Lampshade Quotes

She wore a dress Ronan thought looked like a lampshade. Whatever sort of lamp it belonged on, Gansey clearly wished he had one. Ronan wasn't a fan of lamps.

Madness is too glamorous a term to convey what happens to most people who are losing their minds. That word is too exciting, too literary, too interesting in its connotations, to convey the boredom, the slowness, the dreariness, the dampness of depression…depression is pure dullness, tedium straight up. Depression is, especially these days, an overused term to be sure, but never one associated with anything wild, anything about dancing all night with a lampshade on your head and then going home and killing yourself…The word madness allows its users to celebrate the pain of its sufferers, to forget that underneath all the acting-out and quests for fabulousness and fine poetry, there is a person in huge amounts of dull, ugly agony...Remember that when you’re at the point at which you’re doing something as desperate and violent as sticking your head in an oven, it is only because the life that preceded this act felt even worse. Think about living in depression from moment to moment, and know it is not worth any of the great art that comes as its by-product.

The lampshade on my head is for my bright ideas. I won't be able to convey them until Monday, when my curtain gets out of the dry cleaners.

LADY LAZARUS I have done it again. One year in every ten I manage it-- A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin O my enemy. Do I terrify?-- The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot-- The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call. It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: 'A miracle!' That knocks me out. There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart-- It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash-- You poke and stir. Flesh, bone, there is nothing there-- A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air. -- written 23-29 October 1962

My ideal life is a quiet one. I like to read, to sit still in the same chair, with the lampshade at a certain angle, alone, or with Meagan nearby, and now and then, if I'm lucky, I'll come across a lovely phrase or fine sentiment, look up from my book, and feel the harmony of some notion, the justice of it, and know that everything is there. That's life to me, those privately discovered moments.

She had big, vague eyes and a big, vague smile, and was always very busy in the way that a moth crashing about in a lampshade is busy.

None of us mattered to her, not me, or her critics or defenders. No more than bugs on a lampshade.

If you could imagine the color of anger, it had been splashed over every wall. Rage, something dense and seething, was hanging from every chandelier, resentment woven into thick carpets padding the room, hatred flickering underneath every lampshade. The floor was bathed in a creeping shadow, a particular darkness that had seeped up into the walls.......

Gansey clucked at his bedraggled reflection in the dark-framed mirror hanging in the front hallway. Chainsaw eyed herself briefly before hiding on the other side of Ronan's neck; Adam did the same, but without the hiding-in-Ronan's-neck bit. Even Blue looked less fanciful that usual, the lighting rendering her lampshade dress and spiky hair as a melancholy Pierrot.

There are no delusions for the dead. Dying is like waking up after a really good party, when you have one or two seconds of innocent freedom before you recollect all the things you did last night which seemed so logical and hilarious at the time, and then you remember the really amazing thing you did with a lampshade and two balloons, which had them in stitches, and now you realize you’re going to have to look a lot of people in the eye today and you’re sober now and so are they but you can both remember.

...all movement stops and I walk in the timeless sadness of existence, tenderness flowing thru the buildings, my fingertips touching reality's face, my own face streaked with tears in the mirror of some window - at dusk - where I have no desire - for bonbons - or to own the dresses or Japanese lampshades of intellection -

Other worshipful objects were content with worship; men, women, God, all let one kneel prostrate; but this form, were it only the shape of a white lampshade looming on a wicker table, roused one to perpetual combat, challenged one to a fight in which one was bound to be worsted.

What I feel is the momentary shock of realizing that most of the wood, metal and plastic fixtures, the sinks, lampshades, the shower stall, and even the drinking cups will all outlive me if my body follows the same progression that this tiny invisible-to-the-eye virus has initiated.

A shell in the pit," said I, "if the worst comes to worst will kill them all." The intense excitement of the events had no doubt left my perceptive powers in a state of erethism. I remember that dinner table with extraordinary vividness even now. My dear wife's sweet anxious face peering at me from under the pink lampshade, the white cloth with it silver and glass table furniture—for in those days even philosophical writers had luxuries—the crimson-purple wine in my glass, are photographically distinct. At the end of it I sat, tempering nuts with a cigarette, regretting Ogilvy's rashness, and denouncing the shortsighted timidity of the Martians. So some respectable dodo in the Mauritius might have lorded it in his nest, and discussed the arrival of that shipful of pitiless sailors in want of animal food. "We will peck them to death tomorrow, my dear.

Tomas turned the key and switched on the ceiling light. Teraza saw two beds pushed together, one of them flanked by a bedside table and a lamp. Up out of the lampshade, startled by the overhead light, flew a large nocturnal butterfly that began circling the room. The strains of the piano and violin rose up weakly from below.

On this material plane, each living being is like a street lantern lamp with a dirty lampshade. The inside flame burns evenly and is of the same quality as all the rest—hence all of us are equal in the absolute sense, the essence, in the quality of our energy. However, some of the lamps are “turned down” and having less light in them, burn fainter, (the beings have a less defined individuality, are less in tune with the universal All which is the same as the Will)—hence all of us are unequal in a relative sense, some of us being more aware (human beings), and others being less aware (animal beings), with small wills and small flames. The lampshades of all are stained with the clutter of the material reality or the physical world. As a result, it is difficult for the light of each lamp to shine through to the outside and it is also difficult to see what is on the other side of the lampshade that represents the external world (a great thick muddy ocean of fog), and hence to “feel” a connection with the other lantern lamps (other beings). The lampshade is the physical body immersed in the ocean of the material world, and the limiting host of senses that it comes with. The dirt of the lampshade results from the cluttering bulk of life experience accumulated without a specific goal or purpose. The dirtier the lampshade, the less connection each soul has to the rest of the universe—and this includes its sense of connection to other beings, its sense of dual presence in the material world and the metaphysical world, and the thin connection line to the wick of fuel or the flow of electricity that resides beyond the material plane and is the universal energy. To remain “lit” each lantern lamp must tap into the universal Source of energy. If the link is weak, depression and-or illness sets in. If the link is strong, life persists. This metaphor to me best illustrates the universe.

The Everlasting Staircase" Jeffrey McDaniel When the call came, saying twenty-four hours to live, my first thought was: can't she postpone her exit from this planet for a week? I've got places to do, people to be. Then grief hit between the ribs, said disappear or reappear more fully. so I boarded a red eyeball and shot across America, hoping the nurses had enough quarters to keep the jukebox of Grandma's heart playing. She grew up poor in Appalachia. And while world war II functioned like Prozac for the Great Depression, she believed poverty was a double feature, that the comfort of her adult years was merely an intermission, that hunger would hobble back, hurl its prosthetic leg through her window, so she clipped, clipped, clipped -- became the Jacques Cousteau of the bargain bin, her wetsuit stuffed with coupons. And now --pupils fixed, chin dangling like the boots of a hanged man -- I press my ear to her lampshade-thin chest and listen to that little soldier march toward whatever plateau, or simply exhaust his arsenal of beats. I hate when people ask if she even knew I was there. The point is I knew, holding the one-sided conversation of her hand. Once I believed the heart was like a bar of soap -- the more you use it, the smaller it gets; care too much and it'll snap off in your grasp. But when Grandma's last breath waltzed from that room, my heart opened wide like a parachute, and I realized she didn't die. She simply found a silence she could call her own.

I once went to report on a village in Russia, a community of artists who were forced to flee the cities! I'd heard that paintings hung everywhere! I heard you couldn't see the walls through all of the paintings! They'd painted the ceilings, the 82 plates, the windows, the lampshades! Was it an act of rebellion! An act of expression! Were the paintings good, or was that beside the point! I needed to see it for myself, and I needed to tell the world about it! I used to live for reporting like that! Stalin found out about the community and sent his thugs in, just a few days before I got there, to break all of their arms! That was worse than killing them! It was a horrible sight, Oskar: their arms in crude splints, straight in front of them like zombies! They couldn't feed themselves, because they couldn't get their hands to their mouths! So you know what they did!' 'They starved?' 'They fed each other! That's the difference between heaven and hell! In hell we starve! In heaven we feed each other!

Soon the room had that desolate look that comes from the chaos of packing up to go away and, worse, from removing the shade from the lamp. Never, never take the shade off a lamp. A lampshade is something sacred. Scuttle away like a rat from danger and into the unknown. Read or doze beside your lampshade; let the storm howl outside and wait until they come for you.

I loved my bedroom... the vanity with the warped mirror, the squat chairs without armrests, the elaborate, oriental dressing screen. I loved curving my body into the velvet sofa, books piled at my feet, the dusty, floor-length curtains pushed back from the windows so I could see the sky. At night the purple-fringed lampshades turned the light a hue somewhere between lilac and dusky plum.

He believed in a true world. A world behind this one, that shines through it, like a candle through a lampshade'... She thought of the true world the times they had seen it - it was like light glinting on the surface of the river, that shimmering quality when you saw it. It wasn't the thing itself. It was your own ability to see it.... the feeling when time stopped, and you could stay there forever. 'You see the beauty in everything. It doesn't last long -- it's either gone in a minute, you just caught it, or else maybe it's something so big that you normally can't get your head around it. Like the fog in your head clears out. The world stops being a puppet show and you see the real thing. It's probably like that all the time, but you just can't see it, except for those little glimpses.

A brick could be used to brighten up your day, like a lampshade over the sun dangling down over your dining room table. You’d better apply sunscreen to your ice cream or it’ll likely melt in your bedpan. 


I bored myself to tears with the daytime television drama of confrontation (I've been wronged!). I winced at sluggish morning half-memories of wearing wrongness like a lampshade on my head (I'm mentally ill!).

The blinds were thin and blue. The floor was marble, or maybe it was fake. The whole damned place was trying to pull a ruse. The lampshades were lying and the desk was a cheater and I bet the leather armchair had been trained to pick your pocket.

White Feminism (noun): 1. A racism that claims it is at least better than no feminism at all, like at least Hitler was a vegetarian, like we could actually get comfortable being the uneaten animal in the lap of a man making lampshades out of human skin.

I have done it again. One year in every ten I manage it------- A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin O my enemy. Do I terrify?-------

It was the first time I’d seen Alok’s home. I told you he was kind of poor, I mean not World Bank ads type starving poor or anything, but his home had the barest minimum one would need for existence. There was light, but no lampshades, there was a living room, but no couches, there was a TV, but not a colour one. The living room was where lived Alok’s father, entertaining himself with one of the two TV channels, close to unconscious by the time we reached. Alok’s mother was already waiting, using her sari edge to wipe her tears.

Although it's only three in the morning, the lampshade makes the room feel like the last moments of a sinister sunset. Under the bulb's electric hum, Paul and I spot each through the doorway. He wipes his eyes with the palm of one hand and waves me over with the other.

The cosmetics, the clothes, the hair, the shaved and lotioned skin, the anointing oils, the posture, the dazzling bright colors and pleasing patterns: these were all the lampshades we settle over our light hoping to cast a hue and color others will find acceptable. We hope we’ll find it acceptable, too.

That same night I dug Lampshade on Fillmore and Geary. Lampshade is a big colored guy who comes into musical Frisco saloons with coat, hat, and scarf and jumps on the bandstand and starts singing; the veins pop in his forehead; he heaves back and blows a big foghorn blues out of every muscle in his soul.

We are all locked in rooms in different ways, and part of growing up is finding different kinds of keys, and meeting the people who will help free you.

Rage, or something as equally dense and seething, was hanging from every chandelier, resentment woven into thick carpets padding the room, hatred flickering underneath every lampshade. The floor bathed in a creepy shadow, a particular darkness that had seeped into the walls, and right now was rolling across my converse so I couldn't see them. Absolute darkness.

Doris loves Superman as well.unfortunately, she got knocked down by a van last year, and it was a big, long recovery for her, really. It took about six months, didn't it, before she was fully back to normal. She never gone back to normal. She's got a bionic leg now, which made her twice as fast and twice as stupid. You know, but she's just such good fun. But anyway,like she had a bit of a low point, you know, when she got really fed up, you know, with those stupid lampshade collars, you know, that they have on their head. Ugh, bumping into everything, she was walking about sighing. Ugh, like that, you know, and if you've ever been known or been with the terriers, but that ball of energy,you know, and she wasn't allowed to be for a walk or anything. It was awful. So to cheer her up, I bought her a little Superman outfit for dogs. When you get home, you look online. They are absolutely brilliant. You can get Wonder Woman and Darth Vader, all sorts. They're the funniest thing I have ever seen in my. The front paws, the front legs go in Super man's legs, you know, and it like covers up the paw with these little, red boot things on the bottom. And it comes up and ties around the neck, and there's tube stuff down from the front. So from the front, it's like a tiny, little Superman with a dog's head. And then, on the back there's this cape. So when she trots around, it looks like she's flying! Ah, it's brilliant! And she loves it. I couldn't get it off for about a week. It's honestly, they're absolutely brilliant, you must check it out. So anyway, tonight this is for Doris.

She sits at the edge of the leather sofa and looks around the living room, remembers the delivery man from Ethan Interiors who changed the lampshade the other day. “You got a great house, ma’am,” he’d said, with that curious American smile that meant he believed he, too, could have something like it someday. It is one of the things she has come to love about America, the abundance of unreasonable hope.

The ceilings had set off a ghostly echo, giving all the desperate hilarity the quality of a memory even as I sat listening to it, memories of things I'd never known. Charlestons on the wings of airborne biplanes. Parties on sinking ships, the icy water bubbling around the waists of the orchestra as they sawed out a last brave chorus of "Auld Lang Syne." Actually, it wasn't "Auld Lang Syne" they'd sung, the night the Titanic went down but hymns, lots of hymns, and the Catholic priest saying Hail Marys, and the first-class salon which had really looked a lot like this: dark wood, potted palms, rose silk lampshades with their swaying fringe. I really had had too much to drink. I was sitting sideways in my chair, holding tight to the arms (Holy Mary, Mother of God), and even the floors were listing, like the decks of a foundering ship; like we might all slide to the other end with a hysterical wheeee! piano and all.

She was experiencing the same odd happiness and odd sadness as then. The sadness meant: We are at the last station. The happiness meant: We are together. The sadness was form, the happiness content. Happiness filled the space of sadness. (...) Tomas turned the key and switched on the ceiling light. Tereza saw two beds pushed together, one of them flanked by a beside table and lamp. Up out of the lampshade, startled by the overhead light, flew a large nocturnal butterfly that began circling the room. The strains of the piano and violin rose up weakly from below.

I Want You to See" I want you to see the hole in my shirt where your heart went through like a Colt 45, and opened a dream at the back of the neck. Here, let me unbutton it for you. Notice the ribs, those sweet things you loved, notice the insides, the parchment lampshades, the books, the furniture. Notice yourself sitting, holding my hand on a winter night, notice the look in my eyes, now close it all up and walk away. Stumble, pretend you’re dead. Just for me, pretend you can be hurt by something so simple as a failed emotion. Pretend you have seen loss. For god’s sake what was I holding when you said good morning.

The Pillowcase" is printed with iridescent fish, each facing a different direction. I bought it for you at the Portland Goodwill our last semester in college. Spring break we brought it camping. I pretended I’d eaten sardines before, pretended I liked them. I don’t remember what you said when the condom broke. Probably ‘Oh, shit.’ The next day we drove into town. I took a pill and another pill and it was over. I couldn’t tell the difference, could have told my friends but didn’t, just made lots of dead baby jokes and went to bed in your dorm room. You’d put painter’s tape on all the edges. With the pillowcase, it was like living in the blueprint of an aquarium. I slept there the night I smoked Sasha’s weed and you stayed up for hours rubbing my back, telling fairytales so I wouldn’t totally lose it. I slept there the night I tried reading you Haruki Murakami’s Sleep but fell asleep. I slept there the night after the day I lost the bet and had to wear a lampshade on my head and your professor said ‘Nice hat.’ Later I learned she owns a lamp in the shape of a woman. I slept there the night you said ‘I think I’m falling in love with you,’ igniting a great unendurable belongingness, like a match in a forest fire. I burned so long so quiet you must have wondered if I loved you back. I did, I did, I do.

Jane, how do you feel about doing something slightly illegal and definitely distasteful?" Gansey asked. Ronan's back was already sticky with the heat. The bird man's corpse was in the BMW's trunk, and undoubtedly a dreadful scientific process was happening to it. Ronan was certain it was a process that was going to only get more odiferous as the day grew warmer. "It depends on if it involves a helicopter," Blue replied, standing in the doorway of 300 Fox Way. She scratched her calf with her bare foot. She wore a dress Ronan thought looked like a lampshade. Whatever sort of lamp it belonged on, Gansey clearly wished he had one. Ronan wasn't a fan of lamps.

In my past life, there were a number of LGBTQ activists who had criticized the entertainers using their flamboyant sexuality as a selling point on TV. I think their criticism was likely on point. But here’s what else I think: Without going so far as to say it’s the right or wrong thing to do, some people out there can’t live their lives without making light of their problems. Of course these entertainers were contributing to homophobic stereotypes. And of course I’d prefer it if we could eliminate homophobia altogether. But some queer people living in the real world will also, inevitably, act in ways that highlight the prejudices they experience. Maybe they’ll have other reasons for acting the way they do, but I think that need to lampshade their problems is one of them. Some people can’t live with their burdens without cracking wise about them. When you’re queer and you fall in love with someone who can never respond to your feelings in kind, they often still behave more intimately with you than they would with someone of the opposite sex. But after the moment you realize you’re in love with them, that just makes them feel even further away. If you run into this problem again and again, before you realize it, you might become the kind of person who can only helplessly laugh the whole thing off. Not everyone ends up like that, of course. It just so happened that I had.

But it was too late to turn back – how I often felt in the middle of these small-hour adventures, convincing myself that this was just getting my money’s worth out of my youth. A Margaret Atwood quote hung over this period of my life like a lampshade from the ceiling. When you are in the middle of a story it isn’t a story at all, but only a confusion; a dark roaring, a blindness, a wreckage of shattered glass and splintered wood; like a house in a whirlwind, or else a boat crushed by the icebergs or swept over the rapids, and all aboard powerless to stop it. It’s only afterwards that it becomes anything like a story at all. When you are telling it, to yourself or to someone else.” Excerpt From Everything I Know About Love Dolly Alderton This material may be protected by copyright.

Ecstasy that must look pretty from inside—to core not just an apple but the entire orchard, the family, even the dog. Leave the shells to the crows. A field of red lampshades in the dark Garden of Myiasis. This is no cultivated haven. This is the earth riddled with a brother. The furrows are mountains. Waves of sand and we are ships wrecked. What’s left of a fleet of one hundred shadows shattered and bleached. A crop gone to sticks. The honeysuckle sags with bright sour powder. We have followed the flames, followed him here, where all the black birds in the world have fallen like a shotgun blast to the faded ground. The vines have hardened to worms baking in the desert heat. We are at the gate, shaking the gate, climbing the gate, clanging our cups against the gate. This is no garden. This is my brother and I need a shovel to love him.

I CAN’T ABIDE CLUTTER,” TOM said. “That includes long dusty curtains, and china figurines, and those little tablemats with holes in them—” “Doilies?” “Yes, those. And fringe trimming. I hate fringe.” Cassandra blinked as she saw him write, 7D: No doilies or fringe. “Wait,” she said. “No fringe at all? Not even on lampshades? Or pillows?” “Especially not pillows.” Cassandra rested her crossed arms on the table and gave him a mildly exasperated glance. “Was there an accident involving fringe? Why do you hate it?” “It’s ugly and waggly. It dangles like caterpillar legs.” Her brows lowered. “I reserve the right to wear fringe trim on my hats or clothing. It happens to be fashionable this year.” “Can we exclude it from nightwear and robes? I’d rather not have it touching me.” Faced with her baffled annoyance, Tom looked down at the paper somewhat sheepishly. “Some quirks can’t be overcome.

Rosie’s heart swelled with pride. She had poured her heart, her soul, and her life savings into this venture. Rosie had spent hours painstakingly deliberating over every inch of the shop. Her past life as an interior designer meant she knew just how to make the shop into the welcoming time capsule that made her heart soar every time she stepped inside. There was a herringbone floor, finished with a walnut stain, which was complimented by the dark wallpaper adorning the walls, covered with floral blooms in muted pinks, blues, yellows, oranges, and whites. It was dramatic - the perfect backdrop to selling snippets of people’s lives. Velvet pink lampshades with tassels hanging from the ceiling flooded the shop with light. Rosie had displayed the vintage clothes, jewellery, shoes, bags, and accessories in several ways. From shelves made of driftwood, an up-cycled antique sideboard, and brass clothes rails.

Have a Caesar, and Keep Your Passage Honeymoon Fresh’ was emblazoned across a large billboard advertising Caesarean births.  Many people arriving in Los Angeles in 1972 would have thought no more about it; they might not have even realised what was being advertised.  For R.D. Laing, in the midst of a grueling lecture tour, it was a perfect example of the crazy world we live in.  It was worse than the five-star hotel with plastic grass, in a different league from the plastic Buddha converted into a lampshade, more horrible than de-homogenised milk, more threatening than an armed policeman. ​Such matters affected Ronnie to the core.  He cried over less.  He was painfully sensitive, and had an empathy with the bewildered and downtrodden; an intellectual awareness that set him apart from others.  But Ronnie’s distinguishing feature was his heartfelt desire to do something about what he perceived to be the injustices of the world.  Despite his many faults Ronnie maintained his defiant personality until his last breath.

But the fire dodges him and races up into the house. From there it sweeps across an Oriental rug, marches out to the back porch, leaps nimbly up onto a laundry line, and tightrope-walks across to the house behind. It climbs in the window and pauses, as if shocked by its good fortune: because everything in this house is just made to burn, too— the damask sofa with its long fringe, the mahogany end tables and chintz lampshades. The heat pulls down wallpaper in sheets; and this is happening not only in this apartment but in ten or fifteen others, then twenty or twentyfive, each house setting fire to its neighbor until entire blocks are burning. The smell of things burning that aren’t meant to burn wafts across the city: shoe polish, rat poison, toothpaste, piano strings, hernia trusses, baby cribs, Indian clubs. And hair and skin. By this time, hair and skin. On the quay, Lefty and Desdemona stand up along with everyone else, with people too stunned to react, or still half asleep, or sick with typhus and cholera, or exhausted beyond caring.

The cosmetics, the clothes, the hair, the shaved and lotioned skin, the anointing oils, the posture, the dazzling bright colors and pleasing patterns: these were all the lampshades we settle over our light hoping to cast a hue and color others will find acceptable. We hope we'll find it acceptable, too. But others don't even see that color, for they view us through their own lenses, filtering our already-filtered light in ways we can only guess. Nor do we see ourselves true, for we wear our own lenses, and sometimes the eye itself is dark, and how great the darkness! Kip had been so certain for so long that there was nothing he could do to make himself acceptable that he'd hidden his light altogether. The mirror had been an enemy who, overwhelming in his might, had simply needed to be avoided. But the mirror is ever a liar: when you yourself cut out half the light by which you see, how can the mirror be anything but? 'Let me see my skin, but with no pink tones.'...'Oh, how awfully pale and ugly I am.' We see others not as they are but as we see. We see ourselves not as we are but as we see-and as we are seen, for we each cast our light on each other, too. Surrounded by those who cast only brutal light, we see some truth, and sometimes necessary truth, but a lie if we think it all the truth. Kip had been shedding filters and lampshades for the last few years now. Being stripped of drafting was different, though. It not only changed his sight, but it changed the very light he cast into the world. It certainly was changing how people saw him.

If you’re still not sure where you fall on the introvert-extrovert spectrum, you can assess yourself here. Answer each question “true” or “false,” choosing the answer that applies to you more often than not.* ______ I prefer one-on-one conversations to group activities. ______ I often prefer to express myself in writing. ______ I enjoy solitude. ______ I seem to care less than my peers about wealth, fame, and status. ______ I dislike small talk, but I enjoy talking in depth about topics that matter to me. ______ People tell me that I’m a good listener. ______ I’m not a big risk-taker. ______ I enjoy work that allows me to “dive in” with few interruptions. ______ I like to celebrate birthdays on a small scale, with only one or two close friends or family members. ______ People describe me as “soft-spoken” or “mellow.” ______ I prefer not to show or discuss my work with others until it’s finished. ______ I dislike conflict. ______ I do my best work on my own. ______ I tend to think before I speak. ______ I feel drained after being out and about, even if I’ve enjoyed myself. ______ I often let calls go through to voice mail. ______ If I had to choose, I’d prefer a weekend with absolutely nothing to do to one with too many things scheduled. ______ I don’t enjoy multitasking. ______ I can concentrate easily. ______ In classroom situations, I prefer lectures to seminars. The more often you answered “true,” the more introverted you probably are. If you found yourself with a roughly equal number of “true” and “false” answers, then you may be an ambivert—yes, there really is such a word. But even if you answered every single question as an introvert or extrovert, that doesn’t mean that your behavior is predictable across all circumstances. We can’t say that every introvert is a bookworm or every extrovert wears lampshades at parties any more than we can say that every woman is a natural consensus-builder and every man loves contact sports. As Jung felicitously put it, “There is no such thing as a pure extrovert or a pure introvert. Such a man would be in the lunatic asylum.” This is partly because we are all gloriously complex individuals, but also because there are so many different kinds of introverts and extroverts. Introversion and extroversion interact with our other personality traits and personal histories, producing wildly different kinds of people. So

One of the books that has had the most influence on me is a little manual called Rhinoceros Success by Scott Alexander. I know, it’s a weird title, but give it a read. I read it first when I was 12 years old and I still read it once a year to this day. It teaches you in life to be like a rhino - to have a single purpose, to charge at obstacles and goals with total commitment and to develop a thick skin to deal with the slings and arrows that try to slow you down. Still to this day, Shara loves to buy me things for my birthday with a rhino on. Lampshades, slippers, cushions, door knobs…you name it. In fact, it’s become a bit of a family joke to get me the most obscure rhino trinket they can find. But it means that at home wherever I look I am reminded of the simple (and fun!) truths of the book. They are all daily reminders to me to be a rhino in life. So find a way, whatever way works for you, of making motivation part of your daily life. Write notes to yourself on your bathroom mirror, keep a book that inspires you next to the loo, and feed your mind with the good whenever you can. If you do this every day, it’ll soon become a habit. A good habit. One that empowers you every day to climb high, aim big, and have fun along the way.

furniture was plain, but practical. The bedside lampshade was crooked. She tried to straighten it, but like everything else in the apartment it did what it wanted and apparently it wanted to be crooked. She’d stayed in worse places, but those had been with her father. Being with Simon was an entirely different story. A

turned the knob and looked into a large, bare room, made homelike by several sagging secondhand couches and gay circus posters brightening the mildewed walls. The fat lady filled a couch like it was an armchair. A diminutive woman with a black curling beard spread across her demure pink bodice sat engrossed in a half-assembled jigsaw puzzle. Under a dusty fringed lampshade, four curious misshapen humans engaged in the familiar ritual of draw poker.

tell Eric in the car that if I were to reimagine Hell, it would be no different from the line we were just in. Except the woman would never decide on a lampshade and the line would never move. Can

She had almost reached the cafe before Céleste identified Pippa, imposterish without beret and lampshade dress, her iPod shining through her pocket. At the time, it was merely something else unexpected, an element of the mildly extraordinary evening. But long after the open windows and the tiny running children had vanished, that memory of Pippa would persist. She made her way towards Céleste like a citizen of the future, her heart rectangular and glowing in the dusk.

Burrow down a millimeter beneath this argument, and it is easy to see that unlike European anti-Semites, their American brethren very much do hate Jews per se and do not try very hard to hide it or cloak it in academic argument. They have resurfaced all the stereotypes of Nazi iconography, which in turn was built on centuries of hate: the Jew is both shiftless, cowardly, and weak, and duplicitous, manipulative, and all-powerful. As with more ancient strains of anti-Semitism, the new breed insists that Jews are responsible for their own oppression. The alt-right is fond of asking the classic “When did you stop beating your wife” question over and over and over. “Quick question,” “Darrell Lampshade” (charming, right?) asked me. “Why have Jews been kicked out of so many countries if they never did anything wrong? Please answer!” And now that Jews have their own country, they should go there and leave the United States to the white people who valiantly claimed it long before it was cluttered by the mongrel races. One of the memes of the alt-right is the notion that a fifth column of duplicitous Jews is constantly urging the United States on to war on Israel’s behalf, that the beautiful white male fruits of true America will fight and die in the sands of the Middle East on behalf of the cowardly Jew. “We got the goyim to fight for us as usual. It’s amazing how they haven’t driven us back to the desert yet!” “Abraham Moshe Fuxman” once tweeted at me. “A point @jonathanweisman has no interest in acknowledging,” responded “Pax Trumpiana.” “He loves war as long as he’s spilling goyim blood.” Israel, so it goes, should fight for itself, and the Jews orchestrating war should do so from Jerusalem and Tel Aviv, not Washington and New York.

Lampshades made of human skin, to please the SS commandant’s wife, Ilse Koch (later tried and convicted as “The Bitch of Buchenwald”), were only a sample.

We are now working on a case,—and this is the absolute truth,—in which hundreds of men with tattooed skin were slaughtered and skinned so that the wife of the death camp could have lampshades made of the colored human tissues.

had the kind of eyes any sane person would avoid looking into. In one light they seemed a very pale blue; in others they appeared to have no colour at all and were defined only by a black

Harvard professor Elaine Scarry said torture “unmakes” the victim’s world, destroying all ordinary meaning. Torture facilities in the Philippines, Syria, and Greece used domestic furniture to hurt people—smash a head with a refrigerator door, break a hand with a filing cabinet. Weaponized, the refrigerator is no longer a refrigerator; the filing cabinet is no longer a filing cabinet. Objects lose their meaning, and with them, meaning loses meaning. Scarry said it’s why our Holocaust awareness particularly attaches to domestic objects: ovens, showers, lampshades, soap. Home is no longer home. The world is unmade.

The room is a hundred shades of white. The enormous desk is the color of sand dollar beer foam with a plush cotton eggshell chair behind it. To its side, a tall shaving cream topped Swiss coffee lamp with a mozzarella sour cream lampshade. Official certificates the color of chalky whitecaps in limestone glacier frames hang on the frosted beluga whale wall. The wall is covered with rice powder cloud bookcases, full of books the color of moonstone jasmine, opal daffodil, quartz daisy, and polar bear hibiscus. The books are being tended by a man with his back to me, dressed in a milky, baking soda suit in seagull bone shoes, riding a rolling ladder the color of marshmallow tofu glue.

Releasing the past means not blaming anyone, including ourselves. It means holding no grievances and totally accepting everyone, making no exceptions. It means a willingness to see only the light in others, and not their lampshade

The kung-an is the lamp-shade, while Zen is the lamp itself.

Must you wear that blasted head covering?” he asked irritably. “It’s like conversing with a lampshade.

Lamps. I love lamps. The bigger the better. Gold, with big black lampshades. And tresses,” I mumble to myself. “They’ll bring in the sophisticated look, so I’ll put them everywhere. The staff are going to hate those things. They’re hell to dust and—” “No lamps.” I hear Roman’s deep voice coming directly from above me, but I just smile and continue, keeping my eyes closed. “And my husband hates my lamps. But he knows he has zero interior design knowledge, and because he’s so crazy about me, he decides to leave my lamps in peace. All fourteen of them.

desire for margaritas. A whole pitcher would be great just about now. Except that after two drinks, she usually ended up dancing on the nearest table with a lampshade on her head.

The practice of concentration is like acquiring a lampshade to help us concentrate our mind on something. While doing sitting or walking meditation, cutting the future, cutting the past, dwelling in the present time, we develop our own power of concentration. With that power of concentration, we can look deeply into the problem. This is insight meditation. First we are aware of the problem, focusing all our attention on the problem, and then we look deeply into it in order to understand its real nature [...].

A bloody hand had left its imprint on a lampshade. Squiggly marks slid down the wall, as if a child had been creating a macabre fingerpainting there. For some reason the image popped into Don’s head of a teacher standing before a class, saying, Okay, kiddies, today we’re going to fingerpaint. Everyone got paper and blood ready?

Rich mahogany wood was used to construct the bookshelves, and the floor is also hardwood of the same deep tone. Copper trim was used to accent the wood, and the only place to sit is a custom designed green leather sofa that is curvy, and from the side resembles a frog taking a bowel movement. A knockoff Tiffany lamp with a green grass lampshade sits on an end table next to the sofa.

Shake Me Down" Shake me down, Not a lot of people left around, Who knows now, Softly laying on the ground, ooooh Not a lot people left around, ooooh. ooooh In my life, I have seen, People walk into the sea, Just to find memories, Plagued by constant misery, Their eyes cast down, Fixed upon the ground, Their eyes cast down I'll keep my eyes fixed on the sun Shake me down, Cut my hair on a silver cloud, Broken sound, Softly laying on the ground, ooooh Not a lot people left around, ooooh, ooooh In my past, bittersweet, There's no love between the sheets, Taste the blood, broken dreams, Lonely times indeed, With eyes cast down, Fixed upon the ground, Eyes cast down I'll keep my eyes fixed on the sun Turn back now its time for me to let go, Way down had to find a place to lay low, Lampshade turned around into a light post Walk around the corner, Never saw it coming still, I try to make a move, It almost stopped me from belief, I don't wanna know the future, But I'm like rolling thunder, Even on a cloudy day, Even on a cloudy day, Even on a cloudy day, Even on a cloudy day, Even on a cloudy day, Even on a cloudy day, Even on a cloudy day, I'll keep my eyes fixed on the- I'll keep my eyes fixed on the- I'll keep my eyes fixed on the sun Shake me down, Not a lot of people left around, ooooh, ooooh

Queen will arrange to view the room as it is decorated and the table laid. If a lampshade is crooked or a lightbulb missing, she will notice straight away and draw attention to the fault. In this way, she lets her staff know she is not taking them or their efforts for granted.

Hey, I may show up a little late to the party, but once I get there, I’ve got the lampshade on my head and I’m dancin’ on the table.

B-but I saw my pantyhose on your lampshade.” Damon’s face colored, and he had the decency to look slightly guilty. “Right. There might have been a very short attempt at a strip tease on your part.” She raised her hands to her face and groaned into them. “It was kind of cute. Honestly.” Cute but only kind of. She groaned louder.

The tinny groans of a glow-in-the-dark skeleton were nearly drowned out by the laughter of about two dozen people mingling in the large living room. The only light came from flickering jack-o’-lanterns and gothic candlesticks. Bats fluttered around in a lone lampshade in the corner. A thin woman with a cowboy hat rushed over. “Do you have any napkins? Someone spilled beer all over the buffet table.” Lynn sighed. “Excuse me for a minute.” After two steps, she turned and pointed at Drew. “Don’t go anywhere. You owe me a dance.” Drew raised her brows. “I do?” “I’m the hostess, so I get to dance with whoever I want.

On both of the desks sat those small banker’s lamps with the plastic green lampshades and gold chains. Did anybody even really use those anymore? I’m pretty sure that Mr. Feng owned the last two in existence.

Dr. Emily and her vet tech Kate show up to my house at seven p.m. and we decide to do the euthanasia outside on my back patio. I don’t want Petunia’s soul getting stuck in the house. I want it to float up and out into the sky. Dr. Emily walks me through exactly how it will go. First Petunia will get a medication that will make her sleep. Once she’s asleep she won’t feel anything. Then she will receive medication to slowly and peacefully stop her heart. The whole thing should take around twenty minutes. “Do you want a few minutes alone with her before we start?” Dr. Emily’s voice is soft. She places her hand on my back. Both she and Kate have known Petunia for years, and like everyone who knows Petunia, they love her. Petunia will die surrounded by love. I pick my beloved dog up into my arms and walk with her from room to room of our house, recounting all the things we did together in those sacred spaces. In the kitchen, I say “This is where you watched me bake banana bread and licked spilled flour dustings from the floor.” In the dining room: “This is where we ate dinner. Remember how beautiful it looked the first night I lit all the candles?” In the living room: “This is where we watched movies.” And in my office, my favorite room, the room where my new career and life have flourished, I say “This is where we pulled tarot cards every morning. This is where you helped me sew lampshades. This is where you kept me company while I edited all the photographs.

I’m a careful mover. I respect people’s stuff, but shit happens. You know why? Because you’re moving it. Leave the piano in the living room for three generations. It will be fine. You want to put it somewhere else, guess what? You’re taking a risk. Did you ever move your leg the wrong way and spend two weeks in a brace? Ever drop a cell phone in a toilet? Ever move a sofa to vacuum underneath and put a scratch on the floor? Most of us have done at least one of those things. I’ve done all those things. What I don’t understand is why, when a mover scratches a floor or dents a lampshade, it’s a justification for a ferocious freak-out at the entire industry.

The bungalow was kitted out with beige walls, beige furniture and dim yellow lampshades that gave Poole the impression he was inside a giant sponge cake.

Then followed a job in a factory, making lampshades; that lasted only a few weeks before Maurice got into a fight.26 And the more positions he was dismissed from, the more angry, self-critical and despondent he became. The fallout led to alcoholic binges of increasing severity and duration.

mid-century fiberglass lampshades—you know the kind, with atomic designs,

Soup bowls made from the sawed-off tops of human heads. Chairs upholstered in human flesh. Lampshades fashioned of skin. A boxful of noses. A shade pull decorated with a pair of women's lips. A belt made of female nipples. A shoe box containing a collection of preserved female genitalia. The faces of nine women, carefully dried, stuffed with paper and mounted, like hunting trophies on a wall. A skin vest, complete with breasts, which had been fashioned from the tanned upper torso of a middle-aged woman.

I’ve always yearned to be a black man, to have a black man’s soul, a black man's laughter. You know why? Because I thought you were diflFerent from us. Yes, I thought you were something special, something difiFerent on this sad earth of ours. I wanted to escape with you from the white man’s hollow materialism, from his lack of faith, his humble and frustrated sexuality, from his lack of joy, of laughter, of magic, of faith in the richness of after-life. encouragement and signs of gratitude or recognition have been very few, if any, along my road. If humanity can be compared to a tribe, then you may say I’m completely de-tribalized. You love Negroes out of sheer misanthropy, because you think they aren’t really men. in the end all human faces look alike with nothing bright or hopeful around me, except those distant stars— and even there, let’s be frank: it’s only their distance that gives them that purity and beauty ideals don't die— obliged to live on shit sometimes, but don’t die! the company a great cause always keeps: men of good will and those who exploit them your skin, you know, is worth no more than the elephants’ hide. In Gennany, at Belsen, during the war, it seems we used to make lampshades out of human skin— for your information. And don’t forget, Monsieur Saint- Denis, that we Germans have always been forerunners in everything ‘Women,’ I concluded rather bitterly, ‘have at their command certain means of persuasion which the best- organized police forces do not possess.’ The number of animals who lived in cruel suffering, sometimes for years, with bullets in their bodies, wounds growing deeper and deeper, gangrenous and swarming with ticks and flies, could not be estimated to change species, to come over to the elephants and live in the wilds among honest animals Always cheerful, with the cheerfulness of a man who has gone deep down into things and come back reassured. No one knew the desert better than Scholscher, who had spent so many nights alone there on the starlit dunes, and no one understood better than he did that need for protection which sometimes grips men’s hearts and drives them to give a dog the affection they dream so desperately of receiving themselves. by ‘defending the splendors of nature . . .’ He meant liberty.” Islam calls that ’the roots of heaven.’ and to the Mexican Indians it is of life’— the thing that makes both of them fall on their knees and raise their eyes and beat their tormented breasts. A need for protection and company, from which obstinate people like Morel try to escape by means of petitions, fighting committees, by trying to take the protection of species in their own hands. Our needs- for justice, for freedom and dignity— are roots of heaven that are deeply imbedded in our hearts, but of heaven itself men know nothing but the gripping roots ...” . . . And that girl sitting there in front of him with her legs crossed, with her nylon stockings and cigarette and that silent gaze, in which could be read that stubborn need, not so different from what Morel had seen in the eyes of the stray dogs at the pound. but not even all that was comic and childish about him could deprive him of the dignity conferred upon him by his love for his Maker. that human mass whose physical strength was nothing compared to the faith and spirit that dwelt in him. Three quarters of the Oul6 traditions and magic rites had to do with war or hunting while it's easy to suppress a magic tradition it's difficult to fill up the strange voids which it leaves in what you call the primitive psychology and what I call the human soul The roots of heaven are forever planted in their hearts, yet of heaven itself they seem to know nothing but the gripping roots It must be very consoling to take refuge in cynicism and to try and drown your own remorse in a consoling vision of universal swinishness, and you can always

THE SEVEN STEPS OF SELF-TRANSFORMATION Illumination is the act of shining the light of consciousness on the egoic forces that obstruct our minds, things such as defense mechanisms, illusions, and other intellectual structures that obscure our capacity to see ourselves and all around us as Sacred. We can think of this as removing lampshades that cover up our inner One Mind's Light. Submersion brings us into deeper self-awareness by wading into the waters of our unconscious, our inner One Thing, thus opening the door to a productive dialog between the conscious and the unconscious selves, which can be considered respectively as our inner One Mind and One Thing. Remember, it is the interaction between these two that gives power to all creation, so it is important to get these forces into a productive dialog within us if we want our soul to create life. Polarization is a process through which we increase our awareness of inner duality— our One Mind and One Thing — and explore the paradox of their underlying unity and separation ability. Just as we saw in the story of creation, these two internal forces can use their separation to create a polarity, such as charging a battery, and this battery enhances our creativity. Merging is the actual fusion of these opposing powers that can also be known as our active and reactive inner natures, the conscious and the unconscious, the mind, and the soul. Here we start to blend the best of both, giving birth to what Egyptian alchemists call the Intelligence of the Heart, thus overloading our internal battery and our creative abilities. Inspiration takes Merging's creative potential and animates it with the Divine breath of life, introducing new dimensions beyond our ability to plan or monitor. The element of surprise threatens the illusion of the ego-self that it is in control, so a part of Inspiration causes the self-deception to die and fall away so that we can be reborn into the Light of Truth. In other terms, our True Self can be remembered. Refining takes from the previous step the divinely inspired solution and further purifies it, removing any last traces of the ego that would otherwise cloud our ability to see our True Self. We lift our human consciousness to the highest possible level to reconnect with the One Self, and Reiki is a wonderful tool to do so as you will know in the near future. Integration completes the process by uniting our One Mind, and One Thing's distilled essence, allowing us to experience their inherent Oneness at a deep level. This can also be considered as the union of spirit, soul, and body with matter. Saying it pragmatically, we take this state of awakened awareness and incorporate it into the very structure of our daily lives; it's not something we feel only when we're on a couch of contemplation or in a class of yoga. And then we return to the beginning, like the ouroboros, the snake eating its own tail, but this time bearing to bear our newly created insight. These are the seven stages of self-transformation, in a nutshell, and now is the time to weave Reiki into the picture.

lampshade, (lamp) shade, abat-jour без абажура unshaded

My ideal life is a quiet one. I like to read, to sit still in the same chair, with the lampshade at a certain angle, alone, or with Meagan nearby, and now and then, if I'm lucky, I'll come across a lovely phrase or fine sentiment, look up from my book, and feel the harmony of some notion, the justice of it, and know that everything is there. That's life to me, those privately discovered moments. I wouldn't settle for less, yet I don't expect a whole lot more, either.

Depression is, especially these days, an overused term to be sure, but never one associated with anything wild, anything about dancing all night with a lampshade on your head and then going home and killing yourself.

the lampshade prevents the beam of light from covering the whole surface. And if you do hang a number of lamps in a line, the usual rule of thumb is to leave one and a half times the width of the lampshade between each of them.

If you devote one evening’s study to the quantity theory of money, the next evening to the problem of the freedom of the will, the next to incidents in the life of Theodore Roosevelt, the next to historic types of lampshades, your mind may eventually become an interesting depository of stray bits of knowledge, arousing the same sort of quaint enjoyment in the minds of your associates as an old curiosity shop, or a second-hand bookstore in which yellow-backed novels of passion and intrigue rub shoulders with scientific treatises and religious sermons.

Stop pouting.” I pointed at Roary and his broody sexiness. “You want her? Then lay your claim. Are you a Lion or a lampshade?

It’s like she hides herself under a lampshade so no one will see how brightly she shines.

He talked about how sin is like the hidden specks on a lampshade that appeared clean, until the light was turned on to expose its imperfections.