Spider Man Comics Quotes

Coming from your friendly neighborhood Spider-Man!

With great power, there must also come, great responsibility

Peter Parker: I mean, what I do sometimes requires violence, but I'm not a violent man, I'm really not. But I just-- Mary Jane: You wanted to deck her. Peter: Twice. And I hate feeling that way. Why is it that people feel the need to take whatever little authority they have and shove it down your throat? And the smaller the authority, the bigger the shove. Aunt May: It offends you, doesn't it? Peter: Yeah, it does. Aunt May: Why? Peter: I -- What do you mean, why? Aunt May: Why does it offend you? Peter: Shouldn't it? Aunt May: If a lion broke out of its cage at the zoo, and bit you, it would hurt, sure, and you'd be upset, of course. But would you be offended? Peter: No, of course not. Aunt May: Why? Peter: Because that's the nature of a lion. Aunt May: Some people by nature are kind and charitable. You could say that some people, including at least one person at this table, are by their nature heroes. Ben always reminded me that we each contain all the nobler and meaner aspects of humanity, but some get a bigger dose than others of one thing or another. Some are petty, and mean, and uncharitable. That's their nature. You can hope for better, even try to lead them to be and you may even succeed. But when they behave badly, it's right to be upset by it, or hurt by it, but you can be no more offended by it than you can when a lion bites you.

Amazing? My heart fluttered. “But I don’t want Flash or Harry,” I murmured. “You want Spider-Man,” he finished for me, looking a little wistful. I shrugged. “And Peter Parker.” He looked at me, very seriously. “Then don’t settle,” he said.

At one point in the story, following a brazen daytime bank robbery, Electro is shown escaping from the authorities by climbing up the side of a building, as easily as Spider-Man . . . we see one observer exclaim, "Look!! That strangely-garbed man is racing up the side of the building!" A second man on the street picks up the narrative: "He's holding on to the iron beams in the building by means of electric rays—using them like a magnet!! Incredible!" There are three feelings inspired by this scene. The first is wonder as to why people rarely use the phrase "strangely-garbed" anymore. The second is nostalgia for the bygone era when pedestrians would routinely narrate events occurring in front of them, providing exposition for any casual bystander. And the third is pleasure at the realization that Electro's climbing this building is actually a physically plausible use of his powers.

I guess that’s what being Spider-Man means. Helping everyone, even when it doesn’t seem like a huge deal.

These days, superhero comics think the audience is certainly not nine to 13, it’s nothing to do with them. It’s an audience largely of 30-, 40-, 50-, 60-year old men, usually men. Someone came up with the term graphic novel. These readers latched on to it; they were simply interested in a way that could validate their continued love of Green Lantern or Spider-Man without appearing in some way emotionally subnormal.

Over the decade that movie producer Menahem Golan had retained the rights for Spider-Man, he’d managed to involve half a dozen different corporate entities. Golan had originally bought the Spider-Man rights for his Cannon Films; after leaving Cannon, he transferred them to 21st Century Films. Next, he raised money by preselling television rights to Viacom, and home video rights to Columbia Tri-Star; then he signed a $5 million deal with Carolco that guaranteed his role as producer. But after Carolco assigned the film to James Cameron, Cameron refused to give Golan the producer credit, and the lawsuits began. By the end of 1994, Carolco was suing Viacom and Tri-Star; Viacom and Tri-Star were countersuing Carolco, 21st Century, and Marvel; and MGM—which had swallowed Cannon—was suing Viacom, Tri-Star, 21st Century, and Marvel.

It hit me,then,while he stared down at me with a slight frown.I was standing almost chest to chest with Alex Bainbridge in a very small space. I backed up a step and bumped into the toilet. "I should go," I said, a little shakily. "I should go home." "Right." Always polite, he let me walk out first. "Next week....Next week, we can have our tutoring session in here. We'll discuss art. Or bathroom fixtures. You can sit up there"- he pointed to the counter- "next to the Willing." Now,out of the bathroom, and a few feet away from him, I could laugh- "Okay. Before you start to think that I am obsessive and insane, there has to be something,the sight of something, that would make you go all goofy." He didn't miss a beat. "Mademoiselle Winslow in a tutu. No..." He looked a little goofy when he said, "Spider-Man versus Doctor Octopus. July 1963." "That's a comic book, right?" He sighed. "Oh,Ella." Then, "Come on. I'll drive you home." "You don't have to-" "Yeah,I do.

Invizibilii. Îi vînam peste tot, îi colecționam, îmi populam paradisul interior cu ei. Trăim într-o civilizație a imaginii, se spune peste tot, într-un Ev Media, zice un filozof contemporan, what you see is what you get, spune înțelepciunea populară. Însă lucrurile stau, de fapt, pe dos: cînd în corpul realului imaginile au metastazat, imaginile care ni se refuză sunt cu atît mai hipnotice, ce nu se vede e cu atît mai prețios, nevăzutele și nevăzuții sunt obiecte de cult. Îi colecționam, prin urmare, pe invizibili cum ar fi colecționat un mistic dement fragmente din Graal. Pe nicicînd văzutul Thomas Pynchon, de pildă. Pe aproape nevăzutul Salinger. [...] Pe Terrence Malick, care, după ce Days of Heaven ia, la Cannes, în 1979 premiul pentru cel mai bun director și Oscarul pentru cea mai bună cinematografie, se retrage brusc din lume vreme de douăzeci de ani. [...] Pe Steve Ditko, creatorul lui Doctor Strange și co-creatorul lui Spider-Man, numit cîndva de presă un J.D. Salinger al revistelor comics, care s-a făcut invizibil în 1968 și n-a mai dat niciun interviu de atunci încoace (deși unii dintre vecini pretind că l-au mai văzut la supermarket, iar Stan Lee, mult mai celebrul lui coleg, celălalt co-creator al lui Spider-Man și inventatorul aproape tuturor marilor eroi de comics, declară că a avut o scurtă întîlnire întîmplătoare cu el prin '96). [...] Duzini, centurii, brigăzi, divizii întregi de eroi invizibili îmi populau creierul invizibil și inima invizibilă. Armada mea Invizibilă. Fără ea, lupta cu realul ar fi fost pierdută înainte de a începe. [...]

This Too Shall Pass

BENJAMIN Age: 10 Height: 5’1 Favourite animal: His dog, Spooky   Of all the Cluefinders, Benjamin is the most interested in sports. He is very physically active, playing football and cricket at the weekends, and often going for a morning jog with Jake, his next-door neighbour, and their Dads. Ben took some karate lessons until he decided that he never wanted to fight another person if he could help it. Like Chris, he loves to read comic books, and his favourite super-hero is Spider-Man, who is also very athletic. He says, “I love to exercise because it means I can eat whatever I want without getting fat!” Ben especially loves spaghetti Bolognese and pizza.   Ben has a dog, Spooky, who he plays with all the time. Ben has a soft spot for all animals, and supports the World Wildlife Fund, which aims to protect endangered wild animals which are at risk of going extinct. His goals for the future include travelling around the world, an ambition he shares with Clara. He would like to visit the countries of South America, where there is an abundance of wildlife.

Hello, Spider-man. You’re much taller in real life than you look in the comics.

A marketing hook, as opposed to a logline, is anything that entices an audience into a theater. In Transformers, Toy Story, and G.I. Joe, the marketing hooks were the toys themselves. In Spider-Man and Iron Man, the marketing hooks were the familiarity many moviegoers would have with the comic books. The marketing hook for West Side Story could be “A modern day Romeo and Juliet set among the gangs of New York.” Sometimes a marketing hook puts together two successful elements, so if you did a film about a predatory lion in Africa that kills people, you might say it’s “Jaws meets Out of Africa.

It means Daredevil had files, history, dirt, on all of his enemies. He was a lawyer. That's what lawyers do. They stack the deck in their favor. A lawyer doesn't ask the question unless he knows the answer. A lawyer doesn't go into a courtroom unless he knows he can WIN. That's what separated Murdock from the rest of the idiots like Spider-Man flailing around. Daredevil was PRECISE. Thought OUT. PREPARED.