m learning to rope a steer.” Nancy and George walked over and saw Bud Moore put his hands on his head like horns and prance in front of Bess’s horse. “Come on and rope me, pardner!” he said.
Carolyn Keene (The Secret of Shadow Ranch (Nancy Drew, #5))
i am done with dating i am too intense for just drinks or a coffee i fall in love either immediately or never i am a stay-up-till-three-am girl talk-all-night girl tell-me-all-your-secrets girl i know we just met but we might as well get married it was less i was in love with you and more you made me feel like i was standing on stable ground for once
Michaela Angemeer (Please Love Me at My Worst)
Satisfied that Kara was, for the moment, in a stable frame of mind and body, Cade once again focused his fury on the prick who had tried to force himself on his girl. In all honesty, Cade would have been pissed as fuck even if it was consensual. But the fact that the arsehole had been violent, torn her clothes, and held her down made Cade see fucking red. The bastard would be lucky if he made it out of that room alive, let alone in one fucking piece.
Willow Prescott (Hideaway (Stolen Away Series Book 1))
I hurried into the living room, and the kernel grew until it filled my sternum. They weren’t there. The play mat was empty. “Elliot?” I called. “Where are you?” Only a second or two passed, but it felt like an eternity. Finally, Elliot appeared in the kitchen doorway, Joey in his arms. “We’re here,” he answered. My heart was still lodged firmly in my throat. “You’re holding her.” He had my daughter against his chest, facing outward, his hand on her belly to keep her stable. She seemed content, her head resting against him, his suit sleeve clenched in her fist. Somehow, this was different than when Raymond held her. Ray loved Joey, and they were buddies. It made me smile to see them together. But this…I wasn’t smiling. Despite myself, my thighs pressed together, and heat flooded my core. What is this? “She seemed bored, so I took her out back to see the birds.” He patted her round middle. “If I measure her enjoyment by the amount of drool that dripped on my arm, she liked it very much.” A slightly hysterical laugh bubbled out of me. This was all so surreal. “My daughter drooled on you?” “She did.” “You don’t seem mad.” He lifted a shoulder. “I’m not a monster, Catherine. I knew the risks of holding a baby and picked her up anyway.” He jiggled her softly, and she settled even more in his arms. I didn’t know how to handle this man holding my daughter so delicately—or my body’s immediate reaction. I walked toward them, intent on taking her back, giving him the schematics, and hustling him out of there so I could regain a semblance of equilibrium. “You’re limping.” I stopped moving. “Yes. I stubbed my toe. I’m fine, though.” He closed the distance between us. When Joey alighted on me, she gave me my favorite smile: open-mouthed with the sweetest little coo. “Hi, Joey-Girl,” I cooed back. “Did you get a ride with Elliot? He’s so tall, isn’t he? You’ve never been that high up before.” “Her father’s short?” I huffed. “No. He’s pretty tall too.
Julia Wolf (P.S. You're Intolerable (The Harder They Fall, #3))
Different kinds of crazy hurt in similar ways, like being stoned to death versus being burned at the stake. I’d rather be a bone girl than a delusion girl, so I have to stay here until I learn to want to be a stable girl.
Hymn Herself (House Full of Insects)
When life feels as if it’s become too difficult and our momentum threatens to break stride, remember,—hope is not lost. We are strong women, we are horse women, and when push comes to shove, sweet girl, we can always change rein, for a new direction never ceases to bring with it a new light.
Anne Jolin (Change Rein (Willow Bay Stables, #1))
Sir Templeton was not feeling himself last night,” said Aunt Saffronia, her eyes flicking from plate to Jane and back to plate, “so Mr. Nobley offered to accompany him to see an apothecary in town, and Colonel Andrews went as well, having some business to attend to there. They are so attentive, such honest, caring lads. I shall feel their loss when they leave.” “I feel it today.” Miss Charming pursed her lips. “Eating breakfast with no gentlemen and that Heartwright girl poaching on my men--this isn’t what I was promised.” She looked at Aunt Saffronia with the eye of a haggler. Aunt Saffronia placed her hands in her lap, a calming gesture. “I know, my dear, but they will be back, and in the meantime…” “I didn’t come here for the meantime. I came for the men.” Poor Aunt Saffronia! Jane felt for her. She put a hand on Miss Charming’s arm. “Lizzy, maybe you and I could go visit the stables and go for a ride or--” “Not today, Jane. My feelings are hurt.” A tear formed in one eye. “I was promised certain things about this place and I can tell you one thing--so far, no one’s made me feel enchanting.” “Oh, my,” Aunt Saffronia said, “I can’t have unhappiness at my table. Spoils the digestion. Miss Charming, what say we call on Mrs. Wattlesbrook? I believe she would be very concerned to hear of any dissatisfaction during your visit.” Miss Charming looked at Aunt Saffronia with her dry eye, like a goose considering biting, then nodded her head and said, “Done.” Jane thought, Mrs. Wattlesbrook will have Mr. Nobley tamed into Charming’s personal pet by sundown. He’d been Miss Charming’s choice from the beginning, though he’d quickly proved too much work to keep the woman’s interest. He was the most eye-catching, no question, and he gave the appearance of having some real depth, if he’d just relax a bit. Jane was curious to see how he changed once Wattlesbrook ordered him to charm Miss Charming. And that would be fine by Jane. So what that he’d come (needlessly) running to her rescue in his shirttails? They way he’d said, “Don’t be a fool, Miss Erstwhile,” made her want to poke him in the eye. He was supposed to be Darcy-adorable, not teeth-grindingly maddening.
Shannon Hale (Austenland (Austenland, #1))
It isnt about the vows." He turned his face to the bare altar fashioned of granite hewn from this mountain. "She was not exactly a girl." A choking sound came from beside him. "Perhaps it's time we have a chat about that monastery after all." Vitor cut him a scowl. "Oh, good God, Denis. She was female." "Ah. Bon." The old priest again sighed in relief. "Are you confessing the sin of fornication, then?" "No." Vitor turned to sit on the step, relieving the ache in his leg that she'd struck with the hardest pitchfork in Christendom. He rubbed a palm over his face. "I only kissed her." The hermit chuckled. "If she took money for only that, she should be the one confessing." Denis reached into a fold of his habit and drew out a flask. "She was not a puta. She was a lady." Albeit wearing a gown fit for a servant and lurking in a stable at midnight. -Vitor & Denis
Katharine Ashe (I Adored a Lord (The Prince Catchers, #2))
It’s wonderful to think of the fact that God can turn around a whole nation, a whole world, by using us. God uses simple things, you know that. He uses simple, mundane, everyday, routine, common things for the most amazing purposes. When He made man in the Garden, He didn’t use gold, silver, or even iron; He used dirt. That ought to give you an idea of how He works right from the start. When He called David to deliver Israel from the Philistines, He didn’t want Saul, the great king, and He didn’t want Saul’s massive armor. He used a shepherd and a couple of stones, that’s all. When He came into the world, He didn’t enter the family of the wealthy and noble, He didn’t find Himself born in a castle; He simply chose a peasant girl and a stable. When He chose the Twelve, He didn’t choose the elite, educated, and affluent. He just chose a group of ignorant Galileans. The Bible says, ‘Not many mighty, and not many noble.’ That’s the way it always has been, because God gets the greater glory in the humbleness of the one that He uses. So He uses us, grains of sand, to influence a corrupting world. (Pastor John MacArthur)   When did I start expecting to outgrow child-like reliance? At what age did I think I’d lose the desperation? When did I expect to be mighty and noble? Prestigious? Competent?   God uses the weak, the base, the foolish.   And praise God, I still qualify.
Arabah Joy (Trust Without Borders: A 40-Day Devotional Journey to Deepen, Strengthen, and Stretch Your Faith in God)
There is a type of girl who, while incapable of cleaning her bedroom even at knifepoint, will fight for the privilege of being allowed to spend the day shoveling manure in a stable.
Terry Pratchett (The Wit and Wisdom of Discworld)
It’s only an hour later that a servant comes to my room. And when she tells me the duke has invited me out for a horseback ride, I’m flooded with the strangest mix of emotions. I can’t believe that after running off like that, he still wants to hang out. What is going on between us? And why do I want so desperately for it to be something? I shouldn’t want anything. Not with a guy like him. I mean, yeah, I might have been wrong about the illegitimate kid and Lord Brimmon, but the dude still thinks I don’t have opinions or options because I’m a girl. He thinks I have a “place, my place” and that it’s behind a guy. And worse, I keep thinking about our kiss. The part where I bash into the wall in my haste to get away is a particular highlight on the reel I keep playing over and over again in my head. When I walk out the back of the house and he turns to look at me, it’s impossible to fight the burn in my cheeks as he steps up beside me and the horse. I can’t look at him. I’m so embarrassed I stare at the stirrup as if it will take all concentration to get my foot into it. Is he going to say anything? Is he going to apologize for just…kissing me like that? Maybe if he brings it up…Maybe if he apologizes, I can apologize too. For running off. It was so sudden all I could do was react. But he says nothing. He just steps up beside me and gives me a boost. I’m up on the first try and feeling rather proud of myself as I situate my pretty skirts so they drape over my ankles. Until, that is, I see him swing aboard and am reminded of how graceful and easy he makes it look, even when his horse swings away from him when he’s only halfway on. We ride past the stable, and when I glance in, I see one of the stable boys showing the other how to do the robot, his arms stuck out at odd angles, his hands dangling. I have to bite the inside of my cheek to keep from laughing when I see Alex’s eyebrows shoot up so high they’re nearly to his hairline. It’s nice seeing him caught off-guard. I like it. It makes me want to do something totally crazy, just to see his expression.
Mandy Hubbard (Prada & Prejudice)
The delicate balance between these factors helps explain why, for instance, the typical prostitute earns more than the typical architect. It may not seem as though she should. The architect would appear to be more skilled (as the word is usually defined) and better educated (again, as usually defined). But little girls don’t grow up dreaming of becoming prostitutes, so the supply of potential prostitutes is relatively small. Their skills, while not necessarily “specialized,” are practiced in a very specialized context. The job is unpleasant and forbidding in at least two significant ways: the likelihood of violence and the lost opportunity of having a stable family life. As for demand? Let’s just say that an architect is more likely to hire a prostitute than vice versa.
Levitt/Dubner (SuperFreakonomics: Global Cooling, Patriotic Prostitutes And Why Suicide Bombers Should Buy Life Insurance)
For the most part, the girls of Katwe need to be told who these people are and once they learn, they want to be just like them. For Phiona Mutesi and the other teenage girls of Katwe, there are no true female role models to follow. Nothing realistic. Nothing attainable. No solid businesswoman or stable homemaker. There is no in-between for Phiona to grab onto during a very impressionable time in her life, a time when she needs a lot of guidance about becoming an adult.
Tim Crothers (The Queen of Katwe: A Story of Life, Chess, and One Extraordinary Girl's Dream of Becoming a Grandmaster)
Just before my accident, I had met a great girl who was a student at Cambridge. With my newly found wheels, I used to ride like a lunatic up the motorway to see her after our final evening parade at the rehab center. I would take her out for dinner, sleep over, and then get up at 4:00 A.M. to race the two hours back down to Headley Court and morning parade. The staff had no idea. No one, they imagined, could be that stupid. It was often so cold in the middle of winter that I remember riding along, back brace on over my leathers, and one hand at a time resting on the engine to keep warm. Talk about reckless, bad driving. But it was great fun. The relationship petered out soon after, though--the Cambridge girl was way too clever for me. And I am not sure I was the most stable of boyfriends.
Bear Grylls (Mud, Sweat and Tears)
It took you long enough to come back,” Lexy tells me bitingly. The girl is ruining my meal. Ever since the stable girls showed up, she’s been attached like glue to Vin’s side. I recognize it for what it is—infatuation. No way Vin is leading her on. He barely tolerates her, which isn’t to say he isn’t sleeping with her, but he definitely isn’t putting pretty pictures in her head. She’s doing that all on her own. “That’s what he said,” I grumble around a large bite of bread, gesturing to Vin. “We were sure you’d left us to die.” “Sorry to disappoint.” “Don’t be. We wouldn’t have been sorry to see you go.” I look up from my plate to eye her carefully. I do it for too long. She twitches under my stare, making me grin. “‘We,’ huh? You’re a ‘we’ now?” Vin looks up sharply. “What? No.” “Vin,” Lexy protests. “Are you sure?” I ask him. “Yes,” he tells me angrily. He stares Lexy down. “And, no, we’re not a ‘we.’ We’re nothing.” “I’m sure he doesn’t mean it, Lex,” I tell her consolingly. “Never give up hope.” “Kitten,” Vin growls in warning. Lexy shoots me an icy stare from across the table. It’s cute how hard she tries. “Be sure to watch your back out there, Kitten,” she spits sarcastically. “I’d hate to see you get hurt.” I put up my finger in her face, getting serious. “Watch yourself. You’re toeing a dangerous line with me right now and I don’t want to have to remind you what happened to the last girl who threatened me. Forget Vin, I’ll put you to bed with Caroline. You get me?” Lexy pales. She glances once at Vin, then Ryan and Trent. All of them keep their heads down, carefully pretending they have no idea what’s happening. Finally she stands slowly, turns, and leaves without a word. “Well, that’s handy,” I mumble, picking up my bread. “Kinda harsh,” Ryan comments. I hate that I immediately feel a twinge of guilt just from those two words from him. “I did him a favor,” I say defensively. “That girl was one kiss away from collecting his hair. I don’t have time for that kind of crazy.” “Amen to that,” Vin says heartily, raising his glass to me. “Calm down, Romeo. You’re the idiot who keeps getting us into these situations.” “‘Us’?” he asks with a sly grin. “Are we an ‘us’ now?” “No,” Ryan replies darkly.
Tracey Ward
Next time I expect you to act a little friendlier and remember that we would like to get out of here before we die.” He rises to leave but I stand quickly as well, leaning over the table and shoving my finger in his face. “And next time you try and remember that you’re not my pimp, I’m not one of your girls and if you want my help you’ll watch the way you talk to me. Understood?” This is a moment in my life when I seriously wonder if I’m going to get slapped. I’m mouthing off to a Stable Boy from The Hive, a guy whose job it is to keep women in line, doing what they’re told and making the very testy, very violent men at the top of his food chain happy. He minds the coffers and the coins all have PMS. It can’t be an easy job. It could easily be one he manages with an iron fist. His jaw works under the taught skin of his face. It clenches and releases as he chews on what I’ve said. He carefully, dispassionately considers me. His calm is freaking me out. I’d rather he was yelling. I’d almost rather he hit me. Eventually what he does is smile. “Understood, Kitten.” he replies, his voice low and rough. His eyes bore into me with a heat that I recognize. A hunger I’ve seen before.
Tracey Ward
20 Dear You, Six girls. Eight boys. That’s the current number of kids in the Camp Caius stable, and they’re an intriguing little bunch of brats, ranging in age from eleven to twenty-two.
Daniel O'Malley (The Rook (The Checquy Files, #1))
Gothic is the genre of fear. Our fascination with it is almost always revived during times of instability and panic. In the wake of the French Revolution, the Marquis de Sade described the rise of the genre as 'the inevitable product of the revolutionary shock with which the whole of Europe resounded,' and literary critics in the late eighteenth century mocked the work of early gothic writers Anne Radcliffe and Matthew Lewis by referring to it as 'the terrorist school' of writing. As Fred Botting writes in Gothic, his lucid introduction to the genre, it expresses our unresolved feelings about 'the nature of power, law, society, family and sexuality' and yet is extremely concerned with issues of social disintegration and collapse. It's preoccupied with all that is immoral, fantastic, suspenseful, and sensational and yet prone to promoting middle-class values. It's interested in transgression, but it's ultimately more interested in restitution; it alludes to the past yet is carefully attuned to the present; it's designed to evoke excessive emotion, yet it's thoroughly ambivalent; it's the product of revolution and upheaval, yet it endeavors to contain their forces; it's terrifying, but pretty funny. And, importantly, the gothic always reflects the anxieties of its age in an appropriate package, so that by the nineteenth century, familiar tropes representing external threats like crumbling castles, aristocratic villains, and pesky ghosts had been swallowed and interiorized. In the nineteenth century, gothic horrors were more concerned with madness, disease, moral depravity, and decay than with evil aristocrats and depraved monks. Darwin's theories, the changing roles of women in society, and ethical issues raised by advances in science and technology haunted the Victorian gothic, and the repression of these fears returned again and again in the form of guilt, anxiety, and despair. 'Doubles, alter egos, mirrors, and animated representations of the disturbing parts of human identity became the stock devices,' Botting writes, 'signifying the alienation of the human subject from the culture and language in which s/he is located.' In the transition from modernity to post-modernity, the very idea of culture as something stable and real is challenged, and so postmodern gothic freaks itself out by dismantling modernist grand narratives and playing games. In the twentieth century, 'Gothic [was] everywhere and nowhere,' and 'narrative forms and devices spill[ed] over from worlds of fantasy and fiction into real and social spheres.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
Marrying one woman doesn’t mean spending your life with one woman, because the funny girl you fall in love with on a first date at twenty-eight eventually becomes the fascinating creature you propose to at thirty, then evolves into the stunning bride you wait for at the end of an aisle at thirty-two, and finally grows into the astounding mother to your children at thirty-four. By forty, she has blossomed into the businesswoman, the force to be reckoned with. By the time you’re fifty or sixty or seventy or a hundred, she’s been everything — your wife, your lover, your friend, your companion, your sous-chef, your travel partner, your life coach, your confidant, your cheerleader, your critic, your most stalwart advisor. She grows with you. She changes with you. She is always stable, but never stagnant. She is not one woman. She is a thousand versions of herself, a multitude of layers, an infinite ocean whose depths you plumb over a lifetime, whose many treasures and intricacies, quirks and idiosyncrasies you need an entire marriage to explore.” His voice softens. “A man should be so lucky to spend his life stuck with one woman such as that.
Julie Johnson
Bereaved, she made it home, thanked the neighbor and headed to bed to sob herself to sleep. Rich’s arrival from work was followed by a rattlesnake response to the two children wandering the house without supervision. Finding Gail in bed, he berated his wife for her selfishness. Gail announced the miscarriage to Rich. “I hope you’re happy.” He shrugged and said, “I’m sorry about that. Comm ci comme sa. You win some, you lose a bunch. I guess I’ll go fix spaghetti for the girls.” She turned over to look him in the eye. “It was a beautiful, perfectly formed little boy,” she said with a tear-streaked face. Rich looked a little stunned at the news. He heard his wife’s voice dull compared to the coursing blood in his ears. “Yes, he looked like you. His curls, his lashes…” Maybe he would have wanted a son, but the wheels of his mind kept turning. “There’s always another night, another baby to be had when he’s out of college, another son to be born when we’re more financially stable.” “If you wouldn’t have tricked me…” “Into this pregnancy,” she finished his thought. “And so, you think you have tricked me back.
Lynn Byk (The Fearless Moral Inventory of Elsie Finch)
By refusing to reduce incest to merely a physical act imposed on a little girl by an adult male, Harrison reveals the necessity of the stable yet flexible, reality-dosed mirroring that Winnicott talks about; the gaze that enables a child to individuate, and experience a sense of self. She reveals the curtailing of the self that arises from the lack of good-enough parenting - parenting that Winnicott saw as both utterly ordinary and immeasurably skilled. Without it, enchanted in all the dark ways enchantment can take place, Harrison is compelled to be seen at any exorbitant, self-thwarting price.
Katherine Angel (Daddy Issues)
Good God, I love this man. Solid and stable and endlessly good-natured, an excellent protector and stepfather to my two girls. The kind of man who is the polar opposite of their deadbeat father. And Patrick has always been so generous, sharing this house and his bank account with me and the twins, never treating it as his money but ours.
Kimberly Belle (The Personal Assistant)
How far am I going with this? Is all envy really attraction? Are all female friendships chock-full of repressed sexuality? Do women with body-image issues just need to come out? For sociopolitical shock value, it would be delicious to make these claims. For the sake of truth and useful theory, though, I want to question just that type of absolutism. My point is not that we're all big dykes, but that the distinctions among sensuality, sexual attraction, and platonic love are not always stable or easy to determine. The erotic is an integral part of the wide range of affection between women. Under a system where women are not encourages to acknowledge attraction to women - even to themselves - that attraction has to hide somewhere. Where better than in the socially sanctioned obsession with other women's appearance? Where better than in the supposedly 'pure' model of platonic friendship? I know from my own experience that it's possible to completely confuse envy and attraction, and that this confusion can go totally unnoticed by both the woman in question and those around her. It was easy for me to use the concept of envy to spend twenty-two years as a straight girl, never realizing that I was attracted to women.
Anna Mills
Sadhguru – WARNING! | Misfortune Will Come Upon You | If You Visit This Temple in South India - Sadhguru Darshan - YouTube channel comment about this video message, Until now, I have many times trolled your videos, but now honestly asking two question about this very video, 1) Tanjore temple will bring misfortune because of incorrect consecration, that is not correct, it was consecrated in right way for the people with bad intention. 2) You can not build a structure without stable foundation - Not agreeing - Because earth itself moving and there is no stable foundation on earth, even Maglev trains are example of structure and dynamics without stable foundation. 3) If you are devotee or if you have sacrificed your soul for the greater good, it is going to benefit much and can be manifested in any manner as we wish, 1000& truth, but for such sacrifice the person needs to completely trust on particular aspect or at least on one particular person with 100% trust - that is the problem, for getting such trust, that persons intention is under question, ok I am sacrificing my soul to someone whether its boy or girl or spiritual people like you or institutions or some other hierarchy , now what is their intentions from me! Until I completely have analyzed their background with their motive and intentions and long term goals, I will not trust even 1%, you are talking about 100% trust
Ganapathy K Siddharth Vijayaraghavan
Every human has two faces, one is good and another is bad one. Whenever you have anger or opposition towards society just because you did not get something that you asked from society, you must turn your anger into good things, and it will be slipper shot for them. Wearing what color, or loving which girl or boy is completely your choice, no one can advice you on this regard, which caste or which religion the girl or boy is nothing before love. They are social factors that is all. But always be wise whether it is love or career. Whatever I have learnt from Nalanda, Verzeo, Pulsus, Kalasalingam, Parents, friends, relatives, temporary jobs, societies from all over the world, what they are trying to teach you is simple, turn your anger into positive results and they get slipper shots, and do not expect anything from anyone. For my personal clarification I am not affiliated to any political parties in any means, so just because I say things to learn does not mean I am affiliated to some political parties anywhere on earth. Today I Cycled, worked out and walked for around 30 KM, tom I will try to reach more than this, Every day I am manifesting my own mind to be stable on every situations and on every possible colors
Ganapathy K Siddharth Vijayaraghavan
There she was, stable and as if forever; then -- nothing. Vanished like fire or air, an element of the earth back into the earth. To mix with the everyone-else people that never ceased to be. Poured out among them. The evaporated girl, he thought. Of transformation. That comes and goes as she will. And no one, nothing, can hold her.
Philip K. Dick
I began to loosen the reins on the ideology that your work friends are family. It started to feel like cheapening the concept of family by including coworkers. My family, lucky for me, is stable, supportive, and loving. And using that kind of family terminology at work is emotional manipulation, simply a tactic of capitalism to get employees to feel guilty about having personal boundaries and taking days off.
Danielle Prescod (Token Black Girl)
I shut the book, shocked by the final plot twist—the duke hadn’t gotten the girl; the stable boy had. I wasn’t sure how I felt about the turn of events. I’d been so certain the heroine would end up with the duke that I’d discarded the stable boy, and here he was besting his sovereign.
Olivia Wildenstein (Feather (Angels of Elysium, #1))
Amara and Silver Streak gallop toward the jump—Amara in a two-point position, hovering just above his back. She gathers her reins and leans into his neck, the thoroughbred gracefully lifts his legs in the air, and she sinks closer to him as they float . . . majestically . . . magically . . . effortlessly . . . through the air. Everyone in the stable stares, spellbound. I hold my breath. The world seems to slow down as I, too, lean forward and shift in my own saddle—soaring vicariously with them. Except I am now moving. And it is not vicarious. “Aaaaaahhhhhh!” Clyde takes off, bounding after Silver Streak. Apparently energized by a serious case of FOMO, Clyde decides he won’t be left behind at the boring ground poles. He strides closer and closer to the oxer as I jostle in my seat, barely clinging to the reins as one of my clumsy feet slips out of its stirrup. I slide off-kilter, slithering down the saddle leather. Suddenly the arena is zipping past me sideways as Clyde’s medium-pizza hooves gallop away. Galumph-galumph-galumph! “Whoa!” I yell, tightening my abs and attempting to grip the reins from my diagonal, half-upside-down position. And just as he’s beginning to stretch his neck into a gigantic leap, snatching us both into the Air o’ Doom, Clyde—for once—listens to me. Swooosh! He slams on the brakes, stopping short and veering left. My body, still screaming along at full speed, misses the memo, flipping above the saddle and then—wheeeeeeeee!—straight over the top rail of the oxer. And into the dirt. Thud. . . . My first jump!
Carrie Seim (Horse Girl)
Maeve’s always at the doctor’s, constantly signed off sick from work, on tons of different medication. She binge eats, she’s got really big and she’s never had a stable relationship. And Oisin drinks far too much. He’s had kids with two different girls already, and he’s only twenty-three. He works really menial jobs, just to get drinking money.
Robert Galbraith (The Running Grave (Cormoran Strike, #7))
Then all at once she was gone. Vanished away into the hither-and-thither-going people. (…) There she was, stable and as if forever; then - nothing. Vanished like fire or air, an element of the earth back into the earth. To mix with the everyone-else people that never cease to be. Poured out among them. The evaporated girl, he thought. Of transformation. That comes and goes as she will. And no one, nothing, can hold on to her. I seek to net the wind, he thought. (…) A phantom of authority, a kind of hologram, through which a normal man could walk, and emerge on the far side, alone. Without ever having gotten a good grip on it - on the girl itself. (…) You ask yourself, where is she now? And the answer is - Nowhere. Because she was not there in the first place. (…) To seek to find her or possess her (…) To love an atmospheric spirit. That was the real sorrow. Hopelessness itself. Nowhere on the printed page, nowhere in the annals of man, would her name appear: no local habitation, no name. There are girls like that, he thought, and those you love the most, the ones where there is no hope because it has eluded you at the very moment you close your hands around it.
Philip K. Dick (A Scanner Darkly)
Here, with the ticking percussion of rain at work on the rooftop and the unmoving air of the stable cool and redolent of damp horsehair and dry hay, there is simply no way to watch this girl shedding her boots, pulling her camisole over her head, and to see her in terms of anything other than the startlingly novel and incomparable vision that she is.
Bruce Machart (The Wake of Forgiveness)
Why can’t I have an ordinary footman like the other ladies have?” “Because you won’t always be going to the places other ladies go.” Gabriel sat on a chair to remove his shoes and stockings. “You’ll be looking for factory space, and meeting with suppliers, retailers, and wholesale traders, and so forth. If you take Drago with you, it will ease my mind about your safety.” As he saw the mulish set of Pandora’s jaw, Gabriel decided to take another tack. “Of course, we’ll replace him if you wish,” he said with a casual shrug. He began to unfasten the buttons of his braces. “But it would be a pity. Drago grew up in an orphanage and has no family. He’s always lived in a small room at the club. He was looking forward to living in a real household for the first time in his life, and seeing what family life was like.” That last sentence was pure conjecture, but it did the trick. Pandora sent him a long-suffering glance and heaved a sigh. “Oh, all right. I suppose I’ll have to keep him. And train him not to scare people.” Dramatically she fell backward on the bed, arms and legs akimbo. Her small, glum voice floated up to the ceiling. “My very own footmonster.” Gabriel regarded the small, splayed figure on the bed, feeling a rush of mingled amusement and lust that made his breath catch. Before another second had passed, he’d climbed over her, crushing her mouth with his. “What are you doing?” Pandora asked with a spluttering laugh, twisting beneath him. “Accepting your invitation.” “What invitation?” “The one you gave me by reclining on the bed in that seductive pose.” “I flopped backward like a dying trout,” she protested, squirming as he began to hike up her skirts. “You knew I wouldn’t be able to resist.” “Take a bath first,” she implored. “You’re not fit for the house. I should take you out to the stables and scrub you like one of the horses, with carbolic soap and a birch brush.” “Oh, you naughty girl . . . yes, let’s do that.” His hand wandered lecherously under her skirts. Pandora yelped with laughter and wrestled him. “Stop, you’re contaminated! Come to the bathroom and I’ll wash you.” He pinned her down. “You’ll be my bath handmaiden?” he asked provocatively. “You’d like that, wouldn’t you?” “I would,” he whispered, touching his tongue to the center of her lower lip. Her dark blue eyes were bright with mischief. “I’ll bathe you, my lord,” she offered, “but only if you agree to keep your hands to yourself, and remain as still and stiff as a statue.” “I’m already as stiff as a statue.” He nudged her to demonstrate. Pandora rolled out from under him with a grin and headed toward the bathroom, while he followed readily.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
A Horse Girl Life I am what you call a “horse crazy girl”. Everything in my life is horses! You should give it a whirl because there are many choices! The fun and friendships. And feelings of freedom running free! Grab some chips, you might be gone a while. Head for the stables, filled with glee! Unconditional love with your best friends. Tell them your secrets and they won’t tell a soul. No need to look fancy or follow the trends. Just the wind in your hair riding to the grassy knoll. Nothing compares to a horse by your side, so follow your Dreams!
Debbie Burgermeister
I want him to be funny but also stable, maybe like a successful ophthalmologist who crosses his own eyes when he tells you to follow his pen.
Maeve Higgins (Maeve in America: Essays by a Girl from Somewhere Else)
Part of him wanted to throw her down onto the straw and have done with it. For there was no surer way of losing desire for a woman than to take your fill of her. But he sensed that Eleni might be slow to realise that her duty was to please her sheikh in every aspect that he demanded. His mouth curved into a smile. She would soon learn.
Sharon Kendrick (The Playboy Sheikh's Virgin Stable-Girl (The Royal House of Karedes #2))
Would she have been okay in a stable environment, with two loving parents instead of two people who couldn’t stand the sight of each other?
Mel Sherratt (Good Girl (DS Grace Allendale, #4))
Truth be told, slaves in Jamaica have more ranking among themself than massa. In this place two thing matter more than most, how dark a nigger you be and where the white man choose to put you. One have all to do with the other. From highest to lowest, this be how things go. The number one prime nigger who would never get sell is the head of the house slaves. That position so hoity-toity that in some house is a white woman who be that nigger. The head house nigger get charge with so much that she downright run the house, and everybody including the massa do what she say. Homer careful not to cross the line, though. Position can make a negro girl forget herself and there is always the cowhide, the cat-o’-nine and the buckshot to remind her of her place. After she, there be the house slaves who work the rooms and the grounds and the gardens. Sometimes is the prime pretty niggers or the mulatto, quadroon or mustee that work there. Then you have the cooks who the backra trust the most, because the cook know that if the mistress get sick after a meal there goin’ be a whipping or a hanging before the cock even crow. Other house slaves be cleaning and dusting and shining and manservanting and womanservanting and taking care of backra pickneys. After the house slaves come the artisan niggermens, like the blacksmith, the bricklayer, the tanner, the silversmith, niggers who skilled with they hands, followed by the stable boys, coachmen and carters. Next is the field niggers, headed by the Johnny-jumpers who be the right hand and left hand of the slave-drivers. They do most of the whipping and kicking but when the estate running right they have nothing to do, so they whip and kick harder. After Johnny-jumper come the Great Slave Gang, the most expensive slaves, the one who they buy for the long years of hard work. The mens and the womens strapping and handsome like a prime horse. Most be Ashanti, what the white man call Coromantee, but they not easy to control so they get punish plenty for they spiritedness. But a dead Coromantee man can set an estate back up to three hundred pounds so they careful not to kill too much. After that is the Petit Gang, the makeup of plain common nigger. Some cost less than one hundred pounds and they work the other fields, like the ratoon or the tobacco that some planters grown on the side. Other nigger look down ’pon them mens as worthless and them womens as good for rutting, not breeding. On some estate even the pickneys work, mostly in the trash gang to pick up rubbish on the estate or to carry water for the field slaves to drink, or to get firewood. That be the negroes.
Marlon James (The Book of Night Women)