Sports Illustrated Quotes

He often said he had to be a writer because he wasn't good at anything else. He was not good at being an employee. Back in the mid-1950's, he was employed for Sports Illustrated, briefly. He reported back to work, was asked to write a short piece on a racehorse that jumped over a fence and tried to run away. Kurt stared at the blank piece of paper all morning and then typed, "The horse jumped over the fucking fence," and walked out, self-employed again.

I used to be an angry, lonely prick. Then I met a guy with four amazing kids and more issues than the Sports Illustrated back catalog and boom—happiness.” “Boom, happiness?” “Okay, boom. Boom. More booms. A mushroom cloud. Then happiness.

I cannot separate the aesthetic pleasure of seeing a butterfly and the scientific pleasure of knowing what it is.

And everywhere, everywhere, there were books. Not the tidy stacks of an intellectual attempting to impress, but the slumping piles of a scholar obsessed. Some of the books weren’t in English. Some of the books were dictionaries for the languages that some of the other books were in. Some of the books were actually Sports Illustrated Swimsuit Editions. Adam felt the familiar pang. Not jealousy, just wanting. One day, he’d have enough money to have a place like this. A place that looked on the outside like Adam looked on the inside.

Now I remember. Sports Illustrated and the girl in the string bikini, looking like she ate men for breakfast. The water making her tiny triangle top cling to her small breasts. Those long legs. Fuck me. That’s her?

Check out my interview with Kostya Kennedy on themodern online. Sports Illustrated writer and author of Pete Rose: An American Dilemma. It may change your mind, one way or the other.

He often said he had to be a writer because he wasn’t good at anything else. He was not good at being an employee. Back in the mid-1950s, he was employed by Sports Illustrated, briefly. He reported to work, was asked to write a short piece on a racehorse that had jumped over a fence and tried to run away. Kurt stared at the blank piece of paper all morning and then typed, “The horse jumped over the fucking fence,” and walked out, self-employed again.

And if that illustration will not move you, here is another: -- We are children now; we feel as children, and we understand as children; and when we are told that men and women do not play with toys, and that our companions will one day weary on the trivial sports and occupations that interest them and us so deeply now, we cannot help being saddened at the thoughts of such an alteration, because we cannot conceive that as we grow up, our own minds will become so enlarged and elevated that we ourselves shall then regard as trifling those objects and pursuits we now so foolishly cherish, and that, though our companions will no longer join us in those childish pastimes, they will drink with us at other fountains of delight, and mingle their souls with ours in higher aims and nobler occupations beyond our present comprehension, but not less deeply relished or less truly good for that, while yet both we and they remain the same individuals as before.

What’s bothering you? Did you read that paragraph in Sports Illustrated? The one about life expectancy for people with Alzheimer’s? Yes. I read it. What did you think? Look, I think it’s a guess, and a bad one. It’s an average. [Crying] What upsets you the most? I want to see my son grow up.

Some literary recommendations: James Salter’s erotic masterpiece, A Sport and a Pastime; Anais Nin’s collections of short stories Delta of Venus and Little Birds; the erotic novels Emanuelle by Emanuelle Arsan and Story of O by Pauline Réage; Harold Brodkey’s sexual saga “Innocence”—perhaps the greatest depiction of a session of cunnilingus ever penned; novels by Jerzy Kosinski such as Passion Play and Cockpit; Henry Miller’s Under the Roofs of Paris and Quiet Days in Clichy; My Secret Life by Anonymous and The Pure and the Impure by Colette; Nancy Friday’s anthology of fantasies, Secret Garden (filled with the correspondence of real people’s fantasies); stories from The Mammoth Book of Erotica or one of the many erotic anthologies edited by Susie Bright. For those with a taste for poetry, try Les Fleurs du Mal (Flowers of Evil) by Charles Baudelaire or Flesh Unlimited by Guillaume Apollinaire. And for those who like comic books (kinky ones, that is), try the extra-hot works of writer/illustrator Eric Stanton, who specializes in female-domination fantasies.

And everywhere, everywhere, there were books. Not the tidy stacks of an intellectual attempting to impress, but the slumping piles of a scholar obsessed. Some of the books weren’t in English. Some of the books were dictionaries for the languages that some of the other books were in. Some of the books were actually Sports Illustrated Swimsuit Editions

The DQN AI system of Google DeepMind can accomplish a slightly broader range of goals: it can play dozens of different vintage Atari computer games at human level or better. In contrast, human intelligence is thus far uniquely broad, able to master a dazzling panoply of skills. A healthy child given enough training time can get fairly good not only at any game, but also at any language, sport or vocation. Comparing the intelligence of humans and machines today, we humans win hands-down on breadth, while machines outperform us in a small but growing number of narrow domains, as illustrated in figure 2.1. The holy grail AI research is to build “general AI” (better known as artificial general intelligence, AGI) that is maximally broad: able to accomplish virtually any goal, including learning.

G. K. Chesterton wrote in Charles Dickens, that The Pickwick Papers was neither a good novel nor a bad novel but in fact ‘not a novel at all.’ He believed it was “something nobler than a novel”. Certainly it was never conceived as a novel but merely as the letterpress to accompany the “cockney sporting plates”. Unfortunately Robert Seymour committed suicide after the first two instalments so the third one was undertaken by Robert Buss whose work Dickens did not like and consequently the task fell to Hablot Knight Browne, who took the name “Phiz” and continued an artistic relationship with Dickens, illustrating many of his novels.

I watched the light flicker on the limestone walls until Archer said, "I wish we could go to the movies." I stared at him. "We're in a creepy dungeon. There's a chance I might die in the next few hours. You are going to die in the next few hours. And if you had one wish, it would be to catch a movie?" He shook his head. "That's not what I meant. I wish we weren't like this. You know, demon, demon-hunter. I wish I'd met you in a normal high school, and taken you on normal dates, and like, carried your books or something." Glancing over at me, he squinted and asked, "Is that a thing humans actually do?" "Not outside of 1950s TV shows," I told him, reaching up to touch his hair. He wrapped an arm around me and leaned against the wall, pulling me to his chest. I drew my legs up under me and rested my cheek on his collarbone. "So instead of stomping around forests hunting ghouls, you want to go to the movies and school dances." "Well,maybe we could go on the occasional ghoul hunt," he allowed before pressing a kiss to my temple. "Keep things interesting." I closed my eyes. "What else would we do if we were regular teenagers?" "Hmm...let's see.Well,first of all, I'd need to get some kind of job so I could afford to take you on these completely normal dates. Maybe I could stock groceries somewhere." The image of Archer in a blue apron, putting boxes of Nilla Wafers on a shelf at Walmart was too bizarre to even contemplate, but I went along with it. "We could argue in front of our lockers all dramatically," I said. "That's something I saw a lot at human high schools." He squeezed me in a quick hug. "Yes! Now that sounds like a good time. And then I could come to your house in the middle of the night and play music really loudly under your window until you took me back." I chuckled. "You watch too many movies. Ooh, we could be lab partners!" "Isn't that kind of what we were in Defense?" "Yeah,but in a normal high school, there would be more science, less kicking each other in the face." "Nice." We spent the next few minutes spinning out scenarios like this, including all the sports in which Archer's L'Occhio di Dio skills would come in handy, and starring in school plays.By the time we were done, I was laughing, and I realized that, for just a little while, I'd managed to forget what a huge freaking mess we were in. Which had probably been the point. Once our laughter died away, the dread started seeping back in. Still, I tried to joke when I said, "You know, if I do live through this, I'm gonna be covered in funky tattoos like the Vandy. You sure you want to date the Illustrated Woman, even if it's just for a little while?" He caught my chin and raised my eyes to his. "Trust me," he said softly, "you could have a giant tiger tattooed on your face, and I'd still want to be with you." "Okay,seriously,enough with the swoony talk," I told him, leaning in closer. "I like snarky, mean Archer." He grinned. "In that case, shut up, Mercer.

The descent of sport into spectacle is not unique to the age of genetic engineering. But it illustrates how performance-enhancing technologies, genetic or otherwise, can erode the part of athletic and artistic performance that celebrates natural talents and gifts.

As I sit there flipping through a Sports Illustrated, listening to the easy-listening station Dr. Patel pumps into his waiting room, suddenly I'm hearing sexy synthesizer chords, faint highhat taps, the kick drum thumping out an erotic heartbeat, the twinkling of fairy dust, and then the evil bright soprano saxophone. You know the title: "Songbird." And I'm out of my seat, screaming, kicking chairs, flipping the coffee table, picking up piles of magazines and throwing them against the wall, yelling, "It's not fair! I won't tolerate any tricks! I'm not an emotional lab rat!

Many feminists in the Western world are afraid that by supporting their fellow sisters, someone might misconstrue that as ethnocentrism or racism. And even worse than just ignoring them, at times Western corporations actively support the very things that these brave women fight against. The 2019 swimsuit issue of Sports Illustrated featured a burkini. And most egregious, the poster for the Women's March depicts a woman in hijab. ... How can we fight patriarchy while simultaneously supporting Islamic patriarchy? ... People in Muslim majority countries are just trying to progress their culture in thee same way Western culture have. You have been able to abolish slavery. You have been able to fight for women's equality. We just want to do the same.

Regression effects are ubiquitous, and so are misguided causal stories to explain them. A well-known example is the “Sports Illustrated jinx,” the claim that an athlete whose picture appears on the cover of the magazine is doomed to perform poorly the following season. Overconfidence and the pressure of meeting high expectations are often offered as explanations. But there is a simpler account of the jinx: an athlete who gets to be on the cover of Sports Illustrated must have performed exceptionally well in the preceding season, probably with the assistance of a nudge from luck—and luck is fickle. I happened to watch the men’s ski jump event in the Winter Olympics while Amos and I were writing an article about intuitive prediction. Each athlete has two jumps in the event, and the results are combined for the final score. I was startled to hear the sportscaster’s comments while athletes were preparing for their second jump: “Norway had a great first jump; he will be tense, hoping to protect his lead and will probably do worse” or “Sweden had a bad first jump and now he knows he has nothing to lose and will be relaxed, which should help him do better.” The commentator had obviously detected regression to the mean and had invented a causal story for which there was no evidence. The story itself could even be true. Perhaps if we measured the athletes’ pulse before each jump we might find that they are indeed more relaxed after a bad first jump. And perhaps not. The point to remember is that the change from the first to the second jump does not need a causal explanation. It is a mathematically inevitable consequence of the fact that luck played a role in the outcome of the first jump. Not a very satisfactory story—we would all prefer a causal account—but that is all there is.

...our job sometimes is to divorce ourselves from the fact that I've got to constantly be gifting young people with tools and equip them with - I'm imparting lessons upon them. Sometimes it about, look you hate reading, my job is to figure out how to help you not hate reading. The rest of it we can get to, but I got to figure out how to get you engaged. In order to do that sometimes you got to pull back. Right. You got to put a little grease in the pot. Right. So if that means you've got to have them reading rap lyrics in your class, then that's what it is. If that means you got to have them reading comic books or the athletes reading Sports Illustrated and the sports section in ESPN Magazine, then that's what it is. Our job is not just - it's not to just promote literature, which is what we all do. Our job is to promote literacy and there's a difference. Right. There's a difference. Literacy is what will help them way more than what literature will do.

Aiden was taught about the old world, the ways in which his ancestors and their nations lived. In those ‘grandest times’ it seemed Outside was valued highly, that great attention was lavished upon the sun, and the air, and movement. There were tales of people running in circles, fighting in the open air, crowds choosing to watch. He’d thought such sport nonsense, the idea of participating in vast collectives in the Outside ridiculous enough, but even the idea that one might take such a thing as ‘a walk’, that there was a better use of time than spending it with the height human accomplishment, surrounded by fine and beautiful possessions, rich jewellery and glorious illustration, with the writings of generations for comfort, had seemed purest idiocy. Imagine, he had thought, Outside having as much to offer as Inside. Imagine it having any point at all. Oh, he thought, how those people of the past placed false treasure in the powers of sun, and of sky. Oh, how they underestimated true wealth: the jewels of the earth, hewn and sculpted and sanded into glittering lumps of perfection.

…we encourage you to trust your coping plan over the long haul. It is useful to acknowledge your small and daily successes, such as facing things you would typically avoid. There will likely be daily examples of slipups, too, but, similar to looking at a garden, we encourage you to focus on the flowers as much, if not more so, than you do the weeds. As an aside, both of us have taken up bike riding in the past few years. In our appreciation of the multiday, grand stage races in Europe, such as the Tour de France, we have seen a metaphor that helps to illustrate the goal of coping with ADHD. These multiple stage bike races last from 3 or 4 days on up to 3 weeks. Different days are spent climbing steep mountain roads, traversing long flat stages of over a hundred miles that end in all out sprints to the finish line, and individual time trials where each rider goes out alone and covers the distance as quickly as possible, known as “the race of truth.” The grand champion of a multiday race, however, is the rider whose cumulative time for all the stages is the fastest. That is, if you ride well enough, day-in and day-out, you will be a champion even though you may not be the first rider to cross the finish line on any single day’s race. Similarly, managing ADHD is an endurance sport. You need not cope perfectly all day, every day. The goal is to make progress, cope well enough, handle setbacks without giving up, and over time you will recognize your victory. Just keep pedaling.

Are his letters to Diana downstairs?" She sighed. "What is it about girls and letters? My husband left me messages in soap on the bathroom mirror. Utterly impermanent.Really wonderful-" She broke off and scowled. I would have thought she looked a little embarrassed, but I didn't think embarrassment was in her repertoire. "Anyway. Most of the correspondence between the Willings is in private collections. He had their letters with him in Paris when he died. In a noble but ultimately misguided act, his attorney sent them to his neice. Who put them all in a ghastly book that she illustrated. Her son sold them to finance the publication of six even more ghastly books of poetry. I trust there is a circle of hell for terrible poets who desecrate art." "I've seen the poetry books in the library," I told her. "The ones with Edward's paintings on the covers. I couldn't bring myself to read them." "Smart girl. I suppose worse things have been done, but not many.Of course, there was that god-awful children's television show that made one of his landscapes move.They put kangaroos in it. Kangaroos. In eastern Pennsylvania." "I've seen that,too," I admitted. I'd hated it. "Hated it.Not quite as much as the still life where Tastykakes replaced one orange with a cupcake, or the portrait of Diana dressed in a Playtex sports bra, but close." "Oh,God. I try to forget about the bra." Dr. Rothaus shuddered. "Well, I suppose they do far worse to the really famous painters.Poor van Gogh. All those hearing-aid ads." "Yeah." We shared a moment of quiet respect for van Gogh's ear.

ever and again we find some leader or some tribe amidst the disorder of free and independent nomads, powerful enough to force a sort of unity upon its kindred tribes, and then woe betide the nearest civilization. Down pour the united nomads on the unwarlike, unarmed plains, and there ensues a war of conquest. Instead of carrying off the booty, the conquerors settle down on the conquered land, which becomes all booty for them; the villagers and townsmen are reduced to servitude and tribute paying, they become hewers of wood and drawers of water, and the leaders of the nomads become kings and princes, masters and aristocrats. They, too, settle down, they learn many of the arts and refinements of the conquered, they cease to be lean and hungry, but for many generations they retain traces of their old nomadic habits, they hunt and indulge in open-air sports, they drive and race chariots, they regard work, especially agricultural work, as the lot of an inferior race and class. This in a thousand variations has been one of the main stories in history for the last seventy centuries or more. In the first history that we can clearly decipher we find already in all the civilized regions a distinction between a non-working ruler class and the working mass of the population. And we find, too, that after some generations, the aristocrat, having settled down, begins to respect the arts and refinements and law-abidingness, of settlement, and to lose something of his original hardihood. He intermarries, he patches up a sort of toleration between conqueror and conquered; he exchanges religious ideas and learns the lessons upon which soil and climate insist. He becomes a part of the civilization he has captured; and as he does so, events gather towards a, fresh invasion by the free adventurers of the outer world. Early

The Combat Perspex The historical past of the Perspex Sheet is entrancing. The story backtracks to 1843 when the primary acrylic harsh corrosive was made. Nonetheless, it wasn't until 1933 that the German physicist Otto Rohm patented and enlisted the model identify plexiglas. That is important on the grounds that what is usually considered Plexiglas has gotten to be such a household unit word, as an illustration Kleenex, that it might have been missed that Plexiglas was previously a patented name. From that time acrylic glass was utilized for submarine periscopes and firearm turrets for planes. Since that point acrylic glass has became a household merchandise. There's a extensive blended bag of employments for Perspex Sheets. A mix of home windows perspex sheet is produced out of them materials incorporating flying machine windows, police home windows, and race auto home windows. Utilizing Perspex sheets inside race autos will assist make them lighter - and speedier than utilizing glass. Advertising and store signs are incessantly produced out of colored and clear acrylic and really material materials are created out of acrylic sheets, as the thermoplastic may very well be folded. Furthermore, Perspex Sheet are utilized as specialists mediums and additionally use for surrounding. Perspex sheets can likewise be made into furnishings. Perspex Sheets have such a wide mixture of employments. Another one of many uses of Perspex is on sun beds and different places where UV rays are required. Perspex is also availed in UV grade which is mainly a type of Perspex that enables transmission of UV rays. It's mostly used in locations where UV rays are required to penetrate.In case you have an thought of how Perspex appears like, you might need a really arduous time trying to image someone sporting a garment constituted of it. That is where the coloured Perspex comes into play. It is not solely used to make clothes but in addition shoes and baggage. There are actually two sorts of plastics.Thermoset that's a plastic which is structured right into a perpetual form,plus thermoplastic that is versatile and may very well be reshaped. Poly methyl methacrylate is a thermoplastic that is clear. PMMA is blandly reputed to be a glass acrylic. Several brand names are Plexiglas, Lucite and Perspex. PMMA is as a better price elective to polycarbonate (LAPTOP). An alternate profit which P.M.M.A possess over PC is the unfortunate deficiency of conceivably hurtful bisphenol A sub-units current in polycarbonate.

The second season a tradition was born that became synonymous with town and team: playing Brass Bonanza whenever the Whalers took the ice or scored. DAH DAH DAH dadadadada… Over the years, that snappy fanfare has inspired many emotions. To true believers, it sent tingles down the spine. To naysayers, it was nauseating. “Bombastic,” complained Sports Illustrated.

At the heart of the English character lay a fund of kindliness. Though in the mass rough and often cruel, and passionately addicted to barbarous sports like bull-baiting and cock-fighting, they led the world in humanitarian endeavour. It was an Englishman who in the 'seventies and 'eighties, at extreme risk and personal inconvenience, travelled 50,000 miles visiting the putrid, typhus-ridden jails of Europe; and it was Englishmen who at the close of the century first instituted organised opposition to cruelty to children and animals. But nothing so well illustrates the slow but persistent national impulse to mitigate inhumanity as the popular condemnation of the slave trade. This movement ran directly counter to the immediate material interests of the country; it none the less steadily gained strength from its inception by a handful of Quakers in the 'sixties until at the end of the century it was espoused by the Prime Minister himself and the overwhelming majority of thinking Englishmen.

In 2012, the conservancy managed to outrage many of its female staffers by partnering with the online luxury goods retailer Gilt to promote the Sports Illustrated Swimsuit Edition (the magazine explained that “whether you decide to buy a bikini, surfboards or tickets to celebrate at our parties, any money you spend … will help The Nature Conservancy ensure we have beaches to shoot Swimsuit on for another half-century”). * Interestingly, before Nilsson got into the carbon

Кстати, исследователи задокументировали так называемый феномен Businessweek. Когда главам компаний вручают престижные награды (в том числе еженедельник Businessweek присваивает звание «Лучший менеджер»), как правило, в течение трех последующих лет эти компании ухудшают показатели (в частности, такие как учетная прибыль и цена акций). Однако, в отличие от упоминавшегося выше эффекта Sports Illustrated, «феномен Businessweek» представляет собой нечто большее, чем возврат к среднему. По словам Ульрики Малмендьер и Джеффри Тейта, экономистов Калифорнийского университета в Беркли и UCLA соответственно, когда главы компаний обретают статус «суперзвезды», внезапно свалившаяся на них слава начинает отвлекать их от дел{49}. Они пишут мемуары. Их приглашают в советы директоров других компаний. Они ищут для себя так называемых статусных (то есть молодых и эффектных) жен. (Упомянутые мною авторы предлагают лишь первые два объяснения, однако последнее мне также кажется вполне правдоподобным.) Малмендьер и Тейт пишут: «Полученные нами результаты свидетельствуют о том, что культура суперзвезд, искусственно формируемая средствами массовой информации, ведет к более глубоким изменениям поведения, чем обычный возврат к среднему». Иными словами, когда фотография главы компании появляется на обложке Businessweek, пиши пропало, то есть “быстро продавай акции этой компании”.

The story of John Ritter illustrates what it means to be a hero and how we treat our heroes. When we idealize real people they lose their humanity. They are turned into idols that we worship and may later want to destroy. Heroes are transformed from conscious-feeling fellow homo sapiens into characters in our stories. The greatest hero-characters will become legends or even mythic characters. We might think we know them, but when they are idolized they become more like treasured memories, existing in our minds as archetypal characters, rather than living-breathing human beings with thoughts and feelings of their own.

In November 2003, the tobacco industry did agree to cease advertising in school library editions of four magazines with a large youth readership (Time, People, Sports Illustrated, and Newsweek) (“Tobacco Ads,” 2005)”, but the industry continued for a while to target youth with ads in adult magazines with a high youth readership (Alpert, Koh, & Connolly, 2008).

You can start with the whole ‘my lady’ thing,” Liv said, breaking her train of thought. “What’s the deal with that?” Kat’s face got almost as red as her hair. “It’s what they call plus-sized girls, all right? They, uh, have a thing for them. For us, I guess.” “Holy crap—Lock and Deep are curvy connoisseurs?” Liv raised an eyebrow. “Seriously?” “Seriously,” Kat said gloomily. “As in, they’d rather peruse the Lane Bryant catalogue than the Sports Illustrated Swimsuit issue.” “But that’s great!” Sophie exclaimed, forgetting her own problems for a moment. “You’re always saying that guys in Tampa don’t appreciate curves.” “Yeah, well, neither do they want to get inside your head and never ever leave,” Kat snapped. “Talk about the first date from hell that won’t end.” “Okay,

A generation ago, one sociologist warned of the “disappearance of childhood,” which he saw illustrated in the changing nature of children’s sports. He wrote: “Except for the inner city, where games are still under the control of the youths who play them, the games of American youth have become increasingly official, mock-professional, and extremely serious.

am the person standing at the magazine rack in the convenience store, nose in Sports Illustrated…one eye on you.

We are on the threshold of possibly the most exciting racing era in history. —Sports Illustrated, May 11, 1964

Fantasize, together: Take a page from The Thousand and One Nights and incorporate a story into foreplay. If you’re not a born storyteller, try reading one aloud together. Some literary recommendations: James Salter’s erotic masterpiece, A Sport and a Pastime; Anais Nin’s collections of short stories Delta of Venus and Little Birds; the erotic novels Emanuelle by Emanuelle Arsan and Story of O by Pauline Réage; Harold Brodkey’s sexual saga “Innocence”—perhaps the greatest depiction of a session of cunnilingus ever penned; novels by Jerzy Kosinski such as Passion Play and Cockpit; Henry Miller’s Under the Roofs of Paris and Quiet Days in Clichy; My Secret Life by Anonymous and The Pure and the Impure by Colette; Nancy Friday’s anthology of fantasies, Secret Garden (filled with the correspondence of real people’s fantasies); stories from The Mammoth Book of Erotica or one of the many erotic anthologies edited by Susie Bright. For those with a taste for poetry, try Les Fleurs du Mal (Flowers of Evil) by Charles Baudelaire or Flesh Unlimited by Guillaume Apollinaire. And for those who like comic books (kinky ones, that is), try the extra-hot works of writer/illustrator Eric Stanton,

The scheme of elements of the boxers moving around the ring clearly illustrates the boxer's desire to maintain an indispensable space between the feet after each step, in order to maintain stability. In this way, the boxer can freely take the next step in any direction. By practicing moving around the ring during a free fight, the boxer achieves a high degree of technical perfection of leg movements. When moving around the ring during a fight, the muscles of the body of the boxer should not be excessively stretched. The increased speed of the boxing step, combined with the attacker's blow or defense action, is achieved by quickly moving the body towards the step being taken. Each step is performed without first transferring body weight to the leg, which the boxer bounces at the given movement, directly from the boxing position. The weight of the body is directly relevant to the progressive movement

Despite the power of the office, the waiting room was done up in Early American Dentist. The carpet was threadbare. The furniture managed to be neither fashionable nor functional. There were a dozen different issues of Sports Illustrated on the table and nothing else. The walls seemed to plead for a paint job. They were stained and barren, except for the photographs of past U.S. attorneys, a remarkable lesson in what not to wear and how not to pose when taking a picture for posterity. No

There was every type of the genus sporting man; stout, square farmers, with honest bull-dog physique, characteristic of John Bull plebeian; wild young Cantabs, mounted showily from livery-stables, with the fair, fearless, delicate features characteristic of John Bull patrician; steady old whippers-in, very suspicious of brandy; wrinkled feeders, with stentorian voices that the wildest puppy had learned to know and dread; the courteous, cordial aristocratic M.F.H., with the men of his class, the county gentry; rough, ill-looking cads, awkward at all things save crossing country; no end of pedestrians, nearly run over themselves, and falling into everybody’s way; and last, but in our eyes not least, the ladies who had come to see the hounds throw off.

When Donald Trump's crude comments about women surfaced during his presidential campaign, these progressive university folk were among the first to criticize him. The same people who tell their students anything goes when it comes to sex acted offended in order to score political points. I'm not defending his comments--not at all--but since when did they care about the adverse [e]ffects of objectifying women? Why should Trump's comments come as a surprise when many of those same professors champion "sex weeks" on their respective campuses, replete with seminars that include porn stars and even prostitutes as guest speakers? Doesn't the feigned shock expressed by the progressive Left seem just a bit disingenuous when we know as empirical fact this same faculty has no compunction at all about using similar vulgar language in their classes and would quickly belittle and shout down any "prudish" conservative such as me who tried to say otherwise? Everything, from their celebration of The Vagina Monologues to the cover of Cosmo to the swimsuit edition of Sports Illustrated and nearly every beer commercial known to man, unapologetically portrays females as literal objects of sport to be enjoyed first and foremost for their body parts. So why the feigned outrage over Trump's comments?

William Lee Lyons Brown, chairman of the Brown-Forman distillery, where Faversham worked, and a great southern charmer (“Ah wonder if you realize,” he once told Sports Illustrated, “that Cassius Clay’s aunt cooks for my double-first cousin?

New York’s attack, dubbed “The Gang That Couldn’t Shoot Straight” by Sports Illustrated’s Jack McCallum, was the NBA’s most predictable. “Windshield wipers offer more variety than the Knicks’ offense,” mused New York magazine writer Chris Smith. For many years, their possessions often went something like this: a guard would dribble down to the wing and dump an entry pass into Ewing on the block. The center, forced to deal with the spacing of a crowded Twister mat, would turn and face the basket, deciding instantly whether he had enough time to get off a shot before a second and third defender could swarm. If he didn’t have a good look, he would kick the ball out to reset the offense, or, in what was often a victory for the defense, set up a wide-open perimeter try for a shooting-deficient teammate. “If this were football, every time [his teammates] shoot, they’d be accused of intentional grounding,” New York Post columnist Peter Vecsey wrote. Every now and then, there was a pick-and-roll mixed in, or a cross screen to shake things up. When the universe allowed, a Ewing kick-out would lead to a made jumper by one of the guards. But even when players misfired, Ewing was often there to corral the miss, then gracefully put it back for a score. If his teammates were leaving messes, the 7-footer was the Bounty paper towel cleaning up after them.

Pete later told Sports Illustrated that it wasn’t the worst decision, it was the “worst possible outcome.” He explained that like every other negative experience, and every positive one, “it becomes part of you. I’m not going to ignore it. I’m going to face it. And when it bubbles up, I’m going to think about it and get on with it. And use it. Use it!

Blankets were served out to hang in the front of the cubicle, in case the inhabitants wanted at any time to “sport their oak”.

Other than Christie Pearce, who was on the 1999 World Cup team as a depth piece, none of the players had experienced anything like what they saw when they returned from Germany. The team surged back into the American mainstream practically overnight. Hope Solo, a breakout star, appeared on the cover of Sports Illustrated and was asked to compete on ABC’s Dancing with the Stars. Everyone on the team was more famous than they had ever been. At one point in New York City as the players looked out from their bus onto the crowd of fans who had gathered to catch a glimpse of the team, a scream came from Abby Wambach. “Fuck!” she shouted. Those around her—startled and worried that something bad had just happened—turned to her and asked her what was wrong. Wambach, with resignation in her voice, responded: “We didn’t win.” It hit Wambach like a ton of bricks. She saw the response the team had gotten—a massive surge of fan support—and she saw the missed opportunity. If the national team had actually won the World Cup, how much bigger could it have been for the sport?

In 1998, K. C. Jones, then coach of the Boston Celtics, mentioned to a CBS Sports interviewer, “I give the players a lot of leeway on the court, so they can use their imagination and creativity.” “Doesn’t that cause problems?” the interviewer asked. “No,” responded Jones. “We’ve been in the championship four of the past five years, and won it twice.” Jones’ approach to coaching illustrates a central truth about creativity: it requires autonomy.

She was wearing her black bikini. Her body was thick and lush. It would never make the cover of Sports Illustrated, but it made her happy. Obviously, he felt that way too, because his maroon board shorts stirred with his response.

Fame,” O.J. said, walking along, “is a vapor, popularity is an accident, and money takes wings. The only thing that endures is character.” “Where’d you get that from?” Cowlings asked. “Heard it one night on TV in Buffalo,” O.J. said. “I was watching a late hockey game on Canadian TV and all of a sudden a guy just said it. Brought me right up out of my chair. I never forgot it.” —From an article by Paul Zimmerman, Sports Illustrated, November 26, 1979, on O. J. Simpson

Culture is a contact sport—Participate!

In 1962, the San Francisco Giants were preparing to host the LA Dodgers for a crucial three-game series, late in the season. The Dodgers, led by master base stealer Maury Wills, were five and a half games ahead of the Giants. Before the series began, the Giants manager approached Matty Schwab, the team’s head groundskeeper, and asked if anything could be done—wink wink—to slow down Wills. “Dad and I were out at Candlestick before dawn the day the series was to begin,” said Jerry Schwab, Matty’s son, as quoted by Noel Hynd in Sports Illustrated. “We were installing a speed trap.” Hynd continues: Working by torchlight, the Schwabs dug up and removed the topsoil where Wills would take his lead off first base. Down in its place went a squishy swamp of sand, peat moss and water. Then they covered their chicanery with an inch of normal infield soil, making the 5- by 15-foot quagmire visually indistinguishable from the rest of the base path. The Dodgers were not fooled. When the team began batting practice, the players and coaches noticed the quicksand, and so did the umpire, who ordered it removed. Schwab and the grounds crew came out with wheelbarrows, shoveled up the mixture, and returned soon after with reloaded wheelbarrows. It was the same bog. They’d just mixed in some new dirt, which made it even looser. Somehow the umpires were satisfied. Then Matty Schwab ordered his son to water the infield. Generously. By the time the game started, there was basically a swamp between first and second base. (“They found two abalone under second base,” wrote an irritated Los Angeles sports columnist.) Maury Wills, en route to an MVP season, stole no bases, and neither did his teammates, and the Giants won, 11–2. Pleased, the Schwab father-son team continued to conjure more marshy conditions, and the Giants swept the Dodgers—and went on to leapfrog them to win the National League pennant. There’s something admirably mischievous about this story. I mean, it’s cheating, let’s be clear, but it’s cheeky cheating. It’s fun to think that the father-son groundskeeping team pulled one over on the National League’s MVP. The underdogs won one—they tilted the odds in favor of their home team.

20

When I was growing up in the late 1950s and early ’60s, there was very little in the way of literate adventure writing. Periodicals that catered to our adolescent dreams of travel and adventure clearly held us in contempt. Feature articles in magazines that might be called Man’s Testicle carried illustrations of tough, unshaven guys dragging terrified women in artfully torn blouses through jungles, caves, or submarine corridors; through hordes of menacing bikers, lions, and hippopotami. The stories bore the same relation to the truth that professional wrestling bears to sport, which is to say, they were larger-than-life contrivances of an artfully absurd nature aimed, it seemed, at lonely bachelor lip-readers, drinkers of cheap beer, violence-prone psychotics, and semiliterate Walter Mitty types whose vision of true love involved the rescue of some distressed damsel about to be ravaged by bikers, lions, or hippopotami.

I can accept failure, everyone fails at something. But I can’t accept not trying.

Ruth had three more games to outdo himself. Number fifty-seven was a grand slam off Lefty Grove in Philadelphia. Numbers fifty-eight and fifty-nine came at home against the Washington Senators. The record-tying home run—a grand slam!—came off a rookie pitcher, Paul Hopkins, making his major-league debut. His catcher told him to throw only curves, so that’s what he did. The one Ruth hit, Hopkins told Sports Illustrated in 1998, was “so slow Ruth started to swing and then hesitated, hitched on it and brought the bat back. And then he swung, breaking his wrists as he came through it. What a great eye he had! He hit it at the right second. Put everything behind it.

It feels as if it has been ages, doesn’t it, since sports was something other than a playful preamble to an advertising career?

Most people in America, if not the world, would agree that every advance involves some sacrifice. In fact, a common sports adage proclaims: "No pain, no gain." In other words, progress is always accompanied by a certain amount of loss. This concept is illustrated throughout history, literature and personal experience. One compelling illustration that some bad always accompanies some good is demonstrated in the Civil Rights movement. In 1955 Rosa Parks refused to give up her seat on the bus to a white person. Although she was arrested and jailed, her brave efforts inspired the Montgomery Bus Boycott which

strategy ceases to be strategy when it is reduced to ritual.

user-developed innovations for the high-performance sport. The user-centered innovation process just illustrated is in sharp contrast to the traditional model, in which products and services are developed by manufacturers in a closed way, the manufacturers using patents, copyrights, and other protections to prevent imitators from free riding on their innovation investments. In this traditional model, a user's only role is to have needs, which manufacturers then identify and fill by designing and producing new products. The manufacturer-centric model does fit some fields and conditions. However, a growing body of empirical work shows that users are the first to develop many and perhaps most new industrial and consumer products. Further, the contribution of users is growing steadily larger as a result of continuing advances in computer and communications capabilities. In this book I explain in detail how the emerging process of user-centric, democratized innovation works. I also explain how innovation by users provides a very necessary complement to and feedstock for manufacturer innovation. The ongoing shift of innovation to users has some very attractive qualities. It is becoming progressively easier for many users to get precisely what they

A devotion to principle, whether that principle makes much sense to the rest of us, is usually something to marvel at.

According to Sports Illustrated, an amazing 78 percent of NFL players find themselves bankrupt or financially stressed within two years of retirement. And 60 percent of NBA players are broke within five years of walking off the court.

In 1976 a military dictatorship took control of Argentina. Thousands of people were tortured, murdered and disappeared as part of the junta’s ‘Dirty War’ against dissenters. FIFA – never an organisation to put ethics before profit – decided that this nation, soaked in the blood of human suffering , was the ideal location for the world’s biggest sports competition.

Who's the greatest center of all time, Wilt Chamberlain or Kareem Abdul-Jabbar? Where does Shaquille O'Neal land in the rankings? Would you pick Tim Duncan or Charles Barkley as the better power forward? Who's your best Sixth Man? Where does LeBron James rank among small forwards?

Certainly not Pre. “Sure there will be a lot of pressure,” he told Sports Illustrated. “And a lot of us will be facing more experienced competitors, and maybe we don’t have any right to win. But all I know is if I go out and bust my gut until I black out and somebody still beats me, and if I have made that guy reach down and use everything he has and then more, why then it just proves that on that day he’s a better man than I.

He's probably in his room reading Sports Illustrated and not being gay.