Shaking Voice Quotes

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Why are you crying?" "Because," she whispered, her voice shaking, "you remind me of what the world ought to be. What the world can be.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
I'm going to wake Peeta," I say. "No, wait," says Finnick. "Let's do it together. Put our faces right in front of his." Well, there's so little opportunity for fun left in my life, I agree. We position ourselves on either side of Peeta, lean over until our faces are inches frim his nose, and give him a shake. "Peeta. Peeta, wake up," I say in a soft, singsong voice. His eyelids flutter open and then he jumps like we've stabbed him. "Aa!" Finnick and I fall back in the sand, laughing our heads off. Every time we try to stop, we look at Peeta's attempt to maintain a disdainful expression and it sets us off again.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Harry — I think I've just understood something! I've got to go to the library!” And she sprinted away, up the stairs. “What does she understand?” said Harry distractedly, still looking around, trying to tell where the voice had come from. “Loads more than I do,” said Ron, shaking his head. “But why’s she got to go to the library?” “Because that’s what Hermione does,” said Ron, shrugging. “When in doubt, go to the library.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
I do want you," I say to him, my voice shaking. "I want you so much it scares me.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
You sick piece of shit," Adam says to him, his voice low, measured. "Such unfortunate language." Warner shakes his head. "Only those who cannot express themselves intelligently would resort to such crude substitutions in vocabulary.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
When love beckons to you follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth...... But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love. And think not you can direct the course of love, if it finds you worthy, directs your course. Love has no other desire but to fulfil itself." But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully.
Kahlil Gibran (Le Prophète)
Speak your mind even if your voice shakes.
Maggie Kuhn
Start now. Start where you are. Start with fear. Start with pain. Start with doubt. Start with hands shaking. Start with voice trembling but start. Start and don’t stop. Start where you are, with what you have. Just... start.
Ijeoma Umebinyuo
With a shrug and a blink, the policeman moved past Will, shaking his head and muttering something under his breath about swearing off the gin before he truly started seeing things. Will stepped aside to let the man pass, then raised his voice to a shout: "James Carstairs! Jem! Where are you, you disloyal bastard?
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Since I knew you, I have been troubled by a remorse that I thought would never reproach me again, and have heard whispers from old voices impelling me upward, that I thought were silent for ever. I have had unformed ideas of striving afresh, beginning anew, shaking off sloth and sensuality, and fighting out the abandoned fight. A dream, all a dream, that ends in nothing, and leaves the sleeper where he lay down, but I wish you to know that you inspired it.
Charles Dickens (A Tale of Two Cities)
I… What are you saying, Zsadist?" she stammered, even though she'd heard every word. He glanced back down at the pencil in his hand and then turned to the table. Flipping the spiral notebook to a new page, he bent way over and labored on top of the paper for quite a while. Then he ripped the sheet free. His hand was shaking as he held it out. "It's messy." Bella took the paper. In a child's uneven block letters there were three words: I LOVE YOU Her lips flattened tight as her eyes stung. The handwriting got wavy and then disappeared.   "Maybe you can't read it," he said in a small voice. "I can do it over."   She shook her head. "I can read it just fine. It's… beautiful." "I don't expect anything back. I mean… I know that you don't… feel that for me anymore. But I wanted you to know. It's important that you knew.
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
You starting to feel hope yet?" Viola asks, her voice curious. "No," I say, fuddling my noise. "You?" Her eyebrows are up but she shakes her head. "No, No." "But we're going anyway." "Oh, yeah," Viola says. "Hell or high water." "It'll probably be both," I say.
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
He shakes his head in amazement. “Your voice is…fuck, Wellsy, it’s beautiful.” My cheeks heat up. “You think so?” His impassioned expression tells me he’s dead serious. “Play something else,” he orders. “Um. What do you want to hear?” “Anything. I don’t care.” I’m startled by the intensity in his voice, the emotion now glittering in his gray eyes. “I just need to hear you sing again.
Elle Kennedy (The Deal (Off-Campus, #1))
I'm not with Rob," I say quickly. "Not anymore." "You're not?" He's staring at me so intensely I can see the stripes of gold alternating with the green in his eyes like spokes of a wheel. I shake my head. "That's a good thing." He's still staring at me like that, like he's the first and last person who will ever stare at me. "Because..." His voice trails off, and his eyes travel slowly down to my lips, and there's so much heat roaring through my body I swear I'm going to pass out. "Because?" I prompt him, surprised I can still speak. "Because I'm sorry, but I can't help it, and I really need to kiss you right now.
Lauren Oliver (Before I Fall)
His voice rose under the black smoke before the burning wreckage of the island; and infected by that emotion, the other little boys began to shake and sob too. And in the middle of them, with filthy body, matted hair, and unwiped nose, Ralph wept for the end of innocence, the darkness of mans heart, and the fall through the air of the true, wise friend called Piggy.
William Golding (Lord of the Flies)
The guys were totally skuzzy, grinning horribly, showing holes where teeth should be. “Boys, God doesn’t like you,” Fang intoned behind them. Whaaat? I thought, dumbfounded. “Wha!” they said, whirling. At that moment, Fang snapped out his huge wings and shone the penlight under his chin so it raked his cheekbones and eyes. My mouth dropped open. He looked like the angel of death. His dark wings filled the hallway almost to the ceiling, and he moved them up and down. “God doesn’t like bad people,” he said, using a really weird, deep voice. “What the heck?” one of the squatters murmured shallowly, his mouth slack, his eyes bugging out of his head. I whipped my own wings open. Fun, anyway. “This was a test,” I said, using my best spooky voice. “And guess what? You both failed.” The bums stopped dead, looks of horror and amazement on their faces. Then Fang growled, “Rowr!” He stepped forward, sweeping his wings up and down: the avenging demon. I almost cracked up. “Rowr!” I said myself, shaking my wings out. “Ahhhhh!” the guys yelled, backpedaling fast. Unfortunately, they were standing at the top of the staircase. They fell awkwardly, trying to grab each other, and rolled down two flights like lumpy bags of potatoes, shrieking the whole way. Fang and I slapped each other a quick high five—and we were out of there, jack.
James Patterson (School's Out—Forever (Maximum Ride, #2))
You will be the first test subject, Tobias. Beatrice, however...." She smiles. "You are too injured to be of much use to me, so your execution will occur at the conclusion of this meeting." I try to hide the shudder that goes through me at the word "execution," my shoulder screaming with pain, and look up at Tobias. It's hard to blink tears back when I see the terror in Tobias's wide, dark eyes. "No," says Tobias. His voice trembles, but his look stern as he shakes his head. "I would rather die." "I'm afraid you don't have much of a choice in that matter," replies Jeanine lightly. Tobias takes my face in this hands roughly and kisses me, the pressure of his lips pushing mine apart. I forget my pain and the terror of approaching death and for a moment, I am grateful that the memory of that kiss will be fresh in my mind as I meet my end.
Veronica Roth (Divergent (Divergent, #1))
Tobias," I say anyway. My hands shake, but not from fear this time– from anger. "Where is he? What are you doing to him?" "I see no reason to provide that information," says Jeanine... I make my voice flat and factual, like hers. "I see no reason to provide that information." I hear a faint snort. Peter is covering his mouth. Jeanine glares at him, and his laughter effortlessly transforms into a coughing fit. "Mockery is childish, Beatrice," she says. "It does not become you." "Mockery is childish, Beatrice," I repeat in my best imitation of her voice. "It does not become you."
Veronica Roth (Insurgent (Divergent, #2))
You scare me Stella." I looked at him, frowning. "What? Why?" He looks into my eyes his voice serious. "You make me want a life I cant have." I know exactly what he means. He shakes his head his face somber. "That's the scariest thing I've ever felt.
Rachael Lippincott (Five Feet Apart)
Oh  .  .  . wow  .  .  . I don’t know what to say. I want to thank  .  .  .” His voice broke and the tears in my eyes rolled down my cheeks. Bringing the back of his hand to his mouth, Kellan stopped talking. Shaking his head again, he slowly lowered his hand. “I’m sorry.” His voice warbled with barely contained emotion. “My wife just told me she’s pregnant.
S.C. Stephens (Reckless (Thoughtless, #3))
You see!" said a strained voice. Tonks was glaring at Lupin. "She still wants to marry him, even though he's been bitten! She doesn't care!" "It's different," said Lupin, barely moving his lips and looking suddenly tense. "Bill will not be a full werewolf. The cases are completely-" "But I don't care either, I don't care!" said Tonks, seizing the front of Lupin's robes and shaking them. "I've told you a million times...." And the meaning of Tonk's Patronus and her mouse-colored hair, and the reason she had come running to find Dumbledore when she had heard a rumor someone had been attacked by Greyback, all suddenly became clear to Harry; it had not been Sirius that Tonks had fallen in love with after all. "And I've told you a million times," said Lupin, refusing to meet her eyes, staring at the floor, "that I am too old for you, too poor....too dangerous...." "I've said all along you're taking a ridiculous line on this, Remus," said Mrs. Weasley over Fleur's shoulder as she patted her on the back. "I am not being ridiculous," said Lupin steadily. "Tonks deserves somebody young and whole." "But she wants you," said Mr. Weasley, with a small smile. "And after all, Remus, young and whole men do not necessarily remain so." He gestured sadly at his son, lying between them. "This is....not the moment to discuss it," said Lupin, avoiding everybody's eyes as he looked around distractedly. "Dumbledore is dead...." "Dumbledore would have been happier than anybody to think that there was a little more love in the world," said Professor McGonagall curtly...
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Oh, Lily," He says shaking his head. "I know about love. About wanting and dreaming and wishing with every part of your soul. I know enough to reconize the parts that are real and teh parts that are only in my fantasy." Ge turns his head slightly to face me, and I find myself saying,"L-like what?" "Like when she cries and my heart tears in to little shreds, and all I can think of is making her forget the source of her sadness." His face is blank, emotionless. his words -and the underlying emotion bombarding me through the bond- more than make up for it. "That's real." my voice is barely a whisper when I ask, "And fantasy?" "Believing she'll ever feel the same way.
Tera Lynn Childs (Forgive My Fins (Fins, #1))
My singing voice is too sexy," Julian said with a solemn shake of his head. "You'd fall in love with me, like, immediately.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
Sara: "You are so brave," I tell her, and then I smile. "When I grow up, I want to be just like you." To my surprise, Kate shakes her head hard. Her voice is a feather, a thread. "No Mommy," she says. "You'd be sick.
Jodi Picoult (My Sister's Keeper)
Don't you dare try to apologize." His voice shakes. "This is not something you can bandage with a word or two and some hugging, or something.
Veronica Roth (Insurgent (Divergent, #2))
If I ever think you are even considering leaving me again, no matter how good you reasons, I'll have you locked in your rooms and the doors barricaded, so help me God." He lifted her foot and began to dry it. Her voice shaking, Whitney asked, "Will you stay locked in there with me?" He raised her dainty foot to his jaw and tenderly laid his cheek against it, then turned his head and kissed it. "Yes," he whispered. -Clayton Westmoreland
Judith McNaught (Whitney, My Love (Westmoreland, #2))
What could you give me," I ask, my voice shaking, "to make me forget ... that you forgot about me?
Jodi Picoult (Vanishing Acts)
Clayton," she said softly, her voice threaded with tears, "when Vanessa asked about my accomplishments tonight, I forgot to mention that I do have one. And it's--it's so splendid that it compensates for my lack of all the others." Stephen and Clayton grinned at each other, neither of them hearing the emotion that clogged her voice. "What splendid accomplishments is that, little one?" Clayton asked. Her shoulders hunched forward and began to shake. "I made you love me," she whispered brokenly. "Somehow, some way, I actually made you love me.
Judith McNaught (Whitney, My Love (Westmoreland, #2))
Got it all scheduled,” he noted. “Yes,” I returned. “What’s a huge-ass wedding?” “Don’t ask that,” I advised. “Just show up.” His grin turned wicked and I liked it. That was, I liked it until he enquired, “You askin’ me to marry you, Red?” I wasn’t even sipping coffee and, still, I chocked. Then I pushed out, “What?” “I accept.” I shook my head and kept shaking it when I requested clarification, “Let me get this straight. Did you just accept my non-marriage offer?” “Non-marriage?” “I didn’t ask!” My voice was rising. “So you just wanna shack up?” he asked but didn’t wait on my answer. “I’m good with that too.” Gah! “I’m getting my huge-ass wedding,” I declared. “So you are askin’ me to marry you,” he noted. Gah! Gah! Gah!! Sharp as a tack. Someone kill me.
Kristen Ashley (Motorcycle Man (Dream Man, #4))
It’s not okay,” I tell her. This gets her attention; it’s not what she was expecting. “You don’t have to be okay.” “What do you want from me?” Her voice is ragged, desperate. “I want you to let yourself be broken. Let yourself hurt.” She shakes her head again. “I can’t. If I let it out, it’ll never stop.” “Yes, it will.
Jasinda Wilder (Falling Into You (Falling, #1))
Don't worry about me babe. I've seen so many backs walking away from me that this is old hat," he said, shrugging like this wasn't killing him like it was me. "Say it," he said, his voice shaking.
Nicole Williams (Crash (Crash, #1))
You will remember this when all else fades, this moment, here, together, by this well. There will be certain days, and certain nights, you’ll feel my presence near you, hear my voice. You’ll think you have imagined it and yet, inside you, you will catch an answering cry. On April evenings, when the rain has ceased, your heart will shake, you’ll weep for nothing, pine for what’s not there. For you, this life will never be enough, there will forever be an emptiness, where once the god was all in all in you.
John Banville (The Infinities)
I’m not crying.” “You are the worst liar I have ever met.” He moved to rub my shoulder. “Why are you upset?” Every time he asked, I somehow managed to cry harder, my body shaking more; there were actual noises coming out of me. “It’s stupid.” “More than likely, but tell me anyway,” he said in a gentle voice.
Mariana Zapata (Kulti)
As adults, we have many inhibitions against crying. We feel it is an expression of weakness, or femininity or of childishness. The person who is afraid to cry is afraid of pleasure. This is because the person who is afraid to cry holds himself together rigidly so that he won't cry; that is, the rigid person is as afraid of pleasure as he is afraid to cry. In a situation of pleasure he will become anxious. As his tensions relax he will begin to tremble and shake, and he will attempt to control this trembling so as not to break down in tears. His anxiety is nothing more than the conflict between his desire to let go and his fear of letting go. This conflict will arise whenever the pleasure is strong enough to threaten his rigidity. Since rigidity develops as a means to block out painful sensations, the release of rigidity or the restoration of the natural motility of the body will bring these painful sensations to the fore. Somewhere in his unconscious the neurotic individual is aware that pleasure can evoke the repressed ghosts of the past. It could be that such a situation is responsible for the adage "No pleasure without pain.
Alexander Lowen (The Voice of the Body)
He looks up and the loss in his Noise is so great it feels like I'm standing on the edge of an abyss, that I'm about to fall down into him, into blackness so empty and lonely there'd never be a way out. "Todd," I say again, a catch in my voice. "On the ledge, under the waterfall, do you remember what you said to me? Do you remember what you said to save me?" He's shaking his head slowly. "I've done terrible things, Viola. Terrible things-" "We all fall, you said." I'm gripping his hand now. "We all fall but that's not what matters. What matters is picking yourself up again.
Patrick Ness (The Ask and the Answer (Chaos Walking, #2))
Derek's change came faster now and maybe a bit easier--no vomiting this time. Finally it was over, and he fell onto his side, panting, shaking, and shivering. Then he reached for my hand, holding it tight, and I entwined my fingers with his, shifting closer and using my free hand to brush sweaty hair from his face. "Whoa," a voice said, making both of us jump. Simon stood in the entrance to our corner, a pile of fabric in his hands. "You really need to get dressed before you start that." "I'm not starting anything," Derek said. "Still..." He held out the stack in his hands. "Dr. Fellows dug up some hospital greens for you. Get dressed and then... whatever
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
It’s not classified information, Chace. You can read all about it on Wookieepedia.” His body started shaking again, as did his voice when he asked, “Wookieepedia?” “Stop making fun at me when I’m pissed,” I snapped. “Wookieepedia?” Chace repeated, his body now rocking, taking mine and the bed with it.
Kristen Ashley (Breathe (Colorado Mountain, #4))
I'm Chip Martin," he announced in a deep voice, the voice of a radio deejay. Before I could respond, he added, "I'd shake your hand, but I think you should hold on damn tight to that towel till you can get some clothes on.
John Green (Looking for Alaska)
What sort of love is it if you hand someone over when it gets difficult?” she cries, her voice shaking with sorrow. “Abandon someone when there’s resistance? Tell me what sort of love that is!
Fredrik Backman (A Man Called Ove)
I waited for him to say something more, but he was quiet. "Was there something you wanted?" I asked. He didn't answer right away, but I could feel him struggling, so I waited. "If I asked you something, would you tell me the truth?" It was my turn to hesitate. "I don't know everything," I hedged. "You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right." Melanie was suddenly very in my head. Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean." Melanie sighed. I said nothing to either of them. "I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest. "Does it, Wanda?" "Why won't you answer me?" Jamie was really crying now but trying to muffle the sound. I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck. "Is Melanie still alive, Wanda? Please?" He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses. Jamie's body shook beside me. Melanie cried. She battered ineffectually at my control. But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now. "She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?" Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel." "She loves you, too. She's so happy that you're here and safe." He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
Stephenie Meyer (The Host (The Host, #1))
Kenji turns to look at me. He manages a goofy smile. "Aw, you trust me?" "As long as I have a clear shot." I tighten my hold on the gun in my hand. His grin is crooked. "I don't know why, but I kind of like it when you threaten me." "That's because you're an idiot." "Nah." he shakes his head. "You've got a sexy voice. Makes everything sound naughty." Adam stands up so suddenly he nearly knocks over the coffee table.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
Helen slowly became aware of an unnerving red light. She lifted her head and looked around. The glow bounced off the cold stone walls and intensified quickly. It filled her with thoughts of despair and hopelessness. She tried to shake them off. You have what’s mine! Where is it? I want it! Helen shuddered violently. She recalled the inner voice that urged her to use the stone to keep Prince Harnak from dying. That voice was comforting and encouraging. This voice was oppressive and angry and beat on her relentlessly. “No!” she muttered. “Go away. I have nothing for you or anyone else, not even me.” The red light flickered out. Only the numbing cold and her utter isolation, cheerless companions, remained.
Candace L. Talmadge (Stoneslayer: Book One Scandal)
You are the ghost king, a voice said. I am, Nico thought. This is where you belong. But then Nico raised his head. Looked at the other two passengers. Will, whose face was strained as he reached down with a shaking hand to grab at him. Nico took it, gripped his boyfriend’s hand tight, and thought, No. This is where I belong.
Rick Riordan (The Sun and the Star (The Nico di Angelo Adventures, #1))
But Thierry was shaking his head. "It doesn't matter." His voice was still quiet, but it was filled with the authority of absolute conviction, a kind of bedrock certainty that held even Hannah mesmerized.
L.J. Smith (Night World, No. 2 (Night World, #4-6))
His voice is hoarse. "I am going to make love to you now." He says, "So if you want me to stop, tell me." I shake my head frantically. If he stops at this point, I'll probably die.
Serena Grey (Awakening (A Dangerous Man, #1))
The giant raised his fist, and a voice cut through the dream. "Leo!" Jason was shaking his shoulder. "Hey, man, why are you hugging Nike?" Leo's eyes fluttered open. His arms were wrapped around the human-sized statue in Athena's hand. He must have been thrashing in his sleep. He clung to the victory goddess like he used to cling to his pillow when he had nightmares as a kid. (Man, that had been so embarrassing in the foster homes.) He disentangled himself and sat up, rubbing his face. "Nothing," he muttered. "we were just cuddling. Um, what's going on?
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Con! Fuck!" Male voice. Deep. Con blinked, coming out of his haze to see Shade beneath him. Con's erection was pushed hard against Shade's thigh, and yeah....not cool. Panting and shaking like a leaf, Con scrambled off him. "Ah...I don't...that was, ah...not for you." "I fucking hope not," Shade muttered. ~Con/Shade
Larissa Ione (Sin Undone (Demonica, #5))
Lord Montgomery considers nothing but his own desires," he said in a gravelly voice. "I'll tell you something else. Lord Montgomery has a very large estate...and pretty extensive grounds, too." Isabelle giggled, and Simon felt the bed shake under them. "Okay, I didn't expect you to get quite so into this." "Lord Montgomery always surpasses expectations.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
I wish you to know you have been the last dream of my soul. Since I knew you, I have been troubled by a remorse that I thought would never reproach me again, and have heard whispers from old voices impelling me upward, that I thought were silent for ever. I had unformed ideas of striving afresh, beginning anew, shaking off sloth and sensuality, and fighting out the abandoned fight. A dream, all a dream, that ends in nothing… But I wish you to know that you inspired it. And yet I have had the weakness, and have still the weakness, to wish you to know with what a sudden mastery you kindled me, heap of ashes that I am, into the fire.
Charles Dickens
He smiled, setting his forehead to hers. "you are very bad for me. I am trying to turn over a new leaf--I am trying to be more gentlemanly." "But what if I want you to stay a rake?" she teased, her fingers trailing down his neck and chest, fingering the buttons on his waistcoat. "A libertine, even?" she slipped one fastening from its seat and he grabbed her errant hand, bringing it to his lips for a swift kiss. "Callie," he said, his voice thick with warning as she set her free hand to the second button on his coat. "What if I want the rogue, Gabriel?" the question was soft and sweet. "What are you saying?" She kissed across the firm square line of his jaw and whispered to him, shyness in her shaking voice, "Take me to bed, Gabriel. Give me a taste of scandal.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
Did you think I was helping you out of the goodness of my heart? Or am I just the only warlock you know?” (Magnus) … “No,” he said now, “but you are the only warlock we know who happens to be dating a friend of ours.” (Jace) For a moment everyone stared at him-Alec in sheer horror, Magnus un astonished anger, and Clary and Simon in surprise. It was Alec who spoke first, his voice shaking. “Why would you say something like that?” Jace looked baffled. “Something like what?” “That I‘m dating-that we‘re-its not true,” Alec said, his voice rising and dropping several octaves as he fought to control it. Jace looked at him steadily. “I didn’t say he was dating you,” he said, “but funny that you knew just what I meant, isn’t it?” “We‘re not dating,” Alec said again. “Oh?” Magnus said. “So you‘re just that friendly with everybody, is that it?” -pg.241-
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
I don't know whether to toss you through that window or shake your hand and say 'Well done'" Henry said in a tired voice.
Julia Quinn (Splendid (The Splendid Trilogy, #1))
I need you," he said roughly. "Don't run away from me." "How can you expect me not to run from you," said Alizeh, still trying to shake off her apprehension, "when you threatened just hours ago to have my eyes sewn shut?" He looked sharply away from her then, a muscle jumping in his jaw. "I shouldn't have said that." "And then you threw me off a cliff," she said, her voice a bit breathless even to her own ears. "You wouldn't stop threatening to kill me," he said angrily, turning back to face her. "I was merely trying to change the subject.
Tahereh Mafi (These Infinite Threads (This Woven Kingdom, #2))
He was dead before. He knew it, didn't you see it in his eyes? My jacket." "Your jacket?" I say, with enough force that my shaky voice makes Corr start. "How about 'my jacket, please.' " Sean Kendrick looks at me, perplexed, and I can see he hasn't a clue of why I'm upset with him. Why I'm upset at all. I can't stop shaking, as if I've taken all of Corr's trembling and made it my own. "That's what I said," he says after a pause. "No, it's not." "What did I say?" "You said my jacket." Sean looks a little bewildered now. "That's what I said I said.
Maggie Stiefvater (The Scorpio Races)
You're trying to be cool now, Leif? Seriously?" "I am the shit, home slice, straight up," he replied. "No. I mean, don't get me wrong, this is a great effort, but you still need to use more contractions. And your tone is so formal, it's like you're complimenting the pudding at a duke's dinner party." "Fucking H!" the vampire shouted, shaking his free left fist. He enunciated the g very clearly and projected his voice from his diaphragm, like a trained opera singer. "It's fuckin' A, not H, but yeah Leif, go ahead, let's throw down.
Kevin Hearne (Hexed (The Iron Druid Chronicles, #2))
Stand before the people you fear and speak your mind -- even if your voice shakes.
Maggie Kuhn
Every morning I sit at the kitchen table over a tall glass of water swallowing pills. (So my hands won’t shake.) (So my heart won’t race.) (So my face won’t thaw.) (So my blood won’t mold.) (So the voices won’t scream.) (So I don’t reach for knives.) (So I keep out of the oven.) (So I eat every morsel.) (So the wine goes bitter.) (So I remember the laundry.) (So I remember to call.) (So I remember the name of each pill.) (So I remember the name of each sickness.) (So I keep my hands inside my hands.) (So the city won’t rattle.) (So I don’t weep on the bus.) (So I don’t wander the guardrail.) (So the flashbacks go quiet.) (So the insomnia sleeps.) (So I don’t jump at car horns.) (So I don’t jump at cat-calls.) (So I don’t jump a bridge.) (So I don’t twitch.) (So I don’t riot.) (So I don’t slit a strange man’s throat.)
Jeanann Verlee
In Ronan's hand, the mask was as thin as a sheet of paper, still warm from Adam's gasped breaths. Orphan Girl buried her face in his side, her body shaking with sobs. Her tiny voice was muffled: "Tollerere me a hic, tollerere me a hic..." Take me away from here, take me away from here.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Speak your truth, even if your voice shakes
Sara Barnard (A Quiet Kind of Thunder)
Wife of my soul,” he said, and this time his voice didn’t shake but held all the command of the Savatar ataman who had led an army against the Empire and won. “Look at me.
Grace Draven (Phoenix Unbound (Fallen Empire, #1))
A short story I have written long ago would barge into my house in the middle of the night, shake me awake and shout, 'Hey,this is no time for sleeping! You can't forget me, there's still more to write!' Impelled by that voice, I would find myself writing a novel. In this sense, too, my short stories and novels connect inside me in a very natural, organic way.
Haruki Murakami
This book is your anchor. This book is proof that you, too, will find your voice. You are worthy of love, and success, and your dreams coming true. Never stop speaking, even when your voice begins to shake, okay? Never give up on yourself. You are important, you are loved, and your beautiful voice matters.   Brittainy C.
Brittainy C. Cherry (The Silent Waters (Elements, #3))
Andrew..,' I shake my head, tears rolling my cheeks, '... it was always you," I whisper harshly. 'Even with Ian, I felt something was missing. I told you, that night in the field; I told you that...,' My voice trails. I smile and say, 'you are my partner in crime. I've known that for a long time.
J.A. Redmerski (The Edge of Never (The Edge of Never, #1))
I am Apollo,” I announced. “You mortals have three choices: offer me tribute, flee, or be destroyed.” I wanted my words to echo through the alley, shake the towers of New York, and cause the skies to rain smoking ruin. None of that happened. On the word destroyed, my voice squeaked.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
There’s no grandfatherly fondness in me, There are no gray hairs in my soul! Shaking the world with my voice and grinning, I pass you by, - handsome, Twentytwoyearold.
Vladimir Mayakovsky
He knows no other way but ugliness,” Sir Topher said quietly. “He was taught no other lessons but those of force. His teachers have been scum who live by their own rules. No one has ever taught him otherwise.” “Am I to forgive?” she said, her voice shaking with anger. “No,” he said sadly. “Pity him. Or give him new rules. Or put him down like a wild animal before he becomes a monster who destroys everything he encounters.
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
Poor Persephone." He stared down his nose at the god. "That must be hard on her if that’s what gets you off." I wrinkled my nose. "If her name drips from your forked tongue one more time, I will rip it out," Hades promised, voice deadly low. Was his tongue really forked? His lips curled up on one side. "What? You don’t like me talking about your wife?" He looked over at the three of us. "Is abduction as a means of marriage still all the rage these days?" Seth arched a brow. "Uh… no,” I said, shaking my head. "It’s really frowned upon.
Jennifer L. Armentrout (Sentinel (Covenant, #5))
Wolf took Scarlet’s hands into his, as tenderly as he would pick up an injured butterfly, and slid the band onto her finger. His voice was rough and wavering as he recited—“I, Ze’ev Kesley, do hereby claim you, Scarlet Benoit, as my wife and my Alpha. Forevermore, you will be my mate, my star, my beginning of everything.” He smiled down at her, his eyes swimming with emotion. Scarlet returned the look, and though Wolf’s expression teetered between proud and bashful, Scarlet’s face contained nothing but joy. “You are the one. You have always been, and you will always be, the only one. Scarlet took the second ring—a significantly larger version of the same unadorned band—and pressed it onto Wolf’s finger. “I, Scarlet Benoit, do hereby claim you, Ze’ev Kesley, as my husband and my Alpha. Forevermore, you will be my mate, my star, my beginning of everything. You are the one. You have always been, and you will always be, the only one.” Wolf folded his hands around hers. From where she sat, Cinder could see that he was shaking. Kai grinned. “By the power given to me by the people of Earth, under the laws of the Earthen Union and as witnessed by those gathered here today, I do now pronounce you husband and wife.” He spread his hands in invitation. “You may kiss your—” Wolf wrapped his arms around Scarlet’s waist, lifting her off the floor, and kissed her before Kai could finish. Or maybe she kissed him. It seemed mutual, as her hands wound through his disheveled hair. The room exploded with cheers, everyone launching to their feet to congratulate the still-kissing couple. Scarlet had lost one of her red shoes. “I’ll get the champagne,” said Thorne, heading toward the kitchen. “Those two are going to be thirsty when they finally come up for air.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
Death comes to me again, a girl in a cotton slip, barefoot, giggling. It’s not so terrible she tells me, not like you think, all darkness and silence. There are windchimes and the smell of lemons, some days it rains, but more often the air is dry and sweet. I sit beneath the staircase built from hair and bone and listen to the voices of the living. I like it, she says, shaking the dust from her hair, especially when they fight, and when they sing.
Dorianne Laux
A truly brave man is ever serene; he is never taken by surprise; nothing ruffles the equanimity of his spirit. In the heat of battle he remains cool; in the midst of catastrophes he keeps level his mind. Earthquakes do not shake him, he laughs at storms. We admire him as truly great, who, in the menacing presence of danger or death, retains his self-possession; who, for instance, can compose a poem under impending peril or hum a strain in the face of death. Such indulgence betraying no tremor in the writing or in the voice, is taken as an infallible index of a large nature—of what we call a capacious mind (Yoyū), which, far from being pressed or crowded, has always room for something more.
Nitobe Inazō (Bushido, The Soul Of Japan)
Dare to stand before those you fear and speak your mind, even if your voice shakes.
Maggie Kuhn
I want your hands on my head.” I nod and edge back to make room for him. “Does it calm your racing thoughts?” He shakes his head, then takes my hand and spreads it open over his wide chest, his voice textured as he traps my gaze with his. “It calms me here.
Katy Evans (Real (Real, #1))
And he'd railed at her, his voice booming so loud the bed had seem to shake. "You canna do this - take my goddamned heart and then leave me! You think I will no' follow?" She knew he was constantly there, was aware of his movement and comprehended his words, but she couldn't seem to open her heavy eyelids or speak. At night, he would wrap his body around hers, keeping her warm, whispering against her hair, "You enjoy being contrary. Then prove them all wrong and get better." He'd clutched her hip, then balled his fist there.
Kresley Cole (If You Deceive (MacCarrick Brothers, #3))
You left!” he says, his voice rising. And then he shakes his head and laughs to himself. “You hurt your knee, you lost a couple matches, and you gave up. That’s what you did. You’re saying we’re the same, but we’re not. I stuck around. I had the guts to try. I have the guts to lose. You, you just run. Well, guess what, Carrie? People who are actually playing the game lose. We all lose. We lose all the time. That is life. So we are not the same, Soto. I have courage. You’re just good at tennis.
Taylor Jenkins Reid (Carrie Soto Is Back)
want you out of Velaris,” Feyre breathed, her voice shaking. Nesta tried—tried and failed—not to feel the blow, the sting of the words. Though she didn’t know why she was surprised by it. There were no paintings of her in this house, they did not invite her to parties or dinners anymore, they certainly didn’t visit— “And where,” Nesta asked, her voice mercifully icy, “am I supposed to go?” Feyre only looked to Cassian. And for once, the Illyrian warrior wasn’t grinning as he said, “You’re coming with me to the Illyrian Mountains.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
He made her want to laugh and sing and shake the world with her voice.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Give me the gun." Michael put a hand out, his voice soft. Tension rode on the sunlight as she listened to Hunter's breathing shake. "It's okay," said Michael. "You don't want to do this." Inch by inch, Hunter lowered the gun into Michael's palm, finally letting go. Michael didn't move. "You alright?" Hunter nodded. "Good." Michael wrapped his hand around the hilt. Then he lifted it, cocked the hammer, and put the barrel against Hunter's forehead. "Now where the f*** are my brothers?
Brigid Kemmerer (Storm (Elemental, #1))
I rested my chin on my shoulder, not quite fully looking at his face. "They don't disgust you?" I whispered, my voice shaking. He rested one hand on my other shoulder and the other on my arm and leaned forward, gently pressing his lips into the center of my brand. "Nothing about you could disgust me," he whispered against my neck.
Keary Taylor (Branded (Fall of Angels, #1))
Away! Away! The spell of arms and voices: the white arms of roads, their promise of close embraces and the black arms of tall ships that stand against the moon, their tale of distant nations. They are held out to say: We are alone. Come. And the voices say with them: We are your kinsmen. And the air is thick with their company as they call to me, their kinsman, making ready to go, shaking the wings of their exultant and terrible youth... Welcome, O life! I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race.
James Joyce (A Portrait of the Artist as a Young Man)
So,” he said, shaking his head. “I’m too much for you. You should have said something. We might be married, Mercy, but no still means no.” I widened my eyes at him. “I just haven’t wanted to hurt your feelings.” “When I give you that little nudge, hmm?” His voice took on a considering air. “Come to think of it, I’m feeling a little nudge coming on right now.” “Now?” I whispered in horrified tones. I looked up toward Jesse’s room. “Think of the children.” He tilted his head as if to listen, then shook it. “They won’t hear anything from there.” He started slowly down the stairs. “Think of Darryl, Zack, Lucia, and Joel,” I said earnestly. “They’ll be scarred for life.” “You know what they say about werewolves,” he told me gravely, stepping down to the ground. I broke and ran—and he was right on my tail. Figuratively speaking, of course. I don’t have a tail unless I’m in my coyote shape.
Patricia Briggs (Fire Touched (Mercy Thompson, #9))
She sang, as requested. There was much about love in the ballad: faithful love that refused to abandon its object; love that disaster could not shake; love that, in calamity, waxed fonder, in poverty clung closer. The words were set to a fine old air -- in themselves they were simple and sweet: perhaps, when read, they wanted force; when well sung, they wanted nothing. Shirley sang them well: she breathed into the feeling, softness, she poured round the passion, force: her voice was fine that evening; its expression dramatic: she impressed all, and charmed one. On leaving the instrument, she went to the fire, and sat down on a seat -- semi-stool, semi-cushion: the ladies were round her -- none of them spoke. The Misses Sympson and the Misses Nunnely looked upon her, as quiet poultry might look on an egret, an ibis, or any other strange fowl. What made her sing so? They never sang so. Was it proper to sing with such expression, with such originality -- so unlike a school girl? Decidedly not: it was strange, it was unusual. What was strange must be wrong; what was unusual must be improper. Shirley was judged.
Charlotte Brontë (Shirley)
His mother shakes her head. “Everyone thinks they know what’s best. Everyone.” And then a voice behind him says, “Sometimes you need to find out that you don’t, though.
Patrick Ness (More Than This)
I can’t tell you the day that I fell in love with you because there wasn’t a single day that I didn’t.” My voice shakes with more joy than I’ve ever known. “You have the purest parts of my heart, and I’m certain that in every alternate universe, I’m always, always in love with you.
Krista Ritchie (Addicted After All (Addicted, #5))
Nick could see the gun shaking in Alan's hand now, in tight, terrified spasms. "Last night we put a magician in the river," Alan said, his voice low and intense as if he was making a promise."Maybe we should send you to join him." "You know the rules," the woman whispered. "Don't shoot the messenger." Nick interrupted, leaning down to speak in her ear. "Do they say 'Don't cut the messenger in half with your great big sword'?
Sarah Rees Brennan (The Demon's Lexicon)
Lancelot grasps my face in both palms and holds it tight. “Come back, Bree. Come back to us.” My root has left me. The only thing of my own here, the only thing that kept me safe in this hellscape. “No…” I shake my head. “Please.” Merlin’s voice is nearly unrecognizable. “Come back to us.
Tracy Deonn (Bloodmarked (The Legendborn Cycle, #2))
She felt as if she had been crying without end for minutes now. Yet this parting, this final farewell ... Aelin looked at Chaol and Dorian and sobbed. Opened her arms to them, and wept as they held each other. “I love you both,” she whispered. “And no matter what may happen, no matter how far we may be, that will never change.” “We will see you again,” Chaol said, but even his voice was thick with tears. “Together,” Dorian breathed, shaking. “We’ll rebuild this world together.” She couldn’t stand it, this ache in her chest. But she made herself pull away and smile at their tear-streaked faces, a hand on her heart. “Thank you for all you have done for me.” Dorian bowed his head. “Those are words I’d never thought I’d hear from you.” She barked a rasping laugh, and gave him a shove. “You’re a king now. Such insults are beneath you.” He grinned, wiping at his face. Aelin smiled at Chaol, at his wife waiting beyond him. “I wish you every happiness,” she said to him. To them both. Such light shone in Chaol’s bronze eyes—that she had never seen before. “We will see each other again,” he repeated. Then he and Dorian turned toward their horses, toward the bright day beyond the castle gates. Toward their kingdom to the south. Shattered now, but not forever. Not forever.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Hey!" Lauren Moffat's voice, sounding noticeably irritated, floated up to us. "What-ew! What's in my hair?" We all three ducked beneath our table so Lauren couldn't see us if she realized what was happening and looked up. I could see her between the slits of the fencing around the balcony, but I knew she couldn't see me. She was shaking out her hair. Becca, crouching across from me, had to put her hands across her mouth to keep from giggling. Jason looked like he was about to pee in his pants, he was trying so hard not to laugh. What's the matter, babe?" Mark came out from beneath the balcony, putting his wallet into his back pocket. There's something--sand or something-in my hair," Lauren said, still fluffing out her hair-which you could tell she didn't want to do, since she flat-ironed it so straight. Mark leaned in closer to examine Lauren's hair. "Looks okay to me," he said. Which just made us laugh harder, until tears were streaming out of the corners of our eyes.
Meg Cabot
The skies were filled with an unreal fire; blue, burnt with amber, red, orange and yellow. This fire was no natural thing. It clawed across the sky, and below it all life shivered and retreated. The land lay scorched, the mountains and glens trembling. The man stood pale in the false light, a statue, watching. Then he moved, shaking off the stillness, and looked towards the power that shook the world. His clenched fist opened and clean white light leapt to the sky. A huge concussion rocked the mountains. All light was quenched. The sky turned black, then clear and blue. A distant rainbow promised that all was well and God still cared for this lost land. Alastair Munro fell back, the soft heather a safety net, all power gone, all anger lost. Angus Ferguson was beside him as ever, a reassuring voice, a reminder of why Munro was there, why he must go on, why this was his destiny
Robert Reid (White Light Red Fire)
What do you do?' she asks, holding out the vest. 'What do you do?' 'What do you do?' she asks, her voice shaking. 'Don't ask me, please. Okay, Clay?' 'Why not?' She sits on the mattress after I get up. Muriel screams. 'Because... I don't know,' she sighs. I look at her and don't feel anything and walk out with my vest.
Bret Easton Ellis (Less Than Zero)
Bridge knew why she was here. It’s why we’re all here, she thought. Call it Mr. Partridge with his black-and-white cookies. Call it Em standing on that stage with her knees shaking but her voice strong. Call it Jamie looking awkward in the doorway of her bedroom after she’d had the mummy nightmare. Call it love.
Rebecca Stead (Goodbye Stranger)
What about you? What do you do?” I needed to ask questions, draw him out. I needed to find out all the information I could. My voice sounded strong and smooth, but my hands were shaking. I put them in my lap so he couldn’t see. “I prey on innocent villagers and terrify their children,” he said with a nasty smile. “And sometimes when I’m feeling really evil, I read books or paint.
Kate Avery Ellison (The Curse Girl)
I do not have friends,” he says. “Why can’t you try?” He shakes his head. “Why? Why not give it a chance—” “Because I am afraid,” he finally says, voice shaking, “that your friendship would be the end of me.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
If there was hope, it must lie in the proles, because only there, in those swarming disregarded masses, eighty-five percent of the population of Oceania, could the force to destroy the Party ever be generated. The Party could not be overthrown from within. Its enemies, if it had any enemies, had no way of coming together or even of identifying one another. Even if the legendary Brotherhood existed, as just possibly it might, it was inconceivable that its members could ever assemble in larger numbers than twos and threes. Rebellion meant a look in the eyes, an inflection of the voice; at the most, an occasional whispered word. But the proles, if only they could somehow become conscious of their own strength, would have no need to conspire. They need only to rise up and shake themselves like a horse shaking off flies. If they chose they could blow the Party to pieces tomorrow morning. Surely sooner or later it must occur to them to do it.
George Orwell (1984)
That doesn't sound fair," says Peter. "What if one person only has seven fears and someone else has twenty? That's not their fault." Four stares at him for a few seconds and then laughs. "Do you really want to talk to me about what's fair?" The crowd of initiates parts to make way for him as he walks toward Peter, folds his arms,and says,in a deadly voice, "I understand why you're worried, Peter.The events of last night certainly proved that you are a miserable coward." Peter stares back,expressionless. "So now we all know," says Four, quietly, "that you are afraid of a short, skinny girl from Abnegation." His mouth curls in a smile. Will puts his arm around me. Christina's shoulders shake with suppressed laughter. And somewhere within me,I find a smile too.
Veronica Roth (Divergent (Divergent, #1))
have been degraded and humiliated in so many ways, for so many years,” she said, voice shaking. Not from fear, but from the tidal wave that swept up everything inside her, burning alongside the wound in her leg. “But I have never felt as humiliated as I did when you threw me into the snow. When you called me a lying bitch in front of our friends and allies. Never.” She hated the angry tears that stung her eyes. “I was once forced to crawl before men. And gods above, I nearly crawled for you these months. And yet it takes me nearly dying for you to realize that you’ve been an ass? It takes me nearly dying for you to see me as human again?
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Betsy liked to read her stories aloud and she read them like an actress. She made her voice low and thrillingly deep. She made it shake with emotion. She laughed mockingly and sobbed wildly when the occasion required.
Maud Hart Lovelace (Betsy and Tacy Go Downtown (Betsy-Tacy, #4))
Pride is just a shout into the wind.” He shakes his head, voice deepening. “I will die. You will die. We will all die and the universe will carry on without care. All that we have is that shout into the wind—how we live. How we go. And how we stand before we fall.” He leans forward. “So you see, pride is the only thing.” His eyes leave mine and look across the room. “Pride, and women.
Pierce Brown (Golden Son (Red Rising Saga, #2))
He shakes his head. “I want things to be different. If you want me to apologize, I’ll do it until I lose my fucking voice. I just want things to be right between us. Talk to me. Help me fix this.
Leisa Rayven (Bad Romeo (Starcrossed, #1))
He missed you just as I did. He worried about you just as I worried. He looked for you. Tried to find you. Just as I did. But you were gone.” She took a step toward him. “You think he left you? It was you who left, Michael. You left us.” Her voice was shaking now, all the anger and sadness and fear she had felt in those months, those years after Michael had disappeared. “You left me.” She put her hands to his chest, pushing him with all her might, with all her anger. “And I missed you so much. I missed you so much. I still do, damn you.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
Hold everything very carefully unless it is your lover’s back. Then, become metal, become teeth, do not gentle yourself for any man. Do not change for the ones who think that you should be softer, less mouth, less voice. You do not owe regrowth to anyone but yourself. When they begin to ask for you to shape yourself around them, leave. Shut the door firmly. Do not look back.
Azra Tabassum (Shaking the Trees)
I might be falling in love with you," I whisper, finding it hard to focus on his face. "Kate," he says, almost sadly. "what? You might be falling in love with me too?" My voice is hopeful, pathetically hopeful. He shakes his head. "You aren't falling in love with me?" He doesn't respond. I touch his face carefully with the tips of my fingers. His skin is incredibly soft above the line of hard jawbone. I touch his silky black hair. His eyes close and i want to kiss his eyes, but I'm afraid. Afraid of all this. This could destroy me. He opens his eyes. "Kate, I'm already in love with you.
Cindy Martinusen Coloma (Caleb + Kate)
I want to get good grades. Graduate. Get a job in whichever field my strengths lie." His brows furrow, like he doesn't quite believe me. "Not what you're passionate about?" he asks delicately. I lift my chin. "I'm passionate about being good at things." There's a defensive edge in my voice, and Mr. Chen must hear it. He drops the subject. "Well, all right then. I suppose I should let you go to lunch..." "Thanks, Mr. Chen." But as I turn to leave, he adds, very quietly, "You're still a kid, you know." I falter. "what?" His eyes are kind, almost sad when he looks at me. "Even if it doesn't feel that way now, you're still only a kid." He shakes his head. "you're too young to be this hardened by the world. You should be free to dream. To hope.
Ann Liang (If You Could See the Sun)
Forgive our gawking,” said a man with a vicious scar running down his face. “Galen is usually eating so much he has no time for speech.” Laughter filled the hall, and Reaghan glanced over to find Galen shaking his head as he smiled. “Eating?” she asked. “Doona pay Malcolm a bit of attention,” Galen said, his gaze indifferent and his voice heavy with nonchalance. “He lies.
Donna Grant (Shadow Highlander (Dark Sword, #5))
I feel it, too,” he said, as if reading my mind. “It’s inside of me. Burning like a fever I can’t shake. It’s a spiteful, prideful anger that refuses to admit the truth.” “What truth?” I asked, my voice shaky. Nervous. “That I would kill for you without a beat of hesitation, or remorse. And yet, at the same time, I could be reduced to nothing more than a pile of ash without you. I’m weak for you, Lilia.
Keri Lake (Nocticadia)
I forbid you to go." "I am not yours to forbid. Comfort your pride with your conquest!" "Felicia!" The raw anguish of it stopped me. Tears were threatening to spill from my eyes so that I had to bend my head, fighting for self-control, and I did not hear him come up beside me. His hand touched my shoulder, then dropped again as I shivered. "Does this look like pride?" His voice was shaking. "Or must I grovel?" He was on his knees at my feet, and as I watched he lifted the hem of my gown to his lips and kissed it. I made some sort of sound in my throat, but I could not speak. "You cannot go." He spoke in a whisper, without lifting his head. "I love you. I have always loved you--I bought you from your vile brother because I could not live without you." As I stared down at his bowed, bright head, the earth shook under my feet. This could not be happening, I thought.
Teresa Denys (The Silver Devil)
Awake Shake dreams from your hair My pretty child, my sweet one. Choose the day and choose the sign of your day The day’s divinity First thing you see. A vast radiant beach in a cool jeweled moon Couples naked race down by it’s quiet side And we laugh like soft, mad children Smug in the woolly cotton brains of infancy The music and voices are all around us. Choose, they croon, the Ancient Ones The time has come again Choose now, they croon, Beneath the moon Beside an ancient lake Enter again the sweet forest Enter the hot dream Come with us Everything is broken up and dances.
The Doors
Perry...," Aria said, covering his hand. "Peregrine... you are kind. You put your life at risk for Talon and Cinder. For me. You did it when you didn't even like me. You worry about your tribe. You ache for Roar and your sister. I know you do. I saw it in your face every time Roar spoke of Live." Her voice was shaking. She swallowed the lump in her throat. "You are good, Peregrine." He shook his head. "You've seen me." "I have. And I know your heart is good.
Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
She turned and looked at Deuce, giving him a helpless gesture. “What the hell is going on?” “Livi, you remember my brother, Ty. This is his partner, Zane Garrett.” “Hi,” Zane offered in a low voice that sent a shiver up Ty’s spine. “And these are their… friends, Julian and Cameron,” Deuce said as he waved at the other two men. “Nice to meet you,” Cameron mumbled. She greeted them each, overwhelmed by the surprise, then looked at the doorknob and the string of straws, shaking her head. “What is all this?” “It was a security measure. We’re running from the CIA,” Ty told her, not even attempting to spare her. “They’re trying to kill us.” “Well, kill him, specifically,” Zane added as he pointed at Julian. “I sell antiques,” Julian said, monotone. She narrowed her eyes, looking amongst them and then at Deuce. “Is this some sort of boys’ weekend that I’m not supposed to intrude on? Because I can totally leave before they hurt themselves trying to lie convincingly.” Deuce gave her a warm smile and shook his head. “I think the only one lying is him,” he said, pointing at Julian.
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
The summer came to life. It burst from gray to fierce blue and gold in the blink of an eye; the air pealed with grasshoppers and lawnmowers, swirled with branches and bees and dandelion seeds, it was soft and sweet as whipped cream, and over the wall the wood was calling us in the loudest of silent voices, it was shaking out all its best treasures to welcome us home. Summer tossed out a fountain of ivy tendrils, caught us straight under the breastbones and tugged; summer, redeemed and unfurling in front of us, a million years long.
Tana French (In the Woods)
So sweet is this song that no one could resist it. For in it is all the passionate ache for the moonlight, and the great hunger of the sea, and the terror of desolate places,—all things that lure men to the unattainable. Omari tessala marax, tessala dodi phornepax amri radara poliax armana piliu amri radara piliu son; mari narya barbiton madara anaphax sarpedon andala hriliu Translation: I am the harlot that shaketh Death. This shaking giveth the Peace of Satiate Lust. Immortality jetteth from my skull, And music from my vulva. Immortality jetteth from my vulva also, For my Whoredom is a sweet scent like a seven-stringed instrument, Played unto God the Invisible, the all-ruler, That goeth along giving the shrill scream of orgasm. Every man that hath seen me forgetteth me never, and I appear oftentimes in the coals of the fire, and upon the smooth white skin of woman, and in the constancy of the waterfall, and in the emptiness of deserts and marshes, and upon great cliffs that look seaward; and in many strange places, where men seek me not. And many thousand times he beholdeth me not. And at last I smite myself into him as a vision smiteth into a stone, and whom I call must follow.
Aleister Crowley (The Vision and the Voice: With Commentary and Other Papers (Equinox IV:2))
I came to get you. I knew you'd freak out." "But..." My head still feels like a helium balloon. "Why?" Nick looks blank. "Because you always freak out." I shake my head. My voice feels like I've swallowed it. "I mean, why do you care if I freak out?" There's a long silence. "Well," Wilbur finally bursts, "I can take a shot in the dark, if you want." "Seriously," Nick snaps, making his fingers into a gun shape. "I'm going to take a shot in the dark in a minute and it will make contact." Wilbur looks charmed. "Isn't he adorable?" he says fondly. "My duty as Fairy Godmother is complete, anyhoo, and I believe it's time to spread my magic dust elsewhere. So many pumpkins after all; so little time.
Holly Smale (Geek Girl (Geek Girl, #1))
Juliette-Julietter, love, wake up-wake up" ... Warner's hands cup my face. The warmth of his skin helps calm me somehow, and I finally feel my heart rate begin to slow. "Look at me." he says. I force myself to meet his eyes, shaking as I catch my breath. "It's okay," he whispers, still holding my cheeks. "It was just a bad dream. Try closing your mouth," he says, "and breathing through your nose." He nods. "There you go. Easy. You're okay." His voice is so soft, so melodic, so inexplicably tender. ... "I won't let you go until you are ready," he tells me. "Don't worry take your time.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
After I binged last night -or was it tonight - I was convinced yet again that there were people coming to get me. It was more than just shadows and voices, more than just fantasies....it was real, and I was scared to my core. My bones were shaking...m heart was pounding...I thought I was going to explode. I'm glad I have you to talk to, to write this down. I tried to keep it all together, but then I gave in to the manes and became one with my insanity.
Nikki Sixx (The Heroin Diaries: A Year in the Life of a Shattered Rock Star)
Do you know how long I’ve been telling myself you hated me? Or how hard it’s been to keep believing it? You’d do things, these amazing, insane things, like stealing me back from Blind Michael or breaking me out of jail, and I’d say, ‘Oh, he just wants to pay his debts,’ or, ‘Oh, who knows what a cat is thinking?’” My voice broke a little on the last word. Dammit. Tybalt’s eyes widened, hope kindling in their depths. “What are you saying?” “I’m saying— oak and ash, Tybalt, I’m saying I’m in love with you, I’ve been in love with you for a while, and the only way I was dealing with it was by not dealing with it, ever.” I shook my head. “I knew I’d never have you, so I told myself I didn’t want you, and if you don’t really want me, if you want some idea of me, or just want to chase and not catch, I’ll understand, but this has been a hard week, Tybalt, this has been such a hard week. I’ve been waiting for you to come here, because I need you to tell me. Okay? Just tell me what you want.” “Oh, October. Toby. My Toby.” He pulled one hand from mine, reaching up to tuck my hair behind my ear. His fingers were shaking. That was what I focused on, more than anything else. His fingers were shaking. “Do you think I’m cruel enough to do that to you?” I sniffled. “No,” I admitted. “Thank Oberon,” he said, and pulled me close, and kissed me.
Seanan McGuire (Ashes of Honor (October Daye, #6))
Of course I wasn't pretending!” The words exploded out of her before she could stop them. Heat spread across her cheeks. Cas's mouth had been open, ready with a reply, and he snapped it shut. She cleared her throat. She'd already embarrassed herself horribly, might as well finish it off. “I fully intended to ignore you, but it turns out you're very hard to ignore. I never pretended to feel anything for you, Cas. All of that was real, and definitely never part of the plan. And I should have...” A lump formed in her throat, and she swallowed, her voice shaking. “I should have warned you about the attack. I should have trusted you. I'm sorry.
Amy Tintera (Ruined (Ruined, #1))
Harry just blinked and shook his head, bewildered, and went with the flow. Sara looked at her son, her only child, with a tangible earnestness, the grin and grinding gone, replaced with a plea that softened her eyes and calmed her voice, Its not the prizes Harry. It doesn’t make any difference if I win or lose or if I just shake hands with the announcer. Its like a reason to get up in the morning.
Hubert Selby Jr. (Requiem for a Dream)
Decebel looked over at Fane. "A face tu fiecare a lua ce ei say?(Do you ever get what they say?)" Fane smiled at his Beta. "Nu mai incerce sa, (No longer try)." "Good call." Decebel nodded. Jen looked over at Decebel, her eyes narrowing. "No talking in foreign tongue when around the Americans." Decebel leaned towards her, the gleam in his eyes causing Jen to tremble. "But Jennifer, I thought you spoke Romanian." He looked around at Sally and Jacque. "Weren't you two under the impression that she spoke Romanian?" Jacque and Sally nodded despite the daggers Jen was staring their way. "That was thoroughly impressed upon us, wouldn't you say, Sally?" Jacque turned to look at her. "Wait. Uh yeah, I distinctly remember a bar...vodka...and I'm almost positive Jen speaking in Romanian to the hot bartender." Sally was grinning from ear to ear as Jen's face grew red. "I hope you two aren't attached to your undergarments because I just got the sudden urge to have a bonfire," Jen growled out. "Note to self: hide underwear." "Or you could just solve that problem by not wearing any." Jacque heard Fane's voice through their bond. Her jaw dropped open and her face turned bright red as she turned to look at her mate. Jen looked at Sally. "Looks like Fane had a suggestion about the princess' undergarments. If I had my guess, I'd say he told her I couldn't burn them if she didn't own any." If Jacque could've turned any redder she would have. "How? What..." Jacque stuttered as she looked at her blonde friend, trying to figure out how she knew what Fane had been thinking. "It's a gift, Watson. But really what it boils down to is when it comes to chicks and underwear, guys will always say they don't mix." Decebel coughed as he choked on his laughter while Fane had buried his face in Jacque's back, his shoulders shaking. Jacque and Sally both looked at their friend with open mouths.
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
It is magnificent. At the moment of impact, the king's eyes are open, his body braced for the atteint; he takes the blow perfectly, its force absorbed by a body securely armoured, moving in the right direction, moving at the right speed. His colour does not alter. His voice does not shake. "Healthy?" he says. "Then I thank God for his favour to us. As I thank you, my lords, for this comfortable intelligence." He thinks, Henry has been rehearsing. I suppose we all have. The king walks away towards his own rooms. Says over his shoulder, "Call her Elizabeth. Cancel the jousts.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
The shot doesn't come. He stares at me with the same ferocity but doesn't move. Why doesn't he shoot me? His heart pounds against my palms,and my own heart lifts. He is Divergent. He can fight this simulation.Any simulation. "Tobias," I say. "It's me." I step forward and wrap my arms around him. His body is stiff. His heart beats faster. I can feel it against my cheek. A thud against my cheek. A thud as the gun hits the floor.He grabs my shoulders-too hard, his fingers digging into my skin where the bullet was. I cry out as he pulls me back. Maybe he means to kill me in some crueler way. "Tris," he says,and it's him again. His mouth collides with mine. His arm wraps around me and he lifts me up, holding me against him, his hands clutching at my back. His face and the back of his neck are slick with sweat, his body is shaking,and my shoulder blazes with pain,but I don't care,I don't care,I don't care. He sets me down and stares at me, his fingers brushing over my forehead, my eyebrows,my cheeks, my lips. Something like a sob and a sigh and a moan escapes him,and he kisses me again. His eyes are bright with tears. I never thought I would see Tobias cry. It makes me hurt. I pull myself to his chest and cry into his shirt. All the throbbing in my head comes back,and the ache in my shoulder,and I feel like my body weight doubles.I lean against him, and he supports me. "How did you do it?" I say. "I don't know," he says. "I just hear your voice.
Veronica Roth (Divergent (Divergent, #1))
Oh my God! Issie's a bunny, isn't she? Do they have those? Do they have werebunnies?" "Big leap there,Zare." Nick cracks up. He shakes with laughter. I pout. "She'd be a good bunny." "True.But it's not her.It's Devyn." "Devyn? Devyn is cute and normal." He scrapes at the bottom of the hash pan. His voice comes out dead calm. "He's an eagle." "Oh.Okay.I am not going to freak out about this, but let me say that I am surprised." "Because he's in a wheelchair?" "No! Because he's a bird.
Carrie Jones (Need (Need, #1))
Words for everyday showers of prettiness, and the kind of misty loveliness that disappears whenever you try to grasp it. Beauty that’s heralded by impressive thunder, but turns out to be all flash. And beyond all these, there’d be this word . . . a word that even the most grizzled, wizened elders might have uttered twice in their lifetimes, and in hushed, fearful tones at that. A word for a sudden, cataclysmic torrent of beauty with the power to change landscapes. Make plains out of valleys and alter the course of rivers and leave people clinging to trees, alive and resentful, shaking their fists at the heavens.” A hint of sensual frustration roughened his voice. “And I will curse the gods along with them, Min. Some wild monsoon raged through me as I looked at you just now. It’s left me rearranged inside, and I don’t have a map.
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
Mr. Gray,” I mutter. He’s smiling again like the Big Bad Wolf who wants to eat me. And boy, do I want him to eat m– “I just happened to be in the area,” he says, cutting off my internal monologue. “I needed to pick up a few supplies, and here you are. What a pleasant surprise.” His voice is cool and husky like a Wendy’s Frosty shake, with just a little bit of grit (also like a Frosty).
Andrew Shaffer (Fifty-one Shades: A Parody (First Three Chapters))
Lily slumped, putting her shaking hands on his shoulders. "But you will, won't you?" Pansy's voice broke into a sob. "Yes, Pan," Galen said quietly. "I don't like that," Pansy said. Galen stood and put his arms around the fine-boned girl, while Rose continued to comfort Lily. Oliver looked away. It was such a private moment; he hated to intrude on it. Galen was beloved by all of the sisters, but the love between him and Rose was so clear and shining that it hurt to look at them, spending their last hours together caring for the other girls.
Jessica Day George (Princess of the Silver Woods (The Princesses of Westfalin Trilogy, #3))
Well, how do we get out of this place?” Evyette’s voice shaking slightly. “We can’t.” If Kaleb felt any hopelessness he wasn’t conveying it. He looked around arduously, “Unless we find someone willing to help us.” “Oh well, that should not be a problem at all,” Tristan retorted throwing his hands up, “considering everything so far has tried to kill us!
B.C. Morin (Mark of the Princess (The Kingdom Chronicles, #1))
I am Sarkis of the Weeping Lands!” roared the servant of the sword, in a voice loud enough to shake the walls. “And you are in my way!” Cousin Alver let out a squeak and nearly fell in his haste to get off the staircase. “It is so gratifying when that works,” murmured Sarkis. “Does it not usually work?” “Not on actual warriors, no.” He started down the steps, one hand gripping Halla’s. “Normally they just yell back, ‘No one cares, come and die.
T. Kingfisher (Swordheart (Swordheart, #1))
At cocktail parties, I played the part of a successful businessman's wife to perfection. I smiled, I made polite chit-chat, and I dressed the part. Denial and rationalization were two of my most effective tools in working my way through our social obligations. I believed that playing the roles of wife and mother were the least I could do to help support Tom's career. During the day, I was a puzzle with innumerable pieces. One piece made my family a nourishing breakfast. Another piece ferried the kids to school and to soccer practice. A third piece managed to trip to the grocery store. There was also a piece that wanted to sleep for eighteen hours a day and the piece that woke up shaking from yet another nightmare. And there was the piece that attended business functions and actually fooled people into thinking I might have something constructive to offer. I was a circus performer traversing the tightwire, and I could fall off into a vortex devoid of reality at any moment. There was, and had been for a very long time, an intense sense of despair. A self-deprecating voice inside told me I had no chance of getting better. I lived in an emotional black hole. p20-21, talking about dissociative identity disorder (formerly multiple personality disorder).
Suzie Burke (Wholeness: My Healing Journey from Ritual Abuse)
So if you're trying to play games with me, I should let you know up front that it's not going to work. "What?" I frown "what are you talking abou-" "You can't play hard to get, kid." He raises his eyebrow. "I can't even touch you. Takes 'hard to get' to a whole new level, if you know what I mean." "Oh my god," I mouth, eyes closed, shaking my head. "You are insane." He falls to his knees. "Insane for your sweet, sweet love!" "Kenji" I can't lift my eyes because I'm afraid to look around, but I'm desperate for him to stop talking. To put an entire room between us at all times. I know he's joking, but I might be the only one. "What?" he says, his voice booming around the room. "Does my love embarass you?" "Please-please get up-and lower your voice-" "Hell no." "Why not?" I'm pleading now. "Because if I lower my voice, I won't be able to hear myself speak. And that," He says, "Is my faviorite part." I can't even look at him. "Don't deny my Juliette I'm a lonely man." What is wrong with you?" "You're breaking my heart." His voice is even louder now,
Tahereh Mafi
In a feast of fame and talks, Scandal flashing, raising tongue and brows. In a blast of bombing and power play, Fear and death dig more revenge. In a forgotten continent, Famine and drought devour lives. In an unfortunate eye of a rebelling weather, Crashing homes, leaving many in devastation and desperation. In a country shaking with violence, Innocent victims cry for justice and peace. In a home shaking with turmoil, Humble patient, hiding voice wants to be heard. In a tick of a second, A new breathe of life beats! To belong in this world. Constantly changing, decaying or improving? In a snap of innovation: Life goes big leap! Regression somewhere unseen, But felt in a slow, long run.
Angelica Hopes (Rhythm of a Heart, Music of a Soul)
Yes,' he said, 'a list. That way, I figure, we'll have a written record of what we've agreed upon as our goals for our relationship. So if problems arise, we'll be able to consult the lists, see which issue it corresponds to, and work out a solution from there.' I could still hear my sister talking, but her voice was fading as she led her group around the house. I said, 'But what if that doesn't work?' Jason blinked at me. Then he said, 'Why wouldn't it?' 'Because,' I said. He just looked at me. 'Because...' 'Because,' I repeated, as a breeze blew over us,' sometimes things just happen. That aren't expected. Or on the list.' 'Such as?' he asked. 'I don't know,' I said, frustrated. 'That's the point. It would be out of the blue, taking us by surprise. Something we might not be prepared for.' 'But we will be prepared,' he said, confused. 'We'll have the list.' I rolled my eyes. 'Jason,' I said. 'Macy, I'm sorry.' He stepped back, looking at me. 'I just don't understand what you're trying to say.' And then it hit me: he didn't. He had no idea. And this thought was so ludicrous, so completely unreal, that I knew it just had to be true. For Jason, there was no unexpected, no surprises. His whole life was outlined carefully, in lists and sublists, just like the ones I'd helped him go through all those weeks ago. 'It's just...' I said and stopped, shaking my head. 'It's just what?' He was waiting, genuinely wanting to know. 'Explain it to me.' But I couldn't. I'd had to learn it my own way, and so had my mother. Jason would eventually, as well. No one could tell you: you just had to go through it on your own. If you were lucky, you came out on the other side and understood. If you didn't, you kept getting thrust back, retracing those steps, until you finally got it right.
Sarah Dessen (The Truth About Forever)
When I can't fall asleep at night it’s not because of work or school or Amber or Bekah. It’s you. You’re the one that drives me crazy.” I shake my head because it makes no sense. “Have you ever thought about what people will think? What they’ll say when they see us together holding hands?” “You never struck me as the type to give a shit what everyone else thinks.” His jaw twitches for a moment before he lowers his voice and says, “I want to go everywhere with you. I want to show you off. I want to wear a cheap suit and be your escort for that ridiculous pageant.
Julie Murphy (Dumplin' (Dumplin', #1))
No," I mumble. I try to shake my head but can't, the agony making it impossible. "I want to stay awake. I want to be with you." "Do not worry. I will be here when you wake." "But you were gone before." "I was not gone. I was here and I will always be here." "How can you be so sure?" She kissed me again before answering. "Because," she says, her voice tender, "I am always with you, Ira.
Nicholas Sparks (The Longest Ride)
When love beckons to you, follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth. Like sheaves of corn he gathers you unto himself. He threshes you to make you naked. He sifts you to free you from your husks. He grinds you to whiteness. He kneads you until you are pliant; And then he assigns you to his sacred fire, that you may become sacred bread for God's sacred feast. All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's heart. But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love. When you love you should not say, "God is in my heart," but rather, "I am in the heart of God." And think not you can direct the course of love, for love, if it finds you worthy, directs your course. Love has no other desire but to fulfill itself. But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; To rest at the noon hour and meditate love's ecstasy; To return home at eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
Kahlil Gibran (The Prophet)
The voice boomed from the Throne. "One more goodbye." Together, Luce and Daniel turned to acknowledge the Throne, but the second their eyes fell upon it, the stately figure of the woman blazed into white-hot glory, and they had to shield their eyes. The Throne was indiscernible again, a gathering of light too brilliant to be gazed upon by angels. "Hey, guys." Arriane sniffed. "I think she meant for you two to say goodbye to each other." "Oh," Luce said, turning to Daniel, suddenly panicked. "Right now? We have to-" He took her hand. His wings brushed hers. He kissed the centers of her cheeks. "I'm afraid," she whispered. "What did I tell you?" She sifted through the million exchanges she and Daniel had ever shared-the good, the sad, the ugly. One rose above the clouds of her mind. She was shaking. "That you will always find me." "Yes. Always. No matter what." "Daniel-" "I can't wait to make you the love of my mortal life." "But you won't know me. You won't remember. Everything will be different." He wiped away her tear with his thumb. "And you think that will stop me?" She closed her eyes. "I love you too much to say goodbye." "It isn't goodbye." He gave her one last angelic kiss and embraced her so tightly she could hear his steady heartbeat, overlapping her own. "It's until we meet again.
Lauren Kate (Rapture (Fallen, #4))
Nicaise had picked up a gilt three-pronged fork, but had paused before sampling the dish in order to speak. The fear he'd shown of Damen at the ring seemed to still be there. His knuckles, clenched around the fork, were white. 'It's all right,' said Damen. He spoke to the boy as gently as he could. 'I'm not going to hurt you.' Nicaise stared back at him. His huge blue eyes were fringed like a whore's, or like a doe's. Around them, the table was a coloured wall of voices and laughter, courtiers caught up in their own amusements, paying them no attention. 'Good,' said Nicaise, and stabbed the fork viciously into Damen's thigh under the table. Even through a layer of cloth, it was enough to make Damen start, and instinctively grab the fork, as three drops of blood welled up. 'Excuse me a moment,' Laurent said smoothly, turning from Torveld to face Nicaise. 'I made your pet jump,' said Nicaise, smugly. Not sounding at all displeased: 'Yes, you did.' 'Whatever you're planning, it's not going to work.' 'I think it will, though. Bet you your earring.' 'If I win, you wear it,' said Nicaise. Laurent immediately lifted his cup and inclined it toward Nicaise in a little gesture sealing the bet. Damen tried to shake the bizarre impression that they were enjoying themselves. Nicaise waved an attendant over and asked for a new fork.
C.S. Pacat (Captive Prince (Captive Prince, #1))
You okay?" he says, touching my cheek. His hand cradles the side of my head, his long fingers slipping through my hair. He smiles and holds my head in place as he kisses me. Heat spreads through me slowly.And fear, buzzing like an alarm in my chest. His lips still on mine,he pushes the jacket from my shoulders.I flinch when I hear it drop,and push him back,my eyes burning. I don't know why I feel this way. I didn't feel like this when he kissed me on the train.I press my palms to my face,covering my eyes. "What? What's wrong?" I shake my head. "Don't tell me it's nothing." His voice is cold.He grabs my arm. "Hey. Look at me." I take my hands from my face and lift my eyes to his.The hurt in his eyes and the anger in his clenched jaw surprise me. "Sometimes I wonder," I say,as calmly as I can, "what's in it for you. This...whatever it is." "What's in it for me," he repeats. He steps back,shaking his head. "You're an idiot,Tris." "I am not an idiot," I say. "Which is why I know that it's a little weird that,of all the girls you could have chosen,you chose me.So if you're just looking for...um,you know...that..." "What? Sex?" He scowls at me. "You know, if that was all I wanted, you probably wouldn't be the first person I would go to." I feel like he just punched me in the stomach. Of course I'm not the first person he would go to-not the first, not the prettiest,not desirable. I press my hands to my abdomen and look away, fighting off tears. I am not the crying type.Nor am I the yelling type. I blink a few times, lower my hands, and stare up at him. "I'm going to leave now," I say quietly. And I turn toward the door. "No,Tris." He grabs my wrist and wrenches me back. I push him away,hard, but he grabs my other wrist, holding our crossed arms between us. "I'm sorry I said that," he says. "What I meant was that you aren't like that. Which I knew when I met you." "You were an obstacle in my fear landscape." My lower lip wobbles. "Did you know that?" "What?" He releases my wrists, and the hurt look is back. "You're afraid of me?" "Not you," I say. I bite my lip to keep it still. "Being with you...with anyone. I've never been involved with someone before,and...you're older, and I don't know what your expectations are,and..." "Tris," he says sternly, "I don't know what delusion you're operating under,but this is all new to me, too." "Delusion?" I repeat. "You mean you haven't..." I raise my eyebrows. "Oh. Oh.I just assumed..." That because I am so absorbed by him, everyone else must be too. "Um. You know." "Well,you assumed wrong." He looks away. His cheeks are bright,like he's embarrassed. "You can tell me anything, you know," he says. He takes my face in his hands,his fingertips cold and his palms warm. "I am kinder than I seemed in training. I promise." I believe him.But this has nothing to do with his kindness. He kisses me between the eyebrows, and on the tip of my nose,and then carefully fits his mouth to mine. I am on edge.I have electricity coursing through my veins instead of blood. I want him to kiss me,I want him to; I am afraid of where it might go.
Veronica Roth (Divergent (Divergent, #1))
IT WAS AT THIS POINT that the idea of “shaking the snow globe,” as one neuroscientist described the psychedelic experience, came to seem more attractive to me than frightening, though it was still that too. After more than half a century of its more or less constant companionship, one’s self—this ever-present voice in the head, this ceaselessly commenting, interpreting, labeling, defending I—becomes perhaps a little too familiar. I’m not talking about anything as deep as self-knowledge here. No, just about how, over time, we tend to optimize and conventionalize our responses to whatever life brings. Each of us develops our shorthand ways of slotting and processing everyday experiences and solving problems, and while this is no doubt adaptive—it helps us get the job done with a minimum of fuss—eventually it becomes rote. It dulls us. The muscles of attention atrophy.
Michael Pollan (How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence)
What do you want?” he asks, voice soft. “Everything. Charm me. Rip me open. Ruin me. Go too far.” He shudders at her words, shaking his head against them. She goes on, whispering against his skin. “You cannot understand. I am a chasm that will never be full. I am hunger. I am need. I cannot be sated. If you try, I will swallow you up. I will take all of you and want more. I will use you. I will drain you until you are nothing more than a husk.” “Use me, then,” he whispers, mouth on her throat.
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
Eloise,” Penelope said, somewhat breathless from trying to shake off Hyacinth. “Penelope.” But Eloise’s voice sounded curious. Which did not surprise Penelope; Eloise was no fool, and she was well aware that her brother’s normal modes of behavior did not include beatific smiles in her direction. “Eloise,” Hyacinth said, for no reason Penelope could deduce. “Hyacinth.” Penelope turned to her husband. “Colin.” He looked amused. “Penelope. Hyacinth.” Hyacinth grinned. “Colin.” And then: “Sir Phillip.” “Ladies.” Sir Phillip, it seemed, favored brevity. “Stop!” Eloise burst out. “What is going on?” “A recitation of our Christian names, apparently,” Hyacinth said.
Julia Quinn (Romancing Mister Bridgerton: The 2nd Epilogue (Bridgertons, #4.5))
Marked.” My face was on fire, my limbs shaking. “All of you. I will take all of you out with my own bare hands!” There was laughter building in Bram’s voice as he responded. “As cute as I’m sure that would be, your attempt…if we thought the people who might try to trace that chip could make you absolutely, one hundred percent safe, I would carry you to them and hand you over myself.” I gingerly rested my fingertips against my forehead, breathing deeply, trying to calm myself down. “There are some very bad men out to get you, Miss Dearly.” “You have got to be kidding me.” “By the way, you have quite the vocabulary, for a princess.” He still sounded amused. This statement was random enough to get my attention. “Princess?” I asked, confused. “You know, a princess. A New Victorian girl.” My lips parted to fire off another question before it clicked. “You’re a Punk.” “Born and bred.” “Fantastic.
Lia Habel (Dearly, Departed (Gone with the Respiration, #1))
Like I said, when I get pissed I say a lotta shit I don't mean and what I said about you I didn't mean," he repeated, beginning to look as impatient as he sounded. "And like I said, you're old enough to learn you shouldn't do that," I repeated too, probably also looking impatient. "That isn't me," he replied. "Well, then, this obviously is eating you and that's your consequence because I have feelings and you walked all over them and you can't order me to shake it off so you can feel better. It's there, burned in my brain and I can't just forget it because you tell me to. So you have to live with that. You can't and want me gone, say it now because I'm beginning to like Betty and I met Shambles and Sunny and I'm having dinner with them tomorrow night and I'd rather not make ties when I'm going to need to hit the road because my boss is going to get rid of me." "Shambles and Sunny?" he asked. "Shambles and Sunny," I answered but didn't share more. "Now, can we just move on and do our best to work together and all other times avoid each other or do you want me to go?" He moved forward an inch and I again fought the urge to retreat. "Forgiveness is divine," he said softly and I'd never heard him talk soft. He had a very nice voice but when it went soft, it was beautiful. This also sucked. (BTW, in the beginning a lot of things sucked! :D) I mean Lauren uses this word 'sucks'. "I'm not divine," I returned. "I'm also not Ace and I'm not Babe. I'm Lauren. You don't like my name, don't call me anything at all. Now can I clean the danged table?" I had my head tipped back to look him in the eye but I could tell he was expending effort to hold his whole body still. Then he said in that soft voice, "I'm sorry, Ace." "Me too," I replied instantly being clear I didn't accept his apology...
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
I hurried to the southern corridor, relieved when I was safe in the blackness there. Relieved and horrified. It was really over now. I'm so afraid, I whimpered. Before Mel could respond, a heavy hand dropped on my shoulder from the darkness. "Going somewhere?" I was so tightly wound that I shrieked in terror; I was so terrified that my shriek was only a breathless little squeal. "Sorry!" Jared's arm went round my shoulders, comforting. "I'm sorry. I didn't mean to scare you." "What are you doing here?" I demanded, still breathless. "Following you. I've been following you all night." "Well, stop it now." There was a hesitation in the dark, and his arm didn't move. I shrugged out from under it, but he caught my wrist. His grip was firm; I wouldn't be able to shake free easily. "You're going to see Doc?" he asked, and there was no confusion in his question. It was obvious that he wasn't talking about a social visit. "Of course I am." I hissed the words so that he wouldn't hear the panic in my voice. "What else can I do after today?It's not going to get any better. And this isn't Jeb's decision to make." "I know. I'm on your side." It made me angry that these words still had the power to hurt me, to bring tears stinging into my eyes. I tried to hold onto the thought of Ian - he was the anchor, as Kyle somehow had been for Sunny - but it was hard with Jared's hand touching me, with the smell of him in my nose. Like trying to make out the song of one violin when the entire percussion section was bashing away... "Then let me go, Jared. Go away. I want to be alone." The words came out fierce and fast and hard. It was easy to hear that they weren't lies. "I should come with you." "You'll have Melanie back soon enough," I snapped. "I'm only asking for a few minutes, Jared. Give me that much." Another pause; his hand didn't loosen. "Wanda, I would come to be with you." The tears spilled over. I was grateful for the darkness. "It wouldn't feel that way," I whispered. "So there's no point.
Stephenie Meyer (The Host (The Host, #1))
She raised the long glass and peered back down at the harbor, at the passengers disembarking, but the image was blurry. Reluctantly, she released his hand. It felt like a promise, and she didn’t want to let go. She adjusted the lens, and her gaze caught on two figures moving down the gangplank. Their steps were graceful, their posture straight as knife blades. They moved like Suli acrobats. She drew in a sharp breath. Everything in her focused like the lens of the long glass. Her mind refused the image before her. This could not be real. It was an illusion, a false reflection, a lie made in rainbow-hued glass. She would breathe again and it would shatter. She reached for Kaz’s sleeve. She was going to fall. He had his arm around her, holding her up. Her mind split. Half of her was aware of his bare fingers on her sleeve, his dilated pupils, the brace of his body around hers. The other half was still trying to understand what she was seeing. His dark brows knitted together. “I wasn’t sure. Should I not have—” She could barely hear him over the clamor in her heart. “How?” she said, her voice raw and strange with unshed tears. “How did you find them?” “A favor, from Sturmhond. He sent out scouts. As part of our deal. If it was a mistake—” “No,” she said as the tears spilled over at last. “It was not a mistake.” “Of course, if something had gone wrong during the job, they’d be coming to retrieve your corpse.” Inej choked out a laugh. “Just let me have this.” She righted herself, her balance returning. Had she really thought the world didn’t change? She was a fool. The world was made of miracles, unexpected earthquakes, storms that came from nowhere and might reshape a continent. The boy beside her. The future before her. Anything was possible. Now Inej was shaking, her hands pressed to her mouth, watching them move up the dock toward the quay. She started forward, then turned back to Kaz. “Come with me,” she said. “Come meet them.” Kaz nodded as if steeling himself, flexed his fingers once more. “Wait,” he said. The burn of his voice was rougher than usual. “Is my tie straight?” Inej laughed, her hood falling back from her hair. “That’s the laugh,” he murmured, but she was already setting off down the quay, her feet barely touching the ground. “Mama!” she called out. “Papa!” Inej saw them turn, saw her mother grip her father’s arm. They were running toward her. Her heart was a river that carried her to the sea.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer. I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course. I didn’t feel it happen, the slip. Even if I had, I was so wrapped up in him that I couldn’t imagine pulling back or letting go of his warm skin or that moment. His touch was feather-light, stroking my skin with a kind of reverence, but the instant his lips found mine again, a single thought was enough to rocket me out of the honey-sweet haze. The memory of Clancy’s face as he had leaned in to do exactly what Liam was doing now suddenly flooded my mind, twisting its way through me until I couldn’t ignore it. Until I was seeing it play out glossy and burning like it was someone else’s memory and not mine. And then I realized—I wasn’t the only one seeing it. Liam was seeing it, too. How, how, how? That wasn’t possible, was it? Memories flowed to me, not from me. But I felt him grow still, then pull back. And I knew, I knew by the look on his face, that he had seen it. Air filled my chest. “Oh my God, I’m sorry, I didn’t want—he—” Liam caught one of my wrists and pulled me back to him, his hands cupping my cheeks. I wondered which one of us was breathing harder as he brushed my hair from my face. I tried to squirm away, ashamed of what he’d seen, and afraid of what he’d think of me. When Liam spoke, it was in a measured, would-be-calm voice. “What did he do?” “Nothing—” “Don’t lie,” he begged. “Please don’t lie to me. I felt it…my whole body. God, it was like being turned to stone. You were scared—I felt it, you were scared!” His fingers came up and wove through my hair, bringing my face close to his again. “He…” I started. “He asked to see a memory, and I let him, but when I tried to move away…I couldn’t get out, I couldn’t move, and then I blacked out. I don’t know what he did, but it hurt—it hurt so much.” Liam pulled back and pressed his lips to my forehead. I felt the muscles in his arms strain, shake. “Go to the cabin.” He didn’t let me protest. “Start packing.” “Lee—” “I’m going to find Chubs,” he said. “And the three of us are getting the hell out of here. Tonight.” “We can’t,” I said. “You know we can’t.” But he was already crashing back through the dark path. “Lee!
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
I've been avoiding you because I'm just so damn annoyed..." He shakes his head, sloshing water. The strands brush his shoulders rhythmically. "I don't want you risking yourself again. The human world...Will. It's too dangerous." Cassian takes my hand. I feel his heartbeat through the simple touch, the thud of his life meeting with mine. "You dead...it would break me." His voice whips sharply over the drum of the rainfall. "Everything I ever said to you was the truth. My feelings haven't changed for you, Jacinda. Even if you drive me crazy, here, in the pride...you're still that single bright light for me.
Sophie Jordan
The question is, shall it or shall it not be linear history. I've always thought a kaleidoscopic view might be an interesting heresey. Shake the tube and see what comes out. Chronology irritates me. There is no chronology inside my head. I am composed of myriad Claudias who spin and mix and part like sparks of sunlight on water. The pack of cards I carry around is forever shuffled and re-shuffled; there is no sequence, everything happens at once. The machines of the new technology, I understand, perform in much the same way: all knowledge is stored, to be summoned up at the flick of a key. They sound, in theory, more efficient. Some of my keys don't work; others demand pass-words, codes, random unlocking sequences. The collective past, curiously, provides these. It is public property, but it is also deeply private. We all look differently at it. My Victorians are not your Victorians. My seventeenth century is not yours. The voice of John Aubrey, of Darwin, of whoever you like, speaks in one tone to me, in another to you.
Penelope Lively (Moon Tiger)
Why do you do that?” Torrin’s voice echoes in the empty hall. His hand is holding my arm gently, not at all like Derek does. I can’t have this. I can’t. I shouldn’t have ever come here with him. I draw in a shaky breath and pull my arm away. “Do what?” “Walk away every time I ask you something personal?” I stare hard at him. “Why do you do that? He blinks. “Huh?” “Ask so many questions.” His mouth drops open and closes and five long seconds pass before he says, “It’s what people do, Quinn. When they’re getting to know each other.” I shake my head and spin toward the door. “You don’t want to get to know me.
Brooklyn Skye (Stripped (Stripped, #1))
Emily, do not sleep!’ Emily’s eyes flashed open. Fawn was twisted around on the stallion’s back and shaking her. ‘I – I’m awake. Thanks. I’m just so tired.’ ‘Hey, Em,’ Joel called, struggling to be heard over the whooshing of the Solar Stream. ‘Sing along with me.’ His deep voice rose clear and loud: ‘Ninety-nine bottles of beer on the wall, ninety-nine bottles of beer. If one of those bottles should happen to fall, there’d be ninety-eight bottles of beer on the wall . . .’ Joel looked back at Paelen. ‘C’mon, it’s easy. Sing to keep Emily awake!’ ‘Wait,’ Paelen cried. He flew closer to Joel to be heard. ‘Why are there ninety-nine bottles of beer on a wall? What wall? And what caused one to fall?’ ‘It doesn’t matter – just shut up and sing!’ Joel ordered.
Kate O'Hearn (Pegasus and the Rise of the Titans: Book 5)
Quick as a flash, Sawney Rath's eyes hardened. "Then I'm ordering you to skin Felch alive!" He took the otter's paw, closing it over the knife handle. "Obey me!" The crowded clearing became as silent as a tomb. All eyes were upon the Taggerung, awaiting his reaction to the order. Tagg turned his back on Sawney and strode to the side of the fox strung up to the beech bough. He raised the blade. Felch shut his eyes tight, his head shaking back and forth as his nerves quivered uncontrollably. With a sudden slash Tagg severed the thongs that bound him. Felch slumped to the ground in a shaking heap. Tagg's voice was flat and hard as he turned to face Sawney. "I'm sorry to disobey your order. The fox is a sorry thief, but I will not take the life of a helpless beast.
Brian Jacques (Taggerung (Redwall, #14))
Do you want-?' he starts, but she is already pushing up her dress. 'I want,' she says. 'That's my problem. I want and I want and I want.' 'What do you want?' he asks, voice soft. 'Everything. Charm me. Rip me open. Ruin me. Go too far.' He shudders at her words, shaking his head against them. She goes on, whispering against his skin. 'You cannot understand. I am a chasm that will never be full. I am hunger. I am need. I cannot be sated. IF you try, I will swallow you up. I will take all of you and want more. I will use you. I will drain you until you are nothing more than a husk.' 'Use me, then,' he whispers, mouth on her throat. Then her lips are against his, and there is no more talking for a long time.
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
Except when the freedom is one you don't choose to grant," Memeki said, more loudly this time. She was shaking herself all over, struggling to stand stright again. "You hold our hope with one claw and take it away with her other! I may be weak and doomed soon to die, but I will die as an I, not just one more nameless scarp of shell to be thrown out into the sucking mud! No matter how little a time it lasts, I will be what all these are" -she looked around at Kit and Ponch and Nita and the others-"selves unto themselves and being what matters to each other! Such a life, even a breath's worth of it, is better than anything you've ever given me!" Memeki was trembling again, but with passion with determinatin, desperate and doomed. She took a stem toward the dias, and another, her claw lifted not in that old gesture of submission, but in one more like a warrior's threat. "I will be what the Voice said I was, the Hesper I will be the Aeon of Light, the Power that made a different choice from yours. I will be the Star that did not fall, no matter how little a time the light lasts!
Diane Duane (Wizards at War (Young Wizards, #8))
Don't give me some stupid lecture about war when the person we're talking about losing is you!" I said, surprised by the savagery in my tone. At least my voice didn't shake. His face blurred and I tasted salt on my lips. It was warm, warm like Pritkin's hands coming up and framing my face, his thumbs brushing over my eyelids, soft as his fingers in my hair. "One person is not so important in the scheme of things", he said, and his voice was gentle, gentle when it never was, and that almost broke me. But you are important, I thought. And yet he couldn't see that. In Pritkin's mind, he was an experiment gone wrong, a child cast out, a man valued by his peers only for his ability to kill the things they feared. Just once, I wished he could see what I did. "Then neither is this", I said, leaning in and pressing my mouth to his, the kiss lightened by desperation and weighted down by everything he meant to me.
Karen Chance (Curse the Dawn (Cassandra Palmer, #4))
A vision had seized hold of me, like the demented fury of a hound that has sunk its teeth into the leg of a deer carcass and is shaking and tugging at the downed game so frantically that the hunter gives up trying to calm him. It was the vision of a large steamship scaling a hill under its own steam, working its way up a steep slope in the jungle, while above this natural landscape, which shatters the weak and the strong with equal ferocity, soars the voice of Caruso, silencing all the pain and all the voices of the primeval forest and drowning out all birdsong. To be more precise: bird cries, for in this setting, left unfinished and abandoned by God in wrath, the birds do not sing; they shriek in pain, and confused trees tangle with one another like battling Titans, from horizon to horizon, in a steaming creation still being formed. Fog-panting and exhausted they stand in this unreal misery - and I, like a stanza in a poem written in an unknown foreign tongue, am shaken to the core.
Werner Herzog (Conquest of the Useless: Reflections from the Making of Fitzcarraldo)
There are two girls around my age, maybe a little older, checking them out. I can’t blame them, but they’re pretty obvious about it, just watching them and talking in low voices to one another. One, a dark-haired girl whose tight clothes do a lot to emphasize the curves she has, even comes over and pushes what looks like a slip of paper into Drew’s hand. They both walk off then, giggling. “What just happened?” I ask. Nat shakes his head with a smile. “Just the Drew effect. I’ll be back in a second. I just need one more ingredient.” He heads off, leaving me with Drew. I look at him. “The Drew effect? Seriously?” “I get it most places,” he says, starting to grin but then stopping himself. “Honestly, it can get pretty annoying.”, Loving Summer by Kailin Gow
Kailin Gow (Loving Summer (Loving Summer, #1))
We would never have met," he explained, voice dropping to a husky note. "I would have gone about my life and not thought I was missing anything. You would have – you would have painted obsessively, all those transformative images, and I would be someone unimagined and unknown, and I cannot decide whether it would be trite to call that a tragedy or if I should resent you for making this – all this death – somehow bearable, tolerable for the tenuous joy I have gained. You steal my anger and leave me dazed." He stopped, took a shaking breath, then laughed. "I sound like Pan's understudy, failing to channel Shakespeare. There's no way to do more than guess what would have happened if Fisher Charteris and Madeleine Cost met one day in a world which had never feared dust, any more than we can be certain of surviving two years, or two days. I can't speak to what-ifs, but I know I will always be glad to have been here in this moment with you.
Andrea K. Höst (And All the Stars)
We created order out of chaos. We made beauty and shaped history. We kept the magic of the realms safe in our grasp. How has it come to this?" "You've not kept it safe. You've kept it to yourselves." She shakes her head to dismiss the thought. "Gemma, you may still use the power for much good. With us to help you-" "And what, pray, have you done to better the lot of others?" I ask. "You call each other sisters, but are we not all sisters? The seamstress ruining her eyesight to keep her children in porridge? The suffragists fighting for the vote? The girls younger than I who would ask for a living wage, whose working conditions are so deplorable they were locked in a burning factory? they could make use of your precious help." She holds her head high. "We would have done so. In time." I snort in disgust. "It is daunting to be a woman in any world. What good does our power do us when it must be kept secret?" "You would prefer bold voices to illusion?" "Yes.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
i dreamt that i died. for an instant, all the voices in my head stood calm, and for a moment, my heart stopped panicking, and for once in my whole life, my cheeks dried from all the tears that were falling every night ... i thought to my self: how nice it is to be finally dead, i wish i did it sooner. my brother once told me that people who commit suicide are mostly doing it for attention. that's so wrong. i'm not asking for attention, nor sympathy. when i put that blade on my shaking skin alone in my room at 3 am, you should be sure that i'm not thinking of anyone and i'm not asking for anyone's attention. all i'm doing is pushing my self to stop the pain. you see, i don't want to die too, all i want is for the pain to stop and for me to smile like everyone else. yasuko amaya - the day i decided to be God -
Unknown .
You don’t know,” I say, exasperated. “That’s why you don’t understand. You don’t know what I used to be like. You don’t know what it was like in my head. I lived in a really dark place,” I say to him. “I wasn’t safe in my own mind. I woke up every morning hoping to die and then spent the rest of the day wondering if maybe I was already dead because I couldn’t even tell the difference,” I say, more harshly than I mean to. “I had a small thread of hope and I clung to it, but the majority of my life was spent waiting around to see if someone would take pity on me.” Kenji is just staring at me, his eyes tight. “Don’t you think I’ve realized,” I say to him, angrier now, “that if I’d allowed myself to get mad a long time ago, I would’ve discovered I had the strength to break through that asylum with my own two hands?” Kenji flinches. “Don’t you think that I think about that, all the time?” I ask him, my voice shaking. “Don’t you think it kills me to know that it was my own unwillingness to recognize myself as a human being that kept me trapped for so long? For two hundred and sixty-four days, Kenji,” I say, swallowing hard. “Two hundred and sixty-four days I was in there and the whole time, I had the power to break myself out and I didn’t, because I had no idea I could. Because I never even tried. Because I let the world teach me to hate myself. I was a coward,” I say, “who needed someone else to tell me I was worth something before I took any steps to save myself. “This isn’t about Adam or Warner,” I tell him. “This is about me and what I want. This is about me finally understanding where I want to be in ten years. Because I’m going to be alive, Kenji. I will be alive in ten years, and I’m going to be happy. I’m going to be strong. And I don’t need anyone to tell me that anymore. I am enough, and I always will be.
Tahereh Mafi
People. And the brutal things we do to one another. The fence shakes against my cheek and I turn, careful to keep my gaze lifted. I don't have it in me to look at her again. Bishop is grasping the chain-link with both hands, knuckles white, his eyes closed. His whole body is wound tight as a spring, like if I reached for him he would simply break apart at the joints, splinter into a hundred pi8eces. I don't try to touch him. He lets out a yell and then another and another, loud and wild and out of control. He shakes the fence hard with both hands. His anger and frustration are more potent somehow because they are unexpected. When his scream fades into silence, he rests his forehead against the metal. "Sometimes," he says, voice raw, "I hate this place." He twists his neck and looks at me, hands still hooked in the fence above his head. "I know," I say, barely a whisper. "Me, too.
Amy Engel (The Book of Ivy (The Book of Ivy, #1))
Pigeon?” “Yeah?” A few moments passed, and then he sighed. “Nothing.” Travis hesitated. “I can’t shake this feeling,” he said under his breath. “What do you mean? Like a bad feeling?” I said, suddenly nervous. He turned to me with concern in his eyes, “I have this crazy feeling that once we get home, I’m going to wake up. Like none of this was real.” I slid my arms around his waist, running my hands up the lean muscles of his back. “Is that what you’re worried about?” He looked down to his wrist, and then glanced to the thick silver band on his left finger. “I just can’t shake the feeling that the bubble’s going to burst, and I’m going to be lying in my bed alone, wishing you were there with me.” “I don’t know what I’m going to do with you, Trav! I’ve dumped someone for you—twice—I’ve picked up and went to Vegas with you—twice—I’ve literally gone through hell and back, married you and branded myself with your name. I’m running out of ideas to prove to you that I’m yours.” A small smile graced his lips. “I love it when you say that.” “That I’m yours?” I asked. I leaned up on the balls of my feet, pressing my lips against his. “I. Am. Yours. Mrs. Travis Maddox, forever and always.” His small smile faded as he looked at the boarding gate and then down to me. “I’m gonna fuck it up, Pigeon. You’re gonna get sick of my shit.” I laughed. “I’m sick of your shit, now. I still married you.” “I thought once we got married, that I’d feel a little more reassured about losing you. But I feel like if I get on that plane….” “Travis? I love you. Let’s go home.” His eyebrows pulled in. “You won’t leave me, right? Even when I’m a pain in the ass?” “I vowed in front of God…and Elvis…that I wouldn’t, didn’t I?” His frown lightened a bit. “This is forever?” One corner of my mouth turned up. “Would it make you feel better if we made a wager?” “What kind of husband would I be if I bet against my own marriage?” I smiled. “The stupid kind. Didn’t you listen to your dad when he told you not to bet against me?” He raised an eyebrow. “So you’re that sure, huh? You’d bet on it?” I wrapped my arms around his neck and smiled against his lips. “I’d bet my first born. That’s how sure I am.” And then the peace returned. “You can’t be that sure,” he said, the anxiousness absent from his voice. I raised an eyebrow, and my mouth pulled to one side. “Wanna bet?
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
I think we're the only ones in the building," he says. "Then no one will mind when I do this!" I jump onto the desk and parade back and forth. St. Clair belts out a song, and I shimmy to the sound of his voice. When he finishes,I bow with a grand flourish. "Quick!" he says. "What?" I hop off the desk. Is Nate here? Did he see? But St. Clair runs to the stairwell. He throws open the door and screams. The ehco makes us both jump, and then together we scream again at the top of our lungs. It's exhilarating. St. Clair chases me to the elevator,and we ride it to the rooftop. He hangs back but laughs as I spit off the side, trying to hit a lingerie advertisement. The wind is fierce,and my aim is off,so I race back down two flights of stairs. Our staircase is wide and steady, so he's only a few feet behind me. We reach his floor. "Well," he says. Our conversation halts for the first time in hours. I look past him. "Um.Good night." "See you tomorrow? Late breakfast at the creperie?" "That'd be nice." "Unless-" he cuts himself off. Unless what? He's hesitant, changed his mind. The moment passes. I give him one more questioning look, but he turns away. "Okay." It's hard to keep the disappointment out of my voice. "See you in the morning." I take the steps down and glance back.He's staring at me. I lift my hand and wave. He's oddly statuesque. I push through the door to my floor,shaking my head. I don't understand why things always go from perfect to weird with us. It's like we're incapable of normal human interaction. Forget about it,Anna. The stairwell door bursts open. My heart stops. St. Clair looks nervous. "It's been a good day. This was the first good day I've had in ages." He walks slowly toward me. "I don't want it to end. I don't want to be alone right now." "Uh." I can't breathe. He stops before me,scanning my face. "Would it be okay if I stayed with you? I don't want to make you uncomfortable-" "No! I mean..." My head swims. I can hardly think straight. "Yes. Yes, of course,it's okay." St. Clair is still for a moment. And then he nods. I pull off my necklace and insert my key into the lock. He waits behind me. My hand shakes as I open the door.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Is there anything you won't do?" "I don't know." "What do you mean you don't know?" "I've never done anything like this." "Well, when you've had sex, was there anything that you didn't like doing?" For the first time in what seems to be ages, I blush. "You can tell me, Anastasia. We have to be honest with each other or this isn't going to work." I squirm uncomfortably again and stare at my knotted fingers. "Tell me," he commands. "Well...I haven't had sex before, so I don't know." My voice is small. I peek up at him, and he's gaping at me, frozen, and pale-really pale. "Never?" he whispers. T shake my head. "You're a virgin?" he breathes. I nod, flushing again. He closed his eyes and looks to be counting to ten. When he opens them again, he's angry, glaring at me. "Why the fuck didn't you tell me?" he growls
E.L. James
I gave myself a little shake. So if Gideon was carrying on as if nothing had happened—well, thanks a lot, I could do the same. “Okay, let’s get out of here,” I said brightly. “I’m cold.” I tried to push past him, but he took hold of my arm and stopped me. “Listen, about all that just now . . .” He stopped, probably hoping I was going to interrupt him. Which of course I wasn’t. I was only too keen to hear what he had to say. I also found breathing difficult when he was standing so close to me. “That kiss . . . I didn’t mean . . .” Once again it was only half a sentence. But I immediately finished it in my mind. I didn’t mean it that way. Well, obviously, but then he shouldn’t have done it, should he? It was like setting fire to a curtain and then wondering why the whole house burned down. (Okay, silly comparison.) I wasn’t going to make it any easier for him. I looked at him coolly and expectantly. That is, I tried to look at him coolly and expectantly, but I probably really had an expression on my face saying, Oh, I’m cute little Bambie, please don’t shoot me! There was nothing I could do about that. All I needed was for my lower lip to start trembling. I didn’t mean it that way! Go on, say it! But Gideon didn’t say anything. He took a hairpin out of my untidy hair (by now my complicated arrangement of strands must have looked as if a couple of birds had been nesting in it), took one strand, and wound it around his finger. With his other hand, he began stroking my fact, and then he bent down and kissed me again, this time very cautiously. I closed my eyes—and the same thing happened as before: my brain suffered that delicious break in transmission. (Well, all it was transmitting was oh, hmm, and more!) But that lasted only about ten seconds, because then a voice right beside us said, irritated, “Not starting that stuff up again, are you?
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
She tries to move toward him, but the path is covered with gravel, which slows her down. Then he turns his head and sees her. He puts down his brush and comes closer, and the closer he comes, the closer he comes, the happier she is she didn't put on mascara, she doesn't want to cry but she can't help it, she can hardly see him through the welling tears. She quickly wipes her eyes. She looks at him. He's standing two steps away. She could stretch out her hand, he'd come even closer, she could touch him. He's the same, thinner, the most beautiful man in the world, with the eyes Germain Pire described to her, a very pale blue, almost gray, quiet and gentle, with something struggling in their depths, a child, a soul of agony. His voice hasn't changed. The first thing she hears him say--it's terrible--he asks her, "You can't walk?" She shakes her head. He sighs, goes back to his painting. She pushes the wheels, moves toward the shed. He looks over at her again, he smiles. "You want to see what I'm doing?" She nods her head. "I'll show you in a little bit," he says. "But not right now, it's not finished." So while she waits, she sits up straight in her scooter, she crosses her hands in her lap, she looks at him. Yes, she looks at him, she looks at him, life is long and can still carry a great deal more on its back. She looks at him.
Sébastien Japrisot
I used to be so obsessed with making the right choice. Then, after I found out what was happening to us, I thought it proved that none of our choices in here meant anything. But I was wrong. Every single choice we made told us something about ourselves, about each other.’ She turns back to him, moves his hands in emphasis with her words. ‘Peregrine tried to tell us, but I didn’t understand. I do now. That was the point. For me to know every you. And for you to know every me. Because there’s only the two of us here, we needed to be everything to each other. And no one can be that. Not in just one life.’ Her voice shakes. ‘But we’ve lived so many, and I know you, as well as I know myself. And I know that every single version of us would choose the journey. Whatever it costs.
Catriona Silvey (Meet Me in Another Life)
Hush!’ said the Cabby. They all listened. In the darkness something was happening at last. A voice had begun to sing. It was very far away and Digory found it hard to decide from what direction it was coming. Sometimes it seemed to come from all directions at once. Sometimes he almost thought it was coming out of the earth beneath them. Its lower notes were deep enough to be the voice of the earth herself. There were no words. There was hardly even a tune. But it was, beyond comparison, the most beautiful noise he had ever heard. It was so beautiful he could hardly bear it… ‘Gawd!’ said the Cabby. ‘Ain’t it lovely?’ Then two wonders happened at the same moment. One was that the voice was suddenly joined by other voices; more voices than you could possibly count. They were in harmony with it, but far higher up the scale: cold, tingling, silvery voices. The second wonder was that the blackness overhead, all at once, was blazing with stars. They didn’t come out gently one by one, as they do on a summer evening. One moment there had been nothing but darkness; next moment a thousand, thousand points of light leaped out – single stars, constellations, and planets, brighter and bigger than any in our world. There were no clouds. The new stars and the new voices began at exactly the same time. If you had seen and heard it , as Digory did, you would have felt quite certain that it was the stars themselves who were singing, and that it was the First Voice, the deep one, which had made them appear and made them sing. ‘Glory be!’ said the Cabby. ‘I’d ha’ been a better man all my life if I’d known there were things like this.’ …Far away, and down near the horizon, the sky began to turn grey. A light wind, very fresh, began to stir. The sky, in that one place, grew slowly and steadily paler. You could see shapes of hills standing up dark against it. All the time the Voice went on singing…The eastern sky changed from white to pink and from pink to gold. The Voice rose and rose, till all the air was shaking with it. And just as it swelled to the mightiest and most glorious sound it had yet produced, the sun arose. Digory had never seen such a sun…You could imagine that it laughed for joy as it came up. And as its beams shot across the land the travellers could see for the first time what sort of place they were in. It was a valley through which a broad, swift river wound its way, flowing eastward towards the sun. Southward there were mountains, northward there were lower hills. But it was a valley of mere earth, rock and water; there was not a tree, not a bush, not a blade of grass to be seen. The earth was of many colours: they were fresh, hot and vivid. They made you feel excited; until you saw the Singer himself, and then you forgot everything else. It was a Lion. Huge, shaggy, and bright it stood facing the risen sun. Its mouth was wide open in song and it was about three hundred yards away.
C.S. Lewis (The Magician’s Nephew (Chronicles of Narnia, #6))
And you think that's worth it? Losing yourself to an Ordinary?' ... 'Between the two of us, you're the only one who seems to care about that fact.' ... 'Of course I care.' My voice is rough, raw with emotion. 'I'm weak. I nearly died today and-' I place a hand to his cheek, turning his face towards me. 'Look at me, Kai. Look at what you chose to lose yourself to. I may have seemed strong in that throne room, but I always will be an impostor among the truly powerful.' He's shaking his head, hiding his gaze from me. Both of my hands are cupping his face now. 'I worry about you Malakai.' The sound of his full name has those gray eyes fluttering closed. 'If I die----' 'Stop.' 'If I die,' I repeat sternly, 'I need you to find something else worth losing yourself to. I won't let my impending death be yours as well.' I press my forehead to his, voice breaking as I say, 'Promise me that. Please.' 'Pae.' His voice is ragged. 'I would lose my life for you before finding something else worth living for.' His fingers weave into my hair, slide along the back of my neck. 'You are my inevitable. In life and in death.
Lauren Roberts
It was unearthly, and the men were--No, they were not inhuman. Well, you know, that was the worst of it--this suspicion of their not being inhuman. It would come slowly to one. They howled, and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of their humanity--like yours--the thought of your remote kinship with this wild and passionate uproar. Ugly. Yes, it was ugly enough; but if you were man enough you would admit to yourself that there was in you just the faintest trace of a response to the terrible frankness of that noise, a dim suspicion of there being a meaning in it which you--you so remote from the night of first ages--could comprehend. And why not? The mind of man is capable of anything--because everything is in it, all the past as well as all the future. What was there after all? Joy, fear, sorrow, devotion, valor, rage--who can tell?--but truth--truth stripped of its cloak of time. Let the fool gape and shudder--the man knows, and can look on without a wink. But he must at least be as much of a man as these on the shore. He must meet that truth with his own true stuff--with his own inborn strength. Principles? Principles won't do. Acquisitions, clothes, pretty rags--rags that would fly off at the first good shake. No; you want a deliberate belief. An appeal to me in this fiendish row--is there? Very well; I hear; I admit, but I have a voice too, and for good or evil mine is the speech that cannot be silenced. Of course, a fool, what with sheer fright and fine sentiments, is always safe. Who's that grunting? You wonder I didn't go ashore for a howl and a dance? Well, no--I didn't. Fine sentiments, you say? Fine sentiments, be hanged! I had no time. I had to mess about with white-lead and strips of woolen blanket helping to put bandages on those leaky steam-pipes--I tell you.
Joseph Conrad (Heart of Darkness)
By listening to the “unspoken voice” of my body and allowing it to do what it needed to do; by not stopping the shaking, by “tracking” my inner sensations, while also allowing the completion of the defensive and orienting responses; and by feeling the “survival emotions” of rage and terror without becoming overwhelmed, I came through mercifully unscathed, both physically and emotionally. I was not only thankful; I was humbled and grateful to find that I could use my method for my own salvation. While some people are able to recover from such trauma on their own, many individuals do not. Tens of thousands of soldiers are experiencing the extreme stress and horror of war. Then too, there are the devastating occurrences of rape, sexual abuse and assault. Many of us, however, have been overwhelmed by much more “ordinary” events such as surgeries or invasive medical procedures. Orthopedic patients in a recent study, for example, showed a 52% occurrence of being diagnosed with full-on PTSD following surgery. Other traumas include falls, serious illnesses, abandonment, receiving shocking or tragic news, witnessing violence and getting into an auto accident; all can lead to PTSD. These and many other fairly common experiences are all potentially traumatizing. The inability to rebound from such events, or to be helped adequately to recover by professionals, can subject us to PTSD—along with a myriad of physical and emotional symptoms.
Peter A. Levine
Are you going to hand me over to him?" "I haven't decided yet," I teased, and he smiled again, erasing his momentary seriousness. "So, where'd you get the suit?" "Believe it or not, that lovely friend of yours, Willa," Loki said. "She brought me a whole slew of clothes last night. When I asked her why she was being so generous, she said it was out of fear that I would run around naked." I smiled. "That does sound like something you would do. Why are you wearing all black, though? Didn't you know you were going to a wedding?" "On the contrary," he said, doing his best to look unhappy. "I'm in mourning over the wedding." "Oh, because it's too late?" I asked. "No, Wendy, it's never too late." His voice was light, but his eyes were solemn. "May I cut in?" the best man asked. "No, you may not," Loki said. I'd started to move away from him, but he held fast. "Loki," I said, and my eyes widened. "I'm still dancing with her," Loki said, turning to look at him. "You can have her when I'm done." "Loki," I said again, but he was already twirling me away. "You can't do that." "I just did." He grinned. "Oh, Wendy, don't look so appalled. I'm already the rebel Prince of thine enemy. I can't do much more to tarnish my image." "You can certainly tarnish mine," I pointed out. "Never," Loki said, and it was his turn to look appalled. "I'm merely showing them how it's done." He began spinning me around the dance floor in grand arcs, my gown swirling around me. He was a brilliant dancer, moving with grace and speed. Everyone had stopped to watch us, but I didn't care. This was the way a Princess was supposed to dance on her wedding day. The song ended, switching to something by Mozart, and he slowed, almost to a stop, but he kept me in his arms. "Thank you." I smiled. My skin felt flushed from dancing, and I was a little out of breath. "That was a wonderful dance." "You're welcome," he said, staring intently at me. "You are so beautiful." "Stop," I said, looking away as my cheeks reddened. "How can you blush?" Loki asked, laughing gently. "People must tell you how beautiful you are a thousand times a day." "It's not the same," I said. "It's not the same?" Loki echoed. "Why? Because you know they don't mean it like I do?" We did stop dancing them, and neither of us said anything. Garrett came up to us. He smiled, but his eyes didn't appear happy. "Can I cut in?" Garrett asked. "Yes," Loki said, shaking off the intensity he'd had a moment ago, and grinned broadly at Garrett. "She's all yours, good sir. Take care of her." He patted Garrett on the arm once for good measure and gave me a quick smile before heading back over to the refreshment table.
Amanda Hocking (Ascend (Trylle, #3))
Should I stop?” he said. I heard voices from far away and he stopped moving his fingers. I grabbed his wrist and pressed his hand into me. “Please,” I said, “please don’t stop.” “Oh, so I shouldn’t?” he said and chuckled. “That would be cruel of me, wouldn’t it?” I felt such pressurized pain, the tingle turned to a cold numb that made me shake. “Yes,” I said and stared into his eyes, “and you’re not cruel, are you?” He bit the side of my neck and nibbled on my earlobe as he breathed heavily into my ear. “I am the cruelest man you will ever meet, Beth,” he said into my ear, “but, I will make you feel so good, you will not care.” I stared into Declan’s eyes and knew that he told the truth. And just like he said, I did not care. His fingers went back to work and I felt as if I was being dragged out to sea by this incredible undertow. It did not matter that I was drowning or in the company of the cruelest man in the world. I only cared how he made me feel and, at that moment, I never felt better.
Ava Ayers (Pretty Hate)
I stood as she straightened and snaked my arms around her, pulling her close to me, savoring the feel of every delicate curve. For three weeks, I spent my time convincing myself that our breakup was the right choice. But being this close to her, hearing her laugh, listening to her voice, I knew I had been telling myself lies. Her eyes widened when I lowered my head to hers. “It doesn’t have to be this way. We can find a way to make us work.” She tilted her head and licked her lips, whispering through shallow breaths, “You’re not playing fair.” “No, I’m not.” Echo thought too much. I threaded my fingers into her hair and kissed her, leaving her no opportunity to think about what we were doing. I wanted her to feel what I felt. To revel in the pull, the attraction. Dammit, I wanted her to undeniably love me. Her pack hit the floor with a resounding thud and her magical fingers explored my back, neck and head. Echo’s tongue danced manically with mine, hungry and excited. Her muscles stiffened when her mind caught up. I held her tighter to me, refusing to let her leave so easily again. Echo pulled her lips away, but was unable to step back from my body. “We can’t, Noah.” “Why not?” I shook her without meaning to, but if it snapped something into place, I’d shake her again. “Because everything has changed. Because nothing has changed. You have a family to save. I …” She looked away, shaking her head. “I can’t live here anymore. When I leave town, I can sleep. Do you understand what I’m saying?” I did. I understood all too well, as much as I hated it. This was why we ignored each other. When she walked away the first time, my damn heart ruptured and I swore I’d never let it happen again. Like an idiot, here I was setting off explosives. Both of my hands wove into her hair again and clutched at the soft curls. No matter how I tightened my grip, the strands kept falling from my fingers, a shower of water from the sky. I rested my forehead against hers. “I want you to be happy.” “You, too,” she whispered. I let go of her and left the main office. When I first connected with Echo, I’d promised her I would help her find her answers. I was a man of my word and Echo would soon know that.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
He slouches,' DeeDee contributes. 'True--he needs to work on his posture,' Thelma says. 'You guys,' I say. 'I'm serious,' Thelma says. 'What if you get married? Don't you want to go to fancy dinners with him and be proud?' 'You guys. We are not getting married!' 'I love his eyes,' Jolene says. 'If your kids get his blue eyes and your dark hair--wouldn't that be fabulous?' 'The thing is,' Thelma says, 'and yes, I know, this is the tricky part--but I'm thinking Bliss has to actually talk to him. Am I right? Before they have their brood of brown-haired, blue-eyed children?' I swat her. "I'm not having Mitchell's children!' 'I'm sorry--what?' Thelma says. Jolene is shaking her head and pressing back laughter. Her expressing says, Shhh, you crazy girl! But I don't care. If they're going to embarrass me, then I'll embarrass them right back. 'I said'--I raise my voice--'I am not having Mitchell Truman's children!' Jolene turns beet red, and she and DeeDee dissolve into mad giggles. 'Um, Bliss?' Thelma says. Her gaze travels upward to someone behind me. The way she sucks on her lip makes me nervous. 'Okaaay, I think maybe I won't turn around,' I announce. A person of the male persuasion clears his throat. 'Definitely not turning around,' I say. My cheeks are burning. It's freaky and alarming how much heat is radiating from one little me. 'If you change your mind, we might be able to work something out,' the person of the male persuasion says. 'About the children?' DeeDee asks. 'Or the turning around?' 'DeeDee!' Jolene says. 'Both,' says the male-persuasion person. I shrink in my chair, but I raise my hand over my head and wave. 'Um, hi,' I say to the person behind me whom I'm still not looking at. 'I'm Bliss.' Warm fingers clasp my own. 'Pleased to meet you,' says the male-persuasion person. 'I'm Mitchell.' 'Hi, Mitchell.' I try to pull my hand from his grasp, but he won't let go. 'Um, bye now!' I tug harder. No luck. Thelma, DeeDee, and Jolene are close to peeing their pants. Fine. I twist around and give Mitchell the quickest of glances. His expressions is amused, and I grow even hotter. He squeezes my hand, then lets go. 'Just keep me in the loop if you do decide to bear my children. I'm happy to help out.' With that, he stride jauntily to the food line. Once he's gone, we lost it. Peals of laughter resound from our table, and the others in the cafeteria look at us funny. We laugh harder. 'Did you see!' Thelma gasps. 'Did you see how proud he was?' 'You improve his posture!' Jolene says. 'I'm so glad, since that was my deepest desire,' I say. 'Oh my God, I'm going to have to quit school and become a nun.' 'I can't believe you waved at him,' DeeDee says. 'Your hand was like a little periscope,' Jolene says. 'Or, no--like a white surrender flag.' 'It was a surrender flag. I was surrendering myself to abject humiliation.' 'Oh, please,' Thelma says, pulling me into a sideways hug. 'Think of it this way: Now you've officially talked to him.
Lauren Myracle (Bliss (Crestview Academy, #1))
Are you okay?” he says. My breath shakes. “Do you know the story of the Prodigal Son?” “Oh my god. Rev—” “Do you?” He sighs. “I don’t remember the whole thing.” So I tell him the story. He listens. When I’m done, he says, “What does that have to do with anything?” “Which one am I?” I finally ask. “Rev—” “I didn’t stay with my father. So I’m obviously not the devoted son.” “Dude.” “But is that saying that if I went back to him, he’d welcome me with open arms? Am I supposed to be that son?” “Are you listening to yourself right now?” “No.” I study him. My voice is a breath away from breaking. “Help me, Dec. Which one am I?” His eyes are dark and serious. “Neither. Is that what you need me to say? You’re neither son. “But—” “You’re not selfish. You wouldn’t be the son who asks for his money and leaves. And you’re not spiteful. You don’t resent anyone, even the one person you should.” I flinch again. “Don’t you understand? I have to be one or the other.” “No, you don’t! You moron, there are three people in the story.” “What?” “You’re neither son, Rev. If you’re anyone, you’re the man who watched his kids act like total dicks, only to stand there with open arms and forgive them.” I’m speechless. I might be gaping at him. As many times as I’ve read that parable, I’ve never considered a third perspective. But of course it’s right there. It’s so clear. Declan pulls his pillow away from the wall, fluffs it up, and lies back down. He yawns. “Now. Tell me about the girl.
Brigid Kemmerer (More Than We Can Tell (Letters to the Lost, #2))
Much. so there is free dessert involved here." I put my hand to my forehead. "oh, that i had discovered the job first!" Ryan laughs. "tragic." want to hear something tragic? my dad is going to a Christian singles' retreat." Ryan nearly spits out his coffee. "your dad?" he is shacking. Brandon wallops him on the back a few times. Ryan holds his hands up at him, coughing. "Stop," he croaks, standing. he inhales a few times and gets his voice back. "You would have to tell me this when my mouth was full, wouldn't you?" he sits again. I smile broadly. a Christian singles' retreat?" he repeats Yep," Brandon says. "Get the name: Marley's Michigan Marriage Makers." I cover my face Ryan's expression twists. " thats.... interesting," he says slowly Hallie frowns. "If its a Christian retreat, why is it called Marley's?" Its a denomination in Michigan," Brandon says. "Marlotist. I just call them Marley for fun." I double over until my head hits the table. There is not a denomination called Marlotist," Hallie says. Is too. I visited one of their churches when I went to Michigan to ski one time," Brandon says. My eyes blur with tears from laughing so hard and holding it all in. My shoulders start shaking. Brandon levels a good kick to my shin. Ow!" I reach for my leg. What is the name of it, Laurie?" Ryan asks. Meet Your Match in Michigan" Brandon scowls at me. " Spoilsport.
Erynn Mangum (Rematch (Lauren Holbrook, #2))
Julian’s not at the house in Bel Air, but there’s a note on the door saying that he might be at some house on King’s Road. Julian’s not at the house on King’s Road either, but some guy with braces and short platinum-blond hair and a bathing suit on lifting weights is in the backyard. He puts one of the weights down and lights a cigarette and asks me if I want a Quaalude. I ask him where Julian is. There’s a girl lying by the pool on a chaise longue, blond, drunk, and she says in a really tired voice, ‘Oh, Julian could be anywhere. Does he owe you money?’ The girl has brought a television outside and is watching some movie about cavemen. ‘No,’ I tell her. ‘Well, that’s good. He promised to pay for a gram of coke I got him.’ She shakes her head. ‘Nope. He never did.’ She shakes her head again, slowly, her voice thick, a bottle of gin, half-empty, by her side. The weightlifter with the braces on asks me if I want to buy a Temple of Doom bootleg cassette. I tell him no and then ask him to tell Julian that I stopped by. The weight-lifter nods his head like he doesn’t understand and the girl asks him if he got the backstage passes to the Missing Persons concert. He says, ‘Yeah, baby,’ and she jumps in the pool. Some caveman gets thrown off a cliff and I split.
Bret Easton Ellis (Less Than Zero)
The back of my neck breaks out in a sweat, and I’m getting nervous. Why is he just standing there, staring at me? “What do you want?” I press, my tone curt. He opens his mouth but then closes it swallowing. “Pike, Jesus—” “The day you left,” he blurts out, and I stop. I wait, listening as a look of fear crosses his eyes. “The house was so empty,” he continues. “Like a quiet that was never there before. I couldn’t hear your footsteps upstairs or your hairdryer or anticipate you walking into a room. You were gone. Everything was…” he drops his eyes, “gone.” A ball lodges in my throat, and I feel tears threaten, but I tense my jaw, refusing to let it out. “But I could still feel you,” he whispers. “You were still everywhere. The container of cookies in the fridge, the backsplash you picked out, the way you put all my pictures back in the wrong spot after you dusted my bookshelves.” He smiles to himself. “But I couldn’t rearrange them, because you were the last to touch them, and I wanted everything the way you had it.” My chin trembles, and I fold my arms over my chest, hiding my balled fists under my arms. He pauses and then goes on. “Nothing would ever go back to the way it was before you came into my house. I didn’t want it to.” He shakes his head. “I went to work, and I came home, and I stayed there every night and all weekend, every weekend, because that’s where we were together. That’s where I could still feel you.” He steps closer, dropping his voice. “That’s where I could wrap myself up in you and hang on to every last thread in that house that proved you were mine for just a little while.” His tone grows thick, and I see his eyes water. “I really thought I was doing what was best,” he says, knitting his brow. “I thought I was taking advantage of you, because you’re young and beautiful and so happy and hopeful despite everything you’d been through. You made me feel like the world was a big place again.” My breathing shakes, and I don’t know what to do. I hate that he’s here. I hate that I love that he’s here. I hate him. “I couldn’t steal your life from you and keep you to myself, you know?” he explains. “But then I realized that you’re not happy or hopeful or making me feel good because you’re young. You are those things and you’re capable of those things, because you’re a good person. It’s who you are.” A tear spills over, gliding down my cheek. “Baby,” he whispers, his hands shaking. “I hope you love me, because I love you like crazy, and I’m going to want you the rest of my life. I tried to stay away, because I thought it was the right thing, but I fucking can’t. I need you, and I love you. This doesn’t happen twice, and I’m not going to be stupid again. I promise.” My chin trembles, and something lodges in my throat, and I try to hold it in, but I can’t. My face cracks, and I break down, turning away from him. The tears come like a goddamn waterfall, and I hate him. I fucking hate him. His arms are around me in a second, and he hugs me from behind, burying his face in my neck. “I’m sorry I took so long,” he whispers in my ear.
Penelope Douglas (Birthday Girl)
Oh, mention it! If I storm, you have the art of weeping." "Mr. Rochester, I must leave you." "For how long, Jane? For a few minutes, while you smooth your hair — which is somewhat dishevelled; and bathe your face — which looks feverish?" "I must leave Adele and Thornfield. I must part with you for my whole life: I must begin a new existence among strange faces and strange scenes." "Of course: I told you you should. I pass over the madness about parting from me. You mean you must become a part of me. As to the new existence, it is all right: you shall yet be my wife: I am not married. You shall be Mrs. Rochester — both virtually and nominally. I shall keep only to you so long as you and I live. You shall go to a place I have in the south of France: a whitewashed villa on the shores of the Mediterranean. There you shall live a happy, and guarded, and most innocent life. Never fear that I wish to lure you into error — to make you my mistress. Why did you shake your head? Jane, you must be reasonable, or in truth I shall again become frantic." His voice and hand quivered: his large nostrils dilated; his eye blazed: still I dared to speak. "Sir, your wife is living: that is a fact acknowledged this morning by yourself. If I lived with you as you desire, I should then be your mistress: to say otherwise is sophistical — is false." "Jane, I am not a gentle-tempered man — you forget that: I am not long-enduring; I am not cool and dispassionate. Out of pity to me and yourself, put your finger on my pulse, feel how it throbs, and — beware!" He bared his wrist, and offered it to me: the blood was forsaking his cheek and lips, they were growing livid; I was distressed on all hands. To agitate him thus deeply, by a resistance he so abhorred, was cruel: to yield was out of the question. I did what human beings do instinctively when they are driven to utter extremity — looked for aid to one higher than man: the words "God help me!" burst involuntarily from my lips. "I am a fool!" cried Mr. Rochester suddenly. "I keep telling her I am not married, and do not explain to her why. I forget she knows nothing of the character of that woman, or of the circumstances attending my infernal union with her. Oh, I am certain Jane will agree with me in opinion, when she knows all that I know! Just put your hand in mine, Janet — that I may have the evidence of touch as well as sight, to prove you are near me — and I will in a few words show you the real state of the case. Can you listen to me?" "Yes, sir; for hours if you will.
Charlotte Brontë (Jane Eyre)
My gaze flicks to the black coat he is still holding above my head to shield me from the rain. "..You do know I'm already soaked, right?" "Yes, well." He sighs and ducks his head so we are eye to eye. "As adorable as you looked blinking up at me in the rain, I want you to see me clearly when I tell you this." There goes that stupid flutter in my chest. "I meant what I said. I can't take my eyes off you. I can't take my mind off you." I look away from his burning gaze, shaking my head as I mutter, "Kai, I-" "Paedyn." I still. I shiver. He says my name like it's sacred, like it's an oath he's swearing. He tilts his head to the side, eyes roaming over my face. "Tell me." he murmurs, "what do you want me to call you?" My eyes slowly meet his, confused by his question. "What do you want to call me?" "I want to call you mine." We stare at each other. Both of us breathing hard, both of us taking int he other. The rain is still splattering Kai, clinging to his thick lashes and dripping from his jaw. "I know you feel it too," he says quietly. "Feel what?" "Feel alive. Feel on fire. Feel." There is an intensity in his eyes, his voice, that makes my heart race even faster. He looks away, cursing under his breath before his gaze crashes back into mine. "Pae, when I look at you...I'm devastated. I'm drowning. I'm dying to catch my breath.
Lauren Roberts, Powerless
Seventeen more days,” Jessi breathed wonderingly. “God, you must be climbing the . . . er, walls . . . or whatever’s in there, huh?” “Aye.” “So, just what is in there, anyway?” She tested the glass by shaking it gently, and deemed it secure enough. It shouldn’t slide now. “Stone,” he said flatly. “And what else?” “Stone. Gray. Of varying sizes.” His voice dropped to a colorless monotone. “Fifty-two thousand nine hundred and eighty-seven stones. Twenty-seven thousand two hundred and sixteen of them are a slightly paler gray than the rest. Thirty-six thousand and four are more rectangular than square. There are nine hundred and eighteen that have a vaguely hexagonal shape. Ninety-two of them have a vein of bronze running through the face. Three are cracked. Two paces from the center is a stone that protrudes slightly above the rest, over which I tripped for the first few centuries. Any other questions?” Jessi flinched as his words impacted her, taking her breath away. Her chest and throat felt suddenly tight. Uh, yeah, like, how did you stay sane in there? What kept you from going stark raving mad? How did you survive over a thousand years in such a hell? She didn’t ask because it would have been like asking a mountain why it was still standing, as it had been since the dawn of time, perhaps reshaped in subtle ways, but there, always there. Barring cataclysmic planetary upheaval, forever there. The man was strong—not just physically, but mentally and emotionally. A rock of a man, the kind a woman could lean on through the worst of times and never have to worry that things might fall apart, because a man like him simply wouldn’t let them.
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
Sir Bird preens next to me, tucking feathers into place with a low noise in his throat almost like he’s talking to himself. A slow smile spreads across Finn’s face as he rubs his knuckles—black and blue with several bruises from Sir Bird’s beak. “Let’s see,” he says, flipping through his father’s book. “Here! I’ll need some water in a shallow bowl . . . ink . . . yes, I think this is everything.” He gathers the items, then reads over the entry several times, eyebrows knit in concentration. Dipping his pen in the ink, he whispers strange words while writing on the surface of the water. The ink drips down, elongating the form of the symbols that still hover where he wrote them. I recognize one—change. But the rest I haven’t learned yet. Then, without warning, he lifts up the bowl and dumps the whole thing onto Sir Bird. Only instead of getting wet, as the water washes over his body, Sir Bird’s feathers turn . . . blue. Bright, brilliant, shimmering blue. Squawking in outrage, Sir Bird hops and flies around the room, frantically shaking his feathers. He lands on the desk with a scrabble of clawed feet, then begins trying to bite off the color. “Ha!” Finn says, pointing at his knuckles. “Now you’re black and blue, too!” I can’t help but laugh at my poor, panicking bird. Not to mention the ridiculous pettiness of Finn’s magic show. Picking up Sir Bird, I stroke his feathers and speak softly to him. “Hush now. I’ll make him fix you. You’re still very handsome, but blue isn’t your color, is it?” He caws mournfully, still pulling at his own feathers. “Finn.” He puts his hands behind his back, trying to look innocent. “What? He deserved it.” “He’s a bird. You can’t really find this much satisfaction in revenge against a bird, can you?” His voice comes out just a tad petulant. “He started it.
Kiersten White (Illusions of Fate)
I saw them,” he said. I frowned. “Saw what?” He took a deep breath as he eyed me. “The paintings.” For a moment, I didn’t get where he was going with this. Not when he traced the curve of my cheek with his thumb and not when a soft smile curved his lips. And then it hit me. “The paintings?” I swallowed and started to sit up, but he didn’t let me get very far. “The paintings at my place?” When he nodded, I felt my face heat like I was out under the summer sun. “The ones that are . . . ?” “Of me?” he supplied. I squeezed my eyes shut. “Oh my God. Seriously?” “Yes.” Mortified, I didn’t know what to say. “They were in my closet. Why were you in my closet?” “Looking for a psycho stalker,” he answered. My eyes popped opened. “That . . . that was like two weeks ago! You saw them back then and didn’t say anything.” Reece sat up, bringing me with him. Somehow my body ended up between his legs and we were face-to-face. “I didn’t say anything, because I figured you’d respond this way.” “Of course I’d respond this way! It’s embarrassing. You probably think I’m some kind of freak. A stalker—a creepy stalker who paints pictures of you when you’re not around.” “I don’t think you’re a stalker, babe.” His voice was dry. I screwed up my face. “I can’t believe you saw them.” He chuckled, and my eyes narrowed on him. “Honestly? I really didn’t know how you truly felt about me until I saw them.” My brows flew up. “I thought you were all-knowing.” Reece smirked. “I had my suspicions that you were in love with me from the first time you laid eyes on me.” “Oh dear baby Jesus in a manger,” I muttered. “But I don’t think I was a hundred percent until I saw those paintings, especially the one of me in the kitchen. You painted that after . . . after I left.” His brows lowered as he gave a little shake of his head. “It’s nothing to be embarrassed about. I think it’s sweet.
Jennifer L. Armentrout (Fall with Me (Wait for You, #4))
We used to hang out all the time. St. Clair and me.But after you arrived,I hardly saw him. He'd sit next to you in class,at lunch,at the movies. Everywhere. And even though I was suspicious,I knew the first time I heard you call him Etienne-I knew you loved him.And I knew by his response-the way his eyes lit up every time you said it-I knew he loved you,too. And I ignored it,because I didn't want to believe it." The struggle rises inside me again. "I don't know if he loves me.I don't know if he does,or if he ever did.It's all so messed up." "It's obvious he wants more than friendship." Mer takes my shaking mug. "Haven't you seen him? He suffers every time he looks at you.I've never seen anyone so miserable in my life." "That's not true." I'm remembering he said the situation with his father is really terrible right now. "He has other things on his mind,more important things." "Why aren't the two of you together?" The directness of her question throws me. "I don't know.Sometimes I think there are only so many opportunies...to get together with someone.And we've both screwed up so many times"-my voice grows quiet-"that we've missed our chance." "Anna." Mer pauses. "That is the dumbest thing I've ever heard." "But-" "But what? You love him,and he loves you, and you live in the most romantic city in the world." I shake my head. "It's not that simple." "Then let me put it another way.A gorgeous boy is in love with you, and you're not even gonna try to make it work?
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Well it seems to me that there are books that tell stories, and then there are books that tell truths...," I began. "Go on," she said "The first kind, they show you life like you want it to be. With villains getting what they deserve and the hero seeing what a fool he's been and marrying the heroine and happy ending and all that. Like Sense and Sensibility or Persuasion. But the second kind, they show you life more like it is. Like in Huckleberry Finn where Huck's pa is a no-good drunk and Jim suffers so. The first kind makes you cheerful and contented, but the second kind shakes you up." "People like happy ending, Mattie. They don't want to be shaken up." "I guess not, ma'am. It's just that there are no Captain Wentworths, are there? But there are plenty of Pap Finns. And things go well for Anne Elliot in the end, but they don't go well for most people." My voice trembled as I spoke, as it did whenever I was angry. "I feel let down sometimes. The people in the books-the heroes- they're always so...heroic. And I try to be, but..." "...you're not," Lou said, licking deviled ham off her fingers. "...no, I'm not. People in books are good and noble and unselfish, and people aren't that way... and I feel, well... hornswoggled sometimes. By Jane Austen and Charles Dickens and Louisa May Alcott. Why do writers make things sugary when life isn't that way?" I asked too loudly. "Why don't they tell the truth? Why don't they tell how a pigpen looks after the sow's eaten her children? Or how it is for a girl when her baby won't come out? Or that cancer has a smell to it? All those books, Miss Wilcox," I said, pointing at a pile of them," and I bet not one of them will tell you what cancer smells like. I can, though. It stinks. Like meat gone bad and dirty clothes and bog water all mixed together. Why doesn't anyone tell you that?" No one spoke for a few seconds. I could hear the clock ticking and the sound of my own breathing. Then Lou quietly said, "Cripes, Mattie. You oughtn't to talk like that." I realized then that Miss Wilcox had stopped smiling. Her eyes were fixed om me, and I was certain she'd decided I was morbid and dispiriting like Miss Parrish had said and that I should leave then and there. "I'm sorry, Miss Wilcox," I said, looking at the floor. "I don't mean to be coarse. I just... I don't know why I should care what happens to people in a drawing room in London or Paris or anywhere else when no one in those places cares what happens to people in Eagle Bay." Miss Wilcox's eyes were still fixed on me, only now they were shiny. Like they were the day I got my letter from Barnard. "Make them care, Mattie," she said softly. "And don't you ever be sorry.
Jennifer Donnelly (A Northern Light)
Song of myself Now I will do nothing but listen, To accrue what I hear into this song, to let sounds contribute toward it. I hear bravuras of birds, bustle of growing wheat, gossip of flames, clack of sticks cooking my meals, I hear the sound I love, the sound of the human voice, I hear all sounds running together, combined, fused or following, Sounds of the city and sounds out of the city, sounds of the day and night, Talkative young ones to those that like them, the loud laugh of work-people at their meals, The angry base of disjointed friendship, the faint tones of the sick, The judge with hands tight to the desk, his pallid lips pronouncing a death-sentence, The heave'e'yo of stevedores unlading ships by the wharves, the refrain of the anchor-lifters, The ring of alarm-bells, the cry of fire, the whirr of swift-streaking engines and hose-carts with premonitory tinkles and color'd lights, The steam-whistle, the solid roll of the train of approaching cars, The slow march play'd at the head of the association marching two and two, (They go to guard some corpse, the flag-tops are draped with black muslin.) I hear the violoncello, ('tis the young man's heart's complaint,) I hear the key'd cornet, it glides quickly in through my ears, It shakes mad-sweet pangs through my belly and breast. I hear the chorus, it is a grand opera, Ah this indeed is music--this suits me.
Walt Whitman
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
Anna Banks (Of Triton (The Syrena Legacy, #2))
It's hard to do nothing totally. Even just sitting here, like this, our bodies are churning, our minds are chattering. There's a whole commotion going on inside us." "That's bad?" I said. "It's bad if we want to know what's going on outside ourselves." "Don't we have eyes and ears for that?" She nodded. "They're okay most of the time. But sometimes they just get in the way. The earth is speaking to us, but we can't hear because of all the racket our senses are shaking. Sometimes we need to erase them, erase our senses. Then-maybe- the earth will touch us. The universe will speak. The stars will whisper." The sun was glowing orange now, clipping the mountains' purple crests. "So how do I become this nothing?" "I'm not sure,"she said "There's no one answer to that. You have to find your own way. Sometimes I try to erase myself. I imagine a big pink soft soap eraser, and it's going back and forth, back and forth, and it starts down at my toes, back and forth, back and forth, and there they go-poof!-my toes are gone. And then my feet. And then my ankles. But that's the easy part. The hard part is erasing my senses-my eyes,my ears,my nose, my tongue. And last to go is my brain. My thoughts, memories, all the voices inside my head. That's the hardest, erasing my thoughts." She chuckled faintly. "My pumpkin. And then, if I've done a good job, I'm erased. I'm gone. I'm nothing. And then the world is free to flow into me like water into and empty bowl." "And?" I said. "And I see. I hear. But not with eyes and ears. I'm not outside my world anymore, and I'm not really inside it either. The thing is, there's no difference anymore between me and the universe. The boundary is gone. I am it and it is me. I am a stone, a cactus thorn. I am rain." She smiled dreamily. "I like that most of all, being rain.
Jerry Spinelli (Stargirl (Stargirl, #1))
There is no shame in what you are feeling, Harry,' said Dumbledore's voice. 'On the contrary ... the fact that you can feel pain like this is your greatest strength.' Harry felt the white-hot anger lick his insides, blazing in the terrible emptiness, filling him with the desire to hurt Dumbledore for his calmness and his empty words. 'My greatest strength, is it?' said Harry, his voice shaking as he stared out at the Quidditch stadium, no longer seeing it. 'You haven't got a clue ... you don't know ...' 'What don't I know?' asked Dumbledore calmly. It was too much. Harry turned around, shaking with rage. 'I don't want to talk about how I feel, all right?' 'Harry, suffering like this proves you are still a man! This pain is part of being human--' 'THEN--I--DON'T --WANT--TO--BE--HUMAN!' Harry roared, and he seized the delicate silver instrument from the spindle-legged table beside him and flung it across the room; it shattered into a hundred tiny pieces against the wall. Several of the pictures let out yells of anger and fright, and the portrait of Armando Dippet said, 'Really!' 'I DON'T CARE!' Harry yelled at them, snatching up a lunascope and throwing it into the fireplace. 'I'VE HAD ENOUGH, I'VE SEEN ENOUGH, I WANT OUT, I WANT IT TO END, I DON'T CARE ANY MORE--' He seized the table on which the silver instrument had stood and threw that, too. It broke apart on the floor and the legs rolled in different directions. 'You do care,' said Dumbledore. He had not flinched or made a single move to stop Harry demolishing his office. His expression was calm, almost detached. 'You care so much you feel as though you will bleed to death with the pain of it.' 'I--DON'T!' Harry screamed, so loudly that he felt his throat might tear, and for a second he wanted to rush at Dumbledore and break him, too; shatter that calm old face, shake him, hurt him, make him feel some tiny part of the horror inside himself. 'Oh, yes, you do,' said Dumbledore, still more calmly. 'You have now lost your mother, your father, and the closest thing to a parent you have ever known. Of course you care.' 'YOU DON'T KNOW HOW I FEEL!' Harry roared. 'YOU--STANDING THERE--YOU--' But words were no longer enough, smashing things was no more help; he wanted to run, he wanted to keep running and never look back, he wanted to be somewhere he could not see the clear blue eyes staring at him, that hatefully calm old face.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there. What are you doing here? I was taking a walk and I saw you and I followed you. What do you want. I want you to stop. I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks. It's okay. I breathe hard, close my eyes, let myself be held. It's okay. Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says. Okay. Okay. Okay. Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry. It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying. She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything. It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken. THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers. You're okay. You're okay. You're okay.
James Frey
You’re not gonna believe what just happened to me,” Jase says the minute I flip my cell open, taking advantage of break at the B&T. I turn away from the picture window just in case Mr. Lennox, disregarding the break sign, will come dashing out to slap me with my first-ever demerit. “Try me.” His voice lowers. “You know how I put that lock on the door of my room? Well, Dad noticed it. Apparently. So today, I’m stocking the lawn section and he comes up and asks why it’s there.” “Uh-oh.” I catch the attention of a kid sneaking into the hot tub (there’s a strict no-one-under-sixteen policy) and shake my head sternly. He slinks away. Must be my impressive uniform. “So I say I need privacy sometimes and sometimes you and I are hanging out and we don’t want to be interrupted ten million times.” “Good answer.” “Right. I think this is going to be the end of it. But then he tells me he needs me in the back room to have a ‘talk.’” “Uh-oh again.” Jase starts to laugh. “I follow him back and he sits me down and asks if I’m being responsible. Um. With you.” Moving back into the shade of the bushes, I turn even further away from the possible gaze of Mr. Lennox. “Oh God.” “I say yeah, we’ve got it handled, it’s fine. But, seriously? I can’t believe he’s asking me this. I mean, Samantha. Jesus. My parents? Hard not to know the facts of life and all in this house. So I tell him that we’re moving slowly and—” “You told him that?” God, Jase! How am I ever going to look Mr. Garret in the eye again? Help. “He’s my dad, Samantha. Yeah. Not that I didn’t want to exit the conversation right away, but still . . .” “So what happened then?” “Well, I reminded him they’d covered that really thoroughly in school, not to mention at home, and we weren’t irresponsible people.” I close my eyes, trying to imagine having this conversation with my mother. Inconceivable. No pun intended. “So then . . . he goes on about”—Jase’s voice drops even lower—“um . . . being considerate and um . . . mutual pleasure.” “Oh my god! I would’ve died. What did you say?” I ask, wanting to know even while I’m completely distracted by the thought. Mutual pleasure, huh? What do I know about giving that? What if Shoplifting Lindy had tricks up her sleeve I know nothing about? It’s not like I can ask Mom. “State senator suffers heart attack during conversation with daughter.” “I said ‘Yes sir’ a lot. And he went on and on and on and all I could think was that any minute Tim was gonna come in and hear my dad saying things like, ‘Your mom and I find that . . . blah blah blah.’” I can’t stop laughing. “He didn’t. He did not mention your mother.” “I know!” Jase is laughing too. “I mean . . . you know how close I am to my parents, but . . . Jesus.
Huntley Fitzpatrick (My Life Next Door)
Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide? And how shall you speak of her except she be the weaver of your speech? The aggrieved and the injured say, "Beauty is kind and gentle. Like a young mother half-shy of her own glory she walks among us." And the passionate say, "Nay, beauty is a thing of might and dread. Like the tempest she shakes the earth beneath us and the sky above us." The tired and the weary say, "Beauty is of soft whisperings. She speaks in our spirit. Her voice yields to our silences like a faint light that quivers in fear of the shadow." But the restless say, "We have heard her shouting among the mountains, And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions." At night the watchmen of the city say, "Beauty shall rise with the dawn from the east." And at noontide the toilers and the wayfarers say, "We have seen her leaning over the earth from the windows of the sunset." In winter say the snow-bound, "She shall come with the spring leaping upon the hills." And in the summer heat the reapers say, "We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair." All these things have you said of beauty, Yet in truth you spoke not of her but of needs unsatisfied, And beauty is not a need but an ecstasy. It is not a mouth thirsting nor an empty hand stretched forth, But rather a heart enflamed and a soul enchanted. It is not the image you would see nor the song you would hear, But rather an image you see though you close your eyes and a song you hear though you shut your ears. It is not the sap within the furrowed bark, nor a wing attached to a claw, But rather a garden for ever in bloom and a flock of angels for ever in flight. People of Orphalese, beauty is life when life unveils her holy face. But you are life and you are the veil. Beauty is eternity gazing at itself in a mirror. But you are eternity and you are the mirror.
Kahlil Gibran (The Prophet)
the six of us are supposed to drive to the diner in Hastings for lunch. But the moment we enter the cavernous auditorium where the girls told us to meet them, my jaw drops and our plans change. “Holy shit—is that a red velvet chaise lounge?” The guys exchange a WTF look. “Um…sure?” Justin says. “Why—” I’m already sprinting toward the stage. The girls aren’t here yet, which means I have to act fast. “For fuck’s sake, get over here,” I call over my shoulder. Their footsteps echo behind me, and by the time they climb on the stage, I’ve already whipped my shirt off and am reaching for my belt buckle. I stop to fish my phone from my back pocket and toss it at Garrett, who catches it without missing a beat. “What is happening right now?” Justin bursts out. I drop trou, kick my jeans away, and dive onto the plush chair wearing nothing but my black boxer-briefs. “Quick. Take a picture.” Justin doesn’t stop shaking his head. Over and over again, and he’s blinking like an owl, as if he can’t fathom what he’s seeing. Garrett, on the other hand, knows better than to ask questions. Hell, he and Hannah spent two hours constructing origami hearts with me the other day. His lips twitch uncontrollably as he gets the phone in position. “Wait.” I pause in thought. “What do you think? Double guns, or double thumbs up?” “What is happening?” We both ignore Justin’s baffled exclamation. “Show me the thumbs up,” Garrett says. I give the camera a wolfish grin and stick up my thumbs. My best friend’s snort bounces off the auditorium walls. “Veto. Do the guns. Definitely the guns.” He takes two shots—one with flash, one without—and just like that, another romantic gesture is in the bag. As I hastily put my clothes back on, Justin rubs his temples with so much vigor it’s as if his brain has imploded. He gapes as I tug my jeans up to my hips. Gapes harder when I walk over to Garrett so I can study the pictures. I nod in approval. “Damn. I should go into modeling.” “You photograph really well,” Garrett agrees in a serious voice. “And dude, your package looks huge.” Fuck, it totally does. Justin drags both hands through his dark hair. “I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.” I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.” “You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.” “Naah, we’re just not pussies like you and your football crowd,” Garrett says sweetly. “We own our sex appeal, dude.” “Sex appeal? That was the cheesiest thing I’ve ever—no, you know what? I’m not gonna engage,” Justin grumbles. “Let’s find the girls and grab some lunch
Elle Kennedy (The Mistake (Off-Campus, #2))
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms." My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff. "No,Nate," we say. He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut. Condoms.Oh my God, how humiliating. St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that? We reach the landing,and St. Clair scratches his head. "Er..." "So..." "I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully. "Yeah.Me too.I'm going to...get ready for bed,too." "See you in a minute?" I swell with relief. "Up there or down here?" "Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him. Like I'd even know how. St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing. "Room service," he says. My mind goes...blank. "Ha ha," I say weakly. He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something. After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says. "It's okay." "..." "..." "Anna?" "Yeah?" "Thanks for letting me sleep here again. Last night..." The pressure inside my chest is torturous. What? What what what? "I haven't slept that well in ages." The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
There is strange, and yet not strange, is the kiss. It is strange because it mixes silliness with tragedy, and yet not strange because there is good reason for it. There is shaking by the hand. That should be enough. Yet a shaking of hands is not enough to give a vent to all kinds of feeling. The hand is too hard and too used to doing all things, with too little feeling and too far from the organs of taste and smell, and far from the brain, and the length of an arm from the heart. To rub a nose like the blacks, that we think is so silly, is better, but there is nothing good to the taste about the nose, only a piece of old bone pushing out of the face, and a nuisance in winter, but a friend before meals and in a garden, indeed. With the eyes we can do nothing, for if we come too near, they go crossed and everything comes twice to the sight without good from one or other. There is nothing to be done with the ear, so back we come to the mouth, and we kiss with the mouth because it is part of the head and of the organs of taste and smell. It is temple of the voice, keeper of breath and its giving out, treasurer of tastes and succulences, and home of the noble tongue. And its portals are firm, yet soft, with a warmth, of a ripeness, unlike the rest of the face, rosy, and in women with a crinkling of red tenderness, to the taste not in compare with the wild strawberry, yet if the taste of kisses went , and strawberries came the year round, half of joy would be gone from the world. There is no wonder to me that we kiss, for when mouth comes to mouth, in all its stillness, breath joins breath, and taste joins taste, warmth is enwarmed, and tongues commune in a soundless language, and those things are said that cannot find a shape, have a name, or know a life in the pitiful faults of speech.
Richard Llewellyn (How Green Was My Valley)
When I close my eyes to see, to hear, to smell, to touch a country I have known, I feel my body shake and fill with joy as if a beloved person had come near me. A rabbi was once asked the following question: ‘When you say that the Jews should return to Palestine, you mean, surely, the heavenly, the immaterial, the spiritual Palestine, our true homeland?’ The rabbi jabbed his staff into the ground in wrath and shouted, ‘No! I want the Palestine down here, the one you can touch with your hands, with its stones, its thorns and its mud!’ Neither am I nourished by fleshless, abstract memories. If I expected my mind to distill from a turbid host of bodily joys and bitternesses an immaterial, crystal-clear thought, I would die of hunger. When I close my eyes in order to enjoy a country again, my five senses, the five mouth-filled tentacles of my body, pounce upon it and bring it to me. Colors, fruits, women. The smells of orchards, of filthy narrow alleys, of armpits. Endless snows with blue, glittering reflections. Scorching, wavy deserts of sand shimmering under the hot sun. Tears, cries, songs, distant bells of mules, camels or troikas. The acrid, nauseating stench of some Mongolian cities will never leave my nostrils. And I will eternally hold in my hands – eternally, that is, until my hands rot – the melons of Bukhara, the watermelons of the Volga, the cool, dainty hand of a Japanese girl… For a time, in my early youth, I struggled to nourish my famished soul by feeding it with abstract concepts. I said that my body was a slave and that its duty was to gather raw material and bring it to the orchard of the mind to flower and bear fruit and become ideas. The more fleshless, odorless, soundless the world was that filtered into me, the more I felt I was ascending the highest peak of human endeavor. And I rejoiced. And Buddha came to be my greatest god, whom I loved and revered as an example. Deny your five senses. Empty your guts. Love nothing, hate nothing, desire nothing, hope for nothing. Breathe out and the world will be extinguished. But one night I had a dream. A hunger, a thirst, the influence of a barbarous race that had not yet become tired of the world had been secretly working within me. My mind pretended to be tired. You felt it had known everything, had become satiated, and was now smiling ironically at the cries of my peasant heart. But my guts – praised be God! – were full of blood and mud and craving. And one night I had a dream. I saw two lips without a face – large, scimitar-shaped woman’s lips. They moved. I heard a voice ask, ‘Who if your God?’ Unhesitatingly I answered, ‘Buddha!’ But the lips moved again and said: ‘No, Epaphus.’ I sprang up out of my sleep. Suddenly a great sense of joy and certainty flooded my heart. What I had been unable to find in the noisy, temptation-filled, confused world of wakefulness I had found now in the primeval, motherly embrace of the night. Since that night I have not strayed. I follow my own path and try to make up for the years of my youth that were lost in the worship of fleshless gods, alien to me and my race. Now I transubstantiate the abstract concepts into flesh and am nourished. I have learned that Epaphus, the god of touch, is my god. All the countries I have known since then I have known with my sense of touch. I feel my memories tingling, not in my head but in my fingertips and my whole skin. And as I bring back Japan to my mind, my hands tremble as if they were touching the breast of a beloved woman.
Nikos Kazantzakis (Travels in China & Japan)
I still stared at Daemon, completely aware that everyone else except him was watching me. Closely. But why wouldn’t he look at me? A razor-sharp panic clawed at my insides. No. This couldn’t be happening. No way.
 My body was moving before I even knew what I was doing. From the corner of my eye, I saw Dee shake her head and one of the Luxen males step forward, but I was propelled by an inherent need to prove that my worst fears were not coming true. After all, he’d healed me, but then I thought of what Dee had said, of how Dee had behaved with me. What if Daemon was like her? Turned into something so foreign and cold? He would’ve healed me just to make sure he was okay. I still didn’t stop.
 Please, I thought over and over again. Please. Please. Please. On shaky legs, I crossed the long room, and even though Daemon hadn’t seemed to even acknowledge my existence, I walked right up to him, my hands trembling as I placed them on his chest. “Daemon?” I whispered, voice thick. His head whipped around, and he was suddenly staring down at me. Our gazes collided once more, and for a second I saw something so raw, so painful in those beautiful eyes. And then his large hands wrapped around my upper arms. The contact seared through the shirt I wore, branding my skin, and I thought—I expected—that he would pull me against him, that he would embrace me, and even though nothing would be all right, it would be better. Daemon’s hands spasmed around my arms, and I sucked in an unsteady breath. His eyes flashed an intense green as he physically lifted me away from him, setting me back down a good foot back. I stared at him, something deep in my chest cracking. “Daemon?” He said nothing as he let go, one finger at a time, it seemed, and his hands slid off my arms. He stepped back, returning his attention to the man behind the desk. “So . . . awkward,” murmured the redhead, smirking. I was rooted to the spot in which I stood, the sting of rejection burning through my skin, shredding my insides like I was nothing more than papier-mâché. “I think someone was expecting more of a reunion,” the Luxen male behind the desk said, his voice ringing with amusement. “What do you think, Daemon?” One shoulder rose in a negligent shrug. “I don’t think anything.” My mouth opened, but there were no words. His voice, his tone, wasn’t like his sister’s, but like it had been when we first met. He used to speak to me with barely leashed annoyance, where a thin veil of tolerance dripped from every word. The rift in my chest deepened.
For the hundredth time since the Luxen arrived, Sergeant Dasher’s warning came back to me. What side would Daemon and his family stand on? A shudder worked its way down my spine. I wrapped my arms around myself, unable to truly process what had just happened. “And you?" the man asked. When no one answered, he tried again. “Katy?” I was forced to look at him, and I wanted to shrink back from his stare. “What?” I was beyond caring that my voice broke on that one word. The man smiled as he walked around the desk. My gaze flickered over to Daemon as he shifted, drawing the attention of the beautiful redhead. “Were you expecting a more personal greeting?” he asked. “Perhaps something more intimate?” I had no idea how to answer. I felt like I’d fallen into the rabbit hole, and warnings were firing off left and right. Something primal inside me recognized that I was surrounded by predators. Completely.
Jennifer L. Armentrout (Opposition (Lux, #5))
Oh, you're right. I'm just a human with thick skin, purple eyes, and hard bones. Which means you can go home. Tell Galen I said hi." Toraf opens and shuts his mouth twice. Both times it seems like he wants to say something, but his expression tells me his brain isn't cooperating. When his mouth snaps shut a third time, I splash water in his face. "Are you going to say something, or are you trying to catch wind and sail? A grin the size of the horizon spreads across his face. "He likes that, you know. Your temper." Yeahfreakingright. Galen's a classic type A personality-and type A's hate smartass-ism. Just ask my mom. "No offense, but you're not exactly an expert at judging people's emotions." "I'm not sure what you mean by that." "Sure you do." "If you're talking about Rayna, then you're wrong. She loves me. She just won't admit it." I roll my eyes. "Right. She's playing hard to get, is that it? Bashing your head with a rock, splitting your lip, calling you squid breath all the time." "What does that mean? Hard to get?" "It means she's trying to make you think she doesn't like you, so that you end up liking her more. So you work harder to get her attention." He nods. "Exactly. That's exactly what she's doing." Pinching the bridge of my nose, I say, "I don't think so. As we speak, she's getting your mating seal dissolved. That's not playing hard to get. That's playing impossible to get." "Even if she does get it dissolved, it's not because she doesn't care about me. She just likes to play games." The pain in Toraf's voice guts me like the catch of the day. She might like playing games, but his feelings are real. And can't I relate to that? "There's only one way to find out," I say softly. "Find out?" "If all she wants is games." "How?" "You play hard to get. You know how they say. 'If you love someone, set them free. If they return to you, it was meant to be?'" "I've never heard that." "Right. No, you wouldn't have." I sigh. "Basically, what I'm trying to say is, you need to stop giving Rayna attention. Push her away. Treat her like she treats you." He shakes his head. "I don't think I can do that." "You'll get your answer that way," I say, shrugging. "But it sounds like you don't really want to know." "I do want to know. But what if the answer isn't good?" His face scrunches as if the words taste like lemon juice. "You've got to be ready to deal with it, no matter what." Toraf nods, his jaw tight. The choices he has to consider will make this night long enough for him. I decide not to intrude on his time anymore. "I'm pretty tired, so I'm heading back. I'll meet you at Galen's in the morning. Maybe I can break thirty minutes tomorrow, huh?" I nudge his shoulder with my fist, but a weak smile is all I get in return. I'm surprised when he grabs my hand and starts pulling me through the water. At least it's better than dragging me by the ankle. I can't but think how Galen could have done the same thing. Why does he wrap his arms around me instead?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Do you want to hold her?” Qhuinn asked. Xcor recoiled as if someone had inquired whether he’d like a hot poker in his hands. Then he recovered, shaking his head as he made a manly show of scrubbing his tears away like they were permanent marker on his cheeks. “I don’t think I’m quite ready for that. She looks…so delicate.” “She’s strong, though. She’s got her mahmen’s blood in her, too.” Qhuinn looked at Blay. “And she’s got good parents. They both do. We’re in this together, people, three fathers and one mom, two kids. Bam!” Xcor’s voice got low. “A father…?” He laughed softly. “I went from having no family, to having a mate, a brother, and now…” Qhuinn nodded. “A son and a daughter. As long as you are Layla’s hellren, you are their father, too.” Xcor’s smile was transformative, so wide that it stretched his face into something she had never seen. “A son and a daughter.” “That’s right,” Layla whispered with joy. But then instantly that expression on his face was gone, his lips thinning out and his brows dropping down like he was ready to go on the attack. “She is never dating. I don’t care who he is—” “Right!” Qhuinn put his palm out for a high five. “That’s what I’m talking about!” “Now, hold on,” Blay interjected as they clapped hands. “She has every right to live her life as she chooses.” “Yes, come on,” Layla added. “This double-standard stuff is ridiculous. She’s going to be allowed…” As the argument started up, she and Blay fell in beside each other, and Qhuinn and Xcor lined up shoulder to shoulder, their massive forearms crossed over their chests. “I’m good with a gun,” Xcor said like that was the end of things. “And I can handle the shovel,” Qhuinn tacked on. “They’ll never find the body.” The two of them pounded knuckles and looked so dead serious that Layla had to roll her eyes. But then she was smiling. “You know something?” she said to the three of them. “I really believe…that it’s all going to be okay. We’re going to work it out, together, because that’s what families do.” As she rose up on her tiptoes and kissed her male, she said, “Love has a way of fixing everything…even your daughter starting to date.” “Which is not going to happen,” Xcor countered. “Ever.” “My man,” Qhuinn said, backing him up. “I knew I liked you—” “Oh, for the love,” Layla muttered as the debate resumed, and Blay started laughing and Qhuinn and Xcor continued bonding. -Qhuinn, Xcor, Layla, & Blay
J.R. Ward (The Chosen (Black Dagger Brotherhood, #15))
A cell phone rang from the end table to my right and Kristen bolted up straight. She put her beer on the coffee table and dove across my lap for her phone, sprawling over me. My eyes flew wide. I’d never been that close to her before. I’d only ever touched her hand. If I pushed her down across my knees, I could spank her ass. She grabbed her phone and whirled off my lap. “It’s Sloan. I’ve been waiting for this call all day.” She put a finger to her lips for me to be quiet, hit the Talk button, and put her on speaker. “Hey, Sloan, what’s up?” “Did you send me a potato?” Kristen covered her mouth with her hand and I had to stifle a snort. “Why? Did you get an anonymous potato in the mail?” “Something is seriously wrong with you,” Sloan said. “Congratulations, he put a ring on it. PotatoParcel.com.” She seemed to be reading a message. “You found a company that mails potatoes with messages on them? Where do you find this stuff?” Kristen’s eyes danced. “I don’t know what you’re talking about. Do you have the other thing though?” “Yeeeess. The note says to call you before I open it. Why am I afraid?” Kristen giggled. “Open it now. Is Brandon with you?” “Yes, he’s with me. He’s shaking his head.” I could picture his face, that easy smile on his lips. “Okay, I’m opening it. It looks like a paper towel tube. There’s tape on the—AHHHHHH! Are you kidding me, Kristen?! What the hell!” Kristen rolled forward, putting her forehead to my shoulder in laughter. “I’m covered in glitter! You sent me a glitter bomb? Brandon has it all over him! It’s all over the sofa!” Now I was dying. I covered my mouth, trying to keep quiet, and I leaned into Kristen, who was howling, our bodies shaking with laughter. I must not have been quiet enough though. “Wait, who’s with you?” Sloan asked. Kristen wiped at her eyes. “Josh is here.” “Didn’t he have a date tonight? Brandon told me he had a date.” “He did, but he came back over after.” “He came back over?” Her voice changed instantly. “And what are you two doing? Remember what we talked about, Kristen…” Her tone was taunting. Kristen glanced at me. Sloan didn’t seem to realize she was on speaker. Kristen hit the Talk button and pressed the phone to her ear. “I’ll call you tomorrow. I love you!” She hung up on her and set her phone down on the coffee table, still tittering. “And what did you two talk about?” I asked, arching an eyebrow. I liked that she’d talked about me. Liked it a lot. “Just sexually objectifying you. The usual,” she said, shrugging. “Nothing a hot fireman like you can’t handle.” A hot fireman like you.I did my best to hide my smirk. “So do you do this to Sloan a lot?” I asked. “All the time. I love messing with her. She’s so easily worked up.” She reached for her beer. I chuckled. “How do you sleep at night knowing she’ll be finding glitter in her couch for the next month?” She took a swig of her beer. “With the fan on medium.” My laugh came so hard Stuntman Mike looked up and cocked his head at me. She changed the channel and stopped on HBO. Some show. There was a scene with rose petals down a hallway into a bedroom full of candles. She shook her head at the TV. “See, I just don’t get why that’s romantic. You want flower petals stuck to your ass? And who’s gonna clean all that shit up? Me? Like, thanks for the flower sex, let’s spend the next half an hour sweeping?” “Those candles are a huge fire hazard.” I tipped my beer toward the screen. “Right? And try getting wax out of the carpet. Good luck with that.” I looked at the side of her face. “So what do you think is romantic?” “Common sense,” she answered without thinking about it. “My wedding wouldn’t be romantic. It would be entertaining. You know what I want at my wedding?” she said, looking at me. “I want the priest from The Princess Bride. The mawage guy.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights. “Dad!” I said, throwing my arms around his waist. He let me keep them there, but all I got in return was a light pat on the back. “You’re safe,” he told me, in his usual soft, rumbling voice. “Dad—there’s something wrong with her,” I was babbling. The tears were burning my cheeks. “I didn’t mean to be bad! You have to fix her, okay? She’s…she’s…” “I know, I believe you.” At that, he carefully peeled my arms off his uniform and guided me down, so we were sitting on the step, facing Mom’s maroon sedan. He was fumbling in his pockets for something, listening to me as I told him everything that had happened since I walked into the kitchen. He pulled out a small pad of paper from his pocket. “Daddy,” I tried again, but he cut me off, putting down an arm between us. I understood—no touching. I had seen him do something like this before, on Take Your Child to Work Day at the station. The way he spoke, the way he wouldn’t let me touch him—I had watched him treat another kid this way, only that one had a black eye and a broken nose. That kid had been a stranger. Any hope I had felt bubbling up inside me burst into a thousand tiny pieces. “Did your parents tell you that you’d been bad?” he asked when he could get a word in. “Did you leave your house because you were afraid they would hurt you?” I pushed myself up off the ground. This is my house! I wanted to scream. You are my parents! My throat felt like it had closed up on itself. “You can talk to me,” he said, very gently. “I won’t let anyone hurt you. I just need your name, and then we can go down to the station and make some calls—” I don’t know what part of what he was saying finally broke me, but before I could stop myself I had launched my fists against him, hitting him over and over, like that would drive some sense back into him. “I am your kid!” I screamed. “I’m Ruby!” “You’ve got to calm down, Ruby,” he told me, catching my wrists. “It’ll be okay. I’ll call ahead to the station, and then we’ll go.” “No!” I shrieked. “No!” He pulled me off him again and stood, making his way to the door. My nails caught the back of his hand, and I heard him grunt in pain. He didn’t turn back around as he shut the door. I stood alone in the garage, less than ten feet away from my blue bike. From the tent that we had used to camp in dozens of times, from the sled I’d almost broken my arm on. All around the garage and house were pieces of me, but Mom and Dad—they couldn’t put them together. They didn’t see the completed puzzle standing in front of them. But eventually they must have seen the pictures of me in the living room, or gone up to my mess of the room. “—that’s not my child!” I could hear my mom yelling through the walls. She was talking to Grams, she had to be. Grams would set her straight. “I have no child! She’s not mine—I already called them, don’t—stop it! I’m not crazy!
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Kate?” Anthony yelled again. He couldn’t see anyone; a dislodged bench was blocking the opening. “Can you hear me?” Still no response. “Try the other side,” came Edwina’s frantic voice. “The opening isn’t as crushed.” Anthony jumped to his feet and ran around the back of the carriage to the other side. The door had already come off its hinges, leaving a hole just large enough for him to stuff his upper body into. “Kate?” he called out, trying not to notice the sharp sound of panic in his voice. Every breath from his lips seemed overloud, reverberating in the tight space, reminding him that he wasn’t hearing the same sounds from Kate. And then, as he carefully moved a seat cushion that had turned sideways, he saw her. She was terrifyingly still, but her head didn’t appear to be stuck in an unnatural position, and he didn’t see any blood. That had to be a good sign. He didn’t know much of medicine, but he held on to that thought like a miracle. “You can’t die, Kate,” he said as his terrified fingers yanked away at the wreckage, desperate to open the hole until it was wide enough to pull her through. “Do you hear me? You can’t die!” A jagged piece of wood sliced open the back of his hand, but Anthony didn’t notice the blood running over his skin as he pulled on another broken beam. “You had better be breathing,” he warned, his voice shaking and precariously close to a sob. “This wasn’t supposed to be you. It was never supposed to be you. It isn’t your time. Do you understand me?” He tore away another broken piece of wood and reached through the newly widened hole to grasp her hand. His fingers found her pulse, which seemed steady enough to him, but it was still impossible to tell if she was bleeding, or had broken her back, or had hit her head, or had . . . His heart shuddered. There were so many ways to die. If a bee could bring down a man in his prime, surely a carriage accident could steal the life of one small woman. Anthony grabbed the last piece of wood that stood in his way and heaved, but it didn’t budge. “Don’t do this to me,” he muttered. “Not now. It isn’t her time. Do you hear me? It isn’t her time!” He felt something wet on his cheeks and dimly realized that it was tears. “It was supposed to be me,” he said, choking on the words. “It was always supposed to be me.” And then, just as he was preparing to give that last piece of wood another desperate yank, Kate’s fingers tightened like a claw around his wrist. His eyes flew to her face, just in time to see her eyes open wide and clear, with nary a blink. “What the devil,” she asked, sounding quite lucid and utterly awake, “are you talking about?” Relief flooded his chest so quickly it was almost painful. “Are you all right?” he asked, his voice wobbling on every syllable. She grimaced, then said, “I’ll be fine.” Anthony paused for the barest of seconds as he considered her choice of words. “But are you fine right now?” She let out a little cough, and he fancied he could hear her wince with pain. “I did something to my leg,” she admitted. “But I don’t think I’m bleeding.” “Are you faint? Dizzy? Weak?” She shook her head. “Just in pain. What are you doing here?” He smiled through his tears. “I came to find you.” “You did?” she whispered. He nodded. “I came to— That is to say, I realized . . .” He swallowed convulsively. He’d never dreamed that the day would come when he’d say these words to a woman, and they’d grown so big in his heart he could barely squeeze them out. “I love you, Kate,” he said chokingly. “It took me a while to figure it out, but I do, and I had to tell you. Today.” Her lips wobbled into a shaky smile as she motioned to the rest of her body with her chin. “You’ve bloody good timing.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))