Spill Blood Quotes

We've searched our database for all the quotes and captions related to Spill Blood. Here they are! All 100 of them:

Before there is peace, blood will spill blood, and the lake will run red.
Erin Hunter (Sunset (Warriors: The New Prophecy, #6))
Look again at that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there-on a mote of dust suspended in a sunbeam. The Earth is a very small stage in a vast cosmic arena. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot. Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves. The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand. It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we've ever known.
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
He was another knife I could feel it. A different sort, but a knife still. I did not care. I thought: give me the blade. Some things are worth spilling blood for.
Madeline Miller (Circe)
We Are brothers, tied by blood, in our veins, what we spill. But it is a deadly secret that will forever bind us.
Tina Traverse (Destiny of the Vampire)
Say something in Mandarin,” said Tessa, with a smile. Jem said something that sounded like a lot of breathy vowels and consonants run together, his voice rising and falling melodically: “Ni hen piao liang.” “What did you say?” Tessa was curious. “I said your hair is coming undone — here,” he said, and reached out and tucked an escaping curl back behind her ear. Tessa felt the blood spill hot up into her face, and was glad for the dimness of the carriage. “You have to be careful with it,” he said, taking his hand back, slowly, his fingers lingering against her cheek.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
A red sun rises. Blood has been spilled this night.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
The blood you spill is the blood of kings,” seethed Dunyasha. “You are not fit for such a gift.” [...] Inej raised a brow and slowly wiped the blood of kings on her trousers
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
That is correct," Zeus said. "The blood of Olympus was spilled. She is fully conscious." "Oh, come on!" Percy complained. "I get a little nosebleed and I wake up the entire earth? That's not fair!
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Promises from Connor Cobalt are like oaths spilled in blood.
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
In all of his worst nightmares, she’s dying. She’s fading away in his arms, helpless and whimpering, while hot, dark blood spills over his fingers. This, he tells her. He doesn’t tell her that his hand holds the blade.
R.F. Kuang (The Drowning Faith (The Poppy War, #2.5))
The man who refuses to judge, who neither agrees nor disagrees, who declares that there are no absolutes and believes that he escapes responsibility, is the man responsible for all the blood that is now spilled in the world. Reality is an absolute, existence is an absolute, a speck of dust is an absolute and so is a human life. Whether you live or die is an absolute. Whether you have a piece of bread or not, is an absolute. Whether you eat your bread or see it vanish into a looter's stomach, is an absolute. There are two sides to every issue: one side is right and the other is wrong, but the middle is always evil. The man who is wrong still retains some respect for truth, if only by accepting the responsibility of choice. But the man in the middle is the knave who blanks out the truth in order to pretend that no choice or values exist, who is willing to sit out the course of any battle, willing to cash in on the blood of the innocent or to crawl on his belly to the guilty, who dispenses justice by condemning both the robber and the robbed to jail, who solves conflicts by ordering the thinker and the fool to meet each other halfway. In any compromise between food and poison, it is only death that can win. In any compromise between good and evil, it is only evil that can profit. In that transfusion of blood which drains the good to feed the evil, the compromise is the transmitting rubber tube.
Ayn Rand (Atlas Shrugged)
.. Think of the rivers of blood spilled by all those generals and emperors so that in glory and in triumph they could become the 'Momentary' masters of a 'Fraction' of a 'Dot'
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
I bet him and all his Guy brothers had burst through the nightclub entrance, poured an insane amount of alcohol into their systems, and snatched at anything with a pulse that wandered past their sloshed eyes. I bet after all the hoopla subsided, the demented Guys spilled out of the nightclub at some ungodly hour, intoxicated blood pumping, gallivanting around the city like foul beasts seeking their next series of exploitations.
Jasun Ether (The Beasts of Success)
Red", I write "is the color of life. It's blood, passion, rage. It's menstrual flow and after birth. Beginnings and violent end. Red is the color of love. Beating hearts and hungry lips. Roses, Valentines, cherries. Red is the color of shame. Crimson cheeks and spilled blood. Broken hearts, opened veins. A burning desire to return to white.
Mary Hogan (Pretty Face)
Sandriel just gaped at the feed that had shown Bryce Quinlan casually vacuuming up the ashes of a Governor as if she'd spilled chips on the carpet.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
I should've known Gideon would spill. He's like a surrogate parent. Not like a stepfather, exactly - more like a godfather, or a sea horse who wants to stuff me into his pouch.
Kendare Blake (Anna Dressed in Blood (Anna, #1))
Kill the pig. Cut her throat. Spill her blood.
William Golding (Lord of the Flies)
Even more blood welled up and spilled down his arm, splattering onto the ground. “Camille’s carpet,” Magnus protested. “It’s blood,” said Will. “She ought to be thrilled.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Love, whether it's friendship or more, is like a cup. It fills up drop by drop, until one last drop and the cup is full. The liquid hangs there almost above the rim, hangs there on surface tension alone and you know that one more drop and it will spill over.
Laurell K. Hamilton (Blood Noir (Anita Blake, Vampire Hunter, #16))
The earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that in glory and in triumph they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of the dot on scarcely distinguishable inhabitants of some other corner of the dot. How frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Our posturings, our imagined self-importance, the delusion that we have some privileged position in the universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity -- in all this vastness -- there is no hint that help will come from elsewhere to save us from ourselves. It is up to us. It's been said that astronomy is a humbling, and I might add, a character-building experience. To my mind, there is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly and compassionately with one another and to preserve and cherish that pale blue dot, the only home we've ever known.
Carl Sagan
Family is not whose blood runs in your veins, it's who you'd spill it for.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
Don’t be afraid, Queen, the blood has long run down into the earth. And on the spot where it was spilled, grapevines are growing today.
Mikhail Bulgakov (The Master and Margarita)
I know what it’s like to be manipulated, Aya-la. And I know what it’s like to be in danger. While your city was building you mansions to live in, my friends and I have been protecting this planet. We’ve spilled more blood than you have flowing in your veins. So don’t try to make me feel guilty! -Tally Youngblood, Extras
Scott Westerfeld (Extras (Uglies, #4))
I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with it’s painful gall-stones, it’s gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul...
Henry Miller (Tropic of Cancer (Tropic, #1))
I never lose, nor am I afraid to spill blood.
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
Aelin Galathynius said quietly, “You never stop seeing their faces.” It was only when they were rowing for the shore, spindrift soaking them, that Manon realized the queen hadn't meant the Thirteen. And Manon wondered if Aelin, too, had watched that cloak floating out to sea and thought it looked like spilled blood.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Rocking back and forth, she clutched the sword like it was the only thing she had ever loved, and let the blood spill down instead of tears.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
At first, man was enslaved by the gods. But he broke their chains. Then he was enslaved by the kings. But he broke their chains. He was enslaved by his birth, by his kin, by his race. But he broke their chains. He declared to all his brothers that a man has rights which neither god nor king nor other men can take away from him, no matter what their number, for his is the right of man, and there is no right on earth above this right. And he stood on the threshold of freedom for which the blood of the centuries behind him had been spilled.
Ayn Rand (Anthem)
Thrones are won with swords, not quills. Spill blood, not ink.
George R.R. Martin (Fire & Blood (A Targaryen History, #1))
I'll use the blood from my spilling heart to write the words that were never able to slip out of my mouth, so you can see how much you've broken me into a perpetual state of melancholy.
Karen Quan (Write like no one is reading)
He liked such sharpness, for there was nothing in him that had any blood you might spill.
Madeline Miller (Circe)
…. ‘George said he needed a break. And there was something about Jonathan taking over …’   ‘That’s exactly what I mean,’ said Maxwell, ‘It seems like there’s all kinds of goings on there now.’ ‘What did the agents say then?’ ‘Your brother … he must still have a key. I told them to check, I told them. I expect they overlooked it. Hugo’s been going in and there are some women there apparently, I mean at the Manor House, Jonathan’s up to his usual tricks taking in every Tom, Dick and Harry and giving all kinds of undesirables a home, and there’s something about them chasing Hugo and taunting him, yesterday the buyers were viewing again and measuring up for curtains and things, I said they could, and they saw something going on outside, some shouting and laughing …’   ‘Women! What women? Jonathan’s not like that …’   ‘Not like that huh! He’s flesh and blood like the rest of us.’  ‘That’s not what I meant. Please don’t be angry Max, it’s not my fault.’ ‘Jonathan this and Jonathan that. Why do people think he’s so bloody marvellous eh! What the hell does he think he’s doing. People spilling over into my garden and wrecking the peace and quiet. George was completely mad to do this …
Elizabeth Tebby Germaine (A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness)
For God's sake, be economical with your lamps and candles! not a gallon you burn, but at least one drop of man's blood was spilled for it.
Herman Melville (Moby-Dick or, The Whale)
Your pride didn't appear in that bone circle the night you spilled blood and summoned me. It was your wrath. Your fury.
Kerri Maniscalco (Kingdom of the Cursed (Kingdom of the Wicked, #2))
There was a war going on in our house. A silent war that sounded no guns, and the bodies that fell were only wishes that died and the bullets were only words and the blood that spilled was always called pride.
V.C. Andrews
My father used to say some families are made by shared blood and some families are made by spilled blood
Lindsay Buroker (Dark Currents (The Emperor's Edge, #2))
His cheeks were slick with tears that spilled over his diamond eyes, a ceaseless flow he neither noticed nor appeared to care about. And she had a feeling it was going to be a while before the leaking stopped-an inner artery had been nicked and this was the blood of his heart, spilling out of him, covering him.
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
Faster than lightening, his hand shot out and she gagged, jolting as he grabbed her tongue between his fingers...He released her tongue, and she gasped for breath. She swore at him, a filthy, foul name, and spat at his feet. And that's when he bit her. She cried out as those canines pierced the spot between her neck and shoulder, a primal act of aggression--the bite so strong and claiming that she was too stunned to move. He had her pinned against the tree and clamped down harder, his canines digging deep, her blood spilling onto her shirt. Pinned, like some weakling. But that was what she'd become, wasn't it? Useless, pathetic. She growled, more animal than sentient being. And shoved. Rowan staggered back a step, teeth ripping her skin and she struck his chest. She didn't feel the pain, didn't care about the blood or flash of light. No, she wanted to rip his throat out--rip it out with the elongated canines she bared at him as she finished shifting and roared. Rowan grinned. "There you are.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
We already know each other’s worst. We’ve battled right through it and come out the other side unbreakable. There will inevitably be arguments, concessions, and peace treaties drawn up in spilled blood, sweat, and tears. We’re going to have to choose each other, over and over, and be each other’s champion, never letting ourselves forget the good whenever we’re stuck in a patch of bad. It’s going to be work. But let me tell you something about Nicholas Benjamin Rosefield: He’s worth it.
Sarah Hogle (You Deserve Each Other)
If the people of this religion are asked about the proof for the soundness of their religion, they flare up, get angry and spill the blood of whoever confronts them with this question. They forbid rational speculation, and strive to kill their adversaries. This is why truth became thoroughly silenced and concealed.
Muhammad ibn Zakariya al-Razi
Though you are three times more beautiful than angels, Though you are the sister of the river willows, I will kill you with my singing, Without spilling your blood on the ground. Not touching you with my hand, Not giving you one glance, I will stop loving you, But with your unimaginable groans I will finally slake my thirst. From her, who wandered the earth before me, Crueler than ice, more fiery than flame, From her, who still exists in the ether— From her you will set me free.
Anna Akhmatova (The Complete Poems of Anna Akhmatova)
Of course, then you nearly crushed to death in front of my eyes. Later I thought of a perfectly good excuse for why I acted at that moment - because if I hadn't saved you, if your blood had been spilled there in front of me, I don't think I could have stopped myself from exposing us for what we are. But I only thought of that excuse later. At the time, all I could think was, 'Not her.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
The War Has Been Declared. Your Ally Been Ensnared. It Is Now Or It Is Never. Break The Code Or Die Forever. Time Is Running Out Running Out Running Out To the Warrior Give My Blade By His Hand Your Fate Is Made But Do Not Forget the Ticking Or the Clicking, Clicking, Clicking While a Rat's Tongue May Be Flicking With Its Feet It Does the Tricking For the Paw and Not the Jaw Makes the Code of Claw Time Is Standing Still Standing Still Standing Still Since the Princess Is the Key To Unlock the Treachery She Cannot Avoid the Matching or the Scratching, Scratching, Scratching When a Secret Plot is Hatching In the Naming Is the Catching What She Saw, It Is the Flaw Of the Code of Claw Time is Turning Back Turning Back Turning Back When the Monster's Blood Is Spilled When the Warrior Has Been Killed You Must Not Ingore the Rapping Or the Tapping, Tapping, Tapping If the Gnawers Find you Napping You Will Rot While They Are Mapping Out the Law of Those Who Gnaw In the Code of Claw
Suzanne Collins (Gregor and the Code of Claw (Underland Chronicles, #5))
In my head this cruel unspeakable truth: that we battled and we cursed and we spilled each other’s blood, we relished our taste of hell and strangled heaven’s love.
Aberjhani (Visions of a Skylark Dressed in Black)
Some thought magic came from the mind, others the soul, or the heart, or the will. But Kell knew it came from the blood. Blood was magic made manifest. There it thrived. And there it poisoned. Kell had seen what happened when power warred with the body, watched it darken in the veins of corrupted men, turning their blood from crimson to black. If red was the color of magic in balance—of harmony between power and humanity—then black was the color of magic without balance, without order, without restraint. As an Antari, Kell was made of both, balance and chaos; the blood in his veins, like the Isle of Red London, ran a shimmering, healthy crimson, while his right eye was the color of spilled ink, a glistening black.
Victoria E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
Bumblestripe: “I think we showed them.” Hazeltail: “Showed them what? How much blood can be spilled in a pointless battle?
Erin Hunter (Night Whispers (Warriors: Omen of the Stars, #3))
I'm not made to philosophize, I don't have the heart for it. My heart is more like a machine for making blood to be spilled in a knife fight...
Camilo José Cela (La familia de Pascual Duarte)
No, Celaena Sardothien certainly did not exist anymore. That woman—the woman he had loved … Perhaps she’d drowned in the vast, ruthless sea between here and Wendlyn. Perhaps she’d died at the hands of the Valg princes. Or maybe he’d been a fool all this time, a fool to look at the lives she’d taken and blood she’d so irreverently spilled, and not be disgusted.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Furthermore, unlike many other great predators of history, from Genghis Khan to the Spanish conquistadors, King Leopold II never saw a drop of blood spilled in anger. He never set foot in the Congo. There is something very modern about that, too, as there is about the bomber pilot in the stratosphere, above the clouds, who never hears screams or sees shattered homes or torn flesh.
Adam Hochschild (King Leopold's Ghost)
Under the broken promises of superpowers and under the worlds indifference to spilled Arab blood.
Susan Abulhawa (Mornings in Jenin)
she...let the blood spill down instead of tears.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Spilling a person's secrets is a lot like spilling their blood. Once it's done, it's done. There's no going back.
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
The surgeons like to bleed a man, to let ill humours out, so that he may face the world anew. Perhaps they should just hand him a quill and let the poisons spill from him whilst he keeps his blood for its intended purpose.
Mark Lawrence (King of Thorns (The Broken Empire, #2))
That was the day the ancient songs of blood and war spilled from a hole in the sky And there was a long moment as we listened and fell silent in our grief and then one by one, we stood tall and came together and began to sing of life and love and all that is good and true And I will never forget that day when the ancient songs died because there was no one in the world to sing them.
Brian Andreas (Traveling Light: Stories & Drawings for a Quiet Mind)
When there's blood involved, you always use every advantage you have to make sure it's theirs that spills and not yours. If you want to feel guilty about taking unfair advantage afterward, you go ahead and feel that shit. But live to feel it.
Kevin Hearne (Trapped (The Iron Druid Chronicles, #5))
Millions cheer the warrior spilling blood across the ring while the one who stands for peace is ridiculed and shamed. Must hearts forever suffer from ignorance and greed? Can bombs heal our souls or set our spirits free?
Aberjhani (Songs from the Black Skylark zPed Music Player)
Much blood has been spilled over words, and a great deal of it over the word ‘God.’ (125)
Jean-Yves Leloup (Compassion and Meditation: The Spiritual Dynamic between Buddhism and Christianity)
From this distant vantage point, the Earth might not seem of particular interest. But for us, it's different. Consider again that dot. That's here, that's home, that's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there – on a mote of dust suspended in a sunbeam. The Earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves. The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand. It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we've ever known.
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
You call me afraid?" demanded Mark. "Insult me again and find your blood spilled, girl." "Mark, this is Emma," Julian said. " Emma Carstairs." Mark pressed himself farther back into the wall. "Lies," he said. "Lies and dreams.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
…I felt each beat slowing as his breathe fell away from my world. “You’re going to be okay” I lied, as blood spilled painting my fingers crimson. He stared blankly gasping for breath. My fingers never worked the same after that day. They became wild, fierce---unruly. And heart? I don’t know where heart is; I think he still has her.
Coco J. Ginger
I’m frightened of eggs, worse than frightened, they revolt me. That white round thing without any holes … have you ever seen anything more revolting than an egg yolk breaking and spilling its yellow liquid? Blood is jolly, red. But egg yolk is yellow, revolting. I’ve never tasted it.
Alfred Hitchcock
The world slowed to the beat of an ancient, ageless drum. Celaena behold the room. The blood was everywhere. Before the bed, Nehemia's bodyguards lay with their throats cut from ear to ear, their internal organs spilling out onto the floor. And on the bed... On the bed... She could hear the shouts growing closer, reaching the room, but their words were somehow muffled, as though she were underwater, the sounds coming from the surface above. Celaena stood in the center of the freezing bedroom, gazing at the bed, and the princess's broken body atop it. Nehemia was dead.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
We might have coupled In the bed-ridden monopoly of a moment Or broken flesh with one another At the profane communion table Where wine is spill'd on promiscuous lips We might have given birth to a butterfly With the daily-news Printed in blood on its wings
Mina Loy (The Lost Lunar Baedeker: Poems)
It is an easy thing to commit a sin and say that ‘the devil made me do it,’ and then cast that sin on him. But this life has taught me that we make ourselves into the monsters that we are. That the blood we spill is on our own hands.
Kerrigan Byrne (The Hunter (Victorian Rebels, #2))
Ten thousand swords before you, ten thousand daggers drawn. Ten thousand lives defend you, ten thousand warriors strong Our blood will spill ten thousand times In hope, ten thousand sigh For love we face ten thousand deaths With joy, ten thousand die Ten thousand Fey before you, ten thousand fierce and tall, Ten thousand souls protect you, beloved of us all ~Ten Thousand Swords, a Fey Warrior’s Song
C.L. Wilson
THIS TORTURE Why should we tell you our love stories when you spill them together like blood in the dirt? Love is a pearl lost on the ocean floor, or a fire we can’t see, but how does saying that push us through the top of the head into the light above the head? Love is not an iron pot, so this boiling energy won’t help. Soul, heart, self. Beyond and within those is one saying, How long before I’m free of this torture!
Jalal ad-Din Muhammad ar-Rumi (The Book of Love: Poems of Ecstasy and Longing)
He loves her. Of this he's certain. He loves her laugh; that sharp, sudden sound; the cynical laugh that always comes too quick, like it's ripped out of her. He loves her quick, confident grin. He loves her resilience, her bravery, even her impulsiveness. She's everything he's not: unbound, reckless, free. He's never known anyone like her. She terrifies him, and he loves her so much it hurts. In all of his worst nightmares, she's dying. She's fading away in his arms, helpless and whimpering, while hot, dark blood spills over his fingers. This he tells her. He doesn't tell her that his hand holds the blade.
R.F. Kuang (The Burning God (The Poppy War, #3))
He whipped the chair around and actually split one of the things in half with the impact, spilling the spray of blood that was reflective, like mercury. John bellowed, "Anyone else want to donate blood to chair-ity?" He ducked into the the door and bashed one monster right in the wig, screaming, "There's some dessert! With a chair-y on top!
David Wong (John Dies at the End (John Dies at the End, #1))
You flesh bodies are so obsessed with goodness, yet no other form of life on earth is capable of such cruelty. You need only convince yourselves your transgressions serve some 'purpose.' Even if it is only greed, or lust, or the raw desire for power that drives you. You will spill the blood of your kinsmen, lay waste to the earth itself, wreak havoc, and cause unspeakable suffering---any and all sins are justified, as long as they are a means to your precous, righteous 'purpose'.
Maryrose Wood (The Poison Diaries (The Poison Diaries, #1))
Legend says my entire family bleeds nothing but treasure. Of course, I've bled a lot in my time. Sirens lose all serenity when they turn from hunter to prey and pieces of their nails become embedded in my arms. My blood has been spilled more often than any prince's, and I can attest to the fact that it has never been gold.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
There should be a law, I though. If you support a war, if you think it's worth the price, that's fine, but you he to put your own precious fluids on the line. You have to head for the front and hook up with an infantry unit and help spill the blood. And you have to bring along your wife, or your kids, or your lover. A law, I thought.
Tim O'Brien (The Things They Carried)
It came to him that he had turned away from the buffalo not because of a womanish nausea at blood and stench and spilling gut; it came to him that he had sickened and turned away because of his shock at seeing the buffalo, a few moments before proud and noble and full of the dignity of life, now stark and helpless, a length of inert meat, divested of itself, or his notion of its self, swinging grotesquely, mockingly, before him. It was not itself; or it was not that self that he had imagined it to be. That self was murdered; and in that murder he had felt the destruction of something within him, and he had not been able to face it. So he had turned away.
John Williams (Butcher's Crossing)
Dear Heavenly Father, I have a friend who stands as close as a brother, a brave soul. I have seen in him the heart of a warrior... He is gallant, loyal, and true, sacrificing his esteem, forfeiting his comfort, even spilling his blood. But, what color is his soul? My friend has a desperate need, and I have seen it. How can I be his accuser, condemning the one who has gladly poured out his blood in my stead? But shall I deny my witness? There is a darkness, a gnawing void behind those eyes of steel... Will you make him a knight, dressed in holy raiment, fit to take a seat at your table?
Bryan Davis (The Candlestone (Dragons in Our Midst, #2))
It is your cowardice that offends us, Warleader.’ ‘I refuse your challenge, Bakal. As I did that of Riggis, and as I will all others that come my way-until our return to our camp.’ ‘And once there? A hundred warriors shall vie to be first to spill your blood. A thousand. Do you imagine you can withstand them all?’ Tool was silent for a moment. ‘Bakal, have you seen me fight?’ The warrior bared his filed teeth. ‘None of us have. Again you evade my questions!’ ‘I have a question for you, Bakal.’ ‘Ah! Yes, ask it and hear how a Barghast answers what is asked of him!’ ‘Can the Senan afford to lose a thousand warriors?
Steven Erikson (Dust of Dreams (Malazan Book of the Fallen, #9))
The common denominator of all jokes is a path of expectation that is diverted by an unexpected twist necessitating a complete reinterpretation of all the previous facts — the punch-line…Reinterpretation alone is insufficient. The new model must be inconsequential. For example, a portly gentleman walking toward his car slips on a banana peel and falls. If he breaks his head and blood spills out, obviously you are not going to laugh. You are going to rush to the telephone and call an ambulance. But if he simply wipes off the goo from his face, looks around him, and then gets up, you start laughing. The reason is, I suggest, because now you know it’s inconsequential, no real harm has been done. I would argue that laughter is nature’s way of signaling that "it’s a false alarm." Why is this useful from an evolutionary standpoint? I suggest that the rhythmic staccato sound of laughter evolved to inform our kin who share our genes; don’t waste your precious resources on this situation; it’s a false alarm. Laughter is nature’s OK signal.
V.S. Ramachandran (A Brief Tour of Human Consciousness: From Impostor Poodles to Purple Numbers)
It felt like being shot with an arrow, and Will jerked back. His wineglass crashed to the floor and shattered. He lurched to his feet, leaning both hands on the table. He was vaguely aware of stares, and the landlords anxious voice in his ear, but the pain was too great to think through, almost too great to breathe through. The tightness in his chest, the one he had thought of as one end of a cord tying him to Jem, had pulled so taut that it was strangling his heart. He stumbled away from his table, pushing through a knot of customers near the bar, and passed to the front door of the inn. All he could think of was air, getting air into his lungs to breathe. He pushed the doors open and half-tumbled out into the night. For a moment the pain in his chest eased, and he fell back against the wall of the inn. Rain was sheeting down, soaking his hair and clothes. He gasped, his heart stuttering with a misture of terror and desperation. Was this just the distance from Jem affecting him? He had never felt anything like this, even when Jem was at his worst, even when he'd been injured and Will had ached with sympathetic pain. The cord snapped. For a moment everything went white, the courtyard bleeching through as if with acid. Will jackknifed to his knees, vomiting up his supper into the mud. When the spasms had passed , he staggard to his feet and blindly away from the inn, as if trying to outpace his own pain. He fetched up against the wall of the stables, beside the horse trough. He dropped to his knees to plunge his hands into the icy water-and saw his own reflection. There was his face, as white as death, and his shirt, and a spreading stain of red across the front. With wet hands he siezed at his lapels and jerked the shirt open. In the dim light that spilled from the inn, he could see that his parabati rune, just over his heart, was bleeding. His hands were covered in blood, blood mixed with rain, the same ran that was washing the blood away from his chest, showing the rune as it began to fade from black to silver, changing all that had been sense in Will's life into nonsense. Jem was dead.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Listen to me. I will spill my insides for you once only. We were three—I am the green, the growing, the day. I loved the moon, the silver night, and he loved the sunshine, fierce and hot, and she loved me because the sun must love the day. And the sun and I stood in a valley of stone and faced death, because we wanted to spare the night, who had suffered a thousand deaths already, and we didn't want him to bleed any more. But he would not allow it. He swooped from the sky and clenched death in both hands, and we wore his blood like skin.
Amy Lane (Wounded (Little Goddess, #2))
I stand in my own power now, the questions of permission that I used to choke on for my every meal now dead in a fallen heap, and when they tell me that I will fall, I nod. I will fall, I reply, and my words are a whisper my words are a howl I will fall , I say, and the tumbling will be all my own. The skinned palms and oozing knees are holy wounds, stigmata of my She. I will catch my own spilled blood, and not a drop will be wasted.
Beth Morey (Night Cycles: Poetry for a Dark Night of the Soul)
Charis herself gave up Christianity a long time ago. For one thing, the Bible is full of meat: animals being sacrificed, lambs, bullocks, doves. Cain was right to offer up the vegetables, God was wrong to refuse them. And there's too much blood: people in the Bible are always having their blood spilled, blood on their hands, their blood licked up by dogs. There are too many slaughters, too much suffering, too many tears. She used to think some of the Eastern religions would be more serene; she was a Buddhist for a while, before she discovered how many hells they had. Most religions are so intent on punishment.
Margaret Atwood (The Robber Bride)
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep. They could see how love might control you, from your head to your toes, not to mention every single part of you in between. A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes. She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly. What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake. She refused to believe in superstition, she wouldn’t; yet it was claiming her. Some fates are guaranteed, no matter who tries to intervene. After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well. She was bad luck, ill-fated and unfortunate as the plague. She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire. Love is worth the sum of itself and nothing more. But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself. He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly. It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop. What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind. The greatest portion of grief is the one you dish out for yourself. She preferred cats to human beings and turned down every offer from the men who fell in love with her. They told her how sticks and stones could break bones, but taunting and name-calling were only for fools. — & now here she is, all used up. Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside. She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind. If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do. You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like. She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with. Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
Alice Hoffman (Practical Magic (Practical Magic, #1))
He loves her. Of this he is certain. he loves her laugh; that sharp, sudden sound; the cynical laugh that always comes out too quick, like it's ripped out of her. He loves her quick, confident grin. He loves her resilience, her bravery, even her impulsiveness. She's everything he's not: unbound, reckless, free. He's never known anyone like her. She terrifies him and he loves her so much it hurts. In all of his worst nightmares, she's dying. She's fading away in his arms, helpless and whimpering, while hot, dark blood spills over his fingers. This he tells her. He doesn't tell her that his hand holds the blade.
R.F. Kuang (The Drowning Faith (The Poppy War, #2.5))
The Earth is a very small stage in a vast cosmic arena. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot.
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
Parking himself on the chaise lounge, he stared at the gown that Lassiter had handled so roughly. The fine satin was bunched up in waves, the disorder creating a wonderful, shimmering display over on the bed. “My beloved is dead,” he said out loud. As the sound of the words faded, something was suddenly, stupidly clear: Wellesandra, blooded daughter of Relix, was never filling out that bodice again. She was never going to put the skirting over her head and wriggle into the corset, or free the ends of her hair from the lace-ups in the back. She wasn’t going to look for matching shoes, or get pissed off because she sneezed right after she put her mascara on, or worry about whether she was going to spill on the skirting. She was… dead.
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
You sound jealous.' 'If you think I'm jealous because someone else got to stab you, then you're right.' 'Prove it.' She heard the slump of his dagger as it fell at her feet. It was the jeweled one he carried everywhere. So many of the gems were missing, but the knife's hilt still glittered in the torchlight, pulsing blue and purple, the colour of blood before it was spilled. 'What am I supposed to do with this?' 'You might want to use it, Little Fox.' The corner of his mouth twitched as he slowly slid his pale hands through the bars of the gate and broke the lock in half. It could have been a twig, a piece of paper, or her.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
All warfare is based on deception. For years, the West hypocrisy has made the world a battlefield. The corrupt talk while our brothers and sons spill their own blood. But deceit cuts both ways. The bigger the lie, the more likely people will believe it, and when a nation cries for vengeance, the lie spreads like a wildfire. The fire builds, devouring everything in its path. Our enemies believe that they alone dictate the course of history, and all it takes is the will of a single man.
Vladimer Makarov
...The wine was red wine, and had stained the ground of the narrow street in the suburb of Saint Antoine, in Paris, where it was spilled. It had stained many hands, too, and many faces, and many naked feet, and many wooden shoes. The hands of the man who sawed the wood, left red marks on the billets; and the forehead of the woman who nursed her baby, was stained with the stain of the old rag she wound about her head again. Those who had been greedy with the staves of the cask, had acquired a tigerish smear about the mouth; and one tall joker so besmirched, his head more out of a long squalid bag of a nightcap than in it, scrawled upon a wall with his finger dipped in muddy wine-lees—BLOOD.
Charles Dickens (A Tale of Two Cities)
You want us to fear you,” she growls at me, speaking now in accented Kenettran. “You think that you can come here and destroy our homes, kill our loved ones—then make us grovel at your feet. You think we will sell you our souls for a few coins.” She lifts her chin. “But I am not afraid of you.” “Is that so?” I tilt my head at her curiously. “You should be.” She challenges me with a smile. “You can’t even bring yourself to spill our blood.” She nods in the direction of Sergio, who has already started to draw his sword. “You have one of your lackeys do it for you. You’re a coward queen, hiding behind your army. But you cannot crush our spirits beneath your Roses’ heels—you cannot win.
Marie Lu (The Midnight Star (The Young Elites, #3))
Most of this I've told before, or at least hinted at, but what I have never told is the full truth. How I cracked. How at work one morning, standing on the pig line, I felt something break open in my chest. I don't know what it was. I'll never know. But it was real, I know that much, it was a physical rapture--a cracking-leaking-popping feeling. I remember dropping my water gun. Quickly, almost without thought, I took off my apron and walked out of the plant and drove home. It was midmorning, I remember, and the house was empty. Down in my chest there was still that leaking sensation, something very warm and precious spilling out, and I was covered with blood and hog-stink, and for a long while I just concentrated on holding myself together.
Tim O'Brien (The Things They Carried)
...I'm a fool. I expect too much, then I'm angry because nothing ever works out the way I want. When I was young and full of hopes and aspirations, I didn't know I would get hurt so often. I think I'll get tough and won't ache again, then my fragile shell shatters, and again, symbolically, my blood is spilled with the tears I shed. I pull myself back together again, go on, convince myself there is a reason for everything, and at some point in my life it will be disclosed. And when I have what I want, I hope to god it stays long enough to let me know I have it, and it wont hurt when it goes, for I don't expect it to stay, not now. I'm like a doughnut, always being punch out in the middle, and constantly I go around searching for the missing piece, and on and on it goes, never ending, only beginning...
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
Though I would not delight to see the straps sink into your skin, neither would I mourn.' 'Enough blustering,' he says. 'You've already won. Look.' He takes me by the shoulders and turns me so that I can see where the great body of the serpent lies. A jolt of horror goes through me, and I try to wrench out of his grip. And then I notice the fighting has ebbed, the Folk are staring. From within the body of the creature emanates a glow. And then, through that, Cardan steps out. Cardan, naked and covered in blood. Alive. Only out of his spilled blood can a great ruler rise. ... Cardan takes a step forward and little cracks appear from his footfalls. Fissures in the very earth. He speaks with a boom that echoes through everyone gathered there. 'The curse is broken. The king is returned.' He's every bit as terrifying as any serpent. I don't care. I run into his arms.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Sugar leans her chin against the knuckles of the hand that holds the pen. Glistening on the page between her silk-shrouded elbows lies an unfinished sentence. The heroine of her novel has just slashed the throat of a man. The problem is how, precisely, the blood will flow. Flow is too gentle a word; spill implies carelessness; spurt is out of the question because she has used the word already, in another context, a few lines earlier. Pour out implies that the man has some control over the matter, which he most emphatically doesn’t; leak is too feeble for the savagery of the injury she has inflicted upon him. Sugar closes her eyes and watches, in the lurid theatre of her mind, the blood issue from the slit neck. When Mrs Castaway’s warning bell sounds, she jerks in surprise. Hastily, she scrutinises her bedroom. Everything is neat and tidy. All her papers are hidden away, except for this single sheet on her writing-desk. Spew, she writes, having finally been given, by tardy Providence, the needful word.
Michel Faber (The Crimson Petal and the White)
As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face. More faeries wailed now-her kinsmen and friends. The dagger was a weight in my hand-my hand, shining and coated with the blood of the first faerie. It would be more honorable to refuse-to die, rather than murder innocents. But... but... "Let me enter eternity," she repeated, lifting her chin. "Fear no evil," she whispered-just for me. "Feel no pain." I gripped her delicate, bony shoulder and drove the dagger into her heart. She gasped, and blood spilled onto the ground like a splattering of rain. Her eyes were closed when I looked at her face again. She slumped to the floor and didn't move. I went somewhere far, far away from myself.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Niphon, standing with a glass of wine, regarded me with curious amusement as I headed straight for him.Considering I usually avoided him if it all possible, my approach undoubtedly astonished him. But not as much as when I punched him. I didn’t even need to shape-shift much bulk into my fist. I’d caught him by surprise. The wineglass fell out of his hand, hitting the carpet and spilling its contents like blood. The imp flew backward, hitting Peter’s china cabinet with a crash. Niphon slumped to the floor, eyes wide with shock. I kept coming. Kneeling, I grabbed his designer shirt and jerked him toward me. “Stay the fuck out of my life, or I will destroy you,” I hissed. Terror filled his features. “Are you out of your fucking mind? What do you—” Suddenly, the fear disappeared. He started laughing. “He did it, didn’t he? He broke up with you. I didn’t know if he could do it, even after giving him the spiel about how it’d be better for both of you. Oh my. This is lovely. All your so-called charms weren’t enough to—ahh!” I’d pulled him closer to me, digging my nails into him, and finally, I felt an emotion. Fury. Niphon’s role had been greater than I believed. My face was mere inches from his. “Remember when you said I was nothing but a backwoods girl from some gritty fishing village? You were right. And I had to survive in gritty circumstances—in situations you’d never be able to handle. And you know what else? I spent most of my childhood gutting fish and other animals.” I ran a finger down his neck. “I can do it for you too. I could slit you from throat to stomach. I could rip you open, and you’d scream for death. You’d wish you weren’t immortal. And I could do it over and over again.” That wiped the smirk off Niphon’s face.
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
Some say freedom is a gift placed in our hands by our forefathers. Some say freedom is a human right that none should be denied. Some say freedom is a privilege that can and will be seized if taken for granted. Some say freedom is the key that opens doors otherwise meant to imprison. Some say freedom is power to do, to be, to say, and to accomplish what the oppressed cannot. Some say freedom is a responsibility—a weight to be carried and shared by those willing to protect it. Perhaps freedom is all these things. But in my eyes, I see freedom as a treasure. It is a gem so rare and precious the fiercest battles rage over it. The blood of thousands is spilled for it—past, present, and future. Where true and unblemished freedom exists, it shines with perfect clarity, drawing the greedy masses, both those who desire a portion of the spoils and those who would rob the possessor of the treasure, hoping to bury it away. Without freedom I am a slave in shackles on a ship lost at sea. With freedom I am a captain; I am a pirate; I am an admiral; I am a scout; I am the eagle souring overhead; I am the north star guiding a crew; I am the ship itself; I am whatever I choose to be.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
The Universe is made of hands; Hands that twist fabric and sizzle in the air. Hands that grasp curls and flick words away Small, smooth fingers pouring gold over gaping wounds Before slicing into soft tissue, Blood mixing with gold. Hands that make it beautiful. The Universe is made of bones; Bones that cut against yards of skin, Warm and yielding and moulded around the wings that splay across his back. Bones that cage the heart and dig into the hollows. Bones that break, Tear the warm, yielding skin. Bones that shred and brush his chin. The Universe is made of lips; Lips that breathe and stutter warm sighs, Caressing the cracks in his broken body, the body that he broke. Lips that carve paths into stone, That leave trails upon gooseflesh, Lips that make incisions, Too delicate to mend. The Universe is made of blood; Blood that runs warm and hot and steady and crimson, Pumping beneath the stone and the gold. Blood that burns with every jerk of limbs. Blood that spills on open palms, Staining the fabric, Filling up his throat. The Universe is made of eyes; Eyes that breach and eyes that splice and eyes that never leave. Eyes that ripple oceans. Eyes that whisper in the dark. Eyes that rip open the seams. Eyes that create wounds, create chaos, create broken shards of blue. Eyes that alight and won’t let go. The Universe was built. The Universe fell. You took it apart, Dragged the chaos from my soul with your hands, Your bones, Your lips, Your blood, Your eyes. And now you’re back. And so is the Universe. And so, I suppose, am I. The Universe is made of five things. The Universe is made of you.
Velvetoscar (Core 'ngrato)
Cauldron save me," she began whispering, her voice lovely and even-like music. "Mother hold me," she went on, reciting a prayer similar to one I'd heard once before, when Tamlin eased the passing of that lesser faerie who'd died in the foyer. Another of Amarantha's victims. "Guide me to you." I was unable to raise my dagger, unable to take the step that would close the distance between us. "Let me pass through the gates; let me smell that immortal land of milk and honey." Silent tears slide down my face and neck, where they dampened the filthy collar of my tunic. As she spoke, I knew I would be forever barred from that immortal land. I knew that whatever Mother she meant would never embrace me. In saving Tamlin, I was to damn myself. I couldn't do this-couldn't lift that dagger again. "Let me fear no evil," she breathed, staring at me-into me, into the soul that was cleaving itself apart."Let me feel no pain." A sob broke from my lips. "I'm sorry," I moaned. "Let me enter eternity," She breathed. I wept as I understood. Kill me now, she was saying. Do it fast. Don't make it hurt. Kill me now. Her bronze eyes were steady, if not sorrowful. Infinitely, infinitely worse than the pleading of the dead faerie beside her. I couldn't do it. But she held my gaze-held my gaze and nodded. As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.” As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face. More faeries wailed now-her kinsmen and friends. The dagger was a weight in my hand-my hand, shining and coated with the blood of the first faerie. It would be more honorable to refuse-to die, rather than murder innocents. But... but... "Let me enter eternity," she repeated, lifting her chin. "Fear no evil," she whispered-just for me. "Feel no pain." I gripped her delicate, bony shoulder and drove the dagger into her heart. She gasped, and blood spilled onto the ground like a splattering of rain. Her eyes were closed when I looked at her face again. She slumped to the floor and didn't move. I went somewhere far, far away from myself.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
We succeeded in taking that picture from [deep space], and, if you look at it, you see a dot. That's here. That's home. That's us. On it, everyone you ever heard of, every human being who ever lived, lived out their lives. The aggregate of all our joys and sufferings, thousands of confident religions, ideaologies and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilizations, every king and peasant, every young couple in love, every hopeful child, every mother and father, every inventor and explorer, every teacher of morals, every corrupt politician, every superstar, every supreme leader, every saint and sinner in the history of our species lived there on a mote of dust, suspended in a sunbeam. The earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that in glory and in triumph they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of the dot on scarcely distinguishable inhabitands of some other corner of the dot. How frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Our posturings, our imagined self-importance, the delusion that we have some privileged position in the universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity--in all this vastness-- there is no hint that help will come from elsewhere to save us from ourselves. It is up to us... To my mind, there is perhaps no better demostration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly and compassionately with one another and to preserve and cherish that pale blue dot, the only home we've ever known.
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
You make out with a boy because he’s cute, but he has no substance, no words to offer you. His mouth tastes like stale beer and false promises. When he touches your chin, you offer your mouth up like a flower to to be plucked, all covered in red lipstick to attract his eye. When he reaches his hand down your shirt, he stops, hand on boob, and squeezes, like you’re a fruit he’s trying to juice. He doesn’t touch anything but skin, does not feel what’s within. In the morning, he texts you only to say, “I think I left the rest of my beer at your place, but it’s cool, you can drink it. Last night was fun.” You kiss a girl because she’s new. Because she’s different and you’re twenty two, trying something else out because it’s all failed before. After spending six weekends together, you call her, only to be answered by a harsh beep informing you that her number has been disconnected. You learn that success doesn’t come through experimenting with your sexuality, and you’re left with a mouth full of ruin and more evidence that you are out of tune. You fall for a boy who is so nice, you don’t think he can do any harm. When he mentions marriage and murder in the same sentence, you say, “Okay, okay, okay.” When you make a joke he does not laugh, but tilts his head and asks you how many drinks you’ve had in such a loving tone that you sober up immediately. He leaves bullet in your blood and disappears, saying, “Who wants a girl that’s filled with holes?” You find out that a med student does. He spots you reading in a bar and compliments you on the dust spilling from your mouth. When you see his black doctor’s bag posed loyally at his side, you ask him if he’s got the tools to fix a mangled nervous system. He smiles at you, all teeth, and tells you to come with him. In the back of his car, he covers you in teethmarks and says, “There, now don’t you feel whole again.” But all the incisions do is let more cold air into your bones. You wonder how many times you will collapse into ruins before you give up on rebuilding. You wonder if maybe you’d have more luck living amongst your rubble instead of looking for someone to repair it. The next time someone promises to flood you with light to erase your dark, you insist them you’re fine the way you are. They tell you there’s hope, that they had holes in their chest too, that they know how to patch them up. When they offer you a bottle in exchange for your mouth, you tell them you’re not looking for a way out. No, thank you, you tell them. Even though you are filled with ruins and rubble, you are as much your light as you are your dark.
Lora Mathis
A Wild Woman Is Not A Girlfriend. She Is A Relationship With Nature. But can you love me in the deep? In the dark? In the thick of it? Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard? Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me? Can you love me then too? Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight? Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last kill? When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then? What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted? Will you trust that Spring will return? Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life? Can you trust me, even though you cannot tame me? Can you love me, even though I am all that you fear and admire? Will you fear my shifting shape? Does it frighten you, when my eyes flash like your camera does? Do you fear they will capture your soul? Are you afraid to step into me? The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you. So do not worry. They belong to me, and I have invited you here. Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart. You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky. If you want to be safe, go back to your tiny room — the night sky is not for you. If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire. I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold. I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching. So, come to me, and be healed in the unbearable lightness and darkness of all that you are. There is nothing in you that can scare me. Nothing in you I will not use to make you great. A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm. She will plant pear trees in the wake of your disaster. She will see to it that you shall rise again. She is the lover who restores you to your own wild nature.
Alison Nappi
There were usually not nearly as many sick people inside the hospital as Yossarian saw outside the hospital, and there were generally fewer people inside the hospital who were seriously sick. There was a much lower death rate inside the hospital than outside the hospital, and a much healthier death rate. Few people died unnecessarily. People knew a lot more about dying inside the hospital and made a much neater job of it. They couldn’t dominate Death inside the hospital, but they certainly made her behave. They had taught her manners. They couldn’t keep Death out, but while she was there she had to act like a lady. People gave up the ghost with delicacy and taste inside the hospital. There was none of that crude, ugly ostentation about dying that was so common outside of the hospital. They did not blow-up in mid-air like Kraft or the dead man in Yossarian’s tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane. “I’m cold,” Snowden had whimpered. “I’m cold.” “There, there,” Yossarian had tried to comfort him. “There, there.” They didn’t take it on the lam weirdly inside a cloud the way Clevinger had done. They didn’t explode into blood and clotted matter. They didn’t drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn’t get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, blugeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don’t business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain’t. There were no famines or floods. Children didn’t suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn’t stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh!, accelerating at the rate of thirty-two feet per second to land with a hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hairy strawberry ice cream, bleeding, pink toes awry.
Joseph Heller (Catch-22)