Split Parents Quotes

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I sighed. "Actually, Mom, we argue pretty regularly." "What?" She gaped at me. "Well, stop it!" "Oh, and I kneed him in the groin once." There was a split second of silence before May barked a laugh. She covered her mouth and tried to stop it, but it kept coming out in awkward, squeaky sounds. Dad's lips were pressed together, but I could tell he was on the verge of losing it himself. Mom was paler then snow. "America, tell me you're joking. Tell me you didn't assault the prince." I don't know why, but the word assault pushed us all on the edge; and May, Dad, and I bent over laughing as Mom stared at us. "Sorry, Mom," I managed. "Oh, good lord." She suddenly seemed very excited in meeting Marlee's parents, and I didn't stop her from going.
Kiera Cass (The Elite (The Selection, #2))
Emma is a mattress who got thrown off the truck when her parents split up. It's not like you can blame a mattress when people don't tie it down tight enough.
Laurie Halse Anderson (Wintergirls)
There is something about Christmas that requires a rug rat. Little kids make Christmas fun. I wonder if could rent one for the holidays. When I was tiny we would by a real tree and stay up late drinking hot chocolate and finding just the right place for the special decorations. It seems like my parents gave up the magic when I figured out the Santa lie. Maybe I shouldn't have told them I knew where the presents really came from. It broke their hearts. I bet they'd be divorced by now if I hadn't been born. I'm sure I was a huge disappointment. I'm not pretty or smart or athletic. I'm just like them- an ordinary drone dressed in secrets and lies. I can't believe we have to keep playacting till I graduate. It's a shame we just can't admit that we have failed at family living, sell the house, split up the money, and get on with our lives. Merry Christmas.
Laurie Halse Anderson (Speak)
Daily I walk around my small, picturesque town with a thought bubble over my head: Person Going Through A Divorce. When I look at other people, I automatically form thought bubbles over their heads. Happy Couple With Stroller. Innocent Teenage Girl With Her Whole Life Ahead Of Her. Content Grandmother And Grandfather Visiting Town Where Their Grandchildren Live With Intact Parents. Secure Housewife With Big Diamond. Undamaged Group Of Young Men On Skateboards. Good Man With Baby In BabyBjörn Who Loves His Wife. Dogs Who Never Have To Worry. Young Kids Kissing Publicly. Then every so often I see one like me, one of the shambling gaunt women without makeup, looking older than she is: Divorcing Woman Wondering How The Fuck This Happened.
Suzanne Finnamore (Split: A Memoir of Divorce)
And then one day, our parents look at us and notice we’re whole people. We’re not a part of them anymore, even if they’re a part of us. And for the ones who never really wanted to be parents anyway, that’s probably a relief.
Emily Henry (The Love That Split the World)
I was really sorry to hear that her parents split up. But she said it wasn’t that bad. She actually said it happened a lot. She said the good thing was they had plenty of extra body parts around the house to put them back together.
Herobrine Books (One Bad Apple (Diary of a Minecraft Zombie, #10))
So then they’d snuggled up to each other, naked, and started to talk. Ezra told her about the time he was six and sculpted a red squirrel out of clay, only to have his brother squash it. How he used to smoke a lot of pot after his parents got divorced. About the time he had to take the family’s fox terrier to the vet to have her put to sleep. Aria told him about how when she was little, she kept a can of split pea soup named Pee as a pet and cried when her mom tried to cook Pee for dinner.
Sara Shepard (Pretty Little Liars (Pretty Little Liars, #1))
Tink looked over at Ren. “Wait. Have you two stopped fighting? Oh my Queen Mab, you guys are in love again!” My eyes widened as I glanced around, seeing that several of the strangers were watching us with detached interest. “Tink . . .” “We were never not together,” Ren said, dropping his arm over my shoulders. The blue and red bag slipped to the floor as he clapped his hands like an overexcited seal. “You guys are! This is amazing.” “Tink,” I said again, this time with a little more force behind his name. “Thank the faery lords and ladies, I will not be a product of a split home.” “For the last time, we are not your parents, Tink.” I shook my head as I started to turn but stopped. “Pick up your bag.” Ren leaned in as Tink snatched the bag off the floor. “You sound like his mom.” “Shut up,” I hissed.
Jennifer L. Armentrout (Brave (Wicked Trilogy, #3))
These are our parents!” Louise shouted, the first time she’d shouted at an adult maybe ever. “They’re not a doughnut! You don’t split them in half.
Grady Hendrix (How to Sell a Haunted House)
The emotional abuse suffered at the hands of a narcissist is on par with the psychological and mental abuse when dealing with a psychopath or sociopath.
Theresa J. Covert (Divorcing and Healing from a Narcissist: Emotional and Narcissistic Abuse Recovery. Co-parenting after an Emotionally destructive Marriage and Splitting up with with a toxic ex)
To: Anna Oliphant From: Etienne St. Clair Subject: SAVING YOU I'm teleporting to Atlanta.I'm picking you up,and we'll go someplace where our families can't find us.We'll take Seany. And we'll let him rup laps until he tires,and then you and I will take a long walk. Like Thanksgiving. Remember? And we'll talk about everything BUT our parents...or perhaps we won't talk at all. We'll just walk.And we'll keep walking until the rest of the world ceases to exist. I'm sorry,Anna.What did your father want? Please tell me what I can do. To: Etienne St. Clair From: Anna Oliphant Subject: Sigh.I'd love that. Thank you,but it was okay. Dad wanted to apologize. For a split second,he was almost human.Almost.And then Mom apologized,and now they're washin dishes and pretending like nothing happened.I don't know.I didn't mean to get all drama queen,when your problems are so much worse than mine.I'm sorry. To: Anna Oliphant From: Etienne St. Clair Subject: Are you mad? My day was boring.Your day was a nightmare. Are you all right? To: Etienne St. Clair From: Anna Oliphant Subject: Re: Are you mad? I'm okay.I'm just glad I have you to talk to. To: Anna Oliphant From: Etienne St. Clair Subject: So... Does that mean I can call you now?
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Like parents who split up in the aftermath of a child’s death, because the grief would only be survivable with someone who didn’t feel the same pain as you, whose agony didn’t reflect yours every time you looked into their eyes.
J.P. Delaney (Playing Nice)
one of the major results of being on the receiving end of Narcissistic Abuse Syndrome is the development of PTSD
Theresa J. Covert (Divorcing and Healing from a Narcissist: Emotional and Narcissistic Abuse Recovery. Co-parenting after an Emotionally destructive Marriage and Splitting up with with a toxic ex)
that younger people are so used to text-based communications, where they have time to gather their thoughts and precisely plan what they are going to say, that they are losing their ability to have spontaneous conversation. She argues that the muscles in our brain that help us with spontaneous conversation are getting less exercise in the text-filled world, so our skills are declining. When we did the large focus group where we split the room by generation—kids on the left, parents on the right—a strange thing happened. Before the show started, we noticed that the parents’ side of the room was full of chatter. People were talking to one another and asking how they had ended up at the event and getting to know people. On the kids’ side, everyone was buried in their phones and not talking to anyone around them.
Aziz Ansari (Modern Romance: An Investigation)
When I first met Cara, she was twelve and angry at the world. Her parents had split up, her brother was gone, and her mom was infatuated with some guy who was missing vowels in his unpronounceable last name. So I did what any other man in that situation would do: I came armed with gifts. I bought her things that I thought a twelve-year-old would love: a poster of Taylor Lautner, a Miley Cyrus CD, nail polish that glowed in the dark. "I can't wait for the next Twilight movie," I babbled, when I presented her with the gifts in front of Georgie. "My favorite song on the CD is 'If We Were a Movie.' And I almost went with glitter nail polish, but the salesperson said this is much cooler, especially with Halloween coming up." Cara looked at her mother and said, without any judgment, "I think your boyfriend is gay.
Jodi Picoult (Lone Wolf)
Janna knew - Rikki knew — and I knew, too — that becoming Dr Cameron West wouldn't make me feel a damn bit better about myself than I did about being Citizen West. Citizen West, Citizen Kane, Sugar Ray Robinson, Robinson Crusoe, Robinson miso, miso soup, black bean soup, black sticky soup, black sticky me. Yeah. Inside I was still a fetid and festering corpse covered in sticky blackness, still mired in putrid shame and scorching self-hatred. I could write an 86-page essay comparing the features of Borderline Personality Disorder with those of Dissociative Identity Disorder, but I barely knew what day it was, or even what month, never knew where the car was parked when Dusty would come out of the grocery store, couldn't look in the mirror for fear of what—or whom—I'd see. ~ Dr Cameron West describes living with DID whilst studying to be a psychologist.
Cameron West (First Person Plural: My Life as a Multiple)
Water everywhere, falling in thundering cataracts, singular drops, and draping sheets. Kellhus paused next to one of the shining braziers, peered beneath the bronze visage that loomed orange and scowling over his father, watched him lean back into absolute shadow. “You came to the world,” unseen lips said, “and you saw that Men were like children.” Lines of radiance danced across the intervening waters. “It is their nature to believe as their fathers believed,” the darkness continued. “To desire as they desired … Men are like wax poured into moulds: their souls are cast by their circumstances. Why are no Fanim children born to Inrithi parents? Why are no Inrithi children born to Fanim parents? Because these truths are made, cast by the particularities of circumstance. Rear an infant among Fanim and he will become Fanim. Rear him among Inrithi and he will become Inrithi … “Split him in two, and he would murder himself.” Without warning, the face re-emerged, water-garbled, white save the black sockets beneath his brow. The action seemed random, as though his father merely changed posture to relieve some vagrant ache, but it was not. Everything, Kellhus knew, had been premeditated. For all the changes wrought by thirty years in the Wilderness, his father remained Dûnyain … Which meant that Kellhus stood on conditioned ground. “But as obvious as this is,” the blurred face continued, “it escapes them. Because they cannot see what comes before them, they assume nothing comes before them. Nothing. They are numb to the hammers of circumstance, blind to their conditioning. What is branded into them, they think freely chosen. So they thoughtlessly cleave to their intuitions, and curse those who dare question. They make ignorance their foundation. They confuse their narrow conditioning for absolute truth.” He raised a cloth, pressed it into the pits of his eyes. When he withdrew it, two rose-coloured stains marked the pale fabric. The face slipped back into the impenetrable black. “And yet part of them fears. For even unbelievers share the depth of their conviction. Everywhere, all about them, they see examples of their own self-deception … ‘Me!’ everyone cries. ‘I am chosen!’ How could they not fear when they so resemble children stamping their feet in the dust? So they encircle themselves with yea-sayers, and look to the horizon for confirmation, for some higher sign that they are as central to the world as they are to themselves.” He waved his hand out, brought his palm to his bare breast. “And they pay with the coin of their devotion.
R. Scott Bakker (The Thousandfold Thought (The Prince of Nothing, #3))
Yeah, but I kill myself training. It's just about all I do. I get up and train, and run and I split my hands on the punching bag, and I train for hours into the night, and I have to, because there is nothing else special about me and nothing else that matters. All there is, is training and finding out who killed my parents. Because they were the ones who thought I was special, and whoever took them away from me...What I have is trying. I can try harder than anyone else in the world. I can make revenge the only thing I have in my life. I can do that, because I have to. But it means it's all I have.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
When you're and only child in a family with an only parent, you look at other, bigger families with envy. Mary Alice had a family with a station wagon, a split-level house, and a pool. But then I looked up and saw Mary Alice's toes, as she stood at the edged of the diving board. Her second toe lay on top of her big toe on each foot. I had never seen such a thing. I wondered if Mary Alice's toes would ever prevent her from doing the things she wanted to do in life. "Look, y'all!" she said, forming her perfect body into a perfect swan's dive. I decided then that any time I got frustrated with my overall situation in life, mad or jealous of knee socks or a pink canopy bed in a pink room, I'd take a deep breath and think about Mary Alice's toes. At least I didn't have Mary Alice's toes.
Margaret McMullan
He felt no regrets as the work of a lifetime was swept away. He had labored to take man to the stars, and, in the moment of success, the stars—the aloof, indifferent stars—had come to him. This was the moment when history held its breath, and the present sheared asunder from the past as an iceberg splits from its frozen, parent cliffs, and goes sailing out to sea in lonely pride. All that the past ages had achieved was as nothing now: only one thought echoed and re-echoed through Reinhold’s brain: The human race was no longer alone.
Arthur C. Clarke (Childhood's End)
It may be difficult at first but divorcing a narcissist is worth it.
Theresa J. Covert (Divorcing and Healing from a Narcissist: Emotional and Narcissistic Abuse Recovery. Co-parenting after an Emotionally destructive Marriage and Splitting up with with a toxic ex)
Lots of kids wet the bed when they are little but grow out of it. An example of a tolerable stress response would be a child who reverts back to bedwetting after his parents’ divorce. The split isn’t acrimonious, and while the dad moved out, both adults are committed to co-parenting and understand that their child needs stability and extra support. As a result of that buffering of the child’s stress, he stops wetting the bed after a few months. Like my drive-by-induced stress, the effects are temporary if a solid support network is in place.
Nadine Burke Harris (The Deepest Well: Healing the Long-Term Effects of Childhood Trauma and Adversity)
Because we weren’t taught by either our parents or society to access our inner stillness and find the roots of our pain and pleasure within ourselves, we are reactive to external circumstances. Since we didn’t learn to simply observe our emotions, honor them, sit with them, and grow from them, our response to external stimuli became increasingly emotionally toxic, which is the root of our cyclones of drama. When we are raised to suppress our darker emotions, these emotions form a shadow from which we are cut off. When emotions are split from our consciousness, they lie dormant, ready to be activated at a moment’s notice, which is why so many of us erupt out of the blue. Whenever these emotions are triggered by another’s shadow, we find ourselves upset with the person who evoked these emotions in us. Again, let me emphasize that no one could evoke such emotions in us were they not already part of our shadow.
Shefali Tsabary (The Conscious Parent)
Then Joe said, “I know what it was — split personality — when a man is two people at once.” “Huh?” Danny grunted. “Sure. I saw it on another TV horror show,” said Joe. “There was this good guy, and when the moon was full he turned into a monster—” “Don’t be silly,” Danny said. “The moon isn’t even out now.” “Is that all you watch on TV, Joe?” Irene asked, pursing up her lips. “Horror movies?” “Nope.” Joe shook his head. “I only watch those before going to bed.” “Hmf,” Irene sniffed. “Your parents shouldn’t allow you to watch such things.” “They don’t,” Joe grinned.
Jay Williams (Danny Dunn and the Weather Machine (Danny Dunn, #4))
This was the moment when history held its breath, and the present sheared asunder from the past as an iceberg splits from its frozen, parent cliffs, and goes sailing out to sea in lonely pride.
Arthur C. Clarke (Childhood's End)
Did you tell my mother that you called me a bitch last night,too?" I asked him. "Because that's the best way I know to win parents over." For a split second,he looked uncomfortable. Almost immediately, he recovered and went back on the offensive. "You shouldn't wear those jeans.People might think something." I stomped my foot on the stair. "Like what? I want to show off my fire-crotch? What do you care? God! Stop following me." My hair was down now, and I felt it smack into his chest as I whirled around and flounced down the rest of the stairs, across the lobby, and into the cold night.
Jennifer Echols (The Ex Games)
There's a school of wisdom about love that says the surest way to lose someone is to hold on to them too tightly -- as demonstrated over and over again by the split-ups of lovers, but also by parents and children. Although there it's more complicated by far. Lovers, initially strangers, become strangers again; the tie between parent and child pulls and twists for a lifetime, taking on the strangest forms.
Joyce Johnson (Minor Characters: A Beat Memoir)
Just seems like all parents start out thinking their kids are part of them, another mouth they've gotta make sure eats, another body they've got to get dressed. And then one day, our parents look at us and notice we're whole people. We're not a part of them anymore, even if they're a part of us. And for the ones who never really wanted to be parents anyway, that's probably a relief. But for a mom like yours - I don't know, she must've been sad when she realized your life was gonna be different then hers. She must've been scared when she realized she wasn't gonna be able to protect you, and that you were gonna deal with things she never did.
Emily Henry (The Love That Split the World)
And then Eloise would storm out, and they'd go to separate rooms, and I would be so sure that was it. That Eloise wouldn't come back. Or my parents would split up. I was always waiting for something terrible to happen.
Emily Henry (Happy Place)
The person’s cognitive distortions get triggered, and all kinds of extreme thoughts may get generated, including allegations of abuse by you. People with BP tendencies seem to desire the elimination of the other parent as much as possible, stating that you’re a “threat” to the child for some reason, and you need supervised visitation or no contact. Since these types of orders are used only when there are serious abuse allegations, people with BP or NP traits often make very serious abuse allegations. This entire process may be totally unconscious, although some blamers are willing to make knowingly false statements to accomplish their desperate goals.
Randi Kreger (Splitting: Protecting Yourself While Divorcing Someone with Borderline or Narcissistic Personality Disorder)
A year earlier my parents had moved us out of the city to a split-level on Long Island, their idea of the American dream, which meant it as now an hour-and-a-half commute via the 7:06 Hicksville to Penn Station every morning. (Dark City Lights)
Jonathan Santlofer
I know that's why my parents never had more kids after me; they didn't want my magic to be diluted—even though Dad says it's an old wives' tale that siblings split magic. I also know my parents are hoping I'll marry someone more powerful than I am.
Rainbow Rowell (Carry On (Simon Snow, #1))
No one has a plan for you and your life doesn't have a soundtrack, it's just a series of . . . accidents and split-second decisions and coincidences and demographics, where you live and when you were born and who your parents were and how much money they had.
Miranda Popkey (Topics of Conversation)
the behavior of parents, other parties, or both. Also, old videos or photos may be helpful in showing how comfortable and happy the children are with you as a parent, to counteract allegations that the children were always afraid of you. Submitting the Evidence to the Court
Randi Kreger (Splitting: Protecting Yourself While Divorcing Someone with Borderline or Narcissistic Personality Disorder)
The Youth Vote But there are not many people in Washington who take this motion of the "youth vote" very seriously. Not even the candidates. The thinking here is that the young people who vote for the first time in '72 will split more or less along the same old lines as their parents, and that the addition of 25 million new (potential) votes means just another sudden mass that will have to be absorbed into the same old patterns... just another big wave of new immigrants who don't know the score yet, but who will learn it soon enough, so why worry?
Hunter S. Thompson (Fear and Loathing: On the Campaign Trail '72)
A young lad was sent to school. He began his lessons with the other children, and the first lesson the teacher set him was the straight line, the figure “one.” But whereas the others went on progressing, this child continued writing the same figure. After two or three days the teacher came up to him and said, “Have you finished your lesson?” He said, “No, I’m still writing ‘one.’ ” He went on doing the same thing, and when at the end of the week the teacher asked him again he said, “I have not yet finished it.” The teacher thought he was an idiot and should be sent away, as he could not or did not want to learn. At home the child continued with the same exercise and the parents also became tired and disgusted. He simply said, “I have not yet learned it, I am learning it. When I have finished I shall take the other lessons.” The parents said, “The other children are going on further, school has given you up, and you do not show any progress; we are tired of you.” And the lad thought with sad heart that as he had displeased his parents too he had better leave home. So he went into the wilderness and lived on fruits and nuts. After a long time he returned to his old school. And when he saw the teacher he said to him, “I think I have learned it. See if I have. Shall I write on this wall?” And when he made his sign the wall split in two. —Hazrat Inayat Khan The Sufi Message of Hazrat Inayat Khan
Ram Dass (Journey of Awakening: A Meditator's Guidebook)
Much will have been gained for aesthetics once we have succeeded in apprehending directly — rather than merely ascertaining — that art owes its continuous evolution to the Apollinian-Dionysian duality, even as the propagation of the species depends on the duality of the sexes, their constant conflicts and periodic acts of reconciliation. I have borrowed my adjectives from the Greeks, who developed their mystical doctrines of art through plausible embodiments, not through purely conceptual means. It is by those two art sponsoring deities, Apollo and Dionysus, that we are made to recognize the tremendous split, as regards both origins and objectives, between the plastic, Apollinian arts and the nonvisual art of music inspired by Dionysus. The two creative tendencies developed alongside one another, usually in fierce opposition, each by its taunts forcing the other to more energetic production, both perpetuating in a discordant concord that agon which the term art but feebly denominates: until at last, by the thaumaturgy of an Hellenic act of will, the pair accepted the yoke of marriage and, in this condition, begot Attic tragedy, which exhibits the salient features of both parents.
Friedrich Nietzsche (The Birth of Tragedy)
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20) The thorns that God had sent to curse the earth’s rebellion now twisted around his brow… “On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings. As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe. But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot. His Father! He must face his Father like this! From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes. “Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end! Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath? Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed. The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction. “Father! Father! Why have you forsaken me?!” But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply. The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)
When they had been young enough that they neither of them could reach the tops of bookshelves without stools and magic, he had told her that sometimes he felt like dreams split him from the inside out, dreams that bloomed into tales of faraway worlds. He had told her that he gave those stories to her in the hopes that one day they would grow into life, buds opening like blades and catching on the edges of reality. He had told her, quietly, so that their parents could not hear, of a world he had dreamed up—a kind world, where war was a thing of days past and life was not something they crushed in calloused hands.
Varsha Ravi (The Heartless Divine (The Heartless Divine, #1))
Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah, Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of magnet's brilliance I remember the letter of the final decesion of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending into your bosom Stupid relationship inflted in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all into pieces for the sake of Art There isn't any other way out for poetry except suicide Shubha Let me enter into the immemorial incontinence of your labia majora Into the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum-flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize Shubha Women could be treacherous even after unfolding a helpless appeareance Today it seems there is nothing so treacherous as Women and Art Now my ferocious heart is rinning towards an impossible death Vertigoes of water are coming up to my neck from the pierced earth I will die Oh what are these happening within me? I am failing to fetch out my hand and my palm From the dried sperms on my trousers spreading wings 300000 children are gliding toward the district of Shubha's bosom Millions of needles are now running from my blood into Poetry Now the smuggling of my obstinate leg is trying to plunge Into the death killer sex-wig entangled in the hypnotic kingdom of words In violent mirrors on each wall of the room I am observing After letting loose a few naked Malay, his unestablished scramblings.
Malay Roy Choudhury (Selected Poems)
I will not tell my parents about this. Parents let children work out their own social problems. I let the experience go down the drain with the water. No point hanging on to such things. Ultimately, in the scope of the universe, this is a small event. Trauma does not choose you, you choose if it is trauma or not, right?
Tanya Tagaq (Split Tooth)
We come into contact with people only with our exteriors—physically and externally; yet each of us walks about with a great wealth of interior life, a private and secret self. We are, in reality, somewhat split in two, the self and the body; the one hidden, the other open. The child learns very quickly to cultivate this private self because it puts a barrier between him and the demands of the world. He learns he can keep secrets—at first an excruciating, intolerable burden: it seems that the outer world has every right to penetrate into his self and that the parents could automatically do so if they wished—they always seem to know just what he is thinking and feeling. But then he discovers that he can lie and not be found out: it is a great and liberating moment, this anxious first lie—it represents the staking out of his claim to an integral inner self, free from the prying eyes of the world. By the time we grow up we become masters at dissimulation, at cultivating a self that the world cannot probe. But we pay a price. After years of turning people away, of protecting our inner self, of cultivating it by living in a different world, of furnishing this world with our fantasies and dreams—we find that we are hopelessly separated from everyone else. We have become victims of our own art. We touch people on the outsides of their bodies, and they us, but we cannot get at their insides and cannot reveal our insides to them. This is one of the great tragedies of our interiority—it is utterly personal and unrevealable. Often we want to say something unusually intimate to a spouse, a parent, a friend, communicate something of how we are really feeling about a sunset, who we really feel we are—only to fall strangely and miserably flat. Once in a great while we succeed, sometimes more with one person, less or never with others. But the occasional breakthrough only proves the rule. You reach out with a disclosure, fail, and fall back bitterly into yourself. We emit huge globs of love to our parents and spouses, and the glob slithers away in exchanges of words that are somehow beside the point of what we are trying to say. People seem to keep bumping up against each other with their exteriors and falling away from each other. The cartoonist Jules Feiffer is the modern master of this aspect of the human tragedy. Take even the sexual act—the most intimate merger given to organisms. For most people, even for their entire lives, it is simply a joining of exteriors. The insides melt only in the moment of orgasm, but even this is brief, and a melting is not a communication. It is a physical overcoming of separateness, not a symbolic revelation and justification of one’s interior. Many people pursue sex precisely because it is a mystique of the overcoming of the separateness of the inner world; and they go from one partner to another because they can never quite achieve “it.” So the endless interrogations: “What are you thinking about right now—me? Do you feel what I feel? Do you love me?
Ernest Becker (The Birth and Death of Meaning: An Interdisciplinary Perspective on the Problem of Man)
The final proof that this alien indoctrination which begins in nursery school is based on the splitting of the family is that those working class children who arrive (those few who do arrive) at university are so brainwashed that they are unable any longer to talk to their community. Working class children then are the first who instinctively rebel against schools and the education provided in schools. But their parents carry them to schools and confine them to schools because they are concerned that their children should “have an education”, that is, be equipped to escape the assembly line or the kitchen to which they, the parents, are confined. If a working class child shows particular aptitudes, the whole family immediately concentrates on this child, gives him the best conditions, often sacrificing the others, hoping and gambling that he will carry them all out of the working class. This in effect becomes the way capital moves through the aspirations of the parents to enlist their help in disciplining fresh labor power.
Mariarosa Dalla Costa (The Power of Women and the Subversion of the Community)
In traditional Aeluon culture, a mother was not a parent. Parents were men and shon. Parents went to school for it. Parents were the people who actually raised children, not those who had done the easy business of creating them. The gendered expectations of parenting were dissolving, but even though women could be found working in creches now, there was still an enormous difference between the person who produced an egg and the person who took care of the little being that crawled out of it. Parenting was a profession, and it was not Pei’s. She could not imagine living like Ouloo, performing two distinct jobs at once, splitting herself for decades until Tupo reached adulthood. The whole idea was overwhelming.
Becky Chambers (The Galaxy, and the Ground Within (Wayfarers, #4))
I suppose men, even myself, are perpetually boys. The sons of parents who provide the staples of what makes up a life— a home, an example of what it means to be human, however fucked up that may be. We are molded by impressions and an example, single days that stick out, and wounds that split us open and never close. We take on other people’s pain and sometimes make them ours.
M. Spio (A Song for Carmine)
I pound my fist into my palm, furrowing my brow.My dad chokes on his dessert. I am emboldened. "I want to wear the maroon and gold-the same maroon and gold you two wore when you fell in love all those years ago. Without that maroon and gold, you never would have fallen in love at prom, and I never would have been born. I am maroon and gold." The drama builds. "I have spirit! Yes I do! I've got spirit, how 'bout you?" At this, I wildly wave fierce spirit fingers and heartily attempt the splits. Key word: attempt. "Ow!" I cry, my crotch a foot from the floor, pain burning my groin. At this, neither of my parents can hold it anymore and, along with their eye rolling and head shaking, there is gut-wrenching laughter. I fall over to one side-sweet relief.
Alecia Whitaker (The Queen of Kentucky)
When I wrote Lean In, some people argued that I did not spend enough time writing about the difficulties women face when they don’t have a partner. They were right. I didn’t get it. I didn’t get how hard it is to succeed at work when you are overwhelmed at home. I wrote a chapter titled “Make Your Partner a Real Partner” about the importance of couples splitting child care and housework 50/50. Now I see how insensitive and unhelpful this was to so many single moms who live with 100/0. My understanding and expectation of what a family looks like has shifted closer to reality. Since the early 1970s, the number of single mothers in the United States has nearly doubled. Today almost 30 percent of families with children are headed by a single parent—84 percent of whom are women. I
Sheryl Sandberg (Option B)
Cosmopolitanism must manage the contradiction between its ethos of transcending ethnicity and its need for cultural diversity, which requires ethnic attachment. Bourne resolved this by splitting the world into two moral planes, one for a ‘parental’ majority who would be asked to shed their ethnicity and oppose their own culture, and the other for childlike minorities, who would be urged to embrace their heritage in the strongest terms.
Eric Kaufmann (Whiteshift: Populism, Immigration and the Future of White Majorities)
It is hard to bring paedophile rings to justice. Thankfully it does happen. Perhaps the most horrific recent case came before the High Court in Edinburgh in June 2007. It involved a mother who stood by and watched as her daughter of nine was gang-raped by members of a paedophile ring at her home in Granton, in the north of Edinburgh. The mother, Caroline Dunsmore, had allowed her two daughters to be used in this way from the age of five. Sentencing Dunsmore to twelve years in prison judge, Lord Malcolm, said he would take into account public revulsion at the grievous crimes against the two girls. He told the forty-three-year-old woman: 'It is hard to imagine a more grievous breach of trust on the part of a mother towards her child.' Morris Petch and John O'Flaherty were also jailed for taking part in raping the children. Child abuse nearly always takes place at home and members of the family are usually involved.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
At once I understood that I had been looking at things with the right intention but from the wrong angle. My marriage was imperfect and my job lacked meaning, but I had been searching for complicated solutions instead of addressing the common denominator in both equations - me. Moreover, I'd been approaching my life as a zero-sum game. As Alex had just pointed out, meeting my own needs for a change didn't mean my family would collapse or sink into bankruptcy-level debt. There were certain parts of my marriage that might never be fixed - wasn't that what "for better or for worse" was all about? - but that wouldn't necessarily put Sanjay and me on a one-way dinghy to divorce island. And even if we did split, that wouldn't be the end of everything. It would hurt like hell, but it wouldn't erase the good times we'd had My children would still have two parents who loved them and who would not opt out of their lives just because things were hard.
Camille Pagán (I'm Fine and Neither Are You)
In the twentieth century, it was tempting to minimize the effects of divorce. Some adults in unhappy marriages imagined trickle-down happiness: They would be happier after divorce; therefore, so would their kids. But as these kids matured, “the unexpected legacy of divorce” was undeniable. Many children of divorce said they had not much noticed—or cared—whether their parents were happily married. What they did know was that their lives fell apart after their parents split, as resources and parents became stretched too thin.
Meg Jay (The Defining Decade: Why Your Twenties Matter - And How to Make the Most of Them Now)
But there are not many people in Washington who take this motion of the "youth vote" very seriously. Not even the candidates. The thinking here is that the young people who vote for the first time in '72 will split more or less along the same old lines as their parents, and that the addition of 25 million new (potential) votes means just another sudden mass that will have to be absorbed into the same old patterns... just another big wave of new immigrants who don't know the score yet, but who will learn it soon enough, so why worry?
Hunter S. Thompson (Fear and Loathing: On the Campaign Trail '72)
This change in communication may have some side effects, though. In her book Alone Together, MIT social psychologist Sherry Turkle convincingly makes the case that younger people are so used to text-based communications, where they have time to gather their thoughts and precisely plan what they are going to say, that they are losing their ability to have spontaneous conversation. She argues that the muscles in our brain that help us with spontaneous conversation are getting less exercise in the text-filled world, so our skills are declining. When we did the large focus group where we split the room by generation—kids on the left, parents on the right—a strange thing happened. Before the show started, we noticed that the parents’ side of the room was full of chatter. People were talking to one another and asking how they had ended up at the event and getting to know people. On the kids’ side, everyone was buried in their phones and not talking to anyone around them. It made me wonder whether our ability and desire to interact with strangers is another muscle that risks atrophy in the smartphone world. You
Aziz Ansari (Modern Romance: An Investigation)
Within this underground occulture, the reception of channeled documents recapitulates the end of adolescence and parent/child split within the student/teacher relationship—such channeled books, regardless of their valid provenance, are social markers allowing occult students to split with their symbolic parents (teachers) and families (occult orders) and their metaphors for reality, establish their own metaphors for reality, and thereafter “reproduce” and start their own “families” in the form of new occult groups established around the new channeled documents.
Jason Louv (The Angelic Reformation: John Dee, Enochian Magick & the Occult Roots of Empire)
The pain I feel from the Slits ending is worse than splitting up with a boyfriend, my parents divorcing or being chucked out of the Flowers of Romance: this feels like the death of a huge part of myself, two whole thirds gone. Now the Slits are over and Tessa has recovered, I’ve got nowhere to go, nothing to do; I’m cast back into the world like a sycamore seed spinning into the wind. I’m burnt out and my heart is broken. I can’t bear to listen to music. Every time I hear a song I feel physical pain, just to hear instruments is unbearable, it reminds me of what I’ve lost.
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
that’s tragic. he was such a happy kid.” showered cold to make his pants fit would rather stand up straight than sit didn’t cry when his parents split he was such a happy kid now their words are what’s killing him taking pills, hoping they will stick his grades have dropped his friends are gone paints his nails and dyes his hair parents says it’s a teenage fit ’cause he is such a happy kid how come you tell me who to be ”aim big thats all you’ll need” money is what drives the world ”become a lawyer thats your true worth” i won’t try to fit your needs i am not who you think because i’m not a happy kid
Kian Alejo (Teenage Burden)
The flat tire that threw Julio into a temporary panic and the divorce that almost killed Jim don’t act directly as physical causes producing a physical effect—as, for instance, one billiard ball hitting another and making it carom in a predictable direction. The outside event appears in consciousness purely as information, without necessarily having a positive or negative value attached to it. It is the self that interprets that raw information in the context of its own interests, and determines whether it is harmful or not. For instance, if Julio had had more money or some credit, his problem would have been perfectly innocuous. If in the past he had invested more psychic energy in making friends on the job, the flat tire would not have created panic, because he could have always asked one of his co-workers to give him a ride for a few days. And if he had had a stronger sense of self-confidence, the temporary setback would not have affected him as much because he would have trusted his ability to overcome it eventually. Similarly, if Jim had been more independent, the divorce would not have affected him as deeply. But at his age his goals must have still been bound up too closely with those of his mother and father, so that the split between them also split his sense of self. Had he had closer friends or a longer record of goals successfully achieved, his self would have had the strength to maintain its integrity. He was lucky that after the breakdown his parents realized the predicament and sought help for themselves and their son, reestablishing a stable enough relationship with Jim to allow him to go on with the task of building a sturdy self. Every piece of information we process gets evaluated for its bearing on the self. Does it threaten our goals, does it support them, or is it neutral? News of the fall of the stock market will upset the banker, but it might reinforce the sense of self of the political activist. A new piece of information will either create disorder in consciousness, by getting us all worked up to face the threat, or it will reinforce our goals, thereby freeing up psychic energy.
Mihály Csíkszentmihályi (Flow: The Psychology of Optimal Experience)
In time, extinction comes for all species. Some leave descendants. Others do not. Beautiful as the image is, there is no tree of life. The shape of biodiversity is more like a chaotic blanket, individual threads splitting, being snipped off, branching again, creating an incredible tangle of species that are both discrete and connected. All the species alive in this moment, at the dawn of the Paleogene, will eventually perish. But some will sprout populations a little different from their point of origin, variations that will survive even as their parent species disappear, and with them the same ecological dance will begin again. The species that exist today will shape what tomorrow looks like, life itself driving the profusion of so many unique forms.
Riley Black (The Last Days of the Dinosaurs: An Asteroid, Extinction, and the Beginning of Our World)
3. The child is allowed to experience and express ordinary impulses, such as jealousy, rage, sexuality and defiance, because the parents have not disowned these feelings in themselves. 4. The child does not have to please the parent and can develop his own needs at his own developmental pace. 5. The child can depend on and use his parents because they are separate from him. 6. The parents’ independence and good boundaries allow the child to separate self and object representation. 7. Because the child is allowed to display ambivalent feelings, he can learn to regard himself and the caregiver as “both good and bad,” rather than splitting off certain parts as good and certain parts as bad. 8. The beginning of true object love is possible because the parents love the child as a separate object.
John Bradshaw (Healing the Shame that Binds You)
Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide Shubha Let me enter in to the immemorial incontinence of your labia majora In to the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum -flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize S
Malay Roy Choudhury (Selected Poems)
He rolled onto his side, head resting on his elbow, and he grinned suggestively at Avani. “How about it, Canada? I kinda dig the whole nerd thing. Nerd is the new hot.” “Dream on,” said Avani, rolling her eyes. “Why are you here?” he asked. “Is this, like, the land of your people?” “My dad’s parents are from Kenya,” she said, her eyes narrowed. “And my mom is from Delhi.” “Where’s that?” asked Joey. “Arkansas?” “India, you moron.” “Do you, like, sit down and memorize dictionaries every day?” “No,” she said. “Only on weekends.” Joey stared at her, looking perplexed, then suddenly his face split into a grin. “Wait a minute . . . You made a joke!” Avani’s lips curled into a small smile. Sam caught my eye, then traced a heart in the sand between us. My throat tightened and I blinked at it, then looked at him in alarm. He pointed at the heart, then made an exaggerated glance from Joey to Avani, and then wiggled his eyebrows at me.
Jessica Khoury (Kalahari (Corpus, #3))
Every mother has a different story, though we tend to group them together. We like to think that partnered moms have it good and single moms have it rough, but the truth is that we’re a diverse bunch. Some single mothers have lots of child-free time because their kids are regularly in the custody of their fathers. Some seldom get a break. Some partnered mothers split child-care duties with their spouses in egalitarian ways; others might as well be alone. Some mothers of both varieties have parents, siblings, and friends who play active roles in their children’s lives in ways that significantly lighten the load. Others have to pay for every hour another person looks after their kids. Some mothers, single or partnered, can’t afford to pay anyone for anything. Some can and do. Others can and won’t. Some are aided financially by parents, or trust funds, or inheritances; others are entirely on their own. The reality is that, regardless of the circumstances, most moms are alternately blissed out by their love for their children and utterly overwhelmed by the spectacular amount of sacrifice they require.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
Ancestors To tell the truth, we should not exist. We, not any collective plural, just you and me. Let us use our imaginations to visualize for a moment the circumstances and conditions of the life of our parents, then our grandparents, then great-grandparents, thus further and further back. Even if among them all there happened to be wealthy individuals or men of privilege, the stench and filth in which they lived, as that then was the rule, would have astonished us who use showers and toilets. What was even more certain was among them the presence of starvelings, for whom a piece of dry bread in pre-harvest time meant happiness. Our ancestors died like flies from epidemics, from starvation, from wars, though children swarmed, for every twelve of them only one or two survived. And what strange tribes, what ugly snouts behinds you and me, what bloody rites in honor of gods carved in the trunk of a linden tree! Back to those who are stalking through the undergrowth of a murky primeval forest with chipped stones for their only weapons, in order to split the skulls of their enemies. It would seem as if we had only parents and that's all, but those other pre-pre-predecessors exist, and with them their afflictions, manias, mental illnesses, syphilis, tuberculosis, and whatnot, and how do you know they do not continue on in you? And what was the probability that among the children of your great-great-grandparents the one survived who would beget your ancestor? And what the probability that this would repeat itself in the next generation? Altogether, a very slim chance that we would be born in these skins, as these, not other, individuals, in whom the genes met those of the devil knows what whores and oafs. The very fact that our species survived and even multiplied beyond measure is astonishing, for it had much against it, and the primeval forest full of animals stronger than humans may serve till now as a metaphor for man's precarious situation - let us add viruses, bacteria, earthquakes, volcanic eruptions, floods, but also his own works, atomic weapons and the pollution of nature. Our species should have disappeared a long time ago, and it is still alive, incredibly resistant. That you and I happen to be part of it should be enough to give us pause for meditation.
Czesław Miłosz (Road-side Dog)
(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.
Walter Scott
It is implausible that judges are unaware that the most dangerous environment for children is precisely the single-parent homes they themselves create when they remove fathers in custody proceedings. Yet they have no hesitation in removing them, secure in the knowledge that they will never be held accountable for any harm that comes to the children. On the contrary, if they do not they may be punished by feminist-dominated family law sections of the bar associations and social work bureaucracies whose earnings and funding depend on a constant supply of abused children. A Brooklyn judge, described as “gutsier than most” by the New York Law Journal, was denied reappointment when he challenged social service agencies’ efforts to remove children from their parents. A lawyer close to the Legal Aid Society said that “many of that group’s lawyers, who [claim to] represent the children’s interests in abuse cases, and lawyers with agencies where [allegedly?] abused children are placed, have been upset by Judge Segal’s attempts to spur fam ily reunifications.” Though no evidence indicated that his rulings resulted in any child being abused or neglected, “most of the opposition [to his reappointment] came from attorneys who represent children in neglect and abuse proceedings.” An Edmonton, Alberta, judge was forced by feminists to apologize for saying, “That parties who decide to have children together should split for any reason is abhorrent to me,”...
Stephen Baskerville
The men in grey were powerless to meet this challenge head-on. Unable to detach the children from Momo by bringing them under their direct control, they had to find some roundabout means of achieving the same end, and for this they enlisted the children's elders. Not all grown-ups made suitable accomplices, of course, but plenty did. [....] 'Something must be done,' they said. 'More and more kids are being left on their own and neglected. You can't blame us - parents just don't have the time these days - so it's up to the authorities.' Others joined in the chorus. 'We can't have all these youngsters loafing around, ' declared some. 'They obstruct the traffic. Road accidents caused by children are on the increase, and road accidents cost money that could be put to better use.' 'Unsupervised children run wild, declared others.'They become morally depraved and take to crime. The authorities must take steps to round them up. They must build centers where the youngsters can be molded into useful and efficient members of society.' 'Children,' declared still others, 'are the raw material for the future. A world dependent on computers and nuclear energy will need an army of experts and technicians to run it. Far from preparing children from tomorrow's world, we still allow too many of them to squander years of their precious time on childish tomfoolery. It's a blot on our civilization and a crime against future generations.' The timesavers were all in favor of such a policy, naturally, and there were so many of them in the city by this time that they soon convinced the authorities of the need to take prompt action. Before long, big buildings known as 'child depots' sprang up in every neighborhood. Children whose parents were too busy to look after them had to be deposited there and could be collected when convenient. They were strictly forbidden to play in the streets or parks or anywhere else. Any child caught doing so was immediately carted off to the nearest depot, and its parents were heavily fined. None of Momo's friends escaped the new regulation. They were split up according to districts they came from and consigned to various child depots. Once there, they were naturally forbidden to play games of their own devising. All games were selected for them by supervisors and had to have some useful, educational purpose. The children learned these new games but unlearned something else in the process: they forgot how to be happy, how to take pleasure in the little things, and last but not least, how to dream. Weeks passed, and the children began to look like timesavers in miniature. Sullen, bored and resentful, they did as they were told. Even when left to their own devices, they no longer knew what to do with themselves. All they could still do was make a noise, but it was an angry, ill-tempered noise, not the happy hullabaloo of former times. The men in grey made no direct approach to them - there was no need. The net they had woven over the city was so close-meshed as to seem inpenetrable. Not even the brightest and most ingenious children managed to slip through its toils. The amphitheater remained silent and deserted.
Michael Ende, Momo
Her mother cleaved him, cracking open like a peach pit split the tender centre mewling, a monster turned a baby. They snatched up the infant, innocent, beastly, from Half World they fled, they fled to the Realm of Flesh. Gee could not stop the words in the terrible book from popping up in his mind. The images that formed filled him with fear and fascination. Confusion. A creeping sense of recognition. The déjà vu of dreams…. Half World. The words whispered, echoed inside him. Like something almost familiar. Something he’d forgotten— How could Popo do this to him? Gee pounded the heels of his fists on the thick table. He pounded and pounded until he could feel the physical pain. Maybe Popo had written this book herself…. Maybe it was an elaborate psychological experiment? Maybe she was a psychotic, abusive person. Those irregularities in his adoption…. There were no papers. He had no birth certificate. His grandmother had found someone to forge documents. It had cost a lot of money. Popo had kidnapped him from somewhere and his real parents were still looking for him, far far away. That made more sense than the gibberish book. He wasn’t a murderous monster from a different Realm! Ridiculous! Mad. Popo! he raged. You did this to me! It’s all your fault! That’s why he didn’t have a real name. Baby G. Like a foundling in a basket. Baby X. John Doe. Why hadn’t she given him a proper name? The school had written his name as “Gee” when they saw Ms. Wei, saw that his papers identified him only as “G.” They must have thought she was illiterate. Did the teachers think it would make him more Asian? Because it hadn’t! When he’d finally asked his popo about his real name, she had been silent for a long time. You must seek your own name, she finally said. When the time comes.
Hiromi Goto (Darkest Light)
For several seconds, we stand there staring each other down. Anger radiates off the both of us in waves, crackling like electricity. And then…he sort of staggers back. All his swagger, his bravado, crumbles away in a split second, just like that. “Why do we keep doing this? Yelling at each other like this?” I let out my breath in a huff. “Because you always piss me off, that’s why, acting all smug and superior.” “Yeah, and you always throw temper tantrums like some kind of spoiled brat. That’s just who we are. We’re not perfect.” He takes a deep, rattling breath. “But we’re good together, Jem.” He’s right. I know he is, but… “You say you love me, but you can’t even be bothered to tell me that you’re applying to a school in the same city as me? Not until the cat’s out the bag and everyone knows? What am I supposed to think, Ryder?” He rakes a hand through his hair. “Don’t you get it? I want you to follow your dreams. To do what you want to do with your life--not what your parents want, or what Nan wants, or what I want. I didn’t want to take that away from you. If you knew I was thinking about going to Columbia…” He shakes his head. “Then what? I’m having a hard time following your logic here.” He sighs, his enormous shoulders seeming to sag. “I didn’t want you to apply just because I’m going to be in New York. Or hell, even worse, not apply because I’m going to be there. I was going to tell you in person. And then the scout shows up at the game tonight, and what was I supposed to do? My mom is freaking out; you’re freaking out.” He throws his hands in the air in frustration. “I’ve totally fucked this up.” It hits me then, the truth of the situation. He made his decision about Columbia on his own, and he wanted me to be able to do the same. Of course. Hell, if it hadn’t been for the storm bringing us together like it did, I probably would have turned down NYU rather than risk going off to New York with him, and that’s the truth. I drop my gaze to the ground and take a deep breath, cursing myself for being such an idiot. “No, you haven’t,” I say at last, raising my eyes to meet his confused ones. “Haven’t what?” “Fucked it up.” I take a tentative step toward him. “I get it now. God, Ryder. Why do you have to be so perfect?” “Perfect? I’ve been in love with you for so long now, and I’ve never managed to get it right, not once.” I have to bite my lip to keep from grinning. “News flash--I think you’ve finally got it this time.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Stark Electric Jesus Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide
Maitreyee Bhattacharjee Chowdhury (The Hungryalists)
Some couples strive for a fifty/fifty split; for most the percentages change according to a number of factors. What has struck me over time, however, is the importance, for couples and children, of each parent taking fairly exclusive responsibility for several aspects of daily life. That doesn’t mean that parents shouldn’t have some areas of shared responsibility, and spend time together with daily life tasks. But the work of child care can expand to fill most every crevice. And for one person to really get a break, to really let go of a task mentally and physically, the other must do it consistently, with no need for requests or reminders.
Lisa M. Ross (Simplicity Parenting: Using the Extraordinary Power of Less to Raise Calmer, Happier, and More Secure Kids)
All parents start out thinking their kids are a part of them, another mouth they’ve gotta make sure eats, another body they’ve gotta get dressed. And then one day, our parents look at us and notice we’re whole people. We’re not a part of them anymore, even if they’re a part of us.
Emily Henry (The Love That Split the World)
Are his parents taking him to Coney Island because of the cartoon? she muses. Did the innocent little sugar-sucker beg and plead to go because that’s where the finale dumps its sad, angry but good-at-heart heroine when things are at their darkest? Deeply fucked up, but also deeply probable. No matter what you did, forty or fifty or a hundred years passed and everything became a narrative to be toyed with, masters of media alchemy splitting the truth’s nucleus into a ricocheting cascade reaction of diverging alternate realities.
Brooke Bolander (The Only Harmless Great Thing)
Lying by Johannes in the darkness, envying him the unquestioned habit of sleep, the way he could remove himself, I wished that I might pause, take stock; that is a thought that comes back to me now: that I would like to pause pregnancy like a film, to walk away, do something else, returning later when I have had time to rest or think. I had always, before my pregnancy, regarded my body as a kind of tool, a necessary mechanism, largely self-sustaining, which, unless malfunctioning, did what I instructed of it, and so to have my agency so abruptly curtailed, revealed as little more than conceit, felt like betrayal. I no longer listened to my own command. Inside me, while I wished that I might be able to be elsewhere, that I might leave my body in the frowsty sheets and go downstairs to sit in the dark kitchen, unswollen and cool, cells split to cells, thoughtless and ascending, forming heart and lungs, eyes, ears- a hand grew nails- this child already going about its business, its still uncomprehending mind unreachable, apart.
Jessie Greengrass (Sight)
One thing I’ve learned? When we offer up all the stuff in our life to God and ask Him to do some housecleaning from the inside out, we need to believe He can actually do it. It’s like those verses in the Bible that talk about how if we have enough faith, God can move mountains. Thinking that way helped me when my parents split up, and I need to do it again now instead of stewing about it. “I’ve learned no one can cut through the junk in our heart better than God does.
JoAnn Durgin (Thee Will I Cherish (Treasured Vow #1))
She headed out into the hall and knocked quietly on his door. “Come in!” Megan took a deep breath and stepped inside. “Hey.” Finn looked up from his desk as if startled. “Hi,” he replied, pushing his hands against the thighs of his jeans. He glanced past her at the hallway, but when Megan turned around, she found they were alone. “What’s up?” Megan asked. “You really shouldn’t be in here,” Finn said. Megan’s heart dropped like a stone. “I know your parents are mad, but do you think they really expect us not to talk?” “Yeah…no…I don’t know,” Finn said, turning in his chair. “I just…Don’t you think we should let things calm down a little first?” “Yeah, like that’s ever going to happen in this house,” Megan joked lamely. Finn didn’t laugh. She swallowed against a lump in her throat and looked around uncertainly. She had come in here so that Finn could reassure her and make her feel better like he always did, but the evasive way he was acting was just making her feel worse. “Look, it’s just…being around you is…it’s not easy,” Finn said, looking everywhere but at her. He might as well have thrown cold water in her face. “Oh, well, I’m sorry,” Megan replied, backing out. “I guess that’s easily solved.” “No, Megan, wait,” Finn said. But she was dangerously close to tears and there was no way she was going to break down in front of him. “No, seriously, I’ll go,” Megan said. Finn swallowed and looked like he wanted to say something. For a split second, Megan’s heart dared to hope, but then he turned away and looked down at his notes again. “Yeah…okay,” he said. Finn focused pointedly on his work. This was really happening. Finn really didn’t want to have anything to do with her. Finally, feeling like the biggest idiot on earth, Megan made herself move.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
In a trauma theory that he constructed during the 1930s, Ferenczi proposed that it is not only the traumatic situation itself that causes pathology, but also the lack of emotional support from the parents on whom the child depends (Peláez, 2009). The child reacts to the trauma with what Ferenczi called a “fleeting psychosis”; the stoppage of thought and perception paralyzes mental functioning, and results in a split in the personality such that the trauma is not experienced consciously or represented mentally and therefore cannot be remembered (Dupont, 1998
Olivier Luminet (Alexithymia: Advances in Research, Theory, and Clinical Practice)
in South Central unexpectedly when I was orphaned at age twelve. I’m originally from New Jersey—born in Newark, raised in a middle-class suburb called Summit. My mother passed suddenly when I was in third grade from a heart attack. My father did his best to raise me on his own for a couple of years, but when I was in seventh grade I got called into the principal’s office and they told me my dad had also died of a heart attack. The thing that tripped everyone out is that I didn’t cry when either of my parents died. I loved my mom and dad, of course, but even at that young age I was already in this super-isolated zone—I went into hard-core
Ice-T (Split Decision: Life Stories)
I really do have to make a choice between you and my parents, or you and God, or you and the whole stupid planet, then I choose you. From now until the end of time. I choose you.” Thunder crashes outside our window, like the sky is splitting open, and all at once our room plunges into darkness. I can just make out Marcos’s face in the candlelight. Even in the chaos he hasn’t taken his eyes off me. “I choose you too,” he says, stepping forward and taking my face in his hands. Then his lips are on mine and all I can taste is heaven.
Kevin Christopher Snipes (Milo and Marcos at the End of the World)
Both of these parenting styles have their advantages, Lareau found (although I should note that she did not look at families that used corporal punishment as severe as in my family after my parents split). The middle-class way was not, as some might expect, superior all around. The working-class children were often happier and better behaved. They were much closer to their extended families and were full of energy. They mostly did as they were told. They knew how to entertain themselves and were rarely bored. They were more adept at relationships. The middle-class youth, however, were much more prepared for school and far better situated to deal with adult authorities. They could speak up for themselves and use well-crafted arguments to come to conclusions more skillfully. This elaborated way of thinking also helped them better make plans that required multiple steps. Essentially, they were more prepared for success in the American mainstream than the working-class children were. And this was true regardless of whether they were black or white. Through this parenting style, middle-class children were being trained to lead, whether intentionally or not. Meanwhile, the poor and working class were being trained for life on the bottom. Middle-class children were constantly being taught explicitly to advocate for themselves with authorities, while the lower classes were taught to submit without question. Or, if they were going to resist, the poor learned by experience to do so covertly, not openly.
Carl L. Hart (High Price: A Neuroscientist's Journey of Self-Discovery That Challenges Everything You Know About Drugs and Society)
My Hailey. I wondered if she thought I was dumb. I wondered if she thought it bothered me. It didn't. Because I knew that Hailey and I were more than friends. We were an amalgam of pinkie promises and inside jokes and hundreds of phone calls and shared lip balms and deep confessions. We had survived puberty together. I could list every crush she'd ever had, every person she'd ever kissed. I was there when her parents split up and I held her as she cried. I knew the taste of her tears. I knew the pitch of her laugh; it lived in me. We were sisters. So Bri could get fucked.
Rachel Harrison (Bad Dolls)
You may be kind, decent and a lovely human being but the narcissist will pick the tiniest negative and amplify it for their own gain (and your destruction). Be in the know and wise.
Theresa J. Covert (Divorcing and Healing from a Narcissist: Emotional and Narcissistic Abuse Recovery. Co-parenting after an Emotionally destructive Marriage and Splitting up with with a toxic ex)
No one has a plan for you and your life doesn’t have a soundtrack, it’s just a series of” -she shrugged- “accidents and split-second decisions and coincidences and demographics, where you live and when you were born and who your parents were and how much money they had.” … I remember thinking that if she was in some ways correct she was, however, not right. That of course life is random, a series of coincidences, etc., but that to live you must attempt to make sense if it, and that’s what narrative’s for. I believe this, people of a certain sensibility believe this. Mostly it’s harmless. Though perhaps sometimes you find yourself doing things because you think your narrative arc calls for it, or because you’ve grown bored with your own plot, things you shouldn’t do because they will, these things, hurt the other characters in your story, who are not characters after all, but people. But then people do evil often and with less elaborate justifications.
Miranda Popkey (Topics of Conversation)
FIDELITY AND BETRAYAL He loved her from the time he was a child until the time he accompanied her to the cemetery; he loved her in his memories as well. That is what made him feel that fidelity deserved pride of place among the virtues: fidelity gave a unity to lives that would otherwise splinter into thousands of split-second impressions. Franz often spoke about his mother to Sabina, perhaps even with a certain unconscious ulterior motive: he assumed that Sabina would be charmed by his ability to be faithful, that it would win her over. What he did not know was that Sabina was charmed more by betrayal than by fidelity. The word fidelity reminded her of her father, a small-town puritan, who spent his Sundays painting away at canvases of woodland sunsets and roses in vases. Thanks to him, she started drawing as a child. When she was fourteen, she fell in love with a boy her age. Her father was so frightened that he would not let her out of the house by herself for a year. One day, he showed her some Picasso reproductions and made fun of them. If she couldn't love her fourteen-year-old schoolboy, she could at least love cubism. After completing school, she went off to Prague with the euphoric feeling that now at last she could betray her home. Betrayal. From tender youth, we are told by father and teacher that betrayal is the most heinous offense imaginable. But what is betrayal? Betrayal means breaking ranks. Betrayal means breaking ranks and going off into the unknown. Sabina knew of nothing more magnificent than going off into the unknown. Though a student at the Academy of Fine Arts, she was not allowed to paint like Picasso. It was the period when so-called socialist realism was prescribed and the school manufactured Portraits of Communist statesmen. Her longing to betray her father remained unsatisfied: Communism was merely another father, a father equally strict and limited, a father who forbade her love (the times were puritanical) and Picasso, too. And if she married a second-rate actor, it was only because he had a reputation for being eccentric and was unacceptable to both fathers. Then her mother died. The day following her return to Prague from the funeral, she received a telegram saying that her father had taken his life out of grief. Suddenly she felt pangs of conscience: Was it really so terrible that her father had painted vases filled with roses and hated Picasso? Was it really so reprehensible that he was afraid of his fourteen-year-old daughter's coming home pregnant? Was it really so laughable that he could not go on living without his wife? And again she felt a longing to betray: betray her own betrayal. She announced to her husband (whom she now considered a difficult drunk rather than an eccentric) that she was leaving him. But if we betray B., for whom we betrayed A., it does not necessarily follow that we have placated A. The life of a divorcee-painter did not in the least resemble the life of the parents she had betrayed. The first betrayal is irreparable. It calls forth a chain reaction of further betrayals, each of which takes us farther and farther away from the point of our original betrayal.
Milan Kundera (The Unbearable Lightness of Being)
And for the first time since the night I found out, I cry about my parents and the fact that they’re splitting up. But I don’t cry for myself. I cry for my mom because she’s just like me. Because she’s probably hurting the way I would if I was losing someone I loved and thought loved me. Because I’ve been there in different ways. And she’s been in my shoes in different ways. Because my mom is my mom, yes, but my mom is also a little girl deep down, I just never took the time to notice.
Emma Miller (The Pros and Cons of Us)
The Time Line is great for getting things into perspective when you feel a bit lost and lacking direction or if you have a big change coming up such as moving to secondary school, your parents splitting up or having a new family arrangement. When you experience grief or loss, whether that is for a person or a part of your life such as leaving your Primary School, you can travel back along the time line, identify which skills you need from your old life, anchor them and bring them into the present as you move forward to Secondary School. Once you’ve done the Time Line a few times it will be in your head and you can conjure up the image and the steps without moving. This can be useful in situations when you can’t actually move physically, in class for instance.
Judy Bartkowiak (Engaging NLP for Tweens)
Yasir never knew the full story of why his parents split, but his mother pulling the plug on his father made him hate her.
Yo Loni (Dysfunctional Lovers)
We are always “shocked” when we hear about violence in the suburbs, as though a well-watered lawn, a split-level construction, Little League and soccer moms, piano lessons, Four Squares courts, and parent-teacher conferences, all worked as some sort of wolfsbane, warding off evil. If the Ghost and McGuane grew up just nine miles from Livingston—again, that was how far the heart of Newark was—no one would be “stunned” and “dismayed” by what they’d become.
Harlan Coben (Gone for Good)
Jessie was sitting on a green bench in Central Park, enjoying the last of the autumn sun as she watched Luke break-dancing with two of his friends. She had to admit it—the kid had some serious moves. There were several clusters of middle school girls watching and letting out squeals as Luke executed a series of flips ending with splits. “Careful!” Jessie called. “If you break your neck, your parents will break mine!” A cute girl named Connie with long blond hair plopped down next to Jessie.
Lexi Ryals (Crush Crazy (Jessie Junior Novel))
White blood cells are the only fully functional cells in the circulation. Red blood cells have lost their nuclei by the time they enter the bloodstream, and platelets, which also lack a nucleus, are cell fragments that have split off a relatively large parent cell known as a megakaryocyte {mega, extremely large + karyon, kernel + -cyte, cell}.
Dee Unglaub Silverthorn (Human Physiology: An Integrated Approach)
I’m not spending the whole weekend with you two sniping at each other,” Tommy said. “Erin, we’re going to solve this the way we settle things at the stable when your grandmother isn’t looking.” He nodded at Hunter. “Hit him.” “Don’t make her do that,” Hunter told Tommy. “She’ll break her hand.” “Ha! You think awfully well of your chiseled chin,” I said, but Tommy drowned me out, yelling, “Let her hit you or I will hit you myself.” “This is excellent parenting.” Hunter emphasized his words with an okay sign of his thick fingers. His Rolex flashed in the sunlight before he put his hand down. “Here, Erin.” He closed his eyes and lifted his chin. I edged toward him, balling my fist, feeling better already. “Open your eyes,” I said. “I want you to see it coming.” “If I open my eyes, I’ll dodge you,” he said matter-of-factly, as if he was used to settling his differences this way with the other stable hands. He closed his eyes again. I struck while I had the opportunity. Didn’t pause to think about technique or the proper position for my fist, thumb in or thumb out, just hauled back and hit him. But in the split second before my hand connected with his face, I saw a flash of one of my family’s apartments in Los Angeles, an early one, because I glimpsed the ocean through the window across the room, and as the years went on we’d had less and less money and we’d move farther and farther from the sea. I saw my dad hitting my mom. I redirected my fist, only grazing Hunter’s chin, and stumbled into the side of the truck. A strong arm hooked in mine and kept me from falling. Hunter drew me to him, chuckling. “Are you okay?” I shoved him away from me, slid back into the truck, and slammed the door. He wasn’t even sorry and I couldn’t even get revenge. There was no good in this. With a final sniffle I opened my history book, wishing I hadn’t come.
Jennifer Echols (Love Story)
Nicole did what she'd been taught since she was little and her parents had moved into an all-white neighborhood: She smiled and made herself as friendly and non threatening as possible. Its what she did when she met the parents of her friends. There was always that split second- something almost felt rather than seen- when the parents' faces would register a tiny shock, a palpable discomfort with Nicole's 'otherness.' And Nicole would smile wide and say how nice it was to come over. She would call the parents Mr. or Mrs., never by their first names. Their suspicion would ebb away, replaced by an unspoken but nonetheless palpable pride in her 'good breeding,' for which they should take no credit but did anyway. Nicole could never quite relax in these homes. She'd spend the evening perched on the edge of the couch, ready to make a quick getaway.
Libba Bray (Beauty Queens)
I’m twenty-seven years old, and somehow I feel like I want to become my angsty teenager self again, crawl into my closet, and listen to Ashlee Simpson’s Autobiography album over and over again, because my parents are splitting up.” I’m
Brittainy C. Cherry (The Silent Waters (Elements, #3))
Mother Mary wants to draft two more kids,” Astrid told Sam. “Okay. Approved.” “Dahra says we’re running low on kids’ Tylenol and kids’ Advil, she wants to make sure it’s okay to start giving them split adult pills.” Sam spread his hands in a helpless gesture. “What?” “We’re running low on kid pills, Dahra wants to split adult pills.” Sam rocked back in the leather chair designed for a grown man. “Okay. Whatever. Approved.” He took a sip of water from a bottle. The wrapper on the bottle said “Dasani” but it was tap water. The dishes from dinner—horrible homemade split-pea soup that smelled burned, and a quarter cabbage each—had been pushed aside onto the sideboard where in the old days the mayor of Perdido Beach had kept framed pictures of his family. It was one of the better meals Sam had had lately. The fresh cabbage tasted surprisingly good. There was little more than smears on the plates: the era of kids not eating everything was over. Astrid puffed out her cheeks and sighed. “Kids are asking why Lana isn’t around when they need her.” “I can only ask Lana to heal big things. I can’t demand she be around 24/7 to handle every boo-boo.” Astrid looked at the list she had compiled on her laptop. “Actually, I think this involved a stubbed toe that ‘hurted.’” “How much more is on the list?” Sam asked. “Three hundred and five items,” Astrid said. When Sam’s face went pale, she relented. “Okay, it’s actually just thirty-two. Now, don’t you feel relieved it’s not really three hundred?” “This is crazy,” Sam said. “Next up: the Judsons and the McHanrahans are fighting because they share a dog, so both families are feeding her—they still have a big bag of dry dog food—but the Judsons are calling her Sweetie and the McHanrahans are calling her BooBoo.” “You’re kidding.” “I’m not kidding,” Astrid said. “What is that noise?” Sam demanded. Astrid shrugged. “I guess someone has their stereo cranked up.” “This is not going to work, Astrid.” “The music?” “This. This thing where every day I have a hundred stupid questions I have to decide. Like I’m everyone’s parent now. I’m sitting here listening to how little kids are complaining because their older sisters make them take a bath, and stepping into fights over who owns which Build-A-Bear outfit, and now over dog names. Dog names?” “They’re all still just little kids,” Astrid said. “Some of these kids are developing powers that scare me,” Sam grumbled. “But they can’t decide who gets to have which special towel? Or whether to watch The Little Mermaid or Shrek Three?” “No,” Astrid said. “They can’t. They need a parent. That’s you.
Michael Grant (Hunger (Gone, #2))
I'll never let it happen. I'll do everything in my power to keep my sister at home. "I don't want to have a civilized discussion. My parents want to send my sister to a facility behind my back and my head feels like it's about to split open. Leave me alone, okay?" Something is sticking out of my pocket. It's Alex's bandanna. Isabel isn't a friend, yet she helped me. And Alex, a boy who cared about me last night more than my own boyfriend did, acted as my hero and is urging me to be real. Do I even know how to be real? I clutch the bandanna to my chest. And I allow myself to cry.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Are Mom and Dad okay?” “Other than a pair of splitting headaches, they’re fine. Pandora will make sure they get home.” Lex winced. “You sure she’s up for that?” “Lex, we’re talking about the woman who single-handedly administered the deaths of Martin Luther King, Jr., John Lennon, and half the victims of Pearl Harbor. I think she can handle getting your parents onto a bus.
Gina Damico (Scorch (Croak, #2))
Well, whatever did those old brutes think about evil, then?” “It’s hard to say exactly. They seemed to be obsessed with locating it somewhere. I mean, an evil spring in the mountains, an evil smoke, evil blood in the veins going from parent to child. They were sort of like the early explorers of Oz, except the maps they made were of invisible stuff, pretty inconsistent one with the other.” “And where is evil located?” Galinda asked, flopping onto her bed and closing her eyes. “Well, they didn’t agree, did they? Or else what would they have to write sermons arguing about? Some said the original evil was the vacuum caused by the Fairy Queen Lurline leaving us alone here. When goodness removes itself, the space it occupies corrodes and becomes evil, and maybe splits apart and multiplies. So every evil thing is a sign of the absence of deity.
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (Wicked Years, #1))
Seeing All Work as Holy This simple theological conviction that all work is holy is a necessary correction to a worldview that splits work into two categories: sacred and secular. According to many, the “holy” work is supposed to be exclusively that which relates to God, the church, missions, or humanitarian endeavors. And, of course, this work is holy. But it’s not the only holy work. The work of artists, builders, teachers, parents, entrepreneurs, and bus drivers is on the same level. We collectively join to make the world a better place, each of us doing our part. To see all work as holy is a spiritual practice that pushes back on a spiritual elitism that obscures God’s good vision for all creation.
Rich Villodas (The Deeply Formed Life: Five Transformative Values to Root Us in the Way of Jesus)
So, yes, they fought, but I never imagined consequences. Parents didn't split up back then. They worked it out. They stayed on the team.
Mitch Albom (For One More Day)
Boxwood, a man of indeterminate age with a scraggly mass of brown hair and a paper-thin mustache, had been hired on part-time, and it was he who oversaw the boys in their outdoor chores. Marvin was handed an axe and followed a few of the other boys to an adjacent area where several tree stumps had been strategically placed, along with a bounty of uncut wood. Marvin got to work. He hacked at a portion of a downed tree, and once he had a manageable piece, he heaved it into his arms and dropped it onto one of the stumps. He hoisted the heavy axe over his shoulder and, with as much force as he could muster, brought it down upon the chunky piece of trunk. The wood split in two, a few shards spraying outward and falling to the ground. Marvin repositioned one half of the newly cut trunk, heaved the axe over his shoulder, and brought it down forcefully on the wood. It split again. By the time Mr. Boxwood announced that the boys were through for the evening, Marvin was sweating profusely, and his arms ached. He returned the axe to the storage shed and walked toward the main entrance of the orphanage along with the other boys who had been required to split wood. The grounds were otherwise unoccupied, the other children having already headed to their dormitories to retire for the evening. Marvin was walking toward the stairwell when he passed a bathroom and spotted movement through the open door. When he instinctively turned his head to look within, he saw Eva on all fours, scrubbing the floor with a small-handled brush, a metal bucket of sudsy water at her side. Marvin searched the hallway and, not spotting any authority figures, whispered, “Eva. Hey, Eva.” When she looked up at the sound of his voice, Marvin noticed her eyes were tinged with red. “What are you doing?” “What does it look like I’m doing?” She seemed about to cry, but her jaw was clenched in anger. “Why do you have to do it?” Eva sat back on her heels, rested the brush on her lap, and ran her free hand up into her hair, where she angrily grasped the large bow. “This damn thing!” she exclaimed, and Marvin’s eyes widened at the curse. “I didn’t want to wear it. It’s babyish. My parents never made me wear something like this. Not at my age, anyway. Maybe when I was a baby and I didn’t know any better or didn’t care, but not now. And Sister What’s Her Name said I had to wear one because it made me look presentable—that was her word: presentable. Because apparently, I don’t look presentable without a big ol’ stupid, ugly, white baby bow in my hair. I got so mad, I yanked it out and threw it on the ground, but then she looked at me. Just looked at me. She didn’t say anything, just stared. And then my heart got all jumpy because nobody had ever looked at me that way before.” Eva wiped a tear from under her eye. “She picked it up, so slow I didn’t know if she had trouble with her legs or something, right? She picked it up, and then she held it in her hand and looked down at it, and then… then… Marvin, she slapped me so hard on the cheek, I couldn’t believe it. I just couldn’t believe it. Nobody’s ever slapped me before!” Another tear dribbled from Eva’s eye, and Marvin was compelled forward. His knees hit the cold, hard floor, and he reached
Amy Fillion (This Funny Life)
Max-Ernest’s parents were divorced, and everything in his life was doubled or divided. (When Cass first visited his house, she couldn’t believe it: the house was split down the middle, each side designed and decorated differently, with neither parent ever stepping onto the other parent’s side.)
Pseudonymous Bosch (If You're Reading This, It's Too Late (Secret, #2))