Spiral Staircase Quotes

If your understanding of the divine made you kinder, more empathetic, and impelled you to express sympathy in concrete acts of loving-kindness, this was good theology. But if your notion of God made you unkind, belligerent, cruel, of self-righteous, or if it led you to kill in God's name, it was bad theology.

He is crooked enough to hide behind a spiral staircase.

...history, as you may know, is much like a spiral staircase that gives the illusion of going up, but never quite goes anywhere.

I discovered that I felt at home and alive in the silence, which compelled me to enter my interior world and around there. Without the distraction of constant conversation, the words on the page began to speak directly to my inner self. They were no long expressing ideas that were simply interesting intellectually, but were talking directly to my own yearning and perplexity.

I no longer think that any principle or opinion is worth anything if it makes you unkind or intolerant.

He is climbing the spiral staircase of the soul of Gormenghast, bound for some pinnacle of the itching fancy - some wild, invulnerable eyrie best known to himself; where he can watch the world spread out below him, and shake exultantly his clotted wings.

Religion is not about accepting twenty impossible propositions before breakfast, but about doing things that change you. It is a moral aesthetic, an ethical alchemy. If you behave in a certain way, you will be transformed. The myths and laws of religion are not true because they they conform to some metaphysical, scientific or historical reality but because they are life enhancing. They tell you how human nature functions, but you will not discover their truth unless you apply these myths and doctrines to your own life and put them into practice.

She had debated, in the frivolity of the beginning, whether to build a hole or a tower; a hole, because she was fond of hobbits, or a tower — well, a tower for many reasons, but chiefly because she liked spiral staircases.

When a man rides a long time through wild regions he feels the desire for a city. Finally he comes to Isidora, a city where the buildings have spiral staircases encrusted with spiral seashells, where perfect telescopes and violins are made, where the foreigner hesitating between two women always encounters a third, where cockfights degenerate into bloody brawls among the bettors. He was thinking of all these things when he desired a city. Isidora, therefore, is the city of his dreams: with one difference. The dreamed-of city contained him as a young man; he arrives at Isidora in his old age. In the square there is the wall where the old men sit and watch the young go by; he is seated in a row with them. Desires are already memories.

...and one of those neat spiral stairways in the far corner-I wonder where it leads. Spiral staircases always seem to me like they must lead somewhere special.

My grandsire,' Jamie observed evenly, 'has by all reports got a character that would enable him to hide conveniently behind a spiral staircase.

If ever he had harboured a conscience in his tough narrow breast he had by now dug out and flung away the awkward thing - flung it so far away that were he ever to need it again he could never find it. High-shouldered to a degree little short of malformation, slender and adroit of limb and frame, his eyes close-set and the colour of dried blood, he is climbing the spiral staircase of the soul of Gormenghast, bound for some pinnacle of the itching fancy - some wild, invulnerable eyrie best known to himself; where he can watch the world spread out below him, and shake exultantly his clotted wings

I had failed to make a gift of myself to God.

Theology is-- or should be-- a species of poetry,which read quickly or encountered in a hubbub of noise makes no sense. You have to open yourself to a poem with a quiet, receptive mind, in the same way you might listen to a difficult piece of music... If you seize upon a poem and try to extort its meaning before you are ready, it remains opaque. If you bring your own personal agenda to bear upon it, the poem will close upon itself like a clam, because you have denied its unique and separate identity, its inviolate holiness.

It is a well-known established fact throughout the many-dimensional worlds of the multiverse that most really great discoveries are owed to one brief moment of inspiration. There's a lot of spadework first, of course, but what clinches the whole thing is the sight of, say, a falling apple or a boiling kettle or the water slipping over the edge of the bath. Something goes click inside the observer's head and then everything falls into place. The shape of DNA, it is popularly said, owes its discovery to the chance sight of a spiral staircase when the scientist‘s mind was just at the right receptive temperature. Had he used the elevator, the whole science of genetics might have been a good deal different. This is thought of as somehow wonderful. It isn't. It is tragic. Little particles of inspiration sleet through the universe all the time traveling through the densest matter in the same way that a neutrino passes through a candyfloss haystack, and most of them miss. Even worse, most of the ones that hit the exact cerebral target, hit the wrong one. For example, the weird dream about a lead doughnut on a mile-high gantry, which in the right mind would have been the catalyst for the invention of repressed-gravitational electricity generation (a cheap and inexhaustible and totally non-polluting form of power which the world in question had been seeking for centuries, and for the lack of which it was plunged into a terrible and pointless war) was in fact had by a small and bewildered duck. By another stroke of bad luck, the sight of a herd of wild horses galloping through a field of wild hyacinths would have led a struggling composer to write the famous Flying God Suite, bringing succor and balm to the souls of millions, had he not been at home in bed with shingles. The inspiration thereby fell to a nearby frog, who was not in much of a position to make a startling contributing to the field of tone poetry. Many civilizations have recognized this shocking waste and tried various methods to prevent it, most of them involving enjoyable but illegal attempts to tune the mind into the right wavelength by the use of exotic herbage or yeast products. It never works properly.

Theologians in all the great faiths have devised all kinds of myths to show that this type of kenosis, of self-emptying, is found in the life of God itself. They do not do this because it sounds edifying, but because this is the way that human nature seems to work. We are most creative and sense other possibilities that transcend our ordinary experience when we leave ourselves behind.

Every single one of the major traditions—Confucianism, Buddhism, and Hinduism, as well as the monotheisms—teaches a spirituality of empathy, by means of which you relate your own suffering to that of others.

The constant reprimands made me hyperconscious of my own performance, and so instead of getting rid of self, I had become embedded in the egoism I was supposed to transcend. Now I was beginning to understand that a silence that is not clamorous with vexation and worried self-regard can become part of the texture of your mind, can seep into you, moment by moment, and gradually change you.

We wind our way up the spiral staircase and then down the long hallway that leads to his room. I feel almost like I’m watching the scene unfold from outside my body. My fingers are interlocked with his as he pulls me toward a moment that’s going to change everything. We are ten steps away. Five steps. I can’t decide. But then I do.

All these last months he had begun to talk about Sarima and the family as if they were ghosts, hiding just around the curve of the spiral staircase in the tower, suppressing giggles at this long, long game of hide-and-seek.

Gregori moved immediately to the spiral staircase. He could feel her, knew unerringly the exact spot where she waited. He didn't need to scan for Savannah; his body would always find her, his mind would always know her location.

Life is a spiral. As long as we lived, we would keep moving forward. But on a spiral path, getting closer to your destination meant periodically passing the same things—emotions, issues, character flaws—over and over again, the way a person walking up a spiral staircase would continually find himself facing north every ten steps or so.

We should probably all pause to confront our past from time to time, because it changes its meaning as our circumstances alter.

Compassion does not, of course, mean to feel pity or condescend, but to feel with

When the horror recedes and the world resumes its normal shape, you cannot forget it. You have seen what is "really" there, the empty horror that exists when the consoling illusion of our mundane experience is stripped away, so you can never respond to the world in quite the same way again." from Coleridge: Like one, that on a lonesome road Doth walk in fear and dread, And having once turned round walks on, And turns no more his head; Because he knows, a frightful fiend Doth close behind him tread

The branches are inviting, they form a sort of spiral staircase circling the trunk, so it's actually much easier to climb than you think. A lot of things are much easier to do than other people imagine.

Many of the younger generation know my name in a vague way and connect it with grotesque inventions, but don't believe that I ever existed as a person. They think I am a nonperson, just a name that signifies a tangled web of pipes or wires or strings that suggest machinery. My name to them is like a spiral staircase, veal cutlets, barber's itch—terms that give you an immediate picture of what they mean.

Her eyes widened as she took in what must be thousands of titles. She stepped farther into the room finding the bookcases rose up at least two stories. Like a bee to honey, she was drawn to the remarkable library. There was a ladder that glided along a set of rails to reach the top shelves. And a spiral staircase for the second floor of shelves with yet another ladder. t was truly remarkable. She didn't know whether she had walked onto the set of My Fair Lady or the library of Beauty and the Beast. She'd never seen anything so magnificent.

Even though the discples were not aware of it, the presence was with them while they were reviewing the scriptures together on the road. Henceforth, we will catch only a fleeting glimpse of it -- in the study of sacred writings, in other human beings, in liturgy, and in communion with strangers. But these moments remain us that our fellow men and women are themselves sacred; there is something about them taht is worthy of absolute reverence, is in the last resort mysterious, and we will always elude us.

Perhaps what I liked far more was the evening. Everything about it thrilled me. Every glance that crossed my own came like a compliment, or like an asking and a promise that simply lingered in midair between me and the world around me. I was electrified — by the chaffing, the irony, the glances, the smiles that seemed pleased I existed, by the buoyant air in the shop that graced everything from the glass door to the petits fours, to the golden ochre spell of plastic glasses filled with scotch whiskey, to Mr. Venga's rolled up sleeves, to the poet himself, down to the spiral staircase where we had congregated with the babe sisters — all seemed to glow with a luster at once spellbound and aroused.

The stairway to heaven is not a sweeping spiral vanishing to infinity but a tiny step that leads to the next step.

There is no way to overpower, outrun, or outsmart the mad dog of hopelessness because it's simply more vicious than I. The only thing to do is let it attack, go limp in its jaws, and be shaken. But I notice one promising pattern. If I play dead, it will eventually let me go. I start thinking of the dog of hopelessness as an obstacle that will reappear on every curve of the spiral staircase. He'll always be there waiting and snarling, but with every go-round, I'll be more confident and less fearful. Eventually, I'll learn the tricks that will allow me to breeze right past him. But the mad dog of hopelessness will always be there. My spiral staircase of progress means that my pain will be both behind me and in front of me, every damn day. I'll never be "over it," but I vow to be stronger each time I face it. Maybe the pain won't change, but I will. I keep climbing.

Truth is a spiral staircase. What looks true on one level may not be true on the next higher level. A complete vision must extend vertically as well as horizontally; not only seeing the parts in relation to one another but embracing the different planes.

In the past she had been compelled to describe this man as a hunk of cheese and to express the opinion that his crookedness was such as to enable him to hide at will behind a spiral staircase; but now, in the joy of this unexpected reunion, all these harsh views were forgotten.

It was the Tower. The Dark Tower. It stood on the horizon of a vast plain the color of blood in the violent setting of a dying sun. He couldn't see the stairs which spiraled up and up and up within its brick shell, but he could see the windows which spiraled up along that staircase’s way, and saw the ghosts of all the people he had ever known pass through them. Up and up they marched, and an arid wind brought him the sound of voices calling his name.

I thought I appreciated books, but this was an alter to the book gods. It was hard not to be impressed. I didn't know what had the most impact: the rosewood shelving, the rolling library ladders, the mezzanine floor with the ornate spiral wrought-iron staircases at each end, the carved moldings, the scent of well-loved books, or the silky Aubusson rugs in a soft faded palette of rose, sage and aqua.

A chrome spiral staircase connects the main floor to the upper one. It reminds Prospect of a big strand of DNA. Once he's out of the shower, he feels new. He opens a window. The gentle hush of traffic is surprisingly soothing. It is like putting a seashell to his ear, but instead of hearing an ocean, he hears a city and all its voices.

I finished this for you,” Liam says, handing me a figurine as we climb the wide spiral staircase to the third floor. It’s Tairn. He’s even mastered his snarl. “This is…incredible. Thank you.

Most people are afflicted with an inability to say what they see or think. They say there’s nothing more difficult than to define a spiral in words; they claim it is necessary to use the unliterary hand, twirling it in a steadily upward direction, so that human eyes will perceive the abstract figure immanent in wire spring and a certain type of staircase. But if we remember that to say is to renew, we will have no trouble defining a spiral; it’s a circle that rises without ever closing. I realize that most people would never dare to define it this way, for they suppose that defining is to say what others want us to say rather than what’s required for the definition. I’ll say it more accurately: a spiral is a potential circle that winds round as it rises, without ever completing itself. But no, the definition is still abstract. I’ll resort to the concrete, and all will become clear: a spiral is a snake without a snake, vertically wound around nothing. All literature is an attempt to make life real. All of us know, even when we act on what we don’t know, life is absolutely unreal in its directly real form; the country, the city and our ideas are absolutely fictitious things, the offspring of our complex sensation of our own selves. Impressions are incommunicable unless we make them literary. Children are particularly literary, for they say what they feel not what someone has taught them to feel. Once I heard a child, who wished to say that he was on the verge of tears, say not ‘I feel like crying’, which is what an adult, i.e., an idiot, would say but rather, ’ I feel like tears.’ And this phrase -so literary it would seem affected in a well-known poet, if he could ever invent it - decisively refers to the warm presence of tears about to burst from eyelids that feel the liquid bitterness. ‘I feel like tears’! The small child aptly defined his spiral. To say! To know how to say! To know how to exist via the written voice and the intellectual image! This is all that matters in life; the rest is men and women, imagined loves and factitious vanities, the wiles of our digestion and forgetfulness, people squirming- like worms when a rock is lifted - under the huge abstract boulder of the meaningless blue sky.

Of all the great world religions, Christianity should value the body most. After all, it taught that God had in some sense taken a human body and used it to redeem the world; everything about the physical should have been sacred and sacramental. But that had not happened. instead, the churches had found it almost impossible to integrate the sexual with the divine and had developed a Platonic aversion to the body - particularly the bodies of women.

with him. As Eragon closed the screen to the bedroom, he saw something in the corner that he had missed during his first inspection: a spiral staircase that wound up a dark wood chimney. Thrusting the lantern before him, he cautiously ascended, one

What if tomorrow is the day you check them and see your father?” Piper pointed toward the spiral staircase in the room’s corner. “Right up there, at the door by the bathroom, appearing on the kitchen camera. What if he comes back, but we never see it?

Time spoils quickly in here, and it smells like rotten meat. Every day adds a little more weight, barely noticeable at first, but eventually it will crush you to death. In this place your life can be measured by how long you can keep fighting. The ghouls can sense it if you have any life behind your eyes, and they move in to extinguish it. The guards, the prisoners, the administration - the energy spirals downward forever, creating a hellish staircase that leads nowhere. The most frightening part is how they're all too thick to realize what they're doing. They seem to believe that if they keep digging in the same hole, they'll eventually reach heaven.

Often he vanished for days down the spiral staircase into the engine-room to overhaul the weary machinery, leaving me with a curt note tacked to his then-favourite aspen, the Aspen Laura-Anne, a white-limbed thing with noisy leaves: 'A due-south drift, please, love, for a day or two, n'est-ce pas?

In these considerations there may be an entire philosophy for someone with the strength to draw conclusions. It won’t be me. Lucid vague thoughts and logical possibilities occur to me, but they all dim in the vision of a ray of sunlight that gilds a pile of dung like wetly squished dark straw, on the almost black soil next to a stone wall.   That’s how I am. When I want to think, I look. When I want to descend into my soul, I suddenly freeze, oblivious, at the top of the long spiral staircase, looking through the upper-storey window at the sun that bathes the sprawling mass of rooftops in a tawny farewell.

Their ascent was accomplished via a wide spiral staircase that sat within the reflective tube. Each of the metal steps were welded to its core. But even here in this elegant construct, the infernal touch hadn’t been neglected. Each of the steps was set not at ninety degrees to the core, but at ninety-seven, or a hundred, or a hundred and five, each one different from the one before but all sending out the same message: nothing was certain here; nothing was safe. There was no railing to break the slide should someone lose their footing, only step after disquieting step designed to make the ascent as vertiginous as possible.

I was sitting on her porch and said: You must be thirsty, would you like to come in? Portraits, miniatures, daguerreotypes, old Aunt This, old Uncle Thus and So. That spiral staircase coming down. And there I was—in my lifeboat. I’d found it. You had to pinch yourself in that house sometimes to remind yourself it wasn’t 1909.

It did seem unjust that Jane, who was by far the abler of the two, should sacrifice her career for Mark’s.

Many found the very idea hilarious. “Hi, Karen—how’s God?” they would ask, as though inquiring about a mutual acquaintance.

But it was more than that. Paris represented life, sensuality, freedom, and fun. And that somehow made it impossible.

Compassion has been advocated by all the great faiths because it has been found to be the safest and surest means of attaining enlightenment.

rooms. They were upstairs. At the back of the shop a spiral staircase led up to a balcony overlooking the dresses below. A dozen oak doors lined the wall behind the railing. I entered a room as big as my entire apartment and hung the gown on the door hook. The walls were a pale gold with a design of darker leaves in each corner. Beyond a jungle of mirrors, a plush couch

As soon as I stopped trying to exploit my literary skills to advance my career or enhance my reputation, I found that I was opening myself to the text, could lose myself to the beauty of the words and in the wisdom of the writer. It was a kind of ekstasis, an ecstasy that was not an exotic, tranced state of consciousness but, in the literal sense of the word, a going beyond self.

We all had our secrets, and maybe the most terrible of them was that we weren't exactly who we thought we were, who we said we were, who we dreamed of being, that we were divided and at war and half made of self-mythologies, too. Sometimes on that staircase spiraling up from the darkness, we met ourselves coming up into the light, not recognizing ourselves or what we might do next.

And how could I hope to sense God’s presence when I continually broke the silence, frequently had uncharitable thoughts, and above all, constantly yearned for human affection and wept when reprimanded?

The original Watson and Crick model of DNA, with its hammered metal plates and rickety rods twisting precariously around a steel laboratory stand, is housed behind a glass case. The model looks like a latticework corkscrew invented by a madman, or an impossibly fragile spiral staircase that might connect the human past to its future. Crick’s handwritten scribbles—A, C, T, and G—still adorn the plates.

The hours I spent in this anachronistic, bibliophile, Anglophile retreat were in surreal contrast to the shrieking horror show that was being enacted in the rest of the city. I never felt this more acutely than when, having maneuvered the old boy down the spiral staircase for a rare out-of-doors lunch the next day—terrified of letting him slip and tumble—I got him back upstairs again. He invited me back for even more readings the following morning but I had to decline. I pleaded truthfully that I was booked on a plane for Chile. 'I am so sorry,' said this courteous old genius. 'But may I then offer you a gift in return for your company?' I naturally protested with all the energy of an English middle-class upbringing: couldn't hear of such a thing; pleasure and privilege all mine; no question of accepting any present. He stilled my burblings with an upraised finger. 'You will remember,' he said, 'the lines I will now speak. You will always remember them.' And he then recited the following: What man has bent o'er his son's sleep, to brood How that face shall watch his when cold it lies? Or thought, as his own mother kissed his eyes, Of what her kiss was when his father wooed? The title (Sonnet XXIX of Dante Gabriel Rossetti)—'Inclusiveness'—may sound a trifle sickly but the enfolded thought recurred to me more than once after I became a father and Borges was quite right: I have never had to remind myself of the words. I was mumbling my thanks when he said, again with utter composure: 'While you are in Chile do you plan a call on General Pinochet?' I replied with what I hoped was equivalent aplomb that I had no such intention. 'A pity,' came the response. 'He is a true gentleman. He was recently kind enough to award me a literary prize.' It wasn't the ideal note on which to bid Borges farewell, but it was an excellent illustration of something else I was becoming used to noticing—that in contrast or corollary to what Colin MacCabe had said to me in Lisbon, sometimes it was also the right people who took the wrong line.

As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metal work as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter.

Yet despite my depression and my fear for the future, I could not quite succumb to the prevailing despair. The worst had happened, but that meant that I no longer had anything much to lose, and increasingly I found that quite liberating.

Then, of course, through the umbilical link we all tumble backwards down the spiralling DNA staircase to one common ancestor in Africa, and before that some bunch of curious monkeys. Down and down we go unto the sea, unto the dust, the single cellular dust. What impulse drove one cell to become two? What yearning pulled the fish on to the land? What caused apes to walk upright? Some invisible magnetic pull. Is there a difference between attraction and intention? Where is evolution taking us?

Please wait here. "Annoying yet romantic," she said aloud. She sat down on the folding chair and peered inside the paper bag. A handful of tiny jam-filled donuts dusted with cinnamon and sugar sent up an intoxicating scent. The bag was warm in her hands, flecked with little bits of oil seeping through. Luce popped one into her mouth and took a sip from the tiny white cup, which contained the richest, most delightful espresso Luce had ever tasted. "Enjoying the bombolini?" Daniel called from below. Luce shot to her feet and leaned over the railing to find him standing at the back of a gondola painted with images of angels. He wore a flat straw hat bound with a thick red ribbon, and used a broad wooden paddle to steer the boat slowly toward her. Her heart surged the way it did each time she first saw Daniel in another life. But he was here. He was hers. This was happening now. "Dip them in the espresso, then tell me what it's like to be in Heaven," Daniel said, smiling up at her. "How do I get down to you?" she called. He pointed to the narrowest spiral staircase Luce had ever seen, just to the right of the railing. She grabbed the coffee and bag of donuts, slipped the peony stem behind her ear, and made for the steps. She could feel Daniel's eyes on her as she climbed over the railing and slinked down the stairs. Every time she made a full rotation on the staircase, she caught a teasing flash of his violet eyes. By the time she made it to the bottom, he had extended his hand to help her onto the boat. There was the electricity she'd been yearning for since she awoke. The spark that passed between them every time they touched. Daniel wrapped his arms around her waist and drew her in so that there was no space between their bodies. He kissed her, long and deep, until she was dizzy. "Now that's the way to start a morning." Daniel's fingers traced the petals of the peony behind her ear. A slight weight suddenly tugged at her neck and when she reached up, her hands found a find chain, which her fingers traced down to a silver locket. She held it out and looked at the red rose engraved on its face. Her locket!

By then Watson and Crick had a pretty good idea of DNA’s structure. It had two sugar-phosphate strands that twisted and spiraled to form a double-stranded helix. Protruding from these were the four bases in DNA: adenine, thymine, guanine, and cytosine, now commonly known by the letters A, T, G, and C. They came to agree with Franklin that the backbones were on the outside and the bases pointed inward, like a twisted ladder or spiral staircase. As Watson later admitted in a feeble attempt at graciousness, “Her past uncompromising statements on this matter thus reflected first-rate science

DNA is the basis for all life on Earth. It has a double-helix structure, like a spiral staircase, which was discovered by Francis Crick and James Watson in the Cavendish lab at Cambridge in 1953. The two strands of the double helix are linked by pairs of nitrogenous bases like the treads in a spiral staircase. There are four kinds of nitrogenous bases: cytosine, guanine, adenine and thymine. The order in which the different nitrogenous bases occur along the spiral staircase carries the genetic information that enables the DNA molecule to assemble an organism around it and reproduce itself.

THIS IS WHAT they want. The words tumbled through Sophie’s mind as she raced up the spiral staircase, counting her steps, trying to guess which door to take. The first handle she tried was locked. Another opened into darkness. A third revealed a path that glowed with eerie blue balefire sconces. The floor shook as she hesitated and threads of dust slipped through the ceiling, scratching her throat and making it hurt to breathe. She followed the flames. Back and forth the halls snaked—a careful maze, designed to deceive. Swallow. Separate. The tremors grew with every step, the shifting subtle but unmistakable. And too far away. No one else would feel the ripples swelling, like waves gathering speed. They were too focused on their celebration. Too caught up in their imagined victory. Too trusting. Too blind. Too late. The ground rattled harder, the first fissures crackling the stones. This is what they want. ONE THIS IS A security nightmare!” Sandor grumbled, keeping his huge gray hand poised over his enormous black sword. His squeaky voice reminded Sophie more of a talking mouse than a deadly bodyguard. Several prodigies raced past, and Sandor pulled Sophie closer as the giggling group jumped to pop the candy-filled bubbles floating near the shimmering crystal trees. All around them, kids were running through the confetti-covered atrium in their amber-gold Level Three uniforms, capes flying as they caught snacks and bottles of lushberry juice and stuffed tinsel-wrapped gifts into the long white thinking caps dangling from everyone’s lockers. The Midterms Celebration was a Foxfire Academy tradition—hardly the impending doom Sandor was imagining. And yet, Sophie understood his concern. Every parent roaming the streamer-lined halls. Every face she didn’t recognize. Any of them could be a rebel.

Actions are not intrinsically good or evil, but should be judged by their consequences. Right acts are those that produce the best results. There was nothing in itself wrong with attending Mass, so even though it was the product of a belief system that was palpably false, if it helped Jacob, then he should go to Blackfriars.

Deacon met my glare with an impish grin. “Anyway, did you celebrate Valentine’s Day when you were slumming with the mortals?” I blinked. “Not really. Why?” Aiden snorted and then disappeared into one of the rooms. “Follow me,” Deacon said. “You’re going to love this. I just know it.” I followed him down the dimly-lit corridor that was sparsely decorated. We passed several closed doors and a spiral staircase. Deacon went through an archway and stopped, reaching along the wall. Light flooded the room. It was a typical sunroom, with floor-to-ceiling glass windows, wicker furniture, and colorful plants. Deacon stopped by a small potted plant sitting on a ceramic coffee table. It looked like a miniature pine tree that was missing several limbs. Half the needles were scattered in and around the pot. One red Christmas bulb hung from the very top branch, causing the tree to tilt to the right. “What do you think?” Deacon asked. “Um… well, that’s a really different Christmas tree, but I’m not sure what that has to do with Valentine’s Day.” “It’s sad,” Aiden said, strolling into the room. “It’s actually embarrassing to look at. What kind of tree is it, Deacon?” He beamed. “It’s called a Charlie Brown Christmas Tree.” Aiden rolled his eyes. “Deacon digs this thing out every year. The pine isn’t even real. And he leaves it up from Thanksgiving to Valentine’s Day. Which thank the gods is the day after tomorrow. That means he’ll be taking it down.” I ran my fingers over the plastic needles. “I’ve seen the cartoon.” Deacon sprayed something from an aerosol can. “It’s my MHT tree.” “MHT tree?” I questioned. “Mortal Holiday Tree,” Deacon explained, and smiled. “It covers the three major holidays. During Thanksgiving it gets a brown bulb, a green one for Christmas, and a red one for Valentine’s Day.” “What about New Year’s Eve?” He lowered his chin. “Now, is that really a holiday?” “The mortals think so.” I folded my arms. “But they’re wrong. The New Year is during the summer solstice,” Deacon said. “Their math is completely off, like most of their customs. For example, did you know that Valentine’s Day wasn’t actually about love until Geoffrey Chaucer did his whole courtly love thing in the High Middle Ages?” “You guys are so weird.” I grinned at the brothers. “That we are,” Aiden replied. “Come on, I’ll show you your room.” “Hey Alex,” Deacon called. “We’re making cookies tomorrow, since it’s Valentine’s Eve.” Making cookies on Valentine’s Eve? I didn’t even know if there was such a thing as Valentine’s Eve. I laughed as I followed Aiden out of the room. “You two really are opposites.” “I’m cooler!” Deacon yelled from his Mortal Holiday Tree room

Aren’t you the one who keeps telling everyone it’s their first duty to help Harry?” said Ron. “In that magazine of yours?” Xenophilius glanced behind him at the concealed printing press, still banging and clattering beneath the tablecloth. “Er--yes, I have expressed that view. However--” “That’s for everyone else to do, not you personally?” said Ron. Xenophilius did not answer. He kept swallowing, his eyes darting between the three of them. Harry had the impression that he was undergoing some painful internal struggle. “Where’s Luna?” asked Hermione. “Let’s see what she thinks.” Xenophilius gulped. He seemed to be steeling himself. Finally he said in a shaky voice difficult to hear over the noise of the printing press, “Luna is down at the stream, fishing for Freshwater Plimpies. She…she will like to see you. I’ll go and call her and then--yes, very well. I shall try to help you.” He disappeared down the spiral staircase and they heard the front door open and close. They looked at each other. “Cowardly old wart,” said Ron. “Luna’s got ten times his guts.” “He’s probably worried about what’ll happen to them if the Death Eaters find out I was here,” said Harry. “Well, I agree with Ron,” said Hermione. “Awful old hypocrite, telling everyone else to help you and trying to worm out of it himself. And for heaven’s sake keep away from that horn.

There were brave and patriotic COLLECTORS who created a little flurry of activity on the Abstract Expressionist market in the late 1950s, but in general this type of painting was depreciating faster than a Pontiac Bonneville once it left the showroom. The resale market was a shambles. Without the museums to step in here and there, to buy in the name of history, Abstract Expressionism was becoming a real beached whale commercially. The deep-down mutter-to-myself truth was that the COLLECTORS, despite their fervent desire to be virtuous, had never been able to build up any gusto for Abstract Expressionism. Somehow that six-flight walk up the spiral staircase of Theory took the wind out of you.

Holston lifted an old boot to an old step, pressed down, and did it again. He lost himself in what the untold years had done, the ablation of molecules and lives, layers and layers ground to fine dust. And he thought, not for the first time, that neither life nor staircase had been meant for such an existence. The tight confines of that long spiral, threading

You walk down a hallway papered in playing cards, row upon row of clubs and spades. Lanterns fashioned from additional cards hang above, swinging gently as you pass by. A door at the end of the hall leads to a spiraling iron staircase. The stairs go both up and down. You go up, finding a trapdoor in the ceiling. The room it opens into is full of feathers that flutter downward. When you walk through them, they fall like snow over the door in the floor, obscuring it from sight. There are six identical doors. You choose one at random, trailing a few feathers with you. The scent of pine is overwhelming as you enter the next room to find yourself in a forest full of evergreen trees. Only these trees are not green but bright and white, luminous in the darkness surrounding them. They are difficult to navigate. As soon as you begin walking the walls are lost in shadows and branches. There is a sound like a woman laughing nearby, or perhaps it is only the rustling of the trees as you push your way forward, searching for the next door, the next room. You feel the warmth of breath on your neck, but when you turn there is no one there.

We are, the great spiritual writers insist, most fully ourselves when we give ourselves away, and it is egotism that holds us back from that transcendent experience that has been called God, Nirvana, Brahman, or the Tao. What I now realize, from my study of the different religious traditions, is that a disciplined attempt to go beyond the ego brings about a state of ecstasy. Indeed, it is in itself ekstasis. Theologians in all the great faiths have devised all kinds of myths to show that this type of kenosis, or self-emptying, is found in the life of God itself. They do not do this because it sounds edifying, but because this is the way that human nature seems to work. We are most creative and sense other possibilities that transcend our ordinary experience when we leave ourselves behind.

The spiral staircase suddenly narrows, swirls like a stream drying up. Can he still get through up there, or is he going to be crushed against the sides? All at once the darkness increased. Borluut felt he had already climbed more than a hundred steps, but he had not thought to count. By now his pace had adjusted to a rhythmical tread, instinctively shortened to adapt to the stone steps. But plunging into impenetrable darkness disoriented his senses. Borluut no longer knew in which direction he was going, whether forwards or backwards, whether up or down. Unable to see himself, it was in vain that he tried to determine which way his steps were taking him. He had the feeling he was descending, making his way down a subterranean staircase, in a deep mine, far from the light of day, through motionless landscapes of coal, and that he was going to come to a lake...

Lemon drop?” he tried tentatively. The gargoyle did not move. “Okay,” said Harry, staring at it, “Pear Drop. Er — Licorice Wand. Fizzing Whizbee. Drooble’s Best Blowing Gum. Bertie Bott’s Every Flavor Beans . . . oh no, he doesn’t like them, does he? . . . oh just open, can’t you?” he said angrily. “I really need to see him, it’s urgent!” The gargoyle remained immovable. Harry kicked it, achieving nothing but an excruciating pain in his big toe. “Chocolate Frog!” he yelled angrily, standing on one leg. “Sugar Quill! Cockroach Cluster!” The gargoyle sprang to life and jumped aside. Harry blinked. “Cockroach Cluster?” he said, amazed. “I was only joking. . . .” He hurried through the gap in the walls and stepped onto the foot of a spiral stone staircase, which moved slowly upward as the doors closed behind him, taking him up to a polished oak door with a brass door knocker.

Have you ever been in a place where history becomes tangible? Where you stand motionless, feeling time and importance press around you, press into you? That was how I felt the first time I stood in the astronaut garden at OCA PNW. Is it still there? Do you know it? Every OCA campus had – has, please let it be has – one: a circular enclave, walled by smooth white stone that towered up and up until it abruptly cut off, definitive as the end of an atmosphere, making room for the sky above. Stretching up from the ground, standing in neat rows and with an equally neat carpet of microclover in between, were trees, one for every person who’d taken a trip off Earth on an OCA rocket. It didn’t matter where you from, where you trained, where your spacecraft launched. When someone went up, every OCA campus planted a sapling. The trees are an awesome sight, but bear in mind: the forest above is not the garden’s entry point. You enter from underground. I remember walking through a short tunnel and into a low-lit domed chamber that possessed nothing but a spiral staircase leading upward. The walls were made of thick glass, and behind it was the dense network you find below every forest. Roots interlocking like fingers, with gossamer fungus sprawled symbiotically between, allowing for the peaceful exchange of carbon and nutrients. Worms traversed roads of their own making. Pockets of water and pebbles decorated the scene. This is what a forest is, after all. Don’t believe the lie of individual trees, each a monument to its own self-made success. A forest is an interdependent community. Resources are shared, and life in isolation is a death sentence. As I stood contemplating the roots, a hidden timer triggered, and the lights faded out. My breath went with it. The glass was etched with some kind of luminescent colourant, invisible when the lights were on, but glowing boldly in the dark. I moved closer, and I saw names – thousands upon thousands of names, printed as small as possible. I understood what I was seeing without being told. The idea behind Open Cluster Astronautics was simple: citizen-funded spaceflight. Exploration for exploration’s sake. Apolitical, international, non-profit. Donations accepted from anyone, with no kickbacks or concessions or promises of anything beyond a fervent attempt to bring astronauts back from extinction. It began in a post thread kicked off in 2052, a literal moonshot by a collective of frustrated friends from all corners – former thinkers for big names gone bankrupt, starry-eyed academics who wanted to do more than teach the past, government bureau members whose governments no longer existed. If you want to do good science with clean money and clean hands, they argued, if you want to keep the fire burning even as flags and logos came down, if you understand that space exploration is best when it’s done in the name of the people, then the people are the ones who have to make it happen.

Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me. "Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically. The man sprints off the seat as my face flames. His pregnant girlfriend? "Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together." "That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds. Time passes quickly for an eight-hour flight. We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle. "At least they're practical," he says. "What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall." "At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?" "I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?" "Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!" We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase. There's a lot of blood. And Mickey Mouse ears. After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there. He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here. I'm home.

Spirals are deeply rooted in the architecture of the universe; they are found in every size and substance. We’re always intimate with spirals yet rarely notice them. Sometimes we miss them due to familiarity, as in water whirling down the tub’s drain and in the shape of our ears. Sometimes we miss them because of their obscurity, as in the spiral “staircase” of leaves whirling around a stem. Sometimes we miss them because of their size, or distance, hurricanes or galaxies. And sometimes we miss them because of their invisibility, as in the shape of the wind and waves of emotion.

Killing a human can’t be that hard!” Cress shouted back. “I just need to speak her real name and command her to die!” His boots thundered down the hall until he reached the crystal spiral staircase. He travelled down three levels into the dark pits of the Silver Castle where the cold morgue prepared faeborn bodies for candlelight ceremonies. When Cress burst into the room, he found it empty of servants. But he saw Whyp. He saw the body of the golden-eyed fairy. His brother assassin. Mor jogged in behind him. “Cress—” “Steal his memories for me,” Cress said. “Just this once, Mor. Do this for me.” “You know I can’t do that.” Moisture filled the Prince’s turquoise eyes when he looked at his friend. “Have you ever done it before?” he asked, and Mor looked like he’d turned to faestone. “Yes. Once,” he said. Cress nodded and marched over to Whyp. “Good,” he said. “Do it, Mor. Please. I’ll never tell a soul that you used your Shadow Fairy gift. I want to see Whyp’s last moments. I want to feel what he felt as his faeborn heart stopped.” “You can’t do anything about it, Cress,” Mor said quietly. “Promise me.” Cress laid his hands along Whyp’s temples. “I can’t even take a breath anymore without the whole North High Court watching me. How could I do something about this?

It was my father who called the city the Mansion on the River. He was talking about Charleston, South Carolina, and he was a native son, peacock proud of a town so pretty it makes your eyes ache with pleasure just to walk down its spellbinding, narrow streets. Charleston was my father’s ministry, his hobbyhorse, his quiet obsession, and the great love of his life. His bloodstream lit up my own with a passion for the city that I’ve never lost nor ever will. I’m Charleston-born, and bred. The city’s two rivers, the Ashley and the Cooper, have flooded and shaped all the days of my life on this storied peninsula. I carry the delicate porcelain beauty of Charleston like the hinged shell of some soft-tissued mollusk. My soul is peninsula-shaped and sun-hardened and river-swollen. The high tides of the city flood my consciousness each day, subject to the whims and harmonies of full moons rising out of the Atlantic. I grow calm when I see the ranks of palmetto trees pulling guard duty on the banks of Colonial Lake or hear the bells of St. Michael’s calling cadence in the cicada-filled trees along Meeting Street. Deep in my bones, I knew early that I was one of those incorrigible creatures known as Charlestonians. It comes to me as a surprising form of knowledge that my time in the city is more vocation than gift; it is my destiny, not my choice. I consider it a high privilege to be a native of one of the loveliest American cities, not a high-kicking, glossy, or lipsticked city, not a city with bells on its fingers or brightly painted toenails, but a ruffled, low-slung city, understated and tolerant of nothing mismade or ostentatious. Though Charleston feels a seersuckered, tuxedoed view of itself, it approves of restraint far more than vainglory. As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metalwork as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter.

Okay,” I said. “Okay, I’ll watch these kids. I’ll be their . . . what did you call it?” “Governess,” she said, delighted. “Yeah, I’ll be that.” “I promise you that I will never forget this. Never.” “I’d better get home,” I said. “Is Carl gone? Can somebody drive me to the bus station?” “No,” Madison said, shaking her head, standing up. “You aren’t going home tonight. You’re staying here. You’ll spend the night. In fact, you don’t have to go home if you don’t want to. We’re buying you everything you need. All new clothes! The best computer. Whatever you want.” “Okay,” I said, so tired all of a sudden. “What do you want for dinner tonight? Our cook can make anything.” “I don’t know,” I said. “Maybe pizza or something like that.” “We have a pizza oven!” she said. “The best pizza you’ve ever had.” We stared at each other. It was three in the afternoon. What did we do until dinner? “Is Timothy still napping?” I asked, trying to break the awkwardness. “Oh, yeah, I’d better go check on him. Do you want a drink or anything?” “Maybe I can take a nap?” I asked. I barely took note of how huge the house was now that I was able to move through it. We went up a spiral staircase, like in some big-budget musical. Madison was telling me some nonsense about how during the Civil War they took horses up these stairs and hid them in the attic from the Union army. It’s possible I imagined this, some kind of fever dream in the aftermath of making a life-altering decision.

The Footsteps On an ebony bedstead adorned with eagles made of coral, Nero lies deep in sleep – quiet, unconscious, happy: in the prime of his body’s vigour; in the beautiful ardour of his youth. But in the alabaster hall that holds the ancient shrine of the Ahenobarbi, the Lares of his house are anxious. These minor household gods are trembling, trying to conceal their already negligible bodies. For they heard a terrible noise, a deadly sound spiralling up the staircase, iron-soled footsteps shaking the steps. The miserable Lares, near-fainting now, huddle in the corner of the shrine, jostling and stumbling over each other, one little god falling over the next, for they knew what sort of noise it was; they recognize, by now, the footsteps of the Furies.

TAKING LEAVE Of the unhindered motion in the million swirled and twisted grooves of the juniper driftwood lying in the sand; taking leave of each sapphire and amber thread and each iridescent bead of the swallowtail's wing and of the quick and clever needle of the seamstress in the dark cocoon that accomplished the stitching. Goodbye to the long pale hairs of the swaying grassflowers, so like, in grace and color and bearing, the nodding antennae of the green valley grasshopper clinging to its blade; and to the staircase shell of the butter-colored wendletrap and to the branches of the sourwood making their own staircase with each step upward they take and to the spiraling of the cobweb weaver twirling as it descends on its silk out of the shadows of the pitch pine. Taking leave of the sea of spring, that grey-green swell slowly rising, spreading, its heavy wisteria-scented surf filled with darting, gliding, whistling fish, a current of cries, an undertow of moans and buzzes, so pervasive and penetrating and alluring that the lungs adapt to the density. Determined not to slight the knotted rockweed or the beach plum or the white, blue-tipped petals of the five spot; determined not to overlook the pursed orange mouth of each maple leaf just appearing or the entire chorus of those open leaves in full summer forte. My whole life, a parting from the brazen coyote thistle and the reticent, tooth-ridged toad crab and the proud, preposterous sage grouse. And you mustn't believe that the cessation which occurs here now is more than illusory; the ritual of this leave-taking continues beyond these lines, in a whisper beside the window, below my breath by the river, without noise through the clearing at midnight, even in the dark, even in sleep, continues, out-of-notice, private, incessant.

Finally, he allowed me to turn the key in the lock and the front door, with its porthole-shaped window, swung open. I don’t know what I’d expected. I’d tried not to conjure up fantasies of any kind, but what I saw left me inarticulate. The entire apartment had the feel of a ship’s interior. The walls were highly polished teak and oak, with shelves and cubbyholes on every side. The kitchenette was still located to the right where the old one had been, a galley-style arrangement with a pint-size stove and refrigerator. A microwave oven and trash compactor had been added. Tucked in beside the kitchen was a stacking washer-dryer, and next to that was a tiny bathroom. In the living area, a sofa had been built into a window bay, with two royal blue canvas director’s chairs arranged to form a “conversational grouping.” Henry did a quick demonstration of how the sofa could be extended into sleeping accommodations for company, a trundle bed in effect. The dimensions of the main room were still roughly fifteen feet on a side, but now there was a sleeping loft above, accessible by way of a tiny spiral staircase where my former storage space had been. In the old place, I’d usually slept naked on the couch in an envelope of folded quilt. Now, I was going to have an actual bedroom of my own. I wound my way up, staring in amazement at the double-size platform bed with drawers underneath. In the ceiling above the bed, there was a round shaft extending through the roof, capped by a clear Plexiglas skylight that seemed to fling light down on the blue-and-white patchwork coverlet. Loft windows looked out to the ocean on one side and the mountains on the other. Along the back wall, there was an expanse of cedar-lined closet space with a rod for hanging clothes, pegs for miscellaneous items, shoe racks, and floor-to-ceiling drawers. Just off the loft, there was a small bathroom. The tub was sunken with a built-in shower and a window right at tub level, the wooden sill lined with plants. I could bathe among the treetops, looking out at the ocean where the clouds were piling up like bubbles. The towels were the same royal blue as the cotton shag carpeting. Even the eggs of milled soap were blue, arranged in a white china dish on the edge of the round brass sink.

The helix contains two intertwined strands of DNA. It is "right-handed"-twisting upward as if driven by a right-handed screw. Across the molecule, it measures twenty-three angstroms-one-thousandth of one-thousandth of a millimeter. One million helices stacked side by side would fit in this letter: o. the biologist John Sulston wrote, "We see it as a rather stubby double helix, for they seldom show its other striking feature: it is immensely long and thin. In every cell in your body, you have two meters of the stuff; if we were to draw a scaled-up picture of it with the DNA as thick as sewing thread, that cell's worth would be about 200 kilometers long." Each strand of DNA, recall, is a long sequence of "bases"-A,T,G,and C. The bases are linked together by the sugar-phosphate backbone. The backbone twists on the outside, forming a spiral. The bases face in, like treads in a circular staircase. The opposite strand contains the opposing bases: A matched with T and G matched with C. Thus, both strands contain the same information-except in a complementary sense: each is a "reflection," or echo, of the other (the more appropriate analogy is a yin-and-yang structure). Molecular forces between the A:T and G:C pairs lock the two strands together, as in a zipper. A double helix of DNA can thus be envisioned as a code written with four alphabets-ATGCCCTACGGGCCCATCG...-forever entwined with its mirror-image code.

Since he had last seen it, the gargoyle guarding the entrance to the headmaster’s study had been knocked aside; it stood lopsided, looking a little punch-drunk, and Harry wondered whether it would be able to distinguish passwords anymore. “Can we go up?” he asked the gargoyle. “Feel free,” groaned the statue. They clambered over him and onto the spiral stone staircase that moved slowly upward like an escalator. Harry pushed open the door at the top. He had one, brief glimpse of the stone Pensieve on the desk where he had left it, and then an earsplitting noise made him cry out, thinking of curses and returning Death Eaters and the rebirth of Voldemort-- But it was applause. All around the walls, the headmasters and headmistresses of Hogwarts were giving him a standing ovation; they waved their hats and in some cases their wigs, they reached through their frames to grip each other’s hands; they danced up and down on the chairs in which they had been painted; Dilys Derwent sobbed unashamedly; Dexter Fortescue was waving his ear-trumpet; and Phineas Nigellus called, in his high, reedy voice, “And let it be noted that Slytherin House played its part! Let our contribution not be forgotten!” But Harry had eyes only for the man who stood in the largest portrait directly behind the headmaster’s chair. Tears were sliding down from behind the half-moon spectacles into the long silver beard, and the pride and the gratitude emanating from him filled Harry with the same balm as phoenix song.

to think “my fangs”) had been poisonous? They passed Mrs. Norris, who turned her lamplike eyes upon them and hissed faintly, but Professor McGonagall said, “Shoo!” Mrs. Norris slunk away into the shadows, and in a few minutes they had reached the stone gargoyle guarding the entrance to Dumbledore’s office. “Fizzing Whizbee,” said Professor McGonagall. The gargoyle sprang to life and leapt aside; the wall behind it split in two to reveal a stone staircase that was moving continuously upward like a spiral escalator. The three of them stepped onto the moving stairs; the wall closed behind them with a thud, and they were moving upward in tight circles until they reached the highly polished oak door with the brass knocker shaped like a griffin. Though it was now well past midnight, there were voices coming from inside the room, a positive babble of them. It sounded as though Dumbledore was entertaining at least a dozen people. Professor McGonagall rapped three times with the griffin knocker, and the voices ceased abruptly as though someone had switched them all off. The door opened of its own accord and Professor McGonagall led Harry and Ron inside. The room was in half darkness; the strange silver instruments standing on tables were silent and still rather than whirring and emitting puffs of smoke as they usually did. The portraits of old headmasters and headmistresses covering the walls were all snoozing in their frames. Behind the door, a magnificent red-and-gold bird the size of a swan dozed on its perch with its head under its wing. “Oh, it’s you, Professor McGonagall . . . and . . . ah.” Dumbledore was sitting in a high-backed chair behind his desk; he leaned forward into the pool of candlelight illuminating the papers laid out before him. He was wearing a magnificently embroidered purple-and-gold dressing gown over a snowy-white nightshirt

has by all reports got a character that would enable him to hide conveniently behind a spiral staircase.

history, as you may know, is much like a spiral staircase that gives the illusion of going up, but never quite goes anywhere.

Look,” Piper said. “Think of it this way: do you think it’s stupid to keep checking those cameras?” “Maybe.” “What if tomorrow is the day you check them and see your father?” Piper pointed toward the spiral staircase in the room’s corner. “Right up there, at the door by the bathroom, appearing on the kitchen camera. What if he comes back, but we never see it?” “Can’t he just knock?

The family moved on to Topanga Canyon and settled in a wreck of a house called the Spiral Staircase, famous for being a community center of sorts for the area’s spiritual gurus and minor cults. The Spiral Staircase was a hang-out for L.A.’s rich and famous icons of counter-culture. Jim Morrison, members of the Mamas and the Papas, and Jay Sebring were all said to get high at the Spiral Staircase, and Manson was drawn by the place’s starry reputation. However, the Manson Family stayed at Spiral Staircase for just two months. Manson didn’t like the other gurus who represented competition for his girls’ affection and pulled away from the satanic and sex fetish elements of what went on at Spiral Staircase. Manson piled his family back into the school bus and, with the Beatles’ Magical Mystery Tour as their soundtrack, drove them through the Mojave Desert. In the winter of 1967, Manson attracted a new follower. Fourteen-year-old Diane Lake had grown up on a commune called Hog Farm and had her parents’ permission when she joined the Manson Family. Diane was Manson’s favorite for the first year she was with him, and while he continued to have sex with all of his girls, he chose Diane most often. It’s unclear how long Manson had been physically abusing Mary, the mother of his child and ostensibly the very first Manson girl, but once Diane was on the scene it seems Manson took out his frustration on Mary more often. Mary could often be seen sporting a black eye, and it was Manson’s brutalizing of Mary that

The family moved on to Topanga Canyon and settled in a wreck of a house called the Spiral Staircase, famous for being a community center of sorts for the area’s spiritual gurus and minor cults. The Spiral Staircase was a hang-out for L.A.’s rich and famous icons of counter-culture. Jim Morrison, members of the Mamas and the Papas, and Jay Sebring were all said to get high at the Spiral Staircase, and Manson was drawn by the place’s starry reputation. However, the Manson Family stayed at Spiral Staircase for just two months. Manson didn’t like the other gurus who represented competition for his girls’ affection and pulled away from the satanic and sex fetish elements of what went on at Spiral Staircase. Manson piled his family back into the school bus and, with the Beatles’ Magical Mystery Tour as their soundtrack, drove them through the Mojave Desert. In the winter of 1967, Manson attracted a new follower. Fourteen-year-old Diane Lake had grown up on a commune called Hog Farm and had her parents’ permission when she joined the Manson Family. Diane was Manson’s favorite for the first year she was with him, and while he continued to have sex with all of his girls, he chose Diane most often. It’s unclear how long Manson had been physically abusing Mary, the mother of his child and ostensibly the very first Manson girl, but once Diane was on the scene it seems Manson took out his frustration on Mary more often. Mary could often be seen sporting a black eye, and it was Manson’s brutalizing of Mary that left the other girls afraid of his temper.

True grief never goes away. We learn to live with it. After a while our friends stop asking and we stop discussing our sorrows. It doesn't help us that much and we realize that almost everyone who we have confided in carries grief deep in their hearts too. We often decide that once again, our job is to cheer others up. Grief isn't just something to endure; it is also a reflection of our capacity to love. It allows us to understand the most profound human experience at the most intimate level. Facing our grief requires openness and courage. We must explore it with curiosity and patience and we must allow it to stay in our hearts until it is ready to leave. Over time, by simply abiding with our sorrows, they will lessen. Yet as poet Linda Pastan wrote, "Grief is a circular staircase," We feelin better and then we feel worse. Holidays...trigger grief reactions. we may have a rather good Year Two and then be felled by Year Three. With intention and skills, we move forward on our journey, but not without spiraling in the waters.

True grief never goes away. We learn to live with it. After a while our friends stop asking and we stop discussing our sorrows. It doesn't help us that much and we realize that almost everyone who we have confided in carries grief deep in their hearts too. We often decide that once again, our job is to cheer others up. Grief isn't just something to endure; it is also a reflection of our capacity to love. It allows us to understand the most profound human experience at the most intimate level. Facing our grief requires openness and courage. We must explore it with curiosity and patience and we must allow it to stay in our hearts until it is ready to leave. Over time, by simply abiding with our sorrows, they will lessen. Yet as poet Linda Pastan wrote, "Grief is a circular staircase," We feel better and then we feel worse. Holidays...trigger grief reactions. we may have a rather good Year Two and then be felled by Year Three. With intention and skills, we move forward on our journey, but not without spiraling in the waters.

June 19: Sunday at 2:30 p.m., Reverend Benjamin Lingenfelder of the Christian Science church marries Norma Jeane and twenty-one-year-old James Dougherty at the home of Mr. and Mrs. Chester Howell. Chester is an attorney and friend of Grace, who chooses the Howell home at 432 South Bentley Avenue in West Los Angeles because it has a spiral staircase that Norma Jeane uses to make a dramatic entrance. Ana Lower makes Norma Jeane’s wedding gown and accompanies her to the altar. Norma Jeane has one bridesmaid, Lorraine Allen, a friend from University High School. No member of Norma Jeane’s family is present, but the Bolenders make an appearance. It is the last time they will see her. After a modest reception at the Florentine Gardens in Hollywood, Norma Jeane and Jim go to their home in Sherman Oaks. Jim Dougherty later recalled that his wife held on to him the entire afternoon. The young couple does not honeymoon but goes for a fishing weekend on Sherwood Lake. On Sundays they attend the Sherman Oaks Christian Science church.

They laughed. It took some effort so they had to stop walking to do it. Then they plodded toward the spiral staircase. It took them five minutes to walk the last two hundred feet. “Thank God,” Roger said. “Stairs. Was worried I couldn’t go uphill anymore.

He looked less restless than he did when awake, but his brow was still furrowed, as if he were still plagued with the weight of his burdens in his dreams. I lightly stroked my fingers over that creased area between his eyebrows, and they eased, all but disappearing. “Damn you, Sully Fletcher,” I whispered. “Damn you all to hell.” Quickly I got up and got dressed, trying not to disturb him. I was fully clothed about to tiptoe my way down the spiral staircase when his voice stopped me. “Lang, wait.” Crap. I turned, and Sully was sitting up in the confusion of sheets, chest bare, light shining down on him through the huge windows overhead. He had a frown on his face, but his eyes were soft. Not angry. Just slightly disappointed, perhaps. “This isn’t going to work for me,” he said. “What isn’t?” “You sneaking off in the early hours of the morning, fully intending not to come back. Right?” I looked down at my feet.

Dumbledore had already crossed the crenellated ramparts and was dismounting; Harry landed next to him seconds later and looked around. The ramparts were deserted. The door to the spiral staircase that led back into the castle was closed. There was no sign of a struggle, of a fight to the death, of a body. “What does it mean?” Harry asked Dumbledore, looking up at the green skull with its serpent’s tongue glinting evilly above them. “Is it the real Mark? Has someone definitely been — Professor?” In the dim green glow from the Mark, Harry saw Dumbledore clutching at his chest with his blackened hand.

Go and wake Severus,” said Dumbledore faintly but clearly. “Tell him what has happened and bring him to me. Do nothing else, speak to nobody else, and do not remove your Cloak. I shall wait here.” “But —” “You swore to obey me, Harry — go!” Harry hurried over to the door leading to the spiral staircase, but his hand had only just closed upon the iron ring of the door when he heard running footsteps on the other side. He looked around at Dumbledore, who gestured him to retreat. Harry backed away, drawing his wand as he did so. The door burst open and somebody erupted through it and shouted, “Expelliarmus!” Harry’s body became instantly rigid and immobile, and he felt himself fall back against the tower wall, propped like an unsteady statue, unable to move or speak.

more defenseless than you can have dreamed of finding me, and still you have not acted. . . .” Malfoy’s mouth contorted involuntarily, as though he had tasted something very bitter. “Now, about tonight,” Dumbledore went on, “I am a little puzzled about how it happened. . . . You knew that I had left the school? But of course,” he answered his own question, “Rosmerta saw me leaving, she tipped you off using your ingenious coins, I’m sure.” “That’s right,” said Malfoy. “But she said you were just going for a drink, you’d be back. . . .” “Well, I certainly did have a drink . . . and I came back . . . after a fashion,” mumbled Dumbledore. “So you decided to spring a trap for me?” “We decided to put the Dark Mark over the tower and get you to hurry up here, to see who’d been killed,” said Malfoy. “And it worked!” “Well . . . yes and no . . .” said Dumbledore. “But am I to take it, then, that nobody has been murdered?” “Someone’s dead,” said Malfoy, and his voice seemed to go up an octave as he said it. “One of your people . . . I don’t know who, it was dark. . . . I stepped over the body. . . . I was supposed to be waiting up here when you got back, only your Phoenix lot got in the way. . . .” “Yes, they do that,” said Dumbledore. There was a bang and shouts from below, louder than ever; it sounded as though people were fighting on the actual spiral staircase that led to where Dumbledore, Malfoy, and Harry stood, and Harry’s heart thundered

We ventured east of the Plaza to the cool interior of the minuscule gothic Loretto Chapel to see the wooden spiral staircase,

When a man rides a long time through wild regions he feels the desire for a city. Finally he comes to Isidora, a city where the buildings have spiral staircases encrusted with spiral seashells, where perfect telescopes and violins are made, where the foreigner hesitating between two women always encounters a third, where cockfights degenerate into bloody brawls among the bettors. He was thinking of all these things when he desired a city. Isidora, therefore, is the city of his dreams: with one difference. The dreamed-of city contained him as a young man; he arrives at Isidora in his old age. In the square there is the wall where the old men sit and watch the young go by; he is seated in a row with them. Desires are already memories.