Ss Motivational Quotes

No one will ever remember you until you set an example

Naturally,” Vance replied, “—since it’s an irrelevant factor in most crimes. Every one of us, my dear chap, has just as good a motive for killing at least a score of men as the motives which actuate ninety-nine crimes out of a hundred. And, when anyone is murdered, there are dozens of innocent people who had just as strong a motive for doing it as had the actual murderer. Really, y’ know, the fact that a man has a motive is no evidence whatever that he’s guilty—such motives are too universal a possession of the human race. Suspecting a man of murder because he has a motive is like suspecting a man of running away with another man’s wife because he has two legs.

Party members did the same, and so did the SS.54 Stress declined, sexual appetite increased, and motivation was artificially enhanced.

În fine, există o profundă lege a firii, potrivit căreia reintegrarea originilor nu se poate face prin regresiune orizontală, ci numai printr-o ruptură ontologică de nivel, care presupune integrarea cel puțin a nivelului imediat superior. La Euripide, de pildă, găsim ideea că numai „sfintele râuri” se pot întoarce la izvoare. În același fel, orice regresiune neasistată divin, îndreptată spre moduri de a fi pe care timpul deja le-a îngropat în sertarele lui, îl decade pe om din condiția sa și îl aruncă în animalitate. Am putut deja vedea felul în care regresia elitelor SS la modul de a fi al vechilor confrerii de războinici-fiare conduce la cea mai calificată animalitate. La fel, egalizarea oamenilor, în comunism, după modelul regresiv al comunei primitive, a generat un sistem politic tarat de o criminalitate animalică. Observația mea este următoarea: întrucât omul nu își poate schimba neasistat modul de a fi (decât, cum am văzut, cu riscul de a cădea în animalitate), disprețul agresiv față de individualism al multor „spirituali” de azi este extrem de periculos. Las deoparte nepotrivita lui trufie și voi spune doar că nu există alternativă imanentă la individualism pentru cei care sunt deja individualități. Orice formă de agregare corporatistă a indivizilor, după reguli inventate de vizionari și visate retrospectiv de erudiți, nu poate conduce decât la pustiitoare regresii tribale, care nu pot restitui omului nimic din ceea ce se pretinde că i-ar fi luat individul; și aceasta dintr-un motiv elementar: noi nu suntem stăpânii modului nostru de a fi, ceea ce înseamnă că individualismul este azi în noi ca o natură umană dată.

The Luftwaffe effectively “rented” slave labor from the SS both to build facilities and to operate manufacturing lines making V-2 rockets and other high-tech weaponry. The SS actually charged a per-day fee for each slave worker, set well below the average wage of a regular German citizen, and provided all services, such as guards, food, and so on. Perhaps not surprisingly, the workers used for the programs underwent shockingly brutal treatment, regardless of whether they built V-2 rockets in underground manufacturing facilities or constructed wind tunnels in frigid, windswept alpine valleys in Austria. The SS preferred to spend the least amount possible on their slaves to maximize their profits, feeding the men very little, dressing them in thin rags, and providing no medical treatment. The guards motivated the victims to work with shouting, threats, and constant blows and beatings.

Ten shockingly arty events What arty types like to call a ‘creative tension’ exists in art and music, about working right at the limits of public taste. Plus, there’s money to be made there. Here’s ten examples reflecting both motivations. Painting: Manet’s Breakfast on the Lawn, featuring a group of sophisticated French aristocrats picnicking outside, shocked the art world back in 1862 because one of the young lady guests is stark naked! Painting: Balthus’s Guitar Lesson (1934), depicting a teacher fondling the private parts of a nude pupil, caused predictable uproar. The artist claimed this was part of his strategy to ‘make people more aware’. Music: Jump to 1969 when Jimi Hendrix performed his own interpretation of the American National Anthem at the hippy festival Woodstock, shocking the mainstream US. Film: In 1974 censors deemed Night Porter, a film about a love affair between an ex-Nazi SS commander and his beautiful young prisoner (featuring flashbacks to concentration camp romps and lots of sexy scenes in bed with Nazi apparel), out of bounds. Installation: In December 1993 the 50-metre-high obelisk in the Place Concorde in the centre of Paris was covered in a giant fluorescent red condom by a group called ActUp. Publishing: In 1989 Salman Rushdie’s novel Satanic Verses outraged Islamic authorities for its irreverent treatment of Islam. In 2005 cartoons making political points about Islam featuring the prophet Mohammed likewise resulted in riots in many Muslim cities around the world, with several people killed. Installation: In 1992 the soon-to-be extremely rich English artist Damien Hirst exhibited a 7-metre-long shark in a giant box of formaldehyde in a London art gallery – the first of a series of dead things in preservative. Sculpture: In 1999 Sotheby’s in London sold a urinoir or toilet-bowl-thing by Marcel Duchamp as art for more than a million pounds ($1,762,000) to a Greek collector. He must have lost his marbles! Painting: Also in 1999 The Holy Virgin Mary, a painting by Chris Ofili representing the Christian icon as a rather crude figure constructed out of elephant dung, caused a storm. Curiously, it was banned in Australia because (like Damien Hirst’s shark) the artist was being funded by people (the Saatchis) who stood to benefit financially from controversy. Sculpture: In 2008 Gunther von Hagens, also known as Dr Death, exhibited in several European cities a collection of skinned corpses mounted in grotesque postures that he insists should count as art.

Marita Lorenz, born on August 18, 1939, in Bremen, Germany, was best known for her undercover work with the CIA. She was the daughter of Captain Heinrich Lorenz, master of the S/S Bremen IV, a German passenger ship, and her mother, an American actress, was related to Ambassador Henry Cabot Lodge, Jr. Arriving in Havana on her father’s ship in 1959, she met Fidel who talked about improving the Cuban tourist business. It was obvious that he was taken by the beautiful 19-year-old brunette, and upon hearing that she was fluent in multiple languages, asked if she would translate some letters for him. She happily agreed and although continuing on to New York, she was persuaded to return to Havana to do the translations. When Castro arrived in her room, he revealed his true motives, which at the time repelled her. The next day when Castro reappeared things were vastly different.